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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 27/8/2014

Apostolis (apps79) ... Team leader
Matti
Tom (Roland113)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.35 | 701 ratings
THE ROAD OF BONES
IQ
4.25 | 1580 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1510 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.20 | 475 ratings
CONTAGION
Arena
4.13 | 966 ratings
CLUTCHING AT STRAWS
Marillion
4.13 | 689 ratings
FREQUENCY
IQ
4.16 | 375 ratings
A TOWER OF SILENCE
Anubis
4.11 | 811 ratings
MARBLES
Marillion
4.15 | 363 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 383 ratings
FANFARE & FANTASY
Comedy Of Errors
4.07 | 514 ratings
THE VISITOR
Arena
4.09 | 334 ratings
EMPIRES NEVER LAST
Galahad
4.04 | 465 ratings
EVER
IQ
4.02 | 714 ratings
DARK MATTER
IQ
4.03 | 481 ratings
THE SEVENTH HOUSE
IQ
4.08 | 247 ratings
SEVEN
Magenta
4.09 | 224 ratings
THE TALE OF THE GOLDEN KING
Psychedelic Ensemble, The
4.31 | 78 ratings
AMBIGIOUS POINTS OF VIEW
Shamall
4.03 | 339 ratings
A FEAST OF CONSEQUENCES
Fish
3.98 | 764 ratings
BRAVE
Marillion

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

SONGS FROM PENNSYLVANIA
Ezra
TRAVELLER
Magus (The Winter Tree)
NEW LIFE
Solstice
TALES FROM THE DAM
Healing Road, The

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Latest Neo-Prog Music Reviews


 Nine Songs Of John Lennon by COLLAGE album cover Studio Album, 1993
2.69 | 31 ratings

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Nine Songs Of John Lennon
Collage Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars I´ve avoided this CD for years. First I´m not really that big fan of John Lennon and to see a prog band doing an entirely album of his songs seems to be totally pointless. Even more so if the record was their second, after the promising but hardly essential Basnie. However, I had the opportunity to finally listening when a friend gave me a copy a few days ago. I was quite surprised of how good it actually was: the songs are mostly a total remake of the original, yet they preserve their essence in many ways and it is a respectful work. Looking back, it was also Collage´s first work with their classic line up of Robert Amirian on vocals, Mirek Gil (guitars), Piotr Mintay Witkowski (bass) and the genius Krzysztof Palczewski on keyboards, plus leader and drummer Wojtek Szadkowski.

Of course it is the classic case of hit and miss, but there is little double that they did a terrific job considering the iconic and legendary status of the author of the material. Imagine and Woman for instance don´t get even close to the beauty and power of the original versions. However, tracks like God (the longest and most progressive of them all), Tomorrow Never Knows, Give Peace A Chance and Cold Turkey are fine examples of how creative, bold and unique Collage was from the very start (and they understood Lennon´s message like so few actually did).

In the end, a nice homage to one of rock´s great songwriters. And they did it giving the songs the full Collage treatment that would emerge in all its power in the form of their next release, the classic Moonshine.

Rating: 3 stars. Good, but not essential.

 Retrobution by GORDON, IAN album cover Studio Album, 2013
3.49 | 13 ratings

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Retrobution
Ian Gordon Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Two years would pass after the recordings of ''Terminally brave'', before we get some fresh news by Ian Gordon.In July 2013 he released ''Retrobution'', far from concept works, this was a collection of songs and thoughts, inspired by his travels in Europe and the States as well as the way of living in his hometown, Bolton.All material was written, performed and produced by himself.

