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EXPERIMENTAL/POST METAL

A Progressive Rock Sub-genre


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Experimental/Post Metal definition



Experimental Progressive Metal

Experimental progressive metal is a sub-genre of progressive metal characterized by the incorporation of innovative, eclectic elements, large-scale experimentation and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Experimentation in the music is a major criteria to define the genre where artists often add unique elements to the overall sound, while progressive metal usually has more focus on traditional metal instrumentation and higher levels of technical complexity.

It's nearly impossible to pinpoint the exact origin of Experimental Progressive Metal since experimentation is common in all music genres. Still it is clear that experimentation in the progressive metal sub-genre has slowly but steadily grown in popularity ever since its humble beginnings in the early 1980s.

Just like any other style, Experimental Progressive Metal has a few defining moments that have changed the rules for its sub-genre for years to come. Two of such moments are the releases of the debut album by MR.BUNGLE of August 1991 and its iconic follow up "Disco Volante" of 1995. MR BUNGLE became notorious for their heavy sound and mid-song shifts of musical style. The band has later spawned an array of established avant-garde side projects such as FANT‘MAS, SECRET CHIEFS 3 and ESTRADASPHERE but also inspired new Experimental Metal acts to take the music scene to new heights.
Another crucial artist in the development of Experimental Progressive Metal was the leading Avant Metal band of the 80s, CELTIC FROST. Their eclectic mix of Thrash, Doom, Symphonic and Goth Metal created a dark theatrical mystique that became a major influence among the experimental Extreme Metal bands of the 90s such as MY DYING BRIDE, ULVER, ARCTURUS among others. These bands served as an important source of inspiration for the experimental movement within extreme metal.

The bands listed under Experimental Progressive Metal have all, in various degrees, shed their extreme heritage in favor of embracing influences of the eclectic style going from art rock and ethnic up to free-jazz and even modernist music.

Art Metal
Art metal is a direct continuation of progressive metal but with the longing to expand the themes and styles of music while maintaining the technical complexity of the sub-genre.
These bands are more artistic than their progressive metal peers and tend to experiment, to a certain extent, but not as openly as the bands of the eclectic and avant-garde metal styles. Art metal comes in many shapes and forms. The virtuosity and complete unpredictability of DEVIN TOWNSEND, OSI and TOOL always manages to draw attention of both fans of traditional metal as well as the progressive music audience, while bands like ANATHEMA, DEADSOUL TRIBE and GORDIAN KNOT attract many fans of groove and atmospheric music into their vibrant soundscapes. Other notable acts include GREEN CARNATION, DARK SUNS and ANTIMATTER.

Eclectic Metal
These bands often add unconventional elements to their metal sound, whether it's experiments with various new sounds and styles that are otherwise uncommon in metal or by blending many styles, with metal being the referential core. Whether it's the ethnic elements of ORPHANED LAND's music that combines Middle Eastern folklore with the more traditional progressive metal sound or a completely unique mix of atmospheric, almost ambient, elements fused with metal that can be found in the sound of THE GATHERING, eclectic metal artists will always certainly bring a host of different styles and ideas to the table. Experimental metal can be found in numerous forms while featuring notable acts like INDUKTI, IN THE WOODS... and MAUDLIN OF THE WELL.

Avant-garde Metal
This style is generally considered to be more extreme in both its arrangements but most importantly extremely complex and unpredictable song structures. Compositions have the ambition of trying to breach boundaries of music and generally have significant experimental approaches to metal music. Most of this music borders on the realms of pure avant-garde while still maintaining a solid foundation in metal with technical instrumental prowess. Notable acts include UNEXPECT, EPHEL DUATH and VIRUS.


Post Metal

Post metal arose following the subsequent emergence of numerous newer, grittier metal genres like sludge, stoner, doom, and drone in the late 80's and early 90's, as well as the budding post-rock scene that emerged in the early 90's in Europe and North America. The scene's origins can be heard in several distinctly like-minded, moderately experimental groups in the early 90's, ranging from the noisy grind of GODFLESH, the sludgy, melodic, sometimes punk-like riffs of the MELVINS, and the proggy time signatures and grungy riffing of TOOL or HELMET, to the textural work of DON CABALLERO and the more melodic moments of early BARK PSYCHOSIS.

