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PROG FOLK

A Progressive Rock Sub-genre


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Prog Folk definition

In the wake of the 1960s, a Folk revival started on both sides of the Atlantic, and got quickly linked with a protest movement, not always, but often linked to more left-wing tendencies, which did not sit well with the authorities. BOB DYLAN, JOAN BAEZ, WOODY GUTHRIE, JOHN DENVER, BUFFY STE-MARIE, but also the FARINA couple Richard and Mimi for the US and SHIRLEY COLLINS and EWAN McCOLL (mentor of BERT JANSCH, JOHN RENBOURN ) for the UK and HUGUES AUFRAY in France. In Quebec, there was the "Chansonniers" phenomenon among which CLAUDE LEVEILLE and FELIX LECLERC were the most popular, waking up the sleepy "Belle Province" and stand up for itself from the English rule. The English part of Canada also brought up JONI MITCHELL, LEONARD COHEN (although he was from Montreal) and NEIL YOUNG.

As DYLAN turned electric with his Highway 61 Revisited album, much to the dislike of purists who yelled for treason, Folk Rock was born, opening the floodgates for younger artists to turn on the electricity. As DYLAN soon abandoned to style to create Country Rock with his next album, his British equivalent Scotsman DONOVAN stayed true to Folk Rock. In the US, THE BYRDS were the main promoters of the style by now, culminating with the superb "Eight Miles High" track with a lengthy (for the times) guitar solo of almost one minute. But countless other bands on the west coast, such as LOVE, JEFFERSON AIRPLANE (and later its spin-off HOT TUNA), GRATEFUL DEAD, QUICKSILVER MESSENGER SERVICE, PEARLS BEFORE SWINE, and TIM BUCKLEY all started in the folk rock realm. Even San Fran's SANTANA with its Latino traditional music and, on the east coast, NY's THE LOVING SPOONFUL had folk roots. Notwithstanding the immense popularity of SIMON & GARFUNKEL and their delicious harmonies, Folk Rock was appealing only to the rock public as the older generations turned their backs in folkies.

In the UK, following on their countrymen DONOVAN, many Scotsmen were very influent in exploring new grounds for folk rock: INCREDIBLE STRING BAND (led by Scots Palmer and Williamson) with their two highly influential albums "5000 Layers Or The Spirit Of The Onion" & "The Hangman's Beautiful Daughter" and THE PENTANGLE (led by other Scots Renbourn, Jansch and McShee and their superb bassist Danny Thompson) and its incredible fusion of folk, blues and jazz style were very instrumental in developing the style to the same extent as FAIRPORT CONVENTION and STRAWBS who by that time were still more conventional US "west-coast folk rock". The single artistes in folk rock became known as Folk Troubadours were also numerous and often presented a more progressive side of folk: AL STEWART, NICK DRAKE, ROY HARPER, TYRANOSAURUS REX (actually a duo of Steven Took and Marc Bolan) , JOHN MARTYN etc.

However, the real angular album that will lead to further change of Folk Rock is FAIRPORT CONVENTION's "Liege & Lief" album, that proved to be highly influential for another generation of groups: this album concentrated into electrifying seminal English traditional folk and retained that quaint Englishness taste. It is interesting to see that both leaders of FAIRPORT quit the band after this success to go their respective way: Sandy Denny to a solo folk songwriting career and Ashley Hutchings to a very traditional folk rock. By this time, most connoisseur were talking of Acid Folk, Psych Folk, and Progressive Folk, all having limited differences and no particularly drawn-out limits or boundaries, but all relying on experimental or groundbreaking adventures and good musicianship but not necessarily of an acoustic nature.

Groups like THE THIRD EAR BAND and QUINTESSENCE relied on eastern Indian music influences and, sometimes, medieval tones. Other groups like the weird COMUS, TREES, SPIROGYRA, FOREST, the superb JAN DUKES DE GREY but also TRADER HORNE, TUDOR LODGE, FOTHERINGAY, MAGNA CARTA, and TIR NA NOG were out to break new ground but with less commercial success as their predecessor. By 1972, all of the glorious precursors bands were selling fewer records and had problems renewing themselves and a newer generation of groups was relying in a more Celtic jigs or really traditional sounds. Such as HORSLIPS, DANDO SHAFT, STEELEYE SPAN, AMAZING BLONDEL, ALBION DANCE BAND and SPRIGUNS OF TOLGUS. Although JETHRO TULL had some definitive folk roots right from the start, their only albums that can be regarded as Prog Folk are 1977's Songs From The Woods and 1978's Heavy Horses. Ian Anderson (another Scots) was very keen in acoustical traditional songs. Some Folk Troubadours such as TIM BUCKLEY and JOHN MARTYN started turning records more and more axed towards fusing jazz and folk (a bit in what THE PENTANGLE were doing) , others became more and more electric and they started to be referred to as Singer Songwriters especially those with country rock influences.

