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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007

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Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.20 | 210 ratings
HOSIANNA MANTRA
Popol Vuh
4.16 | 282 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.26 | 79 ratings
EDGE OF TIME
Dom
4.07 | 254 ratings
NEU!
Neu!
4.07 | 248 ratings
TANZ DER LEMMINGE (DANCE OF THE LEMMINGS)
Amon Düül II
4.04 | 350 ratings
YETI
Amon Düül II
4.05 | 321 ratings
PHALLUS DEI
Amon Düül II
4.03 | 404 ratings
FUTURE DAYS
Can
4.15 | 93 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.09 | 139 ratings
GILA - FREE ELECTRIC SOUND
Gila
4.65 | 24 ratings
EISZEIT
Gam
4.11 | 97 ratings
SELIGPREISUNG
Popol Vuh
4.04 | 158 ratings
ELECTRIC SILENCE
Dzyan
4.01 | 204 ratings
MALESCH
Agitation Free
4.08 | 90 ratings
KÄNGURU
Guru Guru
3.93 | 483 ratings
TAGO MAGO
Can
4.11 | 69 ratings
VOLUME 10
Electric Orange
4.02 | 111 ratings
AGUIRRE, THE WRATH OF GOD
Popol Vuh
3.98 | 137 ratings
IN DEN GÄRTEN PHARAOS
Popol Vuh
3.92 | 218 ratings
WOLF CITY
Amon Düül II

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

DELUSION
McChurch Soundroom
TERRA INCOGNITA
Metabolismus
MY SOLID GROUND
My Solid Ground
FORGET YOUR DREAM!
Pacific Sound

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Latest Krautrock Music Reviews


 Volume 10 by ELECTRIC ORANGE album cover Studio Album, 2014
4.11 | 69 ratings

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Volume 10
Electric Orange Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars It was ELECTRIC ORANGE's "Morbus" album that made me a fan of these German space rockers. I proceeded to pick up a couple of their earlier albums from the early 00's but they weren't nearly as good in my opinion. "Krautrock From Hell" which came out after "Morbus" was an excellent release but I sort of lost track of these guys until this 2014 release called "Volume 10". Man this is such a good release and one that rivals "Morbus" for my favourite from them. It's interesting how different this one is from "Morbus" though as they've changed their sound to a much darker and melancholic vibe while delving deeper into the roots of Krautrock. In fact while "Morbus" is in my opinion a Space Rock recording, this is pure Krautrock. Again as usual with this band they get as close to 80 minutes as possible with this album.

Oh I have to mention the song titles which are BLACK SABBATH song titles but changed up some and they are quite funny. "Paraboiled" is dark as sounds come and go. I love the haunting atmosphere after 5 minutes and the violin that slices away throughout. "Slowbind" has this relentless beat that leads the way along with plenty of atmosphere as strange sounds come and go. "Symptom Of The Mony Nurse" features guitar feedback and atmosphere as we get this dark and experimental mood with spacey sounds joining in. It starts to build before 2 minutes and the guitar starts to solo. Some electronics later. "Suite Beef" has floating organ as percussion and other sounds help out in this relaxed journey. This is one of my favourites.

"A Tuna Sunrise" has these sparse sounds that come and go but it's slowly building. Despite it building it stays very mellow. Mellotron sounds late as it continues to be very relaxed. "Behind The Wall Of Sheep" is eventually led by a beat that becomes the focus. Fuzzed out sounds join in as well as spacey ones. The beat stops after 10 1/2 minutes as it turns quite spacey. Drums are back before 13 minutes. "Seven And Smell" is led by drums as atmosphere and spoken words help out. "Worn Utopia" is the most experimental track and the hardest one for me to get into. Sounds come and go until we get silence 2 minutes in then drums, atmosphere and more return and start to build. It's experimental after 7 minutes as strange sounds come and go then it turns spacey after 12 1/2 minutes. Organ to the fore after 14 minutes.

I feel that this one is a grower and while 4 stars is probably where my rating will stay, it's going to be closer to 4.5 stars down the road, i'm quite sure of that. This band really surprised me with not only how good this record is but also with how prominant that Krautrock spirit is here on "Volume 10". A must!