Arguably the first true and definitive realizations of post-metal emerged in the mid 1990's. The most concrete example was NEUROSIS, who moved farther away from their crust-punk origins and into more atmospheric territories with releases like Souls at Zero and Through Silver in Blood, the latter album in particular being regarded as one of the most definitive releases in the genre even to this day for its revolutionary blend of dark, spanning atmosphere and massively heavy sludge, something that would later come to define the post-metal genre as a whole (indeed, post-metal is often called "atmospheric sludge" as well). It wouldn't be until the early 2000's, however, that the genre's capacity would be fully realized, with releases like ISIS's "Oceanic", CULT OF LUNA's "Salvation", and PELICAN's "Australasia" paving the way for a true scene to emerge, and post-metal has since become a widespread phenomenon that has captivated the attention of many adventurous listeners worldwide.

Post-metal's unique sound is often very long and extremely drawn-out, utilizing oft-repetitive and simple riffs and guitar texturing to create massive buildups and musical climaxes. At times very emotionally evocative, it can be equally soft and soothing as it can be massively dense and crushing. Vocals are used sparingly, if at all (instrumental post-metal is a popular genre, with groups like PELICAN and RUSSIAN CIRCLES even achieving some degree of mainstream credibility), and when they are, they're usually gruff and barked as opposed to growled or screamed, a signature trait of the genre's hardcore roots.

Variations of Post-metal

While it should be noted that many post-metal bands have their roots in sludge metal, there are many post-metal bands that are rooted in other genres of metal. While post-sludge was an almost uniquely American phenomenon, a number of European doom-influenced post-metal bands have risen to fame, namely groups like ANATHEMA, YEAR OF NO LIGHT and CALLISTO; their slow-churning riffs and depressing mood of doom metal fit very well into the post-metal formula. These groups later gave way to more western post-doom-metal projects like JESU, GIANT SQUID, and MINSK.

A number of post-metal bands are significantly influenced by hardcore and post-hardcore, crafting the melodic elements of modern hardcore into their own brands of textural and atmospheric post-metal. This is exemplified by groups like ROSETTA, THE OCEAN COLLECTIVE, CAVE IN, MOUTH OF THE ARCHITECT and BURST.

A subgenre that has emerged to a considerable degree in the last decade is an amalgamation of post-rock and black metal. Black metal has traditionally not been a stylistic influence on post-metal over the years, but bands like ALCEST, FEN, AGALLOCH and ALTAR OF PLAGUES have used the more atmospheric qualities of black metal and the tremolo riffing and incorporated it with a shoegaze-like affinity for heavy, dreamy sounds and guitar effects to create a unique and evocative subgenre that shares many visional and sonic characteristics of post-metal. While the explosion of bands exploring this style is a rather recent phenomenon, there are some instances of this occurring very early in the lifespan of the post-metal genre as a whole. ULVER's debut could be seen as possibly the first album to fall under this definition. For clarification's sake, these post-rock influenced bands are placed in the post-metal subsection of ProgArchives as opposed to the black metal subsection of Tech/Extreme because they eschew much of the harsh tonalities, minor modes, and shrieking vocals of black metal and add a melodic and emotional aspect that makes it much more accessible than their progressive black metal peers in the tech/extreme section.

Today, the most popular post-metal groups are much of the genre's godfathers like ISIS, NEUROSIS, PELICAN, and CULT OF LUNA, though a number of newer bands have risen to fame in metal and prog circles within the last 5 years like INTRONAUT, ROSETTA, and THE OCEAN COLLECTIVE.


--- Definition by Alex and Kevin and the Progressive Metal Team, February 2012 ---

The Progressive Metal Team are: (15/1/2021)
Karl (bonnek)
Kevin (Necroncommander)
Mike (TCat)
Sebastian (Kempokid)
Cristi
Nick (nick_h_nz)

Experimental/Post Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Experimental/Post Metal | More Top Prog lists and filters

