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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

POST/MATH ROCK TEAM MEMBERS:
Angelmk (Angel)
Zravkapt (Darryl)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.53 | 32 ratings
FOR LONG TOMORROW
Toe.
4.41 | 50 ratings
CHILDREN OF GOD
Swans
4.52 | 26 ratings
SINES
Jakob
4.28 | 52 ratings
RANDOM AVENGER
Magyar Posse
4.34 | 35 ratings
THE COLLIBRO
Lis Er Stille
4.13 | 476 ratings
ÁGÆTIS BYRJUN
Sigur Rós
4.17 | 123 ratings
THE SEER
Swans
4.12 | 451 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.15 | 164 ratings
ENTER
Russian Circles
4.20 | 55 ratings
THE EXTENT OF DAMAGE
Battlestations
4.36 | 23 ratings
THE LAST DAWN
Mono
4.44 | 17 ratings
KING NINE
Blueneck
4.07 | 345 ratings
F# A# ∞
Godspeed You! Black Emperor
4.33 | 23 ratings
BEAUTIFUL
About Tess
4.63 | 11 ratings
DREAMS THAT COME A THING (PT I) ...NEVER THOUGHT IT MAY SEEM…
Bosch's With You
4.22 | 36 ratings
PHANTASIA
Lite
4.08 | 109 ratings
ULVER WITH TROMSØ CHAMBER ORCHESTRA: MESSE I.X - VI.X
Ulver
4.07 | 119 ratings
IN A COLD EMBRACE
Battlestations
4.14 | 48 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.10 | 71 ratings
CODENAME: DUSTSUCKER
Bark Psychosis

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

EMBERS
Up-C Down-C Left-C Right-C ABC + Start
JINX
Kammerflimmer Kollektief
REVERIE
Daturah
I AM YOUR BASTARD WINGS
Eksi Ekso

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Latest Post Rock/Math rock Music Reviews


 The 5 EPs by DISCO INFERNO album cover Boxset/Compilation, 2011
5.00 | 1 ratings

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The 5 EPs
Disco Inferno Post Rock/Math rock

Review by LearsFool
Collaborator Post/Math Rock Team

— First review of this album —
5 stars First of all: I don't even know how to start this review. I could say that Disco Inferno is one of the best bands you never heard of, or how post rock doesn't even begin to describe them, or how they're the best plunderphonics group ever without even focusing on being a plunderphonics group, or "Flipping faders, Batman! These three Brits covered so much ground and always sounded so beautiful and perfect!", or mentioning how this goes above and beyond the great experimental EPs and killer collections thereof in the '90's... or I could string all that together into one long run on of gush for these demigods.

Released over three years in original format, and first collected by an enterprising internet bootlegger in '99, these fifteen cuts touch a mind boggling myriad of genres and styles and master each and every one as they are subsumed into a eudaimonic whole. I'll just list: post rock, post punk, plunderphonics, electronics, britpop, noise pop, noise rock, acoustica, ambient, IDM, concrete. It was always ethereal, always experimental, always flawless. Nature and urban samples and electronic washes both surrounded and acted as the foundation for the band's exercises in genre busting, with tracks variously spacing out, chugging along like an '80's post punk band on Talk Talk, forming a pop song, or, by the end, just losing themselves in the set dressing. Ian Crause could gently and forlornly speak through the sheets of sound, or sing along when the song called for it. And on top of all that, "The Atheist's Burden" uses the electronics for rhythm, and "It's A Kid's World" drives on the back of pounding drums plundered from you'll-know-where.

This really is something else, with no words for it. Outclassing all comers, both from the genres they took from and from fellow EP wielding experimentalists like The Beta Band and Brainiac, this stands as Disco Inferno's completed magnum opus. And thank goodness that this collection eventually got an official release.

