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Eclectic Prog • France

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Nil biography
Formed in Annecy, France in 1997 but with its origins in 1994 (cover band "Bad Pingouin")

A blend of JADE WARRIOR and KING CRIMSON with hints of ÄNGLAGARD, this French group treads everywhere from soothing melodiousness to sudden attacks of metal. Their music goes from free to hypnotic, wild, energetic and electric rock, but also pieces which sound like jazz-rock with a touch of Zeuhl or even melodious pop songs.

Their third effort, "Quarante Jours Sur Le Sinaï" ("Forty Days On The Sinai"), is a conceptual work dealing with Ancient Egypt and old gods....the music is a mesmerizing melange of Mellotron and organ laden dark prog enmeshed with flute, searing guitar runs, Chapman Stick, dreamy female vocals as well as dramatic commanding male vocals (all vocals are in French). There are lots of guest artists contributing a wide palette of musical colors - harp, soprano sax, cello and etherial vocals. At times the music is serene and dreamy and then it explodes with a blazing distortion laden guitar solo. This 66 minute work is a breathtaking experience that echoes classic bands like CARPE DIEM and ANGE. The CD comes with 2 booklets - with translations in French and English outlining the story. An overwhelming work and one of the best symphonic rock albums I've heard in quite some time.


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NIL discography

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NIL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.75 | 7 ratings
3.71 | 53 ratings
Quarante Jours Sur Le Sinaï
4.33 | 96 ratings
Nil Novo Sub Sole

NIL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

NIL Videos (DVD, Blu-ray, VHS etc)

NIL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

NIL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.00 | 2 ratings

NIL Reviews

Showing last 10 reviews only
 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by proghaven

5 stars Their best - and unfortunately their last. What probably was to become the first chapter of a new novel in modern French prog became a game-over instead. (Though I'm unaware of the band members' subsequent solo and other projects if exist, so maybe...) While Quarante Jours Sur Le Sinai was just an excellent example of Crimsonian progressive evolutionary departed very far from King Crimson, Nil Novo Sub Sole is a new word in prog. While listening to Quarante Jours Sur Le Sinai may be attended by an involuntary analysis of possible influences of other artists on Nil, listening to Nil Novo Sub Sole rather evokes thoughts and conjectures about possible influence of Nil on other artists. A very profound, philosophical and pessimistic concept album, perfectly conceived and perfectly done.
 Quarante Jours Sur Le Sinaï by NIL album cover Studio Album, 2002
3.71 | 53 ratings

Quarante Jours Sur Le Sinaï
Nil Eclectic Prog

Review by proghaven

4 stars Nil is a very interesting French prog affair from late 1990s - mid 2000s, an excellent example (e pluribus unum) of Crimsonian progressive with a spectrum of sources and predecessors much wider than King Crimson. Quarante Jours Sur Le Sinai clearly shows influences from the classic French prog school, first of all from Arachnoid, Shylock and Carpe Diem, much less from Acintya and perhaps early Pulsar. From the newer French prog scene, the most obvious are the influence of Michel Altmayer, Shub Niggurath and (in melody making techniques) Halloween. Echoes of early Runaway Totem (circa Zed) and even Dead Can Dance may also be heard. But most of all, Nil is Nil. As Mandelshtam said, 'the entire ship is knocked up of somebody else's timber but has its own state'. The album has an intricate structure, it is divided into 8 chapters with two intros, prologue and epilogue, and each chapter is in its turn divided into a few short tracks, so 29 tracks in total, but they follow with no pause and are taken as one giant epic, one musical drama if you like, so the track list seems null and void, all the more that sometimes a musical change does not correspond with the next track start.
 Quarante Jours Sur Le Sinaï by NIL album cover Studio Album, 2002
3.71 | 53 ratings