4.21 | 1635 ratings
LATERALUS
Tool
4.22 | 722 ratings
PART THE SECOND
Maudlin Of The Well
4.31 | 144 ratings
IMAGINARY SONICSCAPE
Sigh
4.19 | 675 ratings
TERRIA
Townsend, Devin
4.25 | 196 ratings
THROUGH SILVER IN BLOOD
Neurosis
4.19 | 399 ratings
THE MANTLE
Agalloch
4.15 | 730 ratings
JUDGEMENT
Anathema
4.44 | 55 ratings
KHAOOOHS & KON-FUS-ION
Pan.Thy.Monium
4.18 | 319 ratings
BATH
Maudlin Of The Well
4.17 | 342 ratings
LEAVING YOUR BODY MAP
Maudlin Of The Well
4.15 | 604 ratings
ZILTOID THE OMNISCIENT
Townsend, Devin
4.14 | 361 ratings
LIGHT OF DAY, DAY OF DARKNESS
Green Carnation
4.19 | 163 ratings
SOMEWHERE ALONG THE HIGHWAY
Cult Of Luna
4.26 | 86 ratings
SOULS AT ZERO
Neurosis
4.13 | 272 ratings
IN A FLESH AQUARIUM
Unexpect
4.13 | 271 ratings
PANOPTICON
Isis
4.08 | 983 ratings
∆NIMA
Tool
4.09 | 325 ratings
FABLES OF THE SLEEPLESS EMPIRE
Unexpect
4.16 | 128 ratings
SOL NIGER WITHIN
Thordendal's Special Defects, Fredrik
4.08 | 357 ratings
THE DEVIN TOWNSEND BAND: SYNCHESTRA
Townsend, Devin

Experimental/Post Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Experimental/Post Metal experts team

SHEDDING
Apokatastasia
METRIDIUM FIELD
Giant Squid
DEAD AS DREAMS
Weakling
IN A FLESH AQUARIUM
Unexpect

Latest Experimental/Post Metal Music Reviews


 Souvenirs d'un autre monde by ALCEST album cover Studio Album, 2007
3.83 | 146 ratings

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Souvenirs d'un autre monde
Alcest Experimental/Post Metal

Review by Gallifrey

5 stars Listening diary 6th February, 2021: Alcest - Souvenirs D'un Autre Monde (blackgaze, 2007)

After returning to my vinyl collection, I gave this one a listen in a tense post-rehearsal mahjong session with the rest of my band. Alcest have always been one of our biggest influences, even to the point of over-influence, but this seems to be the one of their classic albums that we're least keen on. I still like it though, even if it's nothing on the two that followed. More subdued and romantic, and honestly there are enough good melodies here to forgive the relative lack of dynamics.

8.4 (14th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Nomen Est Omen by SENMUTH album cover Studio Album, 2013
3.00 | 1 ratings

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Nomen Est Omen
Senmuth Experimental/Post Metal

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

— First review of this album —
3 stars "Nomen est Omen" is a Latin sentence that means "Your destiny is in your name". This nth Senmuth's album is made of 6 tracks with some circularity made evident also by the titles of the opener and the closer. Let's start: imagine the opening of Pink Floyd's "Obscured by Clouds" made darker and darker, more electronic and with Gilmour's guitar repaced by the low-tone 7-strings guitar. The mood is almost the same for the first half. It's not repetitivity, I'd call it "continuity", like they were parts of a single suite.

In the second half the ethnic element reappears mainly in the percussion. The hypnotic rhythm which closes the album leaves the listener (myself currrently) almost satisfied. In brief, it's a dark ambient suite in Senmuth's usual style but it seems that he was actually giving up to his unusual sudden changes of tonality and ethnic breaks which sometimes jeopardize his work. Not a masterpiece, but surely a good and enjoyable album if you are in the right (dark) mood.

 Part the Second by MAUDLIN OF THE WELL album cover Studio Album, 2009
4.22 | 721 ratings

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Part the Second
Maudlin Of The Well Experimental/Post Metal

Review by Maw The Void

5 stars Maudlin Of The Well - Part The Second

One of the best comeback albums ever. Maudlin Of The Well released eight years before two connected records, Bath and Leaving Your Body Map, after that the band had no record activity until Part The Second, where they elevated their music and made it far more ambitious, increasing the average song length, while somehow making it more compact. Every song explores multiple ideas, while moving seamlessly from one section to the other. The songs can be very heavy or spacey and atmospheric.

This record is to Post-Metal what Lift Your Skinny Fingers Like Antennae To Heaven is to Post-Rock. It's an essential record to its genre.

