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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007

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Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.22 | 195 ratings
HOSIANNA MANTRA
Popol Vuh
4.14 | 265 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.04 | 328 ratings
YETI
Amon Düül II
4.05 | 237 ratings
NEU!
Neu!
4.05 | 232 ratings
TANZ DER LEMMINGE (DANCE OF THE LEMMINGS)
Amon Düül II
4.03 | 306 ratings
PHALLUS DEI
Amon Düül II
4.15 | 91 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.09 | 132 ratings
GILA - FREE ELECTRIC SOUND
Gila
4.00 | 367 ratings
FUTURE DAYS
Can
4.18 | 70 ratings
EDGE OF TIME
Dom
4.11 | 94 ratings
SELIGPREISUNG
Popol Vuh
4.03 | 154 ratings
ELECTRIC SILENCE
Dzyan
4.00 | 190 ratings
MALESCH
Agitation Free
4.63 | 21 ratings
EISZEIT
Gam
4.06 | 83 ratings
KÄNGURU
Guru Guru
3.92 | 435 ratings
TAGO MAGO
Can
4.00 | 110 ratings
AGUIRRE, THE WRATH OF GOD
Popol Vuh
3.98 | 131 ratings
IN DEN GÄRTEN PHARAOS
Popol Vuh
3.92 | 203 ratings
WOLF CITY
Amon Düül II
3.99 | 95 ratings
THE COSMIC JOKERS
Cosmic Jokers, The

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

SILOAH [ALSO RELEASED AS SÄUREADLER]
Siloah
PLANET OF MAN
Code III
ARKTIS TAPES
Arktis
MAGIC THEATRE
Drum Circus

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Latest Krautrock Music Reviews


 Hinten by GURU GURU album cover Studio Album, 1971
3.57 | 57 ratings

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Hinten
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

4 stars The butt-ugly cover of Guru Guru's sophomore album is entirely appropriate: this is the ass-end of classic Krautrock, slightly more refined than the band's earlier "UFO" but no less primitive in its unclothed, lo-fi squalor. The raw garage band sound was deliberate, and it fits; engineer/ producer/ Krautrock guru Conny Plank always tailored his method to fit the music instead of the other way around, and the music of early Guru Guru was a lot closer to earth than the Kosmische Rock of other German bands at the time.

Symphonic-minded Progheads should therefore take heed. This album is so unpolished it could easily be mistaken for a loose clump of musical dirt, instead of the diamond-in-the-rough it actually is. But there's a crude playfulness here too, as the unflattering cover art makes all-too explicitly clear. I suppose when you're fighting The Establishment using radical politics, psychedelic drugs, and over-amped guitar feedback, it helps to also have a sense of humor.

And the trio was beginning to listen to each other, allowing a little more light and air into their music. The Jimi Hendrix influence is strongest in the perfectly-titled album opener "Electric Junk", strangely skewed when filtered through the usual cross-cultural translation. But the soundstage widens considerably for "The Meaning of Meaning", a slowburn freak-fest showpiece for guitarist Ax Genrich. Ditto "Bo Diddley", in which the band gets downright goofy. Is that Mani Neumeier himself, shouting out the name of the legendary R&B pioneer in a succession of Monty Python-like voices? (The credits include "Sounding Being" and "Zonk Machine" among his other esoteric instruments.)

Needless to say, it's a long way from anything resembling musical sophistication. But the album was still miles ahead of the band's 1970 debut. And today it remains a valuable artifact from the Stone Age (pun intended) of power rock rebellion.

 UFO by GURU GURU album cover Studio Album, 1970
3.67 | 101 ratings

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UFO
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

3 stars The debut album by Germany's premier power trio seems to have divided even the more reliable collaborators on this site, and not without good reason. The primitive garage-band jams collected here might have been prototypes of Krautrock sedition, but are they actually any good? Heck, are they even half-way listenable?

