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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of

- Meltdowner
- siLLy puPPy
- Rivertree
- Tapfret
- HarryAngel746

Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.17 | 333 ratings
HOSIANNA MANTRA
Popol Vuh
4.21 | 152 ratings
EDGE OF TIME
Dom
4.11 | 627 ratings
FUTURE DAYS
Can
4.43 | 55 ratings
EISZEIT
Gam
4.12 | 407 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.10 | 519 ratings
YETI
Amon Düül II
4.09 | 352 ratings
TANZ DER LEMMINGE [AKA: DANCE OF THE LEMMINGS]
Amon Düül II
4.15 | 137 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.04 | 401 ratings
NEU!
Neu !
4.08 | 196 ratings
GILA [AKA: FREE ELECTRIC SOUND]
Gila
4.01 | 454 ratings
PHALLUS DEI
Amon Düül II
4.35 | 44 ratings
TONY CONRAD & FAUST: OUTSIDE THE DREAM SYNDICATE
Conrad, Tony
4.06 | 152 ratings
KÄNGURU
Guru Guru
3.97 | 706 ratings
TAGO MAGO
Can
4.05 | 147 ratings
SELIGPREISUNG
Popol Vuh
4.02 | 205 ratings
ELECTRIC SILENCE
Dzyan
4.03 | 154 ratings
VOLUME 10
Electric Orange
3.98 | 295 ratings
WOLF CITY
Amon Düül II
4.02 | 156 ratings
AGUIRRE
Popol Vuh
3.97 | 281 ratings
MALESCH
Agitation Free

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

ORION AWAKES
Golem
MAGIC THEATRE
Drum Circus
SILOAH [ALSO RELEASED AS SÄUREADLER]
Siloah
VAMPIRE STATE BUILDING
Alcatraz

Latest Krautrock Music Reviews


 Electric Mud by ELECTRIC MUD album cover Studio Album, 1971
3.44 | 17 ratings

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Electric Mud
Electric Mud Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars ELECTRIC MUD were a four piece out of Germany who released this sole album in 1971. Udo the bass player and singer would go on to play with ZOPPO TRUMP who I'm surprised aren't on this site. They were smart enough to have him not sing. Yes the vocals are in German and unfortunately they aren't very good. By the way besides bass we get drums, guitar and piano/ organ. Some mention NECRONOMICON and VIRUS as similar sounding bands. The sound here is dingy, like they recorded it in a garage, but despite all these negatives I like this one.

The organ tends to float along in the background while the guitar solos. The bass is really good and probably the most impressive thing about this recording. Love the intro of bass, drums and organ on the opener along with the bluesy guitar after 8 minutes. The second track is almost ruined by the quivering vocals that come and go. Okay it is ruined despite that dark and heavy sound. The third track hits the ground running and I love that bass. Like all their songs we get tempo and mood changes throughout. Tough to digest those vocals on the closer after 6 minutes. Bathroom break please! And we get it when the music slows down along with the singer. Organ solo before 11 minutes.

So a pretty good album in my opinion that isn't without it's flaws. 3.5 stars. I'm not into the cover art.

 Wiesbaden 1973 by COSMIC CIRCUS MUSIC album cover Live, 2013
3.39 | 9 ratings

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Wiesbaden 1973
Cosmic Circus Music Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars My biggest issue with this recording is the 82 minute length. We get a live and studio version of "Sternonmaskerade" which is just too much in my opinion. I have the studio version already which I consider a four star album but to sit through 82 minutes is pretty tough when it's kind of samey and trippy much of the time. Tim Belbe from XHOL CARAVAN adds some flute on the studio version which is excellent. This sounds like a cross between ASHRA TEMPEL and AGITATION FREE. Fairly mellow but plenty of distortion from this German trio. The live version is 37 1/2 minutes and was recorded in Wiesbaden in 1973 while the studio record is 44 1/2 minutes long. Excellent music if your into that Krautrock thing but it's a long one.
 Weil Es So Schön Perlt by PANKO album cover Live, 1983
3.09 | 9 ratings

