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EXPERIMENTAL/POST METAL

A Progressive Rock Sub-genre


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Experimental/Post Metal definition



Experimental Progressive Metal

Experimental progressive metal is a sub-genre of progressive metal characterized by the incorporation of innovative, eclectic elements, large-scale experimentation and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Experimentation in the music is a major criteria to define the genre where artists often add unique elements to the overall sound, while progressive metal usually has more focus on traditional metal instrumentation and higher levels of technical complexity.

It's nearly impossible to pinpoint the exact origin of Experimental Progressive Metal since experimentation is common in all music genres. Still it is clear that experimentation in the progressive metal sub-genre has slowly but steadily grown in popularity ever since its humble beginnings in the early 1980s.

Just like any other style, Experimental Progressive Metal has a few defining moments that have changed the rules for its sub-genre for years to come. Two of such moments are the releases of the debut album by MR.BUNGLE of August 1991 and its iconic follow up "Disco Volante" of 1995. MR BUNGLE became notorious for their heavy sound and mid-song shifts of musical style. The band has later spawned an array of established avant-garde side projects such as FANTMAS, SECRET CHIEFS 3 and ESTRADASPHERE but also inspired new Experimental Metal acts to take the music scene to new heights.
Another crucial artist in the development of Experimental Progressive Metal was the leading Avant Metal band of the 80s, CELTIC FROST. Their eclectic mix of Thrash, Doom, Symphonic and Goth Metal created a dark theatrical mystique that became a major influence among the experimental Extreme Metal bands of the 90s such as MY DYING BRIDE, ULVER, ARCTURUS among others. These bands served as an important source of inspiration for the experimental movement within extreme metal.

The bands listed under Experimental Progressive Metal have all, in various degrees, shed their extreme heritage in favor of embracing influences of the eclectic style going from art rock and ethnic up to free-jazz and even modernist music.

Art Metal
Art metal is a direct continuation of progressive metal but with the longing to expand the themes and styles of music while maintaining the technical complexity of the sub-genre.
These bands are more artistic than their progressive metal peers and tend to experiment, to a certain extent, but not as openly as the bands of the eclectic and avant-garde metal styles. Art metal comes in many shapes and forms. The virtuosity and complete unpredictability of DEVIN TOWNSEND, OSI and TOOL always manages to draw attention of both fans of traditional metal as well as the progressive music audience, while bands like ANATHEMA, DEADSOUL TRIBE and GORDIAN KNOT attract many fans of groove and atmospheric music into their vibrant soundscapes. Other notable acts include GREEN CARNATION, DARK SUNS and ANTIMATTER.

Eclectic Metal
These bands often add unconventional elements to their metal sound, whether it's experiments with various new sounds and styles that are otherwise uncommon in metal or by blending many styles, with metal being the referential core. Whether it's the ethnic elements of ORPHANED LAND's music that combines Middle Eastern folklore with the more traditional progressive metal sound or a completely unique mix of atmospheric, almost ambient, elements fused with metal that can be found in the sound of THE GATHERING, eclectic metal artists will always certainly bring a host of different styles and ideas to the table. Experimental metal can be found in numerous forms while featuring notable acts like INDUKTI, IN THE WOODS... and MAUDLIN OF THE WELL.

Avant-garde Metal
This style is generally considered to be more extreme in both its arrangements but most importantly extremely complex and unpredictable song structures. Compositions have the ambition of trying to breach boundaries of music and generally have significant experimental approaches to metal music. Most of this music borders on the realms of pure avant-garde while still maintaining a solid foundation in metal with technical instrumental prowess. Notable acts include UNEXPECT, EPHEL DUATH and VIRUS.


Post Metal

Post metal arose following the subsequent emergence of numerous newer, grittier metal genres like sludge, stoner, doom, and drone in the late 80's and early 90's, as well as the budding post-rock scene that emerged in the early 90's in Europe and North America. The scene's origins can be heard in several distinctly like-minded, moderately experimental groups in the early 90's, ranging from the noisy grind of GODFLESH, the sludgy, melodic, sometimes punk-like riffs of the MELVINS, and the proggy time signatures and grungy riffing of TOOL or HELMET, to the textural work of DON CABALLERO and the more melodic moments of early BARK PSYCHOSIS.

Arguably the first true and definitive realizations of post-metal emerged in the mid 1990's. The most concrete example was NEUROSIS, who moved farther away from their crust-punk origins and into more atmospheric territories with releases like Souls at Zero and Through Silver in Blood, the latter album in particular being regarded as one of the most definitive releases in the genre even to this day for its revolutionary blend of dark, spanning atmosphere and massively heavy sludge, something that would later come to define the post-metal genre as a whole (indeed, post-metal is often called "atmospheric sludge" as well). It wouldn't be until the early 2000's, however, that the genre's capacity would be fully realized, with releases like ISIS's "Oceanic", CULT OF LUNA's "Salvation", and PELICAN's "Australasia" paving the way for a true scene to emerge, and post-metal has since become a widespread phenomenon that has captivated the attention of many adventurous listeners worldwide.

Post-metal's unique sound is often very long and extremely drawn-out, utilizing oft-repetitive and simple riffs and guitar texturing to create massive buildups and musical climaxes. At times very emotionally evocative, it can be equally soft and soothing as it can be massively dense and crushing. Vocals are used sparingly, if at all (instrumental post-metal is a popular genre, with groups like PELICAN and RUSSIAN CIRCLES even achieving some degree of mainstream credibility), and when they are, they're usually gruff and barked as opposed to growled or screamed, a signature trait of the genre's hardcore roots.

Variations of Post-metal

While it should be noted that many post-metal bands have their roots in sludge metal, there are many post-metal bands that are rooted in other genres of metal. While post-sludge was an almost uniquely American phenomenon, a number of European doom-influenced post-metal bands have risen to fame, namely groups like ANATHEMA, YEAR OF NO LIGHT and CALLISTO; their slow-churning riffs and depressing mood of doom metal fit very well into the post-metal formula. These groups later gave way to more western post-doom-metal projects like JESU, GIANT SQUID, and MINSK.

