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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 1/3/2020

Luca (octopus-4)
Keishiro (DamoXt7942)
Dan (earlyprog)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.25 | 2195 ratings
MISPLACED CHILDHOOD
Marillion
4.24 | 2049 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.23 | 1289 ratings
THE ROAD OF BONES
IQ
4.17 | 1381 ratings
CLUTCHING AT STRAWS
Marillion
4.16 | 668 ratings
CONTAGION
Arena
4.15 | 486 ratings
POSTHUMOUS SILENCE
Sylvan
4.16 | 415 ratings
RESISTANCE
IQ
4.10 | 1113 ratings
MARBLES
Marillion
4.10 | 938 ratings
FREQUENCY
IQ
4.16 | 303 ratings
LOVE OVER FEAR
Pendragon
4.12 | 437 ratings
EMPIRES NEVER LAST
Galahad
4.09 | 481 ratings
A TOWER OF SILENCE
Anubis
4.06 | 697 ratings
THE VISITOR
Arena
4.05 | 688 ratings
EVER
IQ
4.05 | 692 ratings
THE MASQUERADE OVERTURE
Pendragon
4.04 | 945 ratings
DARK MATTER
IQ
4.16 | 180 ratings
NIGHT DREAMS & WISHES
Modern-Rock Ensemble
4.06 | 344 ratings
SEVEN
Magenta
4.01 | 684 ratings
THE SEVENTH HOUSE
IQ
4.02 | 504 ratings
FANFARE & FANTASY
Comedy Of Errors

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

CROWN OF CREATION
Emerald
TRAVELLER
Magus / The Winter Tree
TALES FROM THE DAM
Healing Road, The
SONGS FROM PENNSYLVANIA
Ezra

Latest Neo-Prog Music Reviews


 Numbers by LIGHT DAMAGE album cover Studio Album, 2018
4.03 | 32 ratings

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Numbers
Light Damage Neo-Prog

Review by alainPP

5 stars LIGHT DAMAGE is putting the cover back on with an immense album that will become cult over the years. A group from nowhere or from a dark little road on a moonless evening to an endless destination; LIGHT DAMAGE which takes off started in 2005 to cover titles from different groups then slowly defined its style of music to offer something unique. Their eponymous 2014 album already at its best for me ... LIGHT DAMAGE or the OLNI (unidentified Luxembourg object)! On the influence side, because we often look for influences to know if we will read the column to the end. I will quote you GENESIS just for the use of a "Musical box", MARILLION for the flute and the guitar, SYLVAN'S for the phrasing and the long flights, a little of JETHRO TULL and of KING CRIMSON in bulk and of David DARLING for the cello used and a lot of LIGHT DAMAGE because this group has its own sound! This is where it gets interesting! Indeed, this implies that you risk diving into the album as I literally dove into "Misplaced Chilhood" or "Clutching at Straws" a few years ago now, without concessions, without control and without research. 'influences! OLNI I tell you!

Regarding the titles, 6 including a Dantesque of almost 20 minutes with use of cello, flutes as in the good old days, phrasing monologue; from "Number 261" the rhythm organ to the 30''TO MARS, a plaintive guitar à la KING CRIMSON 2nd version accompanied by an energetic and very present drums set the tone (failing the A!) on duet voices . "Bloomed" follows with this haunting, alluring instrumental where the guitar plays in jerks just long enough to introduce "From Minor to Sailor". This flagship title that stunned me: a plaintive guitar, melodic synths, a clear almost aerial drums on one side, the two voices that call out around 5 minutes for a sweet exchange, a break around 7 minutes to rest a little before moving on to a Rotheryien solo. An atmosphere again Misplacienne (the darkest moment of the title) around 9 minutes then opening on a succession of instrumental and vocal returns and a final around 16 minutes on the resumption of the main air as if nothing had happened. passed before. Until the flute concludes this epic journey on a miner wanting to build a boat. A plaintive, melancholy and also paradoxically lively sound. The second part of the album, like in the days of LPS and other K7s, begins with relaxing cello notes before giving way to the voice and then to the enjoyable guitar with Rothery returns; an exhilarating beautiful crescendo. "Phantom Twin" comes along with an explosive intro, AYREON-style atmospheres on the voice of P. DICK, bringing here also a plaintive song with detours on the neo-progressive current of the 80s, but updated, boosted with a more raised sound , demonstrative and striking. Lastly, verses by E. GALEANO on a calm, sober tune giving pride of place to classical piano and violin instruments, just to return to the current world.

