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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

POST/MATH ROCK TEAM MEMBERS:
Angelmk (Angel)
Zravkapt (Darryl)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.44 | 48 ratings
CHILDREN OF GOD
Swans
4.53 | 23 ratings
SINES
Jakob
4.32 | 48 ratings
RANDOM AVENGER
Magyar Posse
4.38 | 34 ratings
THE COLLIBRO
Lis Er Stille
4.20 | 117 ratings
THE SEER
Swans
4.13 | 470 ratings
ÁGÆTIS BYRJUN
Sigur Rós
4.15 | 163 ratings
ENTER
Russian Circles
4.12 | 446 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.22 | 50 ratings
THE EXTENT OF DAMAGE
Battlestations
4.39 | 22 ratings
THE LAST DAWN
Mono
4.07 | 342 ratings
F# A# ∞
Godspeed You! Black Emperor
4.33 | 23 ratings
BEAUTIFUL
About Tess
4.69 | 10 ratings
DREAMS THAT COME A THING (PT I) ...NEVER THOUGHT IT MAY SEEM…
Bosch's With You
4.22 | 36 ratings
PHANTASIA
Lite
4.17 | 46 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.09 | 107 ratings
ULVER WITH TROMSØ CHAMBER ORCHESTRA: MESSE I.X - VI.X
Ulver
4.08 | 118 ratings
IN A COLD EMBRACE
Battlestations
4.20 | 32 ratings
FOR LONG TOMORROW
Toe.
4.10 | 70 ratings
CODENAME: DUSTSUCKER
Bark Psychosis
4.36 | 17 ratings
KING NINE
Blueneck

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

DATURAH
Daturah
JINX
Kammerflimmer Kollektief
REVERIE
Daturah
TREE, SWALLOW, HOUSES
Maps & Atlases

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Latest Post Rock/Math rock Music Reviews


 Kveldssanger by ULVER album cover Studio Album, 1995
3.58 | 84 ratings

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Kveldssanger
Ulver Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars ULVER (Norwegian for "Wolves") showed themselves to be a restless pack quickly wandering into completely new territory, raising their legs, marking it and making it their own. This nomadic seeker of new sounds were already changing things up on their second album KVELDSSANGER ("Twilight Songs") by completely dropping the black metal aspects on their debut album and went full on dark Nowegian folk with emphasis on acoustic guitar, choral chanting accompanied by flutes, cello and occasional percussion. Technically the second part of the "Black Metal Trilogie," someone forgot to tell them that the metal parts apparently didn't make it into the final mix. While the folk music on this album was part of the debut, the absence of metal gives it a much mellower and laid back feel almost feeling like this could be some revivalist Renaissance music of sort.

Vocalist and founder Kristoffer Rygg admits this was an attempt to create a full-on classical piece and wasn't satisfied with the outcome but for what technical prowess this album doesn't exhibit, it more than makes up for it in atmospheric and meditative passages that find the vocal styles in perfect harmony with the classical acoustic guitar riffs and accompanying instruments. In fact, it sounds as if it was created by monks in a far away monastery evoking the sacred sounds of an era long passed with only the subtle orchestrations giving it away that it is a product of the modern era.

While the distortion of metal is nowhere to be found here, this classical imbued folk music still resinates on the darker side of things as if it is indeed the soundtrack for a pack of hungry wolves undercover of the night stalking their next victims deep in the forest under the full moon in the frigid Scandinavian winter. ULVER would once again enter black metal territory to finish out the trilogy but it should have been an obvious prognostication that this band had a hard time settling in one musical genre when after all didn't even put the black metal in the middle chapter of the "Black Metal Trilogie."

 White Light From the Mouth of Infinity by SWANS album cover Studio Album, 1991
4.07 | 35 ratings

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White Light From the Mouth of Infinity
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars On this release Swans go full, 100%, "tracks from this album were recommended as background music in a Vampire: the Masquerade book" goth, to the point where Michael Gira's vocal delivery adopts that particular stentorian tone reminiscent of goth vocalists trying really hard to imitate Andrew Eldritch.