 Interior City by GABRIEL CONSTRUCT, THE album cover Studio Album, 2013
4.14 | 17 ratings

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Interior City
The Gabriel Construct Experimental/Post Metal

Review by Gallifrey

4 stars Listening diary 13th September, 2021: The Gabriel Construct - Interior City (experimental/progressive rock/metal, 2013)

A really creative and unique album, but one you're probably only going to enjoy if you aren't too fussed about good production. This is incredibly rough, and not always in an intentional way, but it houses some really left- field and unusual pieces of music. Sitting somewhere between progressive metal and the more eclectic sides of avant-prog and even rock in opposition, this flies all over the place in terms of genre and mood. The performances are raw but varied, and the melodies and musical motifs are bizarrely catchy, even though I would never describe this as accessible. It definitely is a far cry from the ultra polished and mechanical sounds of most modern prog metal, and to me it carries on the spirit of a band like Taal, or even Kayo Dot's more progressive moments. The production and performances will always give this album a ceiling of enjoyment for me, but in spite of its obvious flaws it's definitely a very interesting album.

7.1 (7th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Phanerozoic II: Mesozoic | Cenozoic by OCEAN, THE album cover Studio Album, 2020
3.94 | 79 ratings

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Phanerozoic II: Mesozoic | Cenozoic
The Ocean Experimental/Post Metal

Review by Gallifrey

4 stars Listening diary 12th September, 2021: The Ocean - Phanerozoic II: Mesozoic/Cenozoic (progressive post-metal, 2020)

I really didn't like this one at first, but it grew on me at a dramatic rate - perhaps it's the slightly off-kilter opening track that sets a strange mood, but honestly this is a bit of a strange album. Post-metal, particularly the sludge variant, isn't known to do much experimentation, and I think that's where The Ocean have really started standing out from the pack. They've always had prog flirtations, but here they really start to break down genre norms. Like on Phanerozoic I, there's a really interesting focus on synthesiser work here, and they steal the show in half the tracks here - even veering fully into pseudo-synthpop vibes on the closing track. And it's not just experimentation on the soft side - the inclusion of some bursts of black metal are really interesting and really welcome in a genre that often needs that kind of harmonic complexity. It's not quite got the substance to top their best work, but it's arguably their most creative album and proves that they've still got a lot to say.

7.7 (5th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Jupiter by CAVE IN album cover Studio Album, 2000
4.00 | 15 ratings

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Jupiter
Cave In Experimental/Post Metal

Review by Gallifrey

4 stars Listening diary 16th January, 2021: Cave In - Jupiter (alternative rock/post-hardcore, 2000)

I think I've grown in appreciation of this since getting into the similarly styled Hum this year, although I've always enjoyed it to some degree. It's a brilliant change from their (not to my taste) debut, essentially playing a kind of spacey and surreal alternative rock that's big on choruses and memorability. But it's that kind of memorability that mean this can get stuck in your head in a bad way at times - at least that's how I've felt about it in the past. On this listen I didn't really feel that at all, and I thoroughly enjoyed the way they construct melodies, even if the songs here are all a bit similar.

7.4 (6th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 The World Inside by TACOMA NARROWS BRIDGE DISASTER album cover Studio Album, 2021
4.00 | 3 ratings

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The World Inside
Tacoma Narrows Bridge Disaster Experimental/Post Metal

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars I'm a stringent follower of this disaster :-) band since years. Definitely appreciate their appealing blend of post metal and psychedelic respectively space rock. This is provided with a rather amazing compositional approach. Apparently they can't go wrong. Often enough it may sound like pure jamming, but I'm sure it's not, in general. The particular songs are relatively extended, where they are consistently serving a gripping theme as well as some alternating variety, predominantly when it comes to the twin guitars. Over the years Drew Vernon (guitar, synths) and Tom Granica (bass) are making the band's core, the driving force. Second guitarist Adam Paul has left the band, was substituted by Andrea Longo, who is also adding some synthesizer contributions. And then Ben Wilsker has entered the crew in 2016, probably also known while playing the drums for the band Crippled Black Phoenix in the same way.