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Weil Es So Schön Perlt
Panko Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars PANKO were a five piece band playing some live gigs in the early seventies but they never went into the studio to record anything. One of the band members released a live cassette(in 1983) from the Summer of 1971. They were from Berlin, Germany and they remind me of XOHL CARAVAN somewhat. Kind of a dirty and muddy sound of them jamming with the guitar, flute or sax often soloing over top. There are vocals in German and often spoken. It's interesting that there are two flute players although the one plays sax. Still that one song where we get a dual between the flutes is pretty cool. I have the GOD re-issue with a slightly different track and time listing. There are two bonus tracks at over 11 minutes each which sadly are the highlights of this album. Sadly because bonus tracks don't enter into my rating of an album because they weren't part of the original recording. Some experimental stuff on here, especially the closer which is all experimental and often annoying. I like this one quite a bit though and feel 3.5 stars is justified.
 Somewhere by SILENT CARNIVAL album cover Studio Album, 2018
4.00 | 1 ratings

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Somewhere
Silent Carnival Krautrock

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

— First review of this album —
4 stars Weird acoustic drone psychedelia filled with distorted harmonies and oriental leanings. His material should be in the similar vein not only to Krautrock but also Post Rock.

SILENT CARNIVAL founded by an Italian artist Marco GIAMBRONE produce such a freakout, trippy journey drenched in musical hallucinogens. This album entitled "Somewhere" released in 2018 is the latest one created by them (as of the summer 2021) keeps launching an enchanting, charming, and fascinating atmosphere that obviously drives the audience addicted to. The very beginning of the first shot "Cold As Marble" sounds quite authentic acoustic and ambient, but the track gets dissecting and poisonous as it goes forward. The middle part veiled in a dress named 'calmness' involves perfect comfortable distortion and intensive regression to the old-fashioned electro-psychedelic era. Their agitated harmony would hold our inner heart rigidly. Mystic, mysterious melodic lines are pretty innovative that cannot be heard via orthodox Krautrock or Electronic subgenres. Until the last palpitations we could not leave this track I guess.

The titled one is another madness, featuring quiet guitar-oriented atmospheric foundation stone and addictive chorus. Their chorus is not so simple nor beautiful but gives us somewhat anxiety but full of comfort, amazingly. Melody lines in this track are very simple and repetitive but intensive and powerful to shake our body and mind continuously. The fourth track "Calvary" is kinda killa. Slowtempo drumming and depressive saxophone playing are fantastically effective to construct the core of this track. Eerie synthesizer-based sound fluctuation around them is another dry-fruity spice. All instruments are violent and offensive, even though they play sincerely and quietly. There is no tiny acoustic nor lightness around them but serious distortion and especially unexpected sound effects like sudden loud fuzzes or deep dark drastic melodic changes, like "Endurance". "Innocence" is delicious and delightful with regards to its melodies and movements. On the contrary perpetual guitar sound space creates 70s psychedelic scape for every single fan.

Very relaxing but aggressive and critical. This is why we cannot ignore their crucial soundscape. Welcome to Marco's muddy novel-y Krautrock world.

 Live at CCSP by STARA RZEKA album cover Live, 2021
3.95 | 2 ratings

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Live at CCSP
Stara Rzeka Krautrock

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

4 stars Amazed at the fact that there are no overdubs on the material. This "live" album was released in 2021 by a one-man act STARA RZEKA is one of many projects by a Polish multi-instrumentalist Jakub ZIOŁEK. It is said that the material in this creation was recorded live in 2015 at Centro Cultural São Paulo in collaboration with a drummer / percussionist Mauricio TAKARA, and Stara played only with a guitar, a pocket synthesizer, and guitar pedals. What a surprise, and how appropriate for the current dark pandemic situation. Yes this album gives us power.

"Part 1" gets started with crystallized glass-fiber-ish ambient departure. Do not be deceived by such a mystic, mysterious manner. Crazy dissection by the guitars in the former phase is splendid. Percussion by Mauricio is quite colourful, flavourful, and fruity. It's Polish psychedelia. Stara's fuzzy but dynamic guitar sounds go forward aggressively. His improvisational melodic lines remind us of the similarity to early-70s German Psych like Ash Ra Tempel or Guru Guru. We the audience should be immersed and absorbed into his Krautrock soundscape, that keeps pretty elastic and expansive so freely. Synthesizer-oriented noisy discharges are also enjoyable, based upon percussive vibe baselines. The last spart featuring repetitive addictive phrases sounds like King Crimson's Discipline Era. In "Part 2" floating electronic bubbles definitely catch our heart in a strict manner. Musical instability is sitting on there, but it cannot give us any concern nor anxiety. It sounds like something pleasant is around the duo and the audience as well. Mauicio's drumming is just on the point we get fond of. Weird melodic concentrations shoot massive power for us under such a tough situation. The last metallic texture leads us smoothly onto the Third Movement. "Part 3" keeps kind of a dreamy hallucinogenic plastic fantasy in the first set. Elegant ethnic tribal beats launched by Mauricio's percussion and drums are very comfortable. No obvious syllable nor verse-chorus-verse is here, but it's sort of a wonder why we can feel familiar with such a complete deviation. Guess the duo provided their rigid and sincere musical attitude and intention on the stage. This sound protocol and outcome give us a fascinating niche. And the epilogue "Part 4" should be in the same vein of Manuel Göttsching's "Inventions For Electric Guitar" that meets enthusiastic percussion played flexibly and loosely. Enchanting reflections filled with the antithesis of the pop-cultural world ring our bells without any suspicion. We are driven into another complicated dimension by the shortest track in the album.

