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ECLECTIC PROG

A Progressive Rock Sub-genre


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Eclectic Prog definition

The term 'eclectic' in the context of progressive rock describes a summation of elements from various musical sources, and the influences and career paths of bands that take from a wide range of genres or styles. While progressive music can be, in a larger sense, eclectic, the 'Eclectic Prog' term is specially meant to reference bands that trespass the boundaries of established Progressive Rock genres or that blend many influences.

Eclectic Prog combines hybrids of style and diversity of theme, promoting many elements from different sources. The Eclectic category recognizes bands that evolved markedly over their career (in a progressive, evolutionary way), or have a plural style without a clear referential core.

The basic features lie within the music's variety, rich influences, art tendencies and classic prog rock elements. Among the representative bands are KING CRIMSON, VAN DER GRAAF GENERATOR, and GENTLE GIANT.

- written by Ricochet (Victor)

Current Team as at 12/31/2013

Rob (Epignosis)
Logan (thellama73)
Sagi (Sagichim)

Eclectic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Eclectic Prog | More Top Prog lists and filters

4.60 | 3011 ratings
IN THE COURT OF THE CRIMSON KING
King Crimson
4.52 | 2329 ratings
RED
King Crimson
4.50 | 1379 ratings
GODBLUFF
Van Der Graaf Generator
4.43 | 1480 ratings
PAWN HEARTS
Van Der Graaf Generator
4.40 | 1966 ratings
LARKS' TONGUES IN ASPIC
King Crimson
4.35 | 1132 ratings
IN A GLASS HOUSE
Gentle Giant
4.36 | 550 ratings
THE SILENT CORNER AND THE EMPTY STAGE
Hammill, Peter
4.31 | 1123 ratings
H TO HE, WHO AM THE ONLY ONE
Van Der Graaf Generator
4.29 | 1020 ratings
STILL LIFE
Van Der Graaf Generator
4.26 | 1296 ratings
OCTOPUS
Gentle Giant
4.27 | 1029 ratings
THE POWER AND THE GLORY
Gentle Giant
4.26 | 1021 ratings
FREE HAND
Gentle Giant
4.24 | 1008 ratings
ACQUIRING THE TASTE
Gentle Giant
4.21 | 921 ratings
VOYAGE OF THE ACOLYTE
Hackett, Steve
4.27 | 338 ratings
ANABELAS
Bubu
4.26 | 326 ratings
BANTAM TO BEHEMOTH
Birds And Buildings
4.20 | 529 ratings
SLEEPING IN TRAFFIC: PART TWO
Beardfish
4.26 | 292 ratings
MEMENTO Z BANALNYM TRYPTYKIEM
SBB
4.16 | 578 ratings
SPECTRAL MORNINGS
Hackett, Steve
4.35 | 134 ratings
1000 AUTUNNI
Ske

Eclectic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Eclectic Prog experts team

OJCIEC CHRZESTNY DOMNIKA
Skrzek, Józef
KRYWAN, KRYWAN
Skaldowie
INTERPOSE+
Interpose+
MASAL
Prat, Jean-Paul

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Latest Eclectic Prog Music Reviews


 Discipline by KING CRIMSON album cover Studio Album, 1981
4.10 | 1335 ratings

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Discipline
King Crimson Eclectic Prog

Review by HoldsworthIsGod

5 stars King Crimson, never a band to be predictable, after a six-year hiatus releases a New Wave album? And with the seven billionth lineup? Could this possibly work in their favor? Well, much like Rush's Permanent Waves and Moving Pictures, yes. A resounding yes. With new guitarist/singer Adrian Belew (Frank Zappa, Talking Heads, David Bowie) and bassist/Chapman Stick extraordinaire Tony Levin (later to join up with future Dream Theater members in Liquid Tension Experiment) and longtime members Bill Bruford and Robert Fripp, their sound veers towards a more mainstream, Talking Heads-esque style, with influences from Javanese Gamelan music showing. The opener, "Elephant Talk", fuses go-go finger-tapped basslines with animal noises and alphabetical synonyms for the word "talk". Adrian Belew (one of my favorite guitar players) makes the song entertaining, and sort of comical (working with Frank Zappa will do that to you). "Frame By Frame" follows, with rapid Fripp guitar leads and syncopated rhythms, leading up to a really nice slower section in 7/8. "Matte Kudasai" (Japanese for "please wait") opens with seagull imitations from Belew, which is the vehicle to a ballad. The side ends with "Indiscipline", a heavier song that recalls KC lineups of yore. Side 2 opens with "Thela Hun Ginjeet", a paranoid funk track rivaling anything David Byrne ever wrote. The side concludes with two instrumentals, "The Sheltering Sky" (a reference to the Beat poets that would influence the next album, Beat) and "Discipline" (which is Danny Carey from Tool's favorite track). The album is a relatively easy listen, without many offensive tracks.
 In The Wake Of Poseidon by KING CRIMSON album cover Studio Album, 1970
3.79 | 1472 ratings