A number of post-metal bands are significantly influenced by hardcore and post-hardcore, crafting the melodic elements of modern hardcore into their own brands of textural and atmospheric post-metal. This is exemplified by groups like ROSETTA, THE OCEAN COLLECTIVE, CAVE IN, MOUTH OF THE ARCHITECT and BURST.

A subgenre that has emerged to a considerable degree in the last decade is an amalgamation of post-rock and black metal. Black metal has traditionally not been a stylistic influence on post-metal over the years, but bands like ALCEST, FEN, AGALLOCH and ALTAR OF PLAGUES have used the more atmospheric qualities of black metal and the tremolo riffing and incorporated it with a shoegaze-like affinity for heavy, dreamy sounds and guitar effects to create a unique and evocative subgenre that shares many visional and sonic characteristics of post-metal. While the explosion of bands exploring this style is a rather recent phenomenon, there are some instances of this occurring very early in the lifespan of the post-metal genre as a whole. ULVER's debut could be seen as possibly the first album to fall under this definition. For clarification's sake, these post-rock influenced bands are placed in the post-metal subsection of ProgArchives as opposed to the black metal subsection of Tech/Extreme because they eschew much of the harsh tonalities, minor modes, and shrieking vocals of black metal and add a melodic and emotional aspect that makes it much more accessible than their progressive black metal peers in the tech/extreme section.

Today, the most popular post-metal groups are much of the genre's godfathers like ISIS, NEUROSIS, PELICAN, and CULT OF LUNA, though a number of newer bands have risen to fame in metal and prog circles within the last 5 years like INTRONAUT, ROSETTA, and THE OCEAN COLLECTIVE.


--- Definition by Alex and Kevin and the Progressive Metal Team, February 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)

Experimental/Post Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Experimental/Post Metal | More Top Prog lists and filters

4.22 | 1324 ratings
LATERALUS
Tool
4.22 | 643 ratings
PART THE SECOND
Maudlin Of The Well
4.35 | 113 ratings
IMAGINARY SONICSCAPE
Sigh
4.28 | 166 ratings
THROUGH SILVER IN BLOOD
Neurosis
4.20 | 592 ratings
TERRIA
Townsend, Devin
4.19 | 529 ratings
ZILTOID THE OMNISCIENT
Townsend, Devin
4.16 | 636 ratings
JUDGEMENT
Anathema
4.19 | 293 ratings
LEAVING YOUR BODY MAP
Maudlin Of The Well
4.59 | 35 ratings
FEA JUR
Lye By Mistake
4.18 | 263 ratings
BATH
Maudlin Of The Well
4.16 | 338 ratings
THE MANTLE
Agalloch
4.16 | 252 ratings
IN A FLESH AQUARIUM
Unexpect
4.13 | 308 ratings
LIGHT OF DAY, DAY OF DARKNESS
Green Carnation
4.13 | 301 ratings
FABLES OF THE SLEEPLESS EMPIRE
Unexpect
4.18 | 135 ratings
SOMEWHERE ALONG THE HIGHWAY
Cult of Luna
4.09 | 792 ratings
NIMA
Tool
4.43 | 40 ratings
KHAOOOHS & KON-FUS-ION
Pan.Thy.Monium
4.09 | 554 ratings
ALTERNATIVE 4
Anathema
4.11 | 234 ratings
PANOPTICON
Isis
4.09 | 298 ratings
MABOOL - THE STORY OF THE THREE SONS OF SEVEN
Orphaned Land

Experimental/Post Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Experimental/Post Metal experts team

THE SECOND PHILOSOPHY
Nahemah
DEAD AS DREAMS
Weakling
IRLYA - IL Y A -
Mutyumu
THE SECOND WAVE
Khoma

Latest Experimental/Post Metal Music Reviews


 We're Here Because We're Here by ANATHEMA album cover Studio Album, 2010
4.04 | 835 ratings

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We're Here Because We're Here
Anathema Experimental/Post Metal

Review by The Crow
Prog Reviewer

4 stars We had to wait seven years for Anathema to come back... And they returned with one of their best albums!

Taking the deep and mature sound of the underrated A Natural Disaster, Anathema developed their sound a steep further with the help of the mixing of Steven Wilson, achieving not only their best sounding release to date, but also their most homogeneous in terms of songwriting and quality.

Thin Air opens We're Here Because We're Here energically, with beautiful lyrics and enough progressive moments to satisfy the most demanding fans of the band. The general ambient of this song is a less dark and melancholic the in previous albums, offering a surprising change in the band's direction, a lot more optimistic and bright. Just like the cover of the album!

Summer Night Horizon brings back the best moments of A Natural Disaster with mellow melodies but intense drums and a precious duet between Vincent and Lee, confirming that this album of 2003 was an advance of what the band would later do. Dreaming Light is even better, and a tremendous proof of how Vincent Cavanagh improved his voice through the years. Maybe the lyrics are a bit corny, but that's not so important while we are hearing the marvelous guitar and keyboard solo.

Everything was a single that we heard years before We're Here Because We're Here was released, and a great song despite its obvious Coldplay influences. It's also a very good act in live performances of the band. Angels Walk Among Us is my favorite song of the album. Another sentimental lyrics with splendid guitar melodies in the background. Prodigious!

Presence is musically a follow up of the previous track, but it contains some kind of philosophical speech in consonance with the mood of the album. A Simple Mistake is a bit more melancholic, a bit in the vein of Judgement but without reaching the best moment of this album. A good track nevertheless, with strong guitars towards the end.

