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 (Im)Patience by MADELGAIRE album cover Studio Album, 2010
4.01 | 33 ratings

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(Im)Patience
Madelgaire Neo-Prog

Review by b_olariu
Prog Reviewer

4 stars Madelgaire - a very fine and intresting band from Belgium. They released one album untill now in 2010 named (Im)Patience. Well, I must tell that I was quite impressed by this album, very well done instrumental sections, pleasent voice , what else a winner for sure. There are lenghty pieces with complicated arrangements bordering neo with symphonic something close with what another band done in the past from Belgium Globalys who is also released with Madelagaire in terms of line up, and here and there hints from Genesis Wind and wuthering era. There are pieces sung in english and aswell french, both languages are fiting ok in this context, maybe the french one is little more pleasent and natural of course for the singer. Mellotrojn, guitars, drums, bass all is in good measure to creat a very leasent release. A nice one in the end and for that reason 4 stars from me, all pieces stands as great with a plus on Banquets De L'Equinoxe suite - divided in 5 pieces clocking around 30 min in lenght. recommended, nice digipak format.

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 Brighter Skies by FREDDEGREDDE album cover Studio Album, 2014
3.84 | 74 ratings

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Brighter Skies
FreddeGredde Crossover Prog

Review by Progrussia

4 stars Being a busy dad doesn't allow for much web surfing. 5-minute bursts of activity on PA. So I have to pick my pleasure. Out of the myriad I selected, no strong reason, on a whim, Heliopolis and this. While both are prog albums by prog fanatics for prog fanatics, Heliopolis takes a decidedly retro approach, and Fredde updates classic prog with a modern sound. On a base of symphonic prog snippets of everything can be heard, from metal to jazz and country. Yet, despite the occasional punchiness, what I like is that Larsson never loses the playfulness - from his wacky alias to the tinkling synths and warm vocal that wouldn't be out of place on a children's show. But this is no simple record - in fact, it can get quite convoluted at times. Densely layered songs-suits, different parts and instrumental solos whizzing by at an often dizzying speed. Its pretty impressive for what basically is a single-man project, but sometimes you will get the feeling that there is simply too much stuff going on. If you like this, here are some similarly-minded bands to check out - Simon Says (Tardigrade) for the quirky bombast, ACT for the playfulness and Flaming Row for eclectic-ness.

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 Pre-Emptive False Rapture by CHROME HOOF album cover Studio Album, 2007
4.12 | 13 ratings

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Pre-Emptive False Rapture
Chrome Hoof Crossover Prog

Review by siLLy puPPy
Prog Reviewer

5 stars CHROME HOOF is a London based outfit that excels at eccentricity. They consider themselves an experimental chamber rock orchestra. They are also known for their outrageous live shows where all of the many members dress in wild outfits and perform in strange avant-garde ways. I would love to see them! The story is that the founders and brothers Leo and Milo Snee were into totally different styles of music ranging from metal to electronic. When they decided to play together they couldn't decide which direction to go... so they went every which way at once! This is some unique sounding stuff indeed. Never before have I heard such a perfect fusion of metal, electronica, funk, swing jazz and chamber music. It is flawless. This is progressive music you can dance to.

PRE-EMPTIVE FALSE RAPTURE is their second album but the one that got them noticed. I have to say that this little sucka has really gotten under my skin. It keeps me coming back for more and more and more. I loved it upon first listen but now after a gazillion listens it just gets better. I'm constantly hearing it in new ways. The music takes major liberties in its development but everything stays within a fairly structured and accessible frame. The complexities are in the background and continue to reward time and time again. Each song focuses on a different genre of music but usually includes a bit from many. On some tracks there are multiple parts. You may get a funky metal beginning followed by a swing jazz break of some sort evolving into something more elaborate. Recently this album has percolated up to a 5 star rating for me. The sheer innovation is astounding. It is catchy and progressive at the same time. I could really see Cardiacs fans going for this one. It has that same totally whacked out approach to music but keeps it approachable at the same time.

