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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.26 | 963 ratings
THE ROAD OF BONES
IQ
4.23 | 1810 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1726 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.14 | 1124 ratings
CLUTCHING AT STRAWS
Marillion
4.17 | 550 ratings
CONTAGION
Arena
4.17 | 415 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 786 ratings
FREQUENCY
IQ
4.09 | 931 ratings
MARBLES
Marillion
4.13 | 410 ratings
A TOWER OF SILENCE
Anubis
4.06 | 591 ratings
THE VISITOR
Arena
4.09 | 360 ratings
EMPIRES NEVER LAST
Galahad
4.05 | 549 ratings
EVER
IQ
4.03 | 803 ratings
DARK MATTER
IQ
4.05 | 441 ratings
FANFARE & FANTASY
Comedy Of Errors
4.08 | 285 ratings
SEVEN
Magenta
4.15 | 158 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.03 | 410 ratings
ALL RIGHTS REMOVED
Airbag
3.98 | 1147 ratings
FUGAZI
Marillion
4.00 | 554 ratings
THE SEVENTH HOUSE
IQ
4.04 | 298 ratings
MOONSHINE
Collage

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

NEW LIFE
Solstice
HUNTING THE FOX
Ines
TRAVELLER
Magus (The Winter Tree)
THE SPARROW
Metaphor

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Latest Neo-Prog Music Reviews


 F E A R (F*** Everyone And Run) by MARILLION album cover Studio Album, 2016
3.71 | 65 ratings

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F E A R (F*** Everyone And Run)
Marillion Neo-Prog

Review by Kevman28

3 stars So after 5 complete sittings on good equipment I feel ready to share my thoughts. The independent reviews gave reason to be optimistic, while others have dared to air their disappointment, only to get shot down as though they have just insulted someone's relative. Sadly as much as I want to give my all time favourite band a glowing review to match the expectation, I am left feeling a rather underwhelmed. My excitement slowly ebbs away as I finish every session wondering whether the independent reviewers were given a different version to me!

"Similarities to Brave?" - Not even a close contest. Brave has multiple sections of pure brilliance, taking you on a journey through quiet moments of genius to guitar solos of such quality that the hairs stand up on the back of your neck. Once again Rothery's guitar takes a back seat as he continues to ruin every one by insisting on using his favourite effects pedal that sounds like he is playing underwater. I can only apologise to the band for slating their hard work. I just find this album uninspiring and dull. 'The New Kings' is easily the best section, but it still left me wanting more.

I am now sure to get slaughtered for giving my honest opinion, and that is fine as some people will take offence. Music is very personal, and my opinion will always conflict with others, and on this occasion with the band themselves who have said that they are now able to write what they want without feeling the need to please everyone. Good for them, and I respect their attitude. Unfortunately it is not good for me. Good musicianship, good lyrics at the most, good packaging, good album (just maybe not for me). A 'good' 3 stars.

 F E A R (F*** Everyone And Run) by MARILLION album cover Studio Album, 2016
3.71 | 65 ratings

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F E A R (F*** Everyone And Run)
Marillion Neo-Prog

Review by Progresearcher

2 stars The new Marillion album, "FEAR", has been compared to "Brave" and very early Marillion. In fact, however, it sounds like "Afraid of Sunlight" (or even "This Strange Engine") Part 2, artificially constructed as an epic. The music is either slow or very slow and is unpretentious, most of the time reminding me of symphonic Ambient with vocals. There are few purely instrumental arrangements (none of which exceed 1 minute in duration), and they're as boring as the mixed ones, Hogarth really whining this time around, throughout the album, no matter what he whines about, i.e., the lyrics are more than merely decent overall. Sans the concluding one, The New Kings, all the epic-length songs are just pseudo-epic in construction. Either way, while being the best track here, The New Kings is also dissatisfying from a progressive rock perspective, strongly inferior to 'The King' from the aforementioned "This Strange Engine". IMO, any progressive rock song should be created on the basis of instrumental arrangements (as it was in the case of "Brave", for instance), rather than by using the vocal lines as a 'starting point' for composing music, but "FEAR" is characterized exactly by the latter approach. To be objective, I must add that the album is by no means devoid of what we've used to call "atmosphere", which is more often dramatic than romantic (indeed, it would've been really strange had it been otherwise), but never really dark, let alone fearful. So, if you consider "Brave" the best Marillion album (as I do), avoid "FEAR", because there's too little here to please even a 'classic' neo-prog fan, let alone those who prefer profound progressive rock.
 F E A R (F*** Everyone And Run) by MARILLION album cover Studio Album, 2016
3.71 | 65 ratings

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F E A R (F*** Everyone And Run)
Marillion Neo-Prog

Review by Kingsnake

2 stars Don't get me wrong, I used to be a great enthousiast of Marillion. I liked them to bits. I even enjoyed Marillion.com and Anaroknophobia.

