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ECLECTIC PROG

A Progressive Rock Sub-genre


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Eclectic Prog definition

The term 'eclectic' in the context of progressive rock describes a summation of elements from various musical sources, and the influences and career paths of bands that take from a wide range of genres or styles. While progressive music can be, in a larger sense, eclectic, the 'Eclectic Prog' term is specially meant to reference bands that trespass the boundaries of established Progressive Rock genres or that blend many influences.

Eclectic Prog combines hybrids of style and diversity of theme, promoting many elements from different sources. The Eclectic category recognizes bands that evolved markedly over their career (in a progressive, evolutionary way), or have a plural style without a clear referential core.

The basic features lie within the music's variety, rich influences, art tendencies and classic prog rock elements. Among the representative bands are KING CRIMSON, VAN DER GRAAF GENERATOR, and GENTLE GIANT.

- written by Ricochet (Victor)

Current Team as at 12/31/2013

Rob (Epignosis)
Logan (thellama73)
Sagi (Sagichim)

Eclectic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Eclectic Prog | More Top Prog lists and filters

4.60 | 3189 ratings
IN THE COURT OF THE CRIMSON KING
King Crimson
4.53 | 2485 ratings
RED
King Crimson
4.49 | 1492 ratings
GODBLUFF
Van Der Graaf Generator
4.42 | 1591 ratings
PAWN HEARTS
Van Der Graaf Generator
4.40 | 2104 ratings
LARKS' TONGUES IN ASPIC
King Crimson
4.36 | 1222 ratings
IN A GLASS HOUSE
Gentle Giant
4.36 | 623 ratings
THE SILENT CORNER AND THE EMPTY STAGE
Hammill, Peter
4.32 | 1215 ratings
H TO HE, WHO AM THE ONLY ONE
Van Der Graaf Generator
4.29 | 1111 ratings
STILL LIFE
Van Der Graaf Generator
4.27 | 1386 ratings
OCTOPUS
Gentle Giant
4.27 | 1095 ratings
FREE HAND
Gentle Giant
4.26 | 1116 ratings
THE POWER AND THE GLORY
Gentle Giant
4.24 | 1086 ratings
ACQUIRING THE TASTE
Gentle Giant
4.22 | 1005 ratings
VOYAGE OF THE ACOLYTE
Hackett, Steve
4.26 | 367 ratings
ANABELAS
Bubu
4.20 | 571 ratings
SLEEPING IN TRAFFIC: PART TWO
Beardfish
4.25 | 342 ratings
BANTAM TO BEHEMOTH
Birds And Buildings
4.26 | 300 ratings
MEMENTO Z BANALNYM TRYPTYKIEM
SBB
4.16 | 629 ratings
SPECTRAL MORNINGS
Hackett, Steve
4.11 | 1426 ratings
DISCIPLINE
King Crimson

Eclectic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Eclectic Prog experts team

CLOSE GRIP
Gourishankar, The
MASAL
Prat, Jean-Paul
DIAGONAL
Diagonal
ZEALOTRY STERBLICHEN SCHIZOPHRENIA
Seamus

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Latest Eclectic Prog Music Reviews


 UK by UK album cover Studio Album, 1978
4.08 | 453 ratings

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UK
UK Eclectic Prog

Review by A_Flower

5 stars UK has two albums. One is a masterpiece and one is garbage. This one is the masterpiece. I find this as an amazing and influential album for it's influence on eclectic and jazz/fusion. We of course have Wetton leading it on vocals, and who can forget Bruford on drums? UK was a great album for 1978.

The album starts with a 13 minute epic separated into three different songs. "In the Dead of Night." The first part is the same name, it starts with a progressing beat and starts adding on. This has some wonderful synths throughout and doesn't have too bad lyrics either. The melodies flow well together. There is also a jazzing gutair solo which is very nice.

The first part fades down and you hear the second one, which is probably my favorite of the first suite. The title is opposite of the first, being "By the Light Of Day" The most relaxed part. After Wetton songs for a little, we get some "Awws" with violin and drums. Then the drums and synths take over more. Around three minutes and 20 seconds really touches me.

After By the Light of Day, you get a short drum build up and a crazy synth solo. This is "Presto Vivance and Reprise" After a minute of insane keyboards, the beginning of the suite is reprised, but also having the lyrics bring us back to the second part. The reprise is quite simple and short, bringing the In the Dead of Night suite to a close.

