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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 27/8/2014

Apostolis (apps79) ... Team leader
Matti
Tom (Roland113)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.35 | 640 ratings
THE ROAD OF BONES
IQ
4.24 | 1553 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1485 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.20 | 470 ratings
CONTAGION
Arena
4.13 | 956 ratings
CLUTCHING AT STRAWS
Marillion
4.13 | 676 ratings
FREQUENCY
IQ
4.16 | 368 ratings
A TOWER OF SILENCE
Anubis
4.11 | 809 ratings
MARBLES
Marillion
4.15 | 351 ratings
POSTHUMOUS SILENCE
Sylvan
4.12 | 370 ratings
FANFARE & FANTASY
Comedy Of Errors
4.07 | 511 ratings
THE VISITOR
Arena
4.09 | 331 ratings
EMPIRES NEVER LAST
Galahad
4.04 | 463 ratings
EVER
IQ
4.02 | 706 ratings
DARK MATTER
IQ
4.35 | 74 ratings
AMBIGIOUS POINTS OF VIEW
Shamall
4.03 | 474 ratings
THE SEVENTH HOUSE
IQ
4.08 | 246 ratings
SEVEN
Magenta
4.08 | 212 ratings
THE TALE OF THE GOLDEN KING
Psychedelic Ensemble, The
4.04 | 324 ratings
A FEAST OF CONSEQUENCES
Fish
4.23 | 96 ratings
IS THIS HUMAN BEHAVIOUR?
Shamall

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

THE ART OF MADNESS
Psychedelic Ensemble, The
TALES FROM THE DAM
Healing Road, The
VOICES
T
NEW LIFE
Solstice

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Latest Neo-Prog Music Reviews


 Passion by PENDRAGON album cover Studio Album, 2011
3.74 | 462 ratings

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Passion
Pendragon Neo-Prog

Review by Pastmaster

5 stars Pendragon-Passion

'Passion' is the ninth studio album by British progressive rock/metal band Pendragon. After the expanding of a prog metal style on the previous release, Pendragon comes back with my favorite of their albums. I takes everything that was great about 'Pure' and expands upon it, still adding in heavier riffing.

The album opens up with the electronic drum beats of the title track, soon coming in with a heavy guitar blast. The music is surprisingly very different from 'Pure'. The songs are overall heavier and catchier, making it easier to get lost in the music. The song 'Feeding Frenzy' is a perfect example, having plenty of catchy hooks and an equally catchy chorus. There are some slower songs, like 'This Green and Pleasant Land', but unlike the previous album, I love this song. It's not a sappy ballad like the slow songs on 'Pure', It is slow and calm but also rocking at the same time. It has a beautiful catchy chorus, and it eventually starts rocking near the end. The other slow song, 'Your Black Heart', is a ballad unfortunately. It's pretty boring and drags on for too long, and a pretty disappointing finale to such an awesome album.

I said Barrett's vocals were good and fitting on the previous two albums, but he blows those albums out of the way with this album. His vocal performance went up ten-fold, bringing in some guttural screams. You'll feel like kicking ass when hearing Barrett screaming 'DROP MY BALLS' and 'WHO DO YOU THINK YOU ARE' in the title track. Barrett's screaming on my favorite song from the album, 'Skara Brae' is also very well performed, coming in at the perfect times.

Overall, I highly recommend this album to any fans of Progressive hard rock or metal. It would be flawless if it wasn't for the final track, but that doesn't take this album away from being a masterpiece to me. A nearly flawless album, that deserves more recognition. 4.5 stars, rounded up to 5.

 Pure by PENDRAGON album cover Studio Album, 2008
3.88 | 539 ratings

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Pure
Pendragon Neo-Prog

Review by Pastmaster

4 stars Pendragon-Pure

'Pure' is the eighth studio album by British progressive rock/metal band Pendragon. After Pendragon's shift to a harder rocking style on the previous release 'Believe', Pendragon expands upon that shift in sound and extends the metal leanings.

Like the previous album, there is a balance between heavy metal/rock songs and slower calm songs. The album begins with the heavy 14-minute 'Indigo', which soon blasts you with heavy riffing. The song has a nice contrast between the heavy metal riffing and slower passages, the transitions coming at the perfect times. At the bridge Peter Gee plays a great bassline over Clive Nolan's atmospheric keyboards, with Nick Barrett's heavy riffing soon coming in. The song ends with a great soaring guitar solo. One of my favorites on the album is 'Comatose I: View from the Seashore', which begins very slow and melancholy with heavy riffing coming in about 3-minutes through. My other favorite is the shorter song 'The Freak Show'. It immediately begins with heavy crunching guitar and Nolan soon gives us more atmospheric keyboards. I also really like the lyrics for this song.

