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RIO/AVANT-PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

RIO/Avant-Prog definition

Avant-Prog

Avant-prog is an umbrella term which refers to any progressive rock artist with a strong leaning towards avant-garde and highly experimental approaches to music. Therefore, it includes the sub-genres of Rock In Opposition (see below) and Zeuhl in addition to general avant-prog artists.

Avant-prog is generally considered to be more extreme and 'difficult' than other forms of progressive rock, though these terms are naturally subjective and open to interpretation. Common elements that may or may not be displayed by specific avant-prog artists include:

- Regular use of dissonance and atonality.
- Extremely complex and unpredictable song arrangements.
- Free or experimental improvisation.
- Fusion of disparate musical genres.
- Polyrhythms and highly complex time signatures.

Most avant-prog artists are highly unique and eclectic in sound and consequently tend to resist easy comparisons. However, Frank Zappa is often cited as a major influence on many avant-prog artists due to his early adoption of avant-garde and experimental attitudes within a predominantly rock/jazz context.


Rock In Opposition

Rock In Opposition (RIO for short) is the name of a short-lived movement that has gone on to define a sub-genre of progressive rock, and which is now sometimes applied to musicians whose careers hadn't even started by the time the movement had ceased to exist in any official capacity. It is not synonymous with the term avant-prog, for whilst bands associated with RIO are (generally speaking) avant-prog in nature, most avant-prog bands are not associated with RIO.

The roots of RIO can be traced to Henry Cow, a UK progressive rock band with a distinctly avant-garde sound and left wing political ideology. Henry Cow toured extensively in Europe throughout much of the 1970s and came into contact with a few similarly inclined bands, in an ideological sense as much, if not more, than a musical one. These groups did not always have much in common stylistically, apart from a basic leaning towards fusing avant-garde qualities with elements of rock. Most of these bands were working independently at the time and had no distribution or realistic opportunity of touring outside their native countries. The idea of Rock In Opposition was to create an independent network of like-minded performers that would not be dependent on the largesse of major record companies for their survival.

Henry Cow invited four of these bands to play alongside them at the first Rock in Opposition festival on 12th March 1978, at the New London Theatre, Drury Lane in London. The British Arts Council helped the funding of the festival with a ú1000 grant. The Rock in Opposition slogan "The music the record companies don't want you to hear" was altered very slightly for the flyer advertising the first Rock in Opposition concert.

The five initial Rock in Opposition bands were:

Henry Cow (England)
Univers Zero (Belgium)
Etron Fou Leloublan (France)
Samla Mammas Manna (Sweden)
Stormy Six (Italy)

Three additional bands were later officially elected to the movement:

Art Zoyd (France)
Art Bears (England)
Aksak Maboul (Belgium)

The involved bands had many disagreements in a meeting at Sunrise Studios in Kirchberg, Switzerland in December 1978 about the purpose of the group, and its meaning. They eventually came up with a plan to continue their joint concerts. They organised three more festivals and co-operative record distributions but eventually the RIO group dissolved. It left behind a legacy that would initially be picked up by later projects from the many musicians involved with the original movement, and later on by artists inspired by the original RIO groups. Miriodor and Ensemble Nimbus are often said to be influenced by Samla Mammas Manna, for example, and are consequently sometimes referred to as RIO bands.

Since 2007, a contemporary RIO festival has been held most years in Carmaux, France. This festival has included artists closely associated with the original RIO movement alongside bands from the wider world of avant-prog and experimental music.

Dates of the original RIO festivals

12 March 1978 at New London Theatre, Drury Lane, London, England (set up by Henry Cow)
26 April 1979 to 1 May 1979 at Teatro dell'Elfo, Milano, Italia (set up by Stormy Six)
28/29 September 1979 in Uppsala, Sweden (set up by Samla Mammas Manna)
Bruxelles, Belgium (set up by Univers Zero)

Useful links

Information on RIO from Chris Cutler's website

Additional historical information on Squidco

Written/Compiled/Edited by past and present members of the RIO/Avant-Prog team

Current team members:
as at 20/05/2016

Raffaella (Raff)
Luca (octopus-4)
Ian (Nogbad_The_Bad)
Keishiro (DamoXt7942)
Ori (frippism)