This would be seen as a risible and mercifully brief phase in their existence between their shockingly raw early post- punk material that preceded this and their exceptional post-rock material that came after, were it not for one thing: they're amazingly good at this stuff. Perhaps Nick Cave and the Bad Seeds could have stood toe to toe with Swans in the post-punk/goth stakes at this point in time, but precious few others could.

 Summerth by GO RUN DONKEY HOT! album cover Studio Album, 2015
4.05 | 3 ratings

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Summerth
Go Run Donkey Hot! Post Rock/Math rock

Review by zravkapt
Special Collaborator Post/Math Rock Team

4 stars Go Run Donkey Hot! is a newly formed instrumental four piece from Croatia. Influenced by local bands they create a music that sounds like a happier Godspeed You Black Emperor. The use of trumpet reminds me of another Canadian band, Do Make Say Think. This is their debut album and while it clearly is in modern mid-paced post-rock territory they at least attempt to make a sound for themselves. "Intros" is a nice, easy-going intro that is drumless until the very end where it segues into "Jutros." One of the highlights of the album, it starts out slow tempoed and mellow with a nice trumpet melody. Eventually the guitar gets more nasty sounding and they start to build a slow crescendo. The guitar almost solos at one point. Followed by the bass almost soloing.

At this point the almost crescendo is dying down. Near the end the tempo picks up while the trumpet playing gets more interesting. "Pegasus Pig" is much more of a build-a-crescendo type of post-rock. Again, the trumpet adds a whole lot here. "Fen" takes awhile to get along but settles into a nice mid-paced groove. "Queer Coin" makes a change around one minute in. A few changes in volume and tempo in fact. This is certainly the most dynamic track on the album. Overall the heaviest and fastest as well. Last track "Kafkaz" is very slow going until building a crescendo later on.

Overall a decent debut album. I believe you can get the CD or download from the group's Bandcamp. If you like a lot of the more mid-paced, crescendo building post bands but also want a little more variation, Go Run Donkey Hot! may be for you. I'll give this a 3.5 rounded up to 4 stars.

 Silent Earthling by THREE TRAPPED TIGERS album cover Studio Album, 2016
4.05 | 3 ratings

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Silent Earthling
Three Trapped Tigers Post Rock/Math rock

Review by zravkapt
Special Collaborator Post/Math Rock Team

4 stars "TTT is at the cutting edge of contemporary music. Watch your fingers!" - Brian Eno. That was on the sticker to my copy of this album. I had no idea Eno was even aware of this UK trio. This is their second album and an improvement over the debut. They are one of the bands who can be classified both as 'post-rock' and 'math rock'. The debut was more 'math' but this one is more 'post'. With the exception of a tiny bit of wordless vocals, these guys are instrumental. They play a form of electronic rock which contains elements of post, math, techno, symph prog and fusion. A little bit of guitar but mostly keyboards; there is a real drunkit but also programmed drumming and/or electronic drums as well. All the basslines are done on synth.

The title track starts the album off with ringing, bell-like sounds. Then some syncopated, almost random sounding drumming. I love the electric piano melodies in this track. The pace picks up and the music sounds like a combination of symph prog and techno before it goes into laid-back 'post-rock' territory. "Strebek" starts out with an almost punk-like riff on synth. That riff becomes more spacey and 'math' sounding. Lots of electronic percussion in this track. "Kraken" rocks hard! Such a menacing riff on synth backed by call-and-response on more synths. Gets into some guitar/synth unison playing while the drumming gets more chaotic and complex.

