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ECLECTIC PROG

A Progressive Rock Sub-genre


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Eclectic Prog definition

The term 'eclectic' in the context of progressive rock describes a summation of elements from various musical sources, and the influences and career paths of bands that take from a wide range of genres or styles. While progressive music can be, in a larger sense, eclectic, the 'Eclectic Prog' term is specially meant to reference bands that trespass the boundaries of established Progressive Rock genres or that blend many influences.

Eclectic Prog combines hybrids of style and diversity of theme, promoting many elements from different sources. The Eclectic category recognizes bands that evolved markedly over their career (in a progressive, evolutionary way), or have a plural style without a clear referential core.

The basic features lie within the music's variety, rich influences, art tendencies and classic prog rock elements. Among the representative bands are KING CRIMSON, VAN DER GRAAF GENERATOR, and GENTLE GIANT.

- written by Ricochet (Victor)

Current Team as at 12/31/2013

Rob (Epignosis)
Logan (thellama73)
Sagi (Sagichim)

Eclectic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Eclectic Prog | More Top Prog lists and filters

4.60 | 3122 ratings
IN THE COURT OF THE CRIMSON KING
King Crimson
4.53 | 2428 ratings
RED
King Crimson
4.49 | 1458 ratings
GODBLUFF
Van Der Graaf Generator
4.43 | 1557 ratings
PAWN HEARTS
Van Der Graaf Generator
4.40 | 2059 ratings
LARKS' TONGUES IN ASPIC
King Crimson
4.35 | 1193 ratings
IN A GLASS HOUSE
Gentle Giant
4.36 | 604 ratings
THE SILENT CORNER AND THE EMPTY STAGE
Hammill, Peter
4.31 | 1184 ratings
H TO HE, WHO AM THE ONLY ONE
Van Der Graaf Generator
4.29 | 1084 ratings
STILL LIFE
Van Der Graaf Generator
4.26 | 1356 ratings
OCTOPUS
Gentle Giant
4.26 | 1070 ratings
FREE HAND
Gentle Giant
4.26 | 1085 ratings
THE POWER AND THE GLORY
Gentle Giant
4.24 | 1064 ratings
ACQUIRING THE TASTE
Gentle Giant
4.21 | 972 ratings
VOYAGE OF THE ACOLYTE
Hackett, Steve
4.26 | 361 ratings
ANABELAS
Bubu
4.20 | 558 ratings
SLEEPING IN TRAFFIC: PART TWO
Beardfish
4.25 | 338 ratings
BANTAM TO BEHEMOTH
Birds And Buildings
4.26 | 299 ratings
MEMENTO Z BANALNYM TRYPTYKIEM
SBB
4.16 | 602 ratings
SPECTRAL MORNINGS
Hackett, Steve
4.34 | 148 ratings
1000 AUTUNNI
Ske

Eclectic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Eclectic Prog experts team

NOT OF SOUND MIND
Zapotec
KRYWAN, KRYWAN
Skaldowie
DADARUHI
Replikas
INTERPOSE+
Interpose+

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Latest Eclectic Prog Music Reviews


 Little Lucid Moments by MOTORPSYCHO album cover Studio Album, 2008
3.86 | 69 ratings

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Little Lucid Moments
Motorpsycho Eclectic Prog

Review by Progrussia

4 stars Another year, another Motorpsycho album. Not a double CD this time. But with average song lengths of 14 minutes. Talk about giantomania.

Kidding aside, this is Motorpsycho not in their classic rock/heavy prog (or the occasionally jazzy, country or pop/rock) mode, but in a stoner alternative rock mode, with soft vocals, walls of fuzzy sound and lengthy instrumental building-up passages. Not my cup of tea, but got to give credit to the guys, for this is not your typically melancholic or menacing drone, but often quite energetic and busy playing. On Little Lucid Moments, they manage to balance melody and dissonance, energy and melancholy, not to mention a command of English wordplay impressive for non-English speakers.

 Follow (With Travis) by FRIPP, ROBERT album cover Studio Album, 2012
4.23 | 18 ratings

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Follow (With Travis)
Robert Fripp Eclectic Prog

Review by TCat
Prog Reviewer

5 stars What a beautiful combination. Fripp's soundscapes and Frippertronics paired with Theo Travis' own Ambitronics. These instrumental experiments are pensive and lovely, very accessible mostly minimal pieces with a lot of atmosphere. The music is completely improvised, but it all has direction and the tracks are titled appropriately to fit the ambience of the music.