RIO/Avant-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 RIO/Avant-Prog | More Top Prog lists and filters

4.33 | 1395 ratings
HOT RATS
Zappa, Frank
4.32 | 821 ratings
THE GRAND WAZOO
Zappa, Frank
4.32 | 797 ratings
THE MOTHERS OF INVENTION: ONE SIZE FITS ALL
Zappa, Frank
4.61 | 40 ratings
TAIGA
OOIOO
4.29 | 254 ratings
SING TO GOD
Cardiacs
4.31 | 200 ratings
WESTERN CULTURE
Henry Cow
4.33 | 154 ratings
IN EXTREMIS
Thinking Plague
4.46 | 56 ratings
H─XAN
Art Zoyd
4.28 | 286 ratings
UZED
Univers Zero
4.43 | 66 ratings
N║ 6
Present
4.27 | 342 ratings
CHOIRS OF THE EYE
Kayo Dot
4.41 | 64 ratings
BOOK M
Secret Chiefs 3
4.26 | 247 ratings
HERESIE
Univers Zero
4.25 | 250 ratings
M┼LTID
Samla Mammas Manna
4.32 | 95 ratings
ON LAND AND IN THE SEA
Cardiacs
4.36 | 68 ratings
DECEIT
This Heat
4.62 | 27 ratings
JACKSON
Korekyojin
4.28 | 117 ratings
BARBARO (MA NON TROPPO)
Present
4.23 | 222 ratings
A LITTLE MAN AND A HOUSE AND THE WHOLE WORLD WINDOW
Cardiacs
4.35 | 61 ratings
ZABRANJENO PLAKATIRATI
Buldozer

RIO/Avant-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the RIO/Avant-Prog experts team

SHINUTOKIWA BETSU
Wha-Ha-Ha
PLAGUE MASS
Galas, Diamanda
LETTERS HOME
News From Babel
DOOR FLOOR SOMETHING WINDOW: LOOPING HOME ORCHESTRA LIVE 92-93
Hollmer, Lars

Latest RIO/Avant-Prog Music Reviews


 The People In Your Neighbourhood by LED BIB album cover Studio Album, 2014
4.09 | 4 ratings

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The People In Your Neighbourhood
Led Bib RIO/Avant-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars

Released in the same year as the limited edition live 'The Good Egg', this 11 song seventy-two-minute long album is quite different. Although still incredibly avant-garde, progressive and insane, there is a far greater feeling of structure and control. The album title was inspired by a song from Sesame Street where the Muppets take people from different walks of life, from Ralph Nader to Martina Navratilova, and sing a song about how they are people from your neighbourhood. "Hey, an avant-jazz band are also the people in your neighbourhood," band founder Mark Holub says.

With their unusual line-up, the guys have managed to capture the essence of bands as diverse as Can and Art Zoyd, with Zappa also being thrown into the mix. This is not easy listening music, and was never meant to be, but has taken improvisation as a base and have then built on that to create something that is full of energy and is twisting and turning as it burrows its way into your mind like a corkscrew. Many people will find music as challenging as this to be something that needs to be avoided at all costs, yet I find myself being drawn to it like a moth to a blowtorch. This is all about upsetting the considered norms and taking the music when it needs to go, like a living breathing snake that is shifting its coils as it tries to decide whether to bite you and put you out of your misery quickly, or to constrict you until all breath leaves the body.

Jazz and RIO are combining to create something very special indeed, and musical explorers should seek this out.

 The Good Egg by LED BIB album cover Live, 2014
4.00 | 1 ratings

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The Good Egg
Led Bib RIO/Avant-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

— First review of this album —
4 stars

Drummer Mark Holub founded Led Bib in 2003 for his MA project at Middlesex University in North London, and the band made its auspicious debut on Feb. 24, 2004 (which happens to be Holub's birthday). Various players cycled through the band that first year, but by December the quintet's current line-up had solidified. Joining the Holub is bassist Liran Donin, keyboardist/pianist Toby McLaren and the potent alto sax tandem of Pete Grogran and Chris Williams. The unique instrumentation "makes us think differently about how the music's structured," Holub says. "You don't want to have two alto solos on every tune. We're more about group improvising, and developing tunes with sections that may or may not open up."