Get Off Get Out is the most experimental moment of the album, and also one of its lowest moment. Is not a bad song, just anodyne? Luckily Universal is a better. A orchestral song with beautiful singing from Vincent and a very powerful second half. This should have been the ending of the album, because Hindsight is just pleasant, but not brilliant. And also a bit too long, making a good second half of the album, but not so outstanding as the first five songs.

Conclusion: despite its weak moments, We're Here Because We're Here is a very good Anathema album. Sometimes even excellent. It introduced a brighter and more optimistic stage for the band, which would encounter an excellent follow-up on Weather Systems. It has also a very competent production and mixing (the hand of Steve Wilson is there) and even the sometimes showy lyrics can't ruin the excellent songwriting that the band achieved during its almost seven years without releasing an album.

Best Tacks: Thin Air, Summer Night Horizon, Dreaming Light, Everything, Angels Walk Among Us.

My rating: ****

 The Silent Enigma by ANATHEMA album cover Studio Album, 1995
3.15 | 226 ratings

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The Silent Enigma
Anathema Experimental/Post Metal

Review by The Crow
Prog Reviewer

3 stars A doom band trying to find a new path... That's The Silent Enigma.

After the dissappointing and boring Serenades, Anathema expanded their sound by introducing a lot of keyboards and even orchestral arrangements in an album with a much deeper songwriting and variety. The result is a doom/gothic record with traces of progressive rock and psychedelic elements which is really interesting and very important for the band's career.

The production is also better than in their previous release, while Vincent took his role in vocals that he would never leave. He can't really sing in this album, but he sound tortured and dramatic enough, making him an appropiate frontman for a doom metal band. They also used female voices here, another trademark of Anathema's sound.

The Silent Enigma opens with Restless Oblivion, which starts with a 100% Anthema-typical guitar. After that we find a strong doom metal track with powerful bass lines and aggresive voices. The composition is surprisingly variable, almost progressive. And so is also Shroud of Frost, with a tortured vocal line from Vincent and excellent Danny's guitars toward the end.

Alone is my favourite track on the entire record, starting with a mellow acoustic guitar and keyboard melody. After that comes a beautiful female voice, with a strong melancholic feeling which introduces the mood of later releases like Alternative 4 or Judgement. Sunset of Age is a bit more gothic, very melodic, while Nocturnal Emission is a slow doom metal track with surprising psychedelic elements.

Cerulean Twilight es another typical doom metal song which suddenly transforms itself in a semi-acoustic tune in its second half. The Silent Enigma has very good melodies and a romatic ambience in the vein of the later Eternity. Good song! And also pretty good is A Dying Wish, maybe the best song of the album with typical riffs and Anathema's first epoch.

Black Orchid is an appropiate instrumental ending which woks as a summary of the album's style, both mellow, romantic and very dark.

Conclusion: the fans of Anahtema's last records will be dissappointed with The Silent Enigma. But this was my first Anathema's album two decades ago, and I still have a special affection for it. It's a good example and a band searching new ways to expand their music while maintaining the core style of their first album. Therefore is a perfect recommendation for doom metal lovers, but also for people desirous to discover one of the most interesting and stimulating transformations in prog rock history.

Best Tracks: Alone, The Silent Enigma, A Dying Wish.

My Rating: ***

 The Word As Law by NEUROSIS album cover Studio Album, 1990
2.93 | 18 ratings

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The Word As Law
Neurosis Experimental/Post Metal

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

3 stars It took three years for NEUROSIS to finally release their second album THE WORD AS LAW after a few personal changes but still with the triumvirate founders of Scott Kelly (guitar, vocals) and Dave Edwardson (bass) and Jason Roeder (drums). THE WORD AS LAW is a transition album of sort that while mostly stationed in the hardcore punk world as was their debut "Pain Of Mind," the band ramp up their experimental tendencies quite a bit. While only four musicians were present on the debut, there are five on this sophomore release. Steve Von Till replaces Chad Salter on guitar and Simon McIlroy joins the team to add keyboards, tapes and sampling effects and while the atmospheric focus is far from the bizarre world of their next album "Souls At Zero," it is a bit more obvious of the direction the band would meander albeit with 20/20 hindsight vision. THE WORD AS LAW takes the hardcore punk approach of the debut and steers it more into experimental post-hardcore territory with an emphasis on the instruments taking separate roles in the musical process.

While the guitar continues the monstrosity of punk riffing, the bass takes on a more active role with not only supplemental support but unique grooves that create distinct counterpoints to the main guitar driven rhythms. Likewise with the drum rolls of Roeder as he takes liberties to give a more jazzed up heavy metal approach to the percussion side of things instead of lazily adhering to the traditional punk approach. The track "Tomorrow's Reality" actually sounds more like the doomed sludge metal that the band would become famous for rather than the punk world they were quickly leaving behind. Although it has a rather punk feel in timbres, tones and tenaciousness, it has a nonchalant sludge effect in tempo and cranks up a diverse rotation of chord changes and a more quickened punk section that has a rather alternative metal approach in the bass and drums even bringing a little funk to the table.

"Common Inconsistencies" debuts their unique atmospheric style in the intro that takes feedback and effects and dips into a hardcore world of surrealism before getting cold feet and retreating back to the Fugazi style post-hardcore comfort zone. While the vocals on THE WORD AS LAW are very much in the angry shouted anarchy side of things, i can actually hear where Sikth got inspired by the short but unsweet "Insensitivity" which contains the blueprints for the frenetic vocal style that Sikth would make a career out of proving that NEUROSIS inspired in many ways even at this stage. The final track "Blisters" is perhaps the only thing close to the progressive experimental metal they would perfect in the future. This track is performed in mid tempo, has a steady flow but has some progressive time signatures although it also feels like a proto-impression of the post-metal they would have a hand in developing. Despite being somewhat unique, it is a little too jittery for what they're grasping for.