Like with the previous album, Barrett's vocals fit this sound much better then Pendragon's older style. The way the slower and calmer parts in this new style are played, makes his voice sound very passionate. Instead of grandiose sometimes really annoying synth, it is overall much more guitar led with more acoustics then synth.

My only problem with this album, are the all slow songs. The longer songs that have various tempos are great, but I feel like the songs that are just slow are pretty weak. They seem to drag on and on, especially the 8-minute long final song 'It's Only Me'.

Overall, even though it has it's flaws it's still a great addition to any progressive metal/rock collection and I recommend it.

 Script For A Jester's Tear by MARILLION album cover Studio Album, 1983
4.22 | 1485 ratings

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Script For A Jester's Tear
Marillion Neo-Prog

Review by Anglophile

4 stars This was the first neo-prog I had ever heard . It was back in 1983 and I first thought this was some ill timed early Genesis rip-off. But after listening to it over and over with sort of a perverse guilty pleasure fascination, it grew one me. At the time nobody was supposed to like this sort of stuff as the post-punk style fascists had declared this kind of music unacceptable. Well screw those long gone idiots; this is a time piece that still stand up. I give this four stars and I also disagree with all of those who savagely maligned Mick Pointer's drumming. On the album itself it sounds fine to my ears.
 X-Rayed  by SYLVAN album cover Studio Album, 2004
3.56 | 104 ratings

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X-Rayed
Sylvan Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars In 2004 Sylvan return with their fourth studio release, ''X-Rayed'', released again on the Point label.This was some sort of a semi-concept album, not actually a story unfolding with each track, but rather a collection of songs with a central theme, refering to the inner world of different human beings, as these are revealed via ''x-rays''.

Different individuals means sound and mood changes throughout the darker of all Sylvan releases thus far, the atmospheric depth of the album seems like it demanded a turn towards of more PINK FLOYD-ian musical background with more downtempo songs and occasional bombastic moments popping up throughout the album, but all these echoes have passed through the Sylvan prisma, modern production, addition of contemporary elements like sound effects, distortions and slight electronic touches and a a rougher edge in the guitar riffs.The basis of the music still remains an artistic Neo Prog, now showered by the sporadic metallic edges, and they even seem to flirt with the PORCUPINE TREE stylings of Heavy Prog, Ambient and raw Rock blends.But then again you will find this unmistakable, cathartic electric solos akin to standard Neo Prog, while the keyboards' role remains somewhere between providing orchestral vibes and delivering either angular or melodic echoes depending on the piece.Gluehmann definitely belongs among the best singers of the genre, this display of changing moods was the best test for him to come up as a real standout among prog vocalists.

Again a Sylvan album, which can only be compared to the works of Satellite.While not belonging among the ultimate classics of the genre, it manages to keep a surprising consistency throughout, while passing through a wide range of feelings and moods.Strongly recommended, this is very fine modern Neo Prog, that doesn't say goodbye to Prog Rock's roots...3.5 stars.

 Songs From The Lion's Cage by ARENA album cover Studio Album, 1995
3.87 | 315 ratings

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Songs From The Lion's Cage
Arena Neo-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars In my opinion ARENA carried the torch of Fish era Marillion when they arrived on the scene in 1995. Hogarth era Marillion just lost me big time as it sounds like a hollow version of what came before. I know others love his vocals and their light delicate sound but i personally want some rock in my neo-prog and that's EXACTLY what ARENA deliver on their debut album SONGS FROM THE LIONS CAGE. Just as Marillion took on the late 70s Genesis sound and ruled the 80s with that new symphonic prog renamed neo-prog, once Fish departed, it left a vacuum in the market for that very successful formula. Two neo-prog veterans took notice and decided that niche needed to be revisited.

Those two veterans, of course, were keyboardist Clive Nolan and Mick Pointer. Nolan who ambitiously has fronted Pendragon since 1986, Shadowland since 1992 and ARENA since 1995 simultaneously is an ambitious one having created some of the best offerings the neo- prog sub has to offer. Mick Pointer, on the other hand, was the original drummer for Marillion playing only on the first EP "Market Square Heroes" and the first LP "Script For A Jester's Tear" and pretty much stayed out of the musical world since. This connection is evident as much of this album sounds very much like 80s Marillion but to write it off as a mere clone would be erroneous since there is so much more to offer.