The next song is called "Thirty Years." This starts with an ambient feel, however, I never really liked the intro of this song. It sort of drags on. The main problem is that John Wetton does a terrible job singing on the beginning and you can't really understand what he is saying. I guess the first part isn't too bad, but it's not the best. After a little bit past three minutes, the song kicks in. This has some nice synths and guitar. The lyrics from the beginning part are reprised but song with different melodies. Once again, you can't really understand much of what Wetton is saying, but I still like this one.

The B-Side opens slowly with a more ambient sound, but better than in thirty years. This instermental is called "Alaska." It has a sort of frightening melody that you might hear in a horror movie. Around the 2 and a half minute mark, it kicks in with synths. It remains dark and scary but more intense now. Towards the end, they have piano and sound a bit like ELP.

Alaska segues into the next song, "Time to Kill". It opens with an "Aww" and singing. Piano is played through this song. It has a good chorus which I always quite liked. However, I was never a fan of the jazzier part of this with the violin solo. It's long and sort of boring and takes away from the rest of the song.

The next song is a masterpiece. "Nevermore." You know it's good because it starts with an accoustic gutair solo. Drums than build up and you get some lyrics. Like Time to Kill, piano is played a lot in this song. But it's more noticeable in a good way. The jazzy section that starts around three minutes is amazing. It has both synths and guitar kind of switching off. Then the melodies come in and you hear the title of the song sung. The end of the song is also very interesting. It sounds a little ambient and sort of like By the Light of Day. Wetton then songs the final vocals of the song and it ends with guitar.

The last song is called "Mental Medication." The lyrics are interesting and the guitar sounds different. It gets good when the drums come in and I love the melodies. Some of the meldies change the whole mode of the song for a few seconds and then go right back to how they were before. We then get a synth solo along with some piano and guitar. This lasts a little while, but then, we get one more violin solo to end the album. It's a really good one. The conclusion of the song reprises some lyrics and sort fades out on the same meldies.

This album is essential. It deserves 5 stars. There isn't much more to be said about that.

SONG RANKING

1. In the Dead of Night/By the Light of Day/Presto Vivance and Reprise 2. Nevermore 3. Mental Medication 4. Thirty Years 5. Alaska/Time to Kill

 Horizons by GREATEST SHOW ON EARTH, THE album cover Studio Album, 1970
4.11 | 56 ratings

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Horizons
The Greatest Show On Earth Eclectic Prog

Review by Progfan97402

4 stars When I go hunting records in Eugene, Oregon, I often come up with my share of surprises. In Eugene, the few record stores still remaining might not be overflowing with rare and obscure prog, but over the years I've came across a few treasures, some of them I never seen in the flesh before. Original LPs of Curved Air's Airconditioning (the picture disc), Celeste (Italian Grog pressing), Embryo's Father Son & Holy Ghosts, Latte e Miele's Papillon, Satin Whale's Desert Places are a few huge shockers I've seen in Eugene. Grant it, it's usually one or two of these type of LPs showing up in Eugene at any given time, not just tons, and I frequently come empty-handed (the more common prog I've long got years ago). Eugene record stores, in general, despite what I've found, isn't exactly prog heaven. And every time I thought was ready to give up, another one shows up, and that's The Greatest Show on Earth's Horizons.

Now I can understand why this wasn't a priority one band for me, feeling I'd probably be more interested in buying if I saw a copy in the flesh than ordering it online. Which happened. I realize this is not particularly easy to find. But it's still a very good album, but didn't quite blow me away, hence it wasn't high priority. I've long realized it was EMI, or at least Harvest Records' idea of having a British equivalent to American horn rock groups of the time like Chicago and Blood, Sweat & Tears, which is true. The vocalist sound undeniably like David Clayton-Thomas, but the music lacked the more commercial pop-edge that Chicago succeeded big time in, and BS&T did for a few years before vanishing into obscurity. Some of the music has a psychedelic edge like "I Fought For Love" and "Skylight Man". The latter seems to have a bit of a 1967//'68 vibe, making me think this was probably one of the first things the band wrote when they formed in '68. The title track is a bit different, an extended jam, with a drum solo, as well as letting the horn players jam later on, and even a psychedelic guitar solo. "Day of the Lady" really starts off lame, what on Earth were they thinking starting it off like some slow-paced polka? Luckily that part is short, and they get into something a bit more folk-oriented, something that would be foreign on a Chicago or BS&T album. The rest is more of that horn rock, British style that other such similar groups like IF, Web, Brainchild, Warm Dust has done. Maybe a couple of ideas I didn't quite go for, so I can't give this album five stars, but at least the music is inspired and energetic and deserving of four stars.

