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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.24 | 1895 ratings
MISPLACED CHILDHOOD
Marillion
4.25 | 1034 ratings
THE ROAD OF BONES
IQ
4.22 | 1795 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.14 | 1171 ratings
CLUTCHING AT STRAWS
Marillion
4.18 | 576 ratings
CONTAGION
Arena
4.15 | 430 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 819 ratings
FREQUENCY
IQ
4.09 | 977 ratings
MARBLES
Marillion
4.13 | 427 ratings
A TOWER OF SILENCE
Anubis
4.05 | 610 ratings
THE VISITOR
Arena
4.08 | 377 ratings
EMPIRES NEVER LAST
Galahad
4.03 | 831 ratings
DARK MATTER
IQ
4.05 | 575 ratings
EVER
IQ
4.09 | 300 ratings
SEVEN
Magenta
4.05 | 457 ratings
FANFARE & FANTASY
Comedy Of Errors
4.04 | 434 ratings
ALL RIGHTS REMOVED
Airbag
3.98 | 1198 ratings
FUGAZI
Marillion
4.00 | 580 ratings
THE SEVENTH HOUSE
IQ
4.09 | 195 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.12 | 163 ratings
DETACHMENT
Barock Project

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

SONGS FROM PENNSYLVANIA
Ezra
TALES FROM THE DAM
Healing Road, The
TRAVELLER
Magus / The Winter Tree
TIMANFAYA
Healing Road, The

Latest Neo-Prog Music Reviews


 Quiet Storms by GALAHAD album cover Studio Album, 2017
4.01 | 31 ratings

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Quiet Storms
Galahad Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars And so, at long last, I have published my 1000th review on ProgArchives. I have written many, many more than that over the years, but I recognise this as some sort of milestone. It is only fitting that it is about the band that in many ways started me on the path I have been travelling for the last 25 years.

Over the years, Galahad have always dared to be different, and have always produced music very much on their own terms. This has seen them produce an acoustic offshoot, a dance offshoot, as well as mixing and melding the styles that have seen them always moving forward, always progressing. When I first came across them they had won the Radio 1 Rock Wars, and had released their first CD: it seems like a very long time ago, but that's okay because it was. They were the first band I wrote to in the progressive underground (yes, it was snail mail, no other type had been invented yet), the first band I wrote a complete piece on, and the first band I felt really close to. Through Stu I was introduced to others in the scene, and he told some mates of his to contact me which is how I came across the demo of some lads who were calling themselves Big Big Train, but that's another story altogether. And so, at long last, I have published my 1000th review on ProgArchives. I have written many, many more than that over the years, but I recognise this as some sort of milestone. It is only fitting that it is about the band that in many ways started me on the path I have been travelling for the last 25 years. So here we have it, prog with a difference, in Galahad's own very unique manner.

What's different about this album? Well, for starters it contains some already released songs, although they are here in different versions ? therefore the booklet contains lyrics only to some numbers, as they are the new ones. But, the largest difference outside the style of music (more of that in a minute), is that here Galahad are performing as a trio with guests. A trio? Well, yes, and often they are a duo. This album is based around Stu's vocals and Dean's delicate touch on piano and keyboards, with just occasional percussion from Spencer. There is no room for bass, so "new boy" Tim Ashton, who returned in 2014 after 22 years off for good behaviour has taken a break on this one. But where's Roy? Roy Keyworth was the founder of the band more than thirty years ago, but in March the band announced the sad news that Roy had decided to retire from music. He makes an appearance on the very final song of the album, "Guardian Angel (Hybrid)", which originally appeared on the "Guardian Angel" EP, but that is his swansong. Guitar features on just one other song on the album, and producer Karl Groom provides acoustic on that, somewhat different to his normal crunching day job with Threshold. Sarah Bolter is back as a guest again, providing woodwind and backing vocals, reprising her role on "Iceberg", which appeared on 1994's Galahad Acoustic Quintet album.

Yes, if you hadn't already worked it out, this is a far more pastoral album, one that relies on tone and technique as opposed to force and power. I honestly believe that Stu is one of the most under-rated singers around, and he has lost none of his pitch, breath control and range, while in Dean Baker he has found the perfect accompanist. Their relationship makes me think very much of Martin Orford and Gary Chandler, in that they complement each other so perfectly, and make incredible music without anybody else being involved. Christina Booth from Magenta duets with Stu on "Termination", old boy Mark Andrews appears on "Don't Lose Control", which he originally played on back on that debut CD, while Louise Curtis provides violin on their take on Rammstein's "Mein Herz Brennt" (I much prefer this version to the original).

