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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".

POST-ROCK TEAM MEMBERS:

Angelmk (Angel)
Zravkapt (Darryl)
The Truth (Tanner)



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

MATH ROCK TEAM MEMBERS:
Andy Webb
Austin (Horizons)
Tanner (The Truth)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.11 | 418 ratings
ÁGĆTIS BYRJUN
Sigur Rós
4.49 | 20 ratings
CHILDREN OF GOD
Swans
4.13 | 143 ratings
ENTER
Russian Circles
4.09 | 390 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.18 | 39 ratings
RANDOM AVENGER
Magyar Posse
4.02 | 300 ratings
F# A# ∞
Godspeed You! Black Emperor
4.28 | 22 ratings
FOR LONG TOMORROW
Toe.
4.01 | 87 ratings
ONE TIME FOR ALL TIME
65DaysOfStatic
4.42 | 12 ratings
BEAUTIFUL
About Tess
3.98 | 121 ratings
IN A COLD EMBRACE
Battlestations
4.73 | 7 ratings
DREAMS THAT COME A THING (PT I) ...NEVER THOUGHT IT MAY SEEM…
Bosch's With You
4.02 | 65 ratings
CODENAME: DUSTSUCKER
Bark Psychosis
4.35 | 13 ratings
HOW LONELY SITS THE CITY
Ascent Of Everest, The
4.18 | 22 ratings
THE COLLIBRO
Lis Er Stille
4.21 | 19 ratings
SOUNDTRACKS FOR THE BLIND
Swans
3.93 | 296 ratings
( )
Sigur Rós
3.93 | 233 ratings
YANQUI U.X.O.
Godspeed You! Black Emperor
4.04 | 34 ratings
PHANTASIA
Lite
3.92 | 198 ratings
SHADOWS OF THE SUN
Ulver
4.09 | 25 ratings
GOODBYE MELODY MOUNTAIN
Samuel Jackson Five, The

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

JINX
Kammerflimmer Kollektief
I AM YOUR BASTARD WINGS
Eksi Ekso
EMBERS
Up-C Down-C Left-C Right-C ABC + Start
ACTUAL MUSIC QUARTET RSM
Actual Music Quartet RSM

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Latest Post Rock/Math rock Music Reviews


 The Machine by HIBERNAL album cover Studio Album, 2013
3.79 | 86 ratings

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The Machine
Hibernal Post Rock/Math rock

Review by ProgShine
Collaborator Errors & Omissions and Crossover Team

4 stars Wow, wasn't really expecting anything from Hibernal's debut album The Machine (2013). It is so that it took me one year to actually listen to it!

This Australian one-man band (Mark Healy) is something to pay attention to. It's a mix of calm Progressive Rock with edger parts and a bit of Post Rock and Ambient music that tells a very intriguing story based on the short story called Welcome To The Machine by Mark Healy himself.

I always liked this kind of telling stories albums, and that's what The Machine (2013) is, there's no vocals on it really, just a narration of facts and a very interesting music that passes smoothly as we wait for the end of the story.

The tale is about a man working in a company that little by little becomes a machine as he's promoted, a sci-fi tale that, in a way, is not that far away from reality.

After this one I'm really curious about his new album Replacements (2014)!

Totally woeth to check it: hibernal.bandcamp.com/album/the-machine

 Mourning Golden Morning by EF album cover Studio Album, 2010
3.71 | 12 ratings

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Mourning Golden Morning
Ef Post Rock/Math rock

Review by R-A-N-M-A

3 stars In a few places on Mourning Golden Morning, Ef managed to move me almost as much as they did on Give Me Beauty... Or Give Me Death. Escapade #1 and Song of Ghosts, but from there is seemed to fade into nothing but a sea of "greige." A mix of grey and beige, or so I was told by my house painter when I bought my new place. It is apparently a very popular choice in Calgary right now. Suffice it to say, my walls are blue.

For those unawares, Ef isa Swedish band which is as said in Blues Brothers "...both country and western." Which is to say, they do both the big walls of sound and the guitar noodling thing. It's pretty easy to set expectations about them if you know anything about the genre.

