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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007

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Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.18 | 289 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.20 | 215 ratings
HOSIANNA MANTRA
Popol Vuh
4.26 | 82 ratings
EDGE OF TIME
Dom
4.08 | 256 ratings
TANZ DER LEMMINGE (DANCE OF THE LEMMINGS)
Amon Düül II
4.05 | 363 ratings
YETI
Amon Düül II
4.07 | 262 ratings
NEU!
Neu!
4.05 | 327 ratings
PHALLUS DEI
Amon Düül II
4.03 | 416 ratings
FUTURE DAYS
Can
4.64 | 25 ratings
EISZEIT
Gam
4.09 | 146 ratings
GILA - FREE ELECTRIC SOUND
Gila
4.14 | 90 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.22 | 61 ratings
VOLUME 10
Electric Orange
4.10 | 96 ratings
SELIGPREISUNG
Popol Vuh
4.03 | 160 ratings
ELECTRIC SILENCE
Dzyan
3.95 | 494 ratings
TAGO MAGO
Can
3.98 | 209 ratings
MALESCH
Agitation Free
4.07 | 95 ratings
KÄNGURU
Guru Guru
4.02 | 111 ratings
AGUIRRE, THE WRATH OF GOD
Popol Vuh
3.98 | 137 ratings
IN DEN GÄRTEN PHARAOS
Popol Vuh
4.17 | 45 ratings
A.R. IV
A.R. & Machines

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

VAMPIRE STATE BUILDING
Alcatraz
A COUPLE OF TIMES
Twogether
MAGIC THEATRE
Drum Circus
DELUSION
McChurch Soundroom

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Latest Krautrock Music Reviews


 Only Human by AMON DÜÜL II album cover Studio Album, 1978
2.28 | 35 ratings

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Only Human
Amon Düül II Krautrock

Review by Lewian

2 stars The most important thing about this album is that you should know "Kismet", even if you're not interested in the rest. Kismet is truly great. It would be a perfect opener of my favourite ADII setlist, it starts dark and mysteriously and builds up nicely, has a number of interesting melodies and changes, strong oriental influences, and Chris Karrer's mysterious voice is wonderfully suited for this. The only reason why they didn't start the album with this is probably that then the listener would expect too much from the remainder of the album and would be badly disappointed. In any case, this song is a strong reason not to dismiss "Only Human" completely. Unfortunately , Kismet towers head and shoulders above the rest of the album, which is pretty underwhelming. Well, it won't hurt you to lsten to it from beginning to end, much is rather easy going and there are some OK melodies with the odd twist or turn. I personally like Spaniards and Spacemen with its light feathery feel although many hate its disco sound. Anyway, Kismet is great and all the rest is, while not unbearable or really bad, still rather unremarkable.
 Past, Present & Future by BRAINTICKET album cover Studio Album, 2015
3.95 | 19 ratings

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Past, Present & Future
Brainticket Krautrock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Riding The Comet ...

Chapeau! Aged 77(!), Belgium-born keyboardist Joel Vandroogenbroeck, known as the mastermind of BRAINTICKET, risks a new attempt. Hereby he has the complete Hedersleben core at his side, speaking of Nick Garratt (guitar), Bryce Shelton (bass), Jason Willer (drums), Kyrsten Bean (vocals, guitar) and Kephera Moon (vocals, keys). This altogether will guarantee a technically skillful presence, just for the record. For those who didn't know that beforehand, Vandroogenbroeck himself is one hell of a krautrock iconic figure, highly praised for the debut album 'Cottonwoodhill' in particular, which was released in 1971.

Nearly 45 years after that the krautish attitude hasn't faded away, though overall the music is more sophisticated and accessible for sure, not that raw anymore. Thus the extended suite Dancing On The Volcano in two parts appears as a spellbinding progressive amalgam of space, electronic, jazz and funk, this on top of that presented with a proper amount of jamming over the course of thirty minutes. Especially Joel's flute performance is striking as a matter of fact. For some time my focus has been here solely ... but it actually gets better futhermore! The following seven compact songs are proving them even more inspired, varied, playful.