Sure, the album is a bit of a mess. But it's just possibly a Jackson Pollock sort of mess...in other words, one made by agitators who knew what they wanted. Or, more accurately, what they didn't want: anything resembling structure, direction, or professional gloss. This sort of musical anarchy was a holdover from the more radical 1960's, and not unlike a lot of post-hippie guitar freakouts was political in context. The band itself called what they were doing 'action music', although the only action likely taken by unwary listeners might be to reach for a large bottle of aspirin.

Even with more than forty years of hindsight it can still be hard to distinguish one instrumental thrash from the next; a mark of distinction, to some of us misfits. And with titles like "Stone In" or "Der LSD- Marsch" it's entirely possible the band had the same problem in 1970 (the latter example, for better or worse, smacks of firsthand chemical knowledge). But it's the ten-minute title improvisation that remains the album's litmus test: a completely free-form exercise in spontaneous noise-making, played (apparently) for no other reason except to hear the effect of all that feedback.

What the album misses is the occasional touch of goofy humor that would color upcoming Guru Guru LP's. Drug references aside, it's a pretty sober experience...ignoring the (possibly) tongue-in-cheek statement inside the laminated gatefold cover, above the portrait of the band representing bassist Uli Trepte as a hallucinated extension of R.U. Kaiser's Ohr Records logo. Quoting the pseudonymous P. Hinten, "Soon the UFO's will land and mankind will meet much stronger brains and habits". And here's the kicker: "Let's get ready for that".

Was it meant as an invitation, or a threat? Yes, let's get ready to throttle ET with all six of Axe Genrich's electric guitar strings! A moot point, by now: stronger brains and habits have proven no match for the primordial grunge of Mani Neumeier and company, as we're still learning after almost 45- years of waiting for those objects to finally land.

 Eroc by EROC album cover Studio Album, 1975
3.33 | 12 ratings

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Eroc
Eroc Krautrock

Review by Neu!mann
Prog Reviewer

3 stars His first solo album outside the three-ring circus of GROBSCHNITT saw lead clown Joachim Ehrig (alias Eroc) downplaying his irreverent "Lumpy Gravy" humor in favor of a milder brand of homemade Krautrock, more experimental than the music of his parent band but hardly inaccessible. And for a musician otherwise employed as a drummer there's a conspicuous lack of percussion over most of the album, without a cymbal to be heard over its entire first half.

Be prepared instead to settle into the long, electronic lullaby of "Kleine Eva": twelve sublime minutes of beautifully arranged keyboard variations on a simple, childlike melody. That opening idyll is followed by the more unsettled synthetic reverie conjured by "Des Zauberer's Traum" (The Magician's Dream), and then a brief audio-vérité joke shared with a member of Grobschnitt's road crew and performance troupe.

The flipside of the 1975 LP explored more traditional Krautrock territory (if that isn't an oxymoron) in the Teutonic Rock anthem "Norderland", an obvious album highlight. And the weirder face of the Eroc coin was revealed in "Horrorgoll": an ACHIM REICHEL-like echo effect nightmare built around repeated voice samples and atonal piano accents. The track is longer than it needed to be, but the silver lining is the lovely "Sternchen", bringing the album to its final, graceful resolution.

All worthwhile, in its own modest way. But the 2005 CD re-issue presents a different experience altogether. The copious bonus material, recorded more or less around the same time, is salted throughout the disc instead of lumped together at the end, totally changing the pace and flow of the original album. These aren't really outtakes (the music is too good), but more like a random sampling of unreleased songs from the composer's private stock of basement tapes, built (mostly) around gently strummed guitars, tasteful synths, homeopathic percussion, and the occasional kazoo (of course).

Hardly essential, but classic Eroc. And like the rest of the album so German every chord deserves its own umlaut. Fans of Grobschnitt's vaudeville Prog may find it a surprisingly restrained effort from such an extroverted cutup. But every joker should be allowed a few private moments of creative introspection.

 Electric Silence by DZYAN album cover Studio Album, 1975
4.03 | 154 ratings

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Electric Silence
Dzyan Krautrock

Review by friso
Prog Reviewer

5 stars Dzyan - Electric Silence (1975)

The search for obscure progressive records is the search for magic, but as you listen to an obscure record the magic usually fades - it was made by people with instruments, like every other record. This record 'Electric Silence' is however an obscurity that sounds so mysterious and non-human that the feeling of magic doesn't fade that much.