The recording was specifically created for the best playback on surround sound systems, and, of course, Steven Wilson was brought in to produce the album. However, the sound is also excellent and crystal clear on regular stereo systems as well. The CD comes as 2 discs, the first with the regular recording and the 2nd with the surround sound recording which also contains 3 bonus tracks.

The music is very peaceful and meticulously played. It is also quite accessible in that there is not very much dissonance involved, but there is a lot of beauty involved and could be one of Fripp's loveliest collaborations. Except for a few places, for the most part there is no harshness as was evident on Fripp and Eno's collaborations. This particular music however was composed to be able to be performed in churches.

The first 3 tracks were thoughtfully named in that their titles fit their moods and feelings. "Soaring and Gliding" does just as it says, it gives you the feeling of free floating among the clouds. "Dark Clouds" is definitely a darker feeling which evokes the feeling of approaching and threatening clouds giving the feeling of an oncoming storm. However when the storm does reach the listener in "When the Rains Fall", the sustained notes in the background give the base of a staccato and arppegiated flute and reed sound which represents the rain falling softly. Simply beautiful.

Next is a short track which is a solo by Travis called "Hear Our Voices" which is a perfect example of how "Ambitronics" works. This track flows into the next track "1979" which is named after the year that Fripp's part was recorded. Travis adds his input over the top of the original track for an interesting sound which reminds me almost of a Native American sound.

"Open Land" has another nice ambient sound with more variation and the mood tends to drift towards a spacey feeling which is even more prevalent in the next track aptly named "Return to Saturn." From here the next track "Rotary Symmetrical" follows in what seems to be a natural way, but suddenly there is a harshness in Fripp's sound that seems to frighten up a flock of brass and wood that starts to flutter everywhere. The sound starts to approach a clinical sound somewhat more reminiscent of the earlier Frippertronic sound but with the added beauty of Travis' wind instruments. This departure into harshness prepares the listener for the final track "So There" which is a surprisingly more rock oriented sound, but not anything conventional. The last track tends to remind you that even though most of this album tends towards the classical composition, the music is really rooted in progressive rock and though the change is not abrupt which would have made the track feel like it was tacked on, the previous track makes this track feel like it is all part of the entire work.

This is an amazing sound. Even though Travis and Fripp have had previous releases, none of them have felt as cohesive and complimentary as this one does. It feels like these two geniuses have been developing their music to the point that they were finally ready for one another. Never has experimentation felt so natural and beautiful as it does here. If there are any recent Fripp albums that could be considered essential, it is this one. It feels like the culmination of the work of these two musicians has come about on this album, that the music from both artists have been waiting around for this moment to be heard in this way. I didn't expect this album to be as good as it is and maybe that sways my rating a little, but I must say that this entire album is extravagant and beautiful. Fripp fans must get this as it is essential in a cumulative sense and because it simply is a masterpiece of improvisation and experimentation.

 Gza Tsisken (Sky Way) by SINATLIS TSELITSADI album cover Live, 2004
4.29 | 5 ratings

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Gza Tsisken (Sky Way)
Sinatlis Tselitsadi Eclectic Prog

Review by Thandrus

5 stars My generation of Georgians should remember the stereotypes about Georgian rock music that circulated in their childhood. They should remember how would we build in each other's heads that rock music wasn't Georgian man's business and would blame it on the absence of some abstract "spirit". They should remember that majority of us, the "rock music lovers", never had even one tape of any Georgian music (with the exception of one table-song compilation maybe, just to make parodies and "elucidate the difference"). Et cetera, so forth and then some.

Hence in my childhood, my interest in Georgian music was mostly limited to music videos I commonly saw on TV. And the musical west seemed like a fairy-tale unrelated whatsoever with Georgian reality. So, with this status quo affirmed, I used to collect the music of King Crimson, Yes, Van Der Graaf Generator - I thought Can were English at that time, for I used to be told that only English write great rock music.

