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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007

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Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.20 | 207 ratings
HOSIANNA MANTRA
Popol Vuh
4.16 | 281 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.25 | 78 ratings
EDGE OF TIME
Dom
4.07 | 251 ratings
NEU!
Neu!
4.07 | 245 ratings
TANZ DER LEMMINGE (DANCE OF THE LEMMINGS)
Amon Düül II
4.04 | 347 ratings
YETI
Amon Düül II
4.04 | 318 ratings
PHALLUS DEI
Amon Düül II
4.03 | 405 ratings
FUTURE DAYS
Can
4.16 | 90 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.09 | 138 ratings
GILA - FREE ELECTRIC SOUND
Gila
4.65 | 24 ratings
EISZEIT
Gam
4.04 | 157 ratings
ELECTRIC SILENCE
Dzyan
4.10 | 96 ratings
SELIGPREISUNG
Popol Vuh
4.00 | 202 ratings
MALESCH
Agitation Free
4.14 | 65 ratings
VOLUME 10
Electric Orange
4.07 | 89 ratings
KÄNGURU
Guru Guru
3.93 | 479 ratings
TAGO MAGO
Can
4.02 | 108 ratings
AGUIRRE, THE WRATH OF GOD
Popol Vuh
3.98 | 136 ratings
IN DEN GÄRTEN PHARAOS
Popol Vuh
4.17 | 44 ratings
A.R. IV
A.R. & Machines

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

ARKTIS TAPES
Arktis
MAGIC THEATRE
Drum Circus
DELUSION
McChurch Soundroom
SUPERNOVA
Ibliss

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Latest Krautrock Music Reviews


 Faust & Nurse With Wound: Disconnected by FAUST album cover Studio Album, 2007
3.81 | 15 ratings

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Faust & Nurse With Wound: Disconnected
Faust Krautrock

Review by Dobermensch

2 stars This recording is how I imagine the original Amon Düül sounding in 2007 if they'd had the technology and any sense of professionalism at hand. The opener has many similarities to 'Psychedelic Underground' from 1969. Forget about the 4/4 beat - this is a 1/1 Red American Indian tribal dirge.

Despite being well produced and being very clear in sound separation, 'Disconnected' leaves me feeling disengaged by its conclusion. I own around 40 Nurse With Wound LP's and have the first 4 'Faust' recordings so had high hopes approaching this collaboration of two very studio-bound artists.

Overall, this album sounds far more 'Nurse With Wound' than 'Faust'. I can only imagine that 'Faust' handed over some DAT tapes with which Steve Stapleton deconstructed, mashed, bashed and re-built to his own requirements.

'Disconnected' is mostly made up of the usual 'Nurse With Wound' precisely clipped vocal snippets, while all sorts of metallic drones and ethereal groans are layered one on top of the other. It creates a very odd Dadaist atmosphere where intentionally, nothing makes sense. There's even a john Cage moment called 'Silence' where you have to listen to nothing for one minute. Why?

"Tu M'Entends?" utilises that 'Nurse With Wound' electronic drum loop that he relied on heavily in the mid nineties. Steve Stapleton is the ultimate magpie plagiarist. SO many of his sounds are 'borrowed' from other bands. This is no bad thing, as they're all so fleeting it's hard to get a grip on them. But I always listen to 'Nurse With Wound' thinking I've heard that somewhere before, but can never put my finger on it. Infuriating...

'Faust' re-appear live on the last track 'Hard Rain' with some violently shouted German vocals and heavy drums. It's tuneless of course and is raw, loud and completely out of place on this recording. It does however, slap me in the face and brings me out of my dead man stupor.

This is not a good place to start if you're unfamiliar with either band. It sounds nothing like 'Faust' and there are far better 'Nurse With Wound' albums available.

 Sci-Fi Party by COSMIC JOKERS, THE album cover Studio Album, 1974
3.30 | 21 ratings

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Sci-Fi Party
The Cosmic Jokers Krautrock

Review by Dobermensch

2 stars Strangely disturbing faces gaze out from the sleeve at me as I try to think of some words of wisdom to put down whilst listening to this 'Kosmische' album. Sci-Fi Party is actually pretty good all round if you've not heard any of their other albums. If you have, then you'll realise quite quickly that this is basically a re-mix of their previous albums, hastily cobbled together for a quick buck. And therefore is pretty much a waste of time for fans.