And then - with the final Brainticket Blues on top - we're seemingly goin' back to the roots. While deriving from the blues origin this is something hypnotic spacey, which excellently mirrors the conversion from standard Rhythm & Blues to the experimental krautrock phase around the switchover of the 1960s to the 1970s, just decorated with a few narrations provided by Kyrsten Bean. Mixed by Jürgen Engler (Die Krupps) the album truely matches your prog collection. Joel Vandroogenbroeck is on his way beyond space and time, yes, still! With 'Past, Present & Future' he has administered a very fruitfull musical collaboration where all participants are acting on eye level.

... Is There Any More Of This To Expect?

 Die Neuen Welten by HEDERSLEBEN album cover Studio Album, 2014
4.05 | 2 ratings

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Die Neuen Welten
Hedersleben Krautrock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars The band name seemingly evolved from a rather pragmatical solution. Nicky Garratt, co-founder of the British punk band UK Subs, once met Uve Müllrich, bass player of Embryo. This just happened at Hedersleben, a small village situated in Eastern Germany (former GDR). After celebrating some jams together and obviously being inspired Nicky decided to form a new band, where he could convince his ex-colleague and drummer Jason Willer to take part in the project as another constant. And finally keyboardist Kephera Moon also turns out to be one of a party with regularity.

While also including a few other like-minded musicians they have toured the US up and down, had collaborations with Nik Turner and made an important contribution to the recordings for the new Brainticket release. Two band albums were recorded so far, this one is the latter from 2014 which clearly shows them underway on kraut respectively space rock paths. The extended title track comes inspired by diverse bands - there is a ADII/Yeti adapted flow to state, or just taking the Doors alike psychedelic organ into account.

A wonderful relaxed listening experience featuring soaring guitars and synths as well as hypnotic bass lines contributed by Bryce Shelton. Kati Knox's ethereal voice appears here and there and finally it all turns into a nice, more classically flavoured piano sequence. The following four songs are building a range of shorter excerpts offering a more common song structure - though, basically also equipped with the aforementioned attributes further on, this is definitely appealing too. An astonishing affair when considering Nicky's musical origin. Spot on! Highly recommended!

 Remember I Was Carbon Dioxide by CAMERA album cover Studio Album, 2014
3.95 | 2 ratings

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Remember I Was Carbon Dioxide
Camera Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars CAMERA is a young German band who have compiled an album that consists of songs that are on the one hand dark and experimental soundscapes and on the other hand songs that have that Motorik beat ala NEU!, LA DUSSELDORF and HARMONIA. I do prefer those dark soundscapes but man this is such a good idea contrasting these two different styles of Krautrock.

"From The Outside" opens with a spacey atmosphere before a beat joins in. Man this sounds so good. The guitar is gently played over top. Nice. Distorted guitar before 3 1/2 minutes and it's interesting how the distorted guitar brings to mind the psychedelic period of PORCUPINE TREE. I like it! A top four track. "Parhelion" has this steady beat and deep distorted sounds as it builds. So catchy! Love the dissonant sax and distorted guitar on this track. "Synchron" really reminds me of LA DUSSELDORF, NEU! and HARMONIA along with the modern Krautrock band SIINA. That steady beat with light keys, distorted guitar lines and more.

"Roehre" like the previous track has that motorik beat leading the way. Lots of pulsating sounds in this uptempo track. Love the guitar late. "4 PM" has this haunting soundscape with unusual sounds. It starts to build before 1 1/2 minutes, so cool. A slow beat with a dark sound takes over and the keys and guitar become more prominent later. A top four track. "Haeata" is a short song with tribal-like drumming, pulsating sounds and guitar expressions. "Ozymandias" is another dark and experimental soundscape. Love this stuff, so much atmosphere here. "To The Inside" is a top four track for me as well. Insane drum work early on with distorted guitars. It settles back as female spoken words join in. I wish this one was longer.

"2 AM" opens with atmosphere, cymbals and someone yelling in the background before a motorik beat kicks in. Check out the distortion 3 1/2 minutes in. "Trophaee" has uptempo drumming with plenty of atmosphere as male spoken words arrive, guitar too. The sound of running water ends it. "Vortices" is my final top four and it features acoustic guitar early on as the atmosphere comes in and dominates. A beat comes out of the haze as fuzzed out guitar cries out. It turns very spacey late. "Hallraum" has this pulsating rhythm with lighter sounding guitar and keys over top. The guitar turns more passionate and distorted later.

This album has been a pleasure to listen to and the way they contrast the two different styles really works here. 4.5 stars.