So when I was 14, I saw one man talking about his band's music on Stereo One (main music TV channel at that time) and he called it art rock. I was very surprised - then they mentioned the band name "Sinatlis Tselitsadi" (Georgian for "The Light Year"). The channel showed some interesting excerpts from their concerts, so I decided to find their CD that had been just released.

I managed to find this album only a couple of years later, when I got internet installed. I wouldn't say I liked it fully from the first listen, because despite music being harmonic, it's still quite complex and the sound is very non-standard, but it soon won my heart over - it just couldn't be otherwise for there's so much melodic beauty in it.

Sinatlis Tselitsadi's debut release (just like the sophomore one) is a live album, but you could only tell it by applauses - sound engineering is on high level. Overall sound of music is, as I mentioned, very unusual - band completely eschews bass and electric guitars and grand piano, atmospheric keyboards and the string section determine the sound. Gigi Gegelashvili's vocals, while not having very broad range, accentuate the music by the virtue of expressiveness.

As a result, Sinatlis Tselitsadi offers us extremely lyrical, "RPI-type" symphonic progressive rock, where beautiful melodies all follow one another. Even the most dramatic moments are full with contrasting lyricism, giving the impression of certain fullness.

Format-wise, music varies quite much - there are dark, multi-movement songs ("Somebody Walking Along" [9], "Circulation Of Time In Space" [10], "Escape From Paradise" [12]), a couple of well-development instrumental themes ("Prologue" [1], "Circle" [13]), short songs used for albums thematic development ("Town We Have Built" [2], "Möbius Strip - Part 1" [4]), short, beautiful interlude ("Etude For Children And Adults" [6]) and two breathtaking ballads - "Sea Passion" [3] and "R-atom" [10]. These two songs, located near the start and end of the album, form the most direct, loud manifesto of music's sentimental aesthetic.

Instrumentally, the performance is top-class. There are no contrived virtuoso passages whatsoever - everything serves the music's need. Although of the album is recorded live, musicians' high performance skills let the music flow freely between segments of different difficulties, moods and intensities.

Strange: if you asked me what I thought of this album right after the first listen, I'd have just said that it's just a good work, but as it often happens with harmonically complex music, I fell in love with this music so much that it became my favourite Georgian album. So, here you have the masterpiece of highest European level - something like Italian legends, PFM, Quella Vecchia Locanda, Celeste or Le Orme did. If these names don't ring any bell, then imagine Genesis with more classical music influences. If still no success - then hear Sinatlis Tselitsadi and then the aforementioned bands.

Sinatlis Tselitsadi is still active with changing personnel. In 2010, they released their sophomore live album "Generation XXI - Rock Cantata" and the next album is under way.

Originally written for www.georgianmusic.wordpress.com

 It's A Love Cult by MOTORPSYCHO album cover Studio Album, 2002
3.90 | 30 ratings

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It's A Love Cult
Motorpsycho Eclectic Prog

Review by Progrussia

4 stars After Motorpsycho were heavy, and before they were heavy again, they were plain old rock'n'roll-y. On It's a Love Cult, they continue the lusher avenues explored on 2001's roots rock- jazzy-country Phanerothyme, but a little more aggressive this time around. This features such songs as the psychedelic power pop of Uberwagner or a Billion Bubbles in My Mind, the rollicking Neverland and Composite Head, the pastoral Circles and The Mirror and the Lie, the complex pop rock of Serpentine, country-flavored What If, the quiet jazziness of This Otherness, the hard rocker Custer's Last Stand. For a band that started out grungy and often (mis)labeled as stoner rock, Love Cult features rich arrangements and strong instrumental performances. A bar where they'd play this kind of music would instantly be my favorite.
 El Reloj II (aka Al Borde del Abismo or Segundo Album) by RELOJ, EL album cover Studio Album, 1976
3.97 | 23 ratings

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El Reloj II (aka Al Borde del Abismo or Segundo Album)
El Reloj Eclectic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Despite releasing two warmly received albums in mid-70's, El Reloj were well-known in Argentina since the early-70's as a premiere Hard Rock band, led by bassist Eduardo Frezza and lead guitarist Willy Gardi.They had played numerous lives, before taking a break around 1971, when second guitarist's Gregorio ''Goyo'' Felipes life was cut short due to a terrible accident.They returned the following year with new member Osvaldo Zabala on second guitar and the standard entries, Juan Esposito on drums and Luis Alberto Valenti on keyboards.In 1973 their debut single sold about 30,000 copies and in 1975 they released their first full-length, self-titled album on RCA Victor's Vik sublabel, recalling the powerful Heavy Rock of Deep Purple.The following year a second self-titled album came out on RCA Victor, today known as ''Segundo album'' or named after the track ''Al borde del abismo''.

