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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

POST/MATH ROCK TEAM MEMBERS:
Zravkapt (Darryl)
Kelvin (LearsFool)
Audun(The Bearded Bard)
Angelmk (Angel)
The Truth (Tanner)
Austin (Horizons)
Jason (Second Life Syndrome)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.35 | 55 ratings
RANDOM AVENGER
Magyar Posse
4.31 | 63 ratings
CHILDREN OF GOD
Swans
4.43 | 28 ratings
SINES
Jakob
4.32 | 40 ratings
FOR LONG TOMORROW
Toe
4.13 | 482 ratings
ÁGÆTIS BYRJUN
Sigur Rós
4.12 | 464 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.15 | 166 ratings
ENTER
Russian Circles
4.15 | 133 ratings
THE SEER
Swans
4.29 | 37 ratings
THE COLLIBRO
Lis Er Stille (Liserstille)
4.07 | 349 ratings
F# A# ∞
Godspeed You! Black Emperor
4.39 | 19 ratings
KING NINE
Blueneck
4.28 | 27 ratings
THE LAST DAWN
Mono
4.17 | 52 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.58 | 12 ratings
DREAMS THAT COME A THING (PT I) - ...NEVER THOUGHT IT MAY SEEM...
Bosch's With You
4.14 | 64 ratings
THE EXTENT OF DAMAGE
Battlestations
4.27 | 26 ratings
BEAUTIFUL
About Tess
4.19 | 38 ratings
PHANTASIA
Lite
4.07 | 123 ratings
IN A COLD EMBRACE
Battlestations
4.07 | 111 ratings
ULVER & TROMSØ CHAMBER ORCHESTRA: MESSE I.X - VI.X
Ulver
4.10 | 74 ratings
CODENAME: DUSTSUCKER
Bark Psychosis

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

EMBERS
Up-C Down-C Left-C Right-C ABC + Start
ACTUAL MUSIC QUARTET RSM
Actual Music Quartet RSM
TREE, SWALLOW, HOUSES
Maps & Atlases
JINX
Kammerflimmer Kollektief

Latest Post Rock/Math rock Music Reviews


 Requiem For Hell by MONO album cover Studio Album, 2016
3.23 | 7 ratings

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Requiem For Hell
Mono Post Rock/Math rock

Review by BrufordFreak
Collaborator Jazz-Rock / Fusion / Canterbury Team

3 stars I love Mono and what they do, but I have to say that this album is quite a disappointment after their previous three albums--which were all great.

1. "Death in Rebirth" (8:05) a typical slow building Mono song but what's up with the drummer? He seems to be way off and too militaristic. The song finally gets good at the (prolonged) crescendo and when the drums disappear. (7.5/10)

2. "Stellar" (4:58) starts off with some awesome strings and then piano to play the slow weave of arpeggi. Tuned percussion joins in in the third minute and then the staticky guitar feedback. Very nice, if simple, tune. (8.5/10)

3. "Requiem for Hell" (17:48) opens with two guitars weaving their arpeggi to perfect beauty. Things start getting a little raunchier (in a good way) with some distorted guitar tracks and bells in the third minute. When the drums join in at the five minute mark it's like someone stuck a needle into a balloon--it diminishes the beautiful effect that had been built up to this point. How could the band and producer not hear the horrible effect the drums have on this music? Luckily, there is a reprieve from the drums starting at 9:15. By 10:15 the song is starting afresh with all new arpeggi coming from the guitars. Drum play is added in the twelfth minute, but only to accent the other instruments. Then, when all hell breaks loose (no pun intended) at 12:20, the drummer is mixed farther back in the mix and his play is more in tune with the cacophony occurring all around. This is actually quite an appropriate and effective psychedelic section for the subject matter (not unlike some of the frenzy in more recent MOTORPSYCHO songs). And it plays out for the entirety of the song's final five and a half minutes! Best song on the album. (9/10)

4. "Ely's Heartbeat" (8:27) one of the weakest Mono songs I've heard in a long time. The drums are so off and the instrumentalists seem to be careless. (6.5/10)

5. "The Last Scene" (6:43) a very pretty, slow and deliberate almost HAROLD BUDD/ROBIN GUTHRIE song. (8.5/10)

A good album that is worth hearing--especially if you are a Post Rock or Mono fan.

