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ECLECTIC PROG

A Progressive Rock Sub-genre


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Eclectic Prog definition

The term 'eclectic' in the context of progressive rock describes a summation of elements from various musical sources, and the influences and career paths of bands that take from a wide range of genres or styles. While progressive music can be, in a larger sense, eclectic, the 'Eclectic Prog' term is specially meant to reference bands that trespass the boundaries of established Progressive Rock genres or that blend many influences.

Eclectic Prog combines hybrids of style and diversity of theme, promoting many elements from different sources. The Eclectic category recognizes bands that evolved markedly over their career (in a progressive, evolutionary way), or have a plural style without a clear referential core.

The basic features lie within the music's variety, rich influences, art tendencies and classic prog rock elements. Among the representative bands are KING CRIMSON, VAN DER GRAAF GENERATOR, and GENTLE GIANT.

- written by Ricochet (Victor)

Current Team as at 1/3/2020

Ian (Tapfret)
Mike (siLLy puPPy)
Ian (Nogbad_The_Bad)
Mike (TCat)

Eclectic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Eclectic Prog | More Top Prog lists and filters

4.63 | 4276 ratings
IN THE COURT OF THE CRIMSON KING
King Crimson
4.55 | 3396 ratings
RED
King Crimson
4.47 | 2104 ratings
GODBLUFF
Van Der Graaf Generator
4.43 | 2224 ratings
PAWN HEARTS
Van Der Graaf Generator
4.41 | 2930 ratings
LARKS' TONGUES IN ASPIC
King Crimson
4.35 | 1702 ratings
IN A GLASS HOUSE
Gentle Giant
4.31 | 1676 ratings
H TO HE, WHO AM THE ONLY ONE
Van Der Graaf Generator
4.30 | 1992 ratings
OCTOPUS
Gentle Giant
4.30 | 1624 ratings
THE POWER AND THE GLORY
Gentle Giant
4.29 | 1536 ratings
STILL LIFE
Van Der Graaf Generator
4.28 | 1523 ratings
FREE HAND
Gentle Giant
4.30 | 882 ratings
THE SILENT CORNER AND THE EMPTY STAGE
Hammill, Peter
4.27 | 1551 ratings
ACQUIRING THE TASTE
Gentle Giant
4.25 | 1443 ratings
VOYAGE OF THE ACOLYTE
Hackett, Steve
4.25 | 584 ratings
ANABELAS
Bubu
4.25 | 410 ratings
MEMENTO Z BANALNYM TRYPTYKIEM
SBB
4.22 | 487 ratings
BANTAM TO BEHEMOTH
Birds And Buildings
4.18 | 728 ratings
SLEEPING IN TRAFFIC - PART TWO
Beardfish
4.13 | 2191 ratings
LIZARD
King Crimson
4.24 | 319 ratings
DECALOGUE OF DARKNESS
Daal

Eclectic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Eclectic Prog experts team

KRYWAN, KRYWAN
Skaldowie
CLOSE GRIP
Gourishankar, The
DIAGONAL
Diagonal
ENIGMATIC
Niemen, CzesŁaw

Latest Eclectic Prog Music Reviews


 THRAK by KING CRIMSON album cover Studio Album, 1995
3.67 | 1106 ratings

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THRAK
King Crimson Eclectic Prog

Review by Uruk_hai

4 stars Strong, mathematical, interesting, beautiful

After the second disintegration of King Crimson in 1985, the band came back ten years later with a (once again) brand new sound. The four members of King Crimson (Bruford, Levin, Fripp and Belew) were again in the band with the addition of two new members to the line-up: Pat Mastelotto (drums) and Trey Gunn (Chapman stick) so they made the line-up of the double trio. The songs on the album are more oriented to a metal/hard rock style with some soft moments as well.

"Walking on air" is a beautiful and romantic song; "B'boom" is a very nice drum jam that opens the door to a hard instrumental piece with some amazing Fripp's riffs. "Inner garden" has kind of an obscure and spooky atmosphere while "People" is more moved and with a very fresh jazzy rhythm with nice choruses and a futuristic ambient in some moments.

