Header

NEO-PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



Current Neo-Prog Team members
as at 27/8/2014

Apostolis (psarros) ... Team leader
Matti
Tom (Roland113)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.38 | 564 ratings
THE ROAD OF BONES
IQ
4.25 | 1523 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1461 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.21 | 458 ratings
CONTAGION
Arena
4.13 | 932 ratings
CLUTCHING AT STRAWS
Marillion
4.13 | 658 ratings
FREQUENCY
IQ
4.17 | 363 ratings
A TOWER OF SILENCE
Anubis
4.11 | 793 ratings
MARBLES
Marillion
4.15 | 343 ratings
POSTHUMOUS SILENCE
Sylvan
4.15 | 357 ratings
FANFARE & FANTASY
Comedy Of Errors
4.08 | 501 ratings
THE VISITOR
Arena
4.09 | 328 ratings
EMPIRES NEVER LAST
Galahad
4.41 | 69 ratings
AMBIGIOUS POINTS OF VIEW
Shamall
4.04 | 449 ratings
EVER
IQ
4.01 | 694 ratings
DARK MATTER
IQ
4.03 | 459 ratings
THE SEVENTH HOUSE
IQ
4.11 | 201 ratings
THE TALE OF THE GOLDEN KING
Psychedelic Ensemble, The
4.08 | 242 ratings
SEVEN
Magenta
4.24 | 93 ratings
IS THIS HUMAN BEHAVIOUR?
Shamall
4.14 | 139 ratings
TURN OFF
Shamall

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TIMANFAYA
Healing Road, The
THE SPARROW
Metaphor
ARGOS
Argos
VOICES
T

Download (Stream) Free Neo-Prog MP3


Open player in a new window

Download (Stream) Free Neo-Prog MP3

Latest Neo-Prog Music Reviews


 The Final Breath Before November by EDISON'S CHILDREN album cover Studio Album, 2013
4.05 | 166 ratings

BUY
The Final Breath Before November
Edison's Children Neo-Prog

Review by Mellotron Storm
Prog Reviewer

4 stars I thoroughly enjoyed the debut of this band so it was an easy choice to pick up their sophomore effort from late in 2013. I still feel "In The Last Waking Moments..." is their best, I prefer that heavier sound I suppose. This recording is very enjoyable though and I can't give this anything less than 4 stars. It's that melancholic vibe that permeates throughout this album that is the main draw for yours truly. There does seem to be a connection between the two recording, in fact a line from their debut from the song "Dusk" states "When will this November end" plus there are other lyrical connections. Yeah i'm probably way off(hehe).

"Final Breath" opens with atmosphere as picked guitar and melancholic synths cry out. A beat after 1 1/2 minutes as it picks up in tempo and becomes fuller. The vocals before 3 minutes are almost spoken and seem to echo. "Light Years" opens with static like something you'd hear when playing vinyl. Strummed guitar and more join in as it builds, vocals follow. This is a catchy upbeat track compared to the rest of the record. This does seem out of place until it changes completely after 6 minutes to a beautiful, melancholic vocal-led piece. Gorgeous! My favourite section right there.

Next we get the tour-de-force called "Silhoutte" and it's ridiculous length at over 67 minutes. A melancholic start with fragile vocals early on and I like the beat and atmosphere 2 minutes in. Such a feel-good section with a hint of sadness and reflection. Vocals stop as it winds down before 10 minutes then it changes as we get an electronic beat, drums and atmosphere. Spoken words 11 minutes in before the vocals arrive once again. Nice soaring guitar in the Gilmour style here, in fact the soundscape is very PINK FLOYD-like after 13 minutes. It eventually begins to wind down until we get a change after 22 minutes of intricate guitar only. Fragile vocals join in along with strings. It turns fuller before 25 1/2 minutes and guitar comes to the fore a minute later, nice prominant bass too.