But since they turned into a shadow of themselves, every album seems and sounds uninspired. FEAR sounds like the guys really don't want to do it anymore. They do it for the fans. Mediocre songs with uninspired musical and vocal contributions.

Mark Kelly and Pete Trewavas are the only ones that sound great. Ian Mosley hasn't played a single drumroll or beat since Interior Lulu that held me in awe. He sounds tired and washed out. The same goes for Steve Rothery, where are the heartbreaking and goosebumpy solos like on Easter or Ocean Cloud?

And Steve Hogarth sings really forced. He takes the leadrole and he's always singing, never giving the band a chance to come with nice instrumental passages. He never really was a good singer, but he had soul and emotion. Now it all seems gone.

The last great record the band made was Less is More and with pain in my heart, I must admit that Marillion doesn't do it for me anymore. Sorry guys.

 Heritage And Visions by GALLEON album cover Studio Album, 1994
3.40 | 40 ratings

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Heritage And Visions
Galleon Neo-Prog

Review by poito

4 stars The band has changed quite a lot from its debut album LYNX. They've moved away from the commercial PopRock. The recruitment of Ulf Pettersson at the keyboards definitely made a different band. There is a rebirth in NeoProg of the time, strongly based on Genesis-Marillion. I'm a bit surprised by the overall quality of this album, since I've listened to others that were released later and were not as mature as this is. The initial two themes are not very promising, but the next, a 16 min long track called Permanent Vacation filled my expectations. Very good track, varied, inspired, creative. It somehow marks the strengths of the band, plenty of keyboards, and wrapping melodic tunes although sung by a rather impersonal voice (which however does it better than in later releases). The drums are also well below the quality of the composition, and along with the poor bass line, the main problems of this band. It follows Intentions, probably the more authentic (meaning that it has no borrows), but not particularly inspired. From here, all other themes are great, with an interesting work by the new member and true alma mater of the band. There are some passages nearly literally taken from Genesis and Marillion, but I want to think it is a tribute.
 F E A R (F*** Everyone And Run) by MARILLION album cover Studio Album, 2016
3.71 | 65 ratings

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F E A R (F*** Everyone And Run)
Marillion Neo-Prog

Review by progpromoter

2 stars So here we are once more to talk about Marillion's new stuff. Once more their latest work is subsequent to a pre-order, then there is the promotional tour, maybe with a LIVE record, then there will be the Marillion Weekend followed by a DVD and so on and on, with a tried and tested mechanism to earn money, well supported by the huge quantity of fans. Before going on I need to make you notice that I know Marillion since their very first start, and I loved them in both Fish and H lives.

I've listened to FEAR several times then I decided to write down this review, which is a step forward with the respect of the preceding STCBM, when I was totally unimpressed.

The overall impression is that this new work is better than the preceding album, there are no silly songs as "Pour My Love" or "Invisible Ink", there are long suites in the classical aim of progressive rock songs. My perception is that the sounds and the song structures come from preceding recording sessions as MARBLES or BRAVE (don't be surprised... these are their best works in H era and are extremely beloved by fans) or also something from THIS STRANGE ENGINE. The result brings, in my opinion, to useless long suites built up with cut&paste of several sketches, without energy, inspiration and creativity. The guitar solos, once one of their best things, come out always in the same way, with the same register and the same pattern. The drummer work seems unenthusiastic, poor of ideas and even the drums sound seems too grave and vintage, as if it would have been recorded with only two overhead microphones, instead of a complete set on the single components of the drumkit. Too bad! On the other hand, Mark Kelly seems to have found another time that beautiful way to play piano, which was among the beautiful things of Marillion sound (remember how strong and incisive was the chord which followed 'So here I am once more..." in the first album) and Pete's bass is always precise, well rounded and rich of good patterns. I've found very interesting and captivating the sumptuous end of "The New Kings", but when you have to wait almost an hour for an emotion in a CD, something's not going in the right way, don't you think?

