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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

POST/MATH ROCK TEAM MEMBERS:
Zravkapt (Darryl)
Kelvin (LearsFool)
Audun(The Bearded Bard)
Angelmk (Angel)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.33 | 59 ratings
RANDOM AVENGER
Magyar Posse
4.29 | 67 ratings
CHILDREN OF GOD
Swans
4.33 | 44 ratings
FOR LONG TOMORROW
Toe
4.13 | 492 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.13 | 496 ratings
GTIS BYRJUN
Sigur Rs
4.14 | 173 ratings
ENTER
Russian Circles
4.26 | 40 ratings
THE COLLIBRO
Lis Er Stille (Liserstille)
4.18 | 57 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.07 | 368 ratings
F# A# ∞
Godspeed You! Black Emperor
4.55 | 13 ratings
LUCIFERIAN TOWERS
Godspeed You! Black Emperor
4.58 | 12 ratings
DREAMS THAT COME A THING (PT I) - ...NEVER THOUGHT IT MAY SEEM...
Bosch's With You
4.07 | 228 ratings
SHADOWS OF THE SUN
Ulver
4.09 | 122 ratings
ULVER & TROMS CHAMBER ORCHESTRA: MESSE I.X - VI.X
Ulver
4.31 | 23 ratings
KING NINE
Blueneck
4.24 | 28 ratings
BEAUTIFUL
About Tess
4.17 | 40 ratings
PHANTASIA
Lite
4.11 | 70 ratings
THE EXTENT OF DAMAGE
Battlestations
4.34 | 18 ratings
HOW LONELY SITS THE CITY
Ascent Of Everest, The
4.09 | 79 ratings
CODENAME: DUSTSUCKER
Bark Psychosis
4.07 | 93 ratings
ONE TIME FOR ALL TIME
65DaysOfStatic

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

RECORDING A TAPE THE COLOUR OF THE LIGHT
Bell Orchestre
WIDOW
Day For Airstrikes
I AM YOUR BASTARD WINGS
Eksi Ekso
DATURAH
Daturah

Latest Post Rock/Math rock Music Reviews


 Route One or Die by THREE TRAPPED TIGERS album cover Studio Album, 2011
4.34 | 4 ratings

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Route One or Die
Three Trapped Tigers Post Rock/Math rock

Review by PearOfSalamanca

5 stars Three Trapped Tigers are three guys from London who first got together in 2007, and have released this album and another album, Silent Earthling, which I have not heard yet. But here's the reason why I haven't- this album is a whopper. What other album can you think of that mixes noise rock, post rock, math rock, IDM, and ambient? And to be honest, I am not certain if this album is any of those genres. It sounds like they all had sex, sure, but its offspring is a beautifully mutated beast who resembles all of the species of music I just listed. And this mutant is raucous. Not the sort of raucous that kills people, but the amiable sort of raucous, the sort that makes you want to hum loudly along, like you're listening to a goddamn national anthem that got addicted to caffeine. I highly recommend this album, and remember- this is a trio.
 Asunder, Sweet And Other Distress by GODSPEED YOU! BLACK EMPEROR album cover Studio Album, 2015
3.70 | 85 ratings

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Asunder, Sweet And Other Distress
Godspeed You! Black Emperor Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Asunder, Sweet and Other Distress is a Godspeed album which might trip up even long-time listeners of the band; the opening and closing tracks are masterful post-rock compositions of the standard we have come to expect from the Canadian unit, but the middle two tracks get a certain amount of flak, being as they are wild improvisational jams.

The trick to remember is that this is how the Godspeed live experience works - it's a side to their sound which they haven't gone out of their way to include on their studio albums before, but I think it works as a wild interlude between the two major pieces. The improvisations in question aren't brilliant as standalone pieces, mind - but then again, Godspeed have always put together albums which go best as integral listening experiences in their own right, rather than bits to shuffle into a playlist at random.

 Takk... by SIGUR RS album cover Studio Album, 2005
3.86 | 292 ratings

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Takk...
Sigur Rs Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

4 stars Continuing their dream pop laced post-rock with classically ethereal and spaced out melancholic rock like no other, SIGUR RS released their fourth album TAKK? six years after their breakthrough album "gtis byrjun" caught the world's attention with their bizarre mix of ambient art rock set out in a classically tinged post-rock world that was as alien as their native Icelandic topography. Well, fourth album if you're not counting the 2003 documentary soundtrack "Hlemmur" which was limited to the world of electronica with sounds solely created to accompany the visuals. TAKK? (means 'thanks' in Icelandic and other Scandinavian languages) continued the success following "( )" and hit the number one spot on Iceland's album charts and was another international success story as well. As with previous albums the lyrics appear in the invented language Hopelandic a great deal but TAKK? has many tracks in Icelandic as well, however they come across as angelic gibberish all the same sounding like a more classically infused version of the Cocteau Twins at times.