 Swans by SWANS album cover Singles/EPs/Fan Club/Promo, 1982
3.93 | 8 ratings

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Swans
Swans Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars The experimental rock band SWANS began in New York city emerging from the short lived no wave scene that was taking a side trip off the post-punk bandwagon and in 1982 found the band releasing their very first album in the form of this eponymous EP. While SWANS have evolved their sound significantly over the decades they have never lost the basic groove that can be heard on this early offering and like most SWANS albums is the creation of the mutli-instrumentalist, singer / songwriter and band leader Michael Gira.

As with the majority of no wave creations of the era, this one is characterized by hypnotic bass grooves, abrasive atonal guitar sounds, heavy percussive drives and a thick brooding raw and filthy atmosphere with melodies being replaced by mesmerizing repetition in the galloping rhythms. This early lineup of SWANS consisted of Jonathan Kane on drums, Bob Pezzola on guitar and is the only SWANS release to feature saxophone with Daniel Galli-Duani on board as well as the only constant member Gira. Despite the inclusion of the brass, this doesn't sound jazzy in the least bit and is as abrasive and disgustingly dissonant and industrial as the other instruments.

While the EP was only ever released on 7" vinyl on its own, it has been faithfully restored and remastered and appears tacked onto the end of the remastered version of "Filth," the band's first full-length album which came out the following year. While SWANS at this point didn't quite muster up the variety of sounds and expressions that later albums would propel them through the ensuing decades, this early SWANS makes up for it in that quintessential post-punk attitude that combined with the no wave alienating aesthetics makes this an adrenaline inducing slice of early 80s underground music that i find quite addictive. Just as essential as "Filth" and a fitting sidekick tacked onto its remastered edition.

 For Long Tomorrow by TOE album cover Studio Album, 2009
4.32 | 40 ratings

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For Long Tomorrow
Toe Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars So many musicians in the math rock area can tend to get stuck into a groove, chugging away at their 1980s King Crimson guitar lines to the point of monotony and neglecting to add enough variation to their overall approach to keep things interested. toe here cannot be accused of that, offering up a far gentler and more nuanced take on math rock. If I wanted to draw a stark contrast between post-rock and math rock, I would say that math rock is very interested in the individual ingredients of a performance, with an emphasis on technically proficient play, whilst post- rock seems to be more interested in the big picture, where the whole shape of a composition across its running time is given more significance; toe manage to capture both of those qualities, avoiding the pitfall of technical showboating that has claimed so many in this field.
 The Great Annihilator by SWANS album cover Studio Album, 1995
3.52 | 39 ratings

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The Great Annihilator
Swans Post Rock/Math rock

Review by Warthur
Prog Reviewer

3 stars After the comparatively accessible gothic rock sound that Swans adopted on White Light From the Mouth of Infinity showed signs of cracking at the seams on Love of Life, The Great Annihilator seems to have been a conscious attempt by Swans to try and find a new musical direction without necessarily being too sure about what it should be. A lot of the post-punk thorniness of their early material comes back here, though perhaps a bit slower, and at stages it seems to be fumbling its way towards the post-rock sound of Soundtracks For the Blind without quite actually arriving at it. It's an interesting transitional album but it's very much a work in progress between two peaks of their accomplishment, rather than a major pillar of their discography.
 Whatever You Love, You Are by DIRTY THREE album cover Studio Album, 1999
3.93 | 22 ratings

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Whatever You Love, You Are
Dirty Three Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Lots of post-rock bands seem to settle into what is a sort of accustomed "house style", a formula which becomes their distinctive personal style and trademark and which you either tire of after an album or two or which you can't get enough of. Dirty Three's Whatever You Love, You Are, for instance, more or less continues the approach of preceding albums like Horse Stories or Ocean Songs - Turner and White create the atmospheric foundation on guitar and drums, whilst Warren Ellis plays his little heart out on his violin - but for those of us who find the unique sadness of Dirty Three so captivating, more of the same is just what we are after.
 The Catastrophist by TORTOISE album cover Studio Album, 2016
3.85 | 39 ratings

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The Catastrophist
Tortoise Post Rock/Math rock

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. Man what a come back album for this legendary Post-Rock band. Not since their "Millions Now Living Will Never Die" and "TNT" years have they put out such a quality release in my opinion. I picked this up based on the glowing reviews here and am so glad I did. Of course TORTOISE is far from being a typical Post-Rock band as they don't do those slowly building soundscapes that end in a wall of sound, no these guys are quite different from anything I've heard. Some say poppy with plenty of intricate sounds including lots of vibes, sequencing, marimba and synths. We also get lap steel guitar, sax, ring modular guitar and electric harpsichord just to give you a idea of sound. There are two guest vocalists as well. That album cover is hilarious by the way.