At the end I think that Marillion have a huge amount of unreleased stuff in their wardrobes, and they eventually extract from it what their fans prefer, since they've paid for the new album in advance. Hoping the provisions will end as soon as possible I cannot give more than 2 stars. 2.5 for the love I had for this band in the past.

 Disobey by COMEDY OF ERRORS album cover Studio Album, 2011
3.94 | 240 ratings

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Disobey
Comedy Of Errors Neo-Prog

Review by maryes

4 stars Just like the other album of Scottish band COMEDY OF ERROS that I known "Fanfare and Fantasy" this first release "Disobey" is pleasant album . However, in my opinion not so close by their second album which I confer 5 stars ( review ( (#1533623) | posted Sunday, February 28, 2016 ) But, my assertive about this last also be applied to this one: "COMEDY OF ERROS show to us another good example of how to make good progressive rock music without the necessity of complicated use of scales and time signatures , being enough inspiration and good taste. " Disobey" is another album which flows easily and captivates the audience with some fairly inspired moments ... as for instance the unquiet theme of track 2 "Jekyll" ( how is expected in face of track title) a heavy-prog theme mixing MARILLION and JADIS with a brilliant band acting, including a moog solo (starting 3 min 51 sec) leading this heavy theme to a symphonic conclusion (starting 4 min 4 secuntil the end of track ) .Other similar theme is track 9 " The Student Prince ":Part 1 - When Will I See You Again with a "bottleneck" guitar solo and the same symphonic ending. I can detach the instrumental track 3 "Prelude, Riff And Fugue" with a "medieval" introduction with harpsichord and tambourines open space for a heavy riff and a posterior bucolic "crying" guitar melody ... very beautiful . Last the beautiful ballad "Could Have Been Yesterday" some "mellow" song with keyboards or a tuned percussion ( maybe a glockenspiel ) accompaniment with great guitar ( acoustic and electric ) and vocal parts. How I said above this isn't so good like "Fanfare and Fantasy" but ... a very good album in the style ! My rate is 4 stars !!!
 Places Unseen by CIRRUS BAY album cover Studio Album, 2016
4.20 | 33 ratings

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Places Unseen
Cirrus Bay Neo-Prog

Review by Kingsnake

4 stars Wonderfully, romantic and pastoral music, wich reminds the listener immediately of Renaissance.

The music mostly based upon piano and acoustic guitars augmented by drums, synths, electric guitar, flute and saxophone. Singer Tai Shan is really a gifted vocalist, wich (as said) resembles Annie Haslam (Renaissance).

The music is symphonic rock as we knew it in the seventies; comparisons to Caravan, Genesis, Renaissance, Camel are easily made. The music and vocals really makes the listener dream about lush landscapes and warm summer days. The overall feel is sweet, kind, naive, dreamy and intellectual. When the soloing takes place, you know this is progressive rock, but the soft parts keeps you dreaming and relaxing.

I haven't heard a modern release of this high standard in a long, long time. Really recommended to Renaissance-fans, but any progressive rock fan should try this one out.

 Evership by EVERSHIP album cover Studio Album, 2016
3.98 | 5 ratings

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Evership
Evership Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars Shane Atkinson is the man behind this album that is the work of 8 years. He composes, writes and plays many instruments, but he has received some help from others musicians. The beginning of the cd is very strong with some intense vocal harmonies and some music that is on the melodic side of Progressive Rock with sometimes a heavy edge reminiscent of old Americain Prog with some spark of the British's sound of the Neo Prog bands. All this music is embellished with some lush orchestrations and choirs. The multi-part compositions go from the atmospheric to the dramatic with dazzling vintage organ and mellotron. The influences from the past are there and cover a lot of ground.The vocals and the music in the song "Evermore" are in the pure Queen style. The epic "Flying Machine is not without reference to the band Mystery with a mix of classic rock and Progressive Rock. The song goes back and forth between acoustic parts and electric ones. There is a nice flow throughout the different parts of this cd. The songs contain many hooks, and also some moving progressive rock moments that keep you engage. It's just the right balance between the simplicity of rock music and a more complex Progressive Rock. I had the same uplifting feeling listening to this cd of the one I had when Sean Filkins (ex-Big Big Train) released his solo cd.The man has a lot more material for others albums. I just hope that we don't have to wait another 8 years to hear it. So let's take the journey to the world of Evership, you will love the ride!
 Evership by EVERSHIP album cover Studio Album, 2016
3.98 | 5 ratings

