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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".

POST-ROCK TEAM MEMBERS:

Angelmk (Angel)
Zravkapt (Darryl)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)


MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

MATH ROCK TEAM MEMBERS:
Angelmk (Angel)
Zravkapt (Darryl)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.58 | 27 ratings
CHILDREN OF GOD
Swans
4.17 | 141 ratings
ENTER
Russian Circles
4.12 | 426 ratings
ÁGÆTIS BYRJUN
Sigur Rós
4.32 | 34 ratings
RANDOM AVENGER
Magyar Posse
4.11 | 391 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.42 | 20 ratings
THE COLLIBRO
Lis Er Stille
4.29 | 28 ratings
PHANTASIA
Lite
4.24 | 27 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.03 | 303 ratings
F# A# ∞
Godspeed You! Black Emperor
4.09 | 81 ratings
ONE TIME FOR ALL TIME
65DaysOfStatic
4.26 | 24 ratings
FOR LONG TOMORROW
Toe.
4.68 | 9 ratings
DREAMS THAT COME A THING (PT I) ...NEVER THOUGHT IT MAY SEEM…
Bosch's With You
4.10 | 62 ratings
CODENAME: DUSTSUCKER
Bark Psychosis
4.05 | 109 ratings
IN A COLD EMBRACE
Battlestations
4.42 | 14 ratings
BEAUTIFUL
About Tess
4.08 | 66 ratings
THE SEER
Swans
4.06 | 76 ratings
AMERICAN DON
Don Caballero
4.34 | 14 ratings
HOW LONELY SITS THE CITY
Ascent Of Everest, The
4.15 | 27 ratings
GIVE ME BEAUTY... OR GIVE ME DEATH!
Ef
3.97 | 196 ratings
SHADOWS OF THE SUN
Ulver

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

I AM YOUR BASTARD WINGS
Eksi Ekso
RECORDING A TAPE THE COLOUR OF THE LIGHT
Bell Orchestre
INVENTIONS FOR THE NEW SEASON
Maserati
EMBERS
Up-C Down-C Left-C Right-C ABC + Start

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Latest Post Rock/Math rock Music Reviews


 To Be Kind by SWANS album cover Studio Album, 2014
3.98 | 83 ratings

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To Be Kind
Swans Post Rock/Math rock

Review by Kazza3

5 stars This is the first album I've heard from Swans, and it certainly won't be the last. What makes it so fantastic is not just the content but the consistency- for me, a long album is a dicy prospect- but the way in which Swans manages to make these two hours so continually intense and captivating, with not a single dip in quality, is frankly incredible and something very, very few other bands could do.

Swans are listed under Post Rock, which is fair, but this isn't your grandma's post rock- it's raw, aggressive, primal, from the quiet delicate sections of the first half of 'Kirsten Supine' to the roaring, abrasive 'Oxygen'. The mix is clear, but raw and punchy, and balances the soundscapes with the attacks of the band. The rhythm section is incredibly motoric and driving, the guitars loud, and Michael Gira delivers real guts to the varying emotions of the vocals. The centrepiece, of course, is the the half-hour long, 'Bring the Sun/Toussaint L'Ouverture', a stunning crescendo and instant post rock classic.

This astonishing album cements Swans' deserved place here at PA, and really is a modern masterpiece.

 1099 by 1099 album cover Studio Album, 2013
3.08 | 3 ratings

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1099
1099 Post Rock/Math rock

Review by Argonaught

3 stars I have purposed in my heart to visit as many "unreviewed" albums as I can, and to review in good faith the ones that have attracted my attention.

The alphabetically first album on the list was the 1099, by 1099 (a coincidence?). No idea how to pronounce it - Ten-Ninety-Nine? Band names are important; album names are even more so. They are supposed set an appropriate mood and offer a glimpse into the album's inner workings.

To my relief, the 1099 proved to be a rather decent album. Being 74' long, it's probably a little drawn-out for the amount of the musical message it conveys, and therefore a little tedious to listen to in one sitting. The overall tone could be described as unassertive, reasonably fluid and late autumn-sad, albeit without being too gloomy.

Had I not known it was the 1099, I would have assumed it was some unreleased de-metalized material from Motor Psycho. I wouldn't describe it as prog, and I do not have a good understanding of what math-rock be, therefore I might characterize it as Nordic melodic indie-infused soft rock.