In Germany, HOELDERLIN (and their fantastic debut album), EMTIDI, OUGENWEIDE, CAROL OF HARVEST, WITTHUSER & WESTRUPP were exploring German folk while KALACAKRA , SILOAH and EMBRYO were indulging with Indian music. In South America, most notably in Chile, LOS JAIVAS (very bent upon Andean Indian music) and CONGRESO (more Spanish-Latino folklore) were using folk in their rock, so much that some press talked about them referring it with the hateful term Inca Rock. In Quebec, the progressive movement exploded with the cultural identity and the Chansonniers tradition and this was carried out with LES SEGUIN and HARMONIUM and so many more. In France, many groups were out for folk rock such as CATHERINE RIBEIRO AND ALPES, TANGERINE, and ASGARD. In Spain, Flamenco playing a dominant role as well as Basque folk, TRIANA, ITOIZ and HAIZEA were the head of the movement once the Franco regime fell apart after his death.


There is also a very important medieval music influences dimension in some groups as the term Medieval Folk was also mentioned for a while but apparently dropped by musicologists. Among the UK groups are obviously GRYPHON, GENTLE GIANT and THIRD EAR BAND, in France: MALICORNE and RIPAILLE and in Scandinavia: ALGARNAS TRADGARD and FOLQUE.


Hugues Chantraine
with hyperlinks and updates by Ken Levine December 2017

Current Team as of December 2017

Bob Moore aka ClemofNazareth
Ken Levine aka Kenethlevine
Sean Trane

Prog Folk Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Folk | More Top Prog lists and filters

4.63 | 3063 ratings
THICK AS A BRICK
Jethro Tull
4.34 | 2409 ratings
AQUALUNG
Jethro Tull
4.18 | 1313 ratings
SONGS FROM THE WOOD
Jethro Tull
4.26 | 187 ratings
ST. RADIGUNDS
Spirogyra
4.21 | 298 ratings
ALTURAS DE MACHU PICCHU
Jaivas, Los
4.39 | 76 ratings
ERWARTUNG
Eden
4.21 | 200 ratings
MICE AND RATS IN THE LOFT
Jan Dukes De Grey
4.14 | 572 ratings
RED QUEEN TO GRYPHON THREE
Gryphon
4.14 | 510 ratings
FIRST UTTERANCE
Comus
4.15 | 306 ratings
HERO AND HEROINE
Strawbs
4.15 | 312 ratings
GRAVE NEW WORLD
Strawbs
4.43 | 42 ratings
LUCAS
Araújo, Marco Antônio
4.05 | 1143 ratings
STAND UP
Jethro Tull
4.21 | 91 ratings
I A MOON
North Sea Radio Orchestra
4.03 | 1074 ratings
HEAVY HORSES
Jethro Tull
4.15 | 117 ratings
BASKET OF LIGHT
Pentangle, The
4.07 | 276 ratings
THE HAZARDS OF LOVE
Decemberists, The
4.14 | 123 ratings
BELLS, BOOTS AND SHAMBLES
Spirogyra
4.03 | 1112 ratings
MINSTREL IN THE GALLERY
Jethro Tull
4.02 | 1350 ratings
A PASSION PLAY
Jethro Tull

Prog Folk overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Prog Folk experts team

HAUL AR YR EIRA
Pererin
MOTHER TWILIGHT
Faun Fables
GEOFFROY
Emeraude
ODGIPIG
Sindelfingen

Latest Prog Folk Music Reviews


 Fuchsia by FUCHSIA album cover Studio Album, 1971
3.82 | 63 ratings

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Fuchsia
Fuchsia Prog Folk

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Here we have an album that has received almost mythic status since its initial release on the Pegasus label back in 1971. The band was the brainchild of Tony Durant, who provided vocals and both acoustic and electric guitars, and he was joined by bassist Michael Day and drummer Michael Gregory. But what really makes this the album it is, that he also brought in the trio of Janet Rogers (violin, backing vocals), Madeleine Bland (cello, piano, harmonium, backing vocals) and Vanessa Hall-Smith (violin, backing vocals). The two trios combine together to form glorious whole of progressive folk rock, and one can only wonder if Jeff Lynne and/or Roy Wood had come across these guys before deciding to take The Move in a very different direction as ELO.