A change 30 minutes in as we get vocals and intricate guitar only. It sounds like flute before 32 minutes then it turns much fuller.An interesting sound after 34 minutes that reminds me of those orchestral sounding keys by SATELLITE. It turns heavier 36 minutes in. Nice. A change after 38 minutes as that SATELLITE sound returns along with vocals. A beautiful section arrives after 42 minutes then we get another change after 45 minutes as dual vocals and acoustic guitar take over. Another change after 48 minutes as we get a beautiful and emotional section. Very atmospheric with vocals. Pleasant guitar after 51 minutes when the vocals stop, but the vocals will come and go. This drifting section continues until becoming more powerful 57 minutes in. A complete change after 65 1/2 minutes as dual vocals and acoustic guitar return to end the song and album.

Another winner from these two and while I didn't find it as engaging as the debut I can't help but be taken with their melancholic and atmospheric style.

 One More Slice by FRUITCAKE album cover Studio Album, 1997
3.32 | 26 ratings

BUY
One More Slice
Fruitcake Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars After the release of ''Room for surprise'' keyboardist Siri Seland left Fruitcake and was replaced by Helge Skaarseth.For unknown reasons the band dissolved in early 1997, but a few months later Sovik decided to reform Fruitcake with Skaarseth on keyboards, Olav Nygard on bass and guitarist Robert Hauge, who had previously played in ''How to make it'' and helped the band in several live performances.At the fall of 97' the new album ''One more slice'' was released on Cyclops.I do not know if former bassist Tore Bo had still connections with the band, but he was also credited among the composers of the album.

Fruitcake finally had grown in what they supposed to be during their early years: A solid retro-styled Neo Prog band, which had a unique talent in composition, but this time Sovik appears to have worked better with his voice and his performance becomes less and less annoying.This is big-time dramatic Progressive Rock with lovely organ-flavored GENESIS involvements, soaring synthesizers and atmospheric guitar parts, highlighted by some excellent solos.And I even hear some (sampled?) Mellotron in the process, unless it's the same organ used previously in an extended execution.The development of the band comes not only in their already familiar style with all these GENESIS, CAMEL and PINK FLOYD influences, but they even introduce some folky climates and Medieval-like textures in the process.The music is absolutely sufficient with impressive instrumental passages and a certain symphonic edge, reminding me a bit of the Swedish THE FOUNDATION.Lots of grandiose guitar moves, orchestral keyboard lines and some softer moments, when the CAMEL inspiration prevails.Some harder electric moments are not absent either, but they are always kept to a balanced level next to the always refined and lush keyboard stylings.

Definitely the most 70's-sounding and symphonic of all Fruitcake albums so far.A step towards the right direction with finally some bearable vocals and usually a very good composing level.Strongly recommended...3.5 stars.

 Light Damage by LIGHT DAMAGE album cover Studio Album, 2014
4.04 | 4 ratings

BUY
Light Damage
Light Damage Neo-Prog

Review by Angelo
Special Collaborator Honorary Collaborator / Retired Admin

4 stars A good voice, an well composed melody or the overall mood of a song may surprise you, and sometimes a band manages to deliver an album full of that. The self title debut of Light Damage, is such an album.

When I play it, this album grabs my attention from the first second.

The opener Eden, starts with a guitar and tubular bells ticking away like a clock, before building up into a guitar driven instrumental that only stops to make room for a vocal part. Here, the first hint of vocal harmonies appears - promising more for the rest of the album. The track builds up to another crescendo that seamlessly connects to the next track Empty.

Right after the start of Empty, the band quiets down, to allow singer Nicholas-John to sing the opening verse. After that, the band builds up a great heavy progressive rock sound, ending in a guitar and keyboards taking turn soloing, leaving the final note to the organ that was wailing underneath all the time.

The master piece of the album is the mini epic The Supper of Cyprianus. Here Nicholas- John guides us through the story of this supper, that turns from a feat into the execution on the spot of a girl, convicted of being a witch. Luckily for all, she returns as an angel in the end. Well worked out keyboard melodies and guitar solos by Stephane Lecocq support the changing mood of the story from beginning to end.

After this story, we go straight to Heaven, another track that builds up gradually, this time with a key role for the rhythm guitar, which at times is almost metal like.

