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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 04/26/2015

Tom (Roland113)
Matti
Roger (Roj)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.30 | 766 ratings
THE ROAD OF BONES
IQ
4.24 | 1634 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1554 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.20 | 500 ratings
CONTAGION
Arena
4.13 | 993 ratings
CLUTCHING AT STRAWS
Marillion
4.12 | 708 ratings
FREQUENCY
IQ
4.15 | 376 ratings
POSTHUMOUS SILENCE
Sylvan
4.16 | 372 ratings
A TOWER OF SILENCE
Anubis
4.10 | 833 ratings
MARBLES
Marillion
4.07 | 542 ratings
THE VISITOR
Arena
4.09 | 384 ratings
FANFARE & FANTASY
Comedy Of Errors
4.10 | 338 ratings
EMPIRES NEVER LAST
Galahad
4.04 | 491 ratings
EVER
IQ
4.02 | 742 ratings
DARK MATTER
IQ
4.08 | 253 ratings
SEVEN
Magenta
4.23 | 104 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.08 | 222 ratings
THE TALE OF THE GOLDEN KING
Psychedelic Ensemble, The
4.30 | 77 ratings
SKYLINE
Barock Project
4.11 | 170 ratings
SPEAK
I and Thou
3.97 | 1016 ratings
FUGAZI
Marillion

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

VOICES
T
TALES FROM THE DAM
Healing Road, The
NEW LIFE
Solstice
HUNTING THE FOX
Ines

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Latest Neo-Prog Music Reviews


 Misplaced Childhood by MARILLION album cover Studio Album, 1985
4.24 | 1634 ratings

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Misplaced Childhood
Marillion Neo-Prog

Review by AndyJ

3 stars Marillion's 'Misplaced Childhood' is difficult album for me to review. I want to give it more than 3 stars but ultimately it fails to move me in the same way as the first two Marillion albums. It just isn't as memorable as either 'Fugazi' or 'Script For A Jesters Tear'. Don't get me wrong, this is still a quality album, but I feel it pales in comparison to the previous efforts from Marillion.

Having said that all the trademark Marillion elements are in place for this album, from the hauntingly beautiful lyrics and vocals from Fish, the smooth guitar of Steve Rothery including some delicious guitar solos, well placed synths with a real 80's sensibility from Mark Kelly. Its all here, and the compositions and themes are solid. This is by no means a bad album, far from it. I certainly understand all of the plaudits this album receives, but for me 'Script' is simply a superior album in every way to this one.

What this album does well, however, is blend the 1970's style progressive rock that has influenced Marillion so much with the romantic synth-laden pop music of the 1980's. As a gateway album for fans of 80's pop music I could see this album working well to draw people into progressive music. I guess my biggest criticism of this record is that I just don't feel as moved by it as I do with the 'Script' and it doesn't feel as ground-breaking.

Ultimately this is an enjoyable album, but I'd recommend 'Script For A Jesters Tear' over this one for anyone new to the band. I'd give it 3.5 stars if I could, but I'd prefer to round down rather than round up for this one!

 Travelog by KINETIC ELEMENT album cover Studio Album, 2015
3.36 | 20 ratings

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Travelog
Kinetic Element Neo-Prog

Review by b_olariu
Prog Reviewer

3 stars 3.5 stars really

Kinetic Element returns after more then 5 years pause after quite good debut Powerd by light with sophomore album released in june 2015 named Travelog. Well, this is a nice symphonic/neo prog album from start to finish. Lenghty release with two monster pieces, the opening and the ending track clocking almost 40 min both, the middle of the album being little less lenghtier but still over 10 min each. So, as I said the music is good as on debut, even great in places, there are plenty of memorable passages here from acustical guitar parts to melodious inspired keyboards elements, almost jazzy druming in places but remaining of prog coordonates this Travelog is a winner from me. The music is reminescent very much from old prog school, the british one, ELP, Genesis coming in mind among others, but aswell closely to what Spock's Beard or The Tangent was offering in their glory days. Beautiful crafted pieces, lots of twists and turns all 5 tracks are worth investigated, maybe with a plus on opening track, for me their most mature tune since their forming years. All in all a very worthy second offer for this still quite unknown band in prog circles, and I think they must be discovered by many prog listners as possible. A nice candidate for top 10 for 2015. A nice intriguing art work.