No vocals, just multi-ethnic jams by brilliant musicians with an other-wordly ethos, if the avant- prog moments would not have been present it would have been spiritiual. The musicianship is plain brilliant and all three musicians play multiple instruments. The recording is good - not perfect - but the amosphere is great; delicate, mysterious and spacious. I like the fact that the record can not be understood, it can only be listened to in amazement.

Conclusion. Brilliant other-worldly music. Recommended to fans of krautrock, spacerock, jazzrock, avantprog and prog with world-music influences.

 To the Principles, For the Children by YA HO WHA 13 album cover Studio Album, 1974
2.17 | 3 ratings

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To the Principles, For the Children
Ya Ho Wha 13 Krautrock

Review by Whisper Aquarian

2 stars This is not a review of the album, but rather a clarification for anyone interested in who is singing the very last song on the album, along with the accompanying voices of children. The very last song on this album was written by Tim Garon (aka Aladdin, Hom), also he is singing and playing guitar; and he was leading the small group of children who were in the family at the time to sing along. Although, he is given no creds on the album as this was a Yahowha 13 album and since he didn't actually perform with them; they felt it wasn't necessary to acknowledge him. But, now after 40 years I felt it was time that people knew whose song that belonged to.
 The New Millennium (with U-She) by CZUKAY, HOLGER album cover Studio Album, 2003
3.03 | 4 ratings

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The New Millennium (with U-She)
Holger Czukay Krautrock

Review by admireArt

3 stars If all nightlife music were like this!

Holger Czukay's, 2003, album "The New Millennium (with U-She)", had the luck of appearing in PA, due to Czukay's pioneering in the early Krautrock scene (co-founder of CAN). But most of these songs fit the electronic dance floor scene rather than the average prog/electronics's or Krautrock's audiophile expectations, less the other 90% of the Prog's bunch!

But I myself am glad because it is so un-prog, yet experimental and intelligent all the way through. And mainly because this kind of techno-trance/dance, electronic music found its way on such a "sacred Prog land" !

Anyway, the songwriting besides being in its majority danceable, does not subdue itself to be or become "mainstream". The experimental and humorous Krautrock tones, save each song of becoming a self-parody of the dance floor scene or the 80's one. Opposite to that, it becomes the kind of "perfect world" nightlife music for "lost" proggers.

The real deal is having taken the best of the 80's sexy dance sounds (U-She's vocals take care of this), bringing them to the 21st century's refinement, transmuting them into something less cliched and fresher, and adding really cool contemporary experimental dance/trance-electronics and stylings, and still be intelligent in its songwriting and never condescending to its own roots.

Going by the book ***3 PA stars, but I am gonna keep this one!

 On Flight To The Light by DREAMWORLD album cover Studio Album, 1980
3.04 | 7 ratings

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On Flight To The Light
Dreamworld Krautrock

Review by apps79
Special Collaborator Neo Prog Team

3 stars After Yatha Sidhra totally dissappeared from the music scene, one could wonder what the Fichter brothers were dealing with.Answer came at the dawn of the 80's, when they returned as a duo under the name of Dreamworld.Rolf Fichter was known as an accomplished multi-instrumentalist, but his brother Karl had also developed his skills, now playing keyboards and guitar besides his usual spot behind the drum kit.Dreamworld made their debut in 1980 on Vertigo with the album ''On flight to the light''.