This 48'30 '' album struck me by the mastery of the tunes on offer, by the logical thought given to the instruments, whether wind or electric. By the time given to the guitar often plaintive then less melancholy to give more hope to the atmospheres, by the distribution of almost meditative, dark atmospheres followed by others more cheerful to bring to a note of serenity at the end of this album! You will understand, a very great moment for a band that has transcended and captured a sound of the 2020s, quite simply! An OLNI bomb !!

 A Trace of Memory by SANGUINE HUM album cover Studio Album, 2020
4.24 | 13 ratings

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A Trace of Memory
Sanguine Hum Neo-Prog

Review by Grumpyprogfan

4 stars My first listen of this release was underwhelming. What did I miss, was I not focusing? It was good, solid but mellow, sounding familiar. "The Yellow Ship", the available song before the album came out, was awesome. So fast forward to several listens later and I can say, I was so wrong with my initial thoughts on "A Trace of Memory". This is a brilliant release that could now be my favorite Hum. Dark, brooding, heavy, and more Canterbury sounding than their usual output. Superb arrangements and changing moods through each song with plenty of instrumental breaks to showcase the bands fiery passion. Half the album is instrumental, and songs with vocals have space for jamming. Joff is throwing down some awesome guitar riffs. He is a severely underrated guitarist and the rest of the band mates aren't too shabby. I don't understand why they aren't more popular with the prog folks. Easily in my top five albums of 2020. This band deserves more exposure and this release should be required listening for all music lovers. 4.5 stars rounded down, but it may go up with repeated listens.
 A Trace of Memory by SANGUINE HUM album cover Studio Album, 2020
4.24 | 13 ratings

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A Trace of Memory
Sanguine Hum Neo-Prog

Review by Tull Tales

5 stars This one took a few listens for me. It is definitely in the same general mold as their others, but was just enough different to cause a little shock to the system. I feel like there is a little more movement in the guitar, just slightly heavier sounding as well. There are three outright instrumentals and four vocal tracks, although even the vocal tracks consist of a fair amount of instrumental content, especially the thirteen minute "The Yellow Ship".

The tight and somewhat jazzy sound are still here, but throw in some dissonance and some King Crimson like winding guitar lines and it makes for a great listen. Also at only 43 minutes, it does not overstay its welcome. In fact, now that it has grown on me, it leaves me wanting more, which is always good.

Another winner from this under appreciated band. Please give them a listen. Several listens in fact!

 Love Over Fear by PENDRAGON album cover Studio Album, 2020
4.16 | 302 ratings

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Love Over Fear
Pendragon Neo-Prog

Review by A Crimson Mellotron

4 stars An excellent, uplifting, and memorable album. Pendragon's latest craft is musically reminiscent of their previous release, with the exception that 'Love Over Fear' is not really a dark album. There is still a cathartic feel to many of the songs but they are generally, as I said, uplifting.

Lyrically, Nick Barrett tells us stories about philosophy, love, beauty, being misunderstood, and definitely the central theme here is the sea. This, of course, corresponds to a recent change in his life ' moving to Cornwall in the UK.

His voice sounds absolutely fantastic, but this is something that applies to the whole album which is excellently mixed and mastered. Productionwise, it is better done that its predecessor and the band seem to have found the right moments where to stop playing, which results in just a few fractals of the whole LP that could be considered of excess.

With all this said, there are same purely magical compositions here, songs like 'Everything', 'Truth and Lies', 'Eternal Light', 'Water' and 'Who Really Are We?' reveal the full power and capability of the band. Majestic and grandiose soundscapes camouflaged in Nick Barrett's interesting lyrics and brilliant guitar playing, resulting in a fabulous and elevating listening experience. Moreover, I would not refer to any of the songs on this album as weak, repetitive, or unpleasant.

Simply put, 'Love Over Fear' by Pendragon is excellent and a real treat for any progressive rock addict.

 Weltschmerz by FISH album cover Studio Album, 2020
3.79 | 92 ratings

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Weltschmerz
Fish Neo-Prog

Review by thesimilitudeofprog

4 stars It has been a long time in the making but Fish has finally released his final album 'Weltschmerz'. If this is indeed Fish's last studio album, he leaves us with a masterpiece. The word 'Weltschmerz' translates as a feeling of melancholy in a world of weariness. This album was created against a backdrop of unprecedented world events, shocks and challenges making the artistic achievement more impressive.

