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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

POST/MATH ROCK TEAM MEMBERS:
Zravkapt (Darryl)
Kelvin (LearsFool)
Audun(The Bearded Bard)
Angelmk (Angel)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.35 | 56 ratings
RANDOM AVENGER
Magyar Posse
4.31 | 63 ratings
CHILDREN OF GOD
Swans
4.32 | 40 ratings
FOR LONG TOMORROW
Toe
4.13 | 482 ratings
ÁGĆTIS BYRJUN
Sigur Rós
4.15 | 169 ratings
ENTER
Russian Circles
4.12 | 469 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.29 | 38 ratings
THE COLLIBRO
Lis Er Stille (Liserstille)
4.07 | 351 ratings
F# A# ∞
Godspeed You! Black Emperor
4.58 | 12 ratings
DREAMS THAT COME A THING (PT I) - ...NEVER THOUGHT IT MAY SEEM...
Bosch's With You
4.17 | 52 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.23 | 33 ratings
SINES
Jakob
4.33 | 20 ratings
KING NINE
Blueneck
4.11 | 66 ratings
THE EXTENT OF DAMAGE
Battlestations
4.25 | 27 ratings
BEAUTIFUL
About Tess
4.23 | 29 ratings
THE LAST DAWN
Mono
4.17 | 39 ratings
PHANTASIA
Lite
4.07 | 111 ratings
ULVER & TROMSŘ CHAMBER ORCHESTRA: MESSE I.X - VI.X
Ulver
4.09 | 76 ratings
CODENAME: DUSTSUCKER
Bark Psychosis
4.07 | 93 ratings
ONE TIME FOR ALL TIME
65DaysOfStatic
4.34 | 18 ratings
HOW LONELY SITS THE CITY
Ascent Of Everest, The

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

I AM YOUR BASTARD WINGS
Eksi Ekso
RECORDING A TAPE THE COLOUR OF THE LIGHT
Bell Orchestre
ACTUAL MUSIC QUARTET RSM
Actual Music Quartet RSM
INVENTIONS FOR THE NEW SEASON
Maserati

Latest Post Rock/Math rock Music Reviews


 The Dark Of The City by HIBERNAL album cover Studio Album, 2017
4.45 | 13 ratings

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The Dark Of The City
Hibernal Post Rock/Math rock

Review by peterpea

5 stars Hibernal return in 2017 with yet another brilliant and original concept album 'The Dark of the City', and this might be their best one yet.

If you've never heard one of these albums before, it could best be described as a cross between an audiobook, a concept album and a movie soundtrack. An original script acted out by professional voice talent is accompanied by a collection of songs that function as the score. It truly is something original and unique.

'The Dark of the City' follows the story of a cop carrying out a relentless search for the creature that killed her partner. Set in a cyberpunk-ish city 'Carson Bay', the atmosphere is conveyed by sound effects, the synth-driven score and some incredible acting.

The songs are shorter and the pace of the narrative is ramped up in comparison to earlier albums, and that suits the story perfectly. This is a taut sci-fi thriller that features an incredible twist at the end. You won't see it coming.

Give it your full attention for an hour in a dark room and you'll find it really is like stepping into another world. Highly recommended.

 The Seer by SWANS album cover Studio Album, 2012
3.98 | 136 ratings

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The Seer
Swans Post Rock/Math rock

Review by Roane

1 stars OK that sub-genre probably doesn't suit with my feeling in terms of music but, for my part, can we really talk about music here? I just have listened various sounds in an experimental approach. If the musicians are themselves comfortable and happy with their performance, no issue for me, I respect their work. But music is done to be shared and for this, it is more fundamental listeners to be comfortable and happy with the proposal... no melodies here, no feeling and no inspiration and, especially, where is the progressive in such a performance? In my opinion, even not for fans, only for completionists: 0.5 stars
 ATGCLVLSSCAP by ULVER album cover Live, 2016
3.81 | 26 ratings

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ATGCLVLSSCAP
Ulver Post Rock/Math rock

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. ULVER are a band who can't seem to sit still, they need to change the style of music they play on a regular basis. The title "ATGCLVLSSCAP" is an acronym for all of the astrological signs in order apparently. I didn't know that Daniel O'Sullivan from GUAPO was part of this band. Actually he and ULVER's electronic expert Kristoffer Rygg and SUNN O)))'s Stephan O'Malley have been part of band called AETHENOR for many years. Rygg was quoted as saying this about ULVER performing live, "It took us 15 years to muster the will and want to interact with society, that is to perform live...". So I can just imagine how nervous they all were when they did the series of live shows in Norway that this album was culled from. Nervous because it was sort of an experiment by the band to play these shows by playing improvised music. The music here is dark and features lots of electronics and a fair amount of droning. Experimental is the word and the band I thought of the most when listening to this was SWANS.