Short opener ''Ways of love'' was not something you should expect from former Yatha Sidhra musicians, having a certain PINK FLOYD aura with a hypnotic, Space/Psych Rock sound and very GLIMOUR-like guitar vibe on the solos with some sneezy vocals thrown in.On the contrary, the 10-min. ''Beneath silence and storm'' sounds like a lost YATHA SIDHRA piece, which still retains some of the PINK FLOYD mood, but the narcotic acoustic lines over the dreamy synth notes and the use of flute are coming straight out of the Fichters' past.After the middle the Kraut-oriented jam on electronics and organ offers a kinky, psychedelic atmosphere.''Summer days'' is another suprise, a mix of Kraut Rock, Lounge Music and Psychedelic Rock with interesting flute work but some bland vocals as well.Was this track recorded live, because something like an audience can be heard in the background, or these were only some sound effects, who knows.The 20-min. ''Dreamworld's symphony'' has nothing to do with a symphony actually.This is some sort of standard Kraut Rock with emphasis on electronic soundscapes, filled with sound effects, percussion and atonal piano lines, having obvious psychedelic orientations and becoming a jam monster, when electric guitar and organ jump in.An interruption will lead to an acoustic outro with acoustic lines and mellow flutes in yet another YATHA SIDHRA reminder.

Cool mix of Electronic Music, psychedelic jams, PINK FLOYD tendencies and light Space Rock.Beautiful album for relaxing or making trippy dreams.Recommended.

 Mythos by MYTHOS album cover Studio Album, 1972
3.58 | 67 ratings

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Mythos
Mythos Krautrock

Review by Tarcisio Moura
Prog Reviewer

2 stars A friend borrowed me this CD; the debut album of this obscure Berlin based band from the beginning of the 70´s. I´ve got to admit that this trio of guys were a skillful bunch, specially Stephan Kaske who could handle guitars, flute, zither and keyboards with apparently ease, and the ohter two were not far behind.

Their music is quite varied going from pastoral to heavy rock to electronic and so far. It would be great if they were put together, but actually those styles are featured on each track. So Mythoett is the pastoral bit, with flutes reminding me of Jethro Tull´s Bourée. Hero´s Death is heavy rock, while Oriental Journey is filled with sitars and (surprise!) eastern rhythms. Vocals are all electronic processed and they made me think of Eloy around the time of their Floating period, only even more on the fake side of it.

The second side of the original LP is more of experimental music, with only two trakcs, the instrumental Encyclopedia Terra part 1 being the most interesting, mixing elements of ambient/space rock/electronic with various sound effects. The second track has a long spoken story and both the theme and the music around it dated badly.

In the end I found this CD to be more promising than anything else. Clearly they were still green on the songwriting department. But since they proved to be capable musicians I guess I´ll look for their follow ups to see how they developed from here. As it is, this disc is clearly for the krautrock fans and collectors only.

Rating: 2.5 stars. .

 Zwai by HÄX CEL album cover Studio Album, 1972
3.11 | 6 ratings

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Zwai
Häx Cel Krautrock

Review by apps79
Special Collaborator Neo Prog Team

3 stars Originating from Hannover, Germans Hax Cel were formed in late-1971 by flutist/singer Dieter Neumann, keyboardist Achim Neubauer, bassist Michael Moebus and drummer Rainer Greffrath.They played Classical Rock, influenced by the works of Albinoni, Bach, Beethoven or Haendel and were eventually discovered by jazz drummer Dietmar Siebrasse, who happened to be also the owner of the small label Dizzy Records.Among the live performances the band recorded a single for Dizzy in 1972, followed by a full-length LP, entitled ''Zwai'' at the end of the year.This was actually a live performance of the band, captured on October 29th at Beethovensaal in Hannover.

As you may notice the four guys had no interest to add any guitar sounds in their style in order to come as closer as it gets to Classical Music.''Zwai'' is an interesting yet a bit outdated album concerning the style with flutes and keyboard in evidence, creating passages with dramatic, romantic and melancholic melodies, even if some psychedelic leftovers are still present in the faster paces.They appear to borrow themes from famous composers and add a fair dose of originality to come up with a strongly Classical-drenched style, characterized by smooth interplays, sweet arrangements and some rare takeoffs with a heavier rhythm section and frenetic flute solos.Neubauer performs apparently on acoustic/electric piano and harsichord, propably another reason why ''Zwai'' sounds so much influenced by Classical Music.Vocals are sporadic and rather mediocre, so the main focus here should be on the good interplays between keyboard and flutes and the well-executed shifting tempos and atmospheres.The bulk of the instrumental themes are much inspired by the Baroque period and the execution is solid and confident, even if this was a live performance by the band.