The short instrumental F.H.B. (For Helpful Buddies) may be dedicated to people helping the band, but I found nothing to confirm that. It's features a plucked guitar and keyboard under a melodic guitar solo. Short, and uncomplicated, it is the least grabbing track of the album.

After this, Touched proves easily to be the heaviest track of the album, with a lot of guitar and interesting, less obvious keyboard melodies.

Light Damage has, by other reviewers, been compared to Sylvan, Pendragon and IQ, but also Marillion. I'll avoid further comparisons, and prefer to think of Light Damage's music as rooted in 70s progressive rock and later neo-progressive rock, where keyboard melodies and heavy guitar work support well executed vocal work. Nicholas-John has a very slight French accent, which leads to unexpected pronunciation in some places, but it works out very nicely.

A promising debut!

 Until We Have Faces by SARIS album cover Studio Album, 2014
3.66 | 11 ratings

BUY
Until We Have Faces
Saris Neo-Prog

Review by PH

4 stars It's been a bit of wait for the third studio album from SARIS. Behind the sudden demise of keyboardist/drummer Achim Schmidt and replacement for the vocalist, I had reason to wonder how the group would cope with comeback after their CD 'Curse Of Time' (2009). Eventually, German veterans bring 'Until We Have Faces', the new offering at over 61 minutes in length. It features 10 tracks spanning a variety of different styles. There are elements of classic rock and progressive wizardry, a small portion of reggae, AOR- esque segments plus gentle pop flavor. Evaluating this cleverly-constructed brand like a rock-musical can be an exaggeration, albeit you get the allusion. Conversely, there was no special casting for particular 'spectacle'. The frontman Henrik Wager does a powerful job. Female singer Anja Günther adds a beautiful extra dimension in each line she's presenting. The voice of Thomas Hackmann sounds more at the background. The permanent supervisor, Derk Akkermann, provides some thrilling guitar work combined with the hypnotic keyboard forays. To heighten the attraction, Lutz Günther plays pulsating bass, whilst Jens Beckmann is heard on strong percussion. Overall, 'Until We Have Faces' portrays Saris in the impressive form. If you are a band's staunch fan, you won't be disappointed. But if not - give it a try.
 In The Left Lane by NO RESTRAINTS album cover Studio Album, 2007
3.00 | 1 ratings

BUY
In The Left Lane
No Restraints Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
3 stars No Restraints hailed from Oklahoma and were more or less a dream-come-true project by keyboardist, singer and composer Mark Smith.They released an independent CD in 2007 called ''In the left lane'', featuring also Starla Robinson on tenor sax, Mitch Parker on bass, Jon Terry on guitar, Christina Terry and Rachel Cain on backing vocals, Jennica McCarter on violin and AKA on drums.

Pretty weird stuff by these Americans, they seem to draw influences from the solo works of PETER GABRIEL and VAN DER GRAAF GENERATOR with the same comfort, adding a few modern touches and coming up with an album inspired by Classical Music, Jazz, Avant Garde and Art Rock.Smith's Classical piano lines, his pretty dark-sounding keyboards with the organ in evidence and the multiple sax interventions are the guiding forces of the album, which alternates between GABRIEL-esque lyrical parts and intense instrumental lines.There are even some touches of E.L.P. in some keyboard parts, but there are also some evident flaws, for example the general vocal work is not that good or there is a feeling that some of the instruments are sampled.KARDA ESTRA is another act to come in mind during this production, the sporadic female choirs and the display of laid-back, cinematic orchestrations with a Classical edge being the main reason.''In the left lane'' is definitely an all-over-the-place album, it's just not that efficient in all the presented cuts.The instrumental work could have been stunning with a more professional sound, the meld of organ and sax produce excellent textures with a slight vintage color in a succesfful attempt to throw Classical, Jazz and Rock hints in the same plate.

Dark-styled Prog Rock with some E.L.P., PETER GABRIEL and VAN DER GRAAF GENERATOR vibes.Nice sax and organ washes and impressive instrumental themes, despite the short length of the tracks and some thin recording quality.Recommended.

