DEPOIS DO FIM

This is the absolute masterpiece of Brazilian progressive rock. Mixing Yes (Mario Neto is kind of a brazilian Steve Howe, and Rick Wakeman would feel very pride if he heard his "discipule" Sergio Villarim), Italian bands and a little bit of Brazilian music(not as much as O Terço, for example), Bacamarte managed to achieve an unique sound, in this album. The singer has a beautiful voice and can sing calmly, like in Pássaro de Luz, or even remind rock´n´roll singers in Smog Alado. The flutist has a tyle that is between Ian Anderson and Andy Latimer, and like the first, he can make agressive flute rifs without losing beauty. É, escrever em inglês é um saco. Vida longa à maior maravilha do progressivo nacional!