There is a whimsy about this album, an Englishness, which is hard to describe. At times they remind me of ISB, at others it is more Gryphon, while then they mix in psychedelia to create something that is incredibly atmospheric and immediate. It is the type of album I can listen to all day, with Tony's vocals often to the fore, with ethereal backing vocals creating a backdrop for the music to play against. Sometimes it is the bass leading the way, while at others it is the cello, so that although one trio supports the others it is often the other way around. I hadn't come across this album prior to this reissue, but FDM are really showing the way in grabbing classic albums and then making them available with the true thought and care they deserve.

Firstly, they are keen to point out that this is a fully licenced reissue, nothing dodgy here. Also, being on FDM it is available on vinyl, but also being FDM they have extended it to a full double album with additional songs. The full package comprises the original album, which was released on the Pegasus label in the UK and Kingdom in France, plus a second disc of early demos and new recordings of old songs, including a 15 minute demo recorded by the band before they signed to Pegasus that only exists on a slightly-worn acetate. There is a 15 minute DVD with Tony Durant talking about the album and what happened to him and Fuchsia after the initial release, along with a 60" square fold-out poster of the original album cover, which was drawn by Anne Marie Anderson (who also designed Caravan's 'Land Of Grey And Pink'), a 24pp A4 magazine, with Richard Morton Jack's comprehensive 'Flashback' feature and a reproduction of Tony's handwritten lyrics from the time, all in a gatefold sleeve, with new sleeve notes written by Tony, including his description of each track on the bonus album on heavyweight colour vinyl.

There is something incredibly magical about this album, one that I can easily play time and again. Majestic, wonderful, indispensable, essential, this is music from a time gone by brought back to life with care.

 Aqualung by JETHRO TULL album cover Studio Album, 1971
4.34 | 2409 ratings

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Aqualung
Jethro Tull Prog Folk

Review by Lupton

4 stars I have always had somewhat mixed feelings about Jethro Tull's forth album.Although it is home to some classic rock tracks and has very thought provoking lyrics, it also includes some rather weak spots which for me, undermine its status as a masterpiece.

The opening title track, built around one of the greatest rock riffs ever created really is a cracker. Even as the track shifts gear and the acoustics take over, the song loses none of its momentum.An absolute classic song - truly among the top few songs they produced. The second track, "Cross-eyed Mary" is another excellent rocker and has a particularly atmospheric opening with mellotron and flute. It is interesting how this track refers to the character Aqualung portrayed in the previous track suggesting that despite Ian Anderson's protestation to the contrary, there was at least originally intended to be some sort of "concept" linking the songs.I say "originally" because the remaining tracks on Side A make no further references to either character. Side B of course is home to another couple of great Tull songs- Locomotive Breath based around a particularly ferocious combination of hard riffing and frenetic strumming and Hymn 43 with its Gospel like piano backing. Mother Goose is another superior Side A track played primarily by Anderson on acoustic guitar with a recorder (!) riff between the verses driving the song along.It is slightly reminiscent of "Fat Man" from Stand Up" and as with that song, hints at the sort of Prog-Folk he would develop with "Songs From The Wood" a few years later.

Unfortunately, scattered seemingly arbitrarily across Side A and B are a few rather inconsequential acoustic tracks featuring Ian Anderson alone which seem to end before they really get started and which for me simply comes across as padding. However, it is the track "My God" which opens Side B which I find particularly frustrating. It starts off so well with just acoustic guitar and voicewith the whole band crashing in with another great heavy riff from Martin Barre just as the second verse begins.The flute'n'rock guitar workout which follows is also highly dynamic in true Tull style.However just as things get really exciting, the band stops playing completely and all we are left with is Ian Anderson soloing accompanied only by some quasi-Gregorian chanting which I simply find irritating and which completely robs the song of its momentum.