This isn't a prog album in its truest sense, but instead shows a band that are always confident in their ability, and move around in different styles yet deliver the goods time and time again. I think it was more than twenty years ago that I confessed that I was losing all ability to write rationally about any release by Galahad, as I love their music so much. The reason I love it so, is because they are always refusing to conform to anyone's expectations, and keep producing works of outstanding brilliance and quality, like this one.

The band still don't know who their new guitarist is going to be, but Karl Groom has kindly agreed to play on 'Seas Of Change', which is going to be released later this year as well. That is going to show a very different side to the band I'm sure. But for now, play this to your friends and astound them with wonderful music from deepest Dorset.

 Quiet Storms by GALAHAD album cover Studio Album, 2017
4.01 | 31 ratings

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Quiet Storms
Galahad Neo-Prog

Review by The Jester

4 stars Five years after the release of the albums Battle Scars and Beyond the Realms of Euphoria, Galahad returned with a rather different and beautiful album. Quiet Storms is a collection of their older songs in mellow versions, but it is also including a few new songs as well. You can find the original versions of most of the songs on the band's previous albums and on a couple of singles as well. Here, the listener has the opportunity to enjoy the melodic and more dramatic side of the band, without the loud guitar riffs and the usual powerful tempo. The piano and the keyboards are the dominant instruments, which, together with Stuart Nicholson's excellent performance, are creating a wonderful overall experience. Songs like This life Could be My Last, Guardian Angel and Termination, sound totally different than their original versions, which is very interesting, to say the least. Personally speaking, I like Galahad a lot, so I couldn't miss this new release of theirs. I added the album in my collection and never regret it! I am sure that I am going to enjoy it more on a rainy afternoon, together with a glass of red wine, rather than the heat we have right now in Athens. I feel that there is no reason to write more on the subject, because you should listen to it and form your own opinion. I definitely recommend it to the fans of Galahad, but also to those who can enjoy an atmospheric, melodic and kind of melancholic album.

My Rating: 3.5 out of 5.0 stars (But I will give 4.0)

 Kicking the Olive Branch by ELEGANT SIMPLICITY album cover Studio Album, 2017
3.96 | 6 ratings

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Kicking the Olive Branch
Elegant Simplicity Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars have known Steven for more than twenty years now, from back in the days when he was releasing cassettes (which I still have!), and for the clear majority of that time he has basically been a solo artist, adding the odd musician or singer as the need arises. I have always been a fan, so when he said to me that he thought it might just be his best work yet. I was intrigued. Certainly, what I didn't expect was the most complete band effort of his career to date. 'Timely Reminder' opens the album, with the sax of Nathan Madsen keeping track with Steven's guitar, which immediately made me think of Blodwyn Pig. Then after only a few bars the music was moving and changing, going into new areas, returning to themes and then off again.

The next song contained real flute, care of Noam Goldstein, and by now I realised that I was listening to something quite special. Back in the day, Steven would have created all these sounds using keyboards, but here he has brought together a group of skilled musicians that is lifting his music to a whole new level. Although he has used singers in the past, most notably Ken Senior of Evolution, this is an instrumental album and I think Steven is right in what he said. In 2017, after more than twenty full-length releases, he has produced his finest and most complete work to date. I have been playing it a great deal, and the only major fault with this fifty-two-minute long album is that it is just too short (and hence contains just the one epic, the title cut which breaks the twenty-minute barrier).

Steven has been putting out quality albums for a long time now, but now could not be a better time to discover his music, as this is superb from the very first note to the last.

 After The Battle by PLACKBAND album cover Studio Album, 2002
3.58 | 32 ratings

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After The Battle
Plackband Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars I got the After The Battle CD because I heard some nice things about this dutch band. It seems they were one of the first "neo prog" bands ever, that never officially recorded anything during their time and got back in the early 2000s with this album featuring both new and old material. I really had never heard of them until very recently, but being from Holland meant the strong possibility of high quality material. And I was not disappointed. The album shows a very tight band producing what we may call "classic" neo prog music that has an undeniable early 80´s flavor on it.

After The Battle has a little over an hour of excellent prog music that takes more than one or two spins to really figure out what they´re all about. The songs remind me a lot of british bands of that period like Abel Ganz, Twelfth Night, IQ or Pallas. Not as symphonic or readily accessible as Marillion or Pendragon, but very good anyway. So you get nice keyboards/guitar interplay, a dramatic singer (Kees Bik has a fine voice) and a brilliant rhythm section. The songs are all very good, with a evenly flow throughout the whole CD., There are several highlights, but if you want something really special I guess the 9 minute The Hunchback is probably the best of them. This symphonic piece of music (with obvious early Genesis overtones) has all the elements that make me love this kind of music: melodic, varied, emotional and full of great variations without missing the basic elements that binds it all together in one fine prog gem.