"The Catastrophist" features lots of lighter and often higher pitched sounds before it settles into a deep groove with bass, drums and keys standing out. I love when the synths join in before 1 1/2 minutes. Sounds echo as the beat continues. Bass to the fore around 2 1/2 minutes then sax a minute later. "Ox Duke" opens with sounds that echo as the bass and intricate sounds join in. It's fuller after a minute with synths. Love that repetitive feel good melody. Vibes around 3 1/2 minutes as it then turns darker to the end. Two fantastic tracks to get us started.

"Rock On" surprised me big time when I first heard it. Yes that familiar song is a cover of David Essex's 1973 hit that is still played on Classic rock stations today. A deep beat, bass and what sounds like electronics as these manipulated vocals join in. Then vocals stop as the sax honks before 2 minutes then back to our regular programming. "Gopher Island" is just over a minute long and has this fast beat with deep pulsating sounds then it picks up speed with some crazy sounding keys? "Shake Hands With Danger" is my middle name by the way. Another stand out track with intricate sounds as other sounds pulse and beat. The sax starts to blast over top. So cool and so catchy.

"The Clearing Fills" sounds like it has this electronic beat with keys and more. It suddenly turns dark and haunting 3 minutes in. I love this one! "Gesceap" is a track that reminds me of some of HARMONIUM and LA DUSSELDORF works. Those higher pitched intricate sounds with accordion-like sounds does that for me. A beat joins in after 1 1/2 minutes. It does get more intense after 4 minutes then it settles back just before 7 minutes.

"Hot Coffee" is another favourite of mine. Keys echo as a beat and intricate sounds help out. It's building. I like the guitar that comes and goes. Catchy stuff as synths also join in. "Yonder Blue" has a beat and slowish pulsating sounds as the female vocals join in. A dreamy, laid back tune with some keys and guitar as well. "Tesseract" is another catchy track with a beat, guitar, bass and more. I really like that repetitive bass line. "At Odds With Logic" is laid back and relaxed with a beat, guitar and more. Suddenly 2 minutes in it becomes more powerful but slower too. A great way to end this album.

I picked this up fairly early in 2016 after reading a really positive review on here, then more followed. Then before I review this all I seem to see on the RYM site was negativity which I still don't get. Other than I feel I'm much more in tune with the reviewers on this site for the most part. This is my favourite TORTOISE album now which I think says it all. A must!

 The Extent of Damage by BATTLESTATIONS album cover Studio Album, 2015
4.14 | 64 ratings

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The Extent of Damage
Battlestations Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Battlestations continue their sad, melancholy, and hauntingly beautiful style of post-rock on this latest album of theirs. Generously made available on a pay-what-you-want basis via their bandcamp, it is structurally extremely similar to their previous albums, with a marked tendency towards longer compositions with one briefer piece rounding things out, but if (like many post-rock bands) Battlestations could be accused of following a formula, at least they seem to have put together a reasonably compelling formula, and the coldly pessimistic atmosphere they evoke beats out even the legendarily mopey Godspeed You Black Emperor! for sheer hopelessness. Those averse to post-rock in general probably won't be won over by it, but those who like a little Silver Mt. Zion in their step would be well-advised to look into this one.
 Kamikaze by PERHAPS album cover Singles/EPs/Fan Club/Promo, 2013
3.00 | 3 ratings

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Kamikaze
Perhaps Post Rock/Math rock

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars This 20 minutes EP, containing one single track as usually in PERHAPS' albums, sounds like a psychedelic long jam session. Also the length is in line with the side of a vynil.

More than post rock, I feel a krautrock vibe. Imangine the first Amon Duul album, replace the freaks with real musicians, add a bit of sitar, vocals and even a touch of "CAN" and you'll have an idea of it.

I don't know what came first, but probably the collaboration with Damo Suzuki has influenced this work, or alternatively, listening to this work has raised Damo's interest in the band.

In any case, it's a good single, a 20 minutes acid trip. There's no much more to say. Probably my shortest review.

 4 by PERHAPS album cover Studio Album, 2016
3.00 | 1 ratings

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4
Perhaps Post Rock/Math rock

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

— First review of this album —
3 stars In "Interstellar Overdrive", after the initial guitar riff by Syd Barrett, the music changes rhythm and while bass and drums keep it constant, guitar and keys start making noise until the track becomes chaotic.