 The Sentinel by PALLAS album cover Studio Album, 1984
3.51 | 187 ratings

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The Sentinel
Pallas Neo-Prog

Review by Magnum Vaeltaja

3 stars The Sentinel, the debut release by Scottish neo-prog group PALLAS, is a concept album that focuses on war as its central theme. Which is apt, as it is one of the those albums that I've listened to for quite a while and have fought and struggled to enjoy as much as I do.

The album has its fair share of redeeming features, from the fantastical cover art by Patrick Woodroffe, impeccable musicianship from the members of PALLAS and the seriously cool allegorical concept of the "Atlantis Suite", several tracks from the album that depict the Cold War by painting a spellbinding tale of the fictional Atlantis. Unfortunately, what springs from a seemingly perfect album to hail in the hall of prog legends for all eternity comes a whole bunch of (largely record company-based) slip-ups that really diminish from its overall quality.

The album's "poppy"-er tracks, added at the request of the record company, add about 14 minutes of filler material that I have never had trouble skipping. And then the Atlantis Suite itself is a concept better imagined than executed. The more rock-oriented "Rise And Fall" is the sole track that keeps my interest every time; while the others are certainly not bad material and are great displays of the band's talents, I've simply never been particularly moved by them. The production, by Eddy Offord of Yes and ELP fame, is also nothing to write home about and sounds quite weak given the immense scale of the musical and lyrical content.

Having said that, this album is quite historically significant and if you are a fan of neo-prog, it's definitely worth a listen or many.

 The Masquerade Overture by PENDRAGON album cover Studio Album, 1996
3.97 | 534 ratings

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The Masquerade Overture
Pendragon Neo-Prog

Review by AndyJ

5 stars As this is my very first review for Prog Archives I wanted to pick one of my all time favourite progressive rock albums for my first review. I've awarded The Masquerade Overture five stars, which is not something I'm planning on doing often with my future reviews. In my opinion this album deserves no less than five stars. This is definitely one of my top ten progressive rock albums, and a sure take for that fabled desert island we all dream about.

For me the most important function of music is to invoke emotion, and this album does it in spades, as a listener it presses every single one of my buttons, and each time I listen to the album it confirms why I love this style of music so much. This album takes the listener through the emotional gamut, from pure joy to melancholy and sombre introspection throughout the journey. I'm grinning from ear to ear during 'As Good As Gold', reflective during 'Paintbox', inspired during 'The Shadow'. Each of the songs does something to me emotionally, and for me that is the most important function of any music.

All of the cornerstones of progressive rock are here in abundance - soaring guitar solos, complex and thoughtful instrumental passages, dynamic time changes, fantastic and emotive vocals and wonderful keyboard and guitar interplay. The vocal style of Nick Barrett might not appeal to everyone, at times he can sound a little 'poppy' and 'romantic', but I find his vocal melodies and tone to be endearing and they add greatly to the flavour of the music.

Now it cannot be denied that this album draws heavy inspiration from Marillion, Genesis and to a lesser extent Yes. For some this might be a negative, but I'm personally of the opinion that music of the past should inspire the next generation. Its true that Pendragon might not have existed were it not for the bands which came before, its an argument which can be used against almost any band. I consider this album to be inspired by some of the earlier progressive works, particularly the earlier albums of Marilion, but that The Masquerade Overture is still entirely original in its own style and execution.

Instrumentally there is a lot of skill here on the album, and while there may not be the complexity of a Yes or Genesis album the compositions on offer are simply perfect. There isn't a note out of place throughout the whole affair. A final note of the lyrics. These are something which often take a back-seat to the music for me, but in The Masquerade Overture I find the lyrics to be powerful and so full of meaning, especially on the album highlight 'Paintbox'.

Stand-out songs - 'As Good As Gold', 'Paintbox', 'Masters of Illusion'

 The Seventh House  by IQ album cover Studio Album, 2000
3.99 | 502 ratings

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The Seventh House
IQ Neo-Prog

Review by Horizons
Collaborator Post/Math Rock Team

2 stars The Song Remains The Same

IQ are one of the most successful modern symphonic acts out there. To their fans, they've released consistent, great albums since the 90's and have remained relevant since then. They have crafted their sound and have continuously used it for every release. I think that is the problem here for me. The Seventh House has nothing new to offer in the context of their discography, and nothing has changed in IQ's sound since the release either.