Musically, Led Bib sound quite unlike any other jazz band I have ever come across, with the rhythm section concentrating on one musical area, the twin sax something quite different, and Toby trying to keep it all together. His role is quite different to the normal keyboard player, as it feels that he more of the gel that keeps everything in place while the mayhem goes on around him, although he also joins in as well. This four-track thirty-three-minute-long album captures the band in their home environment, namely live in front of an audience where they can experiment and build from each other. Exciting and vibrant this 2014 album certainly won't be to everyone's tastes, but if you enjoy your jazz to be improvisational, avant-garde and progressing, then this could well be for you.

 Jean Louis by JEAN LOUIS album cover Studio Album, 2008
4.23 | 76 ratings

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Jean Louis
Jean Louis RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

5 stars JEAN LOUIS is a rather unique freeform avant-garde jazz meets avant-prog type of power trio from Paris, France. So original is their sound that they managed to come in second in the La Defense National Jazz Competition in 2007. Their self-titled debut release came out the year following and displays all their interesting fusion styles with a healthy diverse palette of eclectic influences. The band is a mere trio with Aymeric Avice on trumpet, Joachim Forent on double bass and Fracesco Pastacaldi on drums but like any excellent power triumvirate of sound, have the ability to encapsulate a much larger band experience with a huge swath of styles and eclecticism that makes this eponymous debut quite an intriguing listen. While no guitarist on board, Forent manages to make his bass sound as fuzzed-out as a peach orchard often reminding me of bands like Zu or Aluk Todolo in the process.

The rhythms are quite the strange mix of avant-garde jazz with Avice's angular trumpet playing style and avant-prog type of rhythmic or should i say anti-rhythmic spastic meanderings. So think a mixture of 60s Sun Ra with a Miles Davis flare mixed with Thinking Plague and a noisy math rock band like Lightning Bolt and you've got half the picture! This band doesn't stay still too long and after an intense hardcore workout they delve into extremely psychedelic meltdowns. Just check out the mind bending freakiness on "Airbus." In addition to the instruments listed i swear there are other sounds to be found on here. My guess is that they use different percussive objects as there are lots of clanking and banging sounds. There is also a distinct cello sound on "Tranche" which means there must have been some studio guests participating.

This album is a major wild ride that has taken me forever to find on physical format as the CD is out of print and quite expensive but can be heard on the band's Bandcamp site. This is one that must be experienced to be believed. The dynamic shifts from the passively surreal to the full out aggressive assaults on the eardrums is staggering as each member deftly weaves his respective instrumental riffs in a perfect complimentary way. This album has it all. Intricate melodies, scary storms of cacophonous walls of din, distinct jazz parts, avant-prog run amok and progressive workouts of exquisite virtuosity. The members of JEAN LOUIS are clearly aiming for the most ambitious of the ambitious music nerds out there of which i am one of! This is one of those relentless type of albums that just slaps you in the face with one surprise after another therefore I LOVE IT!!!

 ZePTO by NEBELNEST album cover Studio Album, 2006
3.81 | 40 ratings

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ZePTO
NeBeLNeST RIO/Avant-Prog

Review by Progfan97402

4 stars This was the third album by this French band, released in 2006. It's now 2017 and they became one of those "Whatever happened to them" kind of bands. It seems their website was last updated in 2008, although still running. It sounds like when they were recording Zepto, they were having trouble with keeping guitarists. They started with Cyril Malderez, who was the original guitar and played entirely on their previous releases, and then there were Sebastien Carmona and Vincent Boukera. With a four year gap between albums, there surprisingly little change, despite the guitarists. Olivier Tejedor does appear to have larger reign on his keyboards, other than that, it's the same twisted King Crimson, Magma, and Anekdoten type of RIO. Parts of this are a bit even more "out there", but much of it is the same tried and true formula. If you like what they did on previous CDs, there should be no reason to enjoy this one. On the other hand they probably realize they may end up hitting a brick wall, and probably the reason we hadn't heard from them since. Still, this is a great album if you enjoyed their other, but like RIO in general, it's not for everyone.
 A Token Of His Extreme by ZAPPA, FRANK album cover DVD/Video, 2013
4.12 | 14 ratings