Grace of God in my opinion is one of Fish's better album openers. This song resonates with many of Fish's multi-movement pieces but this one is impressive because it builds so well and so naturally. Often with expansive prog pieces the way movements segue into another can become clunky or disjointed. Grace of God is a fine example of a song growing seamlessly with a clear purpose. Next up is a song called Man with A Stick. This song has a wonderful blend of old and new. Following Man with A Stick we have a song called Walking on Eggshells. A song about a torched relationship that should end but will not. The arrangements on Walking on Eggshells carries you on a journey. There are great moments of fine detail, and the vocals from Fish are flawless. This party's over is special song. This farewell song is both joyful and sad. It is a goodbye, but it is also a call to arms that we still need to fix our world. On the fifth track on the album Rose of Damascus, Fish delivers his greatest lyrical performance in years. The album standout for me is track 6 a song called Garden of Remembrance. It has one of the most powerful music videos I have seen in a long time. Garden of Remembrance is a poignant song with great emotional power and depth. The song references the issues of Alzheimer's and its deep emotional impact on family and loved ones. Anyone who has experienced Alzheimer's and Dementia in their family will be drawn into this song and will relate immediately with the depth and the power conveyed by the song and the video. Following Garden of Remembrance, we have a song called C Song (The Trondheim Waltz). This song has a real folk feel and references Fish's Scottish roots. After C Song (The Trondheim Waltz) what is probably going to be a fan favorite, Little Man What Now? This is reportedly inspired by his father's passing. This song this is a definite highlight on the album. Another highlight on this album is Waverley Steps (End of the Line). It brings together all the nuanced skills of Fish's sustained career. It has a powerful moving poetic narrative. On the title track Weltschmerz Fish masterfully brings together the mix of genres, styles and influences that define what the solo chapter of his musical career has been about. Weltschmerz stands as the best album of Fish's solar career and easily amongst the best of this year by anyone.

Rating-88%

Recommended Tracks: Grace of God, Rose of Damascus, Garden of Remembrance, Waverley Steps (End of the Line) & Weltschmerz.

 Assassing by MARILLION album cover Singles/EPs/Fan Club/Promo, 1984
3.56 | 62 ratings

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Assassing
Marillion Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars In the 80´s a had a friend who used to travel to Europe and got a lot of records that were completely unavailable for us in Brazil at the time. And she had this single (in picture disc form, if I´m not mistaken). I really loved it, specially for its flip side, Cinderella Search. Probably Marillion´s best romantic song ever, with its beautiful lyrics and superb music to match the inspired title, theme and words, it also features one of Steve Rothery´s most emotional solos of his life. The "A" side is another classic track from this band, unfortunately marred by editing: at only 3;35 minutes it has little more than half of its original length, even if that does not make the songs loose its power and venom.

However, as good as they were, both versions here would pale from their renditions on Real To Reel live album of 1984. On that LP, Assassin in particular is much better than even the full length version of Fugazi. Cinderella Search also benefits greatly from the live performance, specially the new, dramatic, ending.

So, in the end, this single has more a historical importance than a musical one, since better interpretations pof both tracks can be found elsewhere. Also the cover art of the single is fantastic. For that alone I think the single was worth, at least at the time.

 Human Error! by CODE 18 album cover Studio Album, 2020
3.64 | 14 ratings

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Human Error!
Code 18 Neo-Prog

Review by friso
Prog Reviewer

3 stars Canadian neo-prog group Code 18 has made quite an interesting contribution to the neo-prog of 2020. With members of Huis the band was sure to produce a good sounding record. Basically the sound of Code 18 has all the neo elements; Genesis, Marillion and ELP. They chose a more open sound though, with less compression than their contemporaries. The band has some great ideas when it comes to creating musical themes of exciting imaginative neo-prog. However, the opening song 'Crystal of Time' is already a clear example of why this album just doesn't stick as much as others do; the track has many exciting ideas, but sums them up in a rather 'unfinished' way. In comparison with Marillion - who at their best gave every musical passage a sense of meaning in a story - Code 18 fails to put their compositions to the task. The lack of an above average singer or lyricist doesn't help either. Having said all that; this album has a lot of great instrumentation to offer! I even like the synth-driven interludes. The guitarist offers great emotive lines and some fine fusion chops as well. The fourteen minute long epic 'Waste' offers some of the band its most imaginative music and reaches some great highs. A highly skilled band like Code 18 could easily produce a great album if they would write their music to support a great story. 'Human Error!' remains a genre-album that will surely please a lot of neo-prog fans.
 Others by FROST* album cover Singles/EPs/Fan Club/Promo, 2020
3.33 | 22 ratings

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Others
Frost* Neo-Prog

Review by A Crimson Mellotron

3 stars Frost* is back four years after the birth of the excellent album 'Falling Satellites', the band masterminded by Jem Godfrey has released an EP of re-worked leftovers from the sessions of this very album. At a running time of approximately 32 minutes, this could have easily been turned into an LP +/- one more track.