 Random Avenger by MAGYAR POSSE album cover Studio Album, 2006
4.28 | 52 ratings

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Random Avenger
Magyar Posse Post Rock/Math rock

Review by Mellotron Storm
Prog Reviewer

4 stars MAGYAR POSSE are a Post-Rock band from Finland and this their third studio album(and last so far) released in 2006. "Random Avenger" is one of the highest rated Post-Rock albums on the site here and if this is their last album they certainly went out on top. They are a six piece band with the two guitarists who also playing bass while we also get two keyboardist, a drummer and a violinist. Two guests help out with cello and female vocal melodies respectively.

"Whirlpool Of Terror And Tension" has a brief eerie soundscape before pulsating sounds kick in then the guitar comes in over top a minute in. Some vocal melodies too. I really like the sound of this. Violin at 3 1/2 minutes then the vocals become more of the focus after 4 minutes. "Sudden Death" opens with keys and a beat before it builds with electronics and more. Love the atmosphere after 2 minutes. It calms right down at 3 1/2 minutes then the violin joins in as it stays relaxed. It's so uplifting 5 1/2 minutes in before it kicks back in at 8 minutes. This is both beautiful and uplifting. "Black Procession" has sparse keys and atmosphere before some mournful cello joins in.

"European Lover/ Random Avenger" builds slowly until it's fuller at 1 1/2 minutes. Violin before 2 minutes. This is good. At 4 1/2 minutes I'm thinking it's going to break out but then they pull it back before kicking some ass after 5 minutes. A calm follows as it slowly builds but it doesn't really kick back in until after 10 minutes with some ripping guitar. The final minute is mellow. "Intercontinental Hustle" has this bright guitar intro but it turns full quickly with pulsating keys and more. Great sound to this one and the violin is incredible here. An all out blitz before 6 1/2 minutes but then it settles right down after 7 minutes. "One By One" has picked guitar to start. Nice. Some vocal melodies come and go as it blends into "Popzag". Pulsating organ arrives quickly followed by vocal melodies. Violin around 3 minutes in this uptempo closer.

I'm not as thrilled with this as most seem to be but yes this is a very strong Post-Rock album that I'm happy to own. A solid 4 stars.

 The Future Symphony by LOSS OF A CHILD album cover Studio Album, 2003
2.82 | 5 ratings

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The Future Symphony
Loss Of A Child Post Rock/Math rock

Review by skillna den

2 stars i think this was the most worthless [&*!#] i've ever heard in my entire life. and what i read above in two other reviews look like a copy of my own description for my music which delivers what the words promise, if you wanna get expectations, as i did here. loss of a child sounded like a tired and messy/lazy musicians performing something really useless from some sad idiot must have written, but it sounded like quality instruments were used so there must have been a will to achieve great results, which in reality only can be done if the instrument is handled with great skill and feeling. it was not the case with this album the little time i could even handle listen to it, i knew after pretty few seconds that it was all meaningless bullcrap so who are those two guys above that praised this nebulous music in a way i would describe my own music if i was free to feel proud and loud about it. listen to my album instead if you want something more like what those two reviews above talk about. search for Skillna Den on spotify.
 Brahim Izdag by SPARKLE IN GREY album cover Studio Album, 2016
3.49 | 3 ratings

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Brahim Izdag
Sparkle In Grey Post Rock/Math rock

Review by philippe
Special Collaborator Honorary Collaborator

4 stars A few years after the excellent and tremendously innovative "Thursday Evening" and "mexico" the Italian post-rockin chamber collective is back with a new release, once more published in cooperation between different independent labels, including Old Bicycle and Grey Sparkle (Matteo Uggeri's own label), based in Italy. The eclectic, energetic and poetically charged apsects of the music is still here and vibrant. However the musical syncretism seems to be brought up a step further with a load of unexpected musical styles and influences, even with some funkadelic and groovy touches. The general mood is dreamlike, with hints of humor-esque extravagence, blissful atmospheres enriched by heavy guitar tricks, plaintive violin lines and various electronic manipulations. Definitely a modern ambodiement of crossover prog, a bridge between the krautrockin' universe of Can, Neu!, La Düsseldorf, openely post-rockin orchestrations and ambient folk expression (especially in the middle section of the album). "Brahim Izdag" is a challenging and dynamic album that will seduce fans of contemporary adventurous music of any kind.
 Brahim Izdag by SPARKLE IN GREY album cover Studio Album, 2016
3.49 | 3 ratings

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Brahim Izdag
Sparkle In Grey Post Rock/Math rock

Review by admireArt
Collaborator PSIKE Team

3 stars Again, as always, with Sparkle in Grey's releases this is not Progressive Electronic as such (the same way The Clash, Joe Strummer, Mano Negra or Manu Chao are not Prog, but in a subtle way these band's/musician's stylings are closer in spirit to this release's aural environments), therefore maybe Eclectic Prog and Crossover Prog or both, but not P.E.