El Reloj sounded a lot like an Italian Hard Rock/Prog band, let's say somewhere between OSAGE TRIBE and CAPITOLO 6, featuring high-pitched, irritating vocals and basically a largely guitar-based sound.The DEEP PURPLE influences are still apparent in some of the tracks, mainly due to the rhythmic tunes or organ-based passages, but this second album of the band was much closer to RUSH.Even more impressive their incredible guitar workouts and complex twists evolved a slight ''Red''-era KING CRIMSON edge.The material is very energetic, often quite complicated with unexpected tempo changes and strong, mascular riffs, surrounded by very good work on organ and piano and featuring a third guitarist in a few numbers, Carlito Mira.All pieces are quite short with the aforemtioned surprising musical values, played mostly in fast tempos and delivered with an angular edge.The exception to the rule comes from the 10-min. ''La ciudad desconocida'', a nice, melodramatic attempt on Symphonic Hard Rock with a bit more emotional vocals compared to the rest of the album, epic proggy passages with crying guitars and fiery riffs and some trully great and dynamic Hammond organ waves.

Cool Argentinian Hard Prog, very similar to the Italian bands of the period.Dual and even triple guitar fests with complex themes, supported by pinches of keyboard dominance.Quite attractive and warmly recommended.

 Gentle Giant  by GENTLE GIANT album cover Studio Album, 1970
3.87 | 864 ratings

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Gentle Giant
Gentle Giant Eclectic Prog

Review by HunterD

4 stars How can Gentle Giant's debut LP not be considered anything other than an essential entry in any prog collection? I'm not just talking about the music, I'm talking about that album cover. That dorky, smug Scottish giant, with those happy Keane-ish eyes. It's like he knows something you don't. They say to you, "yeah, this band is called Gentle Giant. I'm a big, cuddly Scot. I enjoy mandolins and Punch & Judy shows. You think that sounds lame? Joke's on you, little guy!" It's an image that, like King Crimson's schizoid man or Rush's star man, has become representative of the genre. Even before I ever listened to Gentle Giant, the cover of this record was what leaped to mind whenever I thought of seventies progressive rock. Not owning it is like not owning "In the Court of the Crimson King" or "The Lamb Lies Down on Broadway." It's like loving gangster movies, but not having seen "Little Caesar." It's not the best gangster movie, but it's an iconic one, goddammit!

Okay, enough about the cover, what about the music? It certainly is GG's heaviest record, with more of a blues rock influence, but it has the eclectic elements in place that would bloom on their subsequent releases. I must admit that after hearing albums like "Acquiring the Taste" and "Octopus," I didn't spin this one again for awhile. "Acquiring the Taste" is such a quantum leap from "Gentle Giant" in terms of musicianship and progressive songwriting, that it made "Gentle Giant" seem like an album where a band is simply hammering out their sound. And yet, I missed the heaviness of the album, which is why I always feel compelled to return to it, and I always listen from "Giant" all the way to "The Queen," which is actually the only throwaway on the album, but it always lets me know I've reached the end.

This self-titled debut is nowhere near the finest work that Gentle Giant put together in their brief-but-prolific career, yet it's still a must, a perfect starting point for getting into one of the finest bodies of work progressive rock has ever offered.

 Child Of The Future by MOTORPSYCHO album cover Studio Album, 2009
3.44 | 33 ratings

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Child Of The Future
Motorpsycho Eclectic Prog

Review by Progrussia

3 stars Hate to be not the one to add anything new, but I completely agree with the other review of Motorpsycho's Child of the Future posted here. This is a collection of wild, raw (it deliberately sounds as a live album on an old magnetic tape), improv-heavy rock'n'roll tunes. Led Zeppelin on acid AND steroids. Motorpsycho is by no means restricted to this kind of sound (they've done jazz, country and everything in between), but it is perhaps what is most often recalled of this band, and it does comprise a heavy chunk of their repertoire. Best tracks here are probably the opener, Ozzylot, for it's by far the catchiest and a relatively cleaner tune, and Whole Lotta Diana for its wild instrumental pyrotechnics.
 Phanerothyme by MOTORPSYCHO album cover Studio Album, 2001
4.15 | 69 ratings