 A Spark In The Aether - The Music That Died Alone: Volume Two by TANGENT, THE album cover Studio Album, 2015
4.14 | 56 ratings

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A Spark In The Aether - The Music That Died Alone: Volume Two
The Tangent Eclectic Prog

Review by floflo79

5 stars I love The Tangent and I really loved The Music That Died Alone. It's my favorite The Tangent album. So, when a sequel was announced, I was very excited. And I was not disappointed. A Spark In The Aether is just an excellent album, the 2nd best of 2015 just behind Steven Wilson IMO. From the great title track in two parts to the two long suites Codpieces And Capes and The Celluloid Road, everything's awesome. It's a fun, upbeat, complex and melodic prog, with Transatlantic elements. The track Aftereugene is really funny : it's a "parody" or a "sequel" (I don't really know) of Careful With That Axe, Eugene by Pink Floyd. Good idea and very well used. Clearing The Attic is the most jazzy track of the album, with a Canterbury Scene feeling. Overall, this album is excellent, fun to listen, refreshing and prog as hell. Recommended !
 Dodecahedron by DAAL album cover Studio Album, 2012
4.08 | 202 ratings

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Dodecahedron
Daal Eclectic Prog

Review by siLLy puPPy
Collaborator PSIKE Team

5 stars On their fourth full release the duo known as DAAL (DA-vide Guidoni and AL-fio Costa) deliver an impressive eclectic electronic smorgasbord of sonic weirdness once again only this time instead of different track names, they take the title of the album DODECAHEDRON and simply make XII different tracks, each taking you on a different trip through the psyche and subliminal universe of mellotron dream worlds enriched with every sonic possibility you can think of and then some. The Pink Floyd influences are omnipresent as usual but DAAL have a masterful way of making these sound unique and different enough never to stray even close to classic album plagiarism. Once again there is an entire ensemble of guest musicians on board incorporating all the usual suspects of rock instruments (guitar, bass, drums) as well as the exotic ones such as the Greek bouzouki, bardic harp and two that i have never heard of called itchemba and kehru, which are dried pumpkins that are made into stringed instruments.

The music flows brilliantly from one DODECAHEDRON movement to the other with some tracks rocking out with Floydian guitar solos while others delivering silky and smooth lush string sections accompanied by brilliant piano riffs. The melodic flow often has slight dissonant counterpoints to add a nice salty taste to the sweetness. I would say this album is more melodic and contains less frantic time sig changes than other releases. There is much more emphasis on atmosphere and a nice leisurely ride down a river of electronic sounds and atmospheric changes much like clouds drifting in the sky changing subtly into something entirely different. With this music the cello led string sections can morph into a tribal drumming with jazzy sax combo with nice atmospheric synths and then off to something else entirely. This is also an entirely instrumental affair which allows the band to flutter off like a butterfly anyway the wind blows. The only thing that comes to mind for comparison is a progressive rock equivalent of Shpongle.

I have listened to this album in many ways and on different stereo systems just to compare. I have listened completely focused on every detail and i have listened while preoccupied with something else banishing it to background music and i have come to the same conclusion either way. This album somehow manages to sound great as active and passive music on higher quality sound systems and even on my crappy car system. There is a fundamental basis in melodic development that keeps it interesting and lots of bells and whistles to add lots of extra yumminess to the whole thing. Once again DAAL deliver the eclectic progressive rock and electronic goods keeping me thoroughly entertained. This is one of those albums that is nebulous enough to sound different depending on mood and setting. This is definitely one for the musical wanderer. One for the restless listener who likes a lot of unpredictability in their world. One full of excogitative fecundity keeping the listener wondering just which sonic bloom will sustain into maturity or simply fizzle out into the great void. Welcome to tripper's paradise!