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A Token Of His Extreme
Frank Zappa RIO/Avant-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars Frank was proud to say that he made this TV performance with his own money and added that it's the best DVD that has been made! You can't be more humble than this! This is a 1974 performance with the Mothers of Invention that was refused by American TV for obvious reason but was accepted by the more open French and Switzerland TV. It's only 73 minutes of great music and funny stuff with some strange animations that can only come from the mind of Frank or maybe a band like Tool... The song "Room Suite" is an improvisation between Frank and his partner Napoleon Murphy Brock about someone who orders something to eat in his hotel. It's just cool to see Frank laugh many times during this. As usual with Frank's music, the percussion side is always amazing with Ruth Underwood. Being filmed in the 70's this video is not comparable to today's standards but who watch this for the picture? Don't miss the great interview and performance on the Mike Douglas Show who Frank talk about the music artists he listens.
 Jackson by KOREKYOJIN album cover Studio Album, 2006
4.62 | 27 ratings

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Jackson
Korekyojin RIO/Avant-Prog

Review by Norbert

5 stars Jackson is the third full length studio album by Japanese progressive/avantgarde band Korekyojinn. This is a power trio featuring Kido Natsuki on the guitars, Yoshida Tatsuya on the drums and Nasuno Mitsuru on the bass. I consider myself a fan of some other projects of Yoshida and Kido (Koenjihyakkei and Bondage Fruit respectively), but I have heard nothing featuring Nasuno before this particular album. Korekyojinn means in Japanese "This Giant", this may refer on the classic bands This Heat and Gentle Giant. The disc that lies behind an artwork which takes us to the Easter Island is somewhat connected to This Heat, it is quite raw, mostly frantic, almost a progressie punk, progressive garage rock effort, but the King Crimson and Yes influences (mainly Relayer era) are easily detectable , influences by Gentle Giant are not really present. This is an instrumental power trio, and the 9 tracks of the 53 minutes long album certainly have some power. A good mixture of a menacing and a playful sound, the production is very natural, like the band would play at your room. The musicianship is exceptional, all three musicans do a terrific job, and it is really a well-balanced album, no instrument is way too dominant over the other two. Of course solos are mosty played by Kido, but he is he guiarists, that is hardly surprising. Time flies when I put on Jackson, I really enjoy all 9 tracks, there is a healthy dose of accesibility on this album, it is great fun to to listen, but you need certainly more time to fully understand the music offered by this fabulous trio. An instrumental power trio can't get much better than Jackson, in my book it is a timeless masterpiece.
 Signal 9 by MIRIODOR album cover Studio Album, 2017
4.07 | 8 ratings

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Signal 9
Miriodor RIO/Avant-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars So the Canadians are back with their ninth studio album, and a slight change in line-up as they move back to a quartet, but as all of the guys play multiple instruments anyway there isn't a noticeable difference in that area. As with the excellent 'Cobra Fakir', the first word that springs to mind is 'staccato', as this is music that is rapidly moving around and for the most part doesn't have time for long held-down chords but just wants to get on with it. Coming from a RIO/Avant background, they have been listening to some of the early Canterbury bands as well as to King Crimson and Art Zoyd to create something that is always interesting and complex, and just a little different to much that is available within the prog scene, let alone mainstream.

It is the type of album that will polarise opinions, as those who like it will enjoy it a great deal, while others will fall into the 'what on earth are you listening to' camp, and won't give this album the time it both needs and deserves to get the most out of it. This is complex, with lots of melodies and counter-melodies, with Bernard Falaise often crunching the guitar against myriad keyboard sounds, but that can all change in an instant. It is music that does demand respect and attention, and those prepared to do just that will get a great deal out of this, as it is incredibly rewarding.

