Header

JAZZ ROCK/FUSION

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Jazz Rock/Fusion definition


  1. Jazz Fusion is jazz that is strongly influenced by other styles of music. Jazz fusion is an ambiguous term that provides the first level sub-set down from Jazz. Jazz rock is a sub-sub set from jazz via jazz fusion. The ambiguity comes from an American tendency through the 90's and until now, to freely interchange jazz rock and jazz fusion, when in fact the latter term covers most hybrids of jazz fused with other forms of music. The roots of jazz rock can be traced back to RnB influenced soul-jazz artists such as Les McCann, Grant Green and Jimmy Smith, and young British jazzers such as Graham Bond, Ginger Baker, John McLaughlin, Jack Bruce, Georgie Fame, who were forced to use electronic instruments because the local club's acoustic instruments were reserved for the older established jazz musicians. Probably the first jazz artists that released recordings that mixed modern rock (circa 60s) with jazz were Larry Coryell, Jeremy Steig, Charles Lloyd, The Soft Machine, and The (Jazz) Crusaders. Meanwhile rock artists such as Cream, Grateful Dead and The Jimi Hendrix Experience were getting a lot of publicity and fame with their lengthy improvisations based on blues, rock, psychedelia and some jazz. These rock artists had an impact on Miles Davis who generated a lot of media attention to this new jazz-rock genre with his Bitches Brew album. From there the genre grew and exploded into numerous different directions. One of these directions was brass rock as exemplified by bands like Dreams, Chicago, BS&T and If. These bands combined elements of jazz, rock and classical music with arrangements for brass and woodwinds.

  2. Many other styles of music have been combined with jazz to create fusion including traditional music from around the world, R'n'B, rock, electronic music and pop music and jazz from Africa, Latin America, India and other places. One of the earliest examples of the use of the term fusion comes from the Indo-jazz fusion of Joe Harriott and John Mayer. Some of the more popular early practitioners of fusion included Weather Report and Herbie Hancock's Sextant. A few years later Shakti appears on the scene and expands the boundaries of fusion further, foreshadowing the World Fusion movement of the 90's.

  3. In part Nu.jazz grew out of the British acid jazz scene of the late 80s and early 90s, whilst modern leaders of nu.fusion cite Miles Davis and Jon Hassell as the godfathers of the genre. As the genre began to develop it took on other influences such as world beat/jazz fusion, psychedelic trip-hop, post-rock and mixtures of ambience with modern jazz. The jazz with electronia experiments that Jon Hassell was conducting in the late 80's, with the likes of Eno, were to be a major influence especially on the dance side of nu.jazz, sometimes known as nu.fusion. Three main elements make nu.jazz different from the more traditional jazz (rock) fusion. First of all there is less of an emphasis on instrumental virtuosity in nu.jazz (especially nu.fusion). Second, more use of electronics (especially skilled turntablism) and studio trickery that emphasizes sound textures. Third, nu.jazz tends to use more modern rhythms such as drum'n'bass, hip-hop, post-rock, and various mixtures of world beat rhythms. Progressive nu.jazz artists such as Bugge Wesseltoft, Nils Petter Molvaer and the Esbjörn Svensson Trio (E.S.T.), combine complicated compositions with modern rhythms to create new unheard of soundscapes - while the former two are leaders of nu.fusion, and with more emphasis on jazz playing, EST have been the leaders in straighter nu.jazz. Nu.jazz is loosely connected to other newer jazz fusion genres, particularly the more progressive live, jazz jam bands such as Medeski Martin & Wood or Garaj Mahal. It may seem that the only difference between the two genres is the country the artist is from or what scene they came up through.li>

Only the most progressive of nu jazz, jazz-rock and fusion artists are listed on Progarchives, although accceptability or not here may vary from person to person. All artists have elements of progressive rock in their music (e.g. Jean Luc Ponty, Bill Bruford or David Sancious) or they represent the most forward-looking and progressive element in their genre (e.g. Miles Davis, Herbie Hancock or Weather Report). It should be noted that those many Canterbury jazz rock fusion bands, e.g. Soft Machine, Soft Works, Soft Heap, Soft Machine Legacy, Gilgamesh etc. are to be found under the CANTERBURY heading in Prog Archives.

Dick Heath
John 'Easy Money'
Martin 'Alucard' Horst
(Edition 3.2. Nov 2009)

Current Team Members as at 12/24/14

Evolver (Scott)
Man With Hat (Phil)
Darkshade (Mike)
historian9

Jazz Rock/Fusion Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Jazz Rock/Fusion | More Top Prog lists and filters