The troubles of this album start immediately. The opening epic, The Wrong Side of Weird, lifts a certain Led Zeppelin rhythm so blatant it is just cringe-worthy. The song eventually brings in an airy, piano-led bridge, taking us away from the weaker parts of the song into more enjoyable territory. Peter Nicholls' voice sits great on top of one of IQ's better heavier passages. It has some momentum, twists, and great musicianship coming from both the rhythm section and the Orford/Holmes duo.

Additionally, the shorter songs on this album: Erosion, Zero Hour, and Shooting Angels are too similar in my opinion. They can all be summed up fairly similarly. Atmospheric keyboards and Nicholl's voice lead for a while then the rest of the crew come in with plodding instrumentation. Guitars riffs are distorted and chunk away, while the drumming is just uninspired. Erosion takes a slightly heavier feeling, while Zero Hour takes a lot longer to finally leave the cheesy tone of saxophones, synth flourishes, and electronic beats. Shooting Angels serves as the perfect middle to the boring trio.

The Seventh House isn't all doom and gloom though. The title track and Guiding Light are both strong progressive rock showcases. The Seventh House has plentiful lively hooks and guitar and keyboard solos that don't overstay their welcome. My favorite part would probably be the middle section. A wonderful Holmes solo takes us into some wonderful off-beat rhythm synchronizing. Peter has a great cadence that doesn't seem awkward or out of place. The closer to the album is Guiding Light. Beginning with a glossy, emotional ballad section that almost risks being melodramatic soon slides into some jamming by the band in an extended instrumental section. Orford is in the limelight here for me, while the rest of the guys don't disappoint. But the playing and style is in no way a surprise, sounding like any other of the "climaxes" from this or any other IQ album.

This album just comes off as bland. It really irks me to hear a band being too predictable or boring. Unfortunately, that is what I hear throughout this release. To any IQ fan, or neo-prog advocate, this album will do you some amount of good. It has the sound you'd expect and possible desire from these guys and this genre. Otherwise, a mostly forgettable release leaving me disappointed.

 Defragments by PARZIVALS EYE album cover Studio Album, 2015
3.70 | 25 ratings

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Defragments
Parzivals Eye Neo-Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars German band PARZIVALS EYE was formed by Chris Postl a few years back, initially as a side venture from his endeavors in RPWL, unless I'm much mistaken. Postl left RPWL a year after the release of Parzivals Eye's debut album "Fragments", however, and it would appear that Parzivals Eye is now his main band. "Defragments" is the combo's second CD, and was released by the German label Gentle Art of Music in 2015.

Well made and well performed melodic rock with some progressive intent, or perhaps progressive rock with a distinct mainstream, melodic rock orientation, is what Parzivals Eye provides us with their second album "Defragments". While I wouldn't expect die hard fans of a band like King Crimson to salivate over this album, those fond of Postl's previous band RPWL, their compatriots Sylvan and other artists of a similar nature would appear to be a key audience for this album, as would those who tend to enjoy elegant rock of the melodic variety.

 Home by SYLVAN album cover Studio Album, 2015
3.74 | 107 ratings

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Home
Sylvan Neo-Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars German band SYLVAN has been around for just about a quarter of a century at the time of writing, and for the last decade or so they have been among the more popular progressive rock bands coming out of Germany, with their 2006 album "Posthumous Silence" often cited as their finest moment. "Home" is their ninth studio album, released through the German label Gentle Art of Music in 2015.

A thought that frequently struck in my mind when listening to this CD is that this specific album would be the perfect one to pull out for your wife or girlfriend if they just don't understand your fascination with progressive rock. Play it to them on a long car trip, and I suspect that those who so far have been mystified by this type of music would start comprehending it, and perhaps even start to like it themselves. Because this is an album that speaks with and to emotions as I experience it, music that speaks to the heart and the soul, with haunting emotional-laden moods aplenty. Those who find such a description alluring should give this CD a spin, especially if you tend to enjoy emotional lead vocals and music with a strong emphasis on melody in general.

 Skyline by BAROCK PROJECT album cover Studio Album, 2015
4.30 | 77 ratings

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Skyline
Barock Project Neo-Prog

Review by Platy2112

5 stars Well now. I'm amazed. Seriously.

