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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.23 | 1930 ratings
MISPLACED CHILDHOOD
Marillion
4.25 | 1063 ratings
THE ROAD OF BONES
IQ
4.22 | 1829 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.14 | 1200 ratings
CLUTCHING AT STRAWS
Marillion
4.16 | 586 ratings
CONTAGION
Arena
4.16 | 432 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 829 ratings
FREQUENCY
IQ
4.09 | 995 ratings
MARBLES
Marillion
4.12 | 438 ratings
A TOWER OF SILENCE
Anubis
4.05 | 620 ratings
THE VISITOR
Arena
4.03 | 849 ratings
DARK MATTER
IQ
4.05 | 585 ratings
EVER
IQ
4.08 | 380 ratings
EMPIRES NEVER LAST
Galahad
4.10 | 304 ratings
SEVEN
Magenta
4.04 | 468 ratings
FANFARE & FANTASY
Comedy Of Errors
4.04 | 440 ratings
ALL RIGHTS REMOVED
Airbag
4.00 | 594 ratings
THE SEVENTH HOUSE
IQ
3.97 | 1224 ratings
FUGAZI
Marillion
3.97 | 946 ratings
BRAVE
Marillion
4.03 | 322 ratings
MOONSHINE
Collage

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TRAVELLER
Magus / The Winter Tree
HUNTING THE FOX
Ines
CROWN OF CREATION
Emerald
TALES FROM THE DAM
Healing Road, The

Latest Neo-Prog Music Reviews


 Seven Widows by BELIEVE album cover Studio Album, 2017
3.90 | 40 ratings

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Seven Widows
Believe Neo-Prog

Review by CeeJayGee

4 stars I was introduced to the music of Believe when I listened to Hope To See Another Day and Yesterday Is A Friend many years ago. I haven't felt that the band has achieved the heights of those two fine albums until the release of VII Widows. This album has strong melodies that develop nicely within longish tracks (none less than eight minutes long). Neo-prog and art rock influences mean that the band is at the lighter end of prog but Believe remains as one of the strongest of the many excellent Polish pro artists and VII Widows is a return to form and worthy of a four star rating.
 Winter's Mourning by GANDALF'S FIST album cover Singles/EPs/Fan Club/Promo, 2017
4.70 | 5 ratings

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Winter's Mourning
Gandalf's Fist Neo-Prog

Review by The Jester

5 stars Every time Gandalf's Fist is releasing something new, 2 things are certain: 1. It is better than their previous works 2. The band includes more members! Since their early days where they were just two people doing all the jobs, they have reached the number of 6 members, with the new additions of Ben Bell on Keyboards and Keri Farish on vocals. Both are excellent additions and I'm certain that they will contribute a lot to the band's sound. This first sample is quite reassuring in that... Winter's Mourning is a wonderful piece of music in my opinion. It is kind of a dark and melancholic tune, and the kind of song I would like to listen on a cold winter night. If I had a home near a forest with a fireplace in it, that would have been better; but I'm afraid I have nothing like that. But even without these "special effects" I enjoyed it a lot! This EP is released just in time! So, do not hesitate! Write a letter to Santa, hoping that you were a good boy/girl' Maybe Santa will bring it on your (digital) doorstep. 4.5 stars P.S: We want more stuff like that please'
 Winter's Mourning by GANDALF'S FIST album cover Singles/EPs/Fan Club/Promo, 2017
4.70 | 5 ratings

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Winter's Mourning
Gandalf's Fist Neo-Prog

Review by LittleLotti

5 stars Tis the season for schmaltzy sentiment. All too many bands after the quick cash grab and a slice of immortal fame amidst the festive disco compilation mixtapes. That's not the Prog I signed up for. If you want that go and listen to Cliff Richard and people with shiny hats.

So, you can imagine my eternal joy to find that the wintery single from Gandalf's Fist dispenses with tidings of comfort and joy and rather delves us into a world of ghosts, vagabonds and mysterious forests. The song itself is melancholic and reminds me of folk tales of old. Fans of Gryphon's "Unquiet Grave" will be at place here, with a familiar feel, all be it with a switch of roles and a bit of a twist in the narrative at the end.

I love songs that tell a story and this one is no exception. As usual the musician-ship is top notch, even more so, their new lineup sounds fresh and bright and the keys and vocals shimmer and shine. It's also worth mentioning the guitar solo, that instantly reminded me of something you would find on Wishbone's "Argus" ? fantastic.

If you're sick of the usual this year, and you've worn out Tull's "Fire's at Midnight" then you won't go far wrong with this. The perfect song to sip a single malt to in front of a raging fire whilst the trees bend to the wind outside.