"One time" is definitely my favorite song of the album, which is a soft rocky ballad with a sweet riff that goes over and over again through the singing of Belew and the relaxed percussions of Bruford and Mastelotto. "Sex, sleep, eat, drink, dream" is also great, it has a bluesy rhythm mixed with a hard rock-y guitar riff in the middle section. "Vrooom" (divided in its three parts) is a very aggressive rock gong with intense riffs and drum lines.

So the fourth age of King Crimson started really well; this is a very amazing album, not a masterpiece but yet pretty great.

 Three of a Perfect Pair by KING CRIMSON album cover Studio Album, 1984
3.28 | 1177 ratings

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Three of a Perfect Pair
King Crimson Eclectic Prog

Review by Uruk_hai

3 stars "Three of a perfect pair" is probably the album of King Crimson that I like the less. The band continued with the new-wave/post-punk sound we can find in the previous two albums but with less interesting songs.

The opening song and "Sleepless" are maybe the most moved songs in the album. The B-side (also called the Right Side) is mainly instrumental but with songs clearly not as good as the ones on their other albums, but rather slow and kind of boring songs.

"Model man" is a nice ballad song but is not as moving as "Matte kudasai" or "Heartbeat"; even the third part of "Larks' tongues in aspic" (which I don't understand how did they dare to call that), is slow and not very interesting.

The album is not bad per se; it's just not amazing either. I love the red and the blue ones, but the yellow not so much.

 Beat by KING CRIMSON album cover Studio Album, 1982
3.08 | 1197 ratings

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Beat
King Crimson Eclectic Prog

Review by Uruk_hai

4 stars The four members of King Crimson who played in "Discipline" remained in the band for the following two albums, in 1982 Beat came out with music quite similar to the one in the previous album but with less interesting and experimental songs. The songs in this record are more into a new wave less progressive kind of rock. It has very catchy songs between moving themes and some slow ones.

"Neal and Jack and Me" is a very energetic and moving song, "Heartbeat" is more quiet and slow but pretty great too;"Neurotica" is mind-blowing, a lot of resemblance to the 70's Crimson sound; "Sartori in tangier" and "Requiem" are two very nice instrumental pieces.

In general the album is very good, not amazing but definitely an excellent addition to any Progressive Rock collection, so 4 stars.

 Changes by CATAPILLA album cover Studio Album, 1972
3.61 | 129 ratings

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Changes
Catapilla Eclectic Prog

Review by sgtpepper

3 stars This time, there's less focus on the brass section and the sound has been improved as well as updated. Kudos to the drummer, who's trying harder on this album - just listen to his fill-ins on the first track.

The sense of improvisations is still preferred instead of rigid structure. The proof is the "Reflections" track that is rather directionless and the vocal is as improvisational as the saxophone. The track goes on for too long. I have the same complaint about the third track - 12 minutes again.

"Charing Cross" actually looks promising with having only 7 minutes instead of 12 and there is a melody and motive - bit of a lazy feeling but that changes to the frenetic speed after 2 and half minutes. "It could only happen to me" absorps Canterbury electric piano and chords - it is a highlight and there are no vocals!

Still, this album can't make it higher than to 3 stars, despite sounding less awkward than the debut album.

 Catapilla by CATAPILLA album cover Studio Album, 1971
3.45 | 119 ratings

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Catapilla
Catapilla Eclectic Prog

Review by sgtpepper

3 stars The line-up and song lengths look very promising at first sight. There surely must be plenty of ambition on this record! The female vocal is used sparsely, not surprisingly - there are more than enough instrumentalists. The sound by the band is quite typical for 1969-1970 so even a bit older than the album was released in. By its nature, the music is not as adventureous as one might expects, however there's plenty of improvisations especially by saxophone, clarinet and flutes. Jam is the right word to describe the nature of the lengthy songs. The rhythm section is actually quite rock/hard-rock oriented. The classic rock combo provides the harder edge without falling into virtuoso danger. "Naked death" is a good listen but not too memorable or developed. "Tumbleweed" reminds me a bit of later Curved Air. It is quite a melodic piece of straightforward rock. "Promises" is a hard jazz-rock number but I don't like screaming by the vocalist. "Embryonic fusion" takes more risks. It has a couple of section and motives but if it wasn't for the saxophones and clarinet, it would be a painful listen for 24 minutes. This album would have been better if the first and last trac were cut by half. Not much for the progger to explore but a good testimony of the jazz-rock/hard-rock beginnings.
 Where Do You Want Ghosts to Reside by FREN album cover Studio Album, 2020
4.01 | 101 ratings

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Where Do You Want Ghosts to Reside
Fren Eclectic Prog

Review by prog_traveller!!