My other problem is with the production itself. The recording is so dry and lifeless compared to the follow up- TAAB, it is hard to believe it is the same band.It seems that no amount of re-mastering or re-mixing (Sorry Mr Wilson) can stop this album sounding horribly dated. I actually heard this album after I bought the Bursting Out live album where the Aqualung tracks sound fantastic especially the title track which is why hearing the originals for the first time was a bit of a let down.

Overall, I would say that this album marked a definite move forward at least in terms of performance and I give it a solid 3.5 stars

 Past Present by CLANNAD album cover Boxset/Compilation, 1989
4.00 | 1 ratings

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Past Present
Clannad Prog Folk

Review by proghaven

— First review of this album —
4 stars Good compilation. Excellent compilation. Fantastic compilation! And no matter what tracks from 1980s are collected here (Pastpresent covers only Clannad's second period), what's important is that there are The Hunter and World Of Difference in the track list. Two brilliant songs from late 1980s unavailable on the band's other releases. Well, more precisely, the former was released in 1989 on single, but not together with the latter, side two was occupied by a theme from Atlantic Realm, no idea why. Only a truncated instrumental edit of World Of Difference can be heard in the end of the aforesaid album Atlantic Realm (and hope no need to explain that it's not enough!), while its entire version with vocals, to my knowledge, remained unreleased until Pastpresent. So, I'm not afraid to be accounted an extravagant freak if I give this compilation four stars just for two songs, all the more that in its entirety, it introduces 1980s Clannad to the audience quite well.
 Atlantic Realm (OST) by CLANNAD album cover Studio Album, 1989
3.79 | 5 ratings

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Atlantic Realm (OST)
Clannad Prog Folk

Review by proghaven

4 stars To be honest, I never saw that BBC documentary movie which this music was written for. But I can easily believe that it's the best kind of music for any educational TV film about sea nature, oceanic surfs, high tides, low tides, coastal ecosystems etc. Ethereal, dreamy, panoramic. And this time, unlike Legend, the album really has turned out, the tracks put together did form a whole. The problem is that I failed to concentrate on listening every time I listened to it. What about you dear colleagues? Is this just a personal defect of my perception? or an immanent feature of the music? Probably it's so hypnotic that you are distracted from getting into it and start to think about outside matters after a few minutes of listening. Elusive music, indeed. Caressing your ear and elusive. I listened to Atlantic Realm more than twenty times but still don't remember any theme from it. Oh, sorry, with the only exception: the instrumental excerpt from World Of Difference in the end of side two (I had Atlantic Realm on original vinyl). But it's just because I like the song very much. Besides that, in my terms, the album is too short. I'd prefer it to be double. It's not good if a pleasure ends too soon.
 The Angel And The Soldier Boy by CLANNAD album cover Studio Album, 1989
4.21 | 5 ratings

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The Angel And The Soldier Boy
Clannad Prog Folk

Review by proghaven

5 stars Another movie (this time animated) with music by Clannad that I never watched. Tried to find Alison De Vere's 'The Angel And The Soldier Boy' in DVD stores and even on pirate file exchange sites but failed. What a pity. There's obviously much to see there if the film is at least 50% worthy of its soundtrack. To my knowledge, it is the band's only experience in the genre of 'symphonic fairy tale for children' like Prokofiev's Peter and the Wolf. And this experience was crowned with success. Really fairy-tale melodies, moods and atmosphere. The instrumentation deftly imitates an instant orchestration though, as far as I can hear, everything is played by the band, no orchestra or chamber ensemble participates. A brilliant and unique album in Clannad's discography. The only fault is narrated story on side two (I had the original LP): the music 'can faintly be heard', while the narrator almost deafens with his heartfelt voice, many thanks to the sound engineer. This really disappoints, all the more that the music on side two (the narrated story with accompaniment) is not identical to the music on side one (the movie soundtrack).
 Anam by CLANNAD album cover Studio Album, 1990
2.67 | 10 ratings

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Anam
Clannad Prog Folk

Review by proghaven

5 stars A farewell to Clannad. In spite of the absence of Pol (one of the two main generators of musical ideas in the band), Anam is a genuine Clannad album. Moreover, it's a Clannad album with partial return to the band's canon, with a couple of tracks sung in Gaelic and one traditional song (their previous studio album, Sirius, included no traditional material or Gaelic singing at all). And it was the last genuine Clannad album. Ahead was slow decline and gradual loss of individuality, then long silence, then long awaited return of 'good-but-non-essential' type. Maybe some new great albums are still to come in future, nobody knows. But for the moment, Clannad ended up with Anam. Honestly, I don't understand those who scold this album. No idea why should it be rated lower than The Magical Ring, I like it even better. There's no super hit like Theme From Harry's Game or Newgrange there, but on the other hand, no failure like Thios Fa'n Chosta. It's difficult to mark highlights, almost all the tracks are choice. My personal faves are Ri Na Cruinne, The Poison Glen, Wilderness, Why Worry? and Dobhar, slow and sad instrumental closing track. That's what classic Clannad was over with.
 Clannad by CLANNAD album cover Studio Album, 1973
4.34 | 14 ratings