THE WORD AS LAW has come out in two significant forms. Firstly in its LP version that contains the eight original tracks but the 1991 CD release added a whole seven extra tracks that included four re-recorded tracks from "Pain Of Mind" which placed them in the more interesting transitional phase of the band's career and fit in with this album quite well. It also includes three extra tracks, one being a cover of Joy Division's "Day Of The Lords" and another sneak peek into their lesser known side project Tribes Of Neurot with a hidden untitled seventh track that features over ten minutes of ambient guitar feedback and multi-dimensional freakiness. Personally i think the edition with the bonus tracks is definitely the version to seek out. These tracks are in many ways better than the album itself but THE WORD AS LAW shows a significant improvement over the debut even if it pales in comparison to the awesomeness that follows. starting with the phenomenal "Souls At Zero."

3.5 rounded down

 Serenades by ANATHEMA album cover Studio Album, 1993
2.34 | 194 ratings

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Serenades
Anathema Experimental/Post Metal

Review by aglasshouse

2 stars Serenades' story is an unfortunate one, mainly due to the album being unknowingly doomed from the start to be cast aside because of how much of a reputation Anathema would gain with preceding albums. I'm not the first one to say it, but it's fairly cut-and-dry that Anathema's debut does not match up in quality to nearly every other release the band had following it. This goes for not only Anathema's progressive rock material but also in terms of their doom metal albums, because they made leaps and bounds with their previously half-baked ideas with the Silent Enigma two years later. So really what makes Serenades generally thought of as bad?

Well aside from the aforementioned comparisons it gets to later material (that is usually judged to be much higher quality), Serenades is generally not very interesting. It's unnaturally melodic in unfitting places with overly loud guitars drowning out dull, growling vocals from Darren White, making for a seemingly confused doom metal album that shows a different genre within it but refuses to show it to it's full potential, in this case the progressive side of Anathema. I will admit on first listen it packs quite a punch- the double kick, crisp drumming from John Douglas really contrasts well with the very large-sounding guitar duo of the Cavanagh brothers. And then they do it again. And again. And so forth. It really is a neat concept that could use more exploring, but here it's just really maldeveloped. The melodies also get stale extremely quickly. 'Eternal Rise of the Sun''s opening hook isn't anything really special, but it is substantial. Then it gets repeated so much that it just gets annoying.

Honestly I think the biggest problem is Serenades doesn't want to be a gritty, Winter-esque album with very low production value and little eclecticism. Young Anathema wanted to be more than that, obviously, but how they show that is with an underwhelming release that can't decide whether it wants to be complex or simple. And don't even get me started on the twenty-three-and-a-half minute long pseudo-orchestral snooze-fest that is 'Dreaming: The Romance". Usually when you see a song of that length you'd assume something spectacular. Instead you get almost a half-an-hour of flat, programmed strings with very little variation, and sounding like an intro or interlude stretched out twenty minutes too long. Really it's a disappointing ending to an already disappointing album.

Serenades is an album remembered among really only fans, and not really for a good reason. It's an underdeveloped...well, I wouldn't really call it a "mess" but more along the lines of a misstep. It was corrected fairly well but it's a tangled debut with bigger aspirations than it can fit in it's tiny box.

 Rengeteg by THY CATAFALQUE album cover Studio Album, 2011
4.03 | 45 ratings

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Rengeteg
Thy Catafalque Experimental/Post Metal

Review by The Crow
Prog Reviewer

4 stars Rengeteg, one of my biggest surprises back in 2011!!!

Tams Ktai is a very talented musician from Hungary, and Thy Catafalque is his alter ego. And after the departure of his long-time partner János Juhász the shadow of the doubt flew over this record, because Ktai had to do almost all by himself. But the fans were not disappointed when they heard this great record, one of the band's finest.

Maybe the production is a bit weak, and the drum's sound too crunchy, but the quality and originality of the music compensates it all. Rengeteg is a very interesting mixture between experimental metal and avant-garde following the best tradition of bands like Celtic Frost, but with a very progressive and retro sound that brings bands like the great (and deserving to be in Prog Archives) Amorphis to mind.

Fekete mezők opens this albums with a tasty death metal feeling, some black metal passages but with strong symphonic arrangements. The vocals are superb, specially because of Attila Bakos! Then comes Kel keleti szl, a gothic metal piece with excellent guitar melodies and a Hammond organ that automatically brings Amorphis to mind. Trilobita follows this path, not really progressive but with catchy and with pristine songwriting.

Kő koppan offers dreamy melodies with precious voices, cello and with an appropiate prog-folk sound which leads to Vashegyek, which is arguably the best song of Rengeteg with its female chorus and oriental melodies which derivate in a great alternative metal song. A must for all avant-garde fans!

Holdkomp is a good sample of electronic folk metal, while Kk ingem lobog is another highlight of the album despite its simplicity. Just very well written! Az eső, az eső, az eső has an odd start, but then some good mellow guitars give way to another very good song. But the same cannot be said for Tar gallyak vgl, an instrumental gothic tune wich is forgettable. A pity, because apart of this song and maybe also Holdkomp the album is almost flawless.

Minden test fű is just brutal death metal, with sharp voices and good drumming, but toward the ending give way to another marvelous accelerated prog-rock melody also influenced by Amorphis in my opinion.

Conclusion: at the end of Rengeteg, we leave really satisfied and grateful for this wonderful travel of dark sounding compositions, with enough complexity to satisfy all prog-metal fans while being accessible for more mainstream metal bands. I'm not giving this album five stars because two song which are not so brilliant (despite being good enough) and the weak production.

Best Tracks: all of them, with the exception of Tar gallyak vgl and Holdkomp.