4 stars Fren is a fantastic band that comes from Poland, and they Where Do You Want Ghosts to Reside for me is the debut prog album of 2020. It gives a fresh feel to prog and speaks to wider audiences of the genre. It starts with Twin Peaks a beautiful melancholic piece which builds up from dreamy Mellotron parts to introduction of guitar and Hammond. Surge for me, is the best song on the album, it is a true eclectic heaven with a great first part guitar riff and it shows the power of the band and the ability to write a complex but still a beautiful piece of music. If follows from the heavy sound to a great melodic guitar solo. The song ends with a heavy riff which sounds like it came straight from the 70's, some space elements with a blistering guitar work from Michal Chalota. Pleonasm shows the band's ability to write a great jazz piece. The last song on the album Time to Take Stones Away is the perfect end of this album, the band jet again unleashes beautiful prog, at the 2 minute mark, we have a fantastic piano part and the song just continues to grow and build perfectly until the end, a true joy to listen. This is a great band and I can't wait to hear what will they do next. 4.5
 The All Is One by MOTORPSYCHO album cover Studio Album, 2020
4.04 | 99 ratings

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The All Is One
Motorpsycho Eclectic Prog

Review by prog_traveller!!

4 stars With The tower and The Crucible Motorpsycho entered their prog renaissance and continued it on the new album The all is one, the band delivers powerful prog sounds with brilliant guitar, bass and beautiful keyboards mostly mellotron. The album kicks off with a self titled track that bursts with power and fantastic mellotron parts. N.O.X.', a 42-minute epic shows that this band is at the top of their game. The all is one has it all from hard and heavy to beautifully written acoustic and classical parts. Third and final chapter in the "Gullvĺg" trilogy is a must have If you like mix of eclectic, symphonyc, heavy, space and psych with really interesting lyrics focusing on moral, political and other issues we face today.
 Konkret Musik by GÖSTA BERLINGS SAGA album cover Studio Album, 2020
3.81 | 23 ratings

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Konkret Musik
Gösta Berlings Saga Eclectic Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Two years on from the slice of excellence which was 'Et Ex' and the eclectic Swedes are back with their sixth album. Since the beginning, David Lundberg (Fender Rhodes, Grand Piano, Mellotron & Synthesizers) and Alexander Skepp (Drums & Percussion) have been firmly at the helm, while Gabriel Tapper (Bass Guitar & Moog Taurus Pedals) has been there since 2004 and Rasmus Booberg (Guitars & Synthesizers) joined just after the last album. However, they have now expanded to a quintet with the addition of percussionist Jesper Skarin (Misery Loves Co/Switch Opens) and have dived firmly into the world of Krautrock. While they have been influenced heavily by Tangerine Dream in the past, this sees them moving much further into the genre, even using many old synthesisers (care of producer Daniel Fagerström) and creating something which is both dated and right up to date.

The strange thing is it is probably the guitar and especially bass guitar which provides the life to this album. The keyboards may move and swirl, but those give the direction and power: one knows this is music which is designed to be taken out on the road when the opportunity arises as opposed to being just a studio operation, as it has that vitality and drive. There is also a strong use of dynamics and contrasts, and this is brought together with repeated melodies and tangents which make this a compelling piece of music. They have also moved towards shorter songs, with only one breaking six minutes while they had four of that length or more on the last one. The title track itself sounds like Kraftwerk being brought into a rock environment, with pounding drums at the back and guitar/bass taking over from the synths when the time is right. I really enjoyed their last album, which was something of a breakthrough for them in many ways, but this one is actually better. If you have yet to investigate Gösta Berlings Saga then now is the time to do that with 'Konkret Musik'

 Discipline by KING CRIMSON album cover Studio Album, 1981
4.12 | 1960 ratings

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Discipline
King Crimson Eclectic Prog

Review by Uruk_hai

5 stars The phoenix that emerged from the ashes!