The six songs are obviously divided into two halves: the first three being fast, punchy, energetic and in-your-face, and the other three representing the more mellow and moody side of Frost*. Listening to them, I really can't see any of them sitting that well on 'Falling Satellites'. I would say they work well on their own, but not that comprehensive as a collection. So, good call by Jem to leave them out.

Still, the songs are decent, and moreover, the guys in Frost* are too talented and experienced to make something really bad , certainly memorable (most of them) but they don't really feel like a band effort. The EP is full of really cool keyboard sounds and techniques but one can hardly hear the guitars, the bass, or even real drums.

'Others' feels too much like a Jem Godfrey solo release. This EP is good for sure but doesn't have the same value as the studio albums. Still, I would say it would be enjoyable for Frost* fans.

 A Trace of Memory by SANGUINE HUM album cover Studio Album, 2020
4.24 | 13 ratings

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A Trace of Memory
Sanguine Hum Neo-Prog

Review by RelayerFr

5 stars SANGUINE HUM is a trio resulting from the ashes of JOFF WINKS BAND and the formation ANTIQUE SEEKING (mixture of ZAPPA and Canterbury). This British group offers us a fifth draft, "A Trace Of Memory" with a cover for the less disturbing ... how would I say ...? Hmmm ... very bloody and a little disturbing when you look closely at the lady! This opus was written during the summer of 2018 and follows the series "Now We Have Power". Provided with two guests, the drummer PAUL MALLYON and ANDREW BOOKER, SANGUINE HUM sends us under the name Neo-Prog a Canterbury instrumental atmosphere and songs drawing on pop music. Guitarist JOFF WINKS has a beautiful organ and lets us know with a subtle and deep voice, which often expresses STEVEN WILSON-like intonations in the phrasing,real talent to make us dream and travel! MATT BABER is a locomotive pulling with it myriads of keyboards all as brilliant as each other, where it is necessary to underline the presence of an electric piano with jazzy tunes bringing depth to certain passages. Bassist BRAD WAISSMAN and drummer PAUL MALLYON are the other keys to this group of artists participating brilliantly and accurately in this celebration.artists participating brilliantly and accurately in this celebration.artists participating brilliantly and accurately in this celebration.

The influences are multiple and make think of a mixture of groups such as MAHAVISHNU ORCHESTRA, TORTOISE, KRAFTWERK, DEVO, XTC, ZAPPA, BIG BIG TRAIN and STEELY DAN, but also of ZOPP new to the world of Canterbury. Their music may seem simple at first glance but make no mistake, with more careful listening it turns out to be much more complex and detailed, with parts that seem to be improvised, and driven by swarming and repetitive variations, giving to this works the feeling of a complete and successful work in KING CRIMSON way, exalted by the ambience embedded in this landscape. The sounds are crystal clear with modern and analytical textures, I want to say that it's fresh and refreshing! The sung passages are always melodic,on the contrary, musical parts passing from one world to another by subtle and progressive passes of arms.

A brilliant and synthetic alarm clock welcomes us kindly in "New Light": a quiet bass temporizes this refrain present throughout 3:04 followed by a calm and luminous guitar. It's beautiful and relaxing, but the desire to go to bed takes me back! (7/10). "The Yellow Ship" is a bravery piece that shows us the touch of this album, both by its duration and by the quality of the proposed arrangements which are linked over more than thirteen minutes with a heavenly melody and instrumental outbursts filled with this energy specific to the group: drum rolls, guitar sounding KING CRIMSON style, HAPPY THE MAN keyboards, timers which sparkle delicately and which last ... and which last for our greatest pleasure (9.5 / 10). Once is not custom,STEVEN WILSON enters through a secret and mysterious door in this "Pyramids" with inside the temple a pop song whose rhythm and sound resemble a carousel that never ceases to spin. At the end of each verse, the voice is minimized on three high-pitched notes taken up by an intense orchestration magnifying this iridescent merry-go-round of bright colors (9/10). "Thin Air" begins with a futuristic synth whose first twenty seconds are of breathtaking ambient beauty, a relaxed guitar explores the surrounding space with jazzy tunes, stocked with Rythmo Latino percussion. This warm and evanescent atmosphere remains firmly anchored to a string of instruments well installed in this back and forth game (8.5).