My rating: ****

 The Light That Dwells In Rotten Wood by FALLS OF RAUROS album cover Studio Album, 2011
3.96 | 4 ratings

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The Light That Dwells In Rotten Wood
Falls Of Rauros Experimental/Post Metal

Review by Warthur
Prog Reviewer

4 stars Atmospheric black metal bands of nature-loving anarchists from the USA aren't just limited to Wolves In the Throne Room - Falls of Rauros have also been plying their craft for quite some time, and The Light That Dwells In Rotten Wood is a masterful work. The album largely rests on the three longer pieces, with shorter folk-influenced interstitials acting as pallete-cleansers. With mild post-rock influences in its compositional approach, this is a credible entry to the stable of atmospheric black metal albums hailing from the USA; I don't think it hits any major creative breakthrough, but it's a good listen and a solid release in this particular style.
 10,000 Days by TOOL album cover Studio Album, 2006
3.84 | 809 ratings

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10,000 Days
Tool Experimental/Post Metal

Review by The Crow
Prog Reviewer

4 stars With 10.000 Days Tool failed to deliver another masterpiece like Lateralus, but they managed to create an excellent album with some of the band's best moments, among other mediocre parts.

The production of the album is really good , with more balance progagonism of every instrument compared to Lateralus, where the guitars are god. I find the obsession of Maynard to distort his voice in some songs a bit annoying, but otherwise nothing to complain about the sound of the record.

Vicarious is just a perfect song, with outstanding lyrics and a perfect balance between commerciality, technicity and obscurity. But Jambi is even better, presenting the best Adam Jones guitar work to date. Just amazing start for this album!

But sadly, Wings for Marie is too slow and boring, despite the solid lyrics. 10.000 Days is better, thanks to the powerful second half, but inevitably the sensation of quality descent is there. But suddenly comes The Pot, another great song with one of the best Maynard James Keenan works on vocals. A classic!

But Tool does it again... Lipan Conjuring is absurd and pointless again, while Lost Keys (Blame Hoffmann) is a superficial introduction for Rosetta Stoned with nice guitar layers, but nothing more. Since Aenima this band is obsessed in introducing this little silly tracks wich are normally just pretentious, dull and unnecessary. And 10.000 Days is no exception.

Nevertheless, Rosetta Stoned is another thrashing track, with funny lyrics, very rhythmic and complex. Very good!

But then comes Intension... Once again too slow, but with mysterious and cryptic lyrics, very well written and a song wich leads to Right in Two, another highlight on this albums with top lyrical work. Similar to 10.000 Days in intensity and structure, but better.

And Viginti Tres? A vain reference to Nostradamus and the Antichrist, really boring.

Conclusion: 10.000 Days contains five great and three nice songs. The rest is rubbish. But the problem is that the good parts are so incredible, that I must give this album four stars. Is by far not so good as Lateralus, and it's also clearly under Aenima in my opinion, but it's another strong release from one of the most interesting and unique bands un progressive metal. And it contains the best lyrics of the band's history in my opinion! And that's is not a little thing.

Let's hope the best for the album that Tool are composing right now! I think It will not be their best, but I hope that surpasses this not so great 10.000 Days.

Best Tracks: Vicarious, Jambi, The Pot, Rosetta Stoned, Right in Two.

My rating: ***1/2

 Lateralus by TOOL album cover Studio Album, 2001
4.22 | 1324 ratings

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Lateralus
Tool Experimental/Post Metal

Review by The Crow
Prog Reviewer

5 stars Lateralus is without a doubt the Tool's most outstanding masterpiece, a milestone of progressive and alternative metal and an album wich influence is still notable today. A dark trip to human heart inspired by its rythm.

One of the most incredible facts of Lateralus is how good the album aged. Hearing this great work today is still impressive! Tool managed to create a timeless sound with a perfect production rich on details. The guitar and drums sound are astounding, and Maynard James Keenan never sung better.

Lateralus is also always fun to listen, thanks to the complex, surprising and deep structure of this wonderful bunch of songs. Here are also a pair of silly tracks (Eon Blue Apocalypse, Mantra), but they are not so abundant and not so annoying as they were in Aenima. The rest of the tracks are just flawless.

Best tracks: The Grudge, Schism, Parabola and Lateralus. But all the songs are really good!

Conclusion: Lateralus is the best Tool album, containing the finest work of every member of the band and also the best balanced production if the whole band's career. Variated, challenging, dark but also really enternaining music, with unforgettable songs that have reached the status of modern classics among the years.

My rating: ****1/2

 The August Engine by HAMMERS OF MISFORTUNE album cover Studio Album, 2003
3.59 | 18 ratings

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The August Engine
Hammers of Misfortune Experimental/Post Metal

Review by Bruhfluhquannie

4 stars John Cobbett has earned quite a reputation in the underground metal scene for his creative and rather unique riffs. In Hammers of Misfortune, Cobbett infuses progressive rock with a more traditional metal sound. So far, I have listened to three of their albums, Dead Revolution, The Locust Years, and Dead Revolution. All three albums contain technically accomplished but catchy riffing and guitar playing throughout. This album incorporates more acoustic instruments than the others I have listened to. One thing I loved about this album, in addition to the guitar playing, is the gloomy and gothic sounding male and female vocals. Highlights of the album include the transition from the heavy but incredibly catchy riffs in The August Engine (Part 1) to the acoustic track Rainfall, the solos in The August Engine (Part 2), and the doomy The Trial and the Grave. This album is actually a concept album about "a conversation between a microcosm and a macrocosm". Apparently, the album was going to originally be much larger in scope, and although it's a fantastic album in its current form, I do hope they'll someday release it in full. As it is, I think it's a very solid album with a sound that is sort of unique to Hammers of Misfortune, and I like it about as much as The Locust Years, and more than Dead Revolution. I'm giving it a very solid 4.
 Terria by TOWNSEND, DEVIN album cover Studio Album, 2001
4.20 | 592 ratings

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Terria
Devin Townsend Experimental/Post Metal

Review by martindavey87

2 stars I never considered myself much of a fan of this whole "experimental/post metal/tech metal" thing (I don't really understand what any genre of music with the word "post" in it means). I bought this album because it was cheap. I knew of Devin Townsend by reputation, but have never thought of myself as a fan. He did produce Stuck Mojo's 'Pigwalk' though, and that album is bloody brilliant!