After the release of Red, Robert Fripp declared King Crimson dead and for seven long years it was actually dead. John Wetton went to occasionally play with ROXY MUSIC and URIAH HEEP, Bill Bruford did the same in GENESIS and NATIONAL HEALTH (besides his solo albums), they both played together again in that awful UK album and Robert Fripp played with BRIAN ENO and as a session musician for a lot of bands such as TALKING HEADS, BLONDIE and DAVID BOWIE.

Another musician who also collaborated with TALKING HEADS was Adrian Belew, who was formerly a member from the FRANK ZAPPA band and it was with this musician that Fripp started to create a new band that it was going to be called DISCIPLINE. For this new band, they recorded an American bass player who was innovating with the use of a weird instrument called Chapman stick named Tony Levin (session musician for several artists such as Peter Gabriel and John Lennon) and fortunately Bill Bruford was available for working with Fripp again.

It was this new half British-half American line-up which started to create this ambitious sound that was a very nice and interesting mixture of progressive rock and new wave rock; experimenting with a lot of different sound and musical styles. After Belew, Bruford and Levin convinced Fripp to switch the name of the band to King Crimson, the name Discipline was given to this magnificent new album.

1.- Elephant talk (04:43): The opening track has become one of the favorites for many Crimson fans all over the world (including me). Levin starts the song with his Chapman stick while Bruford changes the classic acoustic drums for a more electronic kit; the voice of Adrian Belew with his particular Kentucky accent and Fripp playing in a more rhythmic and less solo-y and riff-y way are screaming that this Crimson is different and it has a lot to offer to the listeners. The elephant noises are also a very fresh touch.

2.- Frame by frame (05:10): Personally my favorite song of the album; the song shows a lot of influence from Belew's days with TALKING HEADS. Levin's choruses and Fripp's guitar lines are amazing.

3.- Matte kudasai (03:49): It wouldn't be a King Crimson album without a beautiful soft ballad. Here we don't have wind instruments like saxophones or flutes but rather Fripp's sweet solo and Levin's sensual bass.

4.- Indiscipline (04:33): The closing track of the A-side is the more aggressive. Insane drums and a very strong guitar riff give this song a slight resemblance to the Larks' tongues in aspic-Red era.

5.- Thela hun ginjeet (06:26): Here we have perhaps one of the most interesting pieces of the album; Bill Bruford played the drums with an African rhythm that goes through the whole song while Levin's jazzy bass and Fripp's distorted guitar accompany it creating an almost world music texture.

6.- The sheltering sky (08:23): The instrumental piece of the album it's also the longest one; kind of an ambient piece with stingy guitar lines from time to time. The softly played percussions are hypnotic.

7.- Indiscipline (05:06): As much as "Discipline", this song also has a lot of 1973-1974 Crimson influence, but here the Chapman stick and the low-profile guitar give the song a more eighties sound. A groovy ending for a groovy album

King Crimson started again with a new style and it was brilliant. Some people don't like this new style but to me, this is one of the most iconic albums in their discography. I personally love the album so much that I actually tattooed its cover on my right arm.

It's a 5 stars masterpiece.

 Red by KING CRIMSON album cover Studio Album, 1974
4.55 | 3396 ratings

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Red
King Crimson Eclectic Prog

Review by Uruk_hai

5 stars Another unbelievable record from the Crimson guys, this time in the form of a power trio: Wetton, Bruford and Fripp were the line-up in charge of this mind-blowing album that has become a classic of Progressive Rock music. Continuing with the hard progressive rock that characterized their previous two albums, Red got also a very powerful sound filled with amazing drum and guitar solos, they didn't miss the formula of hard rockin' passages mixed with softly ballads.

1.- Red (06:16): Very aggressive rock with lots of powerful drum lines and a very intense guitar riff that fills most of the song. The middle part with the double bass played by Mark Charig (who had also played in "Lizard" and "Islands") gives the song an obscure atmosphere, pretty interesting.

2.- Fallen angel (06:03): Beautiful and melancholic, soft in some moments and strong and powerful in others. The wind instruments are also present in here. Amazing

3.- One more red nightmare (07:10): Hard rock with a nice and subtle jazzy touch; the drumming is awesome along with the sax. To be the longest song on the first side of the album this piece closes it really nice.

4.- Providence (08:10): King Crimson playing some kind of avant-garde? This song reminds me a lot to bands such as HENRY COW, ART ZOYD or JULVERNE but with the unrepeatable KING CRIMSON style of Fripp's distorted guitar riffs. This is a live improvisation in the same vein of almost the whole Starless and bible black album, probably the song that I like the less in here.