A nice, fresh and modern Rock album with excellent songwriting and quirky instrumentation, powered by the sound of guitars, keyboards and piano, still ''Retrobution'' sees Gordon moving away from the classic realms of proggy influences he presented in his first couple of releases.This one recalls heavily of MUSE, it has a certain melodic approach, echoes of Indie and Alternative Rock and some Power Rock values, anyway, this goes beyond our expectations, as Gordon prooves to be such a talented composer, instrumentalist and singer, that all of his albums have good things to offer.''Zanzibar'', ''Stars over Lebanon'' and ''Dixi'' are great rock pieces with melodic hooks and dynamic breaks/riffing to go along with vocal distortions and deliver impressive musicianship, albeit far from what you call a typical Prog effort.The deeper you go, certain proggy tunes start to surface and during the longer tracks Gordon's prog background starts to become clear.''Frankincense'', ''No smoke without fire'' and ''Long live the new flesh'' are the three definite prog cuts of the album, an affair of modern and heavy prog elements with complex variations, surrounded by echoes from the past, like the use of Mellotron, the big orchestral breaks and the jazzy spices on guitars and synths.The result is a bit confusing, because not every piece in here sits well with the most progressive numbers, but noone can deny that the material is very strong throughout with memorable songwriting and some amazing atmospheres.

Propably the one release by Gordon, that will satisfy the Muse fans worldwide.Nice Rock-based music with a decent atmospheric depth, occasionally sinking into Gordon's prog background, as proposed in his previous albums.Warmly recommended...3.5 stars.

 Hold On by COMEDY OF ERRORS album cover Singles/EPs/Fan Club/Promo, 1989
2.00 | 1 ratings

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Hold On
Comedy Of Errors Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
2 stars While one would expect that the 88' self-titled CD compilation would give Comedy of Errors the much needed lift to make the breakthrough among the existing 80's Prog acts, instead the band would measure the last years of its original phase.In 1989 founding member and singer Joe Cairney left the band to join the group Fire Brigade and he was replaced by John Cowden.A short effort named ''Hold on'' was recorded in May 89' at the Evenload Studios in East Kilbride and released as an independent cassette.

It's good to see that there is still some flame left in Comedy of Errors, despite knowing that they were and would propably remain an underground group for years to come.Newcomer John Cowden had a slightly AOR-flavored, powerful voice and combined with the displayed style of the band they made a nice set of three pieces with fiery grooves, big time keyboards and blistering riffs.In fact the title-track sounds more like AC-DC and BOSTON, a straightforward piece with focus on cheesy voice tunes and sparkling Hard Rock vibes, pretty representative of what the band was experimenting with at the time.The other two pieces are on the more accesible side of Neo Prog melded with monster Hard Rock/AOR colors, these contain the most sharp guitar work ever to be heard in a Comedy of Errors recording and I even detect a discreet Punk vibe in the metronomic and constant rhythms of ''Free spirit''.The keyboard work though along with some guitar solos are definitely coming out of the classic 80's British Prog tradition, this eventually ended up to be a rather confusing affair for a struggling band.

Mostly a Hard Rock/AOR effort with solid songwriting but no apparent prog content, despite the sincere efforts to come up with some symphonic grandieur in specific moments.Definitely a collector's item and the weakest recording of the band...2.5 stars.

 Home by SYLVAN album cover Studio Album, 2015
3.35 | 42 ratings

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Home
Sylvan Neo-Prog

Review by rdtprog
Special Collaborator Heavy Prog Team

3 stars Sylvan are back with another concept album about the search for something we call "Home". This is the 8th studio album by a band that has been described Neo Prog, but don't let that tag fool you. The cd starts with quiet songs where the music is supporting the vocals. The band still got their love for classical arrangements and melancholic moments that has been well represented in the album "Posthumous Silence". Once again, we can find plenty of vocals/piano parts with some more upbeat and heavier parts where the guitar take a more dominant role. Many songs starts slowly and are build up into a crescendo at some point. The band spice up their delicate symphonic style with some heavy sections close to metal, but it's never too long that they get back to their main style. The album contains many highlights songs such as "In Between", "Shine" and "The Sound of her World", and my favorite was "Black and White" for the emotion level and the short original ending which looks like we're hearing the sound of a xylophone. If you like atmospheric prog rock with emphasis on good melodies and sweeping vocals, you'll have a good time listening to this one. I enjoyed the album like every Sylvan's releases, but i got a bit exhausted of listening to this 80 minutes album that put me in a mood where i am not sure i want to be.
 Psychedelic Sleep by CRYSTAL PALACE album cover Studio Album, 2003
3.14 | 9 ratings

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Psychedelic Sleep
Crystal Palace Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars In 2003 Crystal Palace released what was supposed to be their third full-length album, titled ''Psychedelic sleep'', needless to say the band had yet to sign with a major label and this was another self-produced work.The drummer issue remains at the forefront for the band, previous member Sven Brehm had left the band and the new face behind the drum kit was Mathias Wallasch.