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Clannad
Clannad Prog Folk

Review by proghaven

4 stars Perhaps Clannad's eponymous debut would better be titled Pre-Clannad. It's the only studio product from their fleeting pre-historical era. The band's unique repertoire based on reworked and re-arranged traditional songs sung in Gaelic is already here, but the musicians are just on the way to their signature manners, especially in instrumentation and arrangement. Rocky drumming and bass playing rather remind classic UK folk rock bands (not only Fairport Convention as other reviewers fairly note, but also Bread, Love & Dreams and even Dando Shaft) than Clannad. And there's no genuine Clannad's magic in the sound yet. Apart from traditional songs, the track list includes one song composed by the band members (Liza), one written by the famous Irish guitarist Mick Hanly (An Phairc), and the 1960s international hit Morning Dew worn out by a lot of artists including Grateful Dead and Nazareth... Well, in brief, the band is just on the way to itself. But for a debut album, this one is great nevertheless.
 Clannad 2 by CLANNAD album cover Studio Album, 1975
3.94 | 7 ratings

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Clannad 2
Clannad Prog Folk

Review by proghaven

4 stars 'Primary procreation is accomplished'. The band assumed its definitive cast of mind. Their repertoire basis is traditional folk songs in their own arrangement - and that arrangement is full of a very special magic. Not a sort of 'living in the past', but a path from long gone centuries to the present. All instrumentations are dominated by acoustic guitar, traditional harp, flute and tin whistle, and assisted by mandolin, double bass, percussion and sometimes piano. Since their second album, Clannad are no more just a folk rock band singing in Gaelic, but distinctive masters concerned about conveying the spirit of Irish traditional music. And they do that job very well... but the things are to change soon. Though the evidence is not yet quite clear, just slightly audible.
 Dúlamán by CLANNAD album cover Studio Album, 1976
4.78 | 14 ratings

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Dúlamán
Clannad Prog Folk

Review by proghaven

5 stars The lifeline of Clannad may be divided into three unequal (artistically unequal!) parts. Part one, from Clannad to Crann Ull: folky sound, mostly traditional songs, singing mostly in Gaelic, usually Maire soloing, other singers assisting; arrangements more or less close to traditional, modest instrumentation. (Fuaim is a special case.) Part two, from Magical Ring to Anam: sound usually qualified as 'ambient' and/or 'new age' and/or 'electronic', musical material mostly composed by the band members (though still following Celtic tradition), singing mostly in English, vocals are still usually led by Maire but often by choir of all the five singers; arrangements closer to proggy than folky, rich instrumentation. Part three, from Banba: decline. Dulaman is undoubtedly the best album from the band's earliest, folky era, and no rave review can be enough to express how good it is. It's a quintessence of Clannad's folky skill. And, paradoxically, maybe due to this reason the band noticeably starts to feel cramped in the space of traditional Celtic folk. Looks (i.e. sounds) like since then they felt magnetically attracted to unusual and individual melody making (far from nice and unpretentious traditional motifs but based on them nevertheless), majestic reverberating choir vocals and non-traditional arrangement techniques. The embryo of the future Clannad's sound can be heard in the tracks like Eirigh Is Cuir Ort Do Chuid Eadaigh. That's why I think Dulaman may be considered not only the acme of Clannad Part one but also the precursor to Clannad Part two.
 Clannad in Concert by CLANNAD album cover Live, 1978
4.82 | 2 ratings

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Clannad in Concert
Clannad Prog Folk