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 The Human Equation by AYREON album cover Studio Album, 2004
4.19 | 912 ratings

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The Human Equation
Ayreon Progressive Metal

Review by siLLy puPPy
Prog Reviewer

4 stars For me listening to any AYREON album is little like going into a cheese shop. Arjen Lucassen really knows how to extract the absolute sappiest of power ballads and to me seems like a nurturer of 70s AOR / Pop rock bands like Styx into his musical equation. More often than not I am a little put off by his constant infatuation with the power ballad style of musical expression but there are times when his creative juices get flowing and he proves he is capable of something powerful and dynamic. The sixth album THE HUMAN EQUATION is one of those moments and yet another concept album / rock opera where each character is portrayed by a guest starring singer. Lucassen employs the talents of an army of vocalists and instrumentalists to create a musical rotisserie of vocal styles, musical motifs and narrations of a character called Me who is left in a coma from a car accident. Each song consists of one day spent in the coma and represents the spectrum of emotions and memories from his life that are played out by the musical cast. Unlike most AYREON projects, on this one Lucassen had help in the lyrics department from Devin Townsend who pretty much contributed the lyrical content and performance as Rage.

The music is in the vein of the usual AYREON style of part folk, part electronic and part metal. On HUMAN EQUATION there is also a lot of Irish jig music incorporated as well. This was my very first exposure to AYREON and I have to say that I have not been overly impressed with what i've heard on other albums. So far this seems to be the best album that i've heard. With all the praise that has revolved around this I was expecting it to be a perfect album but I find that the album is a little boring on Disc 1. The first several songs are just too folky and lack any bite. I'm not really engaged until track 7 with 'Hope.' Luckily this double discker picks up from here. I find the real treat is on Disc 2. This is where all the creativity and excitement unleashes itself. Songs like 'Trauma' and 'Loser' are utterly brilliant and really the whole disc keeps my attention with so much more going on than Disc 1. Overall I find this album to be partially worthy of the hype surrounding it but as with most AYREON albums it seems too long with some less than captivating material finding its way onto the track listing. I would probably give Disc 1 a 3 star rating while Disc 2 gets a 4.5 so for the whole kit and caboodle I award THE HUMAN EQUATION a whopping 4 stars.

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 Symphonic Live by YES album cover Live, 2009
4.21 | 214 ratings

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Symphonic Live
Yes Symphonic Prog

Review by Conor Fynes
Prog Reviewer

3 stars 'Symphonic Live' - Yes (60/100)

Whatever doubts I may have had about post-90125 Yes were dispelled with 2001's Magnification. Sure, most of the 90s had been wasted on bad pop and lazy songwriting, but Magnification (and to a lesser extent, The Ladder) proved to me that Yes could still churn out a lovely album, given the proper inspiration. Although Symphonic Live was released on CD in 2009, this live performance was recorded during the Magnification tour. A more comprehensive portrayal of their Amsterdam date at the Heineken Music Hall can be found on the Symphonic Live DVD package. Suffice to say, even for the sake of a live album, hearing the band's classic material played alongside a full- blooded orchestra would be many a progger's dream come true. It's that heavy expectation that makes Symphonic Live somewhat disappointing. I loved what Larry Groupé had done with the immersive orchestrations on Magnification, but the symphonic arrangements here feel like background ambiance in comparison. Add to that a fairly muddled mix to an otherwise inspired performance from Yes, and you have yourself a fairly live album. By all accounts it's not a bad or even misguided attempt, but it should have been so much better.

Though, from what I've heard, the DVD release is apparently infinitely more impressive than this, the symphonic element feels understated to a fault. The string harmonies and bombast is audible if you listen hard enough, but it's almost always drowned out by the band's performance. It's obvious the band should remain the central attraction in a symphonic experiment like this, but adding an orchestra would have only been a worthwhile investment if it added something substantial to the music. The orchestral intros are a nice showcase for the symphony, but the arrangements to the classic material add no new dimensions. Even an epic like "Close to the Edge" (which is as close to classical composition as rock music gets) doesn't seem to take advantage of the vast potential here. What's more problematic is that many of the songs have been slowed down accordingly, supposedly to make room for the symphonic sweeps and flourishes. As far as the CD component to Symphonic Live is concerned, it wasn't worth it. Still, this is Yes we're talking about, and they have some of their best material here. The performances aren't as lively or essential as Yessongs, but you can't go wrong with the prog-heavy setlist they chose for it. In spite of the lazier tempo, "Close to the Edge" remains an absolute titan of a track. Sessioneer Tom Brislin fills Wakeman's shoes snugly, to the point where I could have sworn it was Rick playing those parts himself. While the pace and tone of Yes' performance is more leisurely than I would have preferred, Jon Anderson's voice is bright and shows little sign of aging here.