I will mind you to note, that the album isn't a total write off after the first two tracks, but it is kind of samey. Freya is a nice mid album break from the prevailing form and Lwa 401 after a little time to gestate does some pretty decent rocking here and there. Fans of the band seem about as ample as any in the post/math genre, and I'm sure they'll like it. If you are already not a fan of the band or the genre I'm sure you'll already know to take a pass.

3 out of five. Good not bad, but nothing special.

 Installation by LITE album cover Studio Album, 2013
3.87 | 6 ratings

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Installation
Lite Post Rock/Math rock

Review by R-A-N-M-A

4 stars In my mind, math/post rock is supposed to be one of, if not the, most inherently complex and creative genre. If there is to be any structure at all in a work, it is supposed to be highly unorthodox. Instead, it seems that certain conventions have taken over. Most bands tend to favour big stringy walls of sound, rapid acoustic guitar plucking sequences and two parts bitter for every one part sweet. Which is fine on it's own. I've been staggered by the beauty of tracks by completely unheard of bands p[laying the formula, but when everyone is doing it begins to lose meaning.

LITE doesn't do any of that.

What they play is very identifiably math rock, but they bring so much more to the table. On Installation they've matured beyond when I last heard them on Phatansia. They've dropped any semblance of the aforementioned conventions and in their place they add influences from hard rock, jazz, electronic, classical, funk and even a bit of a west cost surfer sound. They are weird and subtle where everyone else is grand and obvious and I love it.

I opted for 4 stars rather than five because if this album lacks anything it's a real hook. Something to endear you to the album in an emotionally powerful way. What contains instead, is a collection of creative, quirky and yes, (math-)rocking tracks. Installation is an exciting album from start to finish and LITE is a credit to their genre. This album's appeal goes way beyond the album artwork reminiscent of Princess Mononoke. I highly recommend it to anyone. It's what prog is all about.

The album is very helpfully available on Bandcamp. I only had to listen to two tracks before I moved from curious to whipping out my credit card. If I could recommend any two tracks to you, I'd say you should check out Subaru and Nomad.

 Lift Your Skinny Fists Like Antennas To Heaven by GODSPEED YOU! BLACK EMPEROR album cover Studio Album, 2000
4.09 | 389 ratings

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Lift Your Skinny Fists Like Antennas To Heaven
Godspeed You! Black Emperor Post Rock/Math rock

Review by siLLy puPPy

5 stars GODSPEED YOU! BLACK EMPEROR really went for it on their 2nd full album LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN and made one of the most classic and eclectic post-rock albums ever. Although this double album embraces the post-apocalyptic soundscapes that the previous album and EP so successfully achieved, this album covers a much broader musical spectrum. As usual the band starts out with violins and soft repetitive musical patterns that slowly ratchet their way up the intensity scale. The album is broken up into four long sprawling tracks which are further subdivided into smaller parts but I rarely care about the minutia of song titles when I listen to such strange music like this as I usually think of something different than what was intended anyways. In fact the first track "Storm" doesn't necessarily conjure up meteorological connotations at all but makes me think of a colony of ants marching into a spiraled funnel. The rhythm is so steady and the variations occur at the speed of molasses flowing down a cone. The music starts out in a 3/3 waltz timing and somewhere along the intensity divide changes course into a 4/4 time signature as the tempo slowly gets faster and faster.

This album is amazing in how it combines elements of post-rock with ambient passages, classical chamber rock and plunderphonic sound samplings. Not unlike their other albums, it simply takes all those elements and adds on more. The soft parts are even more lush and ambient, the heavy parts are faster and louder and all seems to have the ability to take you on a limitless parade of sound that only ends arbitrarily for the sake of having to end the album. The melodic progressions are minimal while the subtle variations that ratchet the crescendos remind me more of the minimalist classical music of Terry Riley in how it's composed. The music of GODSPEED is very hard to write about since this is a kind of music that is highly subjective in how it affects the listener at any given moment. As many times as i've listened to this I am always amazed at how little is going on musically and yet how much is going on musically. It always leaves me a little perplexed as to why I like this yet I always end up realizing that I do. As with any successful type of avant-garde music it demands that the listener questions their very definition of what music is and with this release it pushes the boundaries even further. All I can say is that your fists don't have to be skinny to enjoy this one but even though it doesn't sound like anything you would hear in heaven it certainly gives a glimpse into another dimension where heaven might be a bit nearer.