Quarante Jours Sur Le Sinaï
Nil Eclectic Prog

Review by Progfan97402
Prog Reviewer

4 stars This one's a real grower for me. This appears to be their third album, hard telling. What I do know is Quarante Jours sur le Sinai (40 Years in the Sinai) is a concept album on Egyptian mythology, not exactly new to prog. The CD was originally released in 2002 on the band's own label, then in Canada on Unicorn Digital in 2006. It's likely the Unicorn reissue that people even had any familiarity of the band. When I first hear this, I was thinking this had some really nice individual parts, and parts I didn't quite grasp. It was so long, over an hour long, and not divided into songs, but really two acts that on the CD is divided into 29 parts. I hear elements of King Crimson, but not a whole lot of the '70 French prog scene. At times the band can be pretty mellow, then suddendly burst into short metal madness before going back into something more calm. I've heard comparisons to Anglagard, which might not be the most useful, but like them, they play one thing, quickly move on to the next, occasionally return to an earlier theme. The keyboard playing is usually low-key with synths and a small amount of Mellotron, while guitar, fretless bass and drums more dominate. The occasional female vocals (in French) really give a nice touch. Some passages have that ominous feel to it that I really like. This is contemporary prog at its finest. I like how it never slips into neo-prog, nor do they sound like a '70s throwback.

I'm really glad to discover Nil. I look forward to getting their other CDs. The only thing preventing a five star rating is it's so long that it really required a few listens for me to get it, but once I did, I realized why many have been raving over it. You really do owe it to yourself to get this CD.

 Quarante Jours Sur Le Sinaï by NIL album cover Studio Album, 2002
3.71 | 53 ratings

Quarante Jours Sur Le Sinaï
Nil Eclectic Prog

Review by apps79
Special Collaborator Honorary Collaborator

3 stars Nil were found in mid-90's in Annecy, France by guitarist David Maurin and drummer Julien Paget, joined soon by Samuel Maurin on bass and Benjamin Croizy on keyboards.When Paget left, Frank Niebel joined in and the new line-up recorded two very rare self-produced albums, ''Bruismes'' from 98' and the EP ''Nocturnes'' from 99', at a time when the group was searching its own identity.By the start of the millenium they decided to collaborate with female singer Roselyne Berthet and along with several guest musicians and singers they recorded the album ''Quarante jours sur le Sinaï'', released in 2002.

In an act of great confidence and self-belief the French group offered two very long, epic tracks in this album, the 36-min. ''Acte I'' and its following 26-min. ''Acte II''.Both tracks are extremely tight and coherent with no particular dead holes and are great examples of dark, atmospheric Progressive Rock with strong hints from Orchestral and Soundtrack Music next to the standard Classical and jazzy inspirations, with enough complexity but also some very ethereal passages as well.Maybe you should imagine a cross between KING CRIMSON, WOBBLER and SEVEN REIZH to get an idea of how this album sounds, but again some very careful listenings is what is recommended to fully appreciate this style of playing.The album is characterized by some extemely complex guitar parts with a sinister touch, haunting Mellotron waves next to some edgy and nervous electronics and church-styled organs and a very solid rhythm section.This combination delivers very complicated themes, alternating between hypnotic grooves and loose performances, but there are also enough breaks to be found that lead to series of dreamy textures.The later are based on Berthet's superb, crystal-clear voice and the intelligent use of synthesizers, while parts of them even contain some beatiful melodies and delicate orchestrations.This amalgam of diverse themes works very nice and the album flows extremely well with no evident interruptions between the amount of short tracks, of which the two epics are composed.

Nice and recommended example of deeply atmospheric Progressive Rock with a variety of influences and soundscapes, starting from cinematic offerings and ending up in symphonic or jazzy arrangements.Great stuff...3.5 stars.

 Quarante Jours Sur Le Sinaï by NIL album cover Studio Album, 2002
3.71 | 53 ratings

Quarante Jours Sur Le Sinaï
Nil Eclectic Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

2 stars Originally released in 2002, this album has now been reissued by Unicorn due to the response that the band have had to their recent release on the label, 'Nil Novo Sub Sole'. As can be guessed form the title, this is a concept album, here comprising two tracks of more than thirty minutes long. All of the lyrics are in French but there is a very good booklet which provides lots of information in English. I have tried to get on with this album, but even though I have played it quite a few times, and am impressed with some of the instrumental sections , find that it is just too long and meandering. It never seems to be getting anywhere and although there is no doubting the skill of those involved there is the feeling that if they had stuck to shorter songs with more of a sense of direction then the end result would have been much better. Not one to which I will readily be returning.