If you remove the superfluous orchestrations, you're left with a perfectly capable Yes album, with most of the tracks I might have liked to hear on one of their live albums. Even so, an album entitled Symphonic Live begs to be judged primarily on the merit of its orchestral contributions; in this sense, the album is a disappointment. Beyond the muddied mix (which could be forgiven- Yessongs suffered from the same thing) the orchestration suggests a sense of bombast, but lacks the determination to infuse itself into the composition. The symphony is a pompous backdrop to an otherwise strong performance from the band. It's reasonably good, but it's nothing that Yessongs and Keys to Ascension didn't offer years before.

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 Magnification by YES album cover Studio Album, 2001
3.76 | 803 ratings

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Magnification
Yes Symphonic Prog

Review by Conor Fynes
Prog Reviewer

4 stars 'Magnification' - Yes (79/100)

In so many ways, Magnification rides on the precedent set by The Ladder. As was the case on The Ladder, the strong epic tracks may not be quite enough to excuse the inconsistent pop songwriting, but Yes truly sell their 17th album on account of the passion they've put into arranging and executing it. Even without the full orchestral treatment, I think Magnification could have held its own against anything the band had released in over twenty years.

Whereas so much of Yes' post-Drama material is cumulatively shat upon by their fans and critics, the short period beginning with their Keys to Ascension duology and ending with Magnification escaped the brunt of the storm. After how bad things got with Open Your Eyes (a next-to-worthless AOR album if ever I've heard one!) Yes seemed to get the message, and decided to turn their sound around for the better. The fresh studio material on both Keys to Ascension 1 + 2 was well-intentioned and proggy, but lacked soul and inspiration. In spite of a few weak tracks, The Ladder aptly demonstrated that Yes were still capable of releasing great prog in their fourth decade of existence. Magnification, then, is the next logical evolution in this short Yes renaissance. Not having employed a full-bodied orchestra since 1970 with Time and a Word, the fact alone that Yes were bringing symphonic prog full circle was pretty audacious, particularly for a band who, earlier on Union, didn't sound like they had a clue where they wanted to go.

Most of Yes' orchestral experiments have felt superficial to me- Time and a Word only used the symphony in spurts, and the Symphonic Live orchestral renditions of classic material rarely did more than shadow the guitar and bass lines. In any case, Larry Groupë orchestral arrangements here proved to be a wonderful surprise. Although the focus remains almost always on the band themselves, these songs were clearly written with enough 'fill in the blanks' room for Groupë to make the orchestral contribution relevant. These songs could have existed well enough on their own, but the symphonic arrangements make them come alive.

Using a symphony (even as background accompaniment) in rock music is always ambitious, but it doesn't often work. Even if the orchestra holds the potential for intensity and bombast that rock musicians often strive for, people have become too desensitized by the fanfare of action film soundtracks to make it so exciting when the symphony is made to sound as energetic as their rock counterparts. The Michael Kamen-conducted orchestral rendition of Metallica's S&M is an example of the hokey bombast Yes cleverly avoided here. There are times when Groupë's orchestral arrangement gets bold alongside the guitars, but the beauty of the arrangement lies in the fact the symphony transcends a merely supportive role. Although the rest of the song isn't particularly well written, the two minute orchestral to "Give Love Each Day" is as beautiful and tender as anything on the album. The fact that so much of the spotlight is given to the orchestra makes the symphonic experiment so much more than the ego trip it usually is for bands.

Although the symphony adds an expected sense of grandeur to the proceedings, Magnification may very well be the most laid-back album Yes have ever released (I'm not going to give Heaven and Earth the credit of mention here). The passion from The Ladder is here, but there's nothing here as wacky and caffeinated as "Homeworld" here. There is a confidence and sense of purpose on Magnification I don't think Yes had experienced since even before Tormato in 1978. While the soft epics ("Dreamtime", and "In the Presence Of" especially) still comprise the best the album has to offer, the quality of the regular songs has considerably increased over The Ladder. Despite its mid- tempo pacing and orchestral overlay, "Spirit of Survival" is one of the hardest rocking tunes Yes had done in ages. The title track has a pleasantly 'classic Yes' feel to it, and the beautifully pastoral moments on "We Agree" more than compensate for the cheesier AOR influences. "Soft as a Dove" is short, but it's a gorgeous showcase for Jon Anderson's voice, who sounds just as he did thirty years prior.