"England's Hidden" opens with church bells and this will go on for a long time until joined by sparse sounds before 1 1/2 minutes. These sparse sounds will eventually take over. This sounds like orchestral drones, maybe electronics. It sounds like mellotron after 6 minutes and it sounds amazing! It blends into "Glammer Hammer" where it changes quickly into more of an instrumental "rock" mode with drums, guitar keyboards and more. It calms down before 2 1/2 minutes but then this powerful sound drops like a bomb before 3 minutes. Some great percussion work here as these powerful outbursts come and go until they stay almost to the end. "Moody Stix" is percussion galore not so surprisingly considering the song's title. It's an interesting tune with other intricate sounds that help out, but percussion dominates.

"Cromagnosis" features experimental sounds that build while the guitar and other sounds come and go. This is pretty cool. It turns louder with drums around 2 minutes, man this is good. It's very repetitive but I love this stuff. A change after 6 minutes as it picks up in tempo and becomes catchy. "The Spirits That Lend Strength Are Invisible" because they are spirits? Sorry, couldn't help myself. Sounds echo and there's lots of atmosphere and it's somewhat haunting. An adventerous track that is really out there". Also a great headphone track as most of these are. "Om Hanumate Namah" is also haunting and experimental. It sounds like electronics but it's hard to tell. We start to get a guitar melody over top before 2 minutes then it kicks into gear with drums and more as the guitar continues. Some vocal expressions too. These guys have some really good ideas.

"Desert/ Dawn" is dark with nature sounds like frogs etc. These high pitched sounds come in almost squeaking as a beat follows then experimental sounds as it builds. So good! The organ starts to drone at around 4 1/2 minutes and eventually the droning starts to over-power everything else. It's incredible the way they change things up ever so slightly while keeping the same theme. "D-Day Drone" is exotic and full of atmosphere to start as yes it starts to drone. Suddenly after 5 1/2 minutes it feels like danger is near, a dread is about to fall on us. Then a sampled voice can be heard before 7 minutes and it will continue until after 8 minutes.

"Gold Beach" again has lots of atmosphere that seems to hover and slowly pulse. The organ shines here creating atmosphere. "Nowhere(Sweet Sixteen)" is a re-working of their "Nowhere/ Catastrophe" song from their "Perdition City" album. This is the first true vocal track where the vocals are the focus as we get a beat with electronics. I really like the chorus where he sings slowly with his deep voice "Catastrophe" repeatedly. "Ecclesiastes(A Vernal Catnap)" opens with the atmosphere rolling in as deep spoken words arrive then piano. Another headphone track. The book of Ecclesiastes starts to get quoted in the singing after 3 1/2 minutes. Powerful stuff. "Solaris" ends it but I thought the previous track would have been the perfect closer. Sounds drone and it sounds like strings as well and they do get aggressive or maybe it's just sped up.

If you like your music dark and experimental like SWANS you should really check this out. Man this took a lot of listens before I started to really get into this. Another fantastic album from Norway.

 Spooky Action by FIERCE & THE DEAD, THE album cover Studio Album, 2013
4.22 | 11 ratings

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Spooky Action
The Fierce & The Dead Post Rock/Math rock

Review by dNZh

4 stars I would like to review this album because the first time I heard it, I did not discover all its details, but now it has become one of my favorites, I should say that I like albums where the guitar predominates. The first part of track called "Part 4", reminds me of the 80's king crimson era, I would dare to say that this album its on the vein of bands like MÖRGLBL, in the style of jazz rock/fusion, is a mix of jazz rock with metal/heavy rock, this can be seen in songs like "Let's Start a cult" and "I Like it, I'm Into it" and "Spooky Action". In conclusion this album is fun and enjoyable from beginning to end. If you like instrumental progressive rock and good riffs this album is for you.
 Sines by JAKOB album cover Studio Album, 2014
4.25 | 32 ratings

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Sines
Jakob Post Rock/Math rock

Review by BrufordFreak
Collaborator Jazz-Rock / Fusion / Canterbury Team

4 stars Flawless, sophisticated Post Rock from New Zealand, this is such an odd and welcome Post Rock album for the use and presence of a strings section on almost every song. Very worthy of your attention.