But 'Terria'... one great big ball of "meh" from me. I find most of the songs too slow paced for my liking. Not that I mind slower songs, but these ones just plod along uninterestingly. Other than two songs, 'Earth Day' and 'Nobody's Here' (admittedly, two very good songs), I find most of the album boring. There's nothing catchy or memorable that incites anything from me other than dreariness.

The record does have a very "big" sound, and the vocals blend in with the music very well to create an almost dreamlike ambience. Sadly it just doesn't do anything to make the album any more appealing to me.

Devin Townsend's 'Terria' is not awful by any stretch, but it's just really not my thing. Simple as that.

I'd rather listen to Stuck Mojo!

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Experimental/Post Metal bands/artists list

Bands/Artists Country
11 AS IN ADVERSARIES France
19 A.D.D. United States
21 EYES OF RUBY Netherlands
THE 3RD AND THE MORTAL Norway
413 United States
5IVE United States
6:33 France
A LOST STATE OF MIND United States
A((WAKE)) United States
AABSINTHE France
ABANDON Sweden
ABYSSE France
ACROSS TUNDRAS United States
ACYL France
ADMIRAL BROWNING United States
ADRIFT Spain
AFTER MY OWN United States
AGALLOCH United States
AGES GONE Germany
AKPHAEZYA France
AKROMA France
ALASKAN Canada
ALCEST France
ALTAR OF PLAGUES Ireland
AMARA United States
AMATERAZU Portugal
AMBEON Netherlands
AMENRA Belgium
AMESOEURS France
AMIA VENERA LANDSCAPE Italy
ANATHEMA United Kingdom
ANCESTORS United States
AND HARMONY DIES Italy
ANGEL EYES United States
ANTIGUA Y BARBUDA Spain
ANTIMATTER Multi-National
ANUBI Lithuania
AORIA Sweden
APOCALIPSIS Mexico
APOCRYPHAL VOICE Finland
APOKATASTASIA Switzerland
APSE United States
ARCADE MESSIAH United Kingdom
THE ARKITECHT Mexico
ARKTIKA Germany
AS LIGHT DIES Spain
ASIDEFROMADAY France
ASPIRATION Norway
ASTROHENGE United Kingdom
ASTRONAUT DOWN United States
AT THE SOUNDAWN Italy
THE ATLAS MOTH United States
ATMOSPHERES Belgium
THE ATOMIC BOMB AUDITION United States
ATROX Norway
AUSSITT MORT France
AUSTARAS United States
THE AXIS OF PERDITION United Kingdom
AZIOLA CRY United States
BACK WHEN United States
BAK Australia
BARONESS United States
BAT CASTLE United States
BATTLE OF MICE United States
BATTLEFIELDS United States
BAUDA Chile
BEAK United States
BEECHER United Kingdom
BEFORE THE EYEWALL United States
BEHIND THE SUN Israel
BEING United States
ADRIAN BENAVIDES United States
BIRUSHANAH Japan
BISON B.C. Canada
BLACK MATH HORSEMAN United States
BLACK SEA Brazil
BLACK SHEEP WALL United States
BLACKWAVES Germany
BLINDEAD Poland
BLOOD & TIME United States
BLUT AUS NORD France
BOBEL Costa Rica
BOSSK United Kingdom
BOTANIST United States
BRAIN TENTACLES United States
BRIDGES TO DREAMS Canada
BUNKUR Netherlands
BURIED INSIDE Canada
BURN DOWN ROME United Kingdom
BURWEED Finland
BUTTERFLY TRAJECTORY Poland
CAINA United Kingdom
CALDERA France
CALLISTO Finland
THE CANCER CONSPIRACY United States
CANDIRIA United States
CAPRICORNS United Kingdom
CAPTURE THE SUN United States
CARNIVAL IN COAL France
CARONTTE Spain
CATACOMBE Portugal
CAVE IN United States
CELEBRITY SEX SCANDAL United States
CELESTINE Iceland
CHASE THE SUNSET United Kingdom
THE CHRONICLES OF ISRAFEL Canada
CHRYST Austria
THE CIRCLE ENDS HERE Italy
CIRUELO CILINDRICO Spain
CLERIC United States
CLOUDKICKER United States
COALESCE United States
COLD BODY RADIATION Netherlands
A COLD DEAD BODY Italy
COLDWORLD Germany
COME SLEEP Sweden
COMITY France
CONIFER United States
CONSECRATION Serbia
CORMORANT United States
COSMONAUTS DAY Russia
COUNTERVELA Ireland
CRIB45 Finland
CULT OF LUNA Sweden
D.U.N.E. Italy
DAKRYA Greece
DAMASCUS United States
DARK CASTLE United States
DARK SUNS Germany
DARKESTRAH Germany
DARKSPACE Switzerland
DAUGHTERS OF FISSION United States
DAY WITHOUT DAWN United States
DE OMEGA United States
DEADBIRD United States
DEADSOUL TRIBE United States
DEAFHEAVEN United States
THE DEATH OF HER MONEY United Kingdom
DECORTICA New Zealand
DEEP IN THOUGHT Germany
DEFYING Poland
DETERIOR United States
DEVIL SOLD HIS SOUL United Kingdom
DIESTO United States
DIGRESSION ASSASSINS Sweden
DIRGE France
DISAPPEARER United States
DIVINA ENEMA Belarus
DDSVERK Norway
DORNENREICH Austria