5.- Starless (12:16): Wow!! May I say something about this song that hasn't been said yet? This piece is one of the most popular on the whole KING CRIMSON discography, and maybe that is because this is so epic! 12 minutes of madness through obscure lyrics, powerful guitar lines, amazing drumming and very elegant wind instrument arrangements. This song is a bomb that could literally blow several minds out.

One of the most ambitious KING CRIMSON albums ever released, and the last of the BRUFORD-WETTON- FRIPP ensemble; after this KING CRIMSON split out and the band was declared dead until 1981. Absolutely unmissable!

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Eclectic Prog bands/artists list

Bands/Artists Country
16 DEADLY IMPROVS United States
17F Switzerland
4/3 DE TRIO France
8 DAYS IN APRIL Germany
A.C.T Sweden
ABRETE GANDUL Chile
ABSOLUTE ELSEWHERE United Kingdom
ABSURDCUS Romania
ACADEMIE OF FARSIDE Indonesia
ACINTYA France
ADVENT United States
AFFINITY United Kingdom
AKO DOMA Slovakia
AKRITAS Greece
AKT Italy
JEAN-PIERRE ALARCEN France
ALBATROS Germany
ALCO FRISBASS France
ALEXL Brazil
ALGERNON United States
ALICE'S MIRROR Italy
ALLOMERUS Australia
ALON United States
ALPHA RALPHA France
ALQUILBENCIL Spain
ALQUIN Netherlands
ALTABLANCA Argentina
ALTAIR Spain
ALTERNATIV QUARTET Romania
ALTERS Poland
MICHEL ALTMAYER France
AMPLEDEED United States
ANAKDOTA Israel
ANANE Indonesia
APERCO Israel
COSTE APETREA Sweden
APPLE BELLS Poland
ARBATEL Mexico
ARDO DOMBEC Germany
AREKNAMÉS Italy
ARMADA United Kingdom
ART AND ILLUSION Italy
ARTCANE France
PETER ASHBY United Kingdom
THE ASHQELON QUILT Israel
ASTRID PRÖLL Puerto Rico
ATHELSTONE Malta
ATLANTIDE France
AUDIENCE United Kingdom
AUDIO VISIONS United States
AUNT MARY Norway
AVE ROCK Argentina
AVIATOR United Kingdom
ÁVORA DI CARLLA Brazil
AXON-NEURON United States
BABA YOGA Italy
BAD ALCHEMY United States
VLADIMIR BADIROV Uzbekistan
BAG France
DAVID BAGSBY United States
BAKU LLAMA United States
FRANCK BALESTRACCI France
BARBARO Hungary
ERIK BARON & D-ZAKORD France
BARRACUDA TRIANGLE Sweden
AL BASIM Iraq
BASTA! Italy
BATABEAT Canada
BEAR IS DRIVING United States
BEARDFISH Sweden
ADRIAN BELEW United States
CLÉMENT BELIO France
SERGIO BENCHIMOL Brazil
IL BERLIONE Japan
MICHAEL BERNIER United States
BIOCORD Ukraine
BIRDS AND BUILDINGS United States
BLOQUE Spain
THE BOB LAZAR STORY New Zealand
BOOTCUT Sweden
EMMANUEL BOOZ France
BORDERLINE SYNDROME Greece
EDUARDO BORT Spain
BRAINSTATIK United States
VYTAS BRENNER Venezuela
BRIGHTEYE BRISON Sweden
BUBBLEMATH United States
BUBU Argentina
JEAN-LOUIS BUCCHI France
BUDKA SUFLERA Poland
ARNAUD BUKWALD France
C & K VOCAL Czech Republic
CABEZAS DE CERA Mexico
CABINETS OF CURIOSITY United States
CALLE DEBAUCHE United States
CAMERA CHIARA Italy
NEIL CAMPBELL COLLECTIVE United Kingdom
CANGACEIRO Chile
JOSE CARBALLIDO Spain
CARPE DIEM France
CARPET Germany
CARTOON Brazil
CASTLE FUSION Italy
CATAPILLA United Kingdom