 71 by CLUSTER album cover Studio Album, 1971
3.94 | 50 ratings

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71
Cluster Krautrock

Review by siLLy puPPy
Collaborator PSIKE Team

5 stars Although they are often lumped into the world of Krautrock, CLUSTER really belongs in the world of progressive experimental electronic music. At least the first few albums that i have heard because there is really no elements of rock on board here and this is more in line with the Berlin School world of Klaus Schulze and Tangerine Dream than with the Krautrock world of Can and Amon Düül II that emphasizes the rock. However, the term "Krautrock" is a nebulous one and connotes a sense of otherworldliness and trippiness above all else so nomenclature aside this is one of the MOST surreal and psychedelic releases i have ever heard. Even beginning with the second album "Cluster II," this duo begins to tone things down a bit on the surreal scale and concentrates more on the melodic rather than the abstract, but on this debut release, officially an eponymous title which has been given the nickname CLUSTER 71, there is unrestrained abstractness that seemingly takes you to the far reaches of the universe and back. This is also the only album i can recall that has three sprawling tracks where the titles of the tracks are the same as their time durations: 7:42, 15:43, 21:32.

This duo actually began under the moniker Kluster which included Conrad Schnitzler as the third member. The group was short-lived releasing only 2 studio albums and 1 live in 1970-71. Schnitzler would go on to have a prolific solo career but was also involved in all of the following: Berlin Express, Con-Hertz, Eruption, Feedback, Conrad Schnitzler & Bjørn Hatterud, CS & Wolf Sequenza and even Tangerine Dream. That left the duo of Moebius (also in Cosmic Couriers, Harmonia, Liliental, Moebius & Plank, Space Explosion, Project Undark) and Hans-Joachim Roeelius (also in Aquarello, A.R.S.(e), Harmonia, Human Being, Lunz and the continuation of this group Qluster). This debut album also includes a third member Konrad Plank on electronics, effects and also as a producer. He would go on many projects including Can, Eno, Eurythmics, Neu! and even the Scorpions and more.

This is very strange abstract music. Personally i feel like i've entered the quantum world when i listen to this. I feel like a little stray electron that has been displaced from its parent atom and am traveling through into the extreme microscopic in a place where space and time have totally different properties. In a way, what comes to mind is that i feel like i am a tiny particle bombarded through the Large Hadron Collider (LHC) near Geneva, Switzerland and my experience is meeting my fellow inhabitants of the quantum world and the musical equivalent of their frequencies and universal vibrations. While there is a basic drone ambience that is in play for most of this sonic experience, the different sounds that accompany this make me feel like i'm saying "hey there" lepton, "wassup z boson?" and "how's it goin', quark?" While listening to this it makes you wonder how in the world did they achieve these sounds in 1971.

This was a clear evolution from the proto-industrial sounds of Kluster. These sounds were not created on keyboards. They utilized the sounds of organs, Hawaiian guitar, cello and used audio generators as well played by Moebius and Roedelius and then the final ingredient was Conrad Plank electronic manipulation to tweak and distort the sounds to create the bizarre sonic worlds that they achieved. Truly light years ahead of the competition in the trippiness department. CLUSTER was taking music freaks into strange new worlds that could never have been foreseen a mere ten years earlier before even The Beatles made a dent into the musical world displaying just how far music had evolved in an ever so short period of history. Blows my mind. I personally find this to be my favorite CLUSTER album. This is uncompromising in every way.

 Letzte Tage - Letzte Nächte by POPOL VUH album cover Studio Album, 1976
4.15 | 93 ratings

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Letzte Tage - Letzte Nächte
Popol Vuh Krautrock

Review by ebil0505

4 stars Coming only from experiencing Hosianna Mantra, this album appealed to me a lot quicker because of it's more driven sound. Everyone and everything that talks about Popol Vuh claims that Florian Fricke is the mastermind ringleader of the band, and I'll have to take their word for it because the piano is barely noticeable. Even on the perfect "Kyrie" it soon becomes drowned out. This is not to discredit the music in any way, mind you. From one song to the next, this is without a doubt a fluidly memorable album that also works well when analyzed one song at a time. As a person who loves catchy tunes, I was supremely delighted to hear Daniel Fichelscher's guitar work deliver some instantly classic riffs. I'm not sure which singer is the female singer, but whoever she is, she does a superbly emotional job. I could honestly listen to her sing "Harem Dei, Raram Dei" all day long.