'The World Inside' is comprised of six songs. Now this is their fourth regular release in the meanwhile, where we have a six year gap to notice concerning their previous album. Well, the conceptual context, as in most cases, as nearly expected, they are dealing with something moral-philosophical, self- and society reflecting. It's hip somehow, though often enough only scratching the surface. Regularly I don't care much about that. However, musically this album is a new revelation for sure. On one side they are delivering a lovely atmospheric ambience, though alternatively also huge post rock guitar walls, quasi in the next moment. Machinations showcases a melancholic synthesizer drenched intro, and a swinging mood, but later they are going metal with crashing guitars. And yes, on the gorgeous Truth Escapes we will experience vocals (Drew Vernon), yeah! Still not a major purpose, moreover succeeded, it's more than at the experimental stage. The final Apocryphal offers some rage, but overall you will get a melodic and atmospheric issue. Accessible for the common listener, do not await death or avant metal here.

 The Galilean Satellites by ROSETTA album cover Studio Album, 2005
4.33 | 41 ratings

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The Galilean Satellites
Rosetta Experimental/Post Metal

Review by progtime1234567

5 stars The Galilean Satellites by Rosetta is a landmark album in the Post metal genre, in my opinion at least. It helped establish Post metal as a genuine genre, along with Oceanic by Isis, Somewhere Along the Highway by Cult of Luna, Through Silver In Blood by Neurosis, and Australasia by Pelican. It not only helped establish the genre, it influenced many bands and musicians to go on and create their own music.

The album consists of two discs, each a little over an hour in length. They are intended to be played at the same time, in a similar vain as Times of Grace by Neurosis. The first disc are the band's regular Post metal, and the second disc is ambient tracks that fit in with the first disc. How apt. Musically, the album's sound is the classic, sludgy Post metal sound, but there are also the quieter, more atmospheric parts to balance out the sound. Lyrically, the album deals with themes of astronomy and space travel, similar to how Cult of Luna would eventually do on their album Mariner with Julie Christmas.

The Galilean Satellites has to be one of my personal favorite Post metal albums. Also, Europa, the second song, has to be one of my favorite songs of all - time, period. This album is essential Post metal listening, and it is key in the development of the genre. In my opinion, if you are a fan of Post metal, or you're getting into the genre, The Galilean Satellites is essential listening.

 Anthroscene by STORM OF LIGHT, A album cover Studio Album, 2018
4.00 | 1 ratings

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Anthroscene
A Storm of Light Experimental/Post Metal

Review by progtime1234567

— First review of this album —
4 stars I came across A Storm of Light just yesterday, and I'm pretty glad I happened to find them. I didn't know where to start so I made my decision based on what album cover I thought looked the best. It was Anthroscene.

I was excited after hearing the first song, because this album is a great fusion of industrial rock and post metal, two of my favorite styles of music. Musically, the album reminded me of Filth Pig era Ministry, which was also a slow, burning sludgy and industrial album. The fact that A Storm of Light can mix those two genres together and still stay true to their post metal roots is beyond anything I could have imagined. Along with the socially - aware lyrics, the band also employs grinding bass, and atmospheric guitar parts.

Anthroscene is not an essential post metal or progressive metal album, but it is still very well done. I found a lot of personal enjoyment from it. Hopefully you can, too. For the industrial rock/metal fan and/or the post metal fan, not for individuals who are just getting into the genre(s). I really look forward into getting into more of this bands music.

 Celestial by ISIS album cover Studio Album, 2000
3.42 | 94 ratings

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Celestial
Isis Experimental/Post Metal

Review by progtime1234567

3 stars Isis is one of those genre - defining bands. In this case, they define post metal. On Celestial, their first full length, they deliver a good sound that introduced them to the realm of metal.

I listened to Oceanic and Panopticon before I listened to this album, so I wasn't expecting Celestial to be the bands greatest work. I was somewhat correct. Celestial is by no means a bad album, but it doesn't sit on the same bench as Oceanic and Panopticon. There are some great moments, whether it's the repeating, almost mechanic riffs, or the slower parts that eventually crescendo and reveal the song's climax.

Celestial was a good album, but that's about all it was to me. I wouldn't listen to it right away if you are just now getting into Isis or post metal. I do give it a lot of credit however, because it really set Isis up and got them going off in the right direction. Then they became a hugely influential band and spawned many other bands to follow them down the path that Isis trail blazed.

