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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 04/26/2015

Tom (Roland113)
Matti
Roger (Roj)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.28 | 922 ratings
THE ROAD OF BONES
IQ
4.24 | 1747 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1668 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.17 | 535 ratings
CONTAGION
Arena
4.13 | 1071 ratings
CLUTCHING AT STRAWS
Marillion
4.10 | 766 ratings
FREQUENCY
IQ
4.14 | 408 ratings
POSTHUMOUS SILENCE
Sylvan
4.09 | 891 ratings
MARBLES
Marillion
4.13 | 400 ratings
A TOWER OF SILENCE
Anubis
4.06 | 579 ratings
THE VISITOR
Arena
4.08 | 355 ratings
EMPIRES NEVER LAST
Galahad
4.05 | 532 ratings
EVER
IQ
4.06 | 427 ratings
FANFARE & FANTASY
Comedy Of Errors
4.03 | 789 ratings
DARK MATTER
IQ
4.10 | 277 ratings
SEVEN
Magenta
4.15 | 148 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.00 | 542 ratings
THE SEVENTH HOUSE
IQ
3.97 | 1097 ratings
FUGAZI
Marillion
4.06 | 238 ratings
THE TALE OF THE GOLDEN KING
Psychedelic Ensemble, The
3.97 | 835 ratings
BRAVE
Marillion

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TALES FROM THE DAM
Healing Road, The
TRAVELLER
Magus (The Winter Tree)
VOICES
T
CROWN OF CREATION
Emerald

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Latest Neo-Prog Music Reviews


 The Clockwork Fable by GANDALF'S FIST album cover Studio Album, 2016
4.50 | 14 ratings

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The Clockwork Fable
Gandalf's Fist Neo-Prog

Review by Miss Anthropia

5 stars Since I have really enjoyed "A Forest of Fey" back in 2014, I was curious about the new Gandalf's Fist album, especially after checking out the website they set up for "The Clockwork Fable" in order to introduce the entire concept and to provide detailed background information on the story they came up with. A civilisation under the surface of the Earth, the servants of darkness against those to try to find their way back into the light... It was clear right from the start that this was going to be something special.

I got my Digi-Pak a couple of days ago, it's beautifully designed and came with a signed card and a guitar plectrum with a symbol on it that can also be found on the website mentioned above. Very nice! Three CDs, three acts, more than three hours of playing time... very obvious that this is anything else but an ordinary prog album. "A Forest of Fey" was great, but this one's better - well, maybe "better" is not the right word, to say "it's different" would be more appropriate. "The Clockwork Fable" is more like a radio play; between the songs, the entire story is told by professional actors they hired for the job. I have to admit I was a little sceptical when I read about the spoken parts at first, but after a few minutes of listening it became obvious that the concept works very well, adding some nice goosebumps moments to your listening experience. It's like listening to a movie that you can see in your mind.

But even if you're not in the mood for a radio play, you can easily skip the spoken parts and just enjoy the music. And there's definitely a lot to enjoy! The opener, "Shadowborn", has a catchy melody and whets the appetite for more. And as you go on, you won't be disappointed. Each and every song on the album is beautifully composed with recurring themes standing for the different characters of the story. You'll find epic prog songs such as the Lamplighter trilogy, beautiful ballads ("Eve's Song" is definitely one of the highlights), but also some harder stuff like "At the Sign of the Aperture", which is one of my personal favourites. But in fact, it's hard to name any favourites at all since each song has a fascination of its own, all of them very complex so that every time you listen, you'll discover something new.

Guest musicians such as Dave Oberlé, Blaze Bayley, Arjen Lucassen and Melissa Hollick make sure that each of the story's main characters have their own singing voice which makes the entire story even more authentic. And in the end, after a long, epic journey, while listening to the final song, "Through the Lens", you'll feel as if you, in fact, see the sun rising for the very first time in your life. Gandalf's Fist at their best. Brilliant.

 The Clockwork Fable by GANDALF'S FIST album cover Studio Album, 2016
4.50 | 14 ratings

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The Clockwork Fable
Gandalf's Fist Neo-Prog

Review by MrHaddington

5 stars I got this mammoth of an album (three CD's in a fantastic designed DigiPak with over 3 hours of music and radioplay-bits on it) a few days ago (pre-ordering directly at the band's website rules!), and had in in my player since then. Gandalf's Fist have outdone themselves with this one *again* - even if you're not into all those radio-play dialogues and acting stuff, you still end up (by programming the player to just play all the EVEN track-numbers) with over 2 hours of fantastic music.