 The Warmest Sun In Winter by BELIEVE album cover Studio Album, 2013
3.72 | 118 ratings

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The Warmest Sun In Winter
Believe Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars After the rather disappointing The Bread Is Mine (2009) I kind of lost touch with Believe music. I really though that Mirek Gil (Collage, Satellite) new band would go downhill from then on. But after reading some glowing review about their latest CD Six Widows I decided to give Believe another chance. And I was pleased to find out that World Is Round (2011) was much better than its predecessor, so I felt stimulated to listen to their latest releases. I must say I did not approach The Warmest Sun in Winter with the best spirits since one of Believe´s most appealing aspects (violinist Satomi) was only featured on two tracks. Satomi´s discreet but beautiful contributions with her instrument to this bands sound was almost as important as Gil´s unique guitar licks. So I was quite surprised to discover that this CD is one of their best.

Well, OK, it is different, but in a good way. At first I would agree with Kenneth Livine´s review that the songs did not seem to be that great, even boring sometimes, but after repeated spins I found them to be rather stronger and better than I initially though. The Warmest Of The Sun is definitely a grower: they often reveal themselves as a kind of more sparse and modern sounding version of Collage. Mirek Gil is surely the star of the show with his trademark fluid, melodic and expressive guitar solos, but it would be nothing if the songs were not up to the challenge. And they are all very good, although certainly also more demanding to the listener than the music of Collage and Satellite. I´ve been listening to this album non stop for the last two weeks and I still can´t have enough of it. Yes, for my taste I still think Collage and Satellite are better, but since neither band has delivered anything new lately, this is the best next thing. Besides, it looks like Believe finally found a sound of their own, which is really surprising. I´m really,k really happy they got rid of those grungy vocal lines. Karol Wróblewsk is a much better singer than Tomek Różycki. His vocal lines reminded of Robert Amirian´s (again the Collage/Satellite connection) . There are even some fine vocal harmonies that added to the great tapestry of their music. Subtle as the rest, but it is there.

The production is excellent and the tracklist is simply outstanding. My favorite track is the powerful Words, but there is no fillers here.

The Warmest Of The Sun restore my faith in Believe. One of the best CDs I heard this year, although it was released four years ago. So far so good! If you like fine melodies, subtle arrangements and beautiful Hackett-like guitar lines you should not miss this one. It might take a while to fully appreciate its richness, but you´ll be rewarded if you persist. A real nice finding!

Rating: 4,5 stars.

 Candlelight and Empire by LOOKING-GLASS LANTERN album cover Studio Album, 2017
4.27 | 12 ratings

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Candlelight and Empire
Looking-Glass Lantern Neo-Prog

Review by Progaholic2

4 stars I think, to fully appreciate the music of Graham Dunnington, (aka: Looking Glass Lantern), you need a penchant for concept prog, and a liking for a good story. Unlike the two previous LGL albums, this is not a re-telling of existing stories although, once again, Victorian England is the setting. Holmes and Watson are notable by their absence.

'Empire' refers to The British Empire but also to a fairly-wealthy Victorian home, the family who live within, and their servants. The storyteller is the maid, who asks for the listener's consent to describe her life and those of the other occupants of 'The Empire'. Thus, the first six tracks which comprise Part 1, introduce us to the maid, the cook, the governess, the master, and so on. Part 2 is a single 30 minute track entitled 'An Evening Soiree,' and how many self-respecting prog-heads could possibly resist a 30 minute epic. There is, if you read the notes, a further, rather unexpected element to the story. No spoilers though.

So, we begin with the maid who, like most below stairs, is a sad, unfulfilled creature. Going into service at a very young age, working her hands to the bone for long hours. She doesn't resent her role in the empire, the alternative of the workhouse being unthinkable, but she feels invisible ? nobody notices her or knows anything about her. The cook deals with the tradesmen at their back door entrance whilst preparing luncheon for the other world upstairs. She reflects on how different life would have been had she married. At the same time, the governess reminisces about the admirer who promised her the world then, without a word, left her. The Mistress of the house also has an inner turmoil ? she feels powerless and considers herself to be like a caged bird. All perform their duties with care and diligence, and keep their sadness to themselves.

In musical terms, these early tracks are varied, always strong, attractive melodies, never heavy. 'The maid' is accompanied by a tinkling piano as befits her solitary existence. All instruments burst in on the second track giving it a warm feel despite the melancholy lyric. 'The Cook' has an irresistible 'hook' and the track goes through many musical changes before returning to the original theme. The melody to a track like 'The Angel of the home' is strong enough to stand alone as an instrumental, a direction I'd like to see LGL go in the future. Generally, I feel that this album is musically stronger than 'The Hound' as the restriction of telling a long and complex mystery has been taken away.