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Experimental/Post Metal bands/artists list

Bands/Artists Country
*SHELS United States
11 AS IN ADVERSARIES France
19 A.D.D. United States
21 EYES OF RUBY Netherlands
THE 3RD AND THE MORTAL Norway
413 United States
5IVE United States
6:33 France
A((WAKE)) United States
AABSINTHE France
ABANDON Sweden
ABYSSE France
ACROSS TUNDRAS United States
ACYL France
ADMIRAL BROWNING United States
ADRIFT Spain
AFTER MY OWN United States
AGALLOCH United States
AGES GONE Germany
AKPHAEZYA France
AKROMA France
ALASKAN Canada
ALCEST France
ALTAR OF PLAGUES Ireland
AMARA United States
AMATERAZU Portugal
AMBEON Netherlands
AMENRA Belgium
AMESOEURS France
AMIA VENERA LANDSCAPE Italy
ANATHEMA United Kingdom
ANCESTORS United States
AND HARMONY DIES Italy
ANGEL EYES United States
ANTIGUA Y BARBUDA Spain
ANTIMATTER Multi-National
ANUBI Lithuania
AORIA Sweden
APOCALIPSIS Mexico
APOCRYPHAL VOICE Finland
APOKATASTASIA Switzerland
APSE United States
ARCADE MESSIAH United Kingdom
THE ARKITECHT Mexico
ARKTIKA Germany
AS LIGHT DIES Spain
ASIDEFROMADAY France
ASPIRATION Norway
ASTROHENGE United Kingdom
ASTRONAUT DOWN United States
AT THE SOUNDAWN Italy
THE ATLAS MOTH United States
ATMOSPHERES Belgium
THE ATOMIC BOMB AUDITION United States
ATROX Norway
AUSSIT‘T MORT France
AUSTARAS United States
THE AXIS OF PERDITION United Kingdom
AZIOLA CRY United States
BACK WHEN United States
BAK Australia
BARONESS United States
BAT CASTLE United States
BATTLE OF MICE United States
BATTLEFIELDS United States
BAUDA Chile
BEAK United States
BEECHER United Kingdom
BEFORE THE EYEWALL United States
BEHIND THE SUN Israel
BEING United States
ADRIAN BENAVIDES United States
BIRUSHANAH Japan
BISON B.C. Canada
IVAR BJōRNSON & EINAR SELVIK Norway
BLACK MATH HORSEMAN United States
BLACK SEA Brazil
BLACK SHEEP WALL United States
BLACK VOMIT United Kingdom
BLACKWAVES Germany
BLINDEAD Poland
BLOOD & TIME United States
BLOODWAY Romania
BLOODY PANDA United States
BLUT AUS NORD France
BOBEL Costa Rica
BOSSK United Kingdom
BOTANIST United States
BRAIN TENTACLES United States
BRIDGES TO DREAMS Canada
BUILT-IN OBSOLESCENCE Italy
BUNKUR Netherlands
BURIED INSIDE Canada
BURN DOWN ROME United Kingdom
BURWEED Finland
BUTTERFLY TRAJECTORY Poland
BUZZARD United States
CAINA United Kingdom
CALDERA France
CALLISTO Finland
THE CANCER CONSPIRACY United States
CANDIRIA United States
CAPRICORNS United Kingdom
CAPTURE THE SUN United States
CARNIVAL IN COAL France
CARONTTE Spain
CATACOMBE Portugal
CAVE IN United States
CELEBRITY SEX SCANDAL United States
CELESTINE Iceland
CEREUS Poland
CHASE THE SUNSET United Kingdom
THE CHRONICLES OF ISRAFEL Canada
CHRYST Austria
THE CIRCLE ENDS HERE Italy
CIRUELO CILINDRICO Spain
CLERIC United States
CLOUDKICKER United States
COALESCE United States
COLD BODY RADIATION Netherlands
A COLD DEAD BODY Italy
COLDWORLD Germany
COLONEL PETROV'S GOOD JUDGEMENT Germany
COME SLEEP Sweden
COMITY France
CONIFER United States
THE CONJURATION United States
CONSECRATION Serbia
CORMORANT United States
COSMONAUTS DAY Russia
COUNTERVELA Ireland
CRIB45 Finland
CRYPTIC RUSE United States
CULT OF LUNA Sweden
D.U.N.E. Italy
DAKRYA Greece
DAMASCUS United States