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In The Wake Of Poseidon
King Crimson Eclectic Prog

Review by HoldsworthIsGod

4 stars This album, even though it sounds like a carbon copy of In The Court..., is still a great piece of Prog's more experimental side. The first track, "Peace-A Beginning" opens with a Greg Lake A cappella, portraying himself as wind, and other natural beings. Then, the similarities start: "Pictures Of A City" sounds extremely similar to "21st Century Schizoid Man", right down to the heavy riff and lightning-fast unison playing. "Cadence And Cascade", the only song on the album sung by Gordon Haskell, the vocalist on the next album, Lizard, sounds like another version of "I Talk To The Wind", with its pastoral mellotrons and whatnot. The side-closing title track is a ripoff of "Epitaph", yet with slightly less pretentious lyrics. Then we get another reprise of "Peace", which ends the side for good. Side 2 opens with "Cat Food", a jazz fusion piece in the vein of Frank Zappa's Hot Rats album. I highly recommend listening to the Pressurehed version for a more modern take on the track. Then, "The Devil's Triangle", a rewrite of Gustav Holst's "Mars" from the Planets Suite, does what King Crimson does best: shatters the conventions of songwriting. A sample from "In The Court Of The Crimson King" is inserted over top of the track about 3/4ths of the way into the song, which confused me at first, but then learned was part of a technique called "xenochrony", which Zappa used to effect on songs like "Inca Roads". And to close the album is yet another reprise of "Peace". All in all, it's a great album. If you like to be shocked and surprised by music, this album is for you.
 The Void by BEARDFISH album cover Studio Album, 2012
3.87 | 318 ratings

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The Void
Beardfish Eclectic Prog

Review by Moneypulated

4 stars The new Beardfish album could easily be divided in two different parts : the first one, which I had considered to be "the toughest one", It features those Heavy-Rock/Sludge-Metal trend we had previously found on"Mammoth.

The first track "Volontary Slavery", with its cryptic sound, it is probably the heaviest song the band has ever conceived so far but it does not necessary means this is a bad thing because it has enough details to make the whole thing still sound interesting enough and, luckily, there is anything going wrong here, nor even predictable!

"Turn To Gravel" is a perfect crossover of style between Tool, Black Sabbath or even Mastodon with its continuous changes in rhythm, it has mantric, dark and heavy guitar riffs characterizing the gloomy atmosphere which pervades the whole song.

"They Whisper" turns out to be much more on a canonical prog-oriented style but still has some heavy but interesting vocal contributions from Sjöblom, he really proves once again, as if it were needed, his huge talent!

"This Matter of Time", pays tribute once again to Mastodon. It has alternated moments between irrepressible energy and others of apparent tranquility that end up to confuse listeners quite enough, even the more attentive ones! This song virtually closes the first part of the album.

The second one starts with a more convincing instrumental track: "Seventeen Again" and suddenly the band here finds herself walking back on a more safe path, doing anything sound as If Gentle Giant were playing an unreleased Jam together with ELP, anything goes so nicely inspired! One of my favoirites.

The next song is, in my opinion, the pinnacle of the entire work: "Ludvig & Sverker" begins with a very effective call and response between bass and drums and a very nice sounding guitar arpeggio which briefly introduces the chorus theme, while the verses are characterized by delicate sounds of arpeggio guitars and dreamy vocal poetry. The deluxe version of the disc also contains the alternative piano version of the song that is perhaps even better than the electric one!

"He Already Lives In You" is another excellent song where the heavy guitar riffs and vocal parts sound both equally effective without never being constrained. I find quite some classical references to those seminal bands like Sabbath or even Deep Purple.