 The Torture Never Stops by ZAPPA, FRANK album cover DVD/Video, 2008
4.22 | 18 ratings

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The Torture Never Stops
Frank Zappa RIO/Avant-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars There's only one Frank Zappa and only one that can do this kind of music! This concert made in Halloween presents the late 70's and early 80's music of Frank with many songs that could have been even shorter if they did not include the usual Frank guitar solo. My mind is drifting away when I hear his guitar solo. I prefer to see him conduct his musicians and hear the funny lyrics and music when it's going in his unpredictable direction. The songs are flowing smoothly into each other so that you can see the show as one long song. It is impossible to enjoy everything the man has done in his career because he has played too many styles with the Mothers of Invention or with his synclavier albums, but everyone can see how original was his music and the man who have always stick with his views on many subjects with satire and cynism. This DVD is a great place to start for someone who can be disturbed by the experimental nature of some others videos he has done. This one shows you how the musicians are perfectly synchronized to play this complex music the Zappa way. I just imagine how much more albums he would have done if he was still alive...
 Kore Wa! by TR-OND AND THE SUBURBAN SAVAGES album cover Studio Album, 2017
4.00 | 1 ratings

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Kore Wa!
tr-Ond and the Suburban Savages RIO/Avant-Prog

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

— First review of this album —
4 stars Quite comfortable.

"Kore Wa!" is the second album of SUBURBAN SAVAGES that has been recorded / produced for seven years and finally released in mid 2017. Actually I've mysteriously got impressed at the sleeve and the title of their newest album (a Japanese phrase "Kore Wa!" means "this is!" in English), and currently I appreciate stumbling upon their fantastic stuff and themselves. Not only the exterior but also the musical contents have completely knocked me out. I have assumed they would feel familiar with Japan and Japanese culture, and made sure of this via their soundscape seasoned with Japanese (or related) folksy melody lines. Well understood why seven or more years were needed for creating material for "Kore Wa!". Via this stuff we can hear a variety of melodic appearances they might possess in their inner space.

It's crazy amazing that avantgarde complexity and pop, catchy intensity come one after another like a merry go round. Such a well- matured, melodically-balanced movement cannot easily be heard even in progressive rock scene or something. The opening starshine "Fade Into Obscurity" lets us know enough (and their fragile chorus is fantastic too). In "As I Am Dying" deep, heavy, and mysterious anxiety will pop up and hide out under the complicated cloudy sky. The titled track might be sung in (especially old-fashioned) Japanese language but I cannot understand their "words" but unique and challenging sense.This song (with "hoy hoy hoy!") could not remind me of Japanese kabuki nor kyogen lol, but we can find their strong motivation to adopt every element all over the world and digest enough for the sound launcher rich in their originality.

Eventually I've got immersed in this creation not because I'm a Japanese but I'm fascinated by sound innovation. Woohoo.

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.43 | 16 ratings

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Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by 302

3 stars Actually 3,5.

The best part of the EP is the contrast that is created between instruments especially in songs "Psalm 6" and "Prophet". Musicianship is excellent. I warmly recommend this album to those who like surprises and complexity in the music.

Album reminds me about the book The Hero with a Thousand Faces (1949) by Joseph Campbell, which tells universal story of the hero's travels.

EP starts with song "Psalm 6" a quite nice and rythmic start with bass and drums, then the trumpets set in. Trumpet seems to play totally different song. Nice contrast. After the start it almost turns to church music with organs. It reminded me what it was to sit in the church and listen psalms. Then the music flows quite melodically with fluit, keyboard and guitars leading the music to the end.

Second song "Trattamento 2" is melodic keyboard driven peace.

Third song "Prophet" starts again with keyboards quite serenely but when bass comes along it starts to feel more threteaning, again contrast between different instruments is quite apparent. And towards end the whole song seems to get quite disturbed. You can easily create a story in your head about the travels of a prophet.

Fourth song "Denial of access". Once more the instruments are playing different songs creating interesting tensions inside the piece.

Fifth song "Passing over". The music gets more light and cheerful here. Keyboards are leading the music forward. I find the bass playing in the background nice.

Sixth song "Trattamento 3" ends the EP. This is again keyboard leaded music.