Sadly, not everything shines so brightly on Magnification. Other songs are less successful; "Don't Go" sounds like a pop tune you might hear on "Big Generator"- it's catchy and cheerful enough, but ultimately feels out of place on the album. While I've already mentioned how much I love the first two minutes of "Give Love Each Day", the rest of the song is dampened by a chorus that is far too do-goody to be saved by the confidence Yes performing it with. Also, while the rose-tinted lyrical imagery doesn't really detract from the album, given the fact that Jon Anderson was once writing lyrics about massive battles, Hindu vedic shastras and the exodus of alien peoples via mythic Moorglade, I might have hoped a Yes album this good would have been given some more fascinating narrative material.

Whatever Magnification's faults may be, they're far outclassed by the major strides Yes achieved here. It's a brief period of inspiration and clear-sightedness you wouldn't expect to see from a band that had been going for so long, much less a band that had spent the better part of the decade prior writing wallpaper rock. In some cruel twist of fate, the album on which Yes finally 'got it back' would be their last, at least until the Benoit David-fronted Drama-wannabe Fly From Here a decade later. Oh well. The important thing is that the post-Tormato era released at least one great Yes record. At the time, I think that was more than any of us were rightfully expecting.

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 Overloaded by RIGONI, ALBERTO album cover Studio Album, 2014
3.97 | 7 ratings

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Overloaded
Alberto Rigoni Heavy Prog

Review by andrea
Prog Reviewer

4 stars Overloaded is the fourth solo album by Alberto Rigoni, a talented bassist and composer from Montebelluna, in the province of Treviso. It is dedicated to the memory of bassist Randy Coven and during the recording sessions Alberto was helped by Denis Novello (drums), Federico Solazzo (keyboards), Simone Mularoni (guitars), Marco Sfogli (guitars) and Fabrizio "Bicio" Leo (guitars). The album was self-released in 2014 and features a nice artwork by Chris Van Der Linden that in some way tries to describe its musical content. In fact, Overloaded was conceived as a conceptual work inspired by some issues of the contemporary society: "I think that everything is going too fast today and one of the reasons is technology: hyper fast communications (mostly through social networks), multitasking activities, tons of information as well as misinformation, products, services? In a couple of words ? we are OVERLOADED! The Internet has changed our lives, and even though it is indeed a great tool we have to be careful and use it judiciously. Excessive use may cause several diseases such as stress, depression, and social isolation", explains Alberto Rigoni on his website. Anyway, there are no liner notes nor lyrics to explain the concept behind the music and the storyline is completely up to your imagination...

The short, hypnotic opener "What's On Your Mind?" sets the atmosphere with a question and pulsing bass lines in the background evoking strange psychoanalytical sessions. Then, with the title track the rhythm rises and you're drawn in a vortex of energy: "Overloaded" is an excellent track, very rich in ideas and with a touch of exoticism.

The following "Chron" is frenzied and conjures up the images of a wild race against the clock that never stops... Next come the calm, dreamy "Floating Capsule", where you get lost in space and time, and the aggressive "Corruption".

The title of the following "Ubick" recalls a 1969 science fiction novel by American writer Philip K. Dick that takes place in a world where technology has advanced to the extent of permitting civilians to reach the Moon, and psi phenomena are common. In the novel Ubik is the name of a powerful substance but can be also considered a metaphor for God... Well, the music here is absolutely sparkling and I think that it would be a perfect score for a sci-fi film or a technological thriller!

"Multitasking" is a short track where the bass plays all the multiple roles and leads to the powerful, vibrant "Liberation" while the reflective "Glory Of Life" concludes this interesting album where there's no room for boredom. Anyway, have a try and judge by yourselves: you can listen to the complete album in streaming on bandcamp.