Review by proghaven

5 stars An excellent, particularly valuable release, due to three reasons. First, it shows how great the band worked on stage in their early years. Second, to some extent it resurrects the spirit of long gone minstrels' times when the meaning of the word 'performance' was not the same as nowadays. And finally, the band performs not their well-known hits but mostly exclusive songs not available on their studio albums and singles, as if In Concert was their next (4th) album from 1978, just recorded live this time. Only Planxty Burke was later rearranged and re-recorded in studio for Crann Ull, and Nil Se'n La was taken from the debut album - but performed live in a totally different manner, with long instrumental passages, improvisations etc, I'd say not too far from early Jethro Tull. A pearl to be marked is short but amazing Mhaire Bruinneal, an unaccompanied vocal track.
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Prog Folk bands/artists list

Bands/Artists Country
0.720 ALEACION Mexico
3 DAFT MONKEYS United Kingdom
AALTO Finland
RABIH ABOU-KHALIL Lebanon
ACCOLADE United Kingdom
ACCOLADE United States
ADARO Germany
AFFORESTED United Kingdom
AFION Croatia
AGAPE Canada
AGINCOURT United Kingdom
AIGUES VIVES Germany
AKTUALA Italy
NICU ALIFANTIS Romania
ALMÔNDEGAS Brazil
ALVA Multi-National
AMANITA Italy
AMAROK Spain
AMAZING BLONDEL United Kingdom
AMBER United Kingdom
AN DRO Germany
ANACRUSA Argentina
IAN ANDERSON United Kingdom
THE ANGELS OF LIGHT United States
ANNAMY Sweden
APARECIDOS Multi-National
AQUAPLAN Finland
AQUARIUM Russia
DAN AR BRAZ France
MARCO ANTÔNIO ARAÚJO Brazil
DAN ARBORISE United Kingdom
THE ARBORISTS Canada
ARIA PALEA Italy
ARMY OF BRIARS United Kingdom
ARTSRUNI Armenia
ASGARD France
ASHADA Japan
ASHTAR Brazil
ASI SOMOS Puerto Rico
ATMAN Poland
AUCAN Argentina
AVALANCHE Netherlands
AVE SANGRIA Brazil
AZAHAR Spain
BABADAG Poland
BABY WHALE Multi-National
BAMBIR / THE BAMBIR Armenia
BANDA DO CASACO Portugal
A BARCA DO SOL Brazil
BARR Sweden
TOMAS BATISTA Argentina
BAYON Germany
BEAT CIRCUS United States
BEDEDEUM Italy
BERNARD BENOIT France
BIG LOST RAINBOW United States
BLACKMORE'S NIGHT United Kingdom
BLOPS Chile
BLUEHORSES United Kingdom
BOULE DE SON Canada
BRAN (BRÂN) United Kingdom
BREAD LOVE AND DREAMS United Kingdom
BRECHE Canada
PAUL BRETT United Kingdom
BRÖSELMASCHINE Germany
BUCIUM Romania
TIM BUCKLEY United States
VASHTI BUNYAN United Kingdom
C.O.B. United Kingdom
CAEDMON United Kingdom
CALIBAN United States
CÁLIX Brazil
CAMELIAS GARDEN Italy
CAN AM DES PUIG Multi-National
CANDIDATE United Kingdom
CANO Canada
CANZONIERE DEL LAZIO Italy
MARCELLO CAPRA Italy
CARMEN United Kingdom
CARNASCIALIA Italy
CAROL OF HARVEST Germany
GIAN CASTELLO Italy
PHILIPPE CAUVIN France
CHAC MOOL Mexico
CHALIBAUDE France
CHERCHE-LUNE France
CHIMERA Netherlands
CHRYSALIDE France
CIRCULUS United Kingdom
CLANNAD Ireland
CLOGS Multi-National
COMUS United Kingdom
CONGREGACION Chile
CONGRESO Chile
CONNIVENCE Canada
CONTRALUZ Argentina
CONVENTUM Canada
CORDE OBLIQUE Italy
DAVE COUSINS United Kingdom
CREMATORIUM Russia
CRYSTAL PHOENIX Italy
CRYSTAL THOUGHTS Greece
CURRENT 93 United Kingdom
