VOID

The music on the debut album is experimental industrial extreme metal. Lots of dissonant open chords, twisted riffs, aggressive vocals, progressive structures and electronic drums. It´s a very innovative and unique album. On this second album the style has changed towards a more organic sounding experimental black metal. Mainly because the drums are now "real" drums and not programmed. The production is also less futuristic than was the case on the debut. The sound on this album is raw and powerful. I especially enjoy the organic drum sound. These drums actually sound like "real" drums. While the tracks feature some really aggressive blasting sections there are still lots of unconventional dissonant riffing in the tracks and they are not structured in a "regular" vers/ chorus form. The vocals vary between caustic sounding black metal/ death metal vocals and occassional clean vocals too.

The 9 track, 35:36 minute long album contains a few surprises. While most tracks are new compositions there are a couple of re-recorded older tracks featured on the album too. It may seem a bit strange that it took Matt Jarman 8 years to write 4 new tracks, an atmospheric piano interlude and an intro, but the 3 older tracks are greatly enjoyable IMO. "Cypher", which was also featured on "Posthuman", is delivered here in a very different version compared to the version on the debut album. "Alligator X-Ray" and "Ego Tranquilizer" which are both featured on the 2001 demo by Void, are also very enjoyable pieces of experimental extreme metal. I don´t know the originals but the high quality level of these versions more than warrants an inclusion on this album. The new tracks are more or less in the same style and the album is generally very consistent both in quality and in style.

After my initial surprise that "Void" sounded vastly different from "Posthuman", I´ve actually come to the conclusion that despite the differences between the two albums, both are unmistakably the sound of Void. It´s fans of Dødheimsgard, Code and to some degree Ved Buens Ende and Virus that should be able to enjoy this album greatly. I´ve had myself a very positive surprise here that´s for sure and a 4 star rating is fully deserved. "Void" may not be of the completely unique nature of "Posthuman", but it´s a great album in its own respect.

The music on "Posthuman" is a mix of twisted experimental extreme metal and electronica. I can´t help thinking about Ephel Duath, Control Human Delete or The Axis of Perdition but Void definitely have a sound of their own. References to Dødheimsgard and Code are also inevitable because of Mathew McNerney´s unique vocal style. The drums on the album are programmed and they are not programmed to sound like "real" drums in the absence of a human drummer. The programmed drums are meant to sound "programmed" and artificial. There´s a strong electronica element on the album because of this. The overall sound on the album is still twisted and experimental extreme metal though. The music is somewhat rooted in black metal but of the more experimental kind. The vocals are aggressive and the clean vocal sections are kept to an absolute minimum. The guitar riffs are often dissonant and adventurous and the Voivod influences are more than obvious. There´s a cold futuristic sci-fi atmosphere about the album which is only enhanced by the atmospheric samples and industrial sounds that are also a part of the soundscape. Song titles like "Cypher", "Neutron Flux", "Future Horror Aura" and "Zero Signal Pattern" also give away the sci-fi theme.

The production is perfect for the music. Cold, clinical and futuristic.

"Posthuman" is an excellent release by Void and if you really want to challenge yourself with some truly unique experimental extreme metal "Posthuman" more than applies. A 4 - 4.5 star (85%) rating is fully deserved.