The production is only adequate, but it adds to the charming "old style" of their compositions in a way. The performances are impeccable and the high quality of the songwriting makes the listening of this CD a highly enjoyable experience. Nothing new or groundbreaking, of course, but very good in what they do. According to my friend and writer Erik Neuteboom the band has recently got back together, playing live and recording a new album due to be out soon. I´m really looking forward to listen to it!

Conclusion: if you like the 80´s neo prog scene you can´t miss this one! And if you like good prog music in general you should give it a try. A very nice finding. 4 stars.

 Boomerang by TEA IN THE SAHARA album cover Studio Album, 1996
3.36 | 21 ratings

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Boomerang
Tea In The Sahara Neo-Prog

Review by berkaal

3 stars Well, really not bad. The guys sure know how to play, and how to arrange, but there's some lack of inspiration, as usual, so tracks are not so solid, nothing bad but they don't leave no trace, with the sole exception of "Sometimes In Winter", which is really very good. I think maybe repeated listenings could allow to get into music better, but I don't have all that time. The singer after some minutes turns out to be boring, vocal melodies are not so impressive, and I don't remember backing vocals so I think something better could have been done. All in all, a good record.
 Sublime Dreams by MARATHON album cover Studio Album, 1994
1.81 | 7 ratings

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Sublime Dreams
Marathon Neo-Prog

Review by berkaal

1 stars Sorry to say it, but this album is really embarassing. From cd cover to music, I can't find anything good. First shock is drums sound: bass drum and snare drum are really bad, their choice goes beyond my comprehension. Then comes vocals: they are really awful, and english pronounce is an option, as with most italian bands. The guys know how to play, but it's what they play the real problem. I could not tell the best songs, it's easier to name the worst: "Almost Like Machines" and "Inflated" are really unbearable. And then there's the old issue: you call it neo-prog, I call it pop.
 Ciel Ouvert  by MARTIGAN album cover Studio Album, 1996
3.26 | 23 ratings

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Ciel Ouvert
Martigan Neo-Prog

Review by Harold Needle

4 stars Recently I've been doing my usual "search for the prog" ritual, and this album cought my attention, as I'm really sold on these obsolete 3D computer graphics, especially as prog-rock album covers.

So, Martigan is a german quintet, playing mild and dreamy neo-prog, very similar to the other neo-prog bands from the era, although with less of energy and darkness, and with more romantic feeling. The music is not very complex or original, but the atmosphere is definitely there. The vocalist really brings Peter Gabriel and Peter Nicholls to mind, which is not necessarily a bad thing: he may not have the most impressive voice in the world, but surely it works on this record very nicely. I really enjoy the guitar playing: it's colorful (both in sound and play) and has a lot of emocional feel in it (kinda similar to David Gilmour's style). The keys, unfortunately, are rather tame, and are used mostly to create an atmosphere with pads, however, they do get more complex and playful at times. I really like the sound of the keys as well - while other people generally dislike such "cheesy" and "cheap" 90's synths, I happen to enjoy them a lot. The rhythmic section is nice as well - nothing particularly breathtaking, but these guys surely know how to make good use of their instruments.

The problem I have with this record, is that it lacks energy and fury, and it's a bit repetitive as well, mostly in terms of mood. The atmosphere is very nice and plesant, but it doesn't change too much as the songs go by. Even if some songs get more energetic and rocking, the overall mood stays the same. Compositionally, it may use some more rememberable and essential moments, but overall it's definitely not bad.

I think most people would find this a rather mediocre record, and honestly, in some ways I find it mediocre as well. But, from the other hand, it somehow manages to please me with it's gorgeous romantic/synthetic neo-prog-from- the-90's feeling very well. Nothing really special or essential, but still a great, well put-together and enjoyable album. For the music itself, I think I'd rate it 3.75 stars, but it deserves some bonus points for the pleasant, dreamy atmoshpere and a superb cover art. It seems to me that this release will appeal mostly to those, who enjoy early Genesis, IQ, Gilmour-era Pink Floyd ("A Momentary Lapse of Reason" & "The Division Bell"), and even... some Phil Collins' solo works! Warmly recommended.