 The Blinding Darkness by PALLAS album cover Live, 2003
4.19 | 48 ratings

BUY
The Blinding Darkness
Pallas Neo-Prog

Review by Progrussia

4 stars A superb live outing from Pallas. Could be marketed as Greatest Hits. Vol.1 (1 because it was prior to the great Dreams of Men album), because it contains all the essential songs plus more in a form not too far away from studio versions, but delivered with energy and a better, louder production. Pallas's songs typically alternate between more driving sections, quiet break-downs and Pink Floyd-influenced big celestial endings. That's a formula quite common to neo-prog, to be sure, but Pallas are distinct in the way that they sound very 80s oriented - sharp but kind of thin, even with traces of synth-pop - whereas most others opt for vintage 70s or the heavy and thick 2000s sound. On the minus side, they do too much of the 10-minute stuff here, unwarranted, because the 7-8 minute format is what I think is their top game.
 Anima by INTROITUS album cover Studio Album, 2014
3.87 | 44 ratings

BUY
Anima
Introitus Neo-Prog

Review by Thierry

4 stars The fabulous Swedish outfit is back! I was seduced by their second opus, "Elements" (2011). "Anima" is another tour de force. You'll find great song writing, arrangements, musicianship and production as before. It starts with Matts Bender on keyboards who plays his instruments with such power and resourcefulness. As in the previous opus, the keyboards are the dominant instruments here. But Par Helje does a great job on the guitars, with some gorgeous Hackett-like solos. And Anna Bender's (Matts' wife) crystal clear vocals and poetic lyrics just add emotion to the blend. I forget Matts and Anna's children on drums and backing vocals! No, this is not a family business as you may say but rather a labour of love! Three of the 9 tracks exceed 10 minutes in duration and there is not a weak track on the whole album. As I said, "Anima" is powerful and emotional on the same time, enlightened by lush melodies and instrumental passages. Everything you could want from modern symphonic and neo prog is here. I think like "Elements", "Anima" will be at the top of my 2014 best albums list. Fans of Magenta, hurry! Highly recommended.
 Mirror Site by CLIFFHANGER album cover Studio Album, 1998
3.02 | 12 ratings

BUY
Mirror Site
Cliffhanger Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Before splitting up, Cliffhanger had already recorded a demo, which was enough for the band to win a contract with Musea Records.Dick Heijboer was still present during the recordings, but at the time of the album's release he was replaced by newcomer Ronald van de Weerd.Musea released the album in 1998, ''Mirror site'' was its title, but Cliffhanger had already fallen apart.

Despite having taken the road towards dissolution, Cliffhanger still played interesting and complicated music along the lines of GENESIS, the recording quality had dropped a bit due to having captured most stuff at home instead of a professional studio, but the music contains evidence of a talented band.They had pretty much left behind the long and multi-parted compositions, except for a pair of tracks, but they did not ever abandon the mood for symphonic-oriented dramatic arrangements.With the standard STEVE HACKETT-like guitar trembling and the TONY BANKS-inspired keyboard flashes they remained a strong value of the Dutch Neo Prog scene.Actually ''Mirror site'' contains some of the most complex and atmospheric compositions created by Cliffhanger, which was pretty respectable, but they had somewhat lost their way onto efficient and memorable melodies.On the other hand the album is dominated by maybe the best guitar work of Rinie Huigen, his solos in particular are simply one of the finest in the league.If only the band could combine them with a more solid songwriting.You will simply beg for another spin of ''The undiscovered country'', propably the best track ever written by the band with Huigen's emotional guitar lines and the Mellotron of Heijboer creating a spacious, sensitive atmosphere.Possibly the whole album would have sounded a bit better, if recorded in a more proper way, the keyboard arrangements and sinister thematic changes are still very nice, but there is a suspicion of a thin sound throughout the release.

It is quite amazing that the band recorded a large number of demos, lives and studios albums in just a 5-year span.They always maintained a high composing quality and progressive nature, ''Mirror site'' is no exception, it's semi-dark and complex Neo/Symphonic Prog with obvious GENESIS flashes, recommended to all lovers of the style.