"Blimp" begins with that kind of tropical island vibe that some post/math bands get into. Hard to describe but the music is very 'happy' and uplifting. Gets more 'math rock' sounding as it goes along. Nice guitar and/or synth soloing. "Engrams" has the official video for the album. Not my fave but it is a highlight. Generally feels like a cross between symph prog and techno. The track morphs and changes, eventually getting to what one could call 'math rock' or 'post-rock'. "Tekkers" is based around an awesome groove but repeated listens reveal a lot of compositional complexity. This also has some of the best melodies on the album. "Hemisphere" is very electronic sounding; even the drumming is programmed or played on electronic drums. Electronic as it is, the music is very melodic and symphonic.

"Rainbow Road" starts out synth-punk, Then gets synth-fusion. The music proceeds to get more varied and dynamic. "Elsewhere" may be the most stereotypical 'prog' sounding track. Lots of percussion here (mainly cymbals but they could be programmed on synth). Great closer to a great album. This is my Album Of The Year so far. Highly recommended to fans of Battles, Tortoise and Zombi. I will give this a 4.5 but round it down to 4 stars. I might think this is a masterpiece in five years but not quite yet.

 The Seer by SWANS album cover Studio Album, 2012
4.20 | 117 ratings

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The Seer
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

5 stars A sustained and carefully optimised sonic attack, The Seer runs the full gamut from ugly doomy drones to gorgeous post-rock passages and beyond. Definitely an album to lose yourself in over a wide space of time - with tracks extending for as long as half an hour this isn't something which you can really dip in and out of quickly - it offers some of the most subtle and startling soundscapes in recent music. Recent Swans releases have been divided between major releases and more fannish releases intended to provide means of funding the truly important projects; this is one of those important projects, and it truly merits being considered as such.
 Soundtracks for the Blind by SWANS album cover Studio Album, 1996
4.17 | 46 ratings

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Soundtracks for the Blind
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars With snatches of found audio and occasional moments of punkish intensity emerging from the depths of a sinister ambient post-rock landscape, Swans' Soundtracks For the Blind is a daunting musical prospect which cries out for multiple listens to unpack its many mysteries. The final statement's of the band's original incarnation before they entered a period of hiatus, it sees the group's sound building on the comprehensive sonic recalibration of The Great Annihilator and moving it in a more experimental direction, with the band's post-punk and noise rock roots by now visible mostly in the form of attitude rather than actual sonic features.
 Young God by SWANS album cover Singles/EPs/Fan Club/Promo, 1984
2.96 | 7 ratings

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Young God
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars There's a flicker of tension and pensiveness about the slow doomy dirges on Swans' Young God. Whereas Cop came across as outraged, furious, but ultimately dead and rotting, somewhere deep within Young God something sinister is gradually coming to life. Complementing its parent album nicely - the two releases are usually conjoined on CD reissues - Young God is another important signpost in the early evolution of Swans and sounds even less like traditional doom metal than Cop. Fans of Burning Witch in particular might find this work an intriguing precedent for Witch's own particular brand of "how sickly can I make this riff sound?" doom.
 Cop by SWANS album cover Studio Album, 1984
3.39 | 23 ratings

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Cop
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Swans take doom metal riffs, post-punk production and disturbing lyrics and sort of mash them up into an unbelievably ugly gumbo on Cop, their second album. Howling about police brutality, heartache, jobs and violence, frontman Michael Gira is backed by riffs that sound like the world's roof falling in. Pegged by some as noise rock (and good golly is it noisy), I personally see it as a precedent for Black Flag's latter-day experiments in slowing their riffs down and getting weird (see, for instance, The Process of Weeding Out). Just about saved from doom metal territory by virtue of a complete lack of 1970s nostalgia or stoner pipe dreams, Cop is a cold, hard look at an ugly reality.
 Youth Pictures Of Florence Henderson by YOUTH PICTURES OF FLORENCE HENDERSON album cover Studio Album, 2010
3.73 | 7 ratings

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Youth Pictures Of Florence Henderson
Youth Pictures of Florence Henderson Post Rock/Math rock

Review by Mellotron Storm
Prog Reviewer

4 stars It's been quite the week for me with three problems escalating in my life to the point I feel like I'm close to the edge. Yet I'm too self-aware to do anything crazy, so I endure. Still as I walked my dog Wednesday night late all I could do is muster "God" as I was about to ask for relief. I didn't ask as I became emotional only being able to say his name. I composed myself and continued to walk. In less than 24 hours each of the three different problems were dealt with. Yeah I believe in God.