 Staging the Seventh Wave by SILHOUETTE album cover DVD/Video, 2017
4.16 | 6 ratings

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Staging the Seventh Wave
Silhouette Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars

In 2014, Dutch band Silhouette released their fourth studio album, 'Beyond The Seventh Wave'. In 2016, they were filmed and recorded performing the album in its entirety, and this has now been released as a DVD and CD set, along with a few additional songs on the DVD. They wisely had a few additional guests make appearances, the most important of which is an additional guitarist who was there for the whole set (he did try to stay at the back of the stage and out of the way), who assisted in providing some additional heaviness to proceedings, allowing Daniel van der Weijde to provide some delicate solos on his seven-string guitar.

Although their sound is more in common with bands such as Saga than IQ, I did keep being reminded of the former in the way they set up the stage, the use of a backdrop film throughout, a keyboard player who also provides superb vocals when needed, and a rhythm section that just keep it locked down so that the others can take centre stage. Brian de Graeve has a gentle vocal style, never showing any strain, while Erik Laan uses a myriad of keyboards and sings in a similar fashion, so that when they harmonise they do so with aplomb.

This is a powerful album, with lots of drama and dynamic shifts in the music as they tell the story of what happens to the main character (which has been reproduced in the centre of the digipak so that even those who haven't heard the original knows what is happening). Somehow, I have managed to miss all of Silhouette's albums apart from 2012's 'Across The Rubicon', a situation I am going to have to address. The concert footage is well filmed, with multiple cameras and angles, and this is a great introduction to the band.

 Quiet Storms by GALAHAD album cover Studio Album, 2017
4.01 | 31 ratings

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Quiet Storms
Galahad Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars The title can give us a good idea of what is this new album. This is the quiet side of Galahad with piano, vocals, and classical arrangements. We don't miss the guitars, it show us how good are the songs. The band is really serious when it comes to do some solid melodies, melancholic, dramatic. There are some new songs and old ones with only a few average ones. If you are a fan of the band, this is a nice addition to your collection and surely a good introduction to the band unless you don't enjoy at all acoustic music. I will bet that this album will pick the curiosity of your female companion in a rainy Sunday afternoon.
 Seven by WATCH, THE album cover Studio Album, 2017
3.29 | 29 ratings

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Seven
The Watch Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

2 stars It's not because you have a singer that has a voice similar to Peter Gabriel and a music similar to Genesis and IQ that you can deliver music of the same caliber. It's been a while that I have been impressed by one of their albums and this new album is not an exception. The second track "Disappearing Act" show a different sound more in the Depeche Mode electro atmosphere, it's not a bad song. The rest of the album is the typical The Watch, and with a band that is struggling to reach the greatness of the best Neo-Prog bands, IQ in particular, the composition level is not very high. You won't find any epic song where you can feel the progression of the melody through some tempo and mood changes, only the last track "After the Blast" give me some pleasure with some interesting instrumental passages. Not recommended, only to die-hard fans.
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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEMENTS Netherlands
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
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NEON LEAVES United Kingdom
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THE NIGHT WATCH Italy
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NO NAME / THE NO NAME EXPERIENCE Luxembourg
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NOW Belgium
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MARTIN ORFORD United Kingdom
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THE OTHER SIDE United States
OUTSIDE France
OVERDRIVE Italy
OVERLOAD Pakistan
OVNI El Salvador
PALLAS United Kingdom
PANDORAS.BOX Germany
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PANTOKRAATOR Estonia
MATTHEW PARMENTER United States
PARZIVALS EYE Multi-National
JAKE PASHKIN Russia
INDREK PATTE Estonia
PAX ROMANA Finland
PBII Netherlands
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PHAESIS France
PHENOM India
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PHREEWORLD United States
PI XPRNC Venezuela
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PICTURES Italy
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PRELUDE Belgium
PRIMITIVE INSTINCT United Kingdom
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THE PSYCHEDELIC ENSEMBLE United States
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Q Chile
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ROADS TO DAMASCUS United Kingdom
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RPWL Germany
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SEA VINE Poland
SEASONS OF TIME Germany
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SETI Chile
SEVEN DAY HUNT Netherlands
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SILENT AGREEMENT Netherlands
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SINISTER STREET Netherlands
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SIX ELEMENTS United States
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SKYFOX 8 Brazil
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SNOWDONIA Spain
SOLIS Brazil
SOLSTICE United Kingdom
SPEKTRUM Sweden
SPLINTER Netherlands
STEALING THE FIRE United Kingdom
STEP AHEAD France
STRANGEFISH United Kingdom
STRANGERS ON A TRAIN United Kingdom
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ROBERT SVILPA United States
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T Germany
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TWELFTH NIGHT United Kingdom
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XENN Poland
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DAVID YOUNGER United Kingdom
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TOMMY ZVONCHECK United States

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