 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by Guldbamsen
Special Collaborator Retired Admin

5 stars Wooed by icebergs

In my book Nil Novo Sub Sole possibly is one of the greatest modern prog albums. When I take a look at some of the records that we today herald as being groundbreaking and earth shattering pieces of prog rock, I must admit to feeling a bit sad on Nil's behalf. This album is about the most innovative piece of work I've come across in the past 20 years. Sure, just like a lot of other progressive artists, you hear certain bits and pieces harking back to the old time greats, but then again I find it next to impossible describing the sound and feel of Nil just by throwing a bunch of names on the table. This album is as unique as a carrot screwdriver or a ballet dancing boa constrictor.

The first thing that hits you will probably be the venomous bite of front vocalist Roselyne Berthet. This woman sounds like a beautiful French vampire - whispering soft icy emanations in your ear. She's seductive, diabolic and angelic all cooked up in a manner that has you trembling with lust and fear simultaneously.

This icy voice blends incredibly well with the overall ambiance of the band, which shines through in the sound-production like one of those freezing winter mornings, where the sun is terrifyingly white like an exploding bag of radioactive flour. This makes for a cold and serene feel to the music, and although the two acts sound nothing alike, what this clean and frosty feel reminds me the most of, is Dead Can Dance's masterpiece Within the Realm of a Dying Sun. There's a similar sense of abandonment and desertion to this album. The thing is, you don't feel detached from the music - the result is far more complex, and conveying how this mystifying approach actually works, would take all of my evening - plus the fact that you'd have to be a trained shaman from Ecuador to actually fathom this highly original musical trade.

Slowly rising up between these trembling vocal ice plates - we are treated to lethargic oscillating synth layers that sound like they're ascending steam from a boiling kettle. Gently and swirling - reminding me a great deal of the type of ambient wizardry you'll find in Richard Barbieri's playing. Counterpointing this intangible piece of the puzzle, we have perhaps my favourite ingredient in the mix, which is the powerful and reckless drumming. Frank Niebel is the name of the man behind the kit, and this guy is without a doubt one of the most incredible modern drummers. He never plays what you'd expect him to do. With an overpowering lust for insane, complex and just impossible rhythms - he injects every piece of music within this recording with something audacious and off-kilter. I've never encountered so many poly-rhythms in such a short amount of time - well not any that work this beautifully! On paper this bizarre, angular and utterly aggressive approach should fail miserably, but it is just one of the magic components of this album that makes it soar and glide like a bald headed vaseline eagle.

Then you have the propulsive bass lines and the metallish squares of the guitars filling up this monstrous sonic bathtub - now complete with sea creatures, nymphs and underwater vampires snapping out after you. One could easily put a sticker on this album calling it Zeuhl - or maybe symphonic - then again you could deem it to be metal, no better yet avant gothic prog rock with 50 litres of blood in it... There is no way you can box this creature down - it lives on its own terms, frolicking wildly among those preceding musical masterpieces that answer to no one. It is very rare that I look for that fleeting 6th star, but this is certainly one of those special cases.

This is music that every morning plays for old sea captains standing on the edge of the beach - seductively being summoned by the sea - wooed by the crystal music of icebergs blue. If you'd like to join them in their never-ending quest, then you certainly need this awe inspiring gemstone. It is beautiful like a thousand white suns.

 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by Kassimatis

4 stars I really love this album!!!!!

I was listening to a prog radio station online and I heard "deregeneration" and immediately thought "woah I have to pick up this record!"

Everything you love about KC, notch up the pace a bit, plus great vocals. I think I'm falling in love with Roselyne, her voice is like an angel..

The fluidity of the French language adds great flavour to the sound of the music.

Undoubtedly a group of talented musicians - lots of creativity and attention to detail in this one! My favourite tracks are Dérégénération, 198, and Abandon.

I feel only one weakness (if you can call it that) - every track is very dark.

Excellent excellent ++. The band deserves recognition!

4 and a half!