Five star songs: a soft, almost country/classical song due to its lavish strings arrangement, 2. "Emergent" (5:08) (9.5/10); a very catchy, melodic chord progression grows in a MONO way with tremolo guitars and great drumming before strings arrangement takes over the final third, 4. "Harmonia" (6:05) (9.5/10); atmospheric layers of guitars with insistent drums and bass, 1. "Blinded Them With Science" (6:57) (9/10); a spacious, spacey keyboard-filled soundscape with gently rolling tom play and bass lines builds gently, in a kind of ROBIN GUTHRIE-HAROLD BUDD way, 6. "Darkness" (5:37) (9/10), and; a really perfect soundscape with an awesome drum and bass play to go with the atmospheric guitars that flounders a bit in the second half--maybe didn't need to be this long, 5. "Resolve" (9:11) (9/10).

Four star songs: until the final two minutes, this rondo-like song is very formulaic in the standard PR tradition, 3. "Magna Carta" (6:15) (8.5/10) and the final song which sounds a bit like a slowed down, slightly edgier version of the first half of #3 "Magna Carta," 7. "Sines" (5:27) (7.5/10).

A near-masterpiece of progressive rock music and one of the better Post Rock albums I've ever heard.

 Requiem For Hell by MONO album cover Studio Album, 2016
3.22 | 8 ratings

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Requiem For Hell
Mono Post Rock/Math rock

Review by BrufordFreak
Collaborator Jazz-Rock / Fusion / Canterbury Team

3 stars I love Mono and what they do, but I have to say that this album is quite a disappointment after their previous three albums--which were all great.

1. "Death in Rebirth" (8:05) a typical slow building Mono song but what's up with the drummer? He seems to be way off and too militaristic. The song finally gets good at the (prolonged) crescendo and when the drums disappear. (7.5/10)

2. "Stellar" (4:58) starts off with some awesome strings and then piano to play the slow weave of arpeggi. Tuned percussion joins in in the third minute and then the staticky guitar feedback. Very nice, if simple, tune. (8.5/10)

3. "Requiem for Hell" (17:48) opens with two guitars weaving their arpeggi to perfect beauty. Things start getting a little raunchier (in a good way) with some distorted guitar tracks and bells in the third minute. When the drums join in at the five minute mark it's like someone stuck a needle into a balloon--it diminishes the beautiful effect that had been built up to this point. How could the band and producer not hear the horrible effect the drums have on this music? Luckily, there is a reprieve from the drums starting at 9:15. By 10:15 the song is starting afresh with all new arpeggi coming from the guitars. Drum play is added in the twelfth minute, but only to accent the other instruments. Then, when all hell breaks loose (no pun intended) at 12:20, the drummer is mixed farther back in the mix and his play is more in tune with the cacophony occurring all around. This is actually quite an appropriate and effective psychedelic section for the subject matter (not unlike some of the frenzy in more recent MOTORPSYCHO songs). And it plays out for the entirety of the song's final five and a half minutes! Best song on the album. (9/10)

4. "Ely's Heartbeat" (8:27) one of the weakest Mono songs I've heard in a long time. The drums are so off and the instrumentalists seem to be careless. (6.5/10)

5. "The Last Scene" (6:43) a very pretty, slow and deliberate almost HAROLD BUDD/ROBIN GUTHRIE song. (8.5/10)

A good album that is worth hearing--especially if you are a Post Rock or Mono fan.

 Swans by SWANS album cover Singles/EPs/Fan Club/Promo, 1982
3.93 | 8 ratings

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Swans
Swans Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars The experimental rock band SWANS began in New York city emerging from the short lived no wave scene that was taking a side trip off the post-punk bandwagon and in 1982 found the band releasing their very first album in the form of this eponymous EP. While SWANS have evolved their sound significantly over the decades they have never lost the basic groove that can be heard on this early offering and like most SWANS albums is the creation of the mutli-instrumentalist, singer / songwriter and band leader Michael Gira.