I do not know if all these member changes had sucked much of the band's lust for writing material, but this supposed third effort by Crystal Palace was less than 33 minutes long.The title of the album is also a bit misleading, because this one has nothing to with Psychedelic Music neither comes up as a sleepy effort.To the contrary, ''Psychedelic sleep'' moves along the lines of the previous efforts, being a highly energetic, mostly Neo Prog album with some heavier leanings and some strong resemblances to the music of JADIS.The songwriting is pretty cool and, even if all tracks are rather short and lack the true spirit of Prog Rock, the material is well-played with some monster melodies and very good vocals.As with JADIS, the music is basically guitar-driven with the main contribution by the keyboardist coming in atmospheric, semi-symphonic backgrounds, I would love to see the band becoming a bit more complex in certain moments, but the songs are quite nice, the structures are pretty typical of the genre with atmospheric changes and some bombastic parts mixed with chill-out moments.The guitar duo of Hegner and Jaschob deliver some exciting moves here, either being some lovely atmospheric solos or some heavy riffing.''100 miles from Eden'' is old Crystal Palace at their best, nice synth- and guitar-based rhythmic Neo Prog, a bit reminiscent to TRISTAN PARK and ENCHANT.

Solid album to say the least and definitely a goodie for Neo Prog buffs.Its length is pretty reduced compared to the past works, but I guess you can't have it all in the game of life.Recommended.

 Turn Off by SHAMALL album cover Studio Album, 2013
4.06 | 157 ratings

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Turn Off
Shamall Neo-Prog

Review by KayPa

4 stars I must admit, it's hard to categorize this album. But I will do my best. You should know that I am not a fan of that 'typical' progressive rock music with frequent meter changes, complex time signatures, static compositions made on a drafting table, buzzsaw-sounding speedy guitar soli'. Undoubtedly, that kind of work is made and played by highly crafted, very talented individuals. But after turning off the player, each time I feel discomforting and unbalanced because that music leaves no traces, there is nothing to think off or to feel afterward. I got really mad listening to the highly acclaimed releases of supergroups. Why do I'm writing this? Before I will lose some words about Shamall's 'Turn Off', I would give the chance to every progrock-nerd or clock-counter to leave the stage right now.

Everyone else, who is still here and will have an open-minded heart, will enjoy 'Turn Off' as a completely rounded rock album with psychedelic, symphonic and electronic elements. Chill-out phases alternate with memorable guitar and keyboard soli. Lots of instruments with occasional male and female vocals build the works. The whole thing is a natural flow between heavy guitar passages, extended instrumental parts and ambient soundscapes. There is no special 'song' to emphasize (except 'the creeping dead' maybe), because you have to listen to this album in its entirety to gather its full potential. Music and art work are as great as its message. The sound on my old huge stereo speakers is just unbelievable.

I still love the good old classic rock like Marillion, Led Zeppelin, Deep Purple, Jethro Tull, Genesis, Supertramp, Pink Floyd of course, some progressive rock like Ayreon, Riverside, Lunatic Soul, Karnivool and most of the recent stuff from rock bands like Pop Evil, Nothing More, Five Finger Death Punch or Starset. But 'Turn Off' really hit me when I listened to it everytime.

Of course this is no new milestone, but definitely one of the best releases in the last years. 4 and a half stars!