Why speaking of Pink Floyd in a review of the last 40 minute single track release of Perhaps? Simply because the rhythm is the same and for a PF addict like me this makes their lat work very appealing.

Of course the similarities end here. The rhythm remains constant for the whole track, except for the initial speeches and the slowdown in the last final seconds. This is the container inside which the band jams. Their jamming is very intriguing, vocals, sax, guitar, everything contributes in capturing the listener's attention, which is necessary in a 40 minutes track without any change in the signature.

A good surprise, especially because I remember to have read that Perhaps were disbanded and "Third" would have been their last album. They are back instead, and it's a pleasure.

The album is on Bandcamp as "Name your price" and deserves to be listened.

 Pequeñas Hiroshimas by A SHELTER IN THE DESERT album cover Studio Album, 2015
4.00 | 2 ratings

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Pequeñas Hiroshimas
A Shelter In The Desert Post Rock/Math rock

Review by admireArt
Prog Reviewer

3 stars A kind of romantic, passionate and shiny bright instrumental Post Rock/Math Rock which is close to Porcupine Tree's influence, yet it at the same time throws some more personal colors and ideas here and there.

In someway the structure of the tracks have the same bases, therefore they can become predictable in that regard, which also means some kind of expressive limitations as far as experimenting and daring music composition goes, opposite to Porcupine Tree´s style which was and is, if still on, one of their greatest assets.

The extended use of acoustic keys sure is welcomed as they usually deliver interesting melody lines. The mandolin like electric guitar, even though quiet ingenious, can become, by abuse, also quiet predictable. Hats off to drum player Alex Rodríguez who keeps on with creativity his role in this kind of "Hymns of Exaltation" like compositions.

There are some fabulous sections and the same a couple of astounding tracks, which if anything point out clearly that A SHELTER IN THE DESERT, is surely a band to keep track of, as this "Pequenas Hiroshimas", 2015, clearly shows out.

As for now, a very a good effort worth listening to.

***3.5 PA stars.

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Post Rock/Math rock bands/artists list