The musicianship is fairly good, and the compositions are not unpleasant, which isn't a disadvantage either.

I am not very frequently in the mood to listen to this kind of music in album quantities, therefore I will not be buying this one. Three stars ..

 4 Satin by MOGWAI album cover Singles/EPs/Fan Club/Promo, 1997
3.78 | 4 ratings

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4 Satin
Mogwai Post Rock/Math rock

Review by siLLy puPPy
Prog Reviewer

4 stars The debut EP release 4 SATIN from MOGWAI is an exemplary piece of hypnotic post-rock that incorporates the usual unfurling aspects that post-rock is famous for but adds extra layers of spaciness and chaos to the mix. There are echo effects layered upon swirling synth runs and tasty dueling guitar parts keeping the mid-tempo rhythmic pace with the drums. The ratcheting effect keeps the tension building to satisfying crescendos while repetitive melodies keep the sound effects from spiraling into the chaos zone. Well at least on the first track "Superheros Of BMX."

The second track "Now You're Taken" is a more subdued classic sounding post-rock track that reminds me of the style of Toby Driver in Maudlin Of The Well and Kayo Dot but since this came out before those projects it must be a convergent evolutionary derivative from Slint. The final track "Stereodee" is a majorly tripped out sprawling noisefest that would make Krautrock freakout artists like Amon Duul II, Guru Guru or Can blush as it is an untamed and unapologetic path into a musical meltdown where despite the innocent Stereolab sounding intro, belies its true destination as a seriously addictive arsenal of post-rock explosion into a swirling dervish of true chaotic bliss.

 Bounty Hunter 1853 by BROUGHTON'S RULES album cover Studio Album, 2010
3.67 | 2 ratings

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Bounty Hunter 1853
Broughton's Rules Post Rock/Math rock

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Bounty Hunter 1853" is the debut full-length studio album by US, Pittsburgh based post rock act Broughton´s Rules. The album was released through Relapse Records in November 2010. Broughton´s Rules features ex-members of Don Caballero and Blunderbuss.

The music on the album is predominantly guitar driven instrumental post rock (Mogwai are no strangers to Broughton´s Rules). There are sporadic vocals on some tracks ("Broadside" is an example of that), but they are sparse. It´s audible that Broughton´s Rules are skilled musicians and they deliver their music with a nice organic touch which is further enhanced by the warm and organic sounding production. While the tracks feature recognisable parts which are repeated more than once during their playing time, the material are generally more intriguingly structured than the tried and true vers/chorus formula.

upon conclusion "Bounty Hunter 1853" is not exactly a revelation of the post rock style, but it´s overall a very enjoyable release of good quality in both songwriting, sound production, and musicianship. A 3.5 star (70%) rating is deserved.

 Bounty Hunter 1853 by BROUGHTON'S RULES album cover Studio Album, 2010
3.67 | 2 ratings

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Bounty Hunter 1853
Broughton's Rules Post Rock/Math rock

Review by Lear'sFool

5 stars For their first effort, BR had more of a mix of Don Caballero's math rock into the band's newfound love of post. The title track and opener is some of the best math of its year, for one. Immediately after, with "Disaster of The Week", we lean heavily on post. The album proceeds as such, a math track and then a post track. "Childhood Sun" is another stick out track, with its use of electronics as the driving beat in a post track. Nothing long, but still excellent. Ellsworth and Matthews play guitar as wonderfully as ever in both styles, and original drummer Kearn does as well as later drummer Doyle in supporting the music. A masterpiece right out of the gate for Pittsburgh's post math champions, this and all their albums are unique and enjoyable.
 Anechoic Horizon by BROUGHTON'S RULES album cover Studio Album, 2014
5.00 | 1 ratings

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Anechoic Horizon
Broughton's Rules Post Rock/Math rock