 Home by SYLVAN album cover Studio Album, 2015
3.35 | 42 ratings

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Home
Sylvan Neo-Prog

Review by numbnuts

4 stars I am sitting at home (sorry I couldn't resist it!) listening to this album for the third time in succession. In my opinion this is right up there with all the other albums of this great band. Beautiful harmonies and melodies and instantly recognisable as Sylvan characterised by Marco's superb and haunting voice. I can't see the point of pigeon holing bands into prog sub genres so I won't try. If you are a genuine Sylvan fan I will be amazed if you don't like this album. Yes there are some repetitive bits but so what - I can sing along to them! Better give it a rest now as my wife is getting a bit fed up of me blasting the house! Great band, great album and has uplifted my day.
 Turn Off by SHAMALL album cover Studio Album, 2013
4.06 | 157 ratings

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Turn Off
Shamall Neo-Prog

Review by Eco66

5 stars Although musically I did not grow up in the golden Pink Floyd era, I really like each of their albums, except their latest release "The Endless River", which is a dignified tribute to Rick Wright indeed, but musically it didn't affected me. I am always looking for bands or projects, which carry the ghost of Pink Floyd's music to the current century.

Shamall's latest release "Turn Off" is really worth to mention in this context. I bought this double album in November 2013, when it's came out, but since that time it found the way back into my player a thousand times, because the overall spirit, sound, melodies and soli of "turn off" cast a spell over me anytime.

Think about all the breathing room those exceptional 70s albums have, lay back and are transported... this albums definitely does that. From Gilmore-like guitar licks, the memorable synth soli of Rick Wright to the overwhelming "spacy" soundstage, you feel the spirit. But despite the obvious influences, Shamall do their own thing.

Some people, especially tszirmay reviewed this fantastic album with all its details, so I won't repeat that, because it's all said.

But if you like Pink Floyd or a little bit "spacy" music, you owe it to yourself. All in all, it's a fantastic mélange of neo progressive music, psychedelic and space prog that should be in everyone's collection.

 The Spiritual World by GEE, PETER album cover Studio Album, 2008
2.97 | 21 ratings

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The Spiritual World
Peter Gee Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Entering the 00's and with Nick Barrett having recovered from a hard divorce, Peter Gee found no additional time for personal recordings, between 2001 and 2008 Pendragon released no less than three studio albums, while their bassist was also involved in several projects, like Oliver Wakeman & Clive Nolan's ''The hound of the Baskervilles'' and ex-Glass Hammer Michelle Young's ''Marked for madness''.But after a decade of silence Gee returned in 2008 with his third work ''The spiritual world'' (an independent release this time), where he plays bass, guitar and keyboards, Stephen Christey is again the drummer, while the vocal parts are handled by Steve Thorne, except for one track, sung by Simon Clew.

Structurewise not much has changed since his previous album from 1997, there are seventeen short- to mid-length tracks in the album without much of a progressive technique and virtuosity, but lots of atmospheric and emotional soundscapes.Soundwise though this appears to be Gee's most cohesive album thus far, a collection of more emotional and more classic-styled Neo Prog pieces and ballads, this time heavily influenced by the softer side of his main band, the atmospheric colors of PINK FLOYD, but also the lyrical depth and musical integrity of Fish-era MARILLION, definitely one unique of an entry in Gee's solo music.And while listeners of his previous efforts are already familiar with his melancholic and warm arrangements with the instant melodies and light symphonic vibes, the new album offers a few pieces rooted in the Classic Neo Prog style with a tad more symphonic keyboards, strong GENESIS influences in the vocal moments of Steve Thorne and some pounding drumming and bass, just listen to tracks like ''Return to life'' or ''Sunset boulevard''.Additionally Gee decided to throw in some unexpected passages with a pure instrumental symphonicism, which sound even more enganging, when considering he was now also responsible for the keyboard work.His PENDRAGON-like pieces are certainly very good, it's a style he served for several years and the result is absolutely great, warm, delicate and melodious Neo Prog.

Gee moves a step closer to classic Neo Prog with this release.More symphonic, more ethereal and more balanced music throughout, featuring excellent Phil Collins-like vocals and influences spanning from mid-70's Genesis and Pink Floyd to Marillion, Abel Ganz and Pendragon.Strongly recommended...3.5 stars.