Music stands out to me more when the album ventures through different intensities, as this one does. One song will be pleasant and the next one will literally make me wanna bang my head (not too hard) and really groove with the chords and such. There is quite a lot of music to take in with this album, and after a few listens it really grows into something spectacular. I would recommend this to anyone who is searching for something to listen to while being surrounded by nature, or if you live on a farm. I wouldn't recommend this to anyone who is immediately turned off because the guitar isn't hard enough, or the chorus isn't catchy enough, or they can't understand the words. Hopefully no one reading this review, then.

 Penetration - An Aquarian Symphony by YA HO WHA 13 album cover Studio Album, 1974
3.66 | 8 ratings

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Penetration - An Aquarian Symphony
Ya Ho Wha 13 Krautrock

Review by Dobermensch

2 stars A shoddy psychedelic rock band with front man Father Yod taking centre stage with his big kettle drum in an almost Jesus like manner. The last time I saw that much hair on a face I fed it a banana.

'Ya Ho Wha' without the vowels and spaces reduces to YHWH, the Tetragrammaton. That's Aleister Crowley territory in case you're unaware. 'Penetration - An Aquarian Symphony' is full of tribal drums and distorted guitars and is another of those albums that just sounds like a stoned jam by a bunch of hippies with too much time on their hands.

Supposedly they recorded this after meditation between 3.00am and 6,00am in a soundproofed garage. With no overdubs and being completely unrehearsed this should be enough to let you know what you're letting yourself in for. Joyfully, this is the only album I've heard of 'Ya Ho Wha 13' and apparently it's their best. Phew, I dodged a few bullets there!

Without even having to consider the possibility, this is clearly influenced by drugs, consumed wholesale by all members of this Los Angeles commune as they fuzz guitar and chant themselves into a state of stupor. Everything is very Lo-Fi and crude without any productional dynamics at all.

Happily there's some nice whistling on the last track where everything else is more subdued which lets the quietly played and tasteful guitar come to the fore. It's still a dreadful album by today's standards and sounds hopelessly lost in time.

In 1974 I would probably have loved this. As it stands today in 2015, it sounds amateurish, poorly recorded and without any thought of how it may be received in future decades .

 The Faust Tapes  by FAUST album cover Studio Album, 1973
3.76 | 95 ratings

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The Faust Tapes
Faust Krautrock

Review by Lear'sFool

5 stars Suckerpunch: The Album. Throbbing Gristle circa 1979, take notes. First, you follow the discount model of record marketing in the '70s, and so price your new LP like a single. Next, have that LP be put together by some random bloke at Virgin with a penchant for surprises from a collection of all those old tapes of your music you have lying around. Now watch with glee as at least 50,000 members of the British music listening public become confused and disgusted by your and your Anglo label's Frankensteinian meisterwerk.

This concrete Adonis is built on hairpin turns through already strange, experimental, diverse, and unique musics and sounds and even some peppered in studio talks for that "In My Time of Dying" feel two years early. I can hear free jazz, noise, and proto- industrial alongside the snippets of more familiar krautrock kraziness. A happy surprise comes in the form of some pieces being long, providing some wonderful extended jams that are also respites from the insanity. This is more than just a representation of track skipping/channel hopping in intentional musical form, this is "Breathless" in album form. This defies category; it isn't even really concrete as we'd generally identify it; just mumble 'avant garde' and run. Excellent music in a groin smashing format. For the progheads who like surprises. I need to lie down.

 Faust & Nurse With Wound: Disconnected by FAUST album cover Studio Album, 2007
3.81 | 15 ratings

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Faust & Nurse With Wound: Disconnected
Faust Krautrock

Review by Dobermensch

2 stars This recording is how I imagine the original Amon Düül sounding in 2007 if they'd had the technology and any sense of professionalism at hand. The opener has many similarities to 'Psychedelic Underground' from 1969. Forget about the 4/4 beat - this is a 1/1 Red American Indian tribal dirge.

Despite being well produced and being very clear in sound separation, 'Disconnected' leaves me feeling disengaged by its conclusion. I own around 40 Nurse With Wound LP's and have the first 4 'Faust' recordings so had high hopes approaching this collaboration of two very studio-bound artists.

Overall, this album sounds far more 'Nurse With Wound' than 'Faust'. I can only imagine that 'Faust' handed over some DAT tapes with which Steve Stapleton deconstructed, mashed, bashed and re-built to his own requirements.