 Ambient Songs by LOWERCASE NOISES album cover Studio Album, 2010
3.00 | 1 ratings

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Ambient Songs
Lowercase Noises Post Rock/Math rock

Review by Finnforest
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars Adrift....

Lowercase Noises is the working vehicle of multi-instrumentalist Andrew Othling, based in New Mexico USA. Andrew is here at PA under the post-rock genre but his work shifts from post-rock to ambient/drone/minimalist to instrumental music. He's an enormously talented fellow and this was his second full length album after the beautiful debut "Seafront."

Othling has grown and blossomed as a musician/composer over the past four years and has stated that he is beginning to view himself more as a composer than a guitarist. While this is exciting news based on the success of his most recent and acclaimed album "This is for our Sins", it is also a bit disappointing to me in a selfish sense. Because Othling is a superb guitarist and there is that side of me that just wants him to forever paint away over his pedals and guitar, improvising and creating the landscapes that first drew me in. But alas, he has moved on to bigger and better things and the new album was fantastic.

"When I started playing guitar, I wanted to be a blues player. At some point I just got tired of so many notes. I became happier with fewer notes. And so it went. Every now and again I get into a conversation where people seem to be trying to convince me to play more like I used to. And I always have a hard time explaining that yes, I do still enjoy playing like that to a degree, but my heart is in those slow, heartfelt melodies and those parts that you wouldn't know how much they added until they weren't there. Ambient music runs a high likelihood of being incredibly boring. A lot of artists seem to run with the slow, repetitive melody a little too far. Yes, it is relatively easy to write a melody like that. The hard part is developing it into something that evolves, gets interesting, and somehow stays simple at the same time. Subtlety is the key really, and subtlety in music is something that's really hard to achieve." -an excerpt from Andrew's blog

"Ambient Songs" remains perhaps the deepest treasure chest for the Lowercase fans who appreciate most the ambient guitarist inside of Othling. This is the goods. Approximately 145 minutes of instrumental guitar music recorded in one take, no edits, no overdubs, nothing but guitar and effects. Wave upon wave of rolling moods and emotions wash over you, slowly, softly, with no distraction. No vocals or other instruments. This is music to pull the shades for, music to relax to, or perhaps music to take on a long walk with your earbuds. Andrew's thoughtful playing is as always to this listener, very moving, a catalyst for my own emotions and thoughts to swirl in as I ponder and let them go. Individual notes and patterns repeat with slight variation as Eno might do on piano, the background shaded with numerous interesting guitar effects. As Othling alludes to in the quote above, evolution is the important component in this kind of music. It's a clear strength of his that he is able to keep things consistently interesting to me, someone who is not a particularly huge fan of this genre. That said, this may not be the best starting point in the Lowercase discog for most people. If you love long, slow, ambient tracks, then yes. But if you want to start with something a bit more active and conventional in terms of album structure, try his latest "This is for our Sins."

I don't believe this album is available on physical formats like some of his others, but you can get a high quality download from his website. Over two hours of pure blissful drift for those who enjoy this solitaire kind of instrumental music.

 Skylights by LOWERCASE NOISES album cover Singles/EPs/Fan Club/Promo, 2012
3.00 | 1 ratings

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Skylights
Lowercase Noises Post Rock/Math rock

Review by Finnforest
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars Faraway places with strange sounding names

Lowercase Noises' single "Skylights" was made to accompany Knate Myers Photography's timelapse video of the same name. The video is an amazing piece of work you should take time to view on YouTube. It consists of 6000 high rez photographs of the night skies taken in the remoteness of New Mexico's VLA. When pieced together the photos appear like a video showing movement. With little light and air pollution at this location the brilliance of the sky is overwhelming. He would often stay up all night long at these locations documenting the skies. The song written as the soundtrack for this short video captures perfectly the images it is there to set off. Othling's guitar leads are slow and dreamy, the beautiful melodic arcs conveying exploration, travel, and a longing to be somewhere else physically. The drumming is simple but effective. Coming and going they lends a bit of a "marching" feel, an adventurous spirit. While the track is available at Lowercase's bandcamp, this is really one you must experience with the video. So search for it at YT or Vimeo and enjoy both images and music. It will only take 5 minutes of your life and you'll never see a more lovely presentation of God's creation. I have returned to the video often to lift my spirits and I hope someday there is a longer collaboration between these two super artists.

