Joined: October 02 2005
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Points: 46843
Topic: 4th Round Mod: Spirit of Eden v. Shaming of the Posted: August 29 2015 at 09:07
Last one of the 4th round!
Last up... a battle of two greats! In previous rounds we did song samples, great PA's reviews, with this
round I wanted to do something a different. So I went outside PA's..
what do people outside of this site say about these albums.
Spirit of Eden by Talk Talk
Gorgeous and timeless Mark Hollis, like David Sylvian of Japan, Bjork of The Sugarcubes and
David Byrne of the Talking Heads, always seemed to be peeking over the
horizon and onto the next thing even while his band was appearing on
'Top of the Pops' or pandering to record label execs.
SPIRIT OF
EDEN is that moment when he finally realized that walking away from the
safety of the pop charts was far more satisfying than making an album
full of compromises.
SPIRIT OF EDEN isn't really a pop record or
a new wave record or a jazz record. It defies classification and yet
captures the heart of many pop, new wave and jazz fans alike. That is
because this is a collection of timeless music made all the more
memorable by Mark Hollis' frail and delicate musings on life, love and
the heartbreak of heroin.
There aren't synthesizer hooks or an
overkill of fretless bass as on previous Talk Talk efforts.. instead
you'll find passionately played harmonica and carefully orchestrated
horns and strings. This isn't your typical orchestral syrup poured over
pop tunes masquerading as art. These are gorgeous freeform songs played
with love and passion and held together by the thrill of hearing a band
performing at its creative peak.
I don't want to explain what
each of the six songs do for me personally because I think discovering
that for oneself is the real gift of SPIRIT OF EDEN. My only wish in
writing is that someone, somewhere, will read this and seek out a copy
for themselves. It has been two months now and I haven't taken it out of
my CD player.
I lied, I have another wish. That Mark Hollis
will read enough of these and be forced to consider making more music.
True, LAUGHING STOCK and MARK HOLLIS solo are wonderful too. It's hard
to imagine, however, what lovely music Hollis lives with in his mind
that might not see the light of day.
I don't expect that I'll be
without SPIRIT OF EDEN anytime soon. It has become a part of my nightly
ritual. Headphones on. Lights out. And the story begins...
The Shaming Of The True by Kevin Gilbert
As others have said, this album is
a masterpiece. Sadly, like many great artists before him, Kevin
Gilbert wasn't as fully appreciated as he should have been in his
lifetime, but that frustration led him to his greatest creative heights.
The way I see it, Gilbert's music was like the musical equivalent of
the current Ford Mustang, seamlessly combining early 70s retro and
modern styles and everything in between into a timeless whole greater
than the sum of the parts. Unfortunately, unlike the wildly popular
Mustang, Gilbert's music had difficulty finding a market, and for that I
blame the narrow-mindedness of the record company and radio station
executives. If it doesn't fit a predetermined radio-friendly format,
they don't market it. Kevin Gilbert understood this all too well, and
rather than compromise his vision, he chose to channel his anger and
frustration into this brilliant rock opera. Ostensibly the story of a
fictitious rock star named Johnny Virgil, I'm sure much of it was based
on his own experiences. What really boggles my mind about it is that it
wasn't completed at the time of his death, but thanks to the efforts of
his collaborators Nick D'Virgilio. John Cuniberti, and others, it
sounds every bit as polished as the other great rock operas, "Tommy",
"Jesus Christ Superstar", "The Wall", and "Scenes From a Memory", and
even more heartfelt. Stylistically, it runs the gamut from soft
acoustic guitar ballads to angry metal riffs, with a lovely piano ballad
and a baroque fugue thrown in for good measure. "Suit Fugue (Dance of
the A&R Men)" is one of the standout tracks, a satirical hodgepodge
of A&R clichés elaborately set to overlapping counterpoint to create
the head-spinning feeling of an artist being courted by several record
companies at once. "Certifiable #1 Smash" is even more bitingly
satirical, and so it goes, tracing Johnny's path from obscurity to fame
and back, skewering every target that deserves it along the way. I
agree with those who say this disc deserves to be on a "desert island"
list. It's immediately impressive and continues to get better with
repeated listenings.
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
Joined: October 12 2010
Location: Canada
Status: Offline
Points: 6451
Posted: August 29 2015 at 09:16
I like the last two TT albums but don't love them; I 'get' them but never really enjoyed them. I much prefer the TT offshoot .O.Rang to anything TT did. Gilbert is hit or miss with me...mostly miss.
Joined: March 12 2005
Location: Neurotica
Status: Offline
Points: 166183
Posted: August 31 2015 at 21:52
What a poor matchup.
Thankfully my vote will be irrelevant , so I'll pass.
Dig me...But don't...Bury me I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect.
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