 The Saga by ICE album cover Studio Album, 2005
3.24 | 17 ratings

BUY
The Saga
Ice Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars This Dutch band from Monster arose from the ashes of Maryson, when Wim Stolk, who passed away at the age of 60 in 2011, dissolved the project around 2000.Hein van den Brock, Chris van Hoogdalem, Henny van Mourik and Rob Boshuijzen, who were all involved in Maryson. decided to move on under the name of Ice, recruiting Ardie Westdijk on keyboards, formerly of Differences.The band lauched its debut ''The saga'' in 2005, after being signed by Musea Records.

This list of Dutch Neo Prog band seems neverending and Ice is yet another group to labeled as such, they have a clean and often grandiose sound, filled with keyboards and melodic guitars and, like many other Dutch acts of the style, they even throw in some organ lines to offer a kind of old-styled flavor.A bit similar to TIMELOCK, CLIFFHANGER and EGDON HEATH, the long experience of the members in the scene is reflected on a set of well-crafted compositions, based on atmospheric parts, crystalline vocals and odd synth flashing.At moments they even appear to explore a more AOR-spiced sound with striking rhythms and choruses, but for the most of its part ''The saga'' has this bombastic and epic style of modern Symphonic/Neo Prog with the dramatic turns, lyrical demonstration and emphatic musicianship.Speaking of lyrics, these were all written by a sixth hidden member, Rene Sterk.Ice prooved to be masters on creating strong emotional contents with this work, there are lots of changing moods throughout, ranging from melodramatic textures to more optimistic tunes, apparently the music goes the same way, passing from full-blown Neo Prog with symphonic keyboards and blistering guitars to more accesible and easily digested performances.Echoes of MARILLION and PENDRAGON dominate the album, which comes as another fine addition in the catalogue of Dutch Neo Prog.

The band kept it going with live performances over the years and in 2013 Sterk took over the bass duties for good, replacing the departing Henny van Mourik.

Solid Neo Prog with rockin' edges, epic deliveries and dramatic atmospheres.Did not expect anything else by a bunch of Dutch Prog veterans, an easy recommendation to all fans of the style.

 Exlex Beats by KING OF AGOGIK album cover Studio Album, 2014
4.05 | 2 ratings

BUY
Exlex Beats
King of Agogik Neo-Prog

Review by Matti
Collaborator Neo-Prog Team

4 stars KING OF AGOGIK is a project led by Hans Jörg Schmitz, who's primarily a drummer but plays also guitar, bass and keyboards. On this fifth album he's accompanied by guitarist Dago Wilms, bassist Gary Farmer, Erik Vaxjö on Mellotron, Steve Unruh on flute & violin and several other skillful musicians. The whole 77-minute album is instrumental, and exhaustingly full of ideas in a not-too- serious manner. One comparison is the multinational collective CORVUS STONE.

The opener 'Bronto's Navel' is muscular power rock. The first musical citation that I recognize comes at the seam of this track and the next one (a riff from 'Owner of a Lonely Heart'), and the 12- minute rollercoaster ride '11th Sense' is basically a potpourri of (mostly prog / hard rock related?) little allusions. Or so I presume, for I don't recognize all themes. The leaflet's page for the track says "for amusement only", and amusing it is. Schizoid perhaps, but so well done that it works. 'Nomouglea' is sheer beauty of both acoustically oriented, art music flavoured delicacy and more powerful melodic rock.

'The Chasteness', subtitled "Damsel's Love and King's Wrath", keeps shifting quite restlessly between romantic, adventurous and other moods. One thing is becoming clear by now: you don't get bored or sleepy with this album! Also for the sound it's very eclectic, there are polished Neo Prog, retro-sounding Symphonic, biting Hard Rock, gliding Fusion and delicate Art Music elements on this full buffet table. Andrew Marshall (WILLOWGLASS) guests on wonderful 'Sheol'. 'Lick Me' is an aggressive and slightly metallic rock piece, my least fave. The next track is an intelligent bass & drums study featuring Schmitz and Pantelis Petrakakis.