The very last applause is the result of a wonderful dream proposed by the splendid duo.

 Lottery Of Memories by SWARA SAMRAT album cover Studio Album, 1994
4.38 | 7 ratings

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Lottery Of Memories
Swara Samrat Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars I'm not surprised to see Damo giving this an enthusiastic 5 star review. This band out of Germany created a dirty sounding Psychedelic beauty. Distorted guitar all over the place plus some great sounding bass. We do get organ but it's not nearly as prominent as the other instruments. Vocals are in English and they have character. This is a trippy record that is quite intoxicating. I loved it from the first spin. This is a little different lets put it that way. Roland Wehner is the leader and owner of the Coloured Rain label with a marijuana leaf as it's symbol like Garden Of Delights. On the back of the recording it says "Warning: This record contains some secret and mysterious messages and a number of top ten hits."

That opener is my favourite and a good song to sample to hear what they sound like. It's called "Walkin' On The Beach" and it's trippy and repetitive with vocals and guitar over that drum and bass foundation. Great sounding tune. I really like "Angelina" too at almost 10 minutes. Again this can be trippy and repetitive. Percussion and a calm at 5 minutes then back to the hypnotizing music. "Hello Goodbye" has some upfront organ for a change along with guitar to start. It settles as vocals and distorted guitar standout. Another winner as the vocals come and go.

"Samba For Lisa" is different with the acoustic guitar being added to the electric. The different percussion sounds too along with experimental sounds. If that song was a little different then so is the title track with the pan flute and guitar expressions. Exotic is the word. Vocals too and there's so much going on here. The closer features a lot of orchestral sounds making side two quite different from side one.

I highly recommend this to Krautrock and Psychedelic fans out there.

 Brot + Spiele  by MUNJU album cover Studio Album, 1980
3.00 | 7 ratings

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Brot + Spiele
Munju Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars After two instrumental albums MUNJU out of Germany make their third record from 1980 a vocal record. The drummer and guitarist sing and there's a guest singer on track three. All sing or speak in German and man the vocals really take away from the enjoyment here. I prefer the first two albums to this but I didn't give either of those 4 stars so this has been a band I just haven't been able to get into. The drums also sound weak to say the least. I even wondered if they used a drum machine but apparently not.

Some call this Kraut Fusion in the vein of MISSUS BEASTLY and the like. Not as jazzy as that band and sax player Jurgen Benz has left after the last record, he being from MISSUS BEASTLY coincidently enough. American Fred Lamberson is the new sax player in Jurgen's place. Oh besides a guest singer on one track we get EMBRYO's Christian Burchard adding tribal drums to the shortest piece "Armadillo" plus he adds vibes to "Manchmal Dauert Es So Lang" a song where the sax is prominent. Except for that short track all the rest range from 5 1/2 minutes to 6 1/2 minutes. And with the drumming and vocal issues I have 3 stars is all I got.

 Tanz Der Lemminge [Aka: Dance Of The Lemmings] by AMON DÜÜL II album cover Studio Album, 1971
4.09 | 352 ratings

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Tanz Der Lemminge [Aka: Dance Of The Lemmings]
Amon Düül II Krautrock

Review by prog_traveller!!

5 stars In the early 1970s, times were different. Amon Düül II released two double LPs at the beginning of the decade, "Yeti" in 1970 and in 1971 "Tanz der Lemminge". Only a few years later, especially after the oil crisis, something like this would have been an impossibility. No record company would have financed two such extensive projects for a crazy dillette troupe. In fact, the Düüls' third double album in 1975 - "Made In Germany" - was trimmed to a single LP (also because of the content that the record company found sometimes explosive).