 Vortex by AMON DÜÜL II album cover Studio Album, 1981
2.87 | 31 ratings

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Vortex
Amon Düül II Krautrock

Review by Lewian

3 stars Another interesting early 80s album of a band that had somehow lost its direction but produced something rather enjoyable while toying around with different ideas where to go next (actually they disbanded after this record, so their quest wasn't really successful). The title track Vortex works very well as an opener; a somewhat minimalist dark instrumental that builds up quite nicely toward the end. Holy West, Mona and We Are Machine are rather conventional rock songs, nothing special regarding composition, but tastefully arranged, well played and very well sung by Renate, who has reached her peak voice-wise on this record. Die sieben fetten Jahr, Wings of the Wind and Vibes in the Air are more original songs with more surprising contrasts, although they don't exactly explode traditional song structures - not really the most innovative ones AD II has every written. Die 7 fetten Jahr has some of Karrer's oriental influences. One may enjoy their originality or wonder whether they in some placed are stitched together too awkwardly, but with Amon Duul II this is the stuff you have to expect. Gestern ist das Heute von Morgen is the one song that really stand out, it's fast and driving, has powerful vocals by Renate and a great sax solo. This song is worth 5 stars. Overall it's not really consistent, not really complex, but a quite special and versatile collection of songs, most of which are good to listen too, with some real highlights. 3 1/2 stars.
 21st Century by CZUKAY, HOLGER album cover Studio Album, 2007
3.00 | 1 ratings

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21st Century
Holger Czukay Krautrock

Review by Lewian

— First review of this album —
3 stars Ursa Major is the singer U-She, here collaborating with Hokger Czukay for the third time (plus some contributions to other Czukay releases, namely Linear City and Clash). The last one was called "New Millenium" and this one is now "21st Century"; you'd be surprised that such creative personalities as Czukay & U-She come up with two album titles like these in a row. This is supposed to be music for the new millenium/century, yes, we got that. Compared to "Time and Tide" and "New Millenium", "21st Century" is the most consistent album, or one could also say the least diverse. I think they tried to concentrate more on what they do best; there are hardly any attempts to write conventional songs here, and rhythms are lighter than on New Millenium and less like techno-beats. The new songs give Holger's sound experiments quite some space and U-She works much with repetitions of fairly simple mini-tunes, at times reminding me of Damo Suzuki's improvisations. The sound is dominated by digital keyboards, drum computers and samples and has some meditative free flowing feel to it. Don't expect much enlightenment from the lyrics... "Every day is a new day, you shouldn't try to run away"... well, well. It shouldn't hurt too much, I guess. To be honest, I could do without most of U-She's contributions here. The music is rich and attractive as ever; Czukay's creativity and musicality quite obviously hasn't run out of steam just yet. Unfortunately it's now 2015 and I think he hasn't released anything new in the meantime. I saw him live at the Roundhouse in 2009 and much what he did there was originally mixed and partly created just for the gig, and boy was it good - I guess he's still sitting on quite some interesting unreleased material. He is well over 70 now and I'm a bit worried that his website hasn't been updated since 2011, but apparently he still has his hands in some re-issues of remixed Can and Czukay-material from the 70s and 80s, so I'd still hope for some new music to be released at some point.

In any case, it's easier to get into 21st Century than into the two predecessors, but it's not as diverse and not just as surprising as those (at least not if you know them already when getting to this one), so it's three stars this time.

 The New Millennium (with U-She) by CZUKAY, HOLGER album cover Studio Album, 2003
3.21 | 5 ratings

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The New Millennium (with U-She)
Holger Czukay Krautrock

Review by Lewian

4 stars For me this is the best one out of the three collaborations of Holger Czukay and U-She. It is the least meditative, though, with some fast techno beats and some dazzling cascades of notes that you wouldn't normally expect from a grey-haired veteran like Czukay... actually you wouldn't expect them from anybody, so adventurous and fresh is this. Some of this has dancefloor qualities, although you'd need a pretty unusual crowd there for this to work. In any case, this may be Holger's most physical music.

There are still some of Holger's trademark slow and deep soundscapes in this, but usually they come with some nervous electric rhythm. U-She's singing is fine in most places here; in "Cinderella" and "Supernova" both her and Holger's voice can be heard, making for a fascinating contrast (actually I think these are my favourite occurrences of Holger's voice in all his work - he sounds like a true sorcerer here). These are my two favourites. A number of songs are longer than what you find on "Time and Tide" and "21st Century", and this suits the album well. There is more development and ideas are played out with more patience.