While stylistically TAKK? doesn't deviate significantly from the established overall sound that SIGUR RS had latched onto on "gtis byrjun" and carried on with "( )," the music has actually become significantly more complex with more extensive uses of time signature changes and complex polyrhythms. And also while previous albums were limited to the four main musicians with four guest musicians appearing on "( )," the band clearly had a larger budget to play with on TAKK? which finds an astonishing sixteen guests providing cellos, violins, violas, trumpets, trombones and additional vocals (even a choir) and percussion. The results of which allow a substantially more lush and full effect sound that allows the many musicians to sound like a complex symphony rather than a more mortal post-rock band from Reykjavk.

TAKK? is yet another tranquil journey into an ethereal sonic journey that incorporates lush ambient passages, placid childlike vocals portraying a possible worldview of innocence and peacefulness along with a sophisticated string and brass section that master the art of note slides and subtle leapfrogging effects. While the music slinks by on simmer for the majority of the album's hour plus run, there are outbursts of climactic rock crescendos that unleash the normally tamped down electric guitars however they don't last long so do not expect the emphasis on TAKK? to be in the rock department. In fact this is much more of an art pop creation that just happens to have rock elements casually strewn about.

In all regards, TAKK? perfectly evolves the band to the next level without sacrificing any of the elements that cast them in a global gaze of admiration however to their credit they took the sound and expanded it in the most logical manner? that being an expansion of the musicians to broaden the sound, a more sophisticated approach in constructing the compositions and utilizing even more catchy pop sensibilities on tinkly piano melodies and polyrhythms. To the untrained ear TAKK? may sound simply like more of the same but for those who have engaged in even a casual classical music appreciation course will be able to pinpoint the differences. TAKK? may not win over any converts who don't have the ear for this most bizarre of sounds but it is certainly a worthy follow-up to a string of exciting albums.

 Luciferian Towers by GODSPEED YOU! BLACK EMPEROR album cover Studio Album, 2017
4.55 | 13 ratings

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Luciferian Towers
Godspeed You! Black Emperor Post Rock/Math rock

Review by loulou24

5 stars I know a lot of people will hate this album. Many will claim that there's no element to the godspeed sound and other will say that they're old, too happy and can't make a great album like lift your skinny fist anymore. LT is no way like lift your skinny fist or F#A# but it 's even so one of the best albums of the year.

It is the first new compositions of the band since 2003 (alleluiah and assunder includes old works before the split up). More happier and shorter stuff is happening and it's great. There is call back themes (bosses hang, fam famine) which never happens in any GY!BE albums. A Morricone-like feel (Anthem for no state) and a happy ending.

I am enjoying to hear futur release from this awesome band that is really progressive.

 Childhood's End - Lost & Found From The Age Of Aquarius by ULVER album cover Studio Album, 2012
3.50 | 65 ratings

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Childhood's End - Lost & Found From The Age Of Aquarius
Ulver Post Rock/Math rock

Review by Warthur
Prog Reviewer

5 stars The "covers album" tends not to get a good rap, but anyone who knows anything about Ulver would know full well that they'd take an off-beat approach to the idea. Here, they take a leaf from David Bowie's Pin-Ups and give a highly individual spin to a brace of 1960s psych and garage rock deep cuts.

Just as Bowie gave his selection a glam rock spin in keeping with his musical approach at the time, here Ulver recast the songs they select into a distinct mode of their own - a mixture of psych-aligned proto-prog and gothic darkness, like what might happen if the Doors and the Cure got to jamming.

As the cover art implies with its incorporation of one of the most iconic and harrowing images of the Vietnam War, this reinterpretation with the aid of hindsight teases out the darker aspects of the flower power era - a time when the sunniest pop to ever grace the airwaves was churned out even as a war that traumatised a generation and made the whole world question the innocence and good intentions of US foreign policy raged.