DOTZAUER Italy
DR. SLAGGLEBERRY United Kingdom
DRAWN Norway
DREARE Czech Republic
DREARINESS Italy
DYING SUN United States
EARTH United States
EAST OF THE WALL United States
EBONY LAKE United Kingdom
ECHOES United Kingdom
ECHOES OF YUL Poland
ECHOSILENCE Estonia
EGOIST Poland
EHNAHRE United States
EIGHT BELLS United States
EINNA France
ELLIPSIS France
EMPIRES United States
EMPTY YARD EXPERIMENT United Arab Emirates
ENDER New Zealand
ENDNAME Russia
EPHEL DUATH Italy
EPISTASIS United States
ETERNAL DEFORMITY Poland
ETHERSENS France
EVIL INSIDE Spain
EX CURIA Australia
EXOTIC ANIMAL PETTING ZOO United States
EXTINCTION ALGORITHM Romania
FALL OF EFRAFA United Kingdom
FALLOCH United Kingdom
FALLS OF RAUROS United States
FEN United Kingdom
FIRMAM3NT Spain
FLEURETY Norway
FLOOD THE DESERT United States
FOLLOW THE WHITE RABBIT Russia
A FOREST OF STARS United Kingdom
FORMLOFF Norway
FOUNTAINHEAD Germany
FROM OCEANS TO AUTUMN United States
FUTURIAN Canada
THE GABRIEL CONSTRUCT United States
GANON United States
GARDEN OF SHADOWS United States
GARY SUICIDAL KIDS COMMANDO France
THE GATHERING Netherlands
GENERATION OF VIPERS United States
GENGHIS TRON United States
GIANT SQUID United States
GIGANTIC BRAIN United States
GIRE Hungary
GLETSCHER Switzerland
GNAW THEIR TONGUES Netherlands
GODSEND Norway
GONIN-ISH Japan
GORDIAN KNOT United States
GOSPEL United States
THE GRASSHOPPER LIES HEAVY United States
GRAVITON United States
GRAYCEON United States
THE GREAT OLD ONES France
GREEN CARNATION Norway
HAIKU FUNERAL Multi-National
HAIL SPIRIT NOIR Greece
HALCYON Australia
HAMMERS OF MISFORTUNE United States
HAND United Kingdom
HARVEY MILK United States
HEIRS Australia
HELIUM HORSE FLY Belgium
HELLAS MOUNDS United States
HERETOIR Germany
HIPOSPADIA Spain
HUMANFLY United Kingdom
HVOSCH Russia
HYDRA Mexico
HYPNO5E France
IDENTIFIED United States
IDIOT SAINT CRAZY France
THE ILLNESS United States
IN THE WOODS... Norway
IN.OVO Canada
INCOMING CEREBRAL OVERDRIVE Italy
INDUKTI Poland
INTER ARMA United States
INTRONAUT United States
IO United Kingdom
ION United States
IREPRESS United States
IRONWOOD Australia
IRREVERSIBLE United States
ISIS United States
ISTHMUS United States
IZAH Netherlands
JAKEL Canada
JANVS Italy
JESU United Kingdom
JEWY SABATAY Serbia
OLIVER KAAH Finland
KAILASH Italy
KALKI AVATARA Italy
KARABOUDJAN Sweden
KEELHAUL United States
KEKAL Indonesia
KHANATE United States
KHEMEA France
KHOMA Sweden
KHUDA United Kingdom
KICK THE BUTTERFLY Australia
KINGDOM Belgium
KLABAUTAMANN Germany
KOLLWITZ Norway
KONG Netherlands
KONGH Sweden
KOSMOGRAD Canada
KRAKOW Norway
KRUGER Switzerland
KYLESA United States
LANDFORGE United Kingdom
LANTLOS Germany
LATITUDES United Kingdom
LEFT BRAIN United States
LENTO Italy
LESBIAN United States
LIGHT BEARER United Kingdom
LITHIUM DAWN United States
LBO Portugal
LOOK TO WINDWARD New Zealand
LORUS United States
LOTUS THIEF United States
LUDICRA United States
LYE BY MISTAKE United States
MADE OUT OF BABIES United States
MAHESH Chile
MAMMOTH New Zealand
MANATEES United Kingdom
MANDIBULBE France
MANES Norway
MANUSCRIPTS DON'T BURN Italy
MAR DE GRISES Chile
MARE United States
THE MASS United States
THE MATTERHORN PROJECT United States
MAUDLIN Belgium
MAUDLIN OF THE WELL United States
MEANDERING MINE Germany
MEMORIES OF A DEAD MAN France
MENISCUS Australia
MINDFOLD EXPRESS Bulgaria
MINSK United States
MIOSIS Sweden
THE MIRE United Kingdom
MIRRORTHRONE Switzerland
MISANTHROFEEL Russia
MOANAA Poland
MOD FLANDERS CONSPIRACY United States
MOLOKEN Sweden
MOMENTUM Iceland
MONDRIAN OAK Italy
MONUMENTUM Italy
MORAINES Croatia
MORNE United States
THE MORNINGSIDE Russia
MORTIFERIA Norway
MOSE GIGANTICUS United States
MOSKAU Germany
MOUNTAINS BECAME MACHINES United Kingdom
MOUTH OF THE ARCHITECT United States
MUTYUMU Japan
MY SILENT WAKE United Kingdom
MYSTER MOBIUS Multi-National
MYSTIC Netherlands
NAHEMAH Spain
NAHRAYAN Spain
NANDA DEVI United States
NATIONAL SUNDAY LAW United States
NAUTICUS Finland
NEBRA Switzerland
NERO DI MARTE Italy
NEUMA Poland
NEUROSIS United States
NEVBORN Switzerland
NIHIL Serbia
NINTH MOON BLACK United States
NO HOME FOR HEROES Australia
NO MADE SENSE United Kingdom
NOCTIS Australia
NOEKK Germany
NORTH United States
NOVEMBRE Italy
NUCLEUS TORN Switzerland