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 Building the Bridge / Live In America by TRANSATLANTIC album cover DVD/Video, 2006
3.84 | 45 ratings

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Building the Bridge / Live In America
Transatlantic Symphonic Prog

Review by nandprogger

4 stars It's so hard speak of this DVD, but there is two things which are opposite here. First, is which there are a good playlist to hear, inclusive one track which is not in others recordings, the fantastic covers of the bands of components and the track "mystery train" which I know have to record in video in other DVD; this recordings are the high point of this DVD. But the quality of this video recording is so bad, perhaps for the year of record, the cameras are in a bad position and fixing in some places, I remember of some DVD's of MAGMA ( the place it's so tight), don't can see the fans, and the cameras presenting delays. My score is 3.8: for the choice of tracks

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 A Forest of Fey by GANDALF'S FIST album cover Studio Album, 2014
4.85 | 8 ratings

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A Forest of Fey
Gandalf's Fist Neo-Prog

Review by franklogan1956

5 stars I pre-ordered this ages ago after listening to the excellent "day in the life of a universal wander". Originally I was intrigued to have this as part of my collection, being the completest that I am I was especially interested in the contributions by Clive Nolan and Gryphon's Dave Oberle (huge gryphon fan here!!)

I am loathe to do a track by track review, firstly because I still have the impression that this CD has yet to fully digest into my system, but mainly because this album flows like one long song with many of the tracks transitioning into each other? something I always enjoy in a concept piece (mindcrime being my fave example)

The album, overall has a mix of folk and psychedelic prog (and almost mixed with maiden-style riffs at times) ? with the individual songs being diverse due to the addition of guest musicans (special credit going to the female vocalist who sounds SUPERB!).

After loving their last release so much and looking forward to this one for what seems like months now I have to say I am far from disappointed ? there is a 'moody' overall quality to the record that gives it a definite sense of "otherworldlyness" , something that is emphasised by excellent King-Crimson-esque sections like "Circus in the Clearing" and eerie whistles from Donockley that tie the LP together.

As previously mentioned I'm a fan of folk-prog like Gryphon and Tull so the direction the band has chosen for this album is truly up my street (even can hear some Anderson-inspired flute toots in there at some points!)

One slight niggle at first as the record sounded a bit quiet to me? but I cranked it up a notch (never one to fully approve of the nonsensical "Loudness wars" these days)? and man - What a journey, what a ride, what a trip! If you're looking for something a bit different, a bit refreshing and a bit strange this is definitely one to add to your collection!

I liked them before but the Fist have made a fan of me!

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 Thorn by ENSLAVED album cover Singles/EPs/Fan Club/Promo, 2011
3.04 | 11 ratings

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Thorn
Enslaved Tech/Extreme Prog Metal

Review by thwok

3 stars I'm not a black metal fan generally, or its sibling subgenre death metal. The black metal label attached to a band would not be incentive enough for me to seek out their music. What makes Enslaved one of my favorite bands, along with Leprous and My Dying Bride to name two black metal-influenced bands, is how they've added other elements. They've adapted a very limited form of music into something interesting. I can't think of a better definition of "progressive." That being said, I wouldn't pick Thorn as a starting point for this band. I agree with the general consensus that The Sleeping Gods is a better release. The two songs here are a little too repetitive and ambient. Of the two, I like "Striker" more. I don't want to be unnecessarily harsh; Enslaved's music is always interesting. This is just isn't on the same level as much of their material; it doesn't exhibit the same creativity and progress as their other releases. Therefore, I'm going to give it three stars.

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  94. Syzygy (214)
  95. NJprogfan (211)
  96. seventhsojourn (211)
  97. Raff (211)
  98. Progbear (206)
  99. aapatsos (203)
  100. TheGazzardian (196)
Remaining cache time: 291 min.