 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by Bonnek
Special Collaborator Prog Metal Team

4 stars Nil is a far too obscure modern prog band from France that mixes some of my favourite tastes in prog: the spaceyness of Floyd, the quirky song development of VDGG and the fascinating dark guitar progressions of King Crimson. There's a hint of free jazz improvisation and everything is firmly held together by the daunting hand of Zeuhl.

The band displays a daring ambition and confidence right from the start. After a gentle intro, Le Garden goes for a very avant-garde type of rock that veers off in all sorts of directions. The female vocalist sings very original and jazzy vocal lines, not as weird as those from Magma but they sure don't make the music any easier to digest. The interplay between all musicians is very dynamic and original. After a reprise of the intro with some very Gentle Giant alike parts with dazzling musical interplay, an emotionally charged space-rock part follows that captivates us wit its entrancing dark mood for a good 7 minutes.

The dreamy Linceul allows us to catch our breath. It forms quite a contrast with the unsettling harsh intro of Erégenération, a track that explores the cold and dissonant sound of King Crimson's late 90's material, also known as the ProjecKt albums. The band balances it with more laid-back atmospheric and spacey sections, but generally this track is very urgent and frantic.

198 is one of the most aggressive pieces on the album. It sounds very much like the alien rock of Guapo and Nebelnest, offering similar dark and challenging avant-garde rock that borders on RIO. Nil have that little melodic extra that might make them a good introduction to this style for more melodic oriented listeners. Abandon is more gentle and jazzy, featuring those slightly unusual but tasty vocals. Also Dérives refrains from aggression and lets us submerge into this bands exceptional feel for dark space soundscapes.

If you are sceptical about the existence of challenging, intense and explorative music in our 21st schizoid century, then this album should convince you otherwise. It's a most challenging listen, but one that has turned out to be one of the greatest of the many discoveries I made on PA during the past year. So it's not without reason I kept this one in the closet to celebrate my 1000th and last PA review, for now...

 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by BrufordFreak
Collaborator Honorary Collaborator

5 stars This is an album I've just stumbled upon and absolutely blown away by! Having just read all of the reviewers above, I have nothing really new to add except for "ditto" to all of the kudos and superlatives lavished upon this group--and that I agree: there really is no one else out there that this is really like (though there are obvious KING CRIMSON influences). Amazing song writing, amazing performances and virtuoso instrument playing and singing! I am especially fond of the two longest pieces, "Le Guardien" and "Dérégénération," but find myself playing over and over the last song, "Dérives," cuz it reminds me so of KC's amazing skill and discipline as displayed on their "DIscipline" LP.

1. "Le Guardien" is a prog masterpiece that uses the extraordinary voice of Roselyne Berthet as another key instrument in the magical weave. This song surpasses any and all standards I've held prog rock to before. (10/10)

2. "Linceul" is a haunting, beautiful, theatric song in which Roselyne Berthet's beautiful voice is accompanied by only a very slow synthesizer arpeggio from the lower (bass) registers and, later, single notes from the upper octaves of a piano and synthesizer. This song feels to me like the 'calm between the storms' or the 'eye of the hurricane.' (10/10)

3. "Dérégénération" is an instrumental that masterfully weaves together the sensitive and virtuoso play of the four instrumentalists. The electric guitars vascilate between sounding like Robert Fripp's edgiest to Steve Howe's shredderest. The drums are BRUFORDish, The Chapman stick is barely treated and, thus, sometimes shallow--could be 'fatter'--but always the most melodic and anchoring sound. The keyboard playing and sound choices are unusual and multiferous, with an almost-church-like organ being the only constant. An awesome song that grows on you with repeated listenings. (9/10)

4. "198" is another instrumental founded on a rather banal drum-supported keyboard arpeggio, but actually only hits full stride and once the keyboard riff is shed. The song, however, never really seems to be able to fully climb out of its kind of standard metal format--in fact, sounds as if it could be a RIVERSIDE or AYREON song. (6/10)