OBSIDIAN KINGDOM Spain
THE OCEAN DOESN'T WANT ME South Africa
THE OCEAN Germany
OCOAI United States
OHGOD! South Africa
THE OLD DEAD TREE France
OLD MAN GLOOM United States
OMB Israel
THE OMEGA EXPERIMENT United States
OMEGA MASSIF Germany
OOOOOOOOOO France
ORANSSI PAZUZU Finland
ORDO DRACONIS Netherlands
RKENKJTT Norway
ORPHANED LAND Israel
ORTHODOX Spain
OSI United States
OSTROVA Spain
THE OTHER SIDE OF THE SKY United States
OUTOPSYA Italy
OUTRUN THE SUNLIGHT United States
OVERMARS France
XX XX France
PAN.THY.MONIUM Sweden
PANOPTICON United States
THE PAX CECILIA United States
PECCATUM Norway
PELICAN United States
PET SLIMMERS OF THE YEAR United Kingdom
PIKE Sweden
PINKLY SMOOTH United States
THE POSTMAN SYNDROME United States
PRISMA Switzerland
PROGHMA-C Poland
THE PROPHECY United Kingdom
PRYAPISME France
PSYCHOFAGIST Italy
PSYKUP France
PYRAMIDS United States
QUALEACEANS United Kingdom
QUARANTADUE Italy
QUBE Poland
QUESTIONER United States
RADAR Finland
RADIATION 4 United States
RAIN DELAY Serbia
RAINROOM Finland
RAXINASKY Belgium
RED PAPER DRAGON United Kingdom
REFRACTION Ireland
THE REPTILIANS United States
RETURNING WE HEAR THE LARKS United Kingdom
RIVIERE France
ROSETTA United States
ROUTE NINE Sweden
RWAKE United States
RYOKUCHI Japan
SAL Y MILETO Ecuador
SALVICTION Poland
SANNHET United States
SCHIZOID LLOYD Netherlands
SCORCHED SHORE United States
SECONDSKIN United Kingdom
SENMUTH Russia
SENSUAL NOISE Belgium
SEPIA DREAMER Sweden
SEVEN United States
SEVEN NAUTICAL MILES Sweden
SEVENTH EVIDENCE / KA.MMEN Ukraine
SHELS United States
SHELTER RED United States
SHELVING Switzerland
SHEPHERDS OF CASSINI New Zealand
SHRINEBUILDER United States
SIGH Japan
SIKA REDEM United Kingdom
SISARE Finland
SKAGOS Canada
SKEWED SKIES Germany
SKUGGSJ Norway
SLEEP MAPS United States
SLEEPING IN GETHSEMANE United States
SMALLMAN Bulgaria
SMOHALLA France
SNOWBLOOD United Kingdom
SO IS THE TONGUE United States
SOEN Multi-National
SOLSTAFIR Iceland
SONS OF ALPHA CENTAURI United Kingdom
SPACEKING Russia
SPRING & YOUTH Serbia
STALINGRAD Spain
STANDING OVATION Finland
STARE AT THE CLOUDS Australia
STATS United States
STEAK NUMBER EIGHT Belgium
A STORM OF LIGHT United States
SUBROSA United States
SUBTERRANEAN MASQUERADE Multi-National
SUFFOCATE FOR FUCK SAKE Sweden
SUMAC Multi-National
SUNPOCRISY Italy
SUPERCONTINENT United States
THE SUSPENDED CONGRESS Ireland
SWARM OF THE LOTUS United States
A SWARM OF THE SUN Sweden
SWITCH OPENS Sweden
SYDERALUS Argentina
TACOMA NARROWS BRIDGE DISASTER United Kingdom
TARANTULA HAWK United States
TELEPATHY United Kingdom
TEMPEL United States
TENOCHTITLAN Russia
TEPHRA Germany
TERRA TENEBROSA Sweden
TESA Latvia
TETRAFUSION United States
THANATOSCHIZO Portugal
THENCE Finland
FREDRIK THORDENDAL'S SPECIAL DEFECTS Sweden
THY CATAFALQUE Hungary
TIDES United States
TIDES FROM NEBULA Poland
TIME ZERO United States
TITAN Canada
TODTGELICHTER Germany
TOMYDEEPESTEGO Italy
TOOL United States
TOUNDRA Spain
TOWN PORTAL Denmark
DEVIN TOWNSEND Canada
TRANSMISSION0 Netherlands
TREPHINE United States
TRIBES OF NEUROT United States
TROLDHAUGEN Australia
TRUTHSEEKER United States
TUSK United States
TWIN ZERO United Kingdom
UARAL Chile
UFOMAMMUT Italy
UNA CORDA United Kingdom
UNEXPECT Canada
UNHOLD Switzerland
UNSOUL Germany
UPRISING FORMALHAUT Ukraine
URNA Italy
USER NE Spain
VAKA Sweden
VAURA United States
VED BUENS ENDE Norway
VIRGIN BLACK Australia
VIRUS Norway
VISCERA/// Italy
VOID United Kingdom
VOID OF SILENCE Italy
VOID OF SLEEP Italy
VULTURE INDUSTRIES Norway
THE WATERS DEEP HERE United States
WE LOST THE SEA Australia
WE MADE GOD Iceland
WEAKLING United States
WHAT MAD UNIVERSE France
WHAT THE BLOOD REVEALED United Kingdom
WHEN DAY DESCENDS Australia
WHIRLING Sweden
WHOURKR Multi-National
WIDEK Poland
WINDHAM HELL United States
WINDMILLS BY THE OCEAN United States
WINDS Norway
ANDY WINTER Norway
WIZARD RIFLE United States
WOBURN HOUSE Germany
WOODS OF YPRES Canada
A WORKING MODEL United States
WORM OUROBOROS United States
WYTCHCRYPT United States
YAKUZA United States
YAVU Chile
YEAR OF NO LIGHT France
YOB United States
YTO SOLREISER Norway
ZEBULON PIKE United States
ZENI GEVA Japan
ZOZOBRA United States
ZVOYN France

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