 Passage by LOWERCASE NOISES album cover Singles/EPs/Fan Club/Promo, 2012
3.00 | 1 ratings

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Passage
Lowercase Noises Post Rock/Math rock

Review by Finnforest
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars Travels and transitions

Lowercase Noises is the moniker of multi-instrumentalist Andrew Othling who hails from Albuquerque, New Mexico. He has become one of the premier post-rock/ambient/instrumental artists out there, and if you are a fan of these genres who has not yet heard his music, you are missing the boat. Othling seems to prefer to let his music do the talking for him, but has dropped a few hints about his EP "Passage" calling it "an album about transition" and stating that it was about a specific place on planet Earth. Some fans have wagered guesses about where but I'm not sure Othling has confirmed their guesses. It doesn't much matter to me for as usual his music takes me many places far and wide.

"Passage" indeed does seem a transition from the blue moving ambiance of "Migratory Patterns" to the somewhat (but not very) conventional storytelling genius of "This is for our sins" released just this year. You can hear the banjo and cello stepping forward and sharing more time with the guitar, a sound choice that increases on the latest "Sins" album. In fact, similarities in the sound and artwork almost make "Passage" feel like the songwriting warm-up for "This is for our sins." The metaphor of passage or travel is taking place as an album theme but also speaks to Othling's continual growth as an artist. While he once primarily made sound with his guitar and myriad effects, he is now reaching for all sorts of new colors without losing the relaxing flow of his music. Yes, there is banjo on this album but it still is instantly recognizable as Andrew. The album's five songs are all beautiful, relaxing tracks that pull you in and lower your heart rate. You are soon immersed in the weaving of shimmering guitar, light piano, occasional dramatic drums, and moving cello swells. There is such a mixture of joy and melancholy to his songs, an ability to delivery serenity in a way that is interesting rather than sleep inducing.

The album, like several of his offerings, was made available in limited vinyl release with incredible packaging and art. This is a guy who understands the new frontiers and realities of music fandom and he overseas the creation of quite special releases. It may be small fry compared to the distribution models of the past, but for those who discover an artist like this, the rewards for both are huge. The fans get product that is very special, sometimes even hand made, while the artists enjoys a more intimate connection to the fan base.

 Replacements by HIBERNAL album cover Studio Album, 2014
3.80 | 93 ratings

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Replacements
Hibernal Post Rock/Math rock

Review by PlanetRodentia

5 stars "The Replacements" is a wonderful radio drama with prog music accompaniment. I find the story compelling, well-written, evocative, and well-acted. I find the music ranges in style from ambient to exciting and melodic. Given that the music accompanies and drives the story so well and that the story is well-told, I find no fault with it and consider it a masterpiece of its kind. Anyone who likes progressive music and misses old-time radio shows will find this album essential listening.

Story: Ex-con Artimus runs into an obviously synthetic woman whose behavior and beauty beguiles him into a mystery with interesting consequences.

Voice-Acting: Scott Gentle does an excellent job as Artimus: world-weary, lonely, and vulnerable to the strange attraction he feels for Sabel, the synthetic. Faleena Hopkins does an admirable job of navigating the cryptic nature of her character. The other two actors do fine work, as well.

Music: Ambient proggy soundtrack music. Gorgeous guitar solos. This music fleshes out the story to convey moods and landscapes. It works as music but is essential to the story experience.

I find that I cannot listen to this album track-by-track. It must be apprehended in one sitting. I've listened to it many times straight through, and even the dialogue hits its beats in a way that I don't mind hearing the same words and voice-acting over and over again. Scott Gentle's lines, in particular, have a music all their own.