'Disconnected' is mostly made up of the usual 'Nurse With Wound' precisely clipped vocal snippets, while all sorts of metallic drones and ethereal groans are layered one on top of the other. It creates a very odd Dadaist atmosphere where intentionally, nothing makes sense. There's even a john Cage moment called 'Silence' where you have to listen to nothing for one minute. Why?

"Tu M'Entends?" utilises that 'Nurse With Wound' electronic drum loop that he relied on heavily in the mid nineties. Steve Stapleton is the ultimate magpie plagiarist. SO many of his sounds are 'borrowed' from other bands. This is no bad thing, as they're all so fleeting it's hard to get a grip on them. But I always listen to 'Nurse With Wound' thinking I've heard that somewhere before, but can never put my finger on it. Infuriating...

'Faust' re-appear live on the last track 'Hard Rain' with some violently shouted German vocals and heavy drums. It's tuneless of course and is raw, loud and completely out of place on this recording. It does however, slap me in the face and brings me out of my dead man stupor.

This is not a good place to start if you're unfamiliar with either band. It sounds nothing like 'Faust' and there are far better 'Nurse With Wound' albums available.

 Sci-Fi Party by COSMIC JOKERS, THE album cover Studio Album, 1974
3.30 | 21 ratings

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Sci-Fi Party
The Cosmic Jokers Krautrock

Review by Dobermensch

2 stars Strangely disturbing faces gaze out from the sleeve at me as I try to think of some words of wisdom to put down whilst listening to this 'Kosmische' album. Sci-Fi Party is actually pretty good all round if you've not heard any of their other albums. If you have, then you'll realise quite quickly that this is basically a re-mix of their previous albums, hastily cobbled together for a quick buck. And therefore is pretty much a waste of time for fans.

The gang are all here - young Klaus Schulze with his 3 chords per minute keyboard notes, Old Harald pumps away uninhibited at his treated drums. Dieter Dierks competently produces and records despite his association with 'The Scorpions' and Manuel Göttsching as ever, twangs those guitar strings as he did ever so well with "Ashra Tempel".

The good thing here, as on all Cosmic Joker albums is that literally everything is put through some weird effect unit creating a sound unlike anything around at the time. This is where the 'Kosmische' moniker originates.

The bad thing is that it's all been heard before on their far superior self titled album and 'Galactic Supermarket'.

So do yourself a favour, seek out the aforementioned and give this one a miss. This is a cash cow.

 Inventions For Electric Guitar by GÖTTSCHING, MANUEL album cover Studio Album, 1975
3.76 | 50 ratings

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Inventions For Electric Guitar
Manuel Göttsching Krautrock

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars And on this one i am on an opposite spin from many others. MANUEL GÖTTSCHING is, of course, the founder and mastermind behind the ambient space rock group Ash Ra Tempel and Cosmic Jokers as well as being in cahoots with Klaus Schulze's solo career, Agitation Free, Wallenstein and the ever-so-psychedelic persona of Timothy Leary. He also was in a band called the Steeple Chase Blues Band but i digress and meander back to my unexpatiated point (or did i even have one?)

Anyway, this is a minimalistic ambient type of album. MANUEL's guitar sounds are extremely professionally and technically magnificent but what's lacking here is some amazing mind-blowing creativity in how they are displayed. That's my biggest complaint about this album. I have one of the newer remastered versions and am totally impressed with the production and all but for an album that claims INVENTIONS FOR ELECTRIC GUITAR with MANUEL's smiling face gracing the cover, i just don't find this to be the panacea of musical creativity from 1975.

Bascially, i have high standards for minimalistic music. It really has to be original in many ways and not derivative in any way. Anyone can make a minimalistic album based on something great that came before. This album just sounds too much like what Achim Reichel and his Machines conjured up in 1971 with their landmark album "Die Grüne Reise" which IMHO is a much more interesting and diverse album.

And from the same year of this album's release was Steve Hillage's "Fish Rising" which employs much of the Gong inspired trippiness in his guitar playing that doesn't sound too much different stylistically speaking than what GöTTSCHING was going for here and is MUCH superior in the creativity department. This is not a bad minimalistic album but neither is it a great one. There are no scorching guitar moments as on Ash Ra Tempel's debut album, only subtle musical changes that don't get my freak flag flying high enough. Good and influential but personally i only find this ok to listen to on a regular basis but i do like it, just not immensely.

