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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.26 | 957 ratings
THE ROAD OF BONES
IQ
4.23 | 1782 ratings
MISPLACED CHILDHOOD
Marillion
4.22 | 1703 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.17 | 545 ratings
CONTAGION
Arena
4.13 | 1101 ratings
CLUTCHING AT STRAWS
Marillion
4.17 | 413 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 785 ratings
FREQUENCY
IQ
4.13 | 407 ratings
A TOWER OF SILENCE
Anubis
4.09 | 910 ratings
MARBLES
Marillion
4.06 | 587 ratings
THE VISITOR
Arena
4.09 | 358 ratings
EMPIRES NEVER LAST
Galahad
4.05 | 548 ratings
EVER
IQ
4.03 | 802 ratings
DARK MATTER
IQ
4.05 | 440 ratings
FANFARE & FANTASY
Comedy Of Errors
4.08 | 284 ratings
SEVEN
Magenta
4.15 | 156 ratings
COFFEE IN NEUKÖLLN
Barock Project
4.02 | 408 ratings
ALL RIGHTS REMOVED
Airbag
4.00 | 554 ratings
THE SEVENTH HOUSE
IQ
3.98 | 1123 ratings
FUGAZI
Marillion
4.04 | 296 ratings
MOONSHINE
Collage

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

HUNTING THE FOX
Ines
THE ART OF MADNESS
Psychedelic Ensemble, The
THE SPARROW
Metaphor
NEW LIFE
Solstice

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Latest Neo-Prog Music Reviews


 Disconnected by AIRBAG album cover Studio Album, 2016
3.86 | 132 ratings

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Disconnected
Airbag Neo-Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Norwegian band AIRBAG can trace its history back to sometime in the '90s, but didn't actually release an official debut album until 2009. Since then they have released new material at a fairly steady pace, and have become one of the better known of the contemporary progressive rock bands in the process. "Disconnected" is their most recent studio recording, and was released by the Norwegian label Karisma Records in the early summer of 2016.

Those who have a strong affection for the David Gilmour era of Pink Floyd should find Airbag's latest studio album to be warmly appealing, and then especially those most fond of Gilmour's guitar solo passages and the gentler parts of the Gilmour-era compositions. In addition I rather suspect that many fans of bands like Porcupine Tree, Sylvan and RPWL might find this recording to have a strong appeal.

 Fetish by SEVEN STEPS TO THE GREEN DOOR album cover Studio Album, 2015
3.97 | 211 ratings

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Fetish
Seven Steps To The Green Door Neo-Prog

Review by Warthur
Prog Reviewer

4 stars A very capable neo-prog release which sort of reminds me of the sound that Thieves Kitchen may have evolved into had they taken a different path before the Water Road. Seven Steps to the Green Door certainly have an unusual lineup for a prog band, with two dedicated vocalists in the form of Lars Köhler and Anne Trautmann, but that's because they have a really keen sense of the use of the voice as a musical instrument in its own right, and through working complex vocal harmonies into their work and aptly choosing when to use which vocalists accomplish possibilities which are of substantial benefit to their compositions.
 For King And Country by CYAN album cover Studio Album, 1993
3.40 | 41 ratings

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For King And Country
Cyan Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars 3.5 stars, really. I finally found Cyan´s first CD after a long time looking for it. I was quite surprised by its qualities, specially considering it was Robert Reed´s first release and he was playing and singing everything. So don´t expect the excellent symphonic sounds of Magenta or Christina Booth´s vocals. This is a work based mostly on a demo tape he recorded back in 1984. With that fact in mind, I must say For King And Country does remind me a lot of that period of time: the timbres of his synthesizers, specially. As Robert Reed is the sole player and singer here I must admit he does a fine job. Ok, he is not the best of singers and the electronic drums are annoying sometimes, but that´s just the only let downs on the entire CD. And his work on the guitar and, specially, on the keyboards is nothing short of brilliance.

If you want a comparison, For King And Country harks back to Pendragon´s The Jewel and Kowtow period (yes, lots of mid-70´s Genesis-like synth sounds). Even his vocals here are reminiscent of Nick Barrett. Better still, the synth sounds are as majestic and creative as Clive Nolan´s. And we should never forget to mention his excellent songwriting: the guy was already doing a fine job at this department. Although not a masterpiece and with not real highlights, the CD flows evenly with good tunes all the way, some instrumentals, some with vocals, but all good ones. Sometimes, like in Nightflight, the music gives hints of what he would be doing in his future band Magenta.