The nearly 23-minute 'Thin As a Skin' would almost on its own compete victoriously against an average prog release. This is full-blooded, complex prog rock to blow your mind. When Steve Unruh's flute joins in, a certain classic group may enter the listener's mind, but hold on... many other colourful sections to make MIKE OLDFIELD jealous follow each other, before quite exactly in the halfway it's revealed why it has such title: here and there come direct citations from JETHRO TULL's Thick As a Brick. Is this parody? I'd rather see it as an hommage, in addition of being totally impressive monumental prog epic.

On the brief closing track H. J. Schmitz plays all the instruments. Oh my, what an album. There are many moments that whisper "five stars" into my ears, but as it's likely that the WOW! factor wears thinner with repeated listenings, four stars will do. Listen to this and be amused & amazed!

Data cached

Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ASGARD Italy
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
EMERALD Netherlands
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS (THE WINTER TREE) United States
MAJESTIC United States
MALOMENOS Chile
MANDRAGORA Argentina
GEOFF MANN United Kingdom
MARATHON Netherlands
MARATHON Italy
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASCARADA Spain
MASQUE Sweden
MASTER OF CEREMONY Italy
MAYBE France
MAYER & ROUCH United States
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
MERCY TRAIN United Kingdom
METAMORPHOSIS Switzerland
METAPHOR United States
MILLENIUM Poland
MINDGAMES Belgium
MINOR GIANT Netherlands
MK II United Kingdom
MONARCH TRAIL Canada
MONTECRISTO Indonesia
MOONRISE Poland
MORIA FALLS United Kingdom
MORPHELIA Germany
MOTHS United Kingdom
MR. GIL Poland
MR. SO & SO United Kingdom
MUDWAY Italy
MULTI-STORY United Kingdom
MUTE ALBINO Belgium
MYSTERKAH France
MYSTERY Canada
BADER NANA Kuwait
NAOS France
NAVIGATOR United States
NEGUA Spain
NEMEZIS Poland
NEO-PROPHET Belgium
NEON LEAVES United Kingdom
NEPENTHE United States
NEW EDEN ORCHESTRA United States
NIADEM'S GHOST United Kingdom
THE NIGHT WATCH Italy
NINE STONES CLOSE United Kingdom
NO NAME / THE NO NAME EXPERIENCE Luxembourg
NO RESTRAINTS United States
NOLAN & WAKEMAN United Kingdom
CLIVE NOLAN United Kingdom
ERIK NORLANDER United States
NORTH STAR United States
NOSTALGIA Italy
NOVEMBER Netherlands
NOVOX Netherlands
NOW Belgium
NTH ASCENSION United Kingdom
NUANCE France
NUMEN Spain
NURKOSTAM Finland
NYL Russia
OCEAN Norway
ONZA Spain
OORT France
OPUS EST Sweden
MARTIN ORFORD United Kingdom
ORPHEUS Japan
OSIRIS Bahrain
THE OTHER SIDE United States
OUTSIDE France
OVERDRIVE Italy
OVERLOAD Pakistan
OVNI El Salvador
PALLAS United Kingdom
PANDORAS.BOX Germany
PANGAEA United States
PANTOKRAATOR Estonia
MATTHEW PARMENTER United States
PARZIVALS EYE Multi-National
JAKE PASHKIN Russia
INDREK PATTE Estonia
PAX ROMANA Finland
PBII Netherlands
PENDRAGON United Kingdom
PETER PAN Poland
PHAESIS France
PHENOM India
PHOENIX AGAIN Italy
