NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm | Show Top 100 Neo-Prog | More Top Prog lists and filters


4.27 | 308 ratings
MISPLACED CHILDHOOD
Marillion

4.25 | 356 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion

4.24 | 141 ratings
THE VISITOR
Arena

4.30 | 109 ratings
CONTAGION
Arena

4.07 | 208 ratings
MARBLES
Marillion

4.19 | 101 ratings
MOONSHINE
Collage

4.30 | 70 ratings
POSTHUMOUS SILENCE
Sylvan

4.04 | 174 ratings
CLUTCHING AT STRAWS
Marillion

4.04 | 149 ratings
PURE
Pendragon

4.03 | 156 ratings
BRAVE
Marillion

3.98 | 206 ratings
DARK MATTER
IQ

4.05 | 115 ratings
FREQUENCY
IQ

4.08 | 95 ratings
EVER
IQ

3.99 | 136 ratings
THE MASQUERADE OVERTURE
Pendragon

4.04 | 105 ratings
THE SEVENTH HOUSE
IQ

4.16 | 63 ratings
SEVEN
Magenta

4.07 | 80 ratings
EMPIRES NEVER LAST
Galahad

3.90 | 190 ratings
FUGAZI
Marillion

4.04 | 81 ratings
THE WINDOW OF LIFE
Pendragon

4.00 | 87 ratings
INTO THE NIGHT
Satellite

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts

TIMANFAYA
Healing Road, The
TRAVELLER
Magus
THE SPARROW
Metaphor
HUNTING THE FOX
Ines

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Latest Neo-Prog Music Reviews


 Planet Earth by WATCH, THE album cover Studio Album, 2010
5.00 | 1 ratings

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Planet Earth
The Watch Neo-Prog

Review by crazyprog

— First review of this album —
5 stars Let me be the first to review this cd. I can't remain objective when I review an album from The Watch simply because when I hear them, they tickle hidden memories from my youth. I grownt with the music of Genesis since "Nursery Crime" era, The Watch play that way but not simply cloning that kind of music. For me The Watch reached the top with the Vacuum album, this one is almost at the same level.There's nothing new here but I can't get tired to listen the album again and again. I can only mention track 6, the shorter, with the contribution of John Hackett on flute that makes the song like "I talk to the wind" meets the Genesis. Bought this cd two days ago at a concert from the Watch, listened a dozen of times, everytime is like the first time. Recommended for all Genesis Gabriel era fans who feel young in their hearts.
 Believe by PENDRAGON album cover Studio Album, 2005
3.49 | 92 ratings

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Believe
Pendragon Neo-Prog

Review by snobb
Special Collaborator Jazz Rock/Fusion

2 stars I always have difficulties when speaking about Pendragon music. Possibly, they are just oriented to too different listener than me. But whenever I just trying to listen them time to time, I have my impressions on some their works as well.

First of all, this album surprised me being so bulky - there are few better melodic songs, with not-so-bad musicianship, and some songs which sound just terrible for me. I believe, that neo-prog is wrong place for searching on master musicianship or brave experimentalism. But even between these Genesis-influenced soft-pop-rock bands there are some professional ones. This Pendragon's album sounds for me as badly organized collection of some slow folk-influenced songs with half-spoken voice, few strange compositions with dated electronics on them and few more average typical Pendragon songs (Marillion songs shadows).

I am not regular neo-prog listener, possibly it is a reason, why I was almost shocked by level of musicianship on this album. Simple, almost pop-songs, worst then average arrangements. I don't want to speak about vocals -everyone who heard Pendragon music knows, that this is their weakest point. So - few standard mid-tempo melodic songs - is it enough for average prog album?

Sorry, I know that the band has many fans, so possible my point of view will sound not pleasant to some of them. I just tried to say what I felt when listened this album - with some arguments why I felt like that.

I believe band fans aren't too much interested in my review whenever it is point of view from outside world. But for not neo-prog maniacs I couldn't recommend this album at all, there are better works for sure.