 Käytävä / Kaupungin naiset by NOVA album cover Singles/EPs/Fan Club/Promo, 1975
3.00 | 1 ratings

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Käytävä / Kaupungin naiset
Nova Eclectic Prog

Review by Matti
Collaborator Neo-Prog Team

— First review of this album —
3 stars This particular NOVA - there are two others in ProgArcives alone! - was a Finnish short-lived band that made one album called Atlantis (1976), with a Supertramp-like cover art of a grand piano floating in space. But their first release was this single released by the legendary Love Records. On ground of these two songs, one hardly would be expecting a prog album with epic compositions from this group.

'Käytävä' (= Corridor, aisle) is a very short and basically sincere & simple love song, and yet it manages to sound quite many-sided. At first it's mellow, slightly sentimental, vocals backed only by acoustic guitar and piano. At 0:43 the rhythm section arrives and gives the song some rock spine, and half a minute later comes a joyful harmonica solo, revealing the blues flavour. The organ a bit later makes me think of PROCOL HARUM. The sound and production are pleasant, beautifully aged. A fine little song written by singer-keyboardist Antti Ortamo. His vocals are, how to say it, just common - like some average folk troubadour - , but capable of emotionally strong impression.

The B-side song 'Kaupungin naiset' (= The women of the city) also by Ortamo is a plain blues number in slow tempo, complete with wailing vocals and a delicious electric guitar solo. From prog artists the references could be Peter Gabriel's 'Waiting for the Big One' and The Strawbs' 'Absent Friend', but with more of the authentic blues feel.

The single's drawn cover is nice but why the band name is missing? Quite surprisingly it's the latter song that was included newly mixed on the Atlantis album. Both songs are included also in the Various Artists compilation "Love Proge 2".

 Alpha Ralpha by ALPHA RALPHA album cover Studio Album, 1977
3.73 | 17 ratings

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Alpha Ralpha
Alpha Ralpha Eclectic Prog

Review by Progfan97402

4 stars I am always happy to find obscure prog where, while never been reissued, at least prices hasn't gone so sky high it'll break your bank account. Case in point, Alpha Ralpha, a French band that released their only album in 1977 on Warner Bros. So given its on a major label, enough copies were pressed not to make it a mega-rarity. Sadly it's never been reissued in any format, but this is the kind of prog that would be right at home on Musea, but I guess they couldn't wrestle the hands of this album out of Warner (who probably will never reissue it). Prog like this means you'll need a turntable. Great instrumental prog that really doesn't remind me of any particular prog. So many French bands get you thinking of Pulsar, Shylock, Ange, or Arachnoid, and Alpha Ralpha does not. Although members of Tai Phong and Malicorne are on the album, they leave their sounds at home. Don't let that scare you off if Tai Phong isn't your thing, although Jean-Jacques Goldman does appear, this is nothing like Tai Phong. This is largely instrumental prog, dominated by guitar and synths, with some violin, with that nice '70s vibe I like so much about this kind of music. Some jazz and world music influences (particularly from the marimba) show up. Also I noticed François Bréant (of Cruciferius, and later releasing a couple of solo albums for EGG in the late '70s) is on this album.

This is truly a great album I can highly recommend!

 Motorpsycho + Jaga Jazzist Horns: In The Fishtank 10 by MOTORPSYCHO album cover Studio Album, 2003
4.21 | 52 ratings

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Motorpsycho + Jaga Jazzist Horns: In The Fishtank 10
Motorpsycho Eclectic Prog

Review by Progrussia

4 stars Oh Internet where would I be without you. Where would I do research for the shamelessly downloaded music. Now I know that the In the Fishtank is a series of projects that have one band or pair record for only two days and what the end result might be - so professional and clean this sounds. Anyway, this is a collaboration between the heavy rockers of Motorpsycho and experimental jazz outfit Jaga Jazzist. Motorpsychoes are not strangers to pop or jazz, for that matter, but this leans heavily into fusion. The album actually starts with three relaxed compositions, almost (good) elevator music (number two is a jazzed-up version of Motorpsycho's old ballad Pill, Powders + Passion Plays). On the last two track is where this starts to be adventurous. Theme de Yoyo is an aggressive piece, with mean guitar and sax runs. Tristano is a 20-minute acid jazz improv with Latin flavors, gradually building in intensity and culminating in a complete frenzy in the end.
 Genesis Revisited : Live at The Royal Albert Hall by HACKETT, STEVE album cover Live, 2014
4.02 | 40 ratings