This is a profound album that sounds like it was done by true professionals in the field. All musicians are outstanding but it is Nolan's Wakeman-esque keyboard wizardry interacting with the outstanding guitar acrobatics of Keith More that really give this album an electrifying energy. The only ARENA album to feature John Carson on vocals shows him display a full command of every tender passage and then able to rock out at the drop of a hat. I particularly love his vocal phrasings and he is one of my favorite voices in this particular type of prog. The lyrics are beautifully poetic with traumatic life experiences such as the loss of love which are metaphorically represented by such images of historical horrors such as the album title alludes to.

This album has it all. It really excels at clever songwriting and delivers every single passage in a perfect way. The longer tracks cleverly alternate with the mostly instrumental "Crying For Help" interludes which embellish the atmospheric mood building to great success. The cream of this fine album comes with the finale "Solomon," a sprawling fourteen minute plus prog gem that displays all the goods in one track with lightning fast keyboard runs playing with virtuoso guitars and highly developed soft spoken melodies trading off with hard rocking segments.

I really love this debut album by ARENA. I get a 5 star enjoyment level out of this one but i just can't rate it that high because it is a bit too similar in sound with 80s Marillion at times and even though it is perfectly done i just can't bring myself to rate it higher. It is a super strong 4 stars though.

 Wearewhoweare by PALLAS album cover Studio Album, 2014
3.97 | 50 ratings

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Wearewhoweare
Pallas Neo-Prog

Review by Second Life Syndrome
Collaborator Post/Math Rock Team

5 stars 4.5 stars

I'm going to go out on a limb and say that this ended up as one of my favorite albums of 2014. This really surprised me, as my first listen did not yield much for me. However, after several spins, I can say with confidence that "wearewhoweare" is awesome, and I'll tell you why.

I originally heard Pallas for the first time with their spectacular previous album "XXV". It was spacey, scary, and ominous with bits of serenity and pure beauty therein. After hearing this, I investigated some of their discography, and time and time again I heard Pallas' ability to compose tight, catchy melodies. "wearewhoweare" follows this same trend, but adds quite an electronic feel along with quirky, dark instrumental passages that are near the top of my list for 2014.

The band consists of Paul Mackie on vocals, Graeme Murray on bass, Niall Mathewson on guitars, Ronnie Brown on keyboards, and Colin Fraser on drums. This team is simply incredible. Niall's guitars floored me as he bounces back and forth between ominous edge and Gilmour-ish soul. Ronnie's keys are constantly there, filling out the atmosphere with gusto and presence. Graeme's bass is fleshy and head-turning. Colin's drums are pounding and played with finesse. I was simply blown away with the dark-as-night verses that transition into lovely choruses guided by Paul's lush voice. I cannot compliment these guys enough.

I've seen some complaints about Pallas' new sound. Some people think they should have stayed in their 80's neo- progressive sound, but I personally applaud this old band for the incredible ingenuity and creativity that are so obvious. I mean, just look at the array of artwork they've applied to this album! It's easily one of my favorites from 2014 because I get and enjoy the quirky, almost sci-fi horror behind it all.

My favorite tracks are the catchy opener "Shadow of the Sun", the wonderful instrumentals of "Harvest Moon", and the longing, expectant sound of "Winter is Coming". Every track, though, has high points that are very memorable. Pallas has given me, then, the exact album I hoped to hear from them. I wanted a little progression in sound. but I wanted that clean, clear melody, too. "wearewhoweare" is exactly that.

 Men Who Climb Mountains by PENDRAGON album cover Studio Album, 2014
3.65 | 138 ratings

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Men Who Climb Mountains
Pendragon Neo-Prog

Review by Losimba

4 stars To make it short, Men Who Climb Mountains is exactly the album one expects from Pendragon. The title is an added bonus for me, as I like to climb mountains myself, although there is no song literally about my hobby on the album. But I read this in Nick's ramblings last summer, so no disappointment here.

The first two songs, Belle Amie and Beautiful Soul, the titles identical in meaning but in French and English respectively, are fine appetizers of what's to come. On other albums this slow intro followed by a fine rocker have been merged to longer openers, but they definitely work as separate tracks. Come Home Jack then reminds me a wee bit of Voyager from The World which is neither very original nor bad. The only little weakness of the album is nondescript In Bardo, but this is more than cancelled out by the following wonderful ballad Faces Of Light. If a title with "light" is immediately followed by the same title just with "darkness" one would expect a stark contrast, and the next track doesn't disappoint with its driving beat. The last three tracks are quite typical Pendragon songs, each with one instrument providing the extra bit. While the end section of For When The Zombies Come is far slower and bluesier than its counterpart in my favourite Pendragon song, Am I Really Losing You?, I can imagine to love it equally after I'll have heard it several times more. While I couldn't hear out an extraordinary solo section in Explorers Of The Infinite which IS something that can be associated with mountain climbing, it has one of the best bass lines I've heard in the last 5 years. Finally, Netherworld is defined by the good keyboard work, especially the section where the keys sound like a blues guitar.