Review by Lear'sFool

— First review of this album —
5 stars From the ashes of the legendary Don Caballero has risen the phoenix of Broughton's Rules, a band which uniquely happens to sit at the crossover of Don's math rock and both post rock and even post metal. This album is heavy, pretty much sitting at the border of rock and metal. On it, there are a few quick, frantic parts in the vein of the Don's wonderful style, such as the opener "Reversers", but by the time of the title track, twelve minutes in length, we've gone post, lost in a hazy atmosphere. The record, then, covers a lot of ground, and the band does it surprisingly well; we knew they'd pull off the math flawlessly as ever, but who knew they could drone? The title track is the best track on the album, and the rest is still excellent and gripping. Matthews and Ellsworth just nail their guitars, and Doyle's drums are the secret weapon on the more spacey, posty parts. The band has made it clear they wish to proceed more and more into post than sticking with math, and if anything this album is a wonderful proof that this is something they can do, and something they should do. Just killer.
 To Be Kind by SWANS album cover Studio Album, 2014
3.98 | 83 ratings

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To Be Kind
Swans Post Rock/Math rock

Review by Lear'sFool

5 stars Album of the year 2014, Michael Gira has once again led his legendary band Swans through the making of a masterpiece, and another in the vein of "Soundtracks For The Blind" and "The Seer" specifically. "To Be Kind" mainly hinges on Gira having not forgotten the power of brutal drums and bass from the early days of the band, slumming around New York City playing their industrial-via-No Wave to often less than receptive audiences in self imposed sweat loges, while vehemently hating the other No Wave bands for admittedly no apparent reason. Here, this sonic brutality is sent through the ringer of the epic, dark, horrifying, and varied take on post rock the band and most of Gira's side projects have been doing since "Soundtracks", in the early days of the genre. Right from the throbbing bass that opens the opener, it is clear that perfection was achieved once more. The double track "Bring the Sun"/"Toussaint L'Ouverture" is the centrepoint of the opus, with the former a powerful and epic piece of drumwork, leading into the crazed darkness of the latter. This is followed with "Some Things We Do", a great closer for CD1 and what some commercials I've seen would sound like if done in a dystopia. CD2 is no slacker, either, with "She Loves Us" an excellent example of post rock done by way of Aphrodite's Child's "The Capture of The Beast", ever strange and seemingly crawling with chains. And "Oxygen" proves a surprisingly good track; there is a reason, after all, it has gotten a single release with several remixes of itself. The vocals of Gira and the supporting chorus just make this album, in the end, more than the instrumentation. Swans just continue their run of outstanding experimental albums, crafting a top release of this year, of all post rock, of all their own records. And this beast shows no signs of stopping. Their future, and so ours, is bright and unpredictable.
 Small Years by ANA NEVER album cover Studio Album, 2012
4.92 | 3 ratings

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Small Years
Ana Never Post Rock/Math rock

Review by Thandrus

5 stars A band from Serbia which in its (so far) 12 years of existence seldom caught an eye of even most avid post-rock fans, can in fact boast having 2 masterpiece albums in the discography. This second one, is a stupendously composed and executed album that took off where the debut one landed: the intense, exalting, dramatic post-rock in the best GY!BE traditions. That said, although possessing a share of melancholy, it is much less depressing than the great Montreal masters, taking a more romantic side (just look at those song titles!).

When a post-rock bands flirt with these kind of sentiments, most come out dull-ish. "Small Year" is an exact opposite of that. Droney buildups are constantly interwoven with slow, constantly developing, beautiful melodic themes. That might sound usual to this particular style, but at the end of those lengthy songs (most of their pieces clock over 15-20 minutes), you find yourself slowly torn apart by music's sheer intensity.

Still, talking about this kind of abstract music, everything has to be heard to be believed - check this album and it's predecessor on their BandCamp page and chances are you'll get yourself a new favourite post-rock band. It doesn't offer anything radically new, but do we really care about it in post-rock?

 Cop by SWANS album cover Studio Album, 1984
3.21 | 16 ratings

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Cop
Swans Post Rock/Math rock

Review by TCat

3 stars AllMusic calls this album one of the most darkest albums ever recorded. I have to agree. This is dark sludgy metal, brutal to the bone with no light whatsoever. Grinding metal, slow pounding drums and deep dark vocals run through the entirety of this album. Listening to this, you have to admire the focus and the determination to keep this music at an almost constant tempo, slow and trodding, like a herd of dinosaurs wading through a thick tar pit with no hope of deliverance. Each track features a gruesome sounding guitar hook that is mostly played over and over with a thumping bass. There is some amount of melody apparent in a few tracks, like "Butcher". The vocals, sounding more like chants from a prehistoric tribe at times and other times like crazed horror movie murderers, are sometimes repetitive and other times exploratory. The main theme here apparently is sexual domination and submission. To me, there is nothing sexual about it, but I guess we all have our own tastes. But I do have a degree of appreciation for the way the sound is explored.