As with the majority of no wave creations of the era, this one is characterized by hypnotic bass grooves, abrasive atonal guitar sounds, heavy percussive drives and a thick brooding raw and filthy atmosphere with melodies being replaced by mesmerizing repetition in the galloping rhythms. This early lineup of SWANS consisted of Jonathan Kane on drums, Bob Pezzola on guitar and is the only SWANS release to feature saxophone with Daniel Galli-Duani on board as well as the only constant member Gira. Despite the inclusion of the brass, this doesn't sound jazzy in the least bit and is as abrasive and disgustingly dissonant and industrial as the other instruments.

While the EP was only ever released on 7" vinyl on its own, it has been faithfully restored and remastered and appears tacked onto the end of the remastered version of "Filth," the band's first full-length album which came out the following year. While SWANS at this point didn't quite muster up the variety of sounds and expressions that later albums would propel them through the ensuing decades, this early SWANS makes up for it in that quintessential post-punk attitude that combined with the no wave alienating aesthetics makes this an adrenaline inducing slice of early 80s underground music that i find quite addictive. Just as essential as "Filth" and a fitting sidekick tacked onto its remastered edition.

 For Long Tomorrow by TOE album cover Studio Album, 2009
4.32 | 40 ratings

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For Long Tomorrow
Toe Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars So many musicians in the math rock area can tend to get stuck into a groove, chugging away at their 1980s King Crimson guitar lines to the point of monotony and neglecting to add enough variation to their overall approach to keep things interested. toe here cannot be accused of that, offering up a far gentler and more nuanced take on math rock. If I wanted to draw a stark contrast between post-rock and math rock, I would say that math rock is very interested in the individual ingredients of a performance, with an emphasis on technically proficient play, whilst post- rock seems to be more interested in the big picture, where the whole shape of a composition across its running time is given more significance; toe manage to capture both of those qualities, avoiding the pitfall of technical showboating that has claimed so many in this field.
 The Great Annihilator by SWANS album cover Studio Album, 1995
3.52 | 39 ratings

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The Great Annihilator
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

3 stars After the comparatively accessible gothic rock sound that Swans adopted on White Light From the Mouth of Infinity showed signs of cracking at the seams on Love of Life, The Great Annihilator seems to have been a conscious attempt by Swans to try and find a new musical direction without necessarily being too sure about what it should be. A lot of the post-punk thorniness of their early material comes back here, though perhaps a bit slower, and at stages it seems to be fumbling its way towards the post-rock sound of Soundtracks For the Blind without quite actually arriving at it. It's an interesting transitional album but it's very much a work in progress between two peaks of their accomplishment, rather than a major pillar of their discography.
 Whatever You Love, You Are by DIRTY THREE album cover Studio Album, 1999
3.93 | 22 ratings

