THE PHYSICS OF FIRE

Becoming the Archetype may not be the most progressive of metal acts here on progarchives. Their music is rather straight forward at times, to a point where it might bore non-fans of more "extreme" metal. However if you are a fan of the genre, Becoming the Archetype actually bring together two very different approaches of metal together beautifully.

The band started out their career with the very good 'Terminate Damnation' a record which leaned more towards metalcore and straight forward death metal. However, it wasn't until 'The Physics of Fire' was released that they fully entered the progressive metal genre; highlighting the wonderful progressive aspect of their music that 'Terminate Damnation' failed to realize completely.

There are a number of things that make this band deserve their spot here on progarchives; aside from the obvious tempo shifts and intricate song structures in their music. They are one of the few bands that have attempted a fuse of metalcore(a genre I generally dislike) with progressive metal and succeeded. The result are epic songs with tons of raw power coupled with beautiful harmonics and interesting rhythm sections-- free of the angsty teenage feel of metalcore and the over pompousness of progressive metal. The result is fantastic.

The one thing that might turn people away from this band are their religious views and the way they express it in their songs. There are some pretty cheesy and provocative lines here and there. If you are a die hard atheist or dislike religious undertones in music; this might turn you off from the band.

If you are a fan of "extreme" metal and have an open mind towards metalcore and Christian metal, I'd recommend you to give Becoming the Archetype an honest try! You'd be surprised how much 'The Physics of Fire' grows on you just after a few listens.

A masterpiece within its rather limited genre.

4/5

Epoch of War is one of the best openers I have ever heard. BTA blend technical death metal with progressive elements so well. For fans of Opeth (myself a huge one), this is reminiscent. Being a Christian, I love BTA's passion expressed through their lyics. I love the metaphor of God as fire, and man encased in ice by sin and the evil one. There are numerous fast guitar solos, insanely fast drumming (blast beat extravaganza), and sweet keyboard intros and interludes. Wisdom's growls are sweet as well. The Autopsy SET ME ON FIRE breakdown is amazing (I have a BTA hoodie with that phrase on the back. AWESOME!!) These guys are very talented and write great melodic death metal with progressive elements. Thanks BTA! Five out of five! If you do not enjoy the world of growls and screams avoid this though. This is not prog's Genesis (who I hold in high esteem anyway)

'The Physics Of Fire' - Becoming The Archetype (6/10)

Considered by some to be this Atlanta-based metalcore act's greatest achievement thus far, Becoming The Archetype pulls out their technical and melodic brand of metal once again with their second album, 'The Physics Of Fire'. A sound similar to fellow US east coasters Trivium, the band has since come to be known for their overtly proggy take on metalcore, instrumental proficiency, as well as their Christian lyrical themes. Any precedent or previously held conception of the band aside however, 'The Physics Of Fire' does show a band that can easily stand their ground when it comes to their skills as performing musicians, but the album as a whole is held back by a rather derivative prog metal cheesiness and a somewhat superficial approach to songwriting that feels as if it may favour flash over substance.

'The Epoch Of War' opens 'The Physics Of Fire' on a note that seems all too traditional for the prog metal genre; a symphonic introduction followed by some anthemic metal riffs and then finally succumbing to some thrashy goodness. On their own, each aspect is done very well; melodic guitar licks blistering overtop some synth ambiance get the technical aspects of recording music down to a fine tune. However, especially for the metal fan out there that has heard a build up of intensity along these lines before, it is difficult to take Becoming The Archetype's music entirely seriously, when it's clear that their progressive leanings are leaning on top of conventions set in place even almost a decade before 'The Physics Of Fire' was released. Throughout the album though, there are always moments that seek to really give some sort of promise; passages that hint at the great potential that Becoming The Archetype could have if they shed their voracious attachment to their influences. Among these are some jazz guitar sections, as heard on the second track 'Immolation' or 'The Monolith', which are always a nice break from the rather over-the-top metal sections.

In terms of songwriting, many of the ideas here are excellent, but the band does have a bad habit of taking the very best that 'The Physics Of Fire' has to offer and cuts them short as soon as they are ready to create a real 'wow' moment. Moreover, while there are riffs and short passages that instantly impress in virtually every track, the way in which these ideas are put together in the structure of the song is rarely complimentary, either sounding generic (as was the case with the opener) or simply weak. An example of this is where the music breaks down into a jazzy melodic section with clean vocals halfway through 'The Monolith', and just as the vocal melody begins to pick up the pace, it abruptly segues into a conventional metalcore section, leaving the listener to wonder why Becoming The Archetype would have not chosen to develop some of the ideas here more fully, instead of trying to throw as many lesser concepts into each song as possible.

Becoming The Archetype are certainly a pretentious bunch of prog metallers, although their firm grasp of musicianship and chemistry as a band cannot be denied. 'The Physics Of Fire' is a fine album that could have been great, had the album been somewhat filtered, and had the better things heard here been focused on more than merely crowding the sound with a thousand riffs that often feel like they do not connect with each other, or go in any particular direction. A good second album from this band, even if it may not be reflective of their obvious potential as a band.