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RIO/Avant-Prog bands/artists list

Bands/Artists Country
1870 (MIL OCHOCIENTOS SETENTA) Mexico
3 MICE Multi-National
5UU'S United States
THE A BAND United Kingdom
A-MUSIK Japan
A.P.A.T.T. United Kingdom
ABSOLUTE ZERO United States
AFENGINN Denmark
AFTER DINNER Japan
AFUCHE United States
AHLEUCHATISTAS United States
AHVAK Israel
AKINETËN RETARD Chile
AKSAK MABOUL Belgium
ALAMAAILMAN VASARAT Finland
ALBOTH! Switzerland
ALEX'S HAND United States
ALFIE RYNER France
ALTERED STATES Japan
AMOEBIC EMSEMBLE United States
ANATROFOBIA Italy
ANDREW MOORE'S CHAMBER WORKS United States
APPENDIX Slovakia
ARANIS Belgium
ARBETE OCH FRITID Sweden
THE ARCHESTRA Belarus
ARKTIS/AIR Austria
ARMON KUILU Finland
ART BEARS United Kingdom
ART FLEURY Italy
ART MOULU France
ART ZOYD France
THE ARTAUD BEATS United Kingdom
ARTERIA Mexico
ATHANOR France
ATOMIC APE United States
BABLICON United States
BANDA EL┴STICA Mexico
ARRIGO BARNAB╔ Brazil
BARNACLED United States
BARRICADE France
LES BATTERIES France
BBP UNDERGROUND ORCHESTRA Czech Republic
BEGNAGRAD Yugoslavia
BOB BELL Canada
BEN LEVIN GROUP United States
BIG BLOCK 454 United Kingdom
BIG FARM United States
BIRDSONGS OF THE MESOZOIC United States
BISE DE BUSE France
IVA BITTOV┴ Czech Republic
BLACK ENGINE Italy
MICHEL BLANC France
BLAST Netherlands
BLITURI Canada
THE BLITZOIDS United States
BONE Multi-National
THE BOOK OF KNOTS United States
BOREDOMS Japan
BOSNNIA Argentina
BOX Multi-National
FRANăOIS BREANT France
MARKO BRECELJ Yugoslavia
BREZNEV FUN CLUB Italy
BRIAN! United States
BROKEN.HEART.COLLECTOR Austria
HASSE BRUNIUSSON Sweden
BUILD United States
BULDOZER Yugoslavia
BZ BZ UEU Italy
CALOMITO Italy
THE CAMBERWELL NOW United Kingdom
CAPILLARY ACTION United States
CAPTAIN BEEFHEART United States
CARDBOARD AMANDA Multi-National
CARDIACS United Kingdom
CARTEL CARNAGE France
CARTOON United States
CASSIBER Germany
CATERPILLARMEN Iceland
CAZUELA DE CďNDOR Chile
CERBERUS SHOAL United States
CHARMING HOSTESS United States
CHEER-ACCIDENT United States
CH╩NE NOIR France
GUIGOU CHENEVIER France
CHOU PAHROT United Kingdom
CHROMB! France
CICALA-MVTA Japan
THE CLAUDIA QUINTET United States
A CLEAN KITCHEN IS A HAPPY KITCHEN Belgium
COBRA United States
JEAN COHEN-SOLAL France
COMBAT ASTRONOMY Multi-National
COMBO FH Czech Republic
COMMUNIO MUSICA Denmark
LINDSAY COOPER United Kingdom
COSA BRAVA United States
CREEDLE United States
CRO MAGNON Belgium
CTHULHU RISE Ukraine
CUCAMONGA Argentina
CULTO SIN NOMBRE Mexico
CURLEW United States
CUTLER AND FRITH United Kingdom
CHRIS CUTLER United Kingdom
RUBEN D'HERS Venezuela
DAIMON ORCHESTRA Japan
PATRICIA DALLIO France
DANISCO (FOR BEAUTY) France
DATE COURSE PENTAGON ROYAL GARDEN Japan
DEADBURGER Italy
DEBILE MENTHOL Switzerland
DECIBEL Mexico
DEEP SWEDEN Czech Republic
DEMI SEMI QUAVER Japan
DANIEL DENIS Belgium
THE DESERTS OF TRAUN United States