 Skellig by MR. GIL album cover Studio Album, 2010
4.00 | 1 ratings

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Skellig
Mr. Gil Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

— First review of this album —
4 stars When I saw this new new CD by former Collage and Satellite guitarrist legend Mirek Gil I was not sure if I should get it. After all his solo output was not really what we should expect from someone responsible for defining the sounds of two of the best polish bands ever. Mr Gil´s debut was nice but a little too bland. His other band Believe had its moments, but recently released the disapponting This Bread Is Mine, so I was not expecting much. However, when I noticed that all the titles in Skellig were in polish I immediatly sensed a kind of ´back to roots´ feeling on it. And, fortunatly, I was right. This new CD brings Mirek Gil doing what he does best, great prog guitar stuff.

So what does it sound like? Think of early Collage with a much better production and without the keyboards. Instead Gil makes a complete CD using only guitars as solo and harmonic instruments (usually the acoustic guitar as the basic guide and the electric guitar for soloing and harmonies). For the rhythm section he is accompanied by his old colleagues of original Collage and Satellite times: leader, songwriter and founder member Wojtek Szadkowski on drums and Przemas Zawadzki on bass. For the vocals he called Believe´s newest recruit Karol Wroblewski. You may feel (like me) that some keyboards lines could add a little color here and there. But, really, this a guitar genius solo album and he proves his point very well here. You won´t miss anything.

All songs are of very good quality, if not too varied. Wroblewski´s vocals are just great and he is sounding much better here than on This Bread Is Mine. He truly deserved another chance with a more progressive work and he is the best singer ever to appear on one of Gil´s projects thus far.

Forget all the grunge/alternative/pop experiments Mirek Gil was doing on his various solo projects before. This is the truly prog guitar album we all waited to hear for so long. His guitar is all over the place and full with his melodic, tasteful, trademark solos and licks. But there is room for others to do their part very well. Everything works here and there are no fillers.

If you like a good guitar driven prog album in the vein of Steve Hackett´s best stuff you should not miss this one.

Fans of Collage, Satellite and melodic prog in general, rejoyce!

 Endgame by LIKE WENDY album cover Studio Album, 2005
2.96 | 15 ratings

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Endgame
Like Wendy Neo-Prog

Review by Marty McFly
Collaborator Errors and Omissions Team

2 stars I already said it in previous review (2003 album), I in general like Neo-Prog music. But except first track, there is almost nothing interesting, even below quality of "Homeland". This is the end, my only friend the end. Bunch of sounds added together in something. Just reading/watching Lord of the Rings films, so I was pleased by presence of song "Moria", but it also didn't do what it should - any kind of entertainment / cultural / intelligence / interesting impact. However, this song is probably the best what's here (except first one and even it has interesting just few seconds - this riff that's there, even it's soon boring again).

2(+), no no and simply no.

 Homeland by LIKE WENDY album cover Studio Album, 2003
3.36 | 9 ratings

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Homeland
Like Wendy Neo-Prog

Review by Marty McFly
Collaborator Errors and Omissions Team

3 stars I rarely agree with previous reviewer/reviewers completely, but this time, I agree almost completely with tszirmay. However, I even I agree with facts, I don't like it this way. Moods, yeah, they're here, atmosphere too, unfortunately not working for me. Even I've tried to enjoy it more, but still, it seems like average record to me. Which makes me somehow sad, as Neo-Prog is of these genres that are almost always direct hit in my liking. And as few times before, also now this 13 minutes epic passed by, almost unnoticed, not giving much, while not being burden, not doing any harm. Aw, I hate this. This band seems nice, interesting, but this album has no appeal for me, nothing extremely interesting, it's just average. And so

3(-) for something that is, nothing more..

 The Noble Pauper's Grave by PROTOS album cover Studio Album, 2007
2.00 | 1 ratings

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The Noble Pauper's Grave
Protos Neo-Prog

Review by avestin
Special Collaborator

— First review of this album —
2 stars A few years ago Rory Ridley-Duff started posting in several prog and music forums about his band Protos re-releasing its 1982 album One Day A New Horizon. Later came the announcement that a new album will be released called The Noble Pauper''s Grave. As I''ve only heard a few samples from their previous album, One Day A New Horizon and liked the little I heard, I was intrigued to hear this new release. I am not sure how this compares to that album but I hope that the previous album is better than this one.