The connection to that story with this recording is that the albums that I review each weekend are really the soundtracks to my life the previous week, whether my life is boring, tragic, amazing or whatever. Right from the first listen I felt that this was a special album. Instrumentally this is a Post-Rock album for sure but what did surprise me were the vocals which really make me think of Indie music. It's very uplifting and bright much of the time with lots of vocals, also a surprise. These guys are from Norway and this is their second studio album released in 2010. This recording is divided into two sections with the first called "Puzzle" worth close to 32 minutes and the second section called "The Detective" worth around 34 minutes. There are four songs in each with some amusing titles so lets have a look.

"Lets Rent Bikes From 1942" opens with picked guitar, atmosphere and drums as the violin joins in playing over top. Enjoyable stuff. We don't get vocals until just before 2 minutes. "I'd Rather Listen To Weston" has a beat to start as picked guitars join in. Such a feel good song as the vocals arrive. Some noisy Post-Rock styled guitars arrive before 2 minutes as the vocals stop. It settles quickly but then builds. The vocals are back after 3 minutes and the focus is back on them before 4 minutes. "He Can't be Dead, I Got His Autograph Last Week" has bass and drums leading early on as the guitar joins in then vocals. A fairly melancholic mood here. Violin 5 minutes in as it settles back. Spoken words end it. "To Sit Down Or To Follow, So I Follow" has these beautiful picked guitar sounds as drums, violin and more join in. Vocals before a minute and it picks up after 1 1/2 minutes until they are kicking ass. A complete calm 3 minutes in and it's gorgeous after 6 1/2 minutes. Children can be heard as it ends.

The second section begins with "Our Door Handles Stopped Moving Years Ago" where we get atmosphere as the drums and guitar join in. The vocals bring back sad news. Why does this move me? The violin leads 2 1/2 minutes in. "The League Will Never Let This Albino Kid Win" is a bright feel good track with vocals. The vocals stop as we can hear a female talking. Lots of droning violin over top of the upbeat sound. A triumphant final minute to this one. "I Think E.T. Is Involved In My Family" is very Post-Rock-like as the violin comes in over top. Vocals after 1 1/2 minutes as it settles some. It kicks in hard before 2 1/2 minutes but it's brief. How beautiful is this when it settles back. Check out the guitars 5 1/2 minutes in. It's so intense when it kicks in after 8 minutes, the most powerful part of the album. Insane! "Scientists Now Think This City Is Overdue" features guitars and sampled voices and children singing. Vocals before 2 minutes as the drums also join the guitars. Violin too. It brightens and becomes lighter a minute later which is my least favourite part of the album. It does change back though. Picked guitar only after 6 minutes but the drums and violin return. Violin to the fore and then it turns intense after 9 minutes, vocals too.

This is such an enjoyable album for me, so uplifting, it makes me smile just like the band's name. 4 solid stars.

 Soundtracks for the Blind by SWANS album cover Studio Album, 1996
4.17 | 46 ratings

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Soundtracks for the Blind
Swans Post Rock/Math rock

Review by Mellotron Storm
Prog Reviewer

4 stars Michael Gira had already decided to disband SWANS and this was to be their final album with a farewell tour to follow. He certainly decided they would go out with a bang as this is almost 2 1/2 hours long and about as ambitious a release as I've heard. As far as being influential there are so many Post-Rock bands that point to this album as being their inspiration. This is also the highest rated SWANS album on RYM. Whereas GY!BE's early albums were apocalyptic with the end of the World being the theme, "Soundtracks For The Blind" comes off as being an album that looks deep into the human condition and all the darkness that comes with it. I'm not sure which is more frightening to be honest. This is a dark, experimental, disturbing, chilling work that will leave a mark on you. The line "Filthy with remorse" for some reason sums up a lot of what is on here for me. There are lots of loops, samples and spoken words including many recorded with a hand-held cassette recorder. All of what SWANS had recorded up to this point seems to be touched upon in some measure. Of course this would prove not to be their final album as it was very successful.