DEUS NUVEM Brazil
DIE ANARCHISTISCHE ABENDUNTERHALTUNG Belgium
DIE KNODEL Austria
DISCUS Indonesia
DOCTOR NERVE United States
BOB DRAKE United States
TOBY DRIVER United States
THE DRX United States
PASCAL DUFFARD France
DUMB WAITER United States
DUNAJ Czech Republic
TREVOR DUNN United States
DURE-M╚RE France
DUREFORSOG Denmark
THE DUSTMAN DILEMMA France
EARDANCE United States
EBU GOGO United States
ELECTRIC MASADA United States
RICH WOODSON'S ELLIPSIS United States
ENCORE + GRANDE Multi-National
ENSEMBLE HAVADI└ Italy
ENSEMBLE NIMBUS Sweden
L' ENSEMBLE RAY╔ Switzerland
ENSEMBLE SUPERMUSIQUE Canada
EPN TRIO Argentina
EREHIA Mexico
ERTH Costa Rica
ESKALATION Germany
ESKIMO United States
ESTRADASPHERE United States
ETRON FOU LELOUBLAN France
EX-GIRL Japan
EX-P Italy
EXTRA LIFE United States
FACEMEAT Australia
FACTOR BURZACO Argentina
PAVEL FAJT Czech Republic
BERNARD FALAISE Canada
FAMILHA ART┌S France
FANTOMAS United States
FAR CORNER United States
FAT Canada
FERDINAND RICHARD France
UN FEST═N SAGITAL Chile
FILTHY HABITS ENSEMBLE Spain
FINNEGANS WAKE Belgium
FIRE! Sweden
THE FLYING LUTTENBACHERS United States
FOREVER EINSTEIN United States
FORTRANGT HUSHALLSARBETE Sweden
FOTE / THE TRUTH CLUB United Kingdom
FOTGJENGEREN United States
THE FRACTURED DIMENSION United States
LES FRAGMENTS DE LA NUIT France
FREE SALAMANDER EXHIBIT United States
FRENCH TV United States
FRESH! Japan
FRIENDLY BEARS United States
FRED FRITH United Kingdom
FRANK-WILLIAM FROMY France
FUKKEDUK Belgium
DIAMANDA GALAS United States
GANNETS United Kingdom
GARAMOND Italy
GARGANTUA Poland
GATTO MARTE Italy
PATRICK GAUTHIER France
GEINOH YAMASHIROGUMI Japan
GESTALT ET JIVE Multi-National
GOD OF SHAMISEN United States
GODZIK PINK United States
GOLDBUG United States
GOLDEN AVANT-GARDE Japan
THE GORDON GRDINA TRIO Canada
GORGE TRIO United States
GRAMIGNA Italy
GRAND ULENA United States
LA GRANDE FORMATION Belgium
LES GRANULES Canada
GRAVITSAPA Ukraine
GROUND ZERO Japan
GRUPPO D'ALTERNATIVA Italy
GUAPO United Kingdom
GUARDIAN ALIEN United States
GUNJOGACRAYON Japan
GUTBUCKET United States
GUTURA France
LES HALMAS Switzerland
HAMSTER THEATRE United States
HAPPY 55 Russia
HARDSCORE Belgium
HASIDIC NEW WAVE United States
THE HAT SHOES Multi-National
CHARLES HAYWARD United Kingdom
HELLEBORE France
HELMUT RËBOT Argentina
HEMOPHILIAC United States
HENRY COW United Kingdom
HERBE ROUGE France
HESUS ATTOR Croatia
HI-SPEED Japan
HIKASHU Japan
ZACH HILL United States
TIM HODGKINSON United Kingdom
LARS HOLLMER Sweden
HONEY RIDE ME A GOAT United Kingdom
HORDE CATALYTIQUE POUR LA FIN France
HORRIFIC CHILD France
HOT FUR Israel
HÍYRY-KONE Finland
HUMBLE GRUMBLE Belgium
HUNUNHUM Japan
HYRROKKIN United States
I AM ABOVE ON THE LEFT Russia
LES I France
IDIOT FLESH United States
IMAHORITSUNEOYOSHIDATATSUYA Japan
LA INCRE═BLE FUGA DE TRI┴NGULOS Argentina
INFANTEPHANT United States
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