In some respects this is quite accessible, particularly through some of the rhythms and digital riffs that carry some of the songs. On the other hand, those who'd like to have traditional drums, bass, guitars or even traditional song structures should stay away.

Interestingly, the title song "New Millenium" was tried out as a single and I saw Holger and U-She performing this on mainstream German TV (Harald Schmidt Show). Something is not quite right with this song, though. Although the melody (particularly the main keyboard motif) is nice and could work well in principle, the song has by far the worst sound on the album with some very cheesy synthesizer chords, and U-She, uncharacteristically, seems to have some difficulties synchronizing properly with the syndrums, which Holger may have played manually and which are perhaps even on purpose pedestrian and imprecise (or precisely subverting what they should have been for a normal listener; totally opposed to most of the rest of the album, which is very sharp). For me this is the song I like the least; funny that they put some effort into selling this of them all to the general public. It actually may be just one more example of Holger's strange humour, from which there is no hiding in his work generally, but if you just want to immerse yourself in the music from beginning to end, this is something of an annoyance.

Anyway, if you're not scared off by the lack of good old natural instruments, check this out!

 Time And Tide (with U-She) by CZUKAY, HOLGER album cover Live, 2001
4.00 | 1 ratings

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Time And Tide (with U-She)
Holger Czukay Krautrock

Review by Lewian

— First review of this album —
4 stars Not sure why this is filed under "live"; actually it's a studio album. Holger Czukay's major competence is certainly rather as a sound explorer and master of long soundscapes than as a traditional songwriter. Doing an album like "Time and Tide" with 16 songs of normal length is an unusual thing for him to do and I was quite curious how this would play out. And what we get is indeed something quite unusual. This is a collaboration with his partner/wife (?) U-She, who sings, wrote the lyrics and five of the songs. Some of the songs are indeed better described as songs, whereas some others rather fall in the "soundscape" category (although all have "proper singing"), and sound experiments, samples etc. are near at any time. There is much variety; there are ballad-like songs, dark atmospheric and sometimes almost meditative parts (reminding me of "Traeum mal wieder" from "Der Osten ist rot"), some quite minimalist parts,Holger's typical guitar, bass and horn playing known already from some Can recordings, and some quite interesting rhythm programming that gives some kind of unearthly spin on 4/4. U-She's voice fits most of the music very well. She doesn't appear to be very flexible as a singer but there are some things she does well, mostly somewhat slow and dark mysterious tunes. At times she uses her voice more as an instrument with a certain Damo Suzuki-like improvisation attitude (although her voice is really very different from Damo's; she is less "percussive" and rather does long and smooth). Her German accent is strong at times (which I as a compatriot don't like, but I know people of other nationalities are often less critical of this and may find it rather charming - I on the other hand love Slavic and Italian accents that I know their own compatriots find annoying...).

A lot of work and ideas went obviously into this, and it is stunningly unique and original, although not all the ideas work well. The tunes aren't anywhere near catchy and take some getting used to (although many are not that complex), and there is the odd one that I find rather annoying, and a sequence of slow songs toward the end drags a bit - generally the album could have done with a faster injection here and there. 3 1/2 stars which I round to 4 to make people aware of this experience which as nobody can deny is truly special. It's your call how convincing you'll find it, but give it a chance!

 La Düsseldorf by LA DÜSSELDORF album cover Studio Album, 1976
3.93 | 53 ratings

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La Düsseldorf
La Düsseldorf Krautrock

Review by Suedevanshoe

4 stars La Dusseldorf is a nice late stage entry into the 70's Krautrock field. One of its founding fathers, and definitely the most overlooked, is Klaus Dinger - the brains behind this band. Combining (among others) pop, prog, ambient, space, and that motorik beat that keeps Dinger's name alive, this album expands on Dinger's work with Neu! quite nicely and reveals his vision with elegance and grace.

The second side is terrific. Silver Cloud is a wispy, airy spacestrumental and Time is a definitive closing statement. All the ingredients are here for a classic album, and all spacey Kraut lovers should give La Dusseldorf a try.

