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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.25 | 1833 ratings
MISPLACED CHILDHOOD
Marillion
4.26 | 986 ratings
THE ROAD OF BONES
IQ
4.22 | 1745 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.14 | 1141 ratings
CLUTCHING AT STRAWS
Marillion
4.17 | 556 ratings
CONTAGION
Arena
4.17 | 417 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 792 ratings
FREQUENCY
IQ
4.09 | 950 ratings
MARBLES
Marillion
4.13 | 414 ratings
A TOWER OF SILENCE
Anubis
4.06 | 595 ratings
THE VISITOR
Arena
4.09 | 363 ratings
EMPIRES NEVER LAST
Galahad
4.05 | 556 ratings
EVER
IQ
4.03 | 813 ratings
DARK MATTER
IQ
4.05 | 442 ratings
FANFARE & FANTASY
Comedy Of Errors
4.08 | 288 ratings
SEVEN
Magenta
4.14 | 163 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.03 | 413 ratings
ALL RIGHTS REMOVED
Airbag
3.98 | 1162 ratings
FUGAZI
Marillion
4.00 | 559 ratings
THE SEVENTH HOUSE
IQ
4.03 | 304 ratings
MOONSHINE
Collage

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TRAVELLER
Magus (The Winter Tree)
THE ART OF MADNESS
Psychedelic Ensemble, The
VOICES
T
THE SPARROW
Metaphor

Latest Neo-Prog Music Reviews


 Evership by EVERSHIP album cover Studio Album, 2016
4.19 | 42 ratings

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Evership
Evership Neo-Prog

Review by The Jester

5 stars This is definitely one of the biggest surprises of 2016 for me, and one of the best albums I've listened to, during this year. 'Evership' was a name that meant nothing to me, until I heard 'Silver Light' for the first time. Oh, if you could only see my expression at the time! I felt like a kid that just discovered a new wonderful candy! I conducted a small research in order to learn more, which as it proved wasn't that hard, because lately many people are talking about them. Something also tells me that this is only the beginning. Well, I hope so at least! Now let's get to the point! Evership is a band from Nashville, that is based upon two people: Shane Atkinson, who is a composer and multi-instrumentalist, and Beau West who is the lead singer. And what a singer! Beau is one of the greatest singers I've had the pleasure of hearing recently! I've read that many people describe the colour of his voice Freddie-Mercury-like, although I wouldn't get that far. In fact, there is no reason to try to compare him with anyone actually, because he has a wonderful voice, and his overall performance on the album is excellent! I think that's what really matters. But Shane and Beau are not alone in this. Behind them there is a whole band, including some very good musicians as it is proved in all the songs of the album. 'Evership' is the band's debut album, and it is something they were preparing for many years. Let's hope that we will not have to wait that long for their next one. The album opens with the really excellent 'Silver Line', which I can't stop listening to! The thing is that, every time it sounds better and better to my ears, and the same happens with the whole album. And right after that, comes the ? almost-12 minute-long ? epic 'A Slow Descent into Reality' that is divided into 6 parts; another really great song. With so many twists and turns that I lost count, is one of the album's best moments in my opinion. I could recommend you to buy this album only for these 2 songs, but you know what? There's more! Next, comes the -10-minute-long ? Evermore, which is divided in 2 parts, 'Eros' and 'Agape' both Greek words, describing in a different way the word Love. At the beginning of this song I realised why some people compare Beau West with Freddie Mercury, but still? Good song, but not one of my favourites in the album. (The general style of Evermore has a strong Queen "essence" in my opinion). Evermore is followed by another long piece, Ultima Thule, a rather slow and relaxed track in the beginning, that is changing over and over again as time passes. Very good song and excellent performance by Beau West once more. The 5th track of the album - which is the longest one - is the wonderful Flying Machine; a real epic! During the almost 14 minutes that is its length, gives the listener the opportunity to close his eyes and let his mind fly with the help of the music. If I had to describe the album in a few words, I could say that it is a wonderful travel for the mind to far and wonderous places with the wave of music. I don't know if I am describing it properly, but to me is exactly that. Because music is not mathematics, music is pictures, feelings, ideas and passion. And this album includes strong doses of all those things! That's why I will give 5 stars and I will say a very big 'Thank you' to Evership for this wonderful piece of art that they offered to us! HIGHLY RECOMMENDED!
 Masquerade by EYESBERG album cover Studio Album, 2016
4.04 | 9 ratings