This album (like several other prog bands) takes its sound from both the old and new. There are vintage sounding keyboards along with more powerful, modern sounding guitars (and overall production), making it a hybrid of past and present. This is instrumental, with several narrative parts giving a background to the idea behind the music and all of it is a part of the bigger concept this album deals with. Here is what the press release says about the album: "The Noble Pauper''s Grave (released 18th October 2007) tells the story of a man born to privilege who rejects his upbringing. Drawn to the plight of the poor, he helps to organise and rally support for their cause whilst finding love amongst them. A tale of humility, tragedy, courage and affection conveyed through ambient narratives and rock music"

The first track is dynamic and exciting, but then I find it weakens somewhat to duller, less inspired (or rather less inspiring to me) tracks. It has this slow, ponderous and even romantic feel in some of the tracks, but I''m not taken away by those and they mostly pass me by. Even a track like "Rally", an 11 minute long composition which is more energetic than the previous ones, just strikes me a superficial, trying to make impression with bombastic arrangements than actual melody writing and composition. It has a nice shell to it, but there''s no content. It sounds like a superficial and bland rendering of Mike Oldfield and ELP at times (especially the musical chorus). The keyboard solo part is lost on me, but the guitar does manage to bring this track back to life while it plays and then it all recedes back to the quite boring and pompous aspect of the track (again to me, I am sure others will like, especially after reading glaring reviews of the album).

While it is a well done and melodic album, one that is nice to listen to, there are no hooks or any special memorable pieces or parts to it that make me think about it afterward and say "ah, yes that was a memorable experience, one that I want to come back to later". Plus, there are too many places in the album I just lose interest. It''s not a bad experience; but it isn''t one that particularly strikes me as being special or worthy of any special attention in the plethora of progressive rock albums coming out in these times. However, I think that many listeners will find many good qualities in this album to make it worth their time, so the above mentioned criticism is obviously my own view and should not deter any symphonic prog fans and any sophisticated, mostly instrumental rock listeners. It is a melodic, mostly melancholic and beautiful record. Only that to me, as one who loves all styles of music, I find nothing too special and I will not give this future listens probably (maybe one or two more times at most). I am not in the business of trashing musicians efforts and composition, so I don''t want to give the impression this is bad music; quite the contrary. It is well written and executed. This is a matter of taste, and this doesn''t appeal to me that much. There isn''t much in terms of excitement in the music, no ear candy, no musical click. As I like this sort of prog rock among the many other styles I like, I prefer to give my attention to other records which I find to be much better, more attractive and more exciting.

I honestly can''t recommend this to others, but to make up your own mind about it, you can listen to samples on the band's myspace and website and you can read more views there as well.

 Powered By Light by KINETIC ELEMENT album cover Studio Album, 2009
3.00 | 1 ratings

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Powered By Light
Kinetic Element Neo-Prog

Review by avestin
Special Collaborator

— First review of this album —
3 stars Kinetic Element was originally formed to perform keyboardist and vocalist Mike Visaggio's music form his solo album Starship Universe, released in 2006. Things, however, took a turn and they liked the idea of playing together as a band and along with playing covers of classic rock and prog-rock songs, they have been playing their own original material. Some of it already released as a promo ep, The Powered By Light Suite in 2008. In 2009, the band self-released Powered By Light

In 2008 I got to hear Kinetic Element's demo ep, The Powered By Light Suite, and though production-wise, there was a lot left to be desired, the music on it was enough to make me anticipate their future release. It came in the form of Powered By Light, self-released in 2009. As was the case for the ep, here too ELP serves as a major point of reference, as are Yes, Genesis and Procol Harum to a smaller extent. The tunes are very accessible and melodic. All the songs are written and composed by Mike Visaggio except for one, the instrumental Meditation, composed by guitarist Todd Russell.

There is a sense of hope prevailing in the songs, which I feel in both the tone of the music itself and is also evident from the lyrics. They speak of trying to overcome obstacles, believing in oneself and not fearing them. I for one am not thrilled with these type of lyrics, but then again, they are not that much "in the way" of enjoying the music for me. I do appreciate the way Mike Visaggio sings them and adapts them to the rhythm (take for instance The Ascent). However, at times I wish a more rasp and crude voice would take the lead or join in to add another element to the sound. Mike also serves us some beautiful and hooking keyboards work. The keyboards are at the forefront the majority of the time and set the tone of the music as well as the pace at times. However, the rest of the band are more than able at backing (and even leading or soloing ? check the guitar solo in Now And Forever) and accompanying, giving the songs the volume and breadth they require to sound properly (although at times I'd appreciate less use of cymbals). Peace Of Mind, Peace Of Heart showcases a beautiful interplay of guitar and keyboards and a well done development of a theme and side theme. I'd recommend this to fans of "symphonic-prog" and the above mentioned bands. This is not an essential album, but it contains some good and appealing songs .