The gang are all here - young Klaus Schulze with his 3 chords per minute keyboard notes, Old Harald pumps away uninhibited at his treated drums. Dieter Dierks competently produces and records despite his association with 'The Scorpions' and Manuel Göttsching as ever, twangs those guitar strings as he did ever so well with "Ashra Tempel".

The good thing here, as on all Cosmic Joker albums is that literally everything is put through some weird effect unit creating a sound unlike anything around at the time. This is where the 'Kosmische' moniker originates.

The bad thing is that it's all been heard before on their far superior self titled album and 'Galactic Supermarket'.

So do yourself a favour, seek out the aforementioned and give this one a miss. This is a cash cow.

 Inventions For Electric Guitar by GÖTTSCHING, MANUEL album cover Studio Album, 1975
3.76 | 49 ratings

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Inventions For Electric Guitar
Manuel Göttsching Krautrock

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars And on this one i am on an opposite spin from many others. MANUEL GÖTTSCHING is, of course, the founder and mastermind behind the ambient space rock group Ash Ra Tempel and Cosmic Jokers as well as being in cahoots with Klaus Schulze's solo career, Agitation Free, Wallenstein and the ever-so-psychedelic persona of Timothy Leary. He also was in a band called the Steeple Chase Blues Band but i digress and meander back to my unexpatiated point (or did i even have one?)

Anyway, this is a minimalistic ambient type of album. MANUEL's guitar sounds are extremely professionally and technically magnificent but what's lacking here is some amazing mind-blowing creativity in how they are displayed. That's my biggest complaint about this album. I have one of the newer remastered versions and am totally impressed with the production and all but for an album that claims INVENTIONS FOR ELECTRIC GUITAR with MANUEL's smiling face gracing the cover, i just don't find this to be the panacea of musical creativity from 1975.

Bascially, i have high standards for minimalistic music. It really has to be original in many ways and not derivative in any way. Anyone can make a minimalistic album based on something great that came before. This album just sounds too much like what Achim Reichel and his Machines conjured up in 1971 with their landmark album "Die Grüne Reise" which IMHO is a much more interesting and diverse album.

And from the same year of this album's release was Steve Hillage's "Fish Rising" which employs much of the Gong inspired trippiness in his guitar playing that doesn't sound too much different stylistically speaking than what GöTTSCHING was going for here and is MUCH superior in the creativity department. This is not a bad minimalistic album but neither is it a great one. There are no scorching guitar moments as on Ash Ra Tempel's debut album, only subtle musical changes that don't get my freak flag flying high enough. Good and influential but personally i only find this ok to listen to on a regular basis but i do like it, just not immensely.

3.5 rounded down

 Mani und seine Freunde by GURU GURU album cover Studio Album, 1975
3.62 | 23 ratings

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Mani und seine Freunde
Guru Guru Krautrock

Review by friso
Prog Reviewer

3 stars Guru Guru - Mani und seine Freunde (1975)

Already on the second Guru Guru album you can hear that Mani Neumeier is one of the more talented drummers of his generation. A beautiful sound, a great pinch and some great fusion chops. On this album Mani Neumeier takes the lead through a run of funky fusion tunes with some ethnic, some Zappaesque and minor progressive influences. The vocals are often silly, be don't be fooled, this is top notch funk jazz and the production quality of the album is impressive as well.

The first run of five tracks is really enjoyable. Funk, rock, jazz, crazy vocals. 'From Another World' has a psychedelic intro, an enthic middle section and a fusion/progressive ending section and is therefore interesting for listeners of progressive rock. The ten minute track 'Woodpecker's Dream' has a nice intro song with cute German vocals, but after the first few minutes the birdsounds, spoken words and small percussions are meaningless. The last short track also sounds as filler material to my ears. This is too bad, because otherwise this would have been a four star album for me.

Conclusion. If you cut out the last two tracks from your playlist you're left with a great funky psychedelic EP-lenght album with a ehtnic progressive finale. Three and halve stars for that. Recommended to listeners of fusion, people interested in drums taking the lead, krautrock and fans of Kraan.

 D by DEUTER album cover Studio Album, 1971
3.66 | 28 ratings

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D
Deuter Krautrock

Review by Dobermensch

2 stars I bet old Deuter D regrets choosing this as the front cover eh? He looks like one of the villains from 'Scooby Doo'. Either that or he's watching something very dodgy on his laptop. If only he'd got hold of Klaus Schulze's graphic designer he may have had a more successful career. As it is the guy went on to create over 30 albums... none of which are well remembered. All apart from this and the follow-up 'Aum'

The imaginative and thought provoking album title 'D' is an odd recording which has quite a few organ drones throughout. It's entirely instrumental with some distinctly Ash Ra Tempel similarities. There's also a fair amount of backward taping which always pleases my brain.