It's a general mixture between old and new, between sheer mandness and pure genious, spiced with a keen sense of beautiful and hooking melodies. Several songs end with such epic endings ("A Solemn Toast for the Steam Ranger Reborn" or "The Lamplighter (Parts IX-XIII)", to name just two), that you might think the albums over now. But then it moves on, even topping the preceeding songs. It is really hard to make out *THE* stand-out song, as there's so many of them. You're into ballads? Then "Eve's Song" and "The Clockwork Fable" might be just for you. Some more "pop-prog" stuff? Checkout "The Lamplighter (Parts XIV-XV)" or "Through The Lens". I could go on like that for ages, I have not heard something like this before - such diversity, such brilliant songwriting, so many melodies that won't go out of your head even after first listen!

I sometimes caught myself humming or whistling some yet familiar, but somewhat unknown melodies recently, and I wondered where I got that melody from - turns out it was one of the many parts and melodies hidden in this album.

But, besides the beautiful music - there's a story being told between (and within) the songs. It's the odd fight of good against evil, of we we simply never seem to get enough of. Here, the love for detail is at a really high quality, with the accompanying website Gandalf's Fist have set up. Really drags you into it, and after listening to half of the Album, you just cannot stop it, you want to find out if the band of rebels makes it in the end, or if "evil" prevails...

To sum it up: This seems to be Gandalf's Fist at their peak. I couldn't imagine them to become any better, but they probably will prove me wrong one day. Until then, I have this absolutely fantastic album to digest.

Truly deserved 5/5 Stars!

 Spirit by COMEDY OF ERRORS album cover Studio Album, 2015
4.01 | 188 ratings

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Spirit
Comedy Of Errors Neo-Prog

Review by Warthur
Prog Reviewer

4 stars This is one of those prog albums where the lyricist decides to tackle the big questions of life and death and whether there's anything after that and all that jazz - think IQ's The Wake or Ever for preceding examples in a neo-prog context, though anyone with a reasonably-sized prog collection can probably cite a bunch more. It's also one of those albums where the artists decide to be proggier-than-thou by including a really epic song - in this case, the titular Spirit is a 45 minute epic, and then there's a last song tacked on at the end as a sort of epilogue - a bit like Mike Oldffield's Ommadawn has On Horseback at the end.

So, there's the blueprint, but how did Comedy of Errors do on the implementation? Reasonably well! The lyrics are not going to offer any major philosophical revelation to anyone who's been at least momentarily thoughtful on the subject of mortality, but the same old sentiments are at least expressed in a pretty way, with a mostly solid musical backing. That said, I don't think it's as consistent as the preceding Fanfare and Fantasy, and I think there are moments where the challenge of constructing the long piece overshadowed the requirement to make sure every piece of music was top-notch.

 The Twenty Seven Club by MAGENTA album cover Studio Album, 2013
3.85 | 187 ratings

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The Twenty Seven Club
Magenta Neo-Prog

Review by poito

3 stars Good the band Magenta had time to think over their return's Chamaleon. This 27 gets them back to the good track. And whit it, the prog heroes sounds return. It seems these guys need to get dressed in their youth musical sleeves to get inspired. Unfortunately, the composition only gets high at times. As usual, the singer Christine would have been better mouth closed. She puts emotion only from time to time. Some tracks are written to wear voices, like Pearl, The Gift or The Devil at Crossroads. These are fillers on my view, songs for a TV show. The natural inputs in this album are The Lizard King, Ladyland Blues, and Stoned. I coincide with other guys in that they might have put a bit more of the honored musicians in the respective themes. If they tried, no one noticed it. A great idea and a missed opportunity.
 Spirit by LEGEND album cover Studio Album, 2013
4.05 | 98 ratings

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Spirit
Legend Neo-Prog

Review by Modrigue
Prog Reviewer

4 stars Dark spirit

For LEGEND's 25th anniversary, the band released its fifth studio opus, "Spirit". The first thing that we can say is that Josephine Wall's artwork is just wonderful. Another important point to mention is the new vocalist Beck Sian, who replaces Kerry Parker. An inspired choice as her large range voice is quite similar to Kate Bush's and can be very theatrical at times. Furthermore, original guitarist Paul Thomson, who was absent from "Cardinal Points", has now reintegrated the band. For the first time, although composed of five songs, the title "Spirit" breaks the tradition of LEGEND's concept albums based on chronological record order. Once said, what about the music?