 Twilight by NIGHT WATCH, THE album cover Studio Album, 1997
3.51 | 21 ratings

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Twilight
The Night Watch Neo-Prog

Review by psarros
Prog Reviewer

4 stars 4.5 stars actually!

Nowadays known simply as THE WATCH,this incredible band was formed in 1993 in Milan under the influence of main man/singer/flutist Simone Rossetti.They had often problems regarding their line-up,but finally the band managed to release their first album ''Twilight'' in 1997,after which line-up and rehearsals problems continued,leading Rossetti to a total line-up lifting and to the renaming of THE NIGHT WATCH to the simpler THE WATCH.

Rossetti and his friends tried to catch the old'n'good GENESIS spirit of the Gabriel-era and transform it to the 90's without many changes...and they did it so well! Propably this band is as closest as it ever gets to 70's GENESIS,with Rossetti having a similar to PETER GABRIEL voice and the band performing this delicate symphonic rock of the 70's masters.What can anyone say about tracks like ''Ivory soul'',''The fisherman'' or the ''The Black cage''?...or you can pick any of the rest...you will be astonished!Top notch compoisitions with plenty of mellotron sounds, symphonic organs, crying guitars (just when MARILLION also come at mind) and a series of dramatic performances by Rossetti, making me think of PETER GABRIEL at his best.The stunning melodies are there, the lost-in-time GENESIS symphonic approach is there, the guitar/keyboard smooth interplays are also there, the soft mellotron sound just thrill me, one of the best singers/performers nowadays is present as well.As I'm in love with old GENESIS,I couldn't ask for more!The only negative point: total lack of originality of course... but I think those for whom old GENESIS are just a pleasant memory, won't have a problem with that

... and I bet Simone Rossetti was born to do this... recapturing the vintage spirit of PETER GABRIEL and his company.One of my top 10 releases of 1997!

 Frost*fest by FROST* album cover Singles/EPs/Fan Club/Promo, 2009
5.00 | 3 ratings

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Frost*fest
Frost* Neo-Prog

Review by EnderEd

5 stars I picked up Frost*'s "Experiments..." on reading recommends on ProgArchives, and glad I did. So naturally, when Frost*Fest came out, I had to give it a whirl -- Would they be any good as a live act? Whoa! And then some. The musicianship, vocals, and production are just as tight, but with even more vibrancy/energy than the studio cuts, if that's possible. Most times when I hear a live album, the applause serves as white-space filler. Not so here -- Instead I feel myself caught up and applauding right along with the audience. While the cuts represented from "Experiments" are pretty much verbatim, the Milliontown offerings feel lifted and fresher. This is a band to watch. I felt 2009 was a tough year for decent prog (decent music at all, for that matter), but Frost*Fest leaves me with hope of things to come. Easily my favorite new release of the year. Cheers!
 Gemini by SOLIS album cover Studio Album, 1996
3.81 | 13 ratings