The end result is a classic example of how a distinct and original artistic statement can be put together even if it doesn't wholly constitute original material - plus the individual interpretations of the songs are some great goth-psych stuff on top.

 Filth by SWANS album cover Studio Album, 1983
3.99 | 38 ratings

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Filth
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars With Jonathan Kane and Roli Mosimann's duelling percussion creating the impression of an angry heroin-addicted trash can stomping down the street intent on mugging you, the Swans' debut album is as pure an expression of their early No Wave sound as you could expect to find. Though subsequent releases like Cop can become introverted and impenetrable, the sound of Filth hooks you instantly with its raw ugliness; far from being indirect or oblique, it comes at you straight and true and confronts you with a hideous musical vision.

Whilst heavier albums in terms of sheer downtuned riffage have emerged over the years, few releases have ever felt so misanthropic and violent. I am fairly sure nobody was bloodily beaten to death during the recording of this album, but if they were I'm not sure it would change the sound appreciably.

 Wars Of The Roses by ULVER album cover Studio Album, 2011
3.82 | 147 ratings

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Wars Of The Roses
Ulver Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars For their Wars of the Roses, Ulver shapeshift once again. It's a bit harder to get a handle on their sound this time around, partly because it's a bit more wide-ranging and experimental, but if you obliged me to have a stab I'd say its their bid at producing melancholic melodic art rock - it's not quite baroque enough to qualify as full-blown prog (or even neo-prog), but it's the sort of thing which wouldn't seem wholly out of place out of an opening act for Marillion or something. The major exception is album closer Stone Angels, a spoken word poem read over an extended ambient musical backing. On balance I'd say that Ulver don't quite have as strong a direction here as they usually do on their projects, which makes it a bit of an oddity in their discography.
 The Extent of Damage by BATTLESTATIONS album cover Studio Album, 2015
4.11 | 70 ratings

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The Extent of Damage
Battlestations Post Rock/Math rock

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Belgium band BATTLESTATIONS first appeared as recording artists back in 2011, and the project was apparently instigated two years prior to that. They are also one of those bands that prefer the names of the people involved to be unknown, presumably due to a philosophy about the music being main point and the creators of it not all that important. "The Extent of Damage" is their third studio production, and was released in 2015.

While I regard this album by Battlestations to be a well made and rather strong production in it's own right, my main impression is also that this is an album with something of a niche audience. This is music that demands patience and immersion for it's qualities to be revealed, as well as a taste for music exploring what one might describe as your inner darkness. For those who find such a description alluring in general, or otherwise know that post-rock of this kind tends to appeal, this is a CD that should be found to be a rewarding experience.

 Magnet by FIERCE & THE DEAD, THE album cover Singles/EPs/Fan Club/Promo, 2015
3.13 | 5 ratings

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Magnet
The Fierce & The Dead Post Rock/Math rock

Review by memowakeman
Special Collaborator Honorary Collaborator

3 stars A very nice EP!

I've been familiar with The Fierce & The Dead for at least five years, since the same Matt Stevens shared both his solo work and his band's music to me. Since then, I've been a regular listener of his projects. This one has been very active playing gigs in different places and releasing new music. In 2015 the EP 'Magnet' saw the light, offering 3 new songs, two songs recorded live from some rehearsals and one re-recorded track which together make 20 worth-listening-minutes of great music.

It starts with 'Magnet in Your Face', short but powerful track for the likes of heavy prog music. It leads to 'Palm Trees' that has a certain post-rock / math-rock feeling on it made mainly by the guitar. Later a sludge-bass appear and make a nice contrast because the mood is actually very nice and friendly, totally enjoyable. But wait, because in the last minute there is a great explosion of heavy rock that make the song even better. Great!

The new version of 'Flint' is also great, I like its first enigmatic passage and how after a minute drums join. The song flows and shares that gentle sound that contrasts with the distorted (sludge-like) bass. 'Part 6 (The Eighth Circuit)' is a beautiful piece that shows a post- rock / ambient tendency that can be either bright or disarming. At half the song drums enter and play an important role, bringing different figures that put dynamism to the song. My favorite song of this EP!

The last two songs are 'Let's start a Cult' and 'Spooky Action', both recorded from live rehearsals, both already released on the band's second studio album. The first one might be my least favorite from this EP but it is nice to listen to this rehearsed version. The second one was a nice choice to close this EP which is overall a pretty good one, so you can enjoy its 20 minutes without any hurry and have a good time.

Enjoy it!