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Genesis Revisited : Live at The Royal Albert Hall
Steve Hackett Eclectic Prog

Review by tarkus1980
Prog Reviewer

3 stars The Genesis Revisited tour was nice and all, but this live album, the second one from the GR tour, is unnecessary overkill. The sound is great (a little bass-heavier than the last one, which is neither good nor bad, just interesting), and all of the performances are just fine, but there's an odd going-through-the-motions vibe to the show, as if the novelty of performing all of these old classics had given way to "Ugh, this tour's just gonna keep going forever isn't it." There are five tracks here that weren't on Hammersmith: "The Carpet Crawlers" (with vocals from Ray Wilson, who doesn't sound horrible here), "The Return of the Giant Hogweed" (basically done the same as on GR II, except with Nad Sylvan singing instead of Neal Morse), "Horizons" (the same as ever and introduced as "agnostic guitar"), "The Fountain of Salmacis" (which sounds nice but doesn't really feel like it matches any of the Genesis studio or live renditions) and "Ripples" (done in a stripped-down version with the classic solo replaced with a brief classical guitar flourish, and with great Amanda Lehmann vocals that make this version a necessity). The concert also makes one significant downgrade from its predecessor: the rendition of "Afterglow," after "Unquiet Slumbers" and "In That Quiet Earth," is done by Sylvan instead of John Wetton, and he sounds pretty wimpy in comparison (what's really strange is that Wetton was around, and he actually sang on "Firth of Fifth" immediately afterwards).

The other performances are great, of course, even if I find myself missing a bunch of the stuff from Hammersmith that was dropped to make room for the "new" stuff here (it's weird to imagine a world in which "Blood on the Rooftops" somehow became overplayed, but I guess it finally happened to Hackett and O'Toole). Every official recording of "Supper's Ready," especially at this late of a date, is a treasure in its own way (Hackett's ending solo goes a little over the top of a little over the top, but I don't mind), and everything here is worth coming back to once in a while even if somebody already has a copy of Hammersmith. And yet, the slight inescapable sense that Hackett had overplayed his hand with the GR tour occupies the album nearly from start to finish, and while that's not a crippling blow, it's enough to make me like this one a smidge less than Hammersmith (which caught this tour in ascent as opposed to its inevitable plateau and decline). If you liked Hammersmith, you may as well get this one too, but you'll probably give it a listen or two and then forget about it.

 Raw Material by RAW MATERIAL album cover Studio Album, 1970
3.72 | 34 ratings

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Raw Material
Raw Material Eclectic Prog

Review by Abraxassad

4 stars Raw material is a strange 'lbum, it has some jazz passages highly recomended. iT's not a complex progressive band, but of you love prog music you will find in this 'lbum why this genre of music was the favourite of the 70's. The tracks included in the 'lbum are Very different one from another. The track Number 4 is ver y similar to what we call in M'xico urban rock, the best tracks for me are number 1 and traveller Man. A Great prog 'lbum for prog lovers, the bass, the wind instruments and percussions are very mel'dic, the obscure atmosphere of the 'lbum is similar to the initial prog bands of the 70's, like crimson music, the most importante isste for me is the contribution to the understanding the prog evolution from the beginings.
 Angels And Daemons At Play by MOTORPSYCHO album cover Studio Album, 1997
3.58 | 39 ratings

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Angels And Daemons At Play
Motorpsycho Eclectic Prog

Review by Progrussia

3 stars Angels and Daemons are from what some people call Motorpsycho's indie rock period (also including such albums as 1996's Blissard, 2008's Little Lucid Moments and 2006's Black Hole Black Canvas), perhaps because for their de-metallization of sound and affinity for bittersweet power pop, minimalistic ballads and subtle post-rock inflections. Spoiling the college dorm party here are 4 tracks that serve as kind of bridges to Motorpsycho's future and past, in the form of the Americana-flavoured Walking on Water, heavy space rock jam of Chien d' espace, and the barely listenable noise metal of Heartattack Mac and Timothy's Monster, the latter two seeming completely out of place on this album. Overall, while having some good moments (as Motorpsycho's 20-something albums invariably do), one of their weaker releases.
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Eclectic Prog bands/artists list