All in all a very consistent album that will please anyone who enjoys 80´s neo prog. It was a nice surprise, I still think that Cyan reached its peak with the excellent The Creeping Vine, but this debut was a worthy and promising start that, fortunately, was fulfilled on Reed´s future works.

 Falling Satellites by FROST* album cover Studio Album, 2016
3.83 | 123 ratings

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Falling Satellites
Frost* Neo-Prog

Review by Progrussia

3 stars Frost - an on-again, off-again project of musical producer Jem Godfrey - mixes classical symphonic prog influences (through the dominant role of synthesizers) with modern electronic-based music and bombastic power pop. All prog bands overdo something - some the instrumental side, some the vocals - but Frost go over the top with production effects, making the music sound overwhelming at times. Still, the aim here is to create catchy pop music, not an experimental one. Out of the three (so far) Frost albums, I rate this for myself slightly lower, not for quality reasons, but for quantity - too much CD space is taken by interludes and forgettable quieter breathers - but the album does have a solid core of 5-6 keepable tracks.
 Spirit by COMEDY OF ERRORS album cover Studio Album, 2015
3.98 | 212 ratings

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Spirit
Comedy Of Errors Neo-Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars A far more sophisticated and complex effort than their frequently bouncy and peppy previous album `Fanfare and Fantasy' from 2013, Scottish band Comedy of Errors return with their biggest and most impressive musical statement to date with the concept album `Spirit'. An extra few years have refined the sound of the band by way of more adventurous arrangements and a richer vocal variety, and this time around the sometimes Pendragon-flavoured Neo Prog styling of the group has been given a lavish classical and frequently symphonic upgrade, resulting in a sweeping grandeur that weaves in and out of the entire disc.

Essentially a fifty-one minute suite that ponders life, death and personal tragedy, `Spirit' unfolds over ten continuous parts. Opener `My Grief All Lies Within' starts with a quick burst of whip-snap drumming and frantic riffing before slowly murmuring bass, gently rising keyboards and a melancholic collection of voices all come together, soon to be blasted by the snarling vocal of `Infinite Wisdom?' powered by organ pomp and a smashing beat. `Spirit Shines/Spirit' introduces a heavenly soothing vocal theme that drifts in and out of the album with sublime deftness, a warm mix of sighing harmonies, reflective organ, twinkling synth melodies and fancy piano that calls to mind British group Pendragon. Both `Can This Be Happening?' and `In Darkness Let Me Dwell' remind of Clive Nolan's other Neo band Arena with their heavier guitar grunt and spectral symphonic synths, and `I Call...' rises with orchestral elegance and theatrical build.

`Set Your Spirit Free/Goodbye my Love...' and the opening minutes of `Ascension...' emerge as stirring orchestrated grandiosity full of wonder and symphonic power that effortlessly welcomes a reprise of the winning `Spirit' theme from earlier in the disc. It's at this point that the final run of pieces lift the album to an almost legendary status, both `Into the Light' and `Above the Hills' victorious with sighing harmonies and soaring guitar soloing lifting to the heavens. Whirring Moog runs and graceful Mellotron veils deliver majestic themes in the classic Neo-Prog-flavoured mold of I.Q and the vintage Pendragon releases, with some addictive stop-start patterns that are especially satisfying once you know the album back to front! A six minute instrumental `Epilogue: This is How It Has to Be' closes the disc (discounting a `single' edit of `Spirit' that serves as a bonus track tacked onto the very end) with regal and sprightly flavours presented by chiming guitars, pristine ethereal synths, grumbling upfront bass and commanding drumming full of dignity and stature that would give Rick Wakeman or even modern symphonic masters Glass Hammer a run for their money!

The first couple of listens of `Spirit' reveal a few unengaging little stretches, and lead singer Joe Cairney is still something of an acquired taste (sounding somewhat like the love-child of Nick Barrett and Weird Al Yankovic!), but repeat plays help the album flow more naturally, balancing constant dramatic and hopeful passages - not to mention some surprisingly angry outbursts! - and the skilfully implemented reprises of themes throughout brings a thoughtfully considered cohesion. The emotions revealed throughout the album are never to be doubted as being anything but true and heartfelt, and lovers of any of above mentioned groups and those who especially connect with the melodic end of prog that equally balances superior vocal qualities and exciting instrumental skills will likely adore `Spirit'.