"Note" is the longest piece of music here and, obviously, the more articulated one which, though long-term, still managed to keep alive the interest of the most attentive listeners who will be surprised by countless special melodic and harmonic interesting details which will eventually enrich an authentic musical pinnacle.

"Where The Lights Are Low" is a kind of slow blues with echoes from the sixties to close this album, It is not bad at all but essentially it sounds a bit as a filler track!

In my humble opinion "The Void" appears to be a bit fragmented almost as if Beardfish have been afraid to dare too much this time, perhaps fearing the possibility of losing most of their Fans who are aways been loyal to their most genuine Prog-Rock oriented music inspired by the seventies. Perhaps this is the reason that prompted them to not go beyond a possible, dangerous point of no return. However it is up to them revealing us their future aims on the next record that certainly will clarify the thousand doubts that this work has definitely aroused in many of us, and a little in me too!

4 stars for the quality of music! 3 stars for the inconsistency of certain stylistic choices!

 Memento Z Banalnym Tryptykiem by SBB album cover Studio Album, 1980
4.26 | 292 ratings

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Memento Z Banalnym Tryptykiem
SBB Eclectic Prog

Review by Alucard Draco

5 stars I got to admit that when I first heard this album I was expecting an older more seventies type of sound, but on hearing it I had to think again. Yes when reading about the band and reading about infuences like King Crimson and Van Der graff Generator etc, I was expecting something in that style (obviously I can hear the influence behind some parts), but when Moja Ziemio Wysniona starts it was a more modern sounding style of sound that I heard - possibly the more modern keyboards helped but wow I did not predict that and the song just got me fired up for the rest of the album. The next three songs just put me in a trance like state - and that is why I think this album works so well, it's literally an album especially Memento Z Banalnym Tryptykiem - which accomplished everything I wanted to hear but without going to Spacey sounds I usually like but to a seemingly new type of space sound - as I said a more dreamier trance like sound than atmospherical distortion I had in mind at first.

I believe SBB put their heart and musical souls into this album and possibly ahead of their time - that sounds Ironic with Progressive music, but I just expected something different and instead got a faster more of an upbeatish sound but with its fair share of slower sounds but keeping a complexity of which I am looking forward to exploring whithin more of their albums and to check if there are layers of which I am missing. I remember listening to other Eclectic Prog and the versatility of instruments make this type of Prog and especially this album just another reason to express my ongoing journey into music which SBB and bands like them keep creating, and this mind blowing album is an extraordinarily example of this genre.

I salute another masterpiece from the Prog archives - Thanks again for getting these albums noticed.

 The Elements by KING CRIMSON album cover Boxset/Compilation, 2014
3.89 | 8 ratings

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The Elements
King Crimson Eclectic Prog

Review by Gatot
Special Collaborator Honorary Collaborator

4 stars King Crimson lovers ...Try Cirkus (live). It's wonderful!!!

This box set is nothing at all for those who are not familiar with songs of King Crimson both era: before Discipline (1981) album and those era of Discipline onwards until now. It serves as an excellent stuff if you understand King Crimson. If this is your first experience with King Crimson, do not ever try to have this one. For me personally it's something like when I wrote Gentle Giant "Under Construction" set couple of years ago where I gave full four stars rating for this site. It's simple, because I love Gentle Giant and familiar with almost all songs of the band. King Crimson is by no exception is one of my favourite legendary bands from the seventies as Gentle Giant, Yes, genesis, Van der Graaf, ELP and the like. So ...for me this ELEMENTS of King Crimson means a lot for me personally.