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Whatever You Love, You Are
Dirty Three Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Lots of post-rock bands seem to settle into what is a sort of accustomed "house style", a formula which becomes their distinctive personal style and trademark and which you either tire of after an album or two or which you can't get enough of. Dirty Three's Whatever You Love, You Are, for instance, more or less continues the approach of preceding albums like Horse Stories or Ocean Songs - Turner and White create the atmospheric foundation on guitar and drums, whilst Warren Ellis plays his little heart out on his violin - but for those of us who find the unique sadness of Dirty Three so captivating, more of the same is just what we are after.
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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A SHELTER IN THE DESERT Mexico
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR United Kingdom
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARROWAY France
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
ATTILION Indonesia
AUDREY FALL Latvia
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHON United States
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLESSIDRA Italy
CLEVER GIRL United States
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADFILE Greece
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DEXTRO United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DISPOSITIVOPERILANCIOBLIQUODIUNASFERETTA Italy
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EAT THE SUN United States
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
ECHOES AND SIGNALS Russia
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
ELLIS THE VACUUMCHILD Sweden
ELOHYMN United Kingdom
EMPHASIS Croatia
EMPTY SILOS ECHO WAR United States
EN PLEIN AIR Italy
ENABLERS United States
ENGRAMA ([ENGRAMA]) Multi-National
ENVY Japan
EPIGRAM Canada
EQUUS Switzerland
EROICA United States
ESMERINE Canada
EUPHORIA Japan
EVERSHAM Australia
EVERYTHING IS MADE IN CHINA Russia
THE EVPATORIA REPORT Switzerland
EXHAUST Canada
EXPLOSIONS IN THE SKY United States
FALCONBROOK United States
FARAQUET United States
FAREWELL POETRY France
FATHER FIGURE United States
THE FIERCE & THE DEAD United Kingdom
FJORD Romania
FLARES Germany
FLIES ARE SPIES FROM HELL United Kingdom
THE FLOWERS OF HELL United Kingdom
FLY PAN AM Canada
FLYING SAUCER ATTACK United Kingdom
FOLLOWED BY GHOSTS United States
FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
FORM OF AN ICE WAVE United States
FORSQUEAK Italy
FOXHOLE United States
FRAGILE China
FRAGMENTS OF AN EMPIRE Austria
FRENCH TEEN IDOL Italy
FRIDGE United Kingdom
FROM MONUMENT TO MASSES United States
FROMABOVEINTHEMOUNTAIN Spain
GANGER United Kingdom
GASTR DEL SOL United States
GASTRIC BAND United Kingdom
GEORGE DORN SCREAMS Poland
GHOSTS AND VODKA United States
GIANTS United States
GIARDINI DI MIRO Italy
GIFTS FROM ENOLA United States
GIRAFFES? GIRAFFES! United States
GLASGOW COMA SCALE Germany
GLASS AMERICA United States
GO RUN DONKEY HOT! Croatia
GOD IS AN ASTRONAUT Ireland
GODSPEED YOU! BLACK EMPEROR Canada
GOONIES NEVER SAY DIE United Kingdom
GRANDE DUKE United Kingdom
GREGOR SAMSA United States
HAIDA United Kingdom
THE HALIFAX PIER United States
HAMMOCK United States
HANGEDUP Canada
HANNIBAL MONTANA United States
HARBORING GHOSTS United States
HAZARDS OF SWIMMING NAKED Australia
HEARTS OF ATLANTIS Russia
HELIOS United States
HELLA United States
HELSINGFORS United Kingdom
HENRY GALE United States
HER NAME IS CALLA United Kingdom
HERMITAGE Italy
HEROD LAYNE Brazil
HIBERNAL Australia
HITCHCOCK GO HOME! France
THE HOSEMOBILE United States
HOW COMES THE CONSTELLATIONS SHINE Portugal
HRSTA Canada
HUA LUN China
HUME United States
HUNGRIA Argentina
HUNGRY GHOSTS Australia
HURTMOLD Brazil
THE HYLOZOISTS Canada
I AM THE ARCHITECT Germany
I AM WAITING FOR YOU LAST SUMMER Russia
I HEAR SIRENS United States
I LIKE TRAINS United Kingdom
I WAS GIVEN FEET TO FOLLOW YOU United States
I WILL KILL CHITA Russia
IF THESE TREES COULD TALK United States
ILYDAEN Belgium
IMMANU EL Sweden
IN THE WAKE OF GIANTS United States
INDIGNU Portugal
INFINITE THIRD United States
INTERNATIONAL KARATE Australia
IOSEB Sweden
JAKOB New Zealand
JARDIN DE LA CROIX Spain
JENIFEREVER Sweden
THE JOE K-PLAN Spain
JOHNNYTWENTYTHREE United States
JOVENABUELO Chile
JOY WANTS ETERNITY United States
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LONG DISTANCE CALLING Germany
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LOVELY GIRLS ARE BLIND France
LOWERCASE NOISES United States
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MAN ZERO Croatia
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MEANWHILE BACK IN COMMUNIST RUSSIA United Kingdom