 Vixit by BATTLESTATIONS album cover Studio Album, 2017
4.95 | 3 ratings

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Vixit
Battlestations Post Rock/Math rock

Review by memowakeman
Special Collaborator Honorary Collaborator

5 stars A needed overdose of tranquility and introspection!

Battlestations is a Belgian act that has given me so many precious moments since 2011, when I was lucky enough to be introduced by themselves to their wonderful music. Since then, I've been a huge fan of their style, a style that might be labeled as post/atmospheric/melancholic/experimental-rock, but that has a sound that at least to me, is near to unique.

In this 2017 they have just released a new and beautiful record entitled "Vixit", a 3-song album that has touched me every single time I listened to it. It is impressive how Battlestations manage to create profound music, atmospheres that hit you in your most hidden emotions and that will make you see things in a different way. Sorry If it seems that I am exaggerating a little bit, but Vixit has been with me in these past two months when I needed music the most. The experience while I listen to it is beyond words, very special and moving, so it is like a therapy when I want to see a new dawn in my daily basis.

The first part is the longest of them all. Entitled simply "I", this 24-minute piece seems to have only black and white colors, but while the time pass you will realize it is a colorful theme that creates countless images, it depends on the listener, but man, I sort of have times of introspection while listen to it, and better, I foresee a bright future in my life. When music hits you like this, it means it has succeeded. I love the use of the multi-layered synths and of course, the wonderful addition of the choirs, so in moments it seems to be taking us to a blend of Mediaeval with current technological times. It is impressive that every time I listen to it, the 24 minutes pass naturally and fast, it doesn't happen that often, I mean, with some other music the 15, even 10 minute-tracks can be tedious or difficult to enjoy, but this one flows and produces on me a high feeling of satisfaction. Beautiful and disarming!

"II" is the short song, a 3-minute piece based on piano that produces a melancholic sound in a classical way, surrounded by those atmospheric backgrounds made by synths. It leads to "III", the final track that is another long one, a 14-minute piece that is like the reborn of new hopes, is like witnessing a new life, a brand new day. Ambient music combined with some beautiful orchestrations and electronic sounds that might even remind us of some older musicians/bands such as Brian Eno or Popol Vuh. Be careful because this track might also give you lots of emotions, you will feel at peace but maybe, you will cry before reaching peace. Its depth can be better appreciated with decent headphones but most of all, with an open mind and the will to receive a solid musical concept, a extremely beautiful whole.

Thank you for this music, it has come to my life in the perfect moment. Enjoy it!