I had a hunch something interesting was going down when the band began to push the new album on their FB page way before the release date. They clearly seemed genuinely excited about what they had created, and that's always a strong signal. I just loved Coffee In Neukölln, an album that took me totally by surprise and bowled me over, so I tuned my radar to the BP frequency with high hopes.

The news: Skyline goes and exceeds its predecessor. Kudos, guys, congratulazioni!

The two things I found most remakarable about Cofffee... are very much present here as well: the band's strong own identity (they sound like no one else, which is a medium sized miracle these days) and the stunning self- assurance in their musicianship. This is not a flashy prog metal virtuoso stance, it's more a steady "yes we can - and we will" kind of attitude.

So, during the course of the album we're treated to myriads of moods and styles, and I absolutely love the way they can shift from classic prog to hard rock to classical to piano jazz within a song and still keep the song coherent and together all the way. Sometimes they take conscious risks of going overboard with this multi-genre approach, but those moments (e.g. "Overture") are so joyous and in-your-face bold that I cannot but be delighted with every musical logic defying stunt. Waiter, I'll have what they're having, please...

The entire effort is so focused and so well produced (the soundscape is alive and vibrant enough to please even the analogue enthusiasts) I get a sense I'm listening to a concert instead of an album. And that's a compliment, a very strong one.

To summarize: Skyline continues where Coffee... left off. The basic style is pretty much the same but there's much more variation, the band's confidence has gone through the ceiling, the string arrangements are simply gorgeous and the distinctly Italian melodic sense is the icing on the cake.

If this is not a classic-to-be, I have pretty much misunderstood prog.

 Le Masque D'Arlequin by WHITECHAPEL album cover Studio Album, 2006
3.95 | 3 ratings

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Le Masque D'Arlequin
Whitechapel Neo-Prog

Review by b_olariu
Prog Reviewer

4 stars Whitechapel from France didn't get a very much attention when the debut album Le masque D' arlequin was released almost 10 years ago in 2006, sadly because this album kick ass from start to finish. Sung in french , this heavy prog album has everything to be a solid, tight and intresting release in this subgenre. The music is as on many french prog bands, quite theatrical with hints of Ange (glorious years) and heavy prog most of the time. There are some truly great duels between guitars and keyboards like on Au Nom Du Pčr or Le Masque D'Arlequin, the rest are also intresting at best. Unfairly unnoticed album , even in french scene, this Whitechapel demosnstrated with this album that they mean bussines. Heavy prog as must sound this style. Similar with italians from Graal, Votchi from Czech republic, Nemo from France and few more. 4 stars easy and recommended, quirky and well composed heavy prog. Available at Musea records.

 Starship Universe by VISAGGIO, MIKE album cover Studio Album, 2006
2.67 | 6 ratings

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Starship Universe
Mike Visaggio Neo-Prog

Review by b_olariu
Prog Reviewer

3 stars Mike Vissagio may be un unknown name to many prog listners, his career has more thn 30 years, being parts of some unknown acts across the years but aswell he has an album under his name and aswell he formed 10 years ago Kinetic Element a symphonic/neo prog band worth to be investigated. The album under his name is Starship universe released in 2007 and is sounding like a tribute to Rick Wakeman, ELP or Greenslade, kis manner of composing is influenced big time by those musicians. The vocal parts are provided by himself, are decent but far from fantastic, the arrangements aswell, good but lacking is some bursting moments. The best pieces are: My Elders' Son and The Synchronized Life, these two tracks are to me excellent showing the potential this keyboardis has. All in all decent ok album, nothing special but I think every fan of symphonic prog can take some spins. 3 stars

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS (THE WINTER TREE) United States
MAJESTIC United States
MALOMENOS Chile
MANDRAGORA Argentina
GEOFF MANN United Kingdom
MARATHON Netherlands
MARATHON Italy
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASCARADA Spain
MASQUE Sweden
MASTER OF CEREMONY Italy
MAYBE France
MICHAEL MAYER & DEAN ROUCH United States
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
MERCY TRAIN United Kingdom
METAMORPHOSIS Switzerland
METAPHOR United States
MILLENIUM Poland
MINDGAMES Belgium
MINOR GIANT Netherlands
MK II United Kingdom
MONARCH TRAIL Canada
MONTECRISTO Indonesia
MOONRISE Poland
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