Anyway, it's a tough one to listen to, but if you love this kind of music, it seems to me that it is interesting enough and would be one that you would enjoy. The production isn't bad either. This music is a far cry from what would come later. A female vocalist would be added after the release of this album which would bring some needed variety to the sound of The Swans. Also, more ingenuity would be added to the music, hence the reason why this music is included in the Archives. It is actually quite surprising that buried in this music is ingenuity. As you slog your way through their discography, you will continue to hear the evolution of their sound. As far as this album, there unfortunately is not a lot of prog, but you can hear a tendency to post metal, and this will eventually evolve to full fledged math rock. As for this album, we will have to settle for 3 stars. Good, but non- essential.

 Failed By Man And Machine by TANGLED THOUGHTS OF LEAVING album cover Singles/EPs/Fan Club/Promo, 2013
2.22 | 4 ratings

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Failed By Man And Machine
Tangled Thoughts Of Leaving Post Rock/Math rock

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars This is a very nice math/post rock band from Australia who have been making good music for over 6 years, and whose music is nice to find and get nowadays in the web, of course, in the legal way, because you can go to their bandcamp site and stream or download the music. Well, in 2013 they released an EP called "Failed by Man and Machine", which contains 5 songs that make a total time of 18 minutes.

The first track is "Dance Before You Die", a short composition that has the math rock feeling inherent in the guitars, but that uses electronic elements that produce very good nuances, there is also a sweet atmosphere as background, while the guitars bass and drums keep playing the same structure over and over, but what counts here, is precisely that background. All of a sudden, when there is a change in the mood and drums become main actor, we are already listening to "(Quakes)", and what a great song, I like it because it flows naturally, the music is like hypnotic, and I really like how the rhythm does not actually change during the song, but all they do as background, all the figures, all the textures they implement make a great song, very intuitive for the senses.

"Failed by Man" has a slower tempo rhythm, it is more emotional, the math side is hast left and the post rock is now present. The distorted bass sounds pretty good, but the guitars are beautiful, their sound is not the main one, but that's its charm, to perceive it a little far but enjoy it. The music doesn't stop, but when it fades down, the song "(Tremors)" has started. It has a darker and tense atmosphere, it sounds like an improvisation or a passage of a film, it is nice, but nothing to remember forever.

Finally, "Failed by Machine" which has a piano as an additional instrument that produces a faster rhythm in the first part, later it makes some changes, becomes calmer and relaxing. The music is really easy to dig, but it is complex, so the experience is pretty good in the whole EP. My final grade will be 2 stars, because you know, I don't rate with more than 2 stars releases under 20 minutes length unless it is a true gem, but well, the music here is truly recommendable.

Enjoy it!