DAEMONIA NYMPHE Greece
DANCER United Kingdom
DARNAKES Greece
DAWNWIND United Kingdom
DEAD CAN DANCE Australia
DECAMERON United Kingdom
THE DECEMBERISTS United States
DEMI-HEURE Canada
DETEKTIVBYRĹN Sweden
DIEGO DE MORON Spain
DODSON AND FOGG United Kingdom
DR. STRANGELY STRANGE Ireland
DULCIMER United Kingdom
DUN AENGHUS Multi-National
DUNWICH Italy
JUDY DYBLE United Kingdom
EDEN Germany
ELANE Germany
ELECTRIC DESERT Israel
ELFONIA Mexico
NANCY ELIZABETH United Kingdom
EMERAUDE France
EMTIDI Germany
ENBOR Spain
ENGEL (MIGUEL ANGEL DE LA LLAVE JIMENEZ) Spain
L' ENGOULEVENT Canada
RÓBERT ERDÉSZ Hungary
ERGO SUM Chile
ERROBI Spain
ESPERS United States
ETERNIDAD Argentina
LA FAMIGLIA DEGLI ORTEGA Italy
FARAWAY FOLK United Kingdom
FARPOINT United States
FAUN Germany
FAUN FABLES United States
FAVERAVOLA Italy
FAVNI (FAUNS) Germany
FEATHERS United States
THE FELLOWSHIP Italy
FERN KNIGHT United States
FIABA Italy
FIELDS BURNING United States
FIORI-SÉGUIN Canada
FLAIRCK Netherlands
FLIBBERTIGIBBET South Africa
FLOR DE LOTO Peru
FOLKLORE Australia
I FOLLI DI DIO Italy
FOLQUE Norway
FORENINGEN TIL LIVETS BESKYTTELSE Denmark
FOREST United Kingdom
FORSETI Germany
FRACTAL (CHILE) Chile
FRAGUA Spain
FRED United States
FRESH MAGGOTS United Kingdom
FUCHSIA United Kingdom
FUREKĹBEN Denmark
GAIA CONSORT United States
GALADRIEL Australia
GALAHAD Germany
GALLERY United Kingdom
GALLEY BEGGAR United Kingdom
GARMARNA Sweden
GAROLOU Canada
GENESIS DE COLOMBIA Colombia
THE GENTLE SOUL United States
THE GHOST United Kingdom
GJALLARHORN Finland
GLAZ France
GORGO Ukraine
GRAAL France
THE GREEN CHILDREN Italy
LARKIN GRIMM United States
GROVJOBB Sweden
GROWING DREAM Canada
GRYPHON United Kingdom
GUALBERTO Spain
GURNEMANZ Germany
GWERZ France
HAIZEA Spain
ROY HARPER United Kingdom
HAWK South Africa
HAZARI Yugoslavia
HEAVEN & EARTH United States
L' HERBA D'HAMELÍ Spain
HEXVESSEL Finland
HOELDERLIN Germany
HORIZONTE Argentina
HORSLIPS Ireland
IBIO Spain
ILL WICKER Sweden
ILOUS & DECUYPER France
BRIAN IMIG United States
IN THE LABYRINTH Sweden
THE INCREDIBLE STRING BAND United Kingdom
INDACO Italy
IONA United Kingdom
IRAKLIS Greece
ITHACA United Kingdom
ITOIZ Spain
ITZIAR Spain
IZUKAITZ Spain
JACK O' THE CLOCK United States
LOS JAIVAS Chile
JAN DUKES DE GREY United Kingdom
JESTER United Kingdom
THE JESTERDAYS Greece
JETHRO TULL United Kingdom
NIGEL MAZLYN JONES United Kingdom
JOX France
JUSTINE Multi-National
KAAMOS Finland
KADWALADYR France
KARNATAKA United Kingdom
CHRIS KARRER Germany
KATALENA Slovenia
KEBNEKAJSE Sweden
KERRS PINK Norway
KING FISH CROW United States
KLADIVO KONJ IN VODA Slovenia
KOLIBRI Germany
KOLINDA Hungary
ATTILA KOLLÁR Hungary
KONTRABURGER Poland
KORMORÁN Hungary
KOSMOS Finland
JUHA KUJANPAA Finland
BRUCE LAMONT United States
JÉROME LANGLOIS Canada
LAURELIE Belgium
LEAFBLADE United Kingdom
PERRY LEOPOLD United States
BENITO LERTXUNDI Spain
LI TROUBAIRES DE COUMBOSCURO Italy
LISA O PIU Sweden
LISKER Spain
LONG LIVE DEATH United States
LOT LORIEN Bulgaria
LOUDEST WHISPER Ireland
CLARE LOUISE France
LUCCI MARSOLA TATINI AND BURANI Brazil
LUMSK Norway
MADDEN AND HARRIS Australia
MAGDALENA Spain
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