With "Unstable Ground" I will simply place its initials to avoid being redundant: SW. Yes, once again, always the same ... but there is also the music. This one becomes soft and obsessive by intense instrumental repetitions revolving around a crystalline voice and filled with emotion. Well composed melodies set in fabulous sounds and atmospheres which are just as much ... what talent! (9/10). "Still as the Sea" begins with a piano and a repetitive guitar, the beautiful voice of JOFF WINKS carries us away with her far from here with a well articulated and rising melody. Spinning piano, drums with organic cymbals, slightly jazzy guitar, what a great recipe before attacking the last big piece of this cake (8.5 / 10). "Automaton"is the archetype of jazz merging with beautifully crafted Progressive Rock. You take a big piece of KING CRIMSON, sprinkle YES on it, and heat it all up in a BRAND X oven. Big biting bass led by an electric piano, a vindictive and powerful guitar, all arranged by keyboards multicolored and sharp six-string solos. As on the whole album, no instrument is placed here at random, nothing is recorded to amuse the gallery or offer us neck effects. This piece is a pure masterpiece worthy of the greatest to mark with a white cross! (10/10).and you heat it all up in a BRAND X oven. Big biting bass driven by an electric piano, a vindictive and powerful guitar, all arranged by multicolored keyboards and sharp six-string solos. As on the whole album, no instrument is placed here at random, nothing is recorded to amuse the gallery or offer us neck effects. This piece is a pure masterpiece worthy of the greatest to mark with a white cross! (10/10).and you heat it all up in a BRAND X oven. Big biting bass led by an electric piano, a vindictive and powerful guitar, all arranged by multicolored keyboards and acerbic six-string solos. As on the whole album, no instrument is placed here at random, nothing is recorded to amuse the gallery or offer us neck effects. This piece is a pure masterpiece worthy of the greatest to mark with a white cross! (10/10).is recorded to amuse the gallery or to offer us sleeve effects. This piece is a pure masterpiece worthy of the greatest to mark with a white cross! (10/10).is recorded to amuse the gallery or to offer us sleeve effects. This piece is a pure masterpiece worthy of the greatest to mark with a white cross! (10/10).

Here I am modestly arrived at my twentieth chronicle and this album is, without question for me, the best that I could listen to so far within the framework of my evaluations. With this one the group comes to reinforce its power of fascination, with melodic themes which are always crossed with Canterbury accents, but SANGUINE HUM constantly takes a malicious pleasure to grind them to bring forth convoluted compositions which work wonderfully, and that even. if the richness of the disc actually requires several listening to fully reveal itself. The tones are magnificent, the compositions and arrangements fabulous with a first-rate production. Their music is subtle and powerful like wildfire ready to explode, but still contained with that very British phlegm.These musicians are virtuosos who know how to write and play their scores with rare intelligence and take us very far into their universe! This is a great gift idea for Christmas!

 Angels' Dreams by QUIDAM album cover Studio Album, 1998
3.75 | 7 ratings

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Angels' Dreams
Quidam Neo-Prog

Review by Heart of the Matter

4 stars This is a somewhat simpler version of Quidam than the one found in their debut album, with rhythmic patterns sticking to basic backbeat and its variations, but retaining, maybe even increasing, their melodic charm and classical harmonic richness. The key aspect here, to my taste at least, is that the winged voice of Emila Derkowska grows lighter than ever, and always keep finding new paths for melody.

The overall sound and feel remind me of Clannad in, let's say, "Macalla", if one skips the celtic passages. The electric guitar of Maciek Meller throw in the mix some excellent, even unforgettable lead moments, like in "Cheerful". Did I mencioned Emila? Well, she'll amaze you more than once, listen "Little Bird With No Legs", and tell me not.

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
THE ANCESTRY PROGRAM Germany
ANDROID Hungary
ANÈMA Italy
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ART Italy
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATOMIC TIME Brazil
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BEYOND THE BLUE Germany
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
CHRISTIAAN BRUIN Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CENTRAL PARK Germany
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
CLOUDS CAN Germany
COALITION United Kingdom
CODE 18 Canada
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREA Sweden
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROCODILE United States
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
CYE Switzerland
THE D PROJECT Canada
THE DAME Netherlands
DARIUS Germany
DARWIN'S RADIO United Kingdom
DATURA France
DAVID AND THE THEATRE OF TWILIGHT Germany
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEATON LEMAY PROJECT United States
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DID France
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
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