PHREEWORLD United States
PI XPRNC Venezuela
PICKLELEGAZ Netherlands
PICTURES Italy
PILGRYM United Kingdom
PLACKBAND Netherlands
PRELUDE Belgium
PRIMITIVE INSTINCT United Kingdom
PRODUCT United States
PROFUNA OCEAN Netherlands
PROTEO Italy
PROTOS United Kingdom
PROVIDENCE Japan
PROXIMAL DISTANCE United States
THE PSYCHEDELIC ENSEMBLE United States
PTS Netherlands
Q Chile
QANTUM France
QUADRA France
QUASAR United Kingdom
QUIDAM Poland
QUMMA CONNECTION Finland
QWAARN Canada
RADAVIQUE Netherlands
RAEL Argentina
RED SAND Canada
REVELATION United Kingdom
RICOCHER Netherlands
RIVENDEL Spain
RIVERSEA United Kingdom
RIVERYMAN Finland
RIZENGARD Mexico
STEVE ROTHERY United Kingdom
RPWL Germany
SAENS France
SAGITTARIAN Japan
MOTOI SAKURABA Japan
SALEM HILL United States
SANGUINE HUM United Kingdom
SAQQARAH France
SARIS Germany
SATELLITE Poland
SCAPELAND WISH United States
SCHEHERAZADE Japan
SEA VINE Poland
SEASONS OF TIME Germany
SECRET CINEMA Italy
SETI Chile
SEVEN DAY HUNT Netherlands
SEVEN STEPS TO THE GREEN DOOR Germany
P.J. SHADOWHAWK United States
SHADOWLAND United Kingdom
SHAKARY Switzerland
SHAMALL Germany
SILENT AGREEMENT Netherlands
SILHOUETTE Netherlands
SILVER KEY Italy
SINISTER STREET Netherlands
SINUS Poland
SIX ELEMENTS United States
SKEEM France
SKYFOX 8 Brazil
SLOW MOTION REIGN United States
SLYCHOSIS United States
MARK SMOOT United States
SNOWDONIA Spain
SOLIS Brazil
SOLSTICE United Kingdom
SPEKTRUM Sweden
SPLINTER Netherlands
STEALING THE FIRE United Kingdom
STEP AHEAD France
STRANGEFISH United Kingdom
STRANGERS ON A TRAIN United Kingdom
SUBSIGNAL Germany
SUBTERRA Chile
SUPERDRAMA Germany
SUPPER'S READY Luxembourg
ROBERT SVILPA United States
SYLVAN Germany
T Germany
TALE Multi-National
TALE Italy
TALE CUE Italy
TALE OF DIFFUSION Poland
TALIESYN Germany
TAMARISK United Kingdom
STEVE TASSLER United States
TAURUS AND PISCES Netherlands
TEA IN THE SAHARA Germany
TEE (THE EARTH EXPLORER') Japan
THALASSA France
THEATRE Italy
THIRD QUADRANT United Kingdom
TIME AND TIDE United States
TIME HORIZON United States
TIMELOCK Netherlands
TMP (TOON MARTENS PROJECT) Belgium
TOP LEFT CORNER Italy
TOWER Italy
TR3NITY United Kingdom
TRAMA Italy
TRANSIENCE United States
TRIANGLE Netherlands
TRISTAN PARK United States
TSUKI-USAGI Japan
TSUNAMI Germany
LA TULIPE NOIRE Greece
TWELFTH NIGHT United Kingdom
TWIN AGE Sweden
ULTIME ATOME France
ULTRA VIOLET RAYS United States
UNICORN Sweden
UNISPHERE Canada
US Netherlands
UTOPIAN FIELDS Norway
VANTASMA Indonesia
VESTAL United States
VIENNA CIRCLE United Kingdom
VINTAGE Spain
VIOLET DISTRICT Germany
THE VIOLET HOUR United Kingdom
MIKE VISAGGIO United States
VISIBLE WIND Canada
THE VOW Germany
THE WATCH Italy
WHITECHAPEL France
WILTON SAID Canada
WINTER United Kingdom
XENN Poland
YACOBS Germany
YAK United Kingdom
YLECLIPSE Italy
DAVID YOUNGER United Kingdom
YUKA & CHRONOSHIP Japan
YWIS Netherlands
ZENIT Switzerland
ZENOBIA Germany
ZIFF Germany
ZONK MONK Japan
TOMMY ZVONCHECK United States

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.19 seconds