Disc one is titled "Silver" and opens with "Red Velvet Corridor" which is an interesting song to start with as we get a soundscape that is electronic-like with no vocals. "I Was A Prisoner In Your Skull" continues with that style until manipulated vocals on a loop arrive. The drums join in and build and the vocals fade. Great sound here. A calm after 3 minutes then spoken words come in that make me laugh. Creepy music joins in a minute later as he continues to speak. "Helpless Child" has this dark and haunting soundscape to start although it does brighten. Reserved vocals 3 minutes in. This is laid back and melancholic. Vocals stop 7 minutes in and the soundscape turns more adventerous. Strummed guitar and organ dominate. Drums after 9 minutes as it starts to build. I like the guitar off in the distance late.

"Live Through Me" is a track I really like, very electronic sounding with strummed guitar a minute in. "Yum-Yab Killers" doesn't even sound like the same band with those Punk-like female vocals from Jarboe and that catchy sound. "The Beautiful Days" features another dark and inventive soundscape. I just love listening to this with the headphones on. So much going on here that plays with my imagination. A child's voice comes in that's on a loop around 3 1/2 minutes. This will stop but come back later. A haunting soundscape takes over late. Spoken words 7 minutes in that are disturbing. "Volcano" is my least favourite song on here. Female vocals with uptempo drumming and pulsating sounds. Just not a fan at all. It's so out of place.

"Mellothumb" has so much atmosphere it's suffocating. I love it! Intensity before 2 minutes. "All Lined Up" opens with what sounds like field recordings on a loop as other sounds join in. Spoken words a minute in then it kicks in hard as these contrasts continue. "Surrogate" is a short piece with some beautiful sounds. "How They Suffer" opens with a chaotic soundscape before Gira's dad comes in speaking about being legally blind, it ends with Jarboe's mom talking about her health issues. "Animus" ends disc one with some beautiful guitar and keys that echo. Reserved vocals arrive that are sad but meaningful. A change 5 1/2 minutes in as the soundscape starts to drown the vocals.

Disc 2 is called "Copper" and it begins with "Red Velvet Wound". Female vocals and a restrained but catchy melody all start to deconstruct before a minute into a experimental soundscape. She stops singing late. "The Sound" is such an influential track to the Post-Rock genre. A psychedelic and relaxed intro with sounds that echo before reserved vocals arrive around 2 minutes. The vocals stop 4 minutes in as the sound becomes more dynamic. Just kicking ass as this continues to build. Suddenly a calm arrives 10 minutes in as we get that opening theme back and the vocals return. "Her mouth Is Filled With Honey" has strange noises and what sounds like an alarm going off. Samples join in. The alarm stops around 1 1/2 minutes as strange noises continue and spoken words arrive. A dark and eerie ending to this one.

"Blood Section" is a catchy instrumental of guitar and drums mostly. "Hypogirl" opens with a demonic scream from Jarboe as she then starts to pretty much speak the lyrics as the guitar is strummed. Not a fan of this one. "Minus Something" has such a cool soundscape as these spoken words arrive that make me smile. Man that is a creepy sound. He stops talking 2 minutes in as the dark soundscape continues. "Empathy" has a slow and mellow sound as reserved vocals arrive speaking the words. When he stops 3 minutes in the music becomes louder but then it calms right down before 4 minutes. Vocals are back a minute later in this dirge-like piece. "I Love You This Much" has a freaky but cool sounding soundscape with all these inventive sounds. It turns almost confusing 3 minutes in like someone on acid not knowing what's going on.