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Phanerothyme
Motorpsycho Eclectic Prog

Review by Progrussia

4 stars After hearing an awful lot how versatile Motorpsycho are and listening to, admittedly, a few of their latter-day albums and finding them at a heavy prog/classic rock mood, I decided to take a shot in the dark and just pick at random an album of their back repertoire. Boy I am glad I did.

What we find on Phanerothyme (whatever that is, well, I know now what that is, but when you read for the first, you like go, what the hell) is a collection of mostly compact, retro introspective pop rock/psychedelic/bluesy-folksy Americana tunes (and just one harder-rocking tune), often orchestrated with lush instrumentation - violins, retro keys, oboes, flutes and so on, even a banjo. These songs may not be progressive, but the band definitely is.

 Live At The Orpheum by KING CRIMSON album cover Live, 2015
3.06 | 39 ratings

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Live At The Orpheum
King Crimson Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars A band with three drummers? If this could have happened when I was a teenager (and it was more than 30 years ago!) I could have been very "excited" and "surprised" ("A band with three drummers? Wow!") to see and to listen to this "experiment". But...in the present for me this "experiment" only sounds more like another one done by Robert Fripp in a very long list. It is not the first time that KING CRIMSON has more than one drummer in the line- up, but I still think that with one very good drummer in any band is enough. Fortunately, one of the drummers in this new line-up (Bill Rieflin, with the other two drummers being "old" members Pat Mastelotto and Gavin Harrison) plays keyboards in some parts of some songs (particularly in the songs from the seventies "The Letters", "Sailor's Tale" and "Starless"). And my main interest to listen to this album was to listen to those songs from the seventies (which also include "One More Red Nightmare", from their "Red" album) played again with Mel Collins playing flute and sax. For me, the best period from this band was the 1969-74 period. Alll these songs are very well played, but with three drummers they sometimes sound with some excess....but very well anyway. It could have taken a lot of rehearsals to the three drummers to coordinate between them about who was going to play "what and when" in every song.

In this new KING CRIMSON line-up there are two former members of the 21ST CENTURY SCHIZOID BAND (Mel Collins, who also was a member of KING CRIMSON between 1970 and 1972, and Jakko Jakszyk, lead singer and guitarist who does a good job in this live album). Also Tony Levin plays bass and stick (with him being also and "old" member of the band from the eighties and nineties, a period of the band which I don`t like, due more to the musical influences of Adrian Belew than from the musical influences of Levin and other members from that period). From the Belew line-ups there is a song called "The Construcktion of Light", with the typical "obsessive" interplay from the guitars (a thing which I never liked from the Belew line-ups), but with very good flute and sax played by Collins. "Walk On : Monk Morph Chamber Music" is a brief instrumental "experimental" musical piece which works more as an introductory piece to the concert while the musicians walk to the stage. "Banshee Legs Bell Hassle" is another experimental instrumental musical piece which for me sounds a bit influenced by their "Larks Tongues in Aspic" album from 1973.

A four star rating for this live album from me, only for the inclusion of some songs from the seventies. But I still think that it is not necessary to have three drummers in a band....in any band.

 Behind The Sun by MOTORPSYCHO album cover Studio Album, 2014
4.05 | 200 ratings

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Behind The Sun
Motorpsycho Eclectic Prog

Review by Progrussia

4 stars Apparently Motorpsycho has been releasing album for more than 2 decades now, frequently on a yearly basis. I've also seen statistics that Norwegians (along with Germans and the Dutch) work the least amount of time of all (if you must know, 1400 average annual hours actually worked per worker). Well, socialism - but not communism - is good for prog.

Motorppsycho is best known for late 60s - early 70s heavy, bluesy psychedelic rock revival, in a power trio format, sometimes joined in by a supporting synth, with emphasis on jamming, and a soft type of vocal. But on this album they also display an ear for haunting acoustics, with four out of nine songs in that vein, at least partially.