'Faust' like guitars are played on 'Babylon' giving a very Krautrock feel. Happily each track sounds relatively different from the last, even though there's the cheesy 'Krishna Eating Fish' track where the white guy gets hold of an Eastern instrument (Sitar) and waffles about aimlessly, strumming nothing in particular and endeavoring to break the shackles of a homeland he wants no part of. Bah! I hate that. Interestingly, he was born 10 days before the awful bombing of Dresden. And uncannily, like Edgar Froese who was born on the same day as the D-Day Landings on June 6th June '44.

There's too may other good German bands out there to bother with this if truth be told. It's too soft and flat to merit anything more than an average score. Perhaps the exception is 'Atlantis' which is far more experimental with its 'Moolah' and 'Zoviet France' reversed phasing. A full album of this and I'd have been more than happy.

Call me 'Shallow Hal' - but this loses a star due to the front cover. I mean, come on - would you hand this over on a first date to the woman of your dreams?

 Stürmischer Himmel  by ANIMA-SOUND album cover Studio Album, 1971
2.50 | 4 ratings

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Stürmischer Himmel
Anima-Sound Krautrock

Review by Dobermensch

1 stars 'Stürmischer Himmel' begins promisingly - for a full 6 seconds - with the pretty sound of bleating lambs but is on an immediate downward slope as it becomes abundantly clear that this was recorded on a windy day. They couldn't even be bothered to wait until the gale died down. Horrible microphone distortion is basically all you'll remember on this field recording.

God's teeth! What have I done to deserve such punishment? Listening to Anima Sound is as annoying as watching a chicken try to fly - clumsy, ugly, ungainly and doomed to failure. Replete with simply atrocious production values the two members of this band bash, blow and warble incoherently and tunelessly for the best part of 40 minutes. All the while deep furrows appear on my forehead throughout its duration.

All sounds are acoustic and quite frankly sound awful. It's as though it was recorded on one track direct to a 1970 BASF blank cassette. Everything appears tinny and distant. There's no depth of sound whatsoever. Even the drug addled vocals by the amusingly named Limpe Fuchs lend nothing to it's enhancement. Usually crazy people make hilarious listening when recorded, this however, is deeply irritating. It basically sounds like two corpses from 'Zombie Flesh Eaters' have been given instruments they've never seen before and have been told to record on the spot at gunpoint - or else suffer the consequences.

To cut it short - 'Stürmischer Himmel' sounds like a walrus with a bugle strapped to it's muzzle trying to escape from a wardrobe as a loud shouting woman covered in cymbals tries to rescue the creature using clubs and hammers.

Whilst not the poorest record I've reviewed by a long shot (see Hairy Chapter, Gnidrolog or Chillum) it's certainly the most disappointing due to the enthusiasm I held before hearing it. Partucularly as it was on the 'Nurse With Wound' list. Oh well, I guess I should look on the bright side - at least I've lost my copy of the follow-up 'Musik Für Alle'. If I remember correctly, it was even worse than this.

By the end of this recording I'm in such a stupor that I must look like Frankenstein's monster gazing in wonder at his first daisy just before he drowns that little girl by the pond.

 Past, Present & Future by BRAINTICKET album cover Studio Album, 2015
3.84 | 14 ratings

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Past, Present & Future
Brainticket Krautrock