 Hyperdrive by KNIGHT AREA album cover Studio Album, 2014
3.28 | 36 ratings

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Hyperdrive
Knight Area Neo-Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars Back in 2007, Dutch band Knight Area released what I consider to be one of the finest recent Neo Prog albums in `Under a New Sign'. It was loaded with beautiful lengthy symphonic tracks perhaps in the style of the early romantic Pendragon albums, plenty of serene keyboards plied all around and a lively, likeable vocal performance from Mark Smit. There were occasional more straightforward hard rock elements, something that has been on all of the band's albums, but this most recent release, 2014's `Hyperdrive', sees the band ditch much of those progressive sounds, instead focussing on streamlined, reigned in hard rock/heavy AOR with shorter instrumental runs. While thankfully everything is still coated in Gerben Klazinga's sleek synths and new guitarist Mark Bogert's makes a huge impression for his album debut, as strong as the material actually is, some of the band's identity has been lost, leaving them musically sounding a little more anonymous. However, is it a bad album? No, not even close!

The majority of the eleven pieces here run between three and five minutes (only the closer stretches out beyond seven minutes), most following pretty traditional verse/chorus/solos/chorus patterns, which is initially quite a letdown. But give the album a few spins, and it quickly reveals that every piece is loaded with pleasing and strong melodies, memorable punchy arrangements and plenty of terrific playing. Frontman Smit still has a much softer and more pleasing voice than the tougher and usually bellowing hard rock/metal vocalists, making the band more appealing to those not as keen on hard rock/metal bands. Newcomer Bogert displays great variety and skill on guitar, and he fits in perfectly with the long-term members, also more than holding his own even with friendly competition in the form of a musical cameo from Ayreon mastermind Arjen Athony Lucassen!

Looking over the kinds of tracks on offer, you get blasting metal stompers like opener `Afraid of the Dark' and the up-tempo `Crimson Skies' with it's addictive snarling riffs and an Iron Maiden-esque anthemic chorus. Gutsy synth-heavy arena rocker `Avenue of Broken Dream' sounds like a better version of what Asia tried to offer, and the more poppy and groovy `Bubble' has a catchy chorus with a tasty runaway synth solo in the final minute. Choral Mellotron and swirling synths get a real workout all throughout driving rocker `Living in Confusion', and the only instrumental `Stepping Out' is a dynamic guitar showcase for special guest Arjen Anthony Lucassen, with an opening that goes straight to the heart, then burns with plenty of widdly fire in the second half. Album closer `Hypnotised' is overloaded with extended symphonic synth and guitar instrumental passages after it gets a shorter vocal section out of the way early on, with the grandest of epic guitar solos and Pieter van Hoorn's powerhouse drumming to close on.

Several winning power ballads also feature. The lush piano-led `This Day' and it's slightly twee chorus instantly reminds of Anyone's Daughter's self-titled album from 1980, and `The Lost World' has nice backing vocals, chunky bass courtesy of Peter Vink of legendary vintage instrumental proggers Finch, and a tasty Fish-era Marillion-flavoured Moog solo in the finale. But by far the absolute standout of the album is the swooning and gently melancholic piano ballad `Songs from the Past', where Mark adopts a sweeter falsetto vocal, supported by exquisite and intricate backing harmonies that instantly recall the classic early Seventies Queen albums.

While the more adventurous and sophisticated qualities are largely absent this time around for Knight Area, there is absolutely no denying how well written and performed this collection of tunes is. Along with the eye-catching sci-fi artwork and a lavish CD booklet, a lot of effort has gone into producing a strong work, and even though the band is working with more accessible pieces here, if you pay close attention you will still find progressive elements carefully worked in throughout, just in smaller doses! Hopefully the next release will see the group upping the prog scale a little more again, but if you enjoy the band overall (and they do have a great sound), and are perfectly happy to enjoy some hard rocking tunes, `Hyperdive' is very satisfying and worthwhile.

Three stars as a prog album, four stars as a hard rock album!

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ASGARD Italy
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
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