That established, let me move on with the review.

Sparkle in Greys, 2016, "Brahim Izdag" is in my S.i.G. collection, probably, its weakest link. No matter how hard I have tried to let myself go, this album lacks the depth, punch and magnetism of their previous works. Of course their experimental side is still there, their provocative lyrical and conceptual focus as always, their flawless and simple beauty when encountered and the musical talent to do so and the refinement to translate their close influences in this album. But still something is missing.

In some sense this release's groundbreaking, creative highlights have already been presented in other of their albums (of course in different forms) and in those, these were part of more deserving showcases.

To cut it short, Sparkle in Grey's less fortunate effort, would be the envy of 1000s of famous or infamous Prog/Rock bands or artists, but not enough for their self marked level of excellence and above all if you are going to be inspired to travel those first mentioned musician's roads, well, you really have to break a leg (or both), those guys, in their own field, were and are the top of the tops.

***3 PA stars.

-(This review was written before PA changed Sparkle in Grey from Progressive Electronic to Post Rock/Math Rock.)

 Love of Life by SWANS album cover Studio Album, 1992
3.72 | 20 ratings

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Love of Life
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars This one is something of a sequel to White Light From the Mouth of Infinity, and its packaging and reissue history is a big clue to that; the two albums went out of print for a long while until they got reissued on a compilation with each other and a bunch of bonus tracks from the same era recently, and the cover art shows the bunny from the cover of White Light coming to a bad end.

Musically, the group continue their bid to combine commercially viable gothic rock with their particular brand of post- punk miserablism, but they get a little more experimental with it, with results which are a bit mixed but end up being interesting to listen to (even if the bid for commercial viability seems to have collapsed). Even when they start threatening to get into, say, something resembling the more conventional Melvins songs or perhaps something the Pixies might have picked up on, they end up falling back into their old weirder ways, with some tracks resurrecting the stark industrial noisy doom sound of their early releases at disconcerting moments. Worth a dabble, but kind of falls between two stools.

 Kveldssanger by ULVER album cover Studio Album, 1995
3.58 | 85 ratings

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Kveldssanger
Ulver Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars ULVER (Norwegian for "Wolves") showed themselves to be a restless pack quickly wandering into completely new territory, raising their legs, marking it and making it their own. This nomadic seeker of new sounds were already changing things up on their second album KVELDSSANGER ("Twilight Songs") by completely dropping the black metal aspects on their debut album and went full on dark Nowegian folk with emphasis on acoustic guitar, choral chanting accompanied by flutes, cello and occasional percussion. Technically the second part of the "Black Metal Trilogie," someone forgot to tell them that the metal parts apparently didn't make it into the final mix. While the folk music on this album was part of the debut, the absence of metal gives it a much mellower and laid back feel almost feeling like this could be some revivalist Renaissance music of sort.

Vocalist and founder Kristoffer Rygg admits this was an attempt to create a full-on classical piece and wasn't satisfied with the outcome but for what technical prowess this album doesn't exhibit, it more than makes up for it in atmospheric and meditative passages that find the vocal styles in perfect harmony with the classical acoustic guitar riffs and accompanying instruments. In fact, it sounds as if it was created by monks in a far away monastery evoking the sacred sounds of an era long passed with only the subtle orchestrations giving it away that it is a product of the modern era.