But at the beginning of the decade there was still investment, the focus was not so much on sales figures, but on the favor of the public, individual character and willingness to experiment. You let the groups do it, made sure that the whole thing didn't get too wild, was produced reasonably well and published it (albeit often in low editions). United Artists had three of the most famous Krautrock bands under contract in 1971: Can, Embryo and Amon Düül II. The second Düül were probably the best known at the time. In 1970 Musik Express's pop poll voted the group the best band in the "Underground" category and "Yeti" in 1971 as the album of the (previous) year. The Munich-based company was also well received abroad, so that the group was able to get down to the production of their third album. The British New Musical Express would later call "Tanz der Lemminge" "the best highlight of German rock". With Shrat (who had started his own project Sameti) and Renate Knaup (who paused for some reason) two founding members of Amon Düül were not present at the recordings (Henriette Krötenschwanz Knaup does have a short vocal appearance in "Riding On A Cloud") . Bassist Lothar Meid (previously briefly with Embryo) and electronics specialist and sound engineer Karl-Heinz Hausmann joined the group for this purpose. Jimmy Jackson (at Embryo at the time) can also be heard as a guest on all kinds of keyboard instruments (he replaces Falk Rogner in the first two pieces). "Tanz der Lemminge" is therefore probably the most key-heavy album of the Düüls, which manifests itself in various passages full of distorted, shrill and howling organ sounds and something that sounds like Mellotron choirs (the cover says "Choir-Organ").

In particular, there are clear differences between the first two long numbers and the film music for Chamsin (Tracks 3-6). "Syntelman's March Of The Roaring Seventies" and "Restless Skylight-Transistor-Child" are Düül-typical strings of all kinds of rock, folk and psychedelic fragments, which result in a coherent and bizarre whole, with strange, but rather accented vocals , "The Marilyn Monro-Memorial-Church" is an impressive psychedelic-free sound improvisation that creates a continuous, hypnotic-surreal atmosphere. The rest of Chamsin's tracks, on the other hand, are shorter, no less intense, psychedelic rockers. Comparisons with Pink Floyd are certainly appropriate here, especially with "Ummagumma"

"Dance of the Lemmings" is my favorite record of Amon Düül II and I see it as the masterpiece of the group, especially "The Marilyn Monro-Memorial-Church". The album is well produced, full of bizarre and sonically impressive ideas and the occasional amateurism of the first two LPs - apart from some of the vocal interludes - can hardly be heard anymore. Amon Düül II was not and should not be so varied, strange and imaginative before. In short: This album is a must for Krautrock lovers!

 Yeti by AMON DÜÜL II album cover Studio Album, 1970
4.10 | 519 ratings

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Yeti
Amon Düül II Krautrock

Review by prog_traveller!!

4 stars Apparently the second Düül in 1970 with "Yeti" caused a moderate sensation in Germany and abroad. A year later, the album was even voted album of the year by the readers of Musik Express magazine's pop poll and the group itself was voted the best young band. Amon Düül II were one of the best known, if not the best known German rock band at the beginning of the decade. The brief soaring of Krautrock began.

To the music! Psychedelic rock can be heard on "Yeti", largely improvised in the second half of the album, which can be placed close to the early Pink Floyd, but which can also stand comparisons with various American formations of the late 60s, e.g. The Velvet Underground , The Chocolate Watch Band, Jefferson Airplane or The Thirteenth's Floor Elevators. However, the music of the Düül is a lot edgier, freer, more imaginative and versatile. Psychedelic rock songs with hit potential ("Archangels Thunderbird"), stand next to free rock excursions ("Cerberus"), strange, folky- psychedelic songs with bizarre, somewhat getting used to singing ("Soap Shop Rock" - here you can hear the wrecked Wagner singers) and long, sweeping improvisations (the last three tracks, including the almost 20-minute, impressive title track). Amon Düül II play here freshly and freely, rock casually, occasionally a little bumpy and let their joy of playing run free. Guitars, the electrically amplified violin Chris Karrers, bass and all sorts of percussion are the focus of the sounds, Falk Rogner stays in the background with his organ.