Review by Progfan97402

4 stars I just knew a new Brainticket album would come my way. After all there was the Space Rock Invasion tour that included them, Huw-Lloyd Langton (ex-Hawkwind), and Nektar, so it was time a new Brainticket album came our way. After all 15 years passed since the last one, Alchemic Universe, while welcomed by many, many did not take to well to its techno leaning. I'm happy to report with Past, Present & Future, the techno approach has thankfully been ditched, in favor of real drums, again! Members of Die Krupps, UK Sub, and Nik Turner's band, and local musicians from the Oakland, California area, are in this version of Brainticket, along with (naturally) Joel Vandroogenbroeck, now 76. The album was recorded mainly in Oakland, but also parts of it in Pinar Studio, Joel Vandroogenbroeck's home studio in Mexico (where he's resided since 1984). It's Brainticket, I hear elements of the Brainticket of old, like Cottonwoodhill, Psychonaut, and Celestial Ocean, but they don't rehash that, and bring in something new as well. I also love the production, no loudness wars that make listening a headache regardless of quality (go listen to Eloy's The Tides Return Forever or Ocean 2, great music, but that loudness war makes listening to them a headache due to unnecessary volume). Also the fact the music doesn't sound overly contemporary, but not overly retro either (I do hear both analog and digital synths). Kyrsten Bean (I believe) sounds so unbelievably like Carole Muriel you'd think it was her under an assumed name. Just one listen to "Dancing on the Volcano Part 1" or "Egyptian Gods of the Sky" and you'll see what I mean! "Dancing on the Volcano Part 2" features an extended funky jam that gives way to an ambient part, and some nice flute playing from Joel Vandroogenbroeck. "Reality of Dreams" has a more Eastern feel to it, complete with sitar. A couple cuts venture more into '70s-like prog instrumentals like "Reality of Dreams" and "Proto Alchemy", while "Egyptian Gods of the Sky" will remind you of Celestial Ocean with the spoken dialog and Egyptian theme. Then there's "Brainticket Blues" I get a kick off! Blues does Brainticket style, you will never mistake this for BB King or Muddy Waters. First you have Joel Vandroogenbroeck's flute playing. Then you have Kyrsten Bean's spoken dialog sounding like Carole Muriel, and it sounded like it was lifted right off Celestial Ocean. You obviously hear the blues style, but nothing like regular straight-up blues (which usually bores me). Usually Brainticket takes themselves seriously, but "Brainticket Blues" shows that rare not-so-serious side. To see 2015 gets started off with some this good, I'm happy to see a new Brainticket album. Just what I needed, and if you like Brainticket, this one should be in your collection.
 To The Highest Gods We Know by COLOUR HAZE album cover Studio Album, 2014
4.00 | 1 ratings

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To The Highest Gods We Know
Colour Haze Krautrock

Review by Igor91

— First review of this album —
4 stars Colour Haze is stoner/psychedelic rock band from Germany that have become legends in the underground rock scene in Europe. I am a bit puzzled by them being categorized as "krautrock" here in PA. Yes, they are from Germany and they do have slight krautrock influences, but their sound is more of a blend of 60's and 70s' psychedelic and hard rock. Guitarist and vocalist Stefan Koglek's playing style is a mix of Jimi Hendrix and Tony Iomi with a dash of jazz and Indian/Middle eastern influence. Manfred Merwald is an excellent drummer, bringing a jazzy, slightly busy (but not too busy) backbeat to the music. Finally, Philipp Rasthofer's low-end bass gives added warmth to their sound. Koglek's vocals need some getting used to, but, overall, are pretty good for a German singing in English. The band's songs vary from short and structured, to 20-plus minute opuses.

"To The Highest Gods We Know" is their 11th studio effort (the 1998 album "Seven" is missing on PA's list as of 2/28/2015) and finds the band pretty much where they left off on their previous album, "She Said." There are some added strings and horns here and there, but most of the songs cover the same territory. That's not to say the album isn't good ? it is. The album begins with "Circles," which starts off with quiet jamming, slowly building to a pure stoner/psychedelic blast of heaven. "Paradise" is the short, rocker on the disc. "Uberall" is another solid tune in the same vein as "Circles" with the slow build to a crescendo of heavy, low-end guitar, with the addition of strings. The fourth tune, "Call" is roughly six minutes of a lone, repeated guitar riff with soft vocal lines, before launching into another powerful eruption of high-energy, stoner riffage to close out the final 2 minutes of the song. The standout track is "To The Highest Gods We Know," which is an instrumental, Indian/Middle Eastern infused dose of psychedelia. The tune starts out with beautiful acoustic guitar work from Koglek, then intermittent strings and percussion add to the sonic tapestry skillfully woven together by the band. As the song closes, you are left relaxed and satisfied. But then, after a few minutes of silence, there is a reprise of "Call" (not included on track listing) lasting just over a minute.

While not their best effort, "To The Highest Gods We Know" is, all in all, a solid album by these stoner/psychedelic rock masters. I would probably recommend the album "All" as a starting point for newcomers to the band. However, "To The Highest Gods We Know" would make a great addition to the music collection of anyone who likes their rock laced with psychedelia, occasional heavy riffing, and lots of great guitar work.