An so to "An Evening Soiree"(30:03)

Like all good epics, An Evening Soiree has recurring themes, and enough varied ideas and pace- changes to justify a half hour track and to keep the listener interested. On the notes, Soiree is divided into 6 sections. I have to say that I don't like this practice as it implies that you are listening to a series of short tracks strung together. There are, however, no obvious breaks in the piece and you never lose sight of the fact that you are listening to a single work. The music follows the narrative; well behaved and welcoming at the outset, less fluffy and polite as the dinner guests reveal their differences. As I indicated, the music of LGL is never heavy and if prog metal is your thing, look elsewhere. Such styles would hardly compliment this tale.

Ok, so? the guests ? the vicar, the business partner and timid wife, arrive. The ever-present maid takes hats and coats, unnoticed and unappreciated as ever. This is Victorian England ? A portrait of the Queen, a roaring fire, the monarch of the glen, a stuffed bird in a glass case. Talk is polite and the vicar says grace? the queen is toasted. Then the business partner toasts the march of progress? and the awkwardness begins. He is the loudmouth of the group ? boastful and dominating of the conversation, he arrogantly speaks for everyone when he praises the glorious British Empire, our system of government, the march of progress and technology, and our humane treatment of the natives. There is much silent seething; the vicar preys silently in frustration at the man's superiority and overconfidence. The women talk of the weather and holidays, and the host's wife fumes inwardly about the minor role they must play in the whole charade. The maid flits in and out, invisible and ignored. And so it goes on, the vicar tries to raise his concerns about the poor but this is treated with polite condescension by the host and business partner.

In conclusion, this is a masterful and hugely entertaining piece of musical storytelling. It isn't a musical and isn't, (thank god,) a prog rock opera, (Lloyd-Webber vomit). It also, ISN'T neo-prog with all its doom and gloom, this is an uplifting and engrossing album that doesn't really fit the accepted prog genres. What stands out most is that the music revolves around the narrative, which some may find difficult on the ear? initially. All I say is, persevere ? it grows on you.

'And so the guests prepare to leave the empire'. Several years too late I fear.

 The Depths of Winter by TIGER MOTH TALES album cover Studio Album, 2017
4.08 | 30 ratings

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The Depths of Winter
Tiger Moth Tales Neo-Prog

Review by The Jester

4 stars Tiger MothTales is the personal project of the English singer and multi-instrumentalist Peter Jones. The Depths of Winter is his 3rd release, that comes after Cocoon (2014) and Story Tellers Part.1 (2015).

When I learn about his new work I felt really excited, and I couldn't wait to listen to his new material. I was a little bit surprised by the overall style of the album, because it is more 'serious' and more melancholic than his previous 2 albums; so I had to listen to it a few times in order to feel familiar with it. Especially in comparison with Story Tellers, a fun and rather happy album, the difference in the major style and sound is more than obvious.

If I had to compare this album with his 2 previous ones, I would say that I could place it over Cocoon, and below Story Tellers. It includes some wonderful melodies, like for example Winter Maker; which I can't stop listening to, or Hygge, with the strong Genesis influences. Another song that I have to point out is The Ballad of Longshanks John.

There are 3 long (over 10 minutes) songs here, all of them very interesting ones; Winter Maker, Exposure and The Tears of Frigga. But as I wrote above, Winter Maker is the best of them by far.

Another very interesting point here is that, despite that Tiger Moth Tales is an one-man-band, the sound is very rich, and not depending on keyboards like many other one-man-bands and projects. If you don't know that, is not possible to guess that every instrument here is played by only one person. And for that, it gains lots of points from me.

I can't say that I'm perfectly pleased or disappointed by that album, simply because I was expecting something very different. Well, maybe I'll have to wait for Story Tellers Pt.2 for that. But the truth is that, The Depths of Winter is a very serious and well-made piece of work. For that reason I will give 3.5 stars. (But I will rate it with 4.0)

 Seven Widows by BELIEVE album cover Studio Album, 2017
3.90 | 40 ratings

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Seven Widows
Believe Neo-Prog

Review by Fenris

1 stars Seven Widows by Believe is another example of rock bridging into several musical styles, but who in my opinion never is progressive rock. The production and song structure, especially on the vocal verses, are very similar to pop music, even if it's spiced up with elements from heavy rock, folk, grunge or classic progressive rock. Sometimes it actually sounds like a mix between Nickelback, a modern sounding Steve Hackett, Norwegian band Seigmen and some emo band from the US. Very, very peculiar if this ends up as the best progressive rock release of 2017. I also find that a lot of the songs sound very similar, in terms of how they are executed and how they are constructed. With a somewhat flat and commercial sounding production, I really can't understand this high ranking when there's so much more adventurous music around.
 Wonderland (as TNNE) by NO NAME / THE NO NAME EXPERIENCE album cover Studio Album, 2017
3.91 | 49 ratings