Bands/Artists Country
16 DEADLY IMPROVS United States
17F Switzerland
4/3 DE TRIO France
8 DAYS IN APRIL Germany
A.C.T Sweden
ABRETE GANDUL Chile
ABSOLUTE ELSEWHERE United Kingdom
ABSURDCUS Romania
ACADEMIE OF FARSIDE Indonesia
ACINTYA France
ADVENT United States
AFFINITY United Kingdom
AKO DOMA Slovakia
AKRITAS Greece
AKT Italy
JEAN-PIERRE ALARCEN France
ALBATROS Germany
ALEXL Brazil
ALGERNON United States
ALLOMERUS Australia
ALON United States
ALPHA RALPHA France
ALQUILBENCIL Spain
ALQUIN Netherlands
ALTABLANCA Argentina
ALTAIR Spain
ALTERNATIV QUARTET Romania
ALTERS Poland
AMPLEDEED United States
COSTE APETREA Sweden
APPLE BELLS Poland
ARBATEL Mexico
ARDO DOMBEC Germany
AREKNAMÉS Italy
ART AND ILLUSION Italy
ARTCANE France
PETER ASHBY United Kingdom
THE ASHQELON QUILT Israel
ASTRID PRÖLL Puerto Rico
ATHELSTONE Malta
ATLANTIDE France
AUDIENCE United Kingdom
AUDIO VISIONS United States
AUNT MARY Norway
AVE ROCK Argentina
AVIATOR United Kingdom
ÁVORA DI CARLLA Brazil
BAD ALCHEMY United States
VLADIMIR BADIROV Uzbekistan
BAG France
DAVID BAGSBY United States
BAKU LLAMA United States
FRANCK BALESTRACCI France
BARBARO Hungary
BARRACUDA TRIANGLE Sweden
AL BASIM Iraq
BATABEAT Canada
BEAR IS DRIVING United States
BEARDFISH Sweden
ADRIAN BELEW United States
SERGIO BENCHIMOL Brazil
IL BERLIONE Japan
MICHAEL BERNIER United States
BIRDS AND BUILDINGS United States
BLOQUE Spain
THE BOB LAZAR STORY New Zealand
BOOTCUT Sweden
EMMANUEL BOOZ France
BORDERLINE SYNDROME Greece
EDUARDO BORT Spain
BRAINSTATIK United States
VYTAS BRENNER Venezuela
BRIGHTEYE BRISON Sweden
BUBBLEMATH United States
BUBU Argentina
JEAN-LOUIS BUCCHI France
BUDKA SUFLERA Poland
C & K VOCAL Czech Republic
CABEZAS DE CERA Mexico
CALLE DEBAUCHE United States
CAMERA CHIARA Italy
NEIL CAMPBELL COLLECTIVE United Kingdom
CANGACEIRO Chile
JOSE CARBALLIDO Spain
CARPE DIEM France
CARPET Germany
CARTOON Brazil
CASTLE FUSION Italy
CATAPILLA United Kingdom
CENTENAIRE France
CHAMELEON United States
CICCADA Greece
CIRCLES END Norway
CIRCUS Switzerland
CIRKUS United Kingdom
BARRY CLEVELAND United States
CLOUDS ON STRINGS United States
CMU United Kingdom
COLONEL CLAYPOOL'S BUCKET OF BERNIE BRAINS United States
CONSIDER THE SOURCE United States
THE COWBOYS FROM HELL Switzerland
CRIME IN CHOIR United States
CRÓ! Spain
THE CRYSTAL SUN United Kingdom
CULPEPER'S ORCHARD Denmark
CURVED AIR United Kingdom
CZAR United Kingdom
DAAL Italy
THE DAEDALUS SPIRIT ORCHESTRA France
DAGMÄHR Canada
DALTONIA Chile
DARK AETHER PROJECT United States
DAYS BETWEEN STATIONS United States
GUILLAUME DE LA PILIERE France
DEBOCO France
DIAGONAL United Kingdom
DICE Sweden
DIONYSOS Canada
DISCORDIA Finland
DISEN GAGE Russia
DISTINGUISHED PANEL OF EXPERTS Multi-National
DJAM KARET United States
JULIUS DOBOS Hungary
WILLIAM D. DRAKE United Kingdom
DREADNAUGHT United States