CENTENAIRE France
CHAMELEON United States
CHILDWOOD Netherlands
CICCADA Greece
CIRCLES END Norway
EL CIRCULO DE WILLIS Spain
CIRCUS Switzerland
CIRKUS United Kingdom
THE LES CLAYPOOL FROG BRIGADE United States
THE CLAYPOOL LENNON DELIRIUM United States
COLONEL CLAYPOOL'S BUCKET OF BERNIE BRAINS United States
LES CLAYPOOL United States
BARRY CLEVELAND United States
CLOUDS ON STRINGS United States
CMU United Kingdom
CONSIDER THE SOURCE United States
THE COWBOYS FROM HELL Switzerland
CRIME IN CHOIR United States
CRÓ! Spain
THE CRYSTAL SUN United Kingdom
CULPEPER'S ORCHARD Denmark
CURVED AIR United Kingdom
CZAR United Kingdom
DAAL Italy
THE DAEDALUS SPIRIT ORCHESTRA France
DAGMÄHR Canada
DALTONIA Chile
DARK AETHER PROJECT United States
DAYS BETWEEN STATIONS United States
GUILLAUME DE LA PILIERE France
DEBOCO France
ERIC DELAUNAY France
THE DEVIL'S STAIRCASE Multi-National
DIAGONAL United Kingdom
DICE Sweden
DIONYSOS Canada
DISCORDIA Finland
DISEN GAGE Russia
DISTINGUISHED PANEL OF EXPERTS Multi-National
DIZZY MYSTICS Canada
DJAM KARET United States
JULIUS DOBOS Hungary
WILLIAM D. DRAKE United Kingdom
DREADNAUGHT United States
DREADNOUGHT United States
DRIFT United States
EARTH SIZE DIAMONDS United States
EAST OF EDEN United Kingdom
ECHOES France
ECHOTEST United States
ECLECTIC MAYBE BAND Belgium
EDENSONG United States
EFECTO Chile
EL EFECTO Brazil
EKPHRASIS France
EKSEPTION Netherlands
ELECTRIC MUD Germany
ELEKTRYK BESTIA United States
EMMETT ELVIN United Kingdom
EMERGENCY EXIT France
EMPATHI Thailand
EMPTY SPACE ORCHESTRA United States
EPIC TANTRUM United States
EPIDERMIS Germany
ERE G Canada
ESPERANTO Multi-National
ESTHEMA United States
ET CETERA Canada
EVELINE'S DUST Italy
EXCESSIVE VISAGE Germany
EXCLUSIVE RAJA France
EXPERIMENTAL Chile
EXPERIMENTAL QUINTET Romania
LOS EXPLORADORES Norway
FAMILY United Kingdom
FANTASIA Finland
FERVENT SEND Multi-National
FETUS MAXIMUS Finland
OLIVIER FEUILLERAT France
FIFTH SPECIES United States
FINNEUS GAUGE United States
FLASH United Kingdom
FLÄSKET BRINNER Sweden
FLIGHT United States
THE FLOCK United States
HUGO FLORES Portugal
FOND OF TIGERS Canada
FONDERIA Italy
FOXTROT Norway
FRAMUS 5 Czech Republic
FRATERNITY Australia
FREN Poland
FRIENDSHIP TIME Sweden
ROBERT FRIPP United Kingdom
FROM.UZ Uzbekistan
FRUMPY Germany
FUN MACHINE United States
FUSIOON Spain
FUZZ PUDDLE United States
THE GAK OMEK United States
GALAAD Switzerland
GARDENIA Argentina
GARGAMEL Norway
GAYLORD United States
GECKO'S TEAR Italy
RON GEESIN United Kingdom
GENTLE GIANT United Kingdom
GEPH United States
GESTALT Japan
JANE GETTER United States
GEVENDE Turkey
GEYSIR Germany
GIDEONS MOB United States
KRIS GIETKOWSKI Poland
GLAZZ Spain
GLOBALYS Belgium
GNIDROLOG United Kingdom
GOAD Italy
GOMA Spain
GOOD NIGHTOWL United States
GÖSTA BERLINGS SAGA Sweden
JEAN-PHILIPPE GOUDE France
THE GOURISHANKAR Russia
GRACED LIGHTNING United States
SÉBASTIEN GRAMOND France
THE GRAND ASTORIA Russia
GRATTO United States