 Platte by ELECTRIC ORANGE album cover Studio Album, 2003
3.06 | 9 ratings

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Platte
Electric Orange Krautrock

Review by Neu!mann
Prog Reviewer

3 stars Studio album number six from the retro-Krautrockers of Electric Orange is even more heavily in debt than usual to the groovier explorations of CAN, sometimes to an almost slavish degree, in tracks like "Holzbock": seven-plus minutes of perfectly simulated Jaki Liebezeit rhythms and spiky one-chord Michael Karoli guitars. The expanded CD even includes a bonus cut with the explicit title "Dedicated to MK", but all the free-form organ vamping makes it more an "Homage to IS" (Can keyboardist Irmin Schmidt).

In truth the young quartet from Aachen isn't really aping Can; they're proudly maintaining a historical legacy of likeminded instrumental wanderlust. And, honestly, the band couldn't have chosen a better role model, even if they never had any hope of achieving the same level of influence or fame.

Don't expect anything too deep or challenging here. The music, even in longer workouts like the 20- minute "Kwark", is structured like a casual jam session instead of the more intuitive 'instant composition' practiced by their role models. But on a strictly superficial level the album is very satisfying: an often thrilling and always affectionate '70s throwback with a very contemporary sound (not a contradiction, for these guys).

What's ultimately missing is that vital spark of Inner Space originality, and the excitement of true discovery. But even secondhand Krautrock can be an adventure worth taking.

 Past, Present & Future by BRAINTICKET album cover Studio Album, 2015
3.84 | 14 ratings

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Past, Present & Future
Brainticket Krautrock

Review by MC Strong

4 stars Fifteen long years since Alchemic Universe escaped from Planet Brainticket, finally, Joel and Co (mainly vocalist Kephera Moon, former UK Subs! axeman Nicky Garratt, drummer Jason Willer and keyboardist Jugrgen Engler) log-in with Past, Present & Future (2015). An exhausting trip of over 70 minutes, including 2-parter Dancing On The Volcano garnering an opening 30, Brainticket re-awaken the gods of Ramses via crystallised pieces of Swiss kraut-rock. Recalling intergalactic trips from heady days long gone when sitar and synths were kings (CELESTIAL OCEAN, COTTONWOODHILL, et al), Joel reaches for the stars for instrumental Reality Of Dreams, while there was an 007 feel by way of Proto Alchemy. In the mystic words of Kephera (with help from Kyrsten Bean as guest), exotica and female narration of a cinematic scale represent the retro-fried closing triumvirate of Singularity, Egyptian Gods Of The Sky and the cool Brainticket Blues. Mind over matter, with extensive listens to PP&F, BRAINTICKET will book you aboard to sit aside them before they set their sonic synths for the heart of the sun. MC Strong
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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ACHTZEHN KARAT GOLD Germany
AGAM Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
AVARUS Finland
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD Multi-National
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DAVENPORT United States
DEAF Switzerland
DEJA VU (GER) Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
EULENSPYGEL Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FOTOSPUTNIK United States
FRANKIE DYMON JR. Germany
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Germany
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN (LIED DES TEUFELS) Germany
HÄX CEL Germany
HEDERSLEBEN Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KOSMISCHER LAÜFER Germany
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
LA DÜSSELDORF Germany
LA!NEU? Germany
LARD FREE France
LAVA Germany
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MITTELWINTERNACHT '71 Germany
MOOLAH United States
MOON OF OSTARA United Kingdom
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
THE NAZGUL Germany
NECRONOMICON Germany
NEU! Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
RALF NOWY Germany
NU & APA NEAGRA Romania
OKTOBER Germany
OMOIDE HATOBA Japan
ONYOU United States
ORANGE PEEL Germany
PACIFIC SOUND Switzerland
PANCAKE Germany
PANKO Germany
PATERNOSTER Austria
POPOL VUH Germany
PRINCESS FLOWER AND THE MOON RAYS Multi-National
PROF. WOLFFF Germany
PROSPER Germany
PSYCHEDELIC MONSTERJAM Germany
PYRAMID Germany
PYRANHA Switzerland
MICHAEL ROTHER Germany
RUFUS ZUPHALL Germany
SAMETI Germany
SAND Germany
SCARECREW Germany
SEEDOG Germany
SEIKAZOKU Japan
SEMOOL France
SHANNONDOA Germany
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