Bands/Artists Country
*ANCIENTS Multi-National
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A SHELTER IN THE DESERT Mexico
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AIUA United States
AL SABO United States
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALRIGHT THE CAPTAIN United Kingdom
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
AND SO I WATCH YOU FROM AFAR United Kingdom
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
APRICOT RAIL Australia
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARROWAY France
ART.FICIAL Brazil
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRO SONIC Norway
ATTILION Indonesia
AUDREY FALL Latvia
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
BAFFODORO Italy
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
BATTLES United States
BATTLESTATIONS Belgium
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BLACK FOREST/BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
THE BODY LOVERS United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
CHEVAL DE FRISE France
CHICAGO ODENSE ENSEMBLE Multi-National
CHON United States
CHOOSE YOUR OWN ADVENTURE United States
IL CIELO DI BAGDAD Italy
CINEMATIQUE Austria
CINEMECHANICA United States
CLEAN OF CORE Japan
CLESSIDRA Italy
CLEVER GIRL United States
CLOUD ARCHIVE United States
COALA PASCAL Ukraine
CODES IN THE CLOUDS United Kingdom
COLLAPSE UNDER THE EMPIRE Germany
CONCENTRIC United States
THE CONQUERING LIGHT OF FLORA AND FAUNA Denmark
COPTIC LIGHT United States
CROMBIE United Kingdom
CUE United States
CUL DE SAC United States
DATURAH Germany
DAY FOR AIRSTRIKES United Kingdom
DAYCAST United States
THE DEAD SEA Australia
DEADFILE Greece
DEADHORSE United States
DEL REY United States
DESERTSHORE United States
DETWIIJE United Kingdom
DEXTRO United Kingdom
DIANOGAH United States
DIETRICH Argentina
DIRTY THREE Australia
DISCO INFERNO United Kingdom
DISPOSITIVOPERILANCIOBLIQUODIUNASFERETTA Italy
DO MAKE SAY THINK Canada
DON CABALLERO United States
DON'T LOOK BACK France
DON'T MESS WITH TEXAS Croatia
DORENA Sweden
DRESDA Italy
DROP ELECTRIC United States
EASTSTRIKEWEST United Kingdom
EAT THE SUN United States
EATEN BY TIGERS United Kingdom
THE ECHELON EFFECT United Kingdom
ECHOES AND SIGNALS Russia
EDGAR (ANIMO) Belgium
EF Sweden
EFRIM MANUEL MENUCK Canada
EFTERKLANG Denmark
EIMOG Italy
EKSI EKSO United States
ELLIS THE VACUUMCHILD Sweden
ELOHYMN United Kingdom
EMPHASIS Croatia
EMPTY SILOS ECHO WAR United States
EN PLEIN AIR Italy
ENABLERS United States
ENGRAMA ([ENGRAMA]) Multi-National
ENVY Japan
EPIGRAM Canada
EQUUS Switzerland
EROICA United States
ESMERINE Canada
EUPHORIA Japan
EVERSHAM Australia
EVERYTHING IS MADE IN CHINA Russia
THE EVPATORIA REPORT Switzerland
EXHAUST Canada
EXPLOSIONS IN THE SKY United States
FALCONBROOK United States
FARAQUET United States
FAREWELL POETRY France
FATHER FIGURE United States
THE FIERCE & THE DEAD United Kingdom
FJORD Romania
FLARES Germany
FLIES ARE SPIES FROM HELL United Kingdom
THE FLOWERS OF HELL United Kingdom
FLY PAN AM Canada
FLYING SAUCER ATTACK United Kingdom
FOLLOWED BY GHOSTS United States
FOR A MINOR REFLECTION Iceland
FORM AND FATE United States
FORM OF AN ICE WAVE United States
FORSQUEAK Italy
FOXHOLE United States
FRAGILE China
FRAGMENTS OF AN EMPIRE Austria
FRENCH TEEN IDOL Italy
FRIDGE United Kingdom
FROM MONUMENT TO MASSES United States
FROMABOVEINTHEMOUNTAIN Spain
GANGER United Kingdom
GASTR DEL SOL United States
GASTRIC BAND United Kingdom
GEORGE DORN SCREAMS Poland
GHOSTS AND VODKA United States
GIANTS United States
GIARDINI DI MIRO Italy
GIFTS FROM ENOLA United States
GIRAFFES? GIRAFFES! United States
GLASGOW COMA SCALE Germany
GLASS AMERICA United States
GO RUN DONKEY HOT! Croatia
GOD IS AN ASTRONAUT Ireland
GODSPEED YOU! BLACK EMPEROR Canada
GOONIES NEVER SAY DIE United Kingdom
GRANDE DUKE United Kingdom
GREGOR SAMSA United States
HAIDA United Kingdom
THE HALIFAX PIER United States
HAMMOCK United States
HANGEDUP Canada
HANNIBAL MONTANA United States
HARBORING GHOSTS United States
HAZARDS OF SWIMMING NAKED Australia
HEARTS OF ATLANTIS Russia
HELIOS United States
HELLA United States
HELSINGFORS United Kingdom
HENRY GALE United States
HER NAME IS CALLA United Kingdom
HERMITAGE Italy
HEROD LAYNE Brazil
HIBERNAL Australia
HITCHCOCK GO HOME! France
THE HOSEMOBILE United States
HOW COMES THE CONSTELLATIONS SHINE Portugal
HRSTA Canada
HUA LUN China
HUME United States
HUNGRIA Argentina
HUNGRY GHOSTS Australia
HURTMOLD Brazil
THE HYLOZOISTS Canada
I AM THE ARCHITECT Germany
I AM WAITING FOR YOU LAST SUMMER Russia
I HEAR SIRENS United States
I LIKE TRAINS United Kingdom
I WAS GIVEN FEET TO FOLLOW YOU United States
I WILL KILL CHITA Russia
IF THESE TREES COULD TALK United States
ILYDAEN Belgium
IMMANU EL Sweden
IN THE WAKE OF GIANTS United States
INDIGNU Portugal
INFINITE THIRD United States