DREADNOUGHT United States
DRIFT United States
EARTH SIZE DIAMONDS United States
EAST OF EDEN United Kingdom
ECHOES France
EDENSONG United States
EFECTO Chile
EKSEPTION Netherlands
ELEKTRYK BESTIA United States
EMPTY SPACE ORCHESTRA United States
EPIDERMIS Germany
ERE G Canada
ERIK BARON & D-ZAKORD France
ESPERANTO Multi-National
ESTHEMA United States
ET CETERA Canada
EXCLUSIVE RAJA France
EXPERIMENTAL Chile
EXPERIMENTAL QUINTET Romania
FAMILY United Kingdom
FANTASIA Finland
FETUS MAXIMUS Finland
OLIVIER FEUILLERAT France
FINNEUS GAUGE United States
FLASH United Kingdom
FLÄSKET BRINNER Sweden
FLIGHT United States
THE FLOCK United States
HUGO FLORES Portugal
FOND OF TIGERS Canada
FONDERIA Italy
FOXTROT Norway
FRAMUS 5 Czech Republic
FRATERNITY Australia
FRIENDSHIP TIME Sweden
ROBERT FRIPP United Kingdom
FROM.UZ Uzbekistan
FRUMPY Germany
FUN MACHINE United States
FUSIOON Spain
THE GAK OMEK United States
GALAAD Switzerland
GARDENIA Argentina
GARGAMEL Norway
GAYLORD United States
GECKO'S TEAR Italy
RON GEESIN United Kingdom
GENTLE GIANT United Kingdom
GESTALT Japan
GEVENDE Turkey
GEYSIR Germany
GLAZZ Spain
GLOBALYS Belgium
GNIDROLOG United Kingdom
GOAD Italy
GOMA Spain
GOOD NIGHTOWL United States
GÖSTA BERLINGS SAGA Sweden
THE GOURISHANKAR Russia
SÉBASTIEN GRAMOND France
GRATTO United States
THE GREATEST SHOW ON EARTH United Kingdom
MAREK GRECHUTA Poland
GREYLYNG United States
GROOVECTOR Finland
THE GUARDIAN'S OFFICE Norway
GUERNICA Japan
TREY GUNN United States
GUNS AND BUTTER United States
GURUH GIPSY Indonesia
GUZZLEMUG United States
GYPSY United States
H7G Costa Rica
STEVE HACKETT United Kingdom
HAIKARA Finland
HALF PAST FOUR Canada
HAMADRYAD Canada
PETER HAMMILL United Kingdom
HAPPY THE MAN United States
GAVIN HARRISON & 05RIC United Kingdom
STEVE HART United Kingdom
HEADSHEAR United States
HERD OF INSTINCT United States
HOBO Yugoslavia
HOBSON'S CHOICE United States
HOKR Czech Republic
HOME United Kingdom
HOMINIDO Chile
HOUSE OF USHER United States
HUNE Canada
ICED INK United States
IKARUS Germany
ILLÀCHIME QUARTET Italy
ILLUSION United Kingdom
INNER LIGHT ORCHESTRA Finland
INTERFACE Japan
INTERPOSE+ Japan
ISKANDER Germany
ISLAND Switzerland
IT United States
IT'S THE END Norway
IX Venezuela
IXT ADUX United States
JANOS VÁRGA PROJECT Hungary
JEAVESTONE Finland
JOY UNLIMITED Germany
JULIAN'S TREATMENT United Kingdom
JUNE CLEAVER AND THE STEAK KNIVES United States
KARMABLUE Italy
KATAYA Finland
KHARMINA BURANNA Peru
KIDS EAT CRAYONS Canada
KING CRIMSON United Kingdom
KLOTET Sweden
KOIAK Chile
KOLORS OF ZOUND Austria
KORPUS 2 (Корпус 2) Russia
KRACQ Netherlands
KRAKEN IN THE MAELSTROM Italy
KROMLECH Mexico
KTU Multi-National
KTZAT ACHERET Israel
KULTIVATOR Sweden
KWADRAT Poland
KYTAJA Finland
LAPLACE Argentina
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