"YRP" has these strange and manipulated vocal sounds to start. A dark and minimalistic sound then takes over as spoken female words arrive after 1 1/2 minutes. She's singing before 3 minutes then she speaks again. Depressing and hopeless words including vocal melodies. Some heaviness after 6 minutes after she says "I'm your property". "Fans Lament" is almost upbeat as we get strummed guitar and drums as male vocal melodies join in. "Secret Friends" opens with what sounds like organ that echoes for about a minute then strummed guitar takes over as vocal melodies join in briefly. "The Final Sacrifice" is a live tune. Keys, percussion, bass and more to start in this laid back and melancholic track. It's building around 2 minutes then these deep male vocals arrive 3 1/2 minutes in. Lots of emotion in these vocals at 6 minutes and especially at 8 1/2 minutes. "YRP2"sounds great to start as some yells arrive that will make your hair standup. "Surrogate Drone" has lots of drones.

I'd love to edit this down to one disc as it would be a five star recording but it is what it is, almost 2 1/2 hours of music that while innovative and influential, it still has it's flaws. A solid 4 stars.

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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR Ireland
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARROWAY France
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
ATTILION Indonesia
AUDREY FALL Latvia
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHON United States
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLESSIDRA Italy
CLEVER GIRL United States
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADFILE Greece
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DEXTRO United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DISPOSITIVOPERILANCIOBLIQUODIUNASFERETTA Italy
DO MAKE SAY THINK Canada
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DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
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EAT THE SUN United States
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ENVY Japan
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EXPLOSIONS IN THE SKY United States
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FATHER FIGURE United States
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FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
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HER NAME IS CALLA United Kingdom
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I AM THE ARCHITECT Germany
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I LIKE TRAINS United Kingdom
I WAS GIVEN FEET TO FOLLOW YOU United States
I WILL KILL CHITA Russia
IF THESE TREES COULD TALK United States
ILYDAEN Belgium
IMMANU EL Sweden
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MY BELOVED Denmark
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A NEW SILENT CORPORATION Italy
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OVUM Japan
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REMINDER Sweden
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SEQUENCE PULSE Japan
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SGT. Japan
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SLOW SIX United States
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SWANS United States
SWEEK Belgium
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SWIMS United States
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Japan
TENA NOVAK Croatia
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THE BEAUTY THE WORLD MAKES US HOPE FOR France
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THE END OF THE OCEAN United States
THE GLUTTON Norway
THE RETALIATION FOR WHAT THEY HAVE DONE TO US United States
THEM, ROARING TWENTIES United States
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THETA NAUGHT United States
THINGS FALLING APART United States
THIS IS A PROCESS OF A STILL LIFE United States
THIS IS YOUR CAPTAIN SPEAKING Australia
THIS WILL DESTROY YOU United States
THREE TRAPPED TIGERS United Kingdom
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TIME COLUMNS United States
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TO DESTROY A CITY United States
TOE. Japan
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UP THERE: THE CLOUDS Italy
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URTHONA Japan
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WADDLE France
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WASSERMANNS FIEBERTRAUM Multi-National
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WE VS. DEATH Netherlands
WE'RE FROM JAPAN United States
WEARY EYES Russia
WHYOCEANS China
THE WINCHESTER CLUB United Kingdom
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WORLD'S END GIRLFRIEND Japan
XMENOSUNO Mexico
YAWN HIC Russia
YEARS OF RICE AND SALT United Kingdom
YNDI HALDA United Kingdom
YOU ALREADY KNOW United Kingdom
YOU SLUT! United Kingdom
YOU.MAY.DIE.IN.THE.DESERT United States
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YOUTHMOVIES United Kingdom
ZALEM France
ZUKR France

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