While the distortion of metal is nowhere to be found here, this classical imbued folk music still resinates on the darker side of things as if it is indeed the soundtrack for a pack of hungry wolves undercover of the night stalking their next victims deep in the forest under the full moon in the frigid Scandinavian winter. ULVER would once again enter black metal territory to finish out the trilogy but it should have been an obvious prognostication that this band had a hard time settling in one musical genre when after all didn't even put the black metal in the middle chapter of the "Black Metal Trilogie."

 White Light From the Mouth of Infinity by SWANS album cover Studio Album, 1991
4.07 | 37 ratings

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White Light From the Mouth of Infinity
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars On this release Swans go full, 100%, "tracks from this album were recommended as background music in a Vampire: the Masquerade book" goth, to the point where Michael Gira's vocal delivery adopts that particular stentorian tone reminiscent of goth vocalists trying really hard to imitate Andrew Eldritch.

This would be seen as a risible and mercifully brief phase in their existence between their shockingly raw early post- punk material that preceded this and their exceptional post-rock material that came after, were it not for one thing: they're amazingly good at this stuff. Perhaps Nick Cave and the Bad Seeds could have stood toe to toe with Swans in the post-punk/goth stakes at this point in time, but precious few others could.

 Summerth by GO RUN DONKEY HOT! album cover Studio Album, 2015
4.05 | 3 ratings

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Summerth
Go Run Donkey Hot! Post Rock/Math rock

Review by zravkapt
Special Collaborator Post/Math Rock Team

4 stars Go Run Donkey Hot! is a newly formed instrumental four piece from Croatia. Influenced by local bands they create a music that sounds like a happier Godspeed You Black Emperor. The use of trumpet reminds me of another Canadian band, Do Make Say Think. This is their debut album and while it clearly is in modern mid-paced post-rock territory they at least attempt to make a sound for themselves. "Intros" is a nice, easy-going intro that is drumless until the very end where it segues into "Jutros." One of the highlights of the album, it starts out slow tempoed and mellow with a nice trumpet melody. Eventually the guitar gets more nasty sounding and they start to build a slow crescendo. The guitar almost solos at one point. Followed by the bass almost soloing.

At this point the almost crescendo is dying down. Near the end the tempo picks up while the trumpet playing gets more interesting. "Pegasus Pig" is much more of a build-a-crescendo type of post-rock. Again, the trumpet adds a whole lot here. "Fen" takes awhile to get along but settles into a nice mid-paced groove. "Queer Coin" makes a change around one minute in. A few changes in volume and tempo in fact. This is certainly the most dynamic track on the album. Overall the heaviest and fastest as well. Last track "Kafkaz" is very slow going until building a crescendo later on.

Overall a decent debut album. I believe you can get the CD or download from the group's Bandcamp. If you like a lot of the more mid-paced, crescendo building post bands but also want a little more variation, Go Run Donkey Hot! may be for you. I'll give this a 3.5 rounded up to 4 stars.

 Silent Earthling by THREE TRAPPED TIGERS album cover Studio Album, 2016
4.04 | 6 ratings

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Silent Earthling
Three Trapped Tigers Post Rock/Math rock

Review by zravkapt
Special Collaborator Post/Math Rock Team

4 stars "TTT is at the cutting edge of contemporary music. Watch your fingers!" - Brian Eno. That was on the sticker to my copy of this album. I had no idea Eno was even aware of this UK trio. This is their second album and an improvement over the debut. They are one of the bands who can be classified both as 'post-rock' and 'math rock'. The debut was more 'math' but this one is more 'post'. With the exception of a tiny bit of wordless vocals, these guys are instrumental. They play a form of electronic rock which contains elements of post, math, techno, symph prog and fusion. A little bit of guitar but mostly keyboards; there is a real drunkit but also programmed drumming and/or electronic drums as well. All the basslines are done on synth.

The title track starts the album off with ringing, bell-like sounds. Then some syncopated, almost random sounding drumming. I love the electric piano melodies in this track. The pace picks up and the music sounds like a combination of symph prog and techno before it goes into laid-back 'post-rock' territory. "Strebek" starts out with an almost punk-like riff on synth. That riff becomes more spacey and 'math' sounding. Lots of electronic percussion in this track. "Kraken" rocks hard! Such a menacing riff on synth backed by call-and-response on more synths. Gets into some guitar/synth unison playing while the drumming gets more chaotic and complex.