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Evership
Evership Neo-Prog

Review by DamoXt7942
Forum & Site Admin Group RIO/Avant/Zeuhl & Neo Teams

4 stars A promising, aesthetic combo have come here finally with their debut creation. Deep heavy complex musical theater is launched continuously from the beginning till the end of dark rumbling ground titled "Approach". Yes their musical approach sounds in the similar vein of Dream Theater or other Neo-Prog precursors but wondrous gigantic for their debut. And their enthusiasm for creation can be heard via the longest, dramatic track "Flying Machine", that gives us rhythm complication, beautiful melody lines, and something of musical and "mental" stability.

Their sound diversity can be caught in the very beginning of the first "Silver Light" too. We the audience would get veiled in such a mystic ethnic surrealism and powerful voices based upon well-matured delightful chorus. The melody lines might have the same atmosphere we have listened somewhere but let me say it should be fine they were not so sticky for musical / rhythmic complexity. On the other hand, "A Slow Descent Into Reality", as other suites are, can divided to a couple of pieces, and some internal music bridges are not unnatural nor artificial at all ... that's the reason their soundscape can be easily digested into our brain.

Their chorus, instrumental works, and musical point of view are not only vivid but also cold as ice. Contrary to typical Neo-symphonic melodic basis, their sound seasoning variation is obviously superb. Afraid they could release more excellent creation than the debut shot in future ... nah no concern needed. They will do such a fantastic work like this. Let me give them a great applause.

 Disconnected by AIRBAG album cover Studio Album, 2016
3.76 | 143 ratings

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Disconnected
Airbag Neo-Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

3 stars The opening "Killer" prepares the listener for a rich, full-layered Neo/Crossover output, embroided with influences by the greats of 70s-90s (melodic) progressive rock. Unfortunately, expectations fall short beyond the opening attention-catching song: "Disconnected", despite being a sound-captivating album, retreats to tried-and-tested patterns of low tempos, nearly hypnotic, and safe structures.

The quintet seem like they have studied sound production and produce a very warm feeling through detailed orchestration, melodic guitar solos and delicate-but-intricate drumming. They blend mostly secondary influences from "traditional" progressive rock i.e. "Slave" shows a keenness to Pink Floyd via recent Anathema works while the rest of the album borrows from Riverside-alike soundscapes, very reminiscent of (the less interesting second era of) Marillion. The title track raises the game again after the opening with richer sounds and a lounge-jazz mood at times. The vocals suit perfectly the music and trodd on low-octaves.

If Hogarth-era Marillion is your thing, then you will most likely appreciate "Disconnected". Avoid if you prefer more exciting up-tempo prog rock.

3-3.5 stars

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS (THE WINTER TREE) United States
MAJESTIC United States
MALOMENOS Chile
MANDRAGORA Argentina
GEOFF MANN United Kingdom
MARATHON Netherlands
MARATHON Italy
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASCARADA Spain
MASQUE Sweden
MASTER OF CEREMONY Italy
NIALL MATHEWSON United Kingdom
MAYBE France
MICHAEL MAYER & DEAN ROUCH United States
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
MERCY TRAIN United Kingdom
METAMORPHOSIS Switzerland
METAPHOR United States
MILLENIUM Poland
MINDGAMES Belgium
MINOR GIANT Netherlands
MK II United Kingdom
MONARCH TRAIL Canada
MONTECRISTO Indonesia
MOONRISE Poland
MORIA FALLS United Kingdom
MORPHELIA Germany
MOTHS United Kingdom
MR. GIL Poland
MR. SO & SO United Kingdom
MUDWAY Italy
MULTI-STORY United Kingdom
MUTE ALBINO Belgium
MYSTERKAH France
MYSTERY Canada
BADER NANA Kuwait
NAOS France
NAVIGATOR United States
NEGUA Spain
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