Four stars.

 Ever by IQ album cover Studio Album, 1993
4.05 | 548 ratings

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Ever
IQ Neo-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars And then like a waking up from a bad dream, IQ emerged from a tumultuous and heartbreaking period. First there were the two albums with P. L. Menel as vocalist where the band steered towards a more commercial sounding blandness but secondly and most important was a series of deaths of band members' friends and family. Not only did they lose their bassist Les Marshall a few years back but both guitarist Mike Holmes and Peter Nicholls would lose their fathers as well as their good friend Georf Mann who was taken out by cancer. After all this turmoil IQ reconvened along with original vocalist Peter Nicholls and not only rediscovered their original musical prowess that should have continued after "The Wake," but with their sixth studio album EVER initiated a new creative period that would continue up to the present. While such missteps and events can easily destroy a band's trajectory, IQ proved they were up to the challenge of channeling all of the negativity and constructing a new reality.

As with such tragedy and unfortunate events that change our realities, the members of IQ expressed their grief through their music. In addition to going back to their original goals of creating captivating neo-prog music, Peter Nicholls was back on vocals and John Jowitt would replace Tim Esau on bass. All this change and lament resulted in a therapy session via musical expression and while the universe may have taken away, it also rewarded with a refreshed and inspired direction for the band to take and one that they have not strayed from ever since. Faced with all this melancholy the band channeled their energies into their renaissance album that displays all their early confidence and deftly crafted a beautiful album that deals with the loss of friends and family and of the insecurities we all face with the fleeting impermanence of life.

With brilliantly delivered lyrical content that is strongly poetic and an excellent production to boot, each band member shines like a ray of sun through a darkened catacomb offering a glimmer of hope in the cold and brutal world. From the first energetic burst of energy as "The Darkest Hour" initiates the album's overall melancholy, we are treated to extraordinarily strong musical material with Paul Cook stepping up his drumming skills, Mike Holmes creating soaring guitar licks and Martin Orford icing the cake with his atmospheric keyboard magic as well as taking the liberty to show off some virtuosity in the mix. John Jowitt's bass playing skills are the perfect rhythmic and melodic complement to the other musicians and Nicholls proves he was the man who meant to deliver the vocals with a renewed sense of self-assurance. While there are no weak tracks on EVER, some are stronger than others. The 14 and a half minute prog workout "Further Away" takes the listener to another world with strong melodies and developments that run the gamut of the neo-prog universe with perfect execution.

While few bands recover from the major tumble IQ undertook with two unpopular albums and a series of personal cataclysms, not only did Orford and company pull themselves together with dignity but in the process not only revived their own musical career but also contributed to awakening the entire sleeping prog universe in the early 90s when a new wave of progressive rock was slowly crawling from its sleeping chambers and proving that it still had not just a pulse left but enough vitality to make a full blown comeback after lurking in the darkness for the previous decade. Yes, the nightmare had ended and EVER would become one of the most successful comeback albums in the prog universe and would turn the page and start a new chapter in its history.

 The Sheltering Sea by FANCYFLUID album cover Studio Album, 1995
3.31 | 14 ratings

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The Sheltering Sea
FancyFluid Neo-Prog

Review by maryes

3 stars In "THE SHELTERING SEA" the Italian band FANCYFLUID bring to us a neo-prog which in the great parts reminds me MARILLION like in track 3 "Achab", track 4 " Over the borderline ( in vocal as in instrumental parts ) and in some other tracks , they give to the listener a clear impression of an approximation with the symphonic prog of the 70's, like in track 6 "Maelstrom" that seems to me a GENESIS explicit influence... In one or other form ( in spite not can be considerate a masterpiece) the music is very enjoyable with a few weak or boring moments ! My rate is 3 stars !!!
 Songs From The Liar's Lair by AGENESS album cover Studio Album, 2009
3.82 | 81 ratings

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Songs From The Liar's Lair
Ageness Neo-Prog

Review by Matti
Prog Reviewer

4 stars As witnessed on the new international anthology Decameron Pt. III (that I reviewed yesterday), the neo prog band Ageness still exists. The group was the central Finnish prog revivalist in the 90's, but Imageness (1998) remained their latest album for over a decade. The frontman Tommy Eriksson told Colossus prog magazine in 2009 that practicing sessions were little by little replaced by booze-filled, loose meetings. They never stopped gigging for good but the activity was notably on a lower level in the beginning of this Millennium.