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Masquerade
Eyesberg Neo-Prog

Review by Progrussia

3 stars For yet another time I've been alerted by PA to good old German neo-prog... This is what I call pensioner's prog - prog played by 50-somethings for the 50-somethings (not there yet, but close). How can you tell? If the singer sounds like he's from Genesis and laments the effect of social media on human relationships. I don't mean to say that it's lethargic. Joke on you opens quite energetically, in fact. It's just that it doesn't explore any edges, not venturing from the middle of what this kind of music is supposed to sound like - melodic but unassuming prog-lite. Good accompaniment for house cleaning on a lazy day.
 Chaos From The Stage by MAGENTA album cover DVD/Video, 2016
4.05 | 2 ratings

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Chaos From The Stage
Magenta Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars This new DVD of Magenta contains tracks mostly taken from their last three albums. This concert is presented in the best picture quality you can have for a standard DVD, and in the almost perfect sound that let you enjoy every instrument almost like a studio album. The band offers a modern symphonic prog sound that doesn't bring something new, but the strong songwriting and great musicianship will capture your attention. Chris Fry guitar sound is quite remarkable sounding a lot in the territory of Steve Howe. So it's not a surprise to hear a huge Yes influence on the band's music. If I had to pick up some favorites on this 100 minutes concert, I would choose the epic "The Devil At The Crossroads" with his multi-movement going from the light and the more dynamic parts. "Guernica" from the album "Chameleon" that shift from the acoustic to the electric is another great track. From that same album, "R.A.W". show a darker and heavier side of the band, it works very well!. Finally, the other epic of that good album with the title track "Metamorphosis" conclude this interesting set-list. This another fine release for Magenta that is another nice addition to the band live releases.
 Il Bis by CATAFALCHI DEL CYBER album cover Studio Album, 2016
3.85 | 5 ratings

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Il Bis
Catafalchi Del Cyber Neo-Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars More or less the very definition of an obscure Italian progressive music band, Catafalchi del Cyber delivered an addictive subtly King Crimson-influenced Mellotron-laden debut back in 2011, an eclectic collection that couldn't have sounded more modern and distant from anything resembling the more typically expected vintage-flavoured symphonic rock that many Italian groups offer. Having connections to Moongarden, Submarine Silence, Mangala Vallis and The Watch, they're a trio that seem to enjoy completely subverting their listeners expectations of what constitutes a `prog rock' album (for both better and worse!), and their comeback album, 2016's `Il Bis' is the completely mental, unpredictable, schizophrenic, and even frustrating release that the band were no doubt hoping their listeners and "prog-snobs" would find it to be! But it's also constantly thrilling and one of the most welcome surprises of the year.

After brief twitching cut-up sound-bites, `Il Buon Caffe' launches right into a quick punishing cacophony of crashing punk noise, all pummelling drumming, mud-thick bass and a spat out shrieking vocal. It's quickly replaced by the moody `Heavy Love' (sung in English, as are all the pieces on the album), the first proper tune of the disc that in just under eight minutes moves between being a melancholic indie-rocker, later era Porcupine Tree heavy blasting, subtle electronica and grooving funk! Utilising everything from jangling guitars with occasional Marillion-like tones, tickles of Hammond organ, whirring proudly Neo Prog-flavoured synth noodling and programmed beats, Mirco Ravenoldi's shaky and uncontrolled voice also offers fleeting wisps of sweet falsetto escaping here and there. The dreamy (yet still plenty unhinged) `Ti Vengo a Prendere' mixes introspective late night jazz musings, slinking low-key beats and murmuring ruminative bass with a soaring chorus, and demented instrumental `Il Cavaliere Odia' is all doomy infernal Mellotron choirs, heavy King Crimson jazzy explorations, Gong- like honking sax ruptures and dirty funky bouncing bass spasms.