5. "Abandon" sees the band returning to its own form: odd, shifting time signatures, alternating spaciousness with KING CRIMSON-like moments of frenzy and dissonance--and the return of vocals--though the vocals here are less like the band's fifth instrument and more like the French torch song singer's lyrical display. Wonderful singing and theatric presentation--not unlike some WITHIN TEMPTATION, EPICA, or NIGHTWISH song presentations. It makes me want to listen and figure out what she's singing about. The song has a lot of timing, tempo, and dynamic shifts and strangely benefits from the central section's "Exoricist"-like piano arpeggio and odd/eerie keyboard sounds. The intended overall effect is somewhat lost on me, but who cares! I just love listening to all of the many layers of interesting sounds and riffs. Great prog dénouement/ending! (8/10)

6. "Dérives," like an ANEKDOTEN song, is not the most exciting musical journey, but can be extremely rewarding if one pays attention to all of its subtleties. The beautiful bass melody and keyboard washes begin to carry you away as you listen to all of the subtle nuances and flourishes occurring over the top. And then bang! It's over and you're mystierously left with the last minute of in which Roselyne's voice seems to be washing you off. "Donnes-moi"! I just play this song over and over and over! What a trip! (10/10)

Five stars for this true masterpiece of progressive music and one of my Top 25 Favorite Albums of the Naughties. More music like this, please! More, more, MORE!

 Nil Novo Sub Sole by NIL album cover Studio Album, 2005
4.33 | 96 ratings

Nil Novo Sub Sole
Nil Eclectic Prog

Review by Nilman

5 stars NIL's fourth studio album Nil Novo Sub Sole is ''Nothing New Under The Sun'' - that's literally the case here: As expected after it's marvelous predecessor, Nil has made again an absolutely stunning album - Nothing new under the sun - it wouldn't be a surprice for anybody who have heard the Quarante Jours Sur Le Sinai. And just like the predecessors, this albums quality reaches also the sleeve that is a beautiful work of Samuel Maurin. But unlike the predecessors overhelming atmosphere in the principle theme, gigantic and pseudo-chaotic stucture of the album, here NIL takes a quite different direction for the album consists of six songs, of which ''Le Gardien'' would be the main work with it's twenty minutes length:

1. Le Gardien

''With the apogee of a civilization, the wheels of the madness await only one occasion to engage and release humanity...''

The song is composed together from seven individual parts, telling the tale of the end of the civilization, the end of the humanity... At once the music begins with Les Faits after the Prelude, you notice the dark pressure they're at and as soon as they begin the presentation of wacky song developing, you're certain of the great complexity of NIL as ever, it's just the same - you cannot get grip on it, for it's so tricky - you're almost there, you almost get it but not just quite! The French language gives it another complex tone for it's more hard to follow a song this big if you don't get a word of the lyrics! For a while consecutive, twisted parts roll over you and you think this is a masterpiece like the mighty predecessor which it certainly is! The song remains in slow tempo representing tricks, theme changes and Roselyne's dark howl until the time of about 7 minutes when the song starts to take more sturdy form, direction, then slowly turning into a long rise and you'll getting a brilliant upward ride! Until the last part Post/prelude sums it all up, like a collage of the song themes, melodies and rhythms used.

2. Linceul

''Waked up with the caress of the winds, Its naked body does not tremble, It cries. A deaf noise thunders in wood... The heavy shower, its tears, its shroud. Its cold tears, its paleness....''

Le Linceul, a song of the dead is a vocal masterpiece of Roselyne Berthet with a minimal background of atmospheric keyboards and few piano notes. It's slow, very dark and incredibly beautiful haunting melody creating some odd harmonies that make you lay back and Feel the song, feel the stimulative vibrations in the back of your brain. Delectable! This song balances the album and it's forthcoming instrumentals like

3. Dérégénération

''The Universe will be empty, desperately empty''

Deregeneration is a stunning instrumental that smashes your brains out already at the beginning with a dark and energetic entry! Here this incredibly talented group is on their own playground amusing themselves with a multithematic, twisted prog floating from beautiful, slow moments into smashing, powerful, heavy bursts of prog I've never heard before! This song represents greatly the richness of these compositions and group - brilliant ideas are almost wasted here! For example at time 9:42 comes a stunning bass-riff-rhythm-thing, a total blow-out, lasting only 10 seconds! A lesser band would have made a whole album from that! The universe is empty because this song has sucked it up!