The boxset contains extracts of studio recordings, alternate takes, mixes with one or two instruments isolated, live recordings and rehearsals or in other words it contains versions of songs that I have never heard before. I almost cry really when I heard Cirkus (live) featured right here which was performed really wonderfully! Oh my God .. I could not believe with my ears the first time I listened to this version of Cirkus live. It's full five stars rating for this song as it's performed differently compared to other versions. In fact, the studio version I love it already. But this live version is totally different. The major difference is on the exclusion of guitar work! Can you imagine the song that was originally very great in its acoustic guitar work and it's originally very innovative and full of improvisation but when it's removed totally here in this live version still sounds wonderfully! This was taken from Live at the Marquee 1971 10/08/1971 and it's really prog to the bone man!!! I like the vocal line which was performed like there was no passion to sing but it sounds really great to my ears. And of course the entrance of drums followed with the legendary eerie mellotron-drenched sound that follows with loud volume makes the song sound really great! Oh my God .... I keep repeating this track over and over as I really love it very much. Thanks a lot Mr Fripp ...! This is really cool! The non-existence of guitar and the improvised saxophone work makes the song wonderful. There is also improvisation piece in a jazzy avant-garde mode that makes this version is invaluable! In fact, I also love the guitar extract which was featured only 15 seconds prior to this Cirkus (live) track.

Sailor's Tale from Islands album (1971) is also another wonderful piece that I love from this boxset. It sounds also differently. It's basically the version where guitar solo was the early take and you can see the difference. It's not just the guitar but the impact to the overall music is tremendous as I can sense the difference vividly. I bet you, if you love Crimson you would love this track as well.

This time we can have the luxury of enjoying legendary The Talking Drum mixed by the prog master Steven Wilson. I can not spell out clearly the difference with studio version but I am very sure that if you listen to this track you can feel the different taste than the original version. Of course this sounds raw but with the mind and hands of Steven Wilson you can enjoy the great sound subtleties of this version. The rest of the tracks under CD 1 are all interesting ones to enjoy especially Fallen Angel as well as 21st Century of Schizoid Man.

CD 2 offers also great alternative tracks starting with Discipline which heavily consists of great combined work of stick bass by Tony Levin, repetitive guitar work by Fripp and Adrian Belew. This opening track sounds the same as its studio version. The sort drums work under Three Headed Doom (Part 1) (0:44) is a great shot, followed with the live version of Neurotica (Manhattan) (live) (6:12). This time also we can enjoy the new mix of Sleepless by Steven Wilson which sounds much wider than the original version. One of my favourites on CD 2 is THRAK which was performed live at Shepherd's Bush 1996 30/06/1996, Shepherd's Bush Empire. It's exploratory in nature and more improvisational. I like the duo drums solo which sounds really great. The other one is Level Five which was performed live at Park West 07/08/2008, Park West. Last but not least is the session with Jakko represented by the last two tracks Separation (edit) (2:40) and A Scarcity of Miracles (7:32). I think the collaboration with Jakko has given new birth of new Crimson music even though the roots of Discipline is still there, of course.

Overall, this is a very special excellent boxset for me personally. But I do not want to be so biased and becomes very subjective - that's why I put four stars (SOLID) as actually I can put five personally. But it's not fair for those who are not quite familiar with King Crimson. Therefore I think four stars is sufficient. Crimson lovers would definitely love this boxset, for sure. Keep on proggin' ...!

Peace on earth and mercy mild - GW

 The Noise: Frejus by KING CRIMSON album cover DVD/Video, 1984
3.93 | 29 ratings

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The Noise: Frejus
King Crimson Eclectic Prog

Review by thwok

4 stars Only one review of The Noise: Frejus so far? You mean other people aren't as obsessive about King Crimson as yours truly? I"m shocked! I think your ultimate opinion of this DVD may depend greatly on how you feel about what the band was doing during this period. I know there are listeners out there who think Robert Fripp and friends should have stopped at Red, if not before. I like what King Crimson was doing in the 1980's; I think "Heartbeat" is a great song! So, I love this DVD.

I don't watch a lot of concerts. I can't stand it when live performances of songs sound just like the studio versions, and the band members don't bother to interact with the audience. Even though the band doesn't talk to the audience much on this DVD, you can tell that Adrian Belew and Bill Bruford are having fun and appreciate the feedback from the audience. Since this is King Crimson, it's a given that the playing is beyond reproach.

I especially enjoy it when Bruford steps up with Belew to perform "The Sheltering Sky". My only minor quibble with this concert is "Indiscipline". It's my least favorite song on Discipline, and I think this version is self-indulgent. However, this song wouldn't be nearly as interesting played by almost any other band. In conclusion, I'm giving The Noise: Frejus 4 stars. Anyone who's at all interested in this period of King Crimson should see this.