The style extends the own personal "pagan hard neo-prog" approach developed on the four previous records, however in a much darker and haunting atmosphere. Less folk, the music incorporates now more and more heavy and symphonic metal elements and goes back to epic compositions. This evolution shows Steve Paine and co. reaching new unexpected heights.

The opener "Leap of Faith" is simply bombastic. With its church organ and choir opening and raging guitars, this track really rocks! This beginning part sounds sometimes like THERION-meets-RUSH, while the middle part is softer. Then the beginning theme is reused and the ambiance become more oppressive, to finish with a heroic ending. Great! The only short song of the disc, "Wood for the Trees", is an epic heavy neo-prog little gem, with a powerful melody.

The 18 minutes "A Tangled Skein" is the longest composition of the album. Softer, the ambiance is sinister and haunting, like a witches dance. The ending sounds quite tribal with the percussions and the mystical flute. However, there are some repetitive passages. "Crossing of the Ways" is the only weak track of the record. Despite Beck Sian's excellent performance and its mysterious introduction, the melody is a bit boring and the light mood contrasts with the somber atmosphere of the disc. Back to epic knights tales with "State of Grace". This great ender has a delicate piano opening, that unveils a catchy rock song with raging guitars and rhythm changes. The style is in the vein of "Leap of Faith".

"Spirit" is clearly the darkest and most metallic LEGEND album to date. Most tracks displays a nightly pagan fantasy ambiance, the only fault being "Crossing of the Ways". The only other drawback is the dated 80's synthesizers sonorities, typical of the neo-prog genre. Apart from these small points, the compositions are very nice. The music is coherent with the cover art, the dark medieval forest theme is respected.

If you enjoyed the other LEGEND albums, you may be surprised at first listen but you surely won't be disappointed. "Spirit" marks an evolution for the band while keeping their own identity, and announces great things to come. Highly recommended to neo-prog, and even symphonic metal fans!

 Fetish by SEVEN STEPS TO THE GREEN DOOR album cover Studio Album, 2015
3.98 | 189 ratings

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Fetish
Seven Steps To The Green Door Neo-Prog

Review by King Manuel

2 stars A highly ambitious album by a band of great instrumentalists that unfortunately as a whole fails: too many styles, too many changes in time signatures and keys and way too long, in my opinion. There are a number of great parts and passages on this album and a few tracks are ok but overall this album feels very disjointed and lacks something I can not really put my finger on. Which is a pity since this band is capable of delivering much more. Their previous album (The ? Book) worked for me in terms of a well-integrated concept where nothing felt out of place and which had a convincing deep emotional atmosphere. This clearly lacks here.

I gave this album many spins, hoping it would grow on me as it has so many good reviews,came with a high recommendation from a friend and I just love their previous album. The urge to fast forward or skip tracks was ever present while listening to it. Like another reviewer says: "an album one does not look forward to listen to". To make things worse, I find the cover very off putting and the "secret packaging" did not add to improve things.

 Cardinal Points by LEGEND album cover Studio Album, 2011
3.79 | 97 ratings

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Cardinal Points
Legend Neo-Prog

Review by Modrigue
Prog Reviewer

3 stars Any element you like

Fifteen years after their previous opus, LEGEND finally reunited and composed their fourth studio album, "Cardinal Points". Founder keyboardist Steve Paine and drummer John Macklin are the only original band members. The new vocalist Kerry Parker sings in a lower key than Debby Chapman. The style remains roughly the same as on the first three records, fantasy hard neo-prog. However, the music tends to be more polite, less heroic and lively than on "Triple Aspect".

"Cardinal Points" is a reference to the number four and thus continues the tradition of LEGEND's concept albums based on chronological record order. For this opus, the tracks name represent the four primary elements: Earth, Air, Fire and Water. Furthermore, each song incorporate its corresponding sonorities.

The opening of "Carved in Stone" is quite mystical with a didgeridoo and bird sounds. Then the ambiance alternates between folk and hard prog, with flute and guitar. There is also some nice keyboards playing. "Whisper on the Wind" is softer, and even spacey by moments. Maybe the most calm composition of the record, with acoustic instruments and dreamy atmosphere. Featuring guitar and synthesizer solos, it sometimes reminds OZRIC TENTACLES by moments. Although the middle part is a bit too long, this piece is overall pleasant.