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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A. ARMADA United States
ABOUT TESS Japan
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR Ireland
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BEWARE OF SAFETY United States
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARTA United States
CASPIAN United States
CAUDAL Germany
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
ELLIS THE VACUUMCHILD Sweden
EMPHASIS Croatia
EN PLEIN AIR Italy
ENABLERS United States
ENGRAMA ([ENGRAMA]) Multi-National
ENVY Japan
EPIGRAM Canada
EQUUS Switzerland
EROICA United States
ESMERINE Canada
EUPHORIA Japan
EVERYTHING IS MADE IN CHINA Russia
THE EVPATORIA REPORT Switzerland
EXHAUST Canada
EXPLOSIONS IN THE SKY United States
FALCONBROOK United States
FARAQUET United States
FAREWELL POETRY France
THE FIERCE & THE DEAD United Kingdom
FLIES ARE SPIES FROM HELL United Kingdom
THE FLOWERS OF HELL United Kingdom
FLY PAN AM Canada
FLYING SAUCER ATTACK United Kingdom
FOLLOWED BY GHOSTS United States
FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
FORM OF AN ICE WAVE United States
FOXHOLE United States
FRAGILE China
FRENCH TEEN IDOL Italy
FRIDGE United Kingdom
FROM MONUMENT TO MASSES United States
GANGER United Kingdom
GASTR DEL SOL United States
GEORGE DORN SCREAMS Poland
GHOSTS AND VODKA United States
GIANTS United States
GIARDINI DI MIRO Italy
GIFTS FROM ENOLA United States
GIRAFFES? GIRAFFES! United States
GLASS AMERICA United States
GOD IS AN ASTRONAUT Ireland
GODSPEED YOU! BLACK EMPEROR Canada
GOONIES NEVER SAY DIE United Kingdom
GRANDE DUKE United Kingdom
GREGOR SAMSA United States
HAIDA United Kingdom
THE HALIFAX PIER United States
HAMMOCK United States
HANGEDUP Canada
HANNIBAL MONTANA United States
HAZARDS OF SWIMMING NAKED Australia
HELIOS United States
HELLA United States
HELSINGFORS United Kingdom
HENRY GALE United States
HER NAME IS CALLA United Kingdom
HERMITAGE Italy
HEROD LAYNE Brazil
HIBERNAL Australia
HITCHCOCK GO HOME! France
THE HOSEMOBILE United States
HOW COMES THE CONSTELLATIONS SHINE Portugal
HRSTA Canada
HUA LUN China
HUME United States
HUNGRY GHOSTS Australia
HURTMOLD Brazil
THE HYLOZOISTS Canada
I AM THE ARCHITECT Germany
I HEAR SIRENS United States
I LIKE TRAINS United Kingdom
I WILL KILL CHITA Russia
IF THESE TREES COULD TALK United States
IMMANU EL Sweden
IN THE WAKE OF GIANTS United States
INDIGNU Portugal
INFINITE THIRD United States
INTERNATIONAL KARATE Australia
IOSEB Sweden
JAKOB New Zealand
JARDIN DE LA CROIX Spain
JENIFEREVER Sweden
THE JOE K-PLAN Spain
JOHNNYTWENTYTHREE United States
JOVENABUELO Chile
JOY WANTS ETERNITY United States
JUNE OF 44 United States
JUNG PEOPLE Canada
JUNIUS United States
KAKAOKAMKAMI Finland
KAMMERFLIMMER KOLLEKTIEF Germany
KEPZELT VAROS Hungary
KERMIT Spain
KERRETTA New Zealand
KILLINGTON FALL United Kingdom
KIMIKA Canada
KINDER Peru
KLEVER Russia
KOKOMO Germany
KOMAS MIDA Sweden
KOMATSU Finland
KONTAKTE United Kingdom
KOVLO Switzerland
KROBAK Ukraine
KWOON France
LABIRINTO Brazil
LABRADFORD United States
THE LADIES United States
LARSEN Italy
LAURA Australia
LAZONA Italy
LEBANON Israel
LEECH Switzerland
LET AIRPLANES CIRCLE OVERHEAD United Kingdom
LIGHTS AT SEA United States
LIGHTS OUT ASIA United States
LIKE BELLS United States
A LILY United Kingdom
LINDA MARTINI Portugal
LIS ER STILLE Denmark
LITE Japan
LONG DISTANCE CALLING Germany
LOOSE LIPS SINK SHIPS United States
LOSS OF A CHILD United Kingdom
LOST REVERIE Mexico
LOVELY GIRLS ARE BLIND France
LOWERCASE NOISES United States
THE LUNA MOTH United States
LUNAR Croatia
LUZPARÍS Argentina
LYMBYC SYSTYM United States
MAGYAR POSSE Finland
MAN ZERO Croatia
MAPS United States
MAPS & ATLASES United States
MASERATI United States
MAYBESHEWILL United Kingdom
MEANWHILE BACK IN COMMUNIST RUSSIA United Kingdom
MEET ME IN ST. LOUIS United Kingdom
THE MERCURY PROGRAM United States
MESCALINER Netherlands
MIAOU Japan
MIGALA Spain
MILHAVEN Germany
MIRROR Japan
MOGWAI United Kingdom
MØN France
MONO Japan
THE MONROE TRANSFER United Kingdom
MOONCAKE Russia
MOONLIT SAILOR Sweden
MOTEK Belgium
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