 Mammoth by BEARDFISH album cover Studio Album, 2011
3.97 | 465 ratings

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Mammoth
Beardfish Eclectic Prog

Review by Moneypulated

4 stars Swedish musicians really seems to make Modern Prog-Music better than others do!

After listening to most of their music stuff I could not help but notice their incredible variety of different style adding any time something fresh and new, release after release. Their music backgroud is obviously quite the same as other well-known swedish bands like The Flower Kings for instance but, what it seems to be different in Beardfish, in my opinion, is their unique attitude and approach to the usual Prog music of the seventies: It is clearly evident the presence of those typical influences of bands here like Zappa, King Crimson, Genesis, Gentle Giant, Yes or even Jethro but that is only closely related to their sound than style and the music in"Mammoth" can easily demonstrate the concept that I meant before:

"The Platform": The song starts with an evocative double guitar arpeggios that soon introduces a more heavy & complex, but still dynamic, instrumental passages, It all sounds like King Crimson Meets Mastodon but when it comes the verses, the music, while remaining in the epic tone, suddenly becomes less harsh and surprisingly it reminds me a lot of the style of Big Country, even in the way of singing Rikard Sjöblom seems to be so close to Stewart Adamson's tone!

"And The Stone Said: If I Could Speak" : After a brief introduction with radio tuning effect, The piece starts with a very passionate guitar riff that might sound like King Crimson's "Starless Part Two" because it sounds like it was written by Mr. Fripp in person and forgotten in a drawer somewhere for years and years...Seriously, this is the longest Piece of Music and, probably, the best of the entire record...Evocative lyrics, Growling effect which suggests you how the rocks would speak to us. Great Keyboard solo but special mention goes to the bass player: Robert Hansen, He is always cool with its extreme rhythmic & melodic inventiveness.

"Tightrope": the song perhaps more relaxed of the entire work, it is full of pleasant moments with clear melodic folk influences in the Jethro Tull style.

"Green Waves" : This is in my opinion the second highlight of the disc, The sludge-metal influences a la Mastodon powerfully returns here, and it is much more evident in an exasperated , even if effective, vocal performance of the always good Sjöblom. There are plenty of instrumental parts with very good solos from both Zackrisson and Sjöblom and the dramatic chorus turn out to be the best part of the whole song!

"Outside/Inside" : a simple, but effective, piano intro to the next song.

"Akakabotu": The only instrumental piece on the album and...what a track!!!...The guest sax player literally shines here as like as all the other members of the band do!

"Without Saying Anything (Feat. Ventriloquist)" : With the last track, Beardfish are playing safely at home just going back to their classic style that characterized them in the previous albums and suddenly Zappa does it again peeping between the lines...the song is pleasant and more relaxed than before and the final section is my favourite one sounding epic and tragic at the same time.

In conclusion a work that confirms once again the incredible talent of these young musicians who are able to renew themeselves every time, while still remaining true to their greatest passion for classic Prog Music!

 Guns And Butter by GUNS AND BUTTER album cover Studio Album, 1972
3.17 | 9 ratings

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Guns And Butter
Guns And Butter Eclectic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars This band from Boston had its seeds in late-60's with old-time friends Jeff Lyons (vocals), Peter Cohen (bass), Paul Cohen (guitar) and Peter Tucker (drums) jamming together and swirling around concerts of famous bands.In early 1970 they recruited Richard Ploss on flute/sax/clarinet and headed for a personal musical approach.Shortly after they were joined by Classical-trained violinist Lenny Federer.Federed, who has been travelling around the world since a little kid -propably due to his parents' occupations- had settled in Boston around the time and attended the Boston University.Tired of the Classical orchestrations, he searched for a new challenge and Guns & Butter was exactly what he was lookining for.Turning point comes, when the band was offered a set of lives at Lennie's on the Turnpike club, owned by Lennie Sogoloff.They came to the attention of Marshal Chess, business manager of the Rolling Stones, and they were offered a place in the list of Atlantic bands.They released their self-titled debut in 1972 on Atlantic's sublabel Cotillion.