Good Classical Prog, that struggles a bit to fight against the sand of time.Great flute solos and some beautiful keyboard-based melodies are the main reasons to purchase the album.Recommended.

 The Lost Tapes by CAN album cover Boxset/Compilation, 2012
3.97 | 44 ratings

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The Lost Tapes
Can Krautrock

Review by javajeff

5 stars This album really deserves some love. If these tapes were lost, that would be a travesty. This is one of Can's best albums if not the best. The 3 CDs are loaded with music and contain some of Can's best songs. CD 1 alone has Millionenspiel, Waiting for the Streetcar, and Graublau that are favorites of mine. I listen to this album more than others due to the raw nature of the music. It can be experimental at times, jazzy, tribal, minimalistic, and pyschadelic. It is unmistakably Can. I am not a Krautrock fanatic or collect Krautrock bands, but I do love Can's early stuff. This is more of a good thing for any level Can fan, and a must buy.
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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ACHTZEHN KARAT GOLD Germany
AGAM Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
AVARUS Finland
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
HERBERT F BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD Multi-National
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Various
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DAVENPORT United States
DEAF Switzerland
DEJA VU (GER) Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
DZYAN Germany
EGYPT IS THE MAGICK # United States
EILIFF Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
EULENSPYGEL Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FOTOSPUTNIK United States
FRANKIE DYMON JR. Germany
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Germany
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN (LIED DES TEUFELS) Germany
HÄX CEL Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
LA DÜSSELDORF Germany
LA!NEU? Germany
LARD FREE France
LAVA Germany
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
MCCHURCH SOUNDROOM Switzerland
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MITTELWINTERNACHT '71 Germany
MOOLAH United States
MOON OF OSTARA United Kingdom
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
THE NAZGUL Germany
NECRONOMICON Germany
NEU! Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
RALF NOWY Germany
NU & APA NEAGRA Romania
OKTOBER Germany
OMOIDE HATOBA Japan
ONYOU United States
ORANGE PEEL Germany
PACIFIC SOUND Switzerland
PANCAKE Germany
PANKO MUSIK Germany
PATERNOSTER Austria
POPOL VUH Germany
PRINCESS FLOWER AND THE MOON RAYS Multi-National
PROF. WOLFFF Germany
PROSPER Germany
PSYCHEDELIC MONSTERJAM Germany
PYRAMID Germany
PYRANHA Switzerland
MICHAEL ROTHER Germany
RUFUS ZUPHALL Germany
SAMETI Germany
SAND Germany
SCARECREW Germany
SEEDOG Germany
SEIKAZOKU Japan
SEMOOL France
SHANNONDOA Germany
SIDDHARTHA Germany
SIINAI Finland
SILBERBART Germany
SILOAH Germany
SILVESTER ANFANG Belgium
SINTO Germany
SITTING BULL Germany
SOUTH OF NO NORTH Belgium
SPACE EXPLOSION Germany
SPERRMÜLL Germany
SWARA SAMRAT Germany
MITSURU TABATA Japan
TASTE OF BLUES Sweden
TEARPALM Serbia
TEMPLE Germany
THINK Germany
THRICE MICE Germany
TIERE DER NACHT Multi-National
TON STEINE SCHERBEN Germany
ULI TREPTE Germany
TRIKOLON Germany
TRIP TO ELARA Germany
TWOGETHER Germany
UCHIHASHI KAZUHISA & MANI NEUMEIER Multi-National
ULENSPIEGEL Germany
ULTRALYD Norway
UTOPIA Germany
VAMPIRES OF DARTMOORE Germany
VELJENI VALAS Finland
VERDE (MIKA RINTALA) Finland
VINEGAR Germany
VIOLENCE FOG Germany
VIRGIN'S DREAM Germany
CHRISTIAN VON ESCHERSHEIM Germany
WALTER WEGMÜLLER Germany
WIND Germany
WOODEN VEIL Multi-National
XHOL CARAVAN / XHOL Germany
YA HO WHA 13 United States
YATHA SIDHRA Germany
ZIPPO ZETTERLINK Germany
ZWEISTEIN Germany

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