Initially another harder indie-rocker, `112' reveals a haunting Goblin-like Mellotron choir over chiming guitars finale that is impossibly lovely and oddly uplifting, and the Porcupine Tree-like `Happiness' marries a sorrowful lyric and washes of gentle synths to crushing plodding guitars (again, heavy, yet never exactly `heavy metal') and defiant soaring soloing in the second half. In keeping in line with that UK band, shorter instrumental piece `Gladia' presents soothing Mellotron over warm acoustic guitars and searing electric soloing wouldn't have sounded out of place on the recent Steven Wilson albums.

`A Tailor's Sale' (Ooh, King Crimson fans will get a sly laugh from that title!) is an infectious and quite upbeat melodic indie- rocker with a catchy chorus, but it also doesn't skimp on frequent nimble keyboard/Mellotron runs and reflective acoustic breaks. `Prima Republica' is a serene and ethereal ambient interlude that marries into the ever so slightly-off closer `Mouth Shaped Universes', with some wondrous delicate piano and proudly epic guitar soloing to finish the set.

But special mention must go to the biggest shock of the album, the ninth track `Fakoya Ltd', a full-blown hip-hop piece with two guest rap vocals delivering biting social-commentary lyrics peppered with swearing. It's actually very well crafted with a cool production, but it sounds completely out of place on the album and brings it crashing to a halt. It's likely designed to cause exactly this kind of confused reaction, but perhaps if the band still insisted on including it, the piece might have been better served as a bonus track at the end of the disc away from the main album.

Despite the one or two odd missteps and the occasionally challenging vocals that are sure to be a deal-breaker for some listeners, `Il Bis' is definitely one of the `coolest' prog-related albums of the year, the perfect antidote to `old-man prog', and it might also be one of the best kept secrets of progressive rock of 2016. It's a long-awaited but successful return from a skilled Italian group in desperate need of greater exposure and more well-deserved recognition.

Four stars.

 The Clockwork Fable by GANDALF'S FIST album cover Studio Album, 2016
4.08 | 104 ratings

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The Clockwork Fable
Gandalf's Fist Neo-Prog

Review by CaptainOctopus

5 stars For my first review on PA I want to cover an album I'm flabbergasted people aren't raving about! I'm not sure where to start with this album other than to say it's the finest conceptual record I've heard in a considerable time. At 3 CD's long and over 3 hours in total, one would assume that this would be an over-log, bloated release but this could not be further from the truth. The tracks are varied and well produced, crossing a range of styles and the story is fully engaging and unique. Speaking of which, Gandalf's Fist have employed professional actors to narrate the tale in between songs. Many names are recognisable from BBC drama, such as Mark Benton, but most interestingly is the inclusion of American Actor Zach Galligan, famous for playing "Billy" in gremlins. The result of which brings about more of a BBC radio play/cinematic quality than the "rock opera" kind of concept album that we are all used to. The band call it a "Mind Movie", which, actually, is a pretty good way of looking at it! The radio play carries the story allowing the songs to breathe and drive the mood of the album. All of which is refreshing as many concept albums in the past have suffered from relying on the lyrical content to drive a story and as such the focus on songwriting had suffered? no such complaints here, the songs are excellent, even in isolation. With special mention to the epic "Lamplighter" suite of songs as well as "Shadowborn" and "Victims of the Light". As with their previous release, Gandalf's Fist have also harnessed some familiar names from the world of Prog (and metal!) to fill their musical ranks. Dave Oberle from Gryphon, Matt Stevens (the fierce and the dead) return again but also in come Arjen Lucassen (Ayreon) and even Blaze Bayley (ex-iron maiden) to help voice some of the characters in the songs. I have to give credit to the amount of effort the band have put into creating this world, the album's booklet and supporting website is full of details and back story right down to the religious structure and language of the world?. you truly do feel immersed in the story. Also, so yourself a favour and get the CD version rather than the download ? the packaging is brilliant? it's got a cool "DVD boxset What it boils down to is, really, an essential album. The music is varied and contains without a doubt the band's finest selection of songs and the story is engaging, extremely witty (in a monty python style at times), and even sometimes quite touching. If you haven't checked it out yet, I emplore you to do so, if you're put off by the idea of the acted sections between songs: Give it a chance. Stick with it. I can guarantee that you'll regularly crack a smile. We're dealing with progressive rock, and what a great, progressive and unique way of presenting an album. I can't think of another record that puts across the story in quite the same way? I suppose you'll have to put aside some listening time to see what I mean!