''Guns & Butter'' has to be one of the most challenging albums of the premature US Prog scene of the 70's.While dominated by 60's Psych and Pop leftovers, it has a demanding instrumental background, not easily found in American groups of the time.They have been compared to British Prog pioneers EAST OF EDEN and this is a very good reference point.The omnipresent use of wind instruments and the Classical touches provided by Federer's impressive violin executions led to series of complicated and intricate arrangements with a rock attitude, but influenced by the principles of Jazz and Classical Music.The vocals are like coming from a mid-60's Psych Pop album, clean, expressive, but not quite suitable to the irritating musicianship.On the other hand the instrumenal passages are pretty fascinating, featuring endless interplays between sax, flute, guitar and violin, containing lots of unexpected breaks and often opening the doors for a more guitar-driven Psychedelic Rock style.The atmosphere is dominated by a rich palette with plenty of driving violin parts, jazzy sax solioing and some very good flute work.Anywise they have been very much influenced also by the early albums of JETHRO TULL.I am surprised that these guys surpassed the standard bluesy values of US Rock and their style was rather ahead of its time.

They have dissapeared like falling in a black hole after this album.Many years later Jeff Lyons was detected in the line-up of a Power Pop band called Angry Young Bees, with whom he played in a sole single around 1981.

Rich, emphatic and quite innovative early-70's mix of Jazz, Classical and Rock Music, showered consistently by psychedelic influences.Warmly recommended, especially taking the country and time of realease into consideration.

 Bantam to Behemoth by BIRDS AND BUILDINGS album cover Studio Album, 2008
4.26 | 326 ratings

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Bantam to Behemoth
Birds And Buildings Eclectic Prog

Review by Alucard Draco

5 stars This is my first review after being a fan of this site for many years - I blame this site entirely for the amount of money spent on great albums and yet again more money is spent. I'll keep this short but ultimately this album is Eclectic Prog Heaven and nothing less. As so many times on this site I have just been blown away with the continuation of harmony, insanity and shear Whimsical delight and I think this Album expresses most of this. Without going into individual songs of perfect quality, I will just finish this review by saying "This is the reason life can be so good, when a soundscape of this magnitude flows into my ears and processed by my brain and transforming it into a sonic medium that increases through every hearing". Thanks for reading this and simply Keep on Progging.
 Dances of the Drastic Navels by DAAL album cover Studio Album, 2014
4.61 | 23 ratings

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Dances of the Drastic Navels
Daal Eclectic Prog

Review by tatoosha

5 stars Fifth disc for the avant-garde duo Alfio Costa and Davide Guidoni. After the critical success of the good "Dodecahedron" released two years ago the two polinstrumentist with solid roots in the scene of progressive italian rock, under the now consolidated Monicher Daal, Give life to a new creative path, in need of infinite plays, to be fully understood. The proposal of Daal it is almost fully instrumental except the vocals from the lending Tirill Mohn (White Willow). In excellent "Inside you" that makes further experimental attitude of the Binomial Tricolor. "Dance of the Drastic Navels" delves into progressive territory with stratification of keyboards, which constitute the supporting heart of composition never dull, which tracks we encounter ambient not Always usable but fortunately the Daal cure in a maniacally care; also the emotional aspect of the own composition, as also demonstrate in the beautiful graphic work. Always managing to leave something to the listener.
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Eclectic Prog bands/artists list