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Eclectic Prog bands/artists list

Bands/Artists Country
16 DEADLY IMPROVS United States
17F Switzerland
4/3 DE TRIO France
8 DAYS IN APRIL Germany
A.C.T Sweden
ABRETE GANDUL Chile
ABSOLUTE ELSEWHERE United Kingdom
ABSURDCUS Romania
ACADEMIE OF FARSIDE Indonesia
ACINTYA France
ADVENT United States
AFFINITY United Kingdom
AKO DOMA Slovakia
AKRITAS Greece
AKT Italy
JEAN-PIERRE ALARCEN France
ALBATROS Germany
ALEXL Brazil
ALGERNON United States
ALLOMERUS Australia
ALON United States
ALPHA RALPHA France
ALQUILBENCIL Spain
ALQUIN Netherlands
ALTABLANCA Argentina
ALTAIR Spain
ALTERNATIV QUARTET Romania
ALTERS Poland
AMPLEDEED United States
COSTE APETREA Sweden
APPLE BELLS Poland
ARBATEL Mexico
ARDO DOMBEC Germany
AREKNAMÉS Italy
ART AND ILLUSION Italy
ARTCANE France
PETER ASHBY United Kingdom
THE ASHQELON QUILT Israel
ASTRID PRÖLL Puerto Rico
ATHELSTONE Malta
ATLANTIDE France
AUDIENCE United Kingdom
AUDIO VISIONS United States
AUNT MARY Norway
AVE ROCK Argentina
AVIATOR United Kingdom
ÁVORA DI CARLLA Brazil
BAD ALCHEMY United States
VLADIMIR BADIROV Uzbekistan
BAG France
DAVID BAGSBY United States
BAKU LLAMA United States
FRANCK BALESTRACCI France
BARBARO Hungary
AL BASIM Iraq
BATABEAT Canada
BEAR IS DRIVING United States
BEARDFISH Sweden
ADRIAN BELEW United States
SERGIO BENCHIMOL Brazil
IL BERLIONE Japan
MICHAEL BERNIER United States
BIRDS AND BUILDINGS United States
BLOQUE Spain
THE BOB LAZAR STORY New Zealand
BOOTCUT Sweden
EMMANUEL BOOZ France
BORDERLINE SYNDROME Greece
EDUARDO BORT Spain
BRAINSTATIK United States
VYTAS BRENNER Venezuela
BRIGHTEYE BRISON Sweden
BUBBLEMATH United States
BUBU Argentina
JEAN-LOUIS BUCCHI France
BUDKA SUFLERA Poland
C & K VOCAL Czech Republic
CABEZAS DE CERA Mexico
CALLE DEBAUCHE United States
CAMERA CHIARA Italy
NEIL CAMPBELL COLLECTIVE United Kingdom
CANGACEIRO Chile
JOSE CARBALLIDO Spain
CARPE DIEM France
CARPET Germany
CARTOON Brazil
CASTLE FUSION Italy
CATAPILLA United Kingdom
CENTENAIRE France
CHAMELEON United States
CICCADA Greece
CIRCLES END Norway
CIRCUS Switzerland
CIRKUS United Kingdom
BARRY CLEVELAND United States
CLOUDS ON STRINGS United States
CMU United Kingdom
COLONEL CLAYPOOL'S BUCKET OF BERNIE BRAINS United States
CONSIDER THE SOURCE United States
THE COWBOYS FROM HELL Switzerland
CRIME IN CHOIR United States
CRÓ! Spain
THE CRYSTAL SUN United Kingdom
CULPEPER'S ORCHARD Denmark
CURVED AIR United Kingdom
CZAR United Kingdom
DAAL Italy
THE DAEDALUS SPIRIT ORCHESTRA France
DAGMÄHR Canada
DALTONIA Chile
DARK AETHER PROJECT United States
DAYS BETWEEN STATIONS United States
GUILLAUME DE LA PILIERE France
DEBOCO France
DIAGONAL United Kingdom
DICE Sweden
DIONYSOS Canada
DISCORDIA Finland
DISEN GAGE Russia
DISTINGUISHED PANEL OF EXPERTS Multi-National
DJAM KARET United States
JULIUS DOBOS Hungary
WILLIAM D. DRAKE United Kingdom
DREADNAUGHT United States
DREADNOUGHT United States