INTERNATIONAL KARATE Australia
IOSEB Sweden
JAKOB New Zealand
JARDIN DE LA CROIX Spain
JENIFEREVER Sweden
THE JOE K-PLAN Spain
JOHNNYTWENTYTHREE United States
JOVENABUELO Chile
JOY WANTS ETERNITY United States
JUNE OF 44 United States
JUNG PEOPLE Canada
JUNIUS United States
KAIRON; IRSE! Finland
KAKAOKAMKAMI Finland
KALON United States
KAMMERFLIMMER KOLLEKTIEF Germany
KEPZELT VAROS Hungary
KERMIT Spain
KERRETTA New Zealand
KILLINGTON FALL United Kingdom
KIMIKA Canada
KINDER Peru
KLEVER Russia
KOKOMO Germany
KOMAS MIDA Sweden
KOMATSU Finland
KONTAKTE United Kingdom
KOVLO Switzerland
KRAENE Germany
KRISTEN Poland
KROBAK Ukraine
KUATO Canada
KURS KAYA Russia
KWOON France
LA GRAN PERDIDA DE ENERGIA Argentina
LA MAR Venezuela
LABIRINTO Brazil
LABRADFORD United States
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LO' THERE DO I SEE MY BROTHER United States
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MY BELOVED Denmark
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A NEW SILENT CORPORATION Italy
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OVUM Japan
OXES United States
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PARABSTRUSE United States
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PELE United States
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PETROGRAD IN TRANSIT United States
PG. LOST Sweden
PHEWWHOO Japan
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RADIO FREE ISAAC Croatia
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SDNMT Germany
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SEQUENCE PULSE Japan
SET FIRE TO FLAMES Canada
SGT. Japan
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SHAPES STARS MAKE United States
SHORA Switzerland
THE SHY TRAFFICKER United States
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SIGUR RÓS Iceland
SILENCE KIT Russia
A SILVER MT. ZION Canada
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THE SIX PARTS SEVEN United States
SKY ARCHITECTS Denmark
THE SLEEP DESIGN United States
SLEEPING PEOPLE United States
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SLEEPSTREAM Greece
SLOW SIX United States
(THE) SLOWEST RUNNER (IN ALL THE WORLD) United States
SOLKYRI Australia
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SOUNDS LIKE THE END OF THE WORLD Poland
SOUVARIS United Kingdom
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SPEAKER GAIN TEARDROP Japan
SPURV Norway
STAR FK RADIUM United States
STARSCREAM United States
STEARICA Italy
STERLING United States
STORMS Croatia
THE STRANGE DEATH OF LIBERAL ENGLAND United Kingdom
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SUMMER FADES AWAY China
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SWEEK Belgium
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Japan
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TERRAFORMATION United States
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THE BEAUTY THE WORLD MAKES US HOPE FOR France
THE BEST PESSIMIST Ukraine
THE END OF THE OCEAN United States
THE GLUTTON Norway
THE RETALIATION FOR WHAT THEY HAVE DONE TO US United States
THEM, ROARING TWENTIES United States
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THETA NAUGHT United States
THINGS FALLING APART United States
THIS IS A PROCESS OF A STILL LIFE United States
THIS IS YOUR CAPTAIN SPEAKING Australia
THIS WILL DESTROY YOU United States
THREE TRAPPED TIGERS United Kingdom
THREEMOVEMENTS United Kingdom
TIDES OF MAN United States
TIME COLUMNS United States
THE TIMEOUT DRAWER United States
TO DESTROY A CITY United States
TOE Japan
TOMAN Belgium
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TORNGAT Canada
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ULAN BATOR France
ULVER Norway
UNDER LANGUID LIGHTS Germany
UNLEARN United States
UNTIL SUNRISE United States
UNWED SAILOR United States
UP THERE: THE CLOUDS Italy
UP-C DOWN-C LEFT-C RIGHT-C ABC + START United Kingdom
URTHONA Japan
US ON ROOFS United States
UZRUJAN Croatia
VALLEY OF THE GIANTS Canada
VAMPILLIA Japan
VESSELS United Kingdom
VIRVEL Serbia
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WADDLE France
WANG WEN China
WASSERMANNS FIEBERTRAUM Multi-National
WATTER United States
WE ALL INHERIT THE MOON United States
WE ARE KNIVES United Kingdom
WE VS. DEATH Netherlands
WE'RE FROM JAPAN United States
WEARY EYES Russia
WHYOCEANS China
THE WINCHESTER CLUB United Kingdom
WOLVES IN ARAMID United States
THE WORLD ON HIGHER DOWNS United States
WORLD'S END GIRLFRIEND Japan
XMENOSUNO Mexico
YAWN HIC Russia
YEARS OF RICE AND SALT United Kingdom
YNDI HALDA United Kingdom
YOU ALREADY KNOW United Kingdom
YOU SLUT! United Kingdom
YOU.MAY.DIE.IN.THE.DESERT United States
YOUR TEN MOFO Austria
YOUTH PICTURES OF FLORENCE HENDERSON Norway
YOUTHMOVIES United Kingdom
ZALEM France
ZUKR France

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