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Gemini
Solis Neo-Prog

Review by b_olariu
Prog Reviewer

4 stars Solis is a brazilian progressive rock band with one album under their wings released in 1999. A good friend of mine and a prog connoisseur, Virgil, was kind enough and give a copy of this album. I was very pleased what I heared, symphonic prog with a touch of folk in places, and definetly, at least for my ears this is not neo prog as is stated in their page. What stroke me was the voice of Ricardo Figueiredo, for quite some time I never heared such emotional voice, such sadness in his tone, excellent. If the instrumental passages are from symphonic prog , like the first track or the last the longest one, the middle of the album, here are only 4 pieces, tracks 2 and 3 are almost pure acustical pieces with with a folk touch , superb arrangements and amazing vocal parts. Even it may sound strange for some reviewers but my fav piece are not the more up tempo ones, or the most longer and sophisticaded ones, but the third piece, L'essence, sung in french with a funny accent, but man what a piece , such sadness in a man voice I quite never heared for many years on prog band, It put a tear in my eyes, superb. The second choice is the first track, the most intristing one and the most symphonic prog from all 4. Great musicianship, even is not a spectacular piece, it containing some very good moments, both on vocal arrangements and instrumental passages. One of the most enjoyble album I heared lately from Brazil, similar with Temp Fugit, infact a musician from that band, the bass player , helped Solis on track 4. 4 stars easy, quite unnoticed band, but worth every second, belive me, the accustical parts, the more up tempo ones, the voice , all is well done, sincere band. Recommended.
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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AIRBAG Norway
AISLES Chile
ALBION Poland
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
AMANDA Belgium
ANAMOR Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARGOS Germany
ARK United Kingdom
ARRAKEEN France
ASGARD Italy
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
AUFKLARUNG Italy
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
BELLAPHON Japan
BIJOU Spain
BLIND EGO Germany
BLIND OWL United States
FABRICE BONY France
BRASSÉ Netherlands
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMOS Switzerland
CREDO United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISTANT DREAM United States
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDHELS Monaco
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
EMERALD Netherlands
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVOLUTION United Kingdom
EVOLUTIVE France
EYE 2 EYE France
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
FAUN Germany
FINAL CONFLICT United Kingdom
FINN ARILD Norway
FISH United Kingdom
FLAMBOROUGH HEAD Netherlands
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRENDEL Poland
GREY LADY DOWN United Kingdom
HARNAKIS Spain
HARVEST Spain
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIGH SPY United Kingdom
HIGHER CIRCLES United States
HYBRID United Kingdom
ICE Netherlands
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
THE LENS United Kingdom
LEVIATHAN (ITA) Italy
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MAD PUPPET Italy
MAD TEA PARTY Germany
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS United States
MAJESTIC United States
MALOMENOS Chile
GEOFF MANN United Kingdom
MARATHON Netherlands
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASQUE Sweden
MAYBE France
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
METAPHOR United States
MILLENIUM Poland
MINDGAMES Belgium
MK II United Kingdom
MOONRISE Poland
MORIA FALLS United Kingdom
MORPHELIA Germany
MOTHS United Kingdom
MR. GIL Poland
MR. SO & SO United Kingdom
MULTI-STORY United Kingdom
MUTE ALBINO Belgium
MYSTERKAH France
MYSTERY Canada
NAVIGATOR United States
NEGUA Spain
NEMEZIS Poland
NEO-PROPHET Belgium
NEPENTHE United States
NEW EDEN ORCHESTRA United States
NIADEM'S GHOST United Kingdom
THE NIGHT WATCH Italy
NO NAME Luxembourg
NO RESTRAINTS United States
NOLAN & WAKEMAN United Kingdom
ERIK NORLANDER United States
NORTH STAR United States
NOSTALGIA Italy
NOVEMBER Netherlands
NOVOX Netherlands
NOW Belgium
NUMEN Spain
NYL Russia
ONZA Spain
OPUS EST Sweden
MARTIN ORFORD United Kingdom
OSIRIS Bahrain
THE OTHER SIDE United States
OVERDRIVE Italy
OVERLOAD Pakistan
OVNI El Salvador
PALLAS United Kingdom
PANGAEA United States
PANTOKRAATOR Estonia
MATTHEW PARMENTER United States
PARZIVALS EYE Multi-National
JAKE PASHKIN Russia
PAX ROMANA Finland
PBII Netherlands
PENDRAGON United Kingdom
PETER PAN Poland
PHAESIS France
PHENOM India
PHREEWORLD United States
PI XPRNC Venezuela
PICTURES Italy
PILGRYM United Kingdom
PLACKBAND Netherlands
PRIMITIVE INSTINCT United Kingdom
PRODUCT United States
PROFUNA OCEAN Netherlands
PROTEO Italy
PROTOS United Kingdom
PROVIDENCE Japan
THE PSYCHEDELIC ENSEMBLE United States
PTS Netherlands
QUADRA France
QUASAR United Kingdom
QUIDAM Poland
QUMMA CONNECTION Finland
QWAARN Canada
RAEL Argentina
RED SAND Canada
REVELATION United Kingdom
RICOCHER Netherlands
RIVENDEL Spain
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