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MŘN France
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MY BELOVED Denmark
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A NEW SILENT CORPORATION Italy
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NO ONE WISHED TO SETTLE HERE Poland
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OAQK Japan
OBSTACLES Denmark
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OVUM Japan
OXES United States
PAIK United States
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PARABSTRUSE United States
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PEACH PIT Croatia
PELE United States
PERHAPS United States
PERTEGO Italy
PETROGRAD IN TRANSIT United States
PG. LOST Sweden
PHEWWHOO Japan
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PLAIN FADE Finland
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RADIO FREE ISAAC Croatia
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THE ROCK OF TRAVOLTA United Kingdom
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SARAX Chile
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SDNMT Germany
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SEQUENCE PULSE Japan
SET FIRE TO FLAMES Canada
SGT. Japan
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SHAPES STARS MAKE United States
SHORA Switzerland
THE SHY TRAFFICKER United States
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SIGUR RÓS Iceland
SILENCE KIT Russia
A SILVER MT. ZION Canada
SIOUM United States
THE SIX PARTS SEVEN United States
SKY ARCHITECTS Denmark
THE SLEEP DESIGN United States
SLEEPING PEOPLE United States
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SLEEPSTREAM Greece
SLOW SIX United States
(THE) SLOWEST RUNNER (IN ALL THE WORLD) United States
SOLKYRI Australia
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SONNÖV Spain
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SOUNDS LIKE THE END OF THE WORLD Poland
SOUVARIS United Kingdom
SOUVENIR'S YOUNG AMERICA United States
SPACES United States
SPARKLE IN GREY Italy
SPARROWS SWARM AND SING United States
SPEAKER GAIN TEARDROP Japan
SPURV Norway
STAR FK RADIUM United States
STARSCREAM United States
STEARICA Italy
STERLING United States
STORMS Croatia
THE STRANGE DEATH OF LIBERAL ENGLAND United Kingdom
STUBBORN TINY LIGHTS VS CLUSTERING DARKNESS FOREVER OK United States
SUMMER FADES AWAY China
SUNLIGHT ASCENDING United States
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SWEEK Belgium
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SWIMS United States
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Japan
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TERRAFORMATION United States
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THE BEAUTY THE WORLD MAKES US HOPE FOR France
THE BEST PESSIMIST Ukraine
THE END OF THE OCEAN United States
THE GLUTTON Norway
THE RETALIATION FOR WHAT THEY HAVE DONE TO US United States
THEM, ROARING TWENTIES United States
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THETA NAUGHT United States
THINGS FALLING APART United States
THIS IS A PROCESS OF A STILL LIFE United States
THIS IS YOUR CAPTAIN SPEAKING Australia
THIS WILL DESTROY YOU United States
THREE TRAPPED TIGERS United Kingdom
THREEMOVEMENTS United Kingdom
TIDES OF MAN United States
TIME COLUMNS United States
THE TIMEOUT DRAWER United States
TO DESTROY A CITY United States
TOE Japan
TOMAN Belgium
TONE United States
TORCH THE BRIDGE United States
TORNGAT Canada
TORTOISE United States
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THE TRICKLE-DOWN EFFECT United States
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UFAJR Czech Republic
ULAN BATOR France
ULVER Norway
UNDER LANGUID LIGHTS Germany
UNLEARN United States
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UP THERE: THE CLOUDS Italy
UP-C DOWN-C LEFT-C RIGHT-C ABC + START United Kingdom
URTHONA Japan
US ON ROOFS United States
UZRUJAN Croatia
VALLEY OF THE GIANTS Canada
VAMPILLIA Japan
VESSELS United Kingdom
VIRVEL Serbia
VOLTA DO MAR United States
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WADDLE France
WANG WEN China
WASSERMANNS FIEBERTRAUM Multi-National
WATTER United States
WE ALL INHERIT THE MOON United States
WE ARE KNIVES United Kingdom
WE VS. DEATH Netherlands
WE'RE FROM JAPAN United States
WEARY EYES Russia
WHYOCEANS China
THE WINCHESTER CLUB United Kingdom
WOLVES IN ARAMID United States
THE WORLD ON HIGHER DOWNS United States
WORLD'S END GIRLFRIEND Japan
XMENOSUNO Mexico
YAWN HIC Russia
YEARS OF RICE AND SALT United Kingdom
YNDI HALDA United Kingdom
YOU ALREADY KNOW United Kingdom
YOU SLUT! United Kingdom
YOU.MAY.DIE.IN.THE.DESERT United States
YOUR TEN MOFO Austria
YOUTH PICTURES OF FLORENCE HENDERSON Norway
YOUTHMOVIES United Kingdom
ZALEM France
ZUKR France

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