As you may expect, "Spark to a Flame" is more aggressive and punchy. Again, this piece contains cool guitar and keyboard interventions. The melody is quite epic and lyrical. The only problems are the dated 80's electronic sonorities. "Drop in the Ocean" is the longest track of the disc. With its futuristic ambient introduction, relaxing passages and various instruments, this song is also the most progressive. Orchestral keyboard sounds, acoustic guitar and flute playing by guest musician Claire Foster make the music liquid and fluid, which suits well the title. The ending is smooth but nonetheless average.

"Cardinal Points" contains some weaker and lengthy passages, as well as cheesy sonorities. Less oriented towards knights and heroic fairy tales, tending to more consensual neo-prog, the band manages however to keep their own musical identity of "pagan hard neo-prog". This fourth studio opus is a bit uneven, but overall pleasant. Recommended to neo-prog lovers and even to folk-prog fans if they're not afraid of 80's synthesizers.

This a just the beginning of LEGEND's second life...

 Medium Rare  by JADIS album cover Boxset/Compilation, 2001
2.99 | 23 ratings

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Medium Rare
Jadis Neo-Prog

Review by Progrussia

3 stars British band Jadis plays accessible, energetic guitar-driven neo-prog (in layman's terms - long-ish songs with multiple lead themes, guitar-synth interplay), running the specter from adult-oriented rock to hard rock. This a collection of EPs and various outtakes, dating from the first decade of the band's recording career (considered to be their best, although all albums merit a spin). But given the 70-minute length, the strength of the original material and the fact that the songs have been remastered or rerecorded in a way that brings out the instrumental power of the band (important, given the later Jadis tendency to drift into blander forms of AOR), it is a worthy, if unspectacular, listen
 Triple Aspect by LEGEND album cover Studio Album, 1996
3.73 | 18 ratings

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Triple Aspect
Legend Neo-Prog

Review by Modrigue
Prog Reviewer

4 stars A legend is born?

What an improvement compared to the first two albums! "Triple Aspect" is undoubtedly LEGEND's best studio opus of their first period, the 90's. The music and sound have greatly matured, the compositions become more complex and incorporates breaks and rhythm changes in the vein of RUSH and RENAISSANCE. While still "medieval hard neo-prog", the style is now heavier and rock-ier. One more time, Debbie Chapman's voice is quite enchanting and suits well the fairy tale ambiance. Let's hear what these modern minstrels brought back from their journey through this fantasy land.

The powerful opener "Cunning Man" is an epic metal piece that makes you want to raise your sword on a knight horse. "Holly King" is also a very nice energic song, with medieval and folk touches. The 12 minutes mini-epic "Lyonesse" is a bit uneven. Despite its pleasant slow fairy intro, the middle sung part is a bit boring and impersonal, sounding more like average neo-prog. The weakest track of the record. The haunting "All Hallows Eve" possess a pretty eerie opening and an oppressive atmosphere coherent with the witches dance theme.

Then comes the highlight of the disc, the 30 minutes mastodon title track! This epic suite can sometimes remind RUSH's "2112" in its construction and heavy prog style with synthesizers. All progressive elements you're looking for are present: changing rhythms, breaks, varied atmospheres, instruments soli... It also incorporates folk elements and sounds even a little futuristic by moments! Maybe some parts could have been shortened, but the overall result is very good and will transport you to another world of knights and sorcery...

More ambitious and united than the former opuses, "Triple Aspect" shows the band defining their own musical identity. Furthermore, this refreshing style is quite uncommon. One of LEGEND's best albums, and an essential listen for neo-prog or progressive folk fans!

 Once Or Twice (EP) by JADIS album cover Singles/EPs/Fan Club/Promo, 1996
2.48 | 10 ratings

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Once Or Twice (EP)
Jadis Neo-Prog

Review by Progrussia

3 stars Once or Twice is another Jadis EP of older material that was released between main albums. But the material is original and of high quality, so it merits a separate mention. Songs on Once or Twice average 5 minutes, which is shorter than the "old" Jadis standard of 6-to-7. But the emphasis is on instrumental firepower, and the song constructions resemble "old" Jadis with intricate intros, melodic verses, power chords and in-your-face solos. The EP starts with two energetic rockers, followed by a power ballad and a live rendition of one song off the classic More than Meets the Eye album. Maybe not the best songs of Gary Chandler's career, but good and three stars.
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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
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