Finally, the story's finish is haunting and provokes contemplation of who we are and who we want to be. I find myself wanting more of this story and those tangential to it. Highly recommended.

 Slow Riot for New Zero Kanada E.P. by GODSPEED YOU! BLACK EMPEROR album cover Singles/EPs/Fan Club/Promo, 1999
4.39 | 148 ratings

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Slow Riot for New Zero Kanada E.P.
Godspeed You! Black Emperor Post Rock/Math rock

Review by siLLy puPPy

5 stars The 2nd release from GODSPEED YOU! BLACK EMPEROR is the SLOW RIOT FOR NEW ZERO KANADA E.P. which continues the crushing bleak apocalyptic atmospheres that shocked the world on their debut. Stylistically this is basically in the same vein but a little more refined and half the length. The packaging is rather confusing as it makes no indication to the name of the band or tracks and the cover is graced only by Hebrew that translates into "formless and empty," a title that brings to mind the post-apocalyptic world of a dead and lifeless landscape.

The first track "Moya" is the shortest of the two and sounds like the bleakest chamber rock of "Heresie" era Univers Zero with additional post-rock accompaniments. It winds and wends throughout the now established slow and organically reached climax that GODSPEED created on the debut before mellowing out and ceding to the longer second track...

" BBF3" is the longer track which is notable for using the lyrics from the song "Virus" by Iron Maiden. The joke seems to be that the guy being interviewed, who is the same one as the debut is named Blaise Bailey Finnegan III and thus the lyrics of "Virus" were from the lineup with Blaze Bayley as vocalist. A little humor amongst the otherwise humorless music is an unexpected extra here. The music unfolds its sound as the others do with the repetitive riffs giving birth to new sounds slowly emerging to a fully more climatic ending.

Only so much you can say about this type of music. It is all about the spectral experience of the mood set forth by the guitars, bass, drums, cello and violin trying to extract every ounce of melancholy there is to be had. A very well done and enigmatic little EP they have created here and one that rightfully deserves the popularity and praise that it has earned. Clocking in at less than 30 minutes it graciously releases you from its grip so you can put on something more uplifting like possibly the soundtrack to "Schindler's List."

 Blake by LOWERCASE NOISES album cover Studio Album, 2013
3.00 | 1 ratings

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Blake
Lowercase Noises Post Rock/Math rock

Review by Finnforest
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars The third child

"Blake" is the third installment of Andrew Othling's "in utero" series whereby he creates a work of music inspired by, and in honor of, his arriving children. Each is named after the child and features a very personal cover photo like this one. Lowercase Noises is his musical outlet but for the most part it is a one-man show.

Othling has two main styles based on the albums I've heard. The first is more typically post-rock in that there is recognizable structure/format and the emotional soaring/melodies I think of with post-rock, his latest album "This is for our sins" would be an example of that. The second is the ambient, quiet, Eno like album. "Blake falls into this second type of Lowercase experience. Slow, soft, quiet interludes come in wave after wave, putting the listening in a very relaxed state. The songs are built around quiet and contemplative guitar notes/chords delivered one by one and allowed to shimmer, to ripple away.

Behind the shimmering guitar you will hear occasional lilting piano lines and a bit of complimentary cello that works really well. The entire album move in this manner allowing one to really sink into it without distraction, save one sweet moment where the voices of children appear in one song. All of these albums are such beautiful and unique expressions of love from a young father to his future children. As I listen I am thinking about that inspiration and how it is informing the songwriting and my only conclusion is that you are hearing pure love emanating through your speakers. Simple as that. If that all sounds a little too precious for your tastes, don't write it off so quickly. There are no lyrics here so the presentation is really not sentimental or sappy.

"Blake" and all of Lowercase's discog can be streamed at their page. If you love post-rock or ambient instrumental music in the guitar realm, you'd be wise to check it out.

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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A. ARMADA United States
ABOUT TESS Japan
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR Ireland
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BEWARE OF SAFETY United States
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARTA United States
CASPIAN United States
CAUDAL Germany
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
ELLIS THE VACUUMCHILD Sweden
EMPHASIS Croatia
EN PLEIN AIR Italy
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