THE GREATEST SHOW ON EARTH United Kingdom
MAREK GRECHUTA Poland
GREYLYNG United States
GRIOT Portugal
GROOVECTOR Finland
THE GUARDIAN'S OFFICE Norway
GUERNICA Japan
TREY GUNN United States
GUNS AND BUTTER United States
GURANFOE United Kingdom
GURUH GIPSY Indonesia
GUZZLEMUG United States
GYPSY United States
H7G Costa Rica
STEVE HACKETT United Kingdom
HAIKARA Finland
BRENDAN HAINS Australia
HALF PAST FOUR Canada
HAMADRYAD Canada
PETER HAMMILL United Kingdom
JACK HAMMOND United States
HANAGARIA Israel
HAPPY THE MAN United States
GAVIN HARRISON & 05RIC United Kingdom
STEVE HART United Kingdom
HEADSHEAR United States
HERD OF INSTINCT United States
THE HIGH FIDELITY ORCHESTRA Mexico
HOBO Yugoslavia
HOBSON'S CHOICE United States
HOKR Czech Republic
HOME United Kingdom
HOMÍNIDO Chile
HOUSE OF USHER United States
HUNE Canada
ICED INK United States
ICHTHYANDER DAD'S ONLY DOLPHIN Ukraine
IKARUS Germany
ILLŔCHIME QUARTET Italy
ILLUSION United Kingdom
IMAGES France
IMMORTAL ONION Poland
IN ABSTRACKTO Mexico
INFINIEN United States
INISTEKAR Canada
INNER LIGHT ORCHESTRA Finland
INTERFACE Japan
INTERPOSE+ Japan
THE INVINCIBLE CZARS United States
ISKANDER Germany
ISLAND Switzerland
ISOBAR United States
IT United States
IT'S THE END Norway
IX Venezuela
IXT ADUX United States
JANOS VÁRGA PROJECT Hungary
JAPANSKI PREMIJERI Croatia
JEAVESTONE Finland
JOY UNLIMITED Germany
JULIAN'S TREATMENT United Kingdom
JUNE CLEAVER AND THE STEAK KNIVES United States
KARMABLUE Italy
KASKADEUR Germany
KATAYA Finland
KEOR France
KHARMINA BURANNA Peru
KIDS EAT CRAYONS Canada
KING CRIMSON United Kingdom
KLOTET Sweden
KOIAK Chile
KOLORS OF ZOUND Austria
KOMARA Multi-National
KORPUS 2 (Корпус 2) Russia
KRACQ Netherlands
KRAKEN IN THE MAELSTROM Italy
KROMLECH Mexico
KTU Multi-National
KTZAT ACHERET Israel
KULTIVATOR Sweden
KWADRAT Poland
KYTAJA Finland
LAPLACE Argentina
LALLE LARSSON Sweden
LASER PACE United States
THE LAZE United Kingdom
LAZULI France
LEMURYA France
LETHEAN Italy
THE LIGHT IN THE OCEAN United States
BJORN J:SON LINDH Sweden
LIZARD Poland
LOBSTER NEWBERG United States
LOCOMOTIV GT Hungary
THE LONG HELLO United Kingdom
LOST KITE Sweden
LUARVIK LUARVIK Estonia
LUCIFER WAS Norway
LUCY Brazil
LUX TERMINUS United States
MA BANLIEUE FLASQUE France
MACHIAVEL Belgium
MAD FELLAZ Italy
MAELSTROM Canada
MAGICAL PLANETS United States
MAHOGANY FROG Canada
MAJOR PARKINSON Norway
MAKAJODAMA Sweden
MAKKIWHIPDIES United States
MAMMUT Germany
MAN ON FIRE United States
MANFRED MANN'S EARTH BAND United Kingdom
MANNING United Kingdom
MAQAMA Israel
MARSUPILAMI United Kingdom
MASTERMIND United States
MASTERS OF DECEIT United States
MAYBE Argentina
ME EL-MA Israel
THE MEDICINE CABINET United States
HAI MEIRZADH Israel
MEN OF LAKE Italy
METAPHYSICAL ANIMATION United States
METROGNOM Norway
MICHIRU Japan
MIMEDYR Norway
JOHN MINER United States
MINI (TÖRÖK ÁDÁM & MINI) Hungary
MINIMUM VITAL France
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