DRIFT United States
EARTH SIZE DIAMONDS United States
EAST OF EDEN United Kingdom
ECHOES France
EDENSONG United States
EFECTO Chile
EKSEPTION Netherlands
ELEKTRYK BESTIA United States
EMPTY SPACE ORCHESTRA United States
EPIDERMIS Germany
ERE G Canada
ERIK BARON & D-ZAKORD France
ESPERANTO Multi-National
ESTHEMA United States
ET CETERA Canada
EXCLUSIVE RAJA France
EXPERIMENTAL Chile
EXPERIMENTAL QUINTET Romania
FAMILY United Kingdom
FANTASIA Finland
FETUS MAXIMUS Finland
OLIVIER FEUILLERAT France
FINNEUS GAUGE United States
FLASH United Kingdom
FLÄSKET BRINNER Sweden
FLIGHT United States
THE FLOCK United States
HUGO FLORES Portugal
FOND OF TIGERS Canada
FONDERIA Italy
FOXTROT Norway
FRAMUS 5 Czech Republic
FRATERNITY Australia
FRIENDSHIP TIME Sweden
ROBERT FRIPP United Kingdom
FROM.UZ Uzbekistan
FRUMPY Germany
FUN MACHINE United States
FUSIOON Spain
THE GAK OMEK United States
GALAAD Switzerland
GARDENIA Argentina
GARGAMEL Norway
GAYLORD United States
GECKO'S TEAR Italy
RON GEESIN United Kingdom
GENTLE GIANT United Kingdom
GESTALT Japan
GEVENDE Turkey
GEYSIR Germany
GLAZZ Spain
GLOBALYS Belgium
GNIDROLOG United Kingdom
GOAD Italy
GOMA Spain
GOOD NIGHTOWL United States
GÖSTA BERLINGS SAGA Sweden
THE GOURISHANKAR Russia
SÉBASTIEN GRAMOND France
GRATTO United States
THE GREATEST SHOW ON EARTH United Kingdom
MAREK GRECHUTA Poland
GREYLYNG United States
GROOVECTOR Finland
THE GUARDIAN'S OFFICE Norway
GUERNICA Japan
TREY GUNN United States
GUNS AND BUTTER United States
GURUH GIPSY Indonesia
GUZZLEMUG United States
GYPSY United States
H7G Costa Rica
STEVE HACKETT United Kingdom
HAIKARA Finland
HALF PAST FOUR Canada
HAMADRYAD Canada
PETER HAMMILL United Kingdom
HAPPY THE MAN United States
GAVIN HARRISON & 05RIC United Kingdom
STEVE HART United Kingdom
HEADSHEAR United States
HERD OF INSTINCT United States
HOBO Yugoslavia
HOBSON'S CHOICE United States
HOKR Czech Republic
HOME United Kingdom
HOMINIDO Chile
HOUSE OF USHER United States
HUNE Canada
ICED INK United States
IKARUS Germany
ILLŔCHIME QUARTET Italy
ILLUSION United Kingdom
INNER LIGHT ORCHESTRA Finland
INTERFACE Japan
INTERPOSE+ Japan
ISKANDER Germany
ISLAND Switzerland
IT United States
IT'S THE END Norway
IX Venezuela
IXT ADUX United States
JANOS VÁRGA PROJECT Hungary
JEAVESTONE Finland
JOY UNLIMITED Germany
JULIAN'S TREATMENT United Kingdom
JUNE CLEAVER AND THE STEAK KNIVES United States
KARMABLUE Italy
KATAYA Finland
KHARMINA BURANNA Peru
KIDS EAT CRAYONS Canada
KING CRIMSON United Kingdom
KLOTET Sweden
KOIAK Chile
KOLORS OF ZOUND Austria
KORPUS 2 (Корпус 2) Russia
KRACQ Netherlands
KRAKEN IN THE MAELSTROM Italy
KROMLECH Mexico
KTU Multi-National
KTZAT ACHERET Israel
KULTIVATOR Sweden
KWADRAT Poland
KYTAJA Finland
LAPLACE Argentina
LALLE LARSSON Sweden
LASER PACE United States
THE LAZE United Kingdom
LAZULI France
LETHEAN Italy
BJORN J:SON LINDH Sweden
LIZARD Poland
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