The initial recordings of the comeback album featured also Matti Kervinen (Pax Romana, Kataya, etc... plus a producer and a record company man) who had distributed Ageness albums in Finland. A guitarist and an organist had departed. Guitarist Speedy Saarinen had guested on Rituals (1995), now he completed the new quartet line-up and also took care of mixing the new album. Compared to earlier stuff, Songs from the Liar's Lair feels somehow more mature. Perhaps it demands more time to sink on the listener, and the highlights don't stick out as instantly as before , also because this is more even in quality. -- Hey, wait a minute, the final track ended long ago but the CD keeps spinning... A hidden track, what else. I can't say I'd enjoy this habit a lot (the worst case must be on Marillion's This Strange Engine) and I bet I won't care to wait for this one, an energetic rocker, on later listenings.

The relatively quiet and brief opening instrumental suddenly bursts into powerful, almost attacking 'Martial Arts'. It's the longest track at nearly ten minutes but not among my favourites. The title song -- by the way lyrics mention the X-File agents Mulder and Scully -- is pretty gorgeous with several [neo] prog hallmarks, wide dynamics, solo parts and, most of all, lots of emotion. These elements are present throughout the album. The production (by the band) is very good if slightly on the dark end of the spectre, and and there are no weak tracks. Recommended if your'e into bands such as PENDRAGON and IQ, even if the early Ageness have disappointed you with Genesis-imitations and the nasal vocals of Eriksson, which aren't as nasal any more.

 A Feast Of Consequences by FISH album cover Studio Album, 2013
3.97 | 359 ratings

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A Feast Of Consequences
Fish Neo-Prog

Review by poito

4 stars What a great entrance that of the opening theme Perfume River, really slow, but so good, and it grows well to the end. This album delivers a bunch of perfect themes in the same quiet mood as in all albums from the last decade. Fish is here crafting music at his best. Normally I get tired of listening to slow melancholic tunes but Fish knows how and when to add a bit of pepper here and there to keep one up listening carefully not to miss any detail of the thousands he adorns the themes with. But it is not only a question of production, all themes except the album title one have a great compositional work. There is a five-part epic really fantastic, The High Wood, each of the pieces stand perfectly alone (lyrics apart, which I don't care about), with totally different musical motifs, all highly inspired. Worth mentioning is the Blind to the Beautiful, one of those unforgettable tunes that Fish has the ability to catch from who knows where. An almost perfect album to enjoy once and again. 4.5
 Thirteenth Star by FISH album cover Studio Album, 2007
3.80 | 225 ratings

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Thirteenth Star
Fish Neo-Prog

Review by poito

4 stars Fish keeps chasing the Muse. Subtleness and inspiration blend here 50-50. Again, there are no hits in this album, but he hasn't lost a bit of musical craftsmanship. This 13th Star contains some memorable themes though, like Openwater, Dark Star, Circle Line, and Where in the World. In some themes he gets haunted (again) by Gabriel's, a curse that appeared to had gone in former albums, but the product is excellent anyway. We should thank Fish for not going down the commercial path as many other Prog Stars, because he has the charisma and the brains. Instead, he seems pleased enough to play around with quiet Scottish-tavern melancholic tunes and load them with delightful arrangements for the calm enjoyment.
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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS (THE WINTER TREE) United States
MAJESTIC United States
MALOMENOS Chile
MANDRAGORA Argentina
GEOFF MANN United Kingdom
MARATHON Netherlands
MARATHON Italy
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASCARADA Spain
MASQUE Sweden
MASTER OF CEREMONY Italy
NIALL MATHEWSON United Kingdom
MAYBE France
MICHAEL MAYER & DEAN ROUCH United States
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
MERCY TRAIN United Kingdom
METAMORPHOSIS Switzerland
METAPHOR United States
MILLENIUM Poland
MINDGAMES Belgium
MINOR GIANT Netherlands
MK II United Kingdom
MONARCH TRAIL Canada
MONTECRISTO Indonesia
MOONRISE Poland
MORIA FALLS United Kingdom
MORPHELIA Germany
MOTHS United Kingdom
MR. GIL Poland
MR. SO & SO United Kingdom
MUDWAY Italy
MULTI-STORY United Kingdom
MUTE ALBINO Belgium
MYSTERKAH France
MYSTERY Canada
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