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Wonderland (as TNNE)
No Name / The No Name Experience Neo-Prog

Review by Fenris

1 stars Hmm. Where to start. I find it very strange that this gets such high ratings, on a progressive rock forum. I do not only listen to old school bands, but I do have a liking for analog sounds, real dynamics and and an overall organic production. I also identify progressive rock as a genre where the music, lyrics and the ideas have several layers, and that one as a listener has to journey into the unknown and battle with the material. The themes of the songs on Wonderland is largely on the cliché side, and I don't find any mystery going on here.

In my ears this also sounds way too artificial and with a very straight forward pop-quality in the melodies and composing, even if there's the odd time signature or break thrown in here and there. Sometimes I get the feeling I'm listening to a machine, especially when I listen to the sound quality of the vocals. It's compressed so much that it almost removes all the humanity in the human voice. Even if this is well played technically, I think that it lacks soul, originality and creativity. In my opinion this is more of a mash up of 80's glam heavy, synthezied pop metal and advertising music, than it is progressive rock.

 The Daemons Mock Me While I Sleep by MUTINY IN JONESTOWN album cover Studio Album, 2017
3.00 | 1 ratings

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The Daemons Mock Me While I Sleep
Mutiny In Jonestown Neo-Prog

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

— First review of this album —
3 stars This album is ... maybe ... 27th studio-recorded album by one of the most proactive artists and simultaneously one of delightful proggers (also in Progarchives!) Dennis MONTGOMERY also known as MUTINY IN JONESTOWN released in 2017, for a tribute to HP Lovecraft. Not known HP at all, but this creation tells me how he is active, aggressive, and acrobatic (!) versatile musician - all instruments are synchronized and matured for our ears. Pretty amazing. And one more, his material is a tad bluesy, cold-hearted, and sombre via the melody line filled with minor keys. Quite surprising, for his fine smile and lovely character. From the first strike "Dagon" (this track is my pleasure really, also with the last one) he shows colourful sound variations ... the latter phase is clearly for my passion, as if I enjoyed a bottle of red wine with complex, beautiful black-fruit-like flavour created in Yakima Valley. Sadly his voices are not so good though. As a result, this stuff is fantastic for an album on his own. Fine for the audience to enjoy various essence e.g. pop, psychedelic, Neo-symphonic or something. Overall cannot stimulate our shoulder in rapid succession, but I love it, and love him. ;)
 Transition by INFRINGEMENT album cover Studio Album, 2017
3.65 | 11 ratings

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Transition
Infringement Neo-Prog

Review by The Jester

4 stars For those who don't know them, I should inform you that Infringement is a quartet from Oslo, Norway. The band has been active for a couple of years now, and a few months ago, they released their debut album, Transition. The line-up is a typical Rock one, with Bass, Guitars, Drums and Vocals. For the needs of the recordings 6 more musicians were used, in keyboards, sax, percussion and vocals. From these 'extra' musicians the name of Clive Nolan (in keyboards) is the one that 'shines' the most. Their sound is a 'typical' Neo Prog' sound in my opinion, including many mellow moments, mixed with guitar riffs and interesting turns. Also, the presence of keyboards in making their sound richer, and for that reason they should maybe consider having a keyboard player as their 5th member. Their overall style and sound is bringing to my mind bands like Arena, Pendragon and Marillion mostly, but every now and then you can discover influences from other Prog band as well. Transition includes 9 tracks and has a total time of almost 50 minutes. There isn't any real epic included, and the longest track is the almost-10-minutes-long Patina, with Clive Nolan on keyboards. The second longest track is Adolescence, which, further than Clive Nolan on keyboards (again), it also includes some very nice guitar work. The guitar player's performance is very good, and you will find many interesting and enjoyable riffs and solos throughout the album. If this was a vinyl album, I would say that I really like the A-side far more than the B-side; because the first 4-5 songs are all very good ones. This is a good and very promising debut album without a doubt. Especially the fans of Neo Prog will appreciate it. Give it a try! Favourite songs: Conception, Infancy, Childhood, Adolescence, Passage. Since this is their first effort, let's spread the word around, and boost their confidence a little bit. My rating would be 4.0 stars

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BEYOND THE BLUE Germany
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DATURA France
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEMENTS Netherlands
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
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