"Yeti" is next to the successor "Dance of the Lemmings" the best that the Düüls have ever put on record. Keyboard instruments play a more important role on the successor, for example there are differently weighted, more sophisticated and more complex compositions to be heard (which is why I like that album a bit better). "Yeti", on the other hand, is rawer (one could also say "more primitive"), fresher and looks even more informal. In short: "Yeti" is a really important disc in the Krautrock history and should be part of the basic equipment of a corresponding collection. It's also really fun to listen to the band's wild goings-on!

 Edge Of Time by DOM album cover Studio Album, 1972
4.21 | 152 ratings

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Edge Of Time
Dom Krautrock

Review by prog_traveller!!

4 stars Even if the booklet of the nicely designed digipack of the CD reissue of "edge of time", the only publication of the group dom from Düsseldorf, says "history of dom", there is hardly any information about the band apart from a few pictures. The von Baksay brothers, of Hungarian origin, probably formed the core of the group, which was already active in 1966 as "The Early Birds". Afterwards (now also with Hans-Georg Stopka and Rainer Puzalowski) they called themselves "The Set Minds" for a while, before the group name dom was chosen in 1969. The quartet recorded an LP in 1970 (according to other sources not until 1972), which was released in 1972. The extremely rare and sought-after disc was re-released in 2001 by Second Battle, remastered and provided with bonus tracks.

Acoustic guitar, organ, percussion instruments, bass and various flutes determine the pieces to be found on "edge of time". In addition, there are various, sometimes quite violent electronic sounds and occasional vocal interludes (however, they do not sing properly). The four long and rather solemn titles of the original LP offer a bizarre, psychedelic-cosmic mixture of folk, electronics and organ-prog, which can best be compared with various, rather calm- meditative pieces from the early Pink Floyd ("Set The Controls For The Heart Of The Sun "," Quicksilver "or the beginning of" Be Carefull With That Ax Eugene ").

Wobbling, booming and distorted organ sounds, echoing and resounding percussion (also vibraphone and bell sounds), hissing, humming and oscillating electronics, meet acoustic guitar lines, a subtle bass and the contemplative sounds of the flute and recorder. The whole thing is done very professionally, comes out of the boxes very powerfully and intensely and avoids any stoned amateurism.

The 4 parts of "Flötenmenschen" (recorded 1972) do not differ that much from the first 4 numbers. The sound is worse, however, which gives the pieces a somewhat raw, almost experimental atmosphere. "Let Me Explain" was recorded in 1998 by the Baksay brothers. The piece is an electronic sound collage that is reminiscent of the music of groups like The Orb, The Future Sound Of London or Zoviet France. Interesting! All in all, these are definitely worthwhile bonus pieces!

"Edge of Time" is a nice record that should especially please friends of extravagant, experimental psychedelics. The sounds of this disc take the listener, if they get involved, on a varied and exciting journey that cleverly avoids the lengthy monotony of many meditative Krautrock productions. Recommended!

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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ABSCHAUM France
ACHTZEHN KARAT GOLD Germany
AG A.M. Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
ATTEMPT TO RESTORE Germany
AVARUS Finland
AVEC LE SOLEIL SORTANT DE SA BOUCHE Canada
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F. BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CAVERN OF ANTI-MATTER Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD United States
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DATASHOCK Germany
DAVENPORT United States
DEAF Switzerland
DEJA VU Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
FRANKIE DYMON JR. Germany
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EINSEINEINS Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
ETURIVI Finland
EULENSPYGEL Germany
EX CANIX Sweden
EXPONENT Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FEVER KNIFE Finland
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FLYING MOON IN SPACE Germany
FOTOSPUTNIK United States
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Switzerland
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN / LIED DES TEUFELS Germany
HÄX CEL Germany
HEDERSLEBEN Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KORB United Kingdom
KOSMISCHER LÄUFER Germany
KRAKATAU Australia
KRAUTWERK Germany
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
L.S. BEARFORCE Germany
LA DÜSSELDORF Germany
LA! NEU? Germany
LARD FREE France
LAVA Germany
LEVEL PI Germany
LICHTPYRAMIDE United Kingdom
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
LUNAR GRAVE United States
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MINAMI DEUTSCH Japan
MITTELWINTERNACHT '71 Germany
MOOLAH United States
MOON OF OSTARA United Kingdom
MOONWOOD Canada
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
N-1 Germany
THE NAZGÛL Germany
NECRONOMICON Germany
NEON HEART Sweden
NEPTUNITE Germany
NEU ! Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
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