4. 198

''The ground will fall, the sky to tear, and the stars will be inclined...''

Another instrumental of the album, 198 arrives slowly... with a dark feeling and a hint of explosion. And the explosion comes, for this is a total killer track! NIL goes to aggressive, dark territory like never before, maintaining the incredible interplay and complexity that actually takes the lead... and NIL is more stunning than ever! I almost cry every time when listen this song! Cry for craftmanship! Cry for the emotions it delivers! How the hell can anybody create this brilliant music! After 198 it might be a good time to take a break, cos' you'll be exhausted!

5. Abandon

''Iron enters my flesh, opens to me and exposes me naked, Streaming of sweats... Crying what I have one day believed...''

Abandon takes a lead with Roselyne's dark vocals, frightening beauty, despair and hints of explosion, again... and there it goes, slowly turning from shivering dark beauty and elegance to more powerful, aggressive brilliance! This track is the same as the preceeding instrumentals, but added with an extra instrument delivering extra feelings: vocals... The beauty of Nil's music is very hard to describe, but if you see a beauty in math for example, you may know what I'm after. Or open a swiss pocket watch or some other complex apparatus for instance - you may admire the craftmanship how all the cogwheels are joined together and how all those little pieces can work together, but break it apart and you'll never could assembe it again... The ending of this song is the most brilliant ever: a sudden STOP of every instrument leaving only a note of piano behinnnnnnn....

6. Derives

''The city falls asleep, the lights waver... Each life dies out without a future. Wounded sparkles, a deathly hush...''

Derives is the closer track to show some composing skills of the group. From the very beginning a strong rhytmically thematic multilayered music takes you within and begins to change and develop taking you from layer to layer with your head spinning from confusement till you get it, and then granting some orgastic moments: The song starts with a short repetitive theme represented by bass and guitar together followed by the other instruments accepting the rhythm and theme still being somewhat tentative and hesitating. Within a minute all settles down and the theme begins to work... But suddenly keyboards announce a contradiction and there emerge some doubts; a new fretless bass joins in and guitar puts a new riff in, a rival theme and drums are lost... it's all breaking apart till near two minutes they click together, only drums are still hesitating till it all melts into perfect harmony lifting the listener to clouds! But as soon as the common theme is found a new bass rushes in and a third one and you are in heaven! But not for long! Nil does it always: As soon as you think this brilliant pleasure goes on forever, it stops. And so it does here too - all the instruments turn to silence except ethereal keybs... and suddenly the theme and rhythm comes back with high operatic soprano voice of Roselyne! It's one of the greatest moments of musical history! Then the music slowly fades away leaving only some quiet quitar pickin and keyboards for at least three Roselynes to take care of a beautiful ending of the song.


When you go to NIL You'll have to purify your mind - There's no such music or band already - Don't waste your time in searching for relatives or references - just enjoy this very complex and brilliant music performed in such a quality and manner one can only hope for. These songs are so full of tricks in compositions and in playing they'll never going to bore you. They're for example messing with things that doesn't exist: They first make you think that after something comes something else, and then it doesn't! A howling guitar solo becomes a secondary for the peculiar bass pattern... These songs are full of details to find. And Nil has this amazing ability to throw some themes into the air where they float for a moment, may change a bit, may fade away for a moment and then come back to unite into the other themes, collaborating into a perfect harmony... and the ultimate pleasure is granted! All in all, this was easier album than Quarante for it's song oriented way of intercome, but don't get me wrong, still this is one of the most difficult and complex records there is and takes some time to get it! This one only did show better the brilliance of it all that is still partly hiding in Sinai! And if the predecessor is one of the greatest moments in progressive rock ever, so is this: NIL has made another Utter Masterpiece of progressive rock!

Nil has announced in their website they're on to a new record that should be available before 2010 - almost five years is a displeasingly long time to wait for a new album! Fortunately one cannot get enough from a Nil album in 5, or even in 10 years, so I happily wait it with great expectations while playing their older albums with please.

[Reference: The Album with a help of Babel Fish and Eurotranslator]

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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