 Second by AGITATION FREE album cover Studio Album, 1973
3.76 | 141 ratings

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Second
Agitation Free Krautrock

Review by Suedevanshoe

5 stars There's a reason this band has so many records in print 40+ years after their debut. Agitation Free is essential Krautrock, essential Space Rock, essential Progressive Rock, essential Rock, and almost essential for those with an interest in the roots of ethnic fusion, ambient, global psychedelia, even industrial and drone rock.

2nd is the height of Agitation Free's powers.

Restrained and elegant (but still loud with some rough edges) Agitation Free tones down the Arabic overtones of their debut, Malesch. It's how they combine rough and smooth that makes their sound classic.

"A Quiet Walk" is a definite highlight. Ambient mixed with hippy folkprog is as easy on the ears as Harmonium's "Histoires Sans Paroles" and Guru Guru's "God's Endless Love For Men".

Superb - one listen and you'll hear why the reach of this album far exceeds its current grasp. The cover makes me laugh and Agitation Free is a terrific name for a band - they are one of the few rock instrumental groups whose song names truly mirror the feeling(s) reflected by the song. Classic.

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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ACHTZEHN KARAT GOLD Germany
AGAM Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
AVARUS Finland
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD Multi-National
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DATASHOCK Germany
DAVENPORT United States
DEAF Switzerland
DEJA VU (GER) Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
EULENSPYGEL Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FOTOSPUTNIK United States
FRANKIE DYMON JR. Germany
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Germany
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN (LIED DES TEUFELS) Germany
HÄX CEL Germany
HEDERSLEBEN Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KOSMISCHER LAÜFER Germany
KRAKATAU Australia
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
LA DÜSSELDORF Germany
LA!NEU? Germany
LARD FREE France
LAVA Germany
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MITTELWINTERNACHT '71 Germany
MOOLAH United States
MOON OF OSTARA United Kingdom
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
THE NAZGUL Germany
NECRONOMICON Germany
NEU! Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
RALF NOWY Germany
NU & APA NEAGRA Romania
OKTOBER Germany
OMOIDE HATOBA Japan
ONYOU United States
ORANGE PEEL Germany
PACIFIC SOUND Switzerland
PANCAKE Germany
PANKO Germany
PATERNOSTER Austria
POPOL VUH Germany
PRINCESS FLOWER AND THE MOON RAYS Multi-National
PROF. WOLFFF Germany
PROSPER Germany
PSYCHEDELIC MONSTERJAM Germany
PYRAMID Germany
PYRANHA Switzerland
MICHAEL ROTHER Germany
RUFUS ZUPHALL Germany
SAMETI Germany
SAND Germany
SCARECREW Germany
SEEDOG Germany
SEIKAZOKU Japan
SEMOOL France
SHANNONDOA Germany
SIDDHARTHA Germany
SIINAI Finland
SILBERBART Germany
SILENT CARNIVAL Italy
SILOAH Germany
SILVESTER ANFANG Belgium
SINTO Germany
SITTING BULL Germany
SOUTH OF NO NORTH Belgium
SPACE EXPLOSION Germany
SPERRMÜLL Germany
STAN UND HILDA Germany
SWARA SAMRAT Germany
MITSURU TABATA Japan
TASTE OF BLUES Sweden
TEARPALM Serbia
TEMPLE Germany
THINK Germany
THRICE MICE Germany
TIERE DER NACHT Multi-National
TON STEINE SCHERBEN Germany
ULI TREPTE Germany
TRIKOLON Germany
TRIP TO ELARA Germany
TWOGETHER Germany
UCHIHASHI KAZUHISA & MANI NEUMEIER Multi-National
ULENSPIEGEL Germany
ULTRALYD Norway
UTOPIA Germany
VAMPIRES OF DARTMOORE Germany
VELJENI VALAS Finland
VERDE (MIKA RINTALA) Finland
VIBRACATHEDRAL ORCHESTRA United Kingdom
VINEGAR Germany
VIOLENCE FOG Germany
VIRGIN'S DREAM Germany
CHRISTIAN VON ESCHERSHEIM Germany
WALTER WEGMÜLLER Germany
WIND Germany
WOODEN VEIL Multi-National
XHOL CARAVAN / XHOL Germany
YA HO WHA 13 United States
YATHA SIDHRA Germany
ZIPPO ZETTERLINK Germany
ZWEISTEIN Germany

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