Had Pendragon never published The World and The Window Of Life, this album would have straight 5 stars. But they have, so the bonus for originality cannot be applied, but my rating remains at solid 4 stars with a tendency towards 4.5.

 Beat The Drum by PALLAS album cover Studio Album, 1998
3.63 | 120 ratings

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Beat The Drum
Pallas Neo-Prog

Review by Progrussia

3 stars Pallas is a rare case of a legendary (or, in their case, semi-legendary) band whose reunion work is better than the original. Pallas sounds like an 80s style arena rock band (you know, the cheery/sad melodies, thin-sounding guitars and synths) with Pink Floydian neo-prog atmospheric and church- sounding leanings. On Beat the Drum, they sound less bombastic than on the albums that follow, mostly straight-forward socially-conscious adult-oriented rock not unlike 80s Rush, Genesis or Midnight Oil. The album is about evenly divided into melody-driven rocky tunes, some ballads and attempts to return to epic scale, of which only Ghosts can be considered memorable. While other songs are not bad, they can suffer from a repetitive beat or absence of good melodic hooks. The guys are just having fun here, exploring what avenues their reunion might take them.
 Believe by PENDRAGON album cover Studio Album, 2005
3.54 | 338 ratings

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Believe
Pendragon Neo-Prog

Review by Pastmaster

4 stars Pendragon-Believe

'Believe' is the seventh studio album by British Progressive rock/metal band Pendragon.

This album shows Pendragon begin to evolve out of their old sound, and into a harder-edged prog rock band. 'Believe' shows less use of synth and the guitar begins to take the front seat, as heard in the opening song 'No Place for the Innocent'. It has a much harder-rocking 90's Rush feel, really reminding me of songs from Rush's 'Test for Echo'. Nick Barrett's vocals sound much better in this song, fitting the style much more then their previous albums. Some classical influences are still maintained, after some great riffing, violins can be heard for a few seconds. This song is probably my favorite from this album. Not all the songs rock hard on this album, the song 'The Temple of Solomon' and a couple parts of the four 'The Wishing Well' are more acoustic based, but some I can still enjoy.

With 'The Wishing Well', part three is where Pendragon starts to rock out. The bridge has some really catchy guitar riffs, before they soon flow into even faster riffing with a great bass-line. The final part of 'The Wishing Well', 'Two Roads', brings in the first sounds of prog metal in Pendragon's sound. It begins with nice acoustics, but soon picks up with heavy riffing. 'Learning Curve' has kind of a jazzy and bluesy feel to it, making it standout on the album.

Overall, 'Believe' shows Pendragon evolving into a hard rock/prog metal band that would lead to my favorite album by the band. Barrett's voice fits much better with the overall harder-edged feel of this album, which makes this a much more enjoyable listen for me. Recommended to fans of hard rock and prog rock, and for metal Pendragon would reach that height on the next album.

 Not Of This World  by PENDRAGON album cover Studio Album, 2001
3.85 | 390 ratings

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Not Of This World
Pendragon Neo-Prog

Review by Pastmaster

3 stars Pendragon-Not of This World

'Not of This World' is the sixth studio album by British Progressive rock/metal band Pendragon. Before Pendragon started to rock a little harder on 'Believe' and venture into metal on 'Pure', Pendragon was a traditional progressive rock band with some classical influences.

The music is much different then the sounds heard on albums like 'Pure' and 'Passion', it is a much lighter and gentle sound compared to the heavy riffing of the aforementioned albums. Songs like 'If I Were the Wind' and 'Faithless' are good examples of this. They are relaxing and calming to say the least, nice for if you're feeling stressed and need something calming. Not to say this album is without some more rocking moments. Probably my favorite song from this album is the 80's Rush-like 'All Over Now', with great soaring solos by Nick Barrett and nice slow interludes. Another favorite of mine is the epic 'A Man Of Nomadic Traits', again with great solos by Barrett.

The music is played well, and I can enjoy a few songs even though it's not a kind of music I really enjoy. My main gripe about the album though, is the vocals. This is actually the problem I have with all of Pendragon's early releases, Nick Barrett's voice just doesn't fit with the style of music very well at all. His voice has a very raw tone to it, making it fit in better with the hard rock and metal songs of later albums.

Overall, 'Not of This World' is a decent traditional prog rock album. I'll never be a fan of these early Pendragon releases, but I'll listen to a few songs on here occasionally. Good, but I would recommend skipping to 'Believe' or 'Pure'.

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ASGARD Italy
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
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