DARK CASTLE United States
DARK SUNS Germany
DARKESTRAH Germany
DARKSPACE Switzerland
DAUGHTERS OF FISSION United States
DAY WITHOUT DAWN United States
DE OMEGA United States
DEADBIRD United States
DEADSOUL TRIBE United States
DEAFHEAVEN United States
THE DEATH OF HER MONEY United Kingdom
DECORTICA New Zealand
DEEP IN THOUGHT Germany
DEFYING Poland
DETERIOR United States
DEVIL SOLD HIS SOUL United Kingdom
DIESTO United States
DIGRESSION ASSASSINS Sweden
DIMLAIA United States
DIRGE France
DISAPPEARER United States
DIVINA ENEMA Belarus
DōDSVERK Norway
DOOM Japan
DORNENREICH Austria
DOTZAUER Italy
DR. SLAGGLEBERRY United Kingdom
DRAWN Norway
DREARE Czech Republic
DREARINESS Italy
DYING SUN United States
EARTH United States
EAST OF THE WALL United States
EBONY LAKE United Kingdom
ECHOES United Kingdom
ECHOES OF YUL Poland
ECHOSILENCE Estonia
EDGE OF REALITY United States
EGOIST Poland
EHNAHRE United States
EIGENGRAU Denmark
EIGHT BELLS United States
EINNA France
ELLIPSIS France
EMPIRES United States
EMPTY YARD EXPERIMENT United Arab Emirates
ENDER New Zealand
ENDNAME Russia
ENSEMBLE 1 United Kingdom
EPHEL DUATH Italy
EPISTASIS United States
ETERNAL DEFORMITY Poland
ETHERSENS France
EVIL INSIDE Spain
EX CURIA Australia
EX EYE United States
EXOTIC ANIMAL PETTING ZOO United States
EXTINCTION ALGORITHM Romania
FALL OF EFRAFA United Kingdom
FALLOCH United Kingdom
FALLS OF RAUROS United States
FAR AWAY France
FEN United Kingdom
FIFTH QUADRANT Sweden
FIRMAM3NT Spain
FLEURETY Norway
FLOOD THE DESERT United States
FOLLOW THE WHITE RABBIT Russia
A FOREST OF STARS United Kingdom
FORMLOFF Norway
FOUNTAINHEAD Germany
FREQUENCY EATER Belgium
FROM OCEANS TO AUTUMN United States
FUTURIAN Canada
THE GABRIEL CONSTRUCT United States
GANON United States
GARDEN OF SHADOWS United States
GARY SUICIDAL KIDS COMMANDO France
THE GATHERING Netherlands
GENERATION OF VIPERS United States
GENGHIS TRON United States
GIANT SQUID United States
GIGANTIC BRAIN United States
GIRE Hungary
GLETSCHER Switzerland
GNAW THEIR TONGUES Netherlands
GODSEND Norway
GONIN-ISH Japan
GOSPEL United States
GRAAL (UKR) Ukraine
THE GRASSHOPPER LIES HEAVY United States
GRAVITON United States
GRAYCEON United States
THE GREAT OLD ONES France
GREEN CARNATION Norway
HAIKU FUNERAL Multi-National
HAIL SPIRIT NOIR Greece
HALCYON Australia
HAMMERS OF MISFORTUNE United States
HAND United Kingdom
HARVEY MILK United States
HEAVEN IN HER ARMS Japan
HEIRS Australia
HELIUM HORSE FLY Belgium
HELLAS MOUNDS United States
HERETOIR Germany
HESPERIAN DEATH HORSE Croatia
HIPOSPADIA Spain
HUMANFLY United Kingdom
HUNDRED HEADLESS HORSEMEN Finland
HVōSCH Russia
HYDRA Mexico
HYPNO5E France
IDENTIFIED United States
IDIOT SAINT CRAZY France
IGORRR France
THE ILLNESS United States
IN THE WOODS... Norway
IN.OVO Canada
INCOMING CEREBRAL OVERDRIVE Italy
INDUKTI Poland
INTER ARMA United States
INTRONAUT United States
IO United Kingdom
ION United States
IREPRESS United States
IRONWOOD Australia
IRREVERSIBLE United States
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SWITCH OPENS Sweden
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WE LOST THE SEA Australia
WE MADE GOD Iceland
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