List of all PA collaborators

TOP PROG ALBUMS
  1. Close To The Edge
    Yes
  2. Thick As A Brick
    Jethro Tull
  3. Selling England By The Pound
    Genesis
  4. Wish You Were Here
    Pink Floyd
  5. Foxtrot
    Genesis
  6. In The Court Of The Crimson King
    King Crimson
  7. Dark Side Of The Moon
    Pink Floyd
  8. Animals
    Pink Floyd
  9. Red
    King Crimson
  10. Godbluff
    Van Der Graaf Generator
  11. Fragile
    Yes
  12. Nursery Cryme
    Genesis
  13. Pawn Hearts
    Van Der Graaf Generator
  14. Moving Pictures
    Rush
  15. Per Un Amico
    Premiata Forneria Marconi (PFM)
  16. Hybris
    Änglagård
  17. Larks' Tongues In Aspic
    King Crimson
  18. Io Sono Nato Libero
    Banco Del Mutuo Soccorso
  19. Hemispheres
    Rush
  20. Mirage
    Camel
  21. Moonmadness
    Camel
  22. Si On Avait Besoin D'Une Cinquičme Saison
    Harmonium
  23. Storia Di Un Minuto
    Premiata Forneria Marconi (PFM)
  24. Relayer
    Yes
  25. The Road Of Bones
    IQ
  26. Darwin!
    Banco Del Mutuo Soccorso
  27. A Farewell To Kings
    Rush
  28. Kind Of Blue
    Miles Davis
  29. Birds Of Fire
    Mahavishnu Orchestra
  30. In A Glass House
    Gentle Giant
  31. In a Silent Way
    Miles Davis
  32. Crime Of The Century
    Supertramp
  33. Ommadawn
    Mike Oldfield
  34. Hot Rats
    Frank Zappa
  35. The Silent Corner And The Empty Stage
    Peter Hammill
  36. Still Life
    Opeth
  37. Aqualung
    Jethro Tull
  38. Meddle
    Pink Floyd
  39. Permanent Waves
    Rush
  40. H To He, Who Am The Only One
    Van Der Graaf Generator
  41. Depois Do Fim
    Bacamarte
  42. The Raven That Refused To Sing (And Other Stories)
    Steven Wilson
  43. Images And Words
    Dream Theater
  44. Metropolis Part 2: Scenes From A Memory
    Dream Theater
  45. One Size Fits All
    Frank Zappa
  46. The Yes Album
    Yes
  47. Scheherazade And Other Stories
    Renaissance
  48. The Lamb Lies Down On Broadway
    Genesis
  49. The Grand Wazoo
    Frank Zappa
  50. A Trick of the Tail
    Genesis
  51. Still Life
    Van Der Graaf Generator
  52. The Snow Goose
    Camel
  53. Time Control
    Hiromi Uehara
  54. Second Life Syndrome
    Riverside
  55. In The Land Of Grey And Pink
    Caravan
  56. Rock Bottom
    Robert Wyatt
  57. Zarathustra
    Museo Rosenbach
  58. Octopus
    Gentle Giant
  59. Hatfield And The North
    Hatfield And The North
  60. Banco Del Mutuo Soccorso
    Banco Del Mutuo Soccorso
  61. Free Hand
    Gentle Giant
  62. The Power And The Glory
    Gentle Giant
  63. Arbeit Macht Frei
    Area
  64. Radio Gnome Invisible Vol. 3 - You
    Gong
  65. Blackwater Park
    Opeth
  66. Spectrum
    Billy Cobham
  67. The Inner Mounting Flame
    Mahavishnu Orchestra
  68. Misplaced Childhood
    Marillion
  69. Rubycon
    Tangerine Dream
  70. Space Shanty
    Khan
  71. K.A
    Magma
  72. The Perfect Element Part 1
    Pain Of Salvation
  73. Mëkanīk Dëstruktīẁ Kömmandöh
    Magma
  74. Viljans Öga
    Änglagård
  75. Elegant Gypsy
    Al Di Meola
  76. L'isola di niente
    Premiata Forneria Marconi (PFM)
  77. In Absentia
    Porcupine Tree
  78. Acquiring the Taste
    Gentle Giant
  79. Ghost Reveries
    Opeth
  80. Emerson Lake & Palmer
    Emerson Lake & Palmer
  81. Felona E Sorona
    Le Orme
  82. Doomsday Afternoon
    Phideaux
  83. Hamburger Concerto
    Focus
  84. Fear Of A Blank Planet
    Porcupine Tree
  85. Lateralus
    Tool
  86. Script For A Jester's Tear
    Marillion
  87. Bitches Brew
    Miles Davis
  88. ~
    iamthemorning
  89. Memento Z Banalnym Tryptykiem
    SBB
  90. If I Could Do It All Over Again, I'd Do It All Over You
    Caravan
  91. Operation: Mindcrime
    Queensr˙che
  92. Crimson
    Edge of Sanity
  93. De-Loused In The Comatorium
    The Mars Volta
  94. Pale Communion
    Opeth
  95. Anabelas
    Bubu
  96. Anno Domini High Definition
    Riverside
  97. The Snow Goose (Re-recording)
    Camel
  98. Voyage Of The Acolyte
    Steve Hackett
  99. Ocean
    Eloy
  100. Caravanserai
    Santana

* Weighted Ratings (aka WR), used for ordering, is cached and re-calculated every 15 minutes.

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