3.5 rounded down

 Mani und seine Freunde by GURU GURU album cover Studio Album, 1975
3.62 | 23 ratings

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Mani und seine Freunde
Guru Guru Krautrock

Review by friso
Prog Reviewer

3 stars Guru Guru - Mani und seine Freunde (1975)

Already on the second Guru Guru album you can hear that Mani Neumeier is one of the more talented drummers of his generation. A beautiful sound, a great pinch and some great fusion chops. On this album Mani Neumeier takes the lead through a run of funky fusion tunes with some ethnic, some Zappaesque and minor progressive influences. The vocals are often silly, be don't be fooled, this is top notch funk jazz and the production quality of the album is impressive as well.

The first run of five tracks is really enjoyable. Funk, rock, jazz, crazy vocals. 'From Another World' has a psychedelic intro, an enthic middle section and a fusion/progressive ending section and is therefore interesting for listeners of progressive rock. The ten minute track 'Woodpecker's Dream' has a nice intro song with cute German vocals, but after the first few minutes the birdsounds, spoken words and small percussions are meaningless. The last short track also sounds as filler material to my ears. This is too bad, because otherwise this would have been a four star album for me.

Conclusion. If you cut out the last two tracks from your playlist you're left with a great funky psychedelic EP-lenght album with a ehtnic progressive finale. Three and halve stars for that. Recommended to listeners of fusion, people interested in drums taking the lead, krautrock and fans of Kraan.

 D by DEUTER album cover Studio Album, 1971
3.66 | 28 ratings

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D
Deuter Krautrock

Review by Dobermensch

2 stars I bet old Deuter D regrets choosing this as the front cover eh? He looks like one of the villains from 'Scooby Doo'. Either that or he's watching something very dodgy on his laptop. If only he'd got hold of Klaus Schulze's graphic designer he may have had a more successful career. As it is the guy went on to create over 30 albums... none of which are well remembered. All apart from this and the follow-up 'Aum'

The imaginative and thought provoking album title 'D' is an odd recording which has quite a few organ drones throughout. It's entirely instrumental with some distinctly Ash Ra Tempel similarities. There's also a fair amount of backward taping which always pleases my brain.

'Faust' like guitars are played on 'Babylon' giving a very Krautrock feel. Happily each track sounds relatively different from the last, even though there's the cheesy 'Krishna Eating Fish' track where the white guy gets hold of an Eastern instrument (Sitar) and waffles about aimlessly, strumming nothing in particular and endeavoring to break the shackles of a homeland he wants no part of. Bah! I hate that. Interestingly, he was born 10 days before the awful bombing of Dresden. And uncannily, like Edgar Froese who was born on the same day as the D-Day Landings on June 6th June '44.

There's too may other good German bands out there to bother with this if truth be told. It's too soft and flat to merit anything more than an average score. Perhaps the exception is 'Atlantis' which is far more experimental with its 'Moolah' and 'Zoviet France' reversed phasing. A full album of this and I'd have been more than happy.

Call me 'Shallow Hal' - but this loses a star due to the front cover. I mean, come on - would you hand this over on a first date to the woman of your dreams?

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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ACHTZEHN KARAT GOLD Germany
AGAM Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
AVARUS Finland
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD Multi-National
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DATASHOCK Germany
DAVENPORT United States
DEAF Switzerland
DEJA VU (GER) Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
EULENSPYGEL Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FOTOSPUTNIK United States
FRANKIE DYMON JR. Germany
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Germany
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN (LIED DES TEUFELS) Germany
HÄX CEL Germany
HEDERSLEBEN Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KOSMISCHER LAÜFER Germany
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
LA DÜSSELDORF Germany
LA!NEU? Germany
LARD FREE France
LAVA Germany
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MITTELWINTERNACHT '71 Germany
MOOLAH United States
MOON OF OSTARA United Kingdom
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
THE NAZGUL Germany
NECRONOMICON Germany
NEU! Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
RALF NOWY Germany
NU & APA NEAGRA Romania
OKTOBER Germany
OMOIDE HATOBA Japan
ONYOU United States
ORANGE PEEL Germany
PACIFIC SOUND Switzerland
PANCAKE Germany
PANKO Germany
PATERNOSTER Austria
POPOL VUH Germany
PRINCESS FLOWER AND THE MOON RAYS Multi-National
PROF. WOLFFF Germany
PROSPER Germany
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