4.37 | 701 ratings
KIND OF BLUE
Davis, Miles
4.35 | 959 ratings
BIRDS OF FIRE
Mahavishnu Orchestra
4.35 | 491 ratings
IN A SILENT WAY
Davis, Miles
4.60 | 41 ratings
THE COLOURS OF CHLOË
Weber, Eberhard
4.34 | 180 ratings
WE'LL TALK ABOUT IT LATER
Nucleus
4.30 | 399 ratings
SPECTRUM
Cobham, Billy
4.33 | 178 ratings
TIME CONTROL
Uehara, Hiromi
4.28 | 442 ratings
BITCHES BREW
Davis, Miles
4.26 | 699 ratings
THE INNER MOUNTING FLAME
Mahavishnu Orchestra
4.25 | 583 ratings
ELEGANT GYPSY
Di Meola, Al
4.33 | 109 ratings
MODRÝ EFEKT & RADIM HLADÍK
Blue Effect (Modrý Efekt; M. Efekt)
4.23 | 515 ratings
CARAVANSERAI
Santana
4.24 | 385 ratings
ABRAXAS
Santana
4.23 | 453 ratings
ROMANTIC WARRIOR
Return To Forever
4.32 | 106 ratings
MILESTONES
Davis, Miles
4.32 | 102 ratings
STADACONÉ
Sloche
4.24 | 240 ratings
CROSSINGS
Hancock, Herbie
4.25 | 179 ratings
THE WAY UP
Metheny , Pat
4.27 | 148 ratings
MAIDEN VOYAGE
Hancock, Herbie
4.23 | 238 ratings
ENIGMATIC OCEAN
Ponty, Jean-Luc

Jazz Rock/Fusion overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Jazz Rock/Fusion experts team

BIRTHDAY
Extra Ball
INSIDE OUT
Henderson, Eddie
HORIZONTE
PSI
DEDALUS
Dedalus

Download (Stream) Free Jazz Rock/Fusion MP3


Open player in a new window

Download (Stream) Free Jazz Rock/Fusion MP3

Latest Jazz Rock/Fusion Music Reviews


 Starfire by JAGA JAZZIST album cover Studio Album, 2015
4.00 | 6 ratings

BUY
Starfire
Jaga Jazzist Jazz Rock/Fusion

Review by BrufordFreak

4 stars What an incredible breath of fresh air! I am so glad to be reminded by an album like this of how much I love upbeat, happy-go-lucky groove tunes like these. From the first notes of the opening song, Starfire, I was gushing with a big grin across my face. After finishing my first listen I went back to listen through an "old" favorite of mine that I'd almost forgotten, 2010's One-armed Bandit.

I love the band's self-written tome on their history on their Facebook page:

Jaga Jazzist is:

(a) A jazz band; (b) A rock band; (c) A progressive rock band; (d) A hip hop group; (e) A rap group; (f) A reggae group; (g) A polka band; (h) A comedy band; (i) An electronica group; (j) A classical ensemble; (k) A choral ensemble; (l) All of the above; (m) None of the above.

with the answer being (l) and (m). Obviously a gang who are out to have fun, pure and simple. But talented, too! As a matter of fact, I'm beginning to think that the entire population of Norway must be made up of really interesting, fun-loving, laid-back, happy-go-lucky people! I need to get there! Anyway. Back to Starfire. (Can't believe I just missed JJ's North American tour!) The entire album plays out like some incredible soundtrack music, starting with the opening song, 1. "Starfire" (8:47), which sounds like the opening song from a light-hearted French murder mystery (yes: there is such a thing) from the 1970s. Nice syncopated rhythm making at a rather pleasant cruising speed with great guitar and tuned percussion work. There's even a cool MOTORPSYCHO sound & feel during the fifth and sixth minutes with the rising scale of musical progression. Then the odd synth melody/riffs take over for a while before the song mellows down for a brief bit with vibes before weaving all of the song's themes together for the final minute of awesomeness. (9/10)

2. "Big City Music" (14:07) opens by introducing us to its KLAUS SCHULZE-like electronica foundation--which sounds awesome--before the other keyboard and drums take over the establishment of the songs foundation. Sounds like LARRY FAST playing with BILLY COBHAM. At 2:46 the music breaks down to allow some hand drums and odd computer incidentals which establish a kind of odd rhythm before strummed guitar joins in. Then Martin Horntveth reenters with his jazz drumming for a bit before the song breaks down again to allow individual instruments to help fill a rather spacey, spacious soundscape--very OZRIC TENTACLES-like. A BLADE RUNNER-like moment at 6:30 opens the next section of the song as multiple melody lines are woven together for a minute. Another shift at 7:30 as vocals are used to mirror a new keyboard melody line--we are now into PAT METHENY GROUP territory, big time! A minute later everything shifts again, back to the opening electronica with some funky synth fuzz bass play, which is then joined by pizzicato strings play, again forming a weave of differently syncopated melodies into one fascinating tapestry of sound. The full band seems to come into play with a return to a PAT METHENY style of pulsing rhythm and sophistication. (9/10)

3. "Shinkansen" (7:43) is probably my favorite song on the album for the laid back groove set up and maintained throughout the song by the strumming acoustic guitars as well as due to the prominence of the flutes and myriad "windy" synth sounds. Just a gorgeous, breezy, Nature-celebrating song all around. (Shinkansen is, by the way, the word for Japan's network of high speed trains. How appropriate!) (10/10)

4. "Oban" (12:42) is also quite Asian/Japanese (think: "Ryuichi Sakamoto") sounding in its melodic and rhythmic approach--though the work of KRAFTWERK, GARY NUMAN, and PETER SCHILLING also comes to mind. Eventually, in the second half of the song, the sounds and stylings turn to sound more like early DEPECHE MODE--though the drumming always remains quite exceptionally a notch above any