"Blimp" begins with that kind of tropical island vibe that some post/math bands get into. Hard to describe but the music is very 'happy' and uplifting. Gets more 'math rock' sounding as it goes along. Nice guitar and/or synth soloing. "Engrams" has the official video for the album. Not my fave but it is a highlight. Generally feels like a cross between symph prog and techno. The track morphs and changes, eventually getting to what one could call 'math rock' or 'post-rock'. "Tekkers" is based around an awesome groove but repeated listens reveal a lot of compositional complexity. This also has some of the best melodies on the album. "Hemisphere" is very electronic sounding; even the drumming is programmed or played on electronic drums. Electronic as it is, the music is very melodic and symphonic.

"Rainbow Road" starts out synth-punk, Then gets synth-fusion. The music proceeds to get more varied and dynamic. "Elsewhere" may be the most stereotypical 'prog' sounding track. Lots of percussion here (mainly cymbals but they could be programmed on synth). Great closer to a great album. This is my Album Of The Year so far. Highly recommended to fans of Battles, Tortoise and Zombi. I will give this a 4.5 but round it down to 4 stars. I might think this is a masterpiece in five years but not quite yet.

Data cached

Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR Ireland
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARROWAY France
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
ATTILION Indonesia
AUDREY FALL Latvia
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHON United States
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLESSIDRA Italy
CLEVER GIRL United States
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADFILE Greece
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DEXTRO United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DISPOSITIVOPERILANCIOBLIQUODIUNASFERETTA Italy
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EAT THE SUN United States
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
ECHOES AND SIGNALS Russia
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
ELLIS THE VACUUMCHILD Sweden
ELOHYMN United Kingdom
EMPHASIS Croatia
EMPTY SILOS ECHO WAR United States
EN PLEIN AIR Italy
ENABLERS United States
ENGRAMA ([ENGRAMA]) Multi-National
ENVY Japan
EPIGRAM Canada
EQUUS Switzerland
EROICA United States
ESMERINE Canada
EUPHORIA Japan
EVERSHAM Australia
EVERYTHING IS MADE IN CHINA Russia
THE EVPATORIA REPORT Switzerland
EXHAUST Canada
EXPLOSIONS IN THE SKY United States
FALCONBROOK United States
FARAQUET United States
FAREWELL POETRY France
FATHER FIGURE United States
THE FIERCE & THE DEAD United Kingdom
FLARES Germany
FLIES ARE SPIES FROM HELL United Kingdom
THE FLOWERS OF HELL United Kingdom
FLY PAN AM Canada
FLYING SAUCER ATTACK United Kingdom
FOLLOWED BY GHOSTS United States
FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
FORM OF AN ICE WAVE United States
FORSQUEAK Italy
FOXHOLE United States
FRAGILE China
FRAGMENTS OF AN EMPIRE Austria
FRENCH TEEN IDOL Italy
FRIDGE United Kingdom
FROM MONUMENT TO MASSES United States
FROMABOVEINTHEMOUNTAIN Spain
GANGER United Kingdom
GASTR DEL SOL United States
GASTRIC BAND United Kingdom
GEORGE DORN SCREAMS Poland
GHOSTS AND VODKA United States
GIANTS United States
GIARDINI DI MIRO Italy
GIFTS FROM ENOLA United States
GIRAFFES? GIRAFFES! United States
GLASGOW COMA SCALE Germany
GLASS AMERICA United States
GO RUN DONKEY HOT! Croatia
GOD IS AN ASTRONAUT Ireland
GODSPEED YOU! BLACK EMPEROR Canada
GOONIES NEVER SAY DIE United Kingdom
GRANDE DUKE United Kingdom
GREGOR SAMSA United States
HAIDA United Kingdom
THE HALIFAX PIER United States
HAMMOCK United States
HANGEDUP Canada
HANNIBAL MONTANA United States
HARBORING GHOSTS United States
HAZARDS OF SWIMMING NAKED Australia
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