Bands/Artists Country
16 DEADLY IMPROVS United States
17F Switzerland
4/3 DE TRIO France
8 DAYS IN APRIL Germany
A.C.T Sweden
ABRETE GANDUL Chile
ABSOLUTE ELSEWHERE United Kingdom
ABSURDCUS Romania
ACADEMIE OF FARSIDE Indonesia
ACINTYA France
ADVENT United States
AFFINITY United Kingdom
AKO DOMA Slovakia
AKRITAS Greece
AKT Italy
JEAN-PIERRE ALARCEN France
ALBATROS Germany
ALEXL Brazil
ALGERNON United States
ALLOMERUS Australia
ALON United States
ALPHA RALPHA France
ALQUILBENCIL Spain
ALQUIN Netherlands
ALTABLANCA Argentina
ALTAIR Spain
ALTERNATIV QUARTET Romania
ALTERS Poland
COSTE APETREA Sweden
APPLE BELLS Poland
ARBATEL Mexico
ARDO DOMBEC Germany
AREKNAMÉS Italy
ART AND ILLUSION Italy
ARTCANE France
PETER ASHBY United Kingdom
THE ASHQELON QUILT Israel
ASTRID PROLL Puerto Rico
ATHELSTONE Malta
ATLANTIDE France
AUDIENCE United Kingdom
AUDIO VISIONS United States
AUNT MARY Norway
AVE ROCK Argentina
AVIATOR United Kingdom
ÁVORA DI CARLLA Brazil
BAD ALCHEMY United States
VLADIMIR BADIROV Uzbekistan
BAG France
DAVID BAGSBY United States
BAKU LLAMA United States
FRANCK BALESTRACCI France
BARBARO Hungary
AL BASIM Iraq
BATABEAT Canada
BEAR IS DRIVING United States
BEARDFISH Sweden
ADRIAN BELEW United States
SERGIO BENCHIMOL Brazil
IL BERLIONE Japan
MICHAEL BERNIER United States
BIRDS AND BUILDINGS United States
BLOQUE Spain
THE BOB LAZAR STORY New Zealand
BOOTCUT Sweden
EMMANUEL BOOZ France
BORDERLINE SYNDROME Greece
EDUARDO BORT Spain
BRAINSTATIK United States
VYTAS BRENNER Venezuela
BRIGHTEYE BRISON Sweden
BUBBLEMATH United States
BUBU Argentina
JEAN-LOUIS BUCCHI France
BUDKA SUFLERA Poland
C & K VOCAL Czech Republic
CABEZAS DE CERA Mexico
CALLE DEBAUCHE United States
CAMERA CHIARA Italy
NEIL CAMPBELL COLLECTIVE United Kingdom
CANGACEIRO Chile
JOSE CARBALLIDO Spain
CARPE DIEM France
CARPET Germany
CARTOON Brazil
CASTLE FUSION Italy
CATAPILLA United Kingdom
CENTENAIRE France
CHAMELEON United States
CICCADA Greece
CIRCLES END Norway
CIRCUS Switzerland
CIRKUS United Kingdom
BARRY CLEVELAND United States
CLOUDS ON STRINGS United States
CMU United Kingdom
COLONEL CLAYPOOL'S BUCKET OF BERNIE BRAINS United States
CONSIDER THE SOURCE United States
THE COWBOYS FROM HELL Switzerland
CRIME IN CHOIR United States
CRÓ! Spain
THE CRYSTAL SUN United Kingdom
CULPEPER'S ORCHARD Denmark
CURVED AIR United Kingdom
CZAR United Kingdom
DAAL Italy
THE DAEDALUS SPIRIT ORCHESTRA France
DAGMÄHR Canada
DALTONIA Chile
DARK AETHER PROJECT United States
DAYS BETWEEN STATIONS United States
GUILLAUME DE LA PILIERE France
DEBOCO France
DIAGONAL United Kingdom
DICE Sweden
DIONYSOS Canada
DISCORDIA Finland
DISEN GAGE Russia
DISTINGUISHED PANEL OF EXPERTS Multi-National
DJAM KARET United States
JULIUS DOBOS Hungary
WILLIAM D. DRAKE United Kingdom
DREADNAUGHT United States
DREADNOUGHT United States
DRIFT United States
EARTH SIZE DIAMONDS United States
EAST OF EDEN United Kingdom
ECHOES France
EDENSONG United States
EFECTO Chile
EKSEPTION Netherlands
ELEKTRYK BESTIA United States
EMPTY SPACE ORCHESTRA United States
EPIDERMIS Germany
ERE G Canada
ERIK BARON & D-ZAKORD France
ESPERANTO Multi-National
ESTHEMA United States
ET CETERA Canada
EXCLUSIVE RAJA France
EXPERIMENTAL Chile
EXPERIMENTAL QUINTET Romania
FAMILY United Kingdom
FANTASIA Finland
FETUS MAXIMUS Finland
OLIVIER FEUILLERAT France
FINNEUS GAUGE United States
FLASH United Kingdom
FLÄSKET BRINNER Sweden
FLIGHT United States
THE FLOCK United States
HUGO FLORES Portugal
FOND OF TIGERS Canada
FONDERIA Italy
FOXTROT Norway
FRAMUS 5 Czech Republic
FRATERNITY Australia
FRIENDSHIP TIME Sweden
ROBERT FRIPP United Kingdom
FROM.UZ Uzbekistan
FRUMPY Germany
FUN MACHINE United States
FUSIOON Spain
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