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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A SHELTER IN THE DESERT Mexico
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIMING FOR ENRIKE Norway
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
AN ORDINARY VISION Italy
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR United Kingdom
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
THE ANTONI TASHEV PROJECT Bulgaria
APRICOT RAIL Australia
APRIL RAIN Russia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARROWAY France
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
ATTILION Indonesia
AUDREY FALL Latvia
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARLOS DANGER United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHON United States
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLESSIDRA Italy
CLEVER GIRL United States
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADFILE Greece
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DEXTRO United Kingdom
DIANOGAH United States
DICK HUDSON Italy
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DISPOSITIVOPERILANCIOBLIQUODIUNASFERETTA Italy
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EAT THE SUN United States
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
ECHOES AND SIGNALS Russia
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
EL RUPE Portugal
ELLIS THE VACUUMCHILD Sweden
ELOHYMN United Kingdom
EMPHASIS Croatia
EMPTY SILOS ECHO WAR United States
EN PLEIN AIR Italy
ENABLERS United States
ENGRAMA ([ENGRAMA]) Multi-National
ENVY Japan
EPIGRAM Canada
EQUUS Switzerland
EROICA United States
ESMERINE Canada
EUPHORIA Japan
EVERSHAM Australia
EVERYTHING IS MADE IN CHINA Russia
THE EVPATORIA REPORT Switzerland
EXHAUST Canada
EXPLOSIONS IN THE SKY United States
F.A.T. France
FALCONBROOK United States
FARAQUET United States
FAREWELL POETRY France
FATHER FIGURE United States
THE FIERCE & THE DEAD United Kingdom
FINLAND Norway
FJORD Romania
FLARES Germany
FLIES ARE SPIES FROM HELL United Kingdom
THE FLOWERS OF HELL United Kingdom
FLY PAN AM Canada
FLYING SAUCER ATTACK United Kingdom
FOBIA INC Poland
FOLLOWED BY GHOSTS United States
FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
FORM OF AN ICE WAVE United States
FORSQUEAK Italy
FOXHOLE United States
FRAGILE China
FRAGMENTS OF AN EMPIRE Austria
FRENCH TEEN IDOL Italy
FRIDGE United Kingdom
FROM MONUMENT TO MASSES United States
FROMABOVEINTHEMOUNTAIN Spain
GANGER United Kingdom
GASTR DEL SOL United States
GASTRIC BAND United Kingdom
GEORGE DORN SCREAMS Poland
GHOSTS AND VODKA United States
GIANTS United States
GIARDINI DI MIRO Italy
GIFTS FROM ENOLA United States
GIRAFFES? GIRAFFES! United States
GLASGOW COMA SCALE Germany
GLASS AMERICA United States
GO RUN DONKEY HOT! Croatia
GOD IS AN ASTRONAUT Ireland
GODSPEED YOU! BLACK EMPEROR Canada
GOONIES NEVER SAY DIE United Kingdom
GRANDE DUKE United Kingdom
GREGOR SAMSA United States
HAIDA United Kingdom
THE HALIFAX PIER United States
HAMMOCK United States
HANGEDUP Canada
HANNIBAL MONTANA United States
HARBORING GHOSTS United States
HAZARDS OF SWIMMING NAKED Australia
HEARTS OF ATLANTIS Russia
HELIOS United States
HELLA United States
HELSINGFORS United Kingdom
HENRY GALE United States
HER NAME IS CALLA United Kingdom
HERMITAGE Italy
HEROD LAYNE Brazil
HIBERNAL Australia
HITCHCOCK GO HOME! France
THE HOSEMOBILE United States
HOW COMES THE CONSTELLATIONS SHINE Portugal
HRSTA Canada
HUA LUN China
HUME United States
HUNGRIA Argentina
HUNGRY GHOSTS Australia
HURTMOLD Brazil
THE HYLOZOISTS Canada
I AM THE ARCHITECT Germany
I AM WAITING FOR YOU LAST SUMMER Russia
I HEAR SIRENS United States
I LIKE TRAINS United Kingdom
I WAS GIVEN FEET TO FOLLOW YOU United States
I WILL KILL CHITA Russia
IF THESE TREES COULD TALK United States
ILYDAEN Belgium
IMMANU EL Sweden
IN EACH HAND A CUTLASS Singapore
IN THE WAKE OF GIANTS United States
IN(OUR)FINITE SPACE Canada
INDIGNU Portugal
INFINITE THIRD United States
INTERNATIONAL KARATE Australia
IOSEB Sweden
JAKOB New Zealand
JAMBINAI Korea
JARDIN DE LA CROIX Spain
JENIFEREVER Sweden
THE JOE K-PLAN Spain
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MAPS United States
MAPS & ATLASES United States
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SLOW SIX United States
(THE) SLOWEST RUNNER (IN ALL THE WORLD) United States
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T Japan
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THE BEAUTY THE WORLD MAKES US HOPE FOR France
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THE GLUTTON Norway
THE RETALIATION FOR WHAT THEY HAVE DONE TO US United States
THEM, ROARING TWENTIES United States
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THIS IS A PROCESS OF A STILL LIFE United States
THIS IS YOUR CAPTAIN SPEAKING Australia
THIS WILL DESTROY YOU United States
THREE TRAPPED TIGERS United Kingdom
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TIDES OF MAN United States
TIME COLUMNS United States
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TO DESTROY A CITY United States
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UP THERE: THE CLOUDS Italy
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URTHONA Japan
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WASSERMANNS FIEBERTRAUM Multi-National
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WE ARE KNIVES United Kingdom
WE VS. DEATH Netherlands
WE'RE FROM JAPAN United States
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WHYOCEANS China
THE WINCHESTER CLUB United Kingdom
WOLVES IN ARAMID United States
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WORLD'S END GIRLFRIEND Japan
XMENOSUNO Mexico
YAWN HIC Russia
YEARS OF RICE AND SALT United Kingdom
YNDI HALDA United Kingdom
YOU ALREADY KNOW United Kingdom
YOU SLUT! United Kingdom
YOU.MAY.DIE.IN.THE.DESERT United States
YOUR TEN MOFO Austria
YOUTH PICTURES OF FLORENCE HENDERSON Norway
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ZALEM France
ZUKR France

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