 Masquerade by EYESBERG album cover Studio Album, 2016
4.04 | 9 ratings

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Masquerade
Eyesberg Neo-Prog

Review by Rayx

5 stars EYESBERG burst onto the progressive music scene two years ago with the release of their album BLUE ? a collection of 30-year-old songs that had been re-recorded and revamped using modern technology. BLUE quite rightly received rave reviews and now they are back with the follow-up MASQUERADE ? this time a collection of new material. And what a gem of an album it is. A dynamic mix of hard and heavy sounds, breathtaking guitar and synth solos, awesome melodies and intricate, diverse arrangements that somehow magically blend together. The scene is set with the opener JOKE ON YOU ? as heavy guitar-laden and organ passages, augmented with driving drums and bass, are suddenly replaced with gentle lilting harmonies from guitar and vocals. The song then builds into a wonderful crescendo as mini moog and lead guitar take over. COME AND TAKE A LOOK AT MY LIFE is a very poignant track, the lyrics dealing with the refugee crisis in Europe. Here lyricist/vocalist Malcolm Shuttleworth really comes into his own with some wonderful vocal work, especially during the chorus, featuring the wonderfully Gabriel-like lyrics: "Loitering with intent to hang around?" FACELESS is a unique song for a progressive album. It could actually be a hit single. That said, the song is extremely complex with fine guitar work by Georg Alfter and superb flute solos. (Which I can only assume came from the wonders of modern technology, as no flutist was credited on the sleeve.) I love the line: "Faceless on Facebook, what's up with Whatsapp?" HERE AND NOW is simply superb. Haunting melodies (especially the flute intro), meandering solo guitar throughout and a nice driving drum rhythm ? played by guest musician Jimmy Keegan of Spock's Beard. The middle part features several subtle touches from keyboarder Norbert Podien. STORM FLOOD is perhaps the album's low point. A rather-long-winded instrumental that does not really go anywhere. STEAL YOUR THUNDER is one of those spine-tingling songs that is hard to describe. Perhaps the most perfect song on the album. Outstanding vocals, quite wonderful piano, exquisite guitar parts, great melodies. A true masterpiece. EYESBERG save the best until last. The 18-minute WAIT AND SEE, which apparently tells the band's story, encapsulates what this wonderful band is all about. Drama, suspense, diversity and majesty all rolled together in an epic song that simply cannot be surpassed. A fitting end to a truly remarkable piece of work. Overall a wonderful production, sounding fresh and extremely well-produced. The only thing EYESBERG need to worry about is how they can possibly follow this?

RAY X ? Cologne 2016

 Jadis by JADIS album cover Studio Album, 1989
3.52 | 14 ratings

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Jadis
Jadis Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Jadis first ever release is kind of a mystery. It´s so rare that few people are even aware of its existence. It´s not cited on several band´s discography, even on their official site. It was recorded in 1989 and it seems to be the sum of some recordings at the time and a few songs from older demos. It was produced by Marillion´s guitarist Steve Rothery and had a very different line up from the one we were accustomed to see as their first incarnation (1994´s "debut" More Than Meets The Eye): here only guitarist/singer/songwriter Gary Chandler is present. Even the long time sidekick Stephen Christey was not credited on this record. Here Chandler is backed by Trevor Dawkins on bass, Pete Salmon o keyboards and a couple of drummers: Mark Law on side 1 and Paul Awin on side 2.

What strikes me the most about this album is the excellent songwriting and the overall very good performances. Considering its obscureness I presumed the songs were weak and/or done by an inferior line up. Of course the production is not up tot heir latter, "official" releases. Still, it was far from some crap sounding albums I have heard at the period. The god news is that no cut is a lost gem, since all the tracks were either re-recorded on future CDs or available on compilations.

In the end is understandable why this LP never got a CD release. It´s just a curio, a collector´s item for the hardcore. The band would produce much better recordings of those songs on future releases. Even if Chandler´s talents as songwriter and performer were evident by the high quality of what I heard. Jadis is one of the great neo prog bands of all time.

 On the Edge of the World by CRYSTAL PALACE album cover Studio Album, 1995
3.40 | 19 ratings

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On the Edge of the World
Crystal Palace Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars I had recently heard about this obscure little band from Germany, but had no idea their career went as far back as 1994. So I was curious to get their debut CD. And I was quite pleased with what I heard. 1995´s On The Edge Of The World is full of fine songs and good performances of all involved, except the production department, which made things too glossy and too 80´s sounding. Which is really a pity since the band proved to be fine songwriters from the get go. Their sound here is a mix of Fish era Marillion with some strong AOR/melodic rock tendencies. The results are quite interesting. Of course, if you´re looking for long instrumental parts, explicit displays oif virtuosity and any freakishness, you´ll find none. But if you like nice melodies, strong hooks and very well played tunes you´ll also be delighted with this album.

The longer songs like the title track, Puppet In Your Hand and the obvious Marillion influenced Silly Clown are the most progressive and interesting, but the others are also good. Vocalist Helmut Hirt has an excellent voice that works very well both on the more dramatic prog cuts and the high pitched, very demanding AOR parts. All musicians are quite accomplished too, with some fine guitar lines and solos throughout the whole disc.

On The Edge Of The World is a fine little CD that will please the ones who like good melodic songs with a strong progressive feel and arrangements. Nothing very original or to write home about it, much less essential but good nonetheless.

RAting|: somewhere between 3 and 3.5 stars. Nice start. I´m looking forward to listen to its follow ups.

 The Clockwork Fable by GANDALF'S FIST album cover Studio Album, 2016
4.08 | 104 ratings

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The Clockwork Fable
Gandalf's Fist Neo-Prog

Review by Progrussia

4 stars If listening to a 3 CD album seems daunting to you, take solace in that half of the tracks are narrative. Musically, it's the peculiar but familiar for their listeners formula of taking fantasy folk, epic hard rock in Iron Maiden style, your typical Genesis influence and wrap it in a psychedelic package, with its far-out, culturally-familiar-but-inverted concepts. In essense, hobbit campfire sing-a-long.

The Clockwork Fable continues the line of Forest of Fey by emphasizing the folk and shifting focus to (better) guest vocalists. Does it work? Story and music are well integrated (usually for prog, the story is just a device, but here it is the music that serves the story). Strictly musically, its pleasant and not too complicated, despite the average 10-minute (save for the occasional bursts of metal and folkish instrumental wankery). But the album does seem to be dragged out a bit, especially the middle which sometimes feels uneventful and too simliar in vibe.

 The All European Hero by GALLEON album cover Studio Album, 1996
3.41 | 41 ratings

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The All European Hero
Galleon Neo-Prog

Review by poito

3 stars This album is a bit more personal than the former King of Aragon, meaning that they borrow less from classic bands, like Genesis and Co. There are no changes in style, easy symphonic Prog, with sincere work at the composition, lots of keyboards, and little contribution by the other instruments, tasteless lyrics too much emphasized for the little they have to offer. A hallmark of the band's music is the cheerful mood, no dark passages or complex lyrics, always trying to be good boys playing great music. They manage to craft some good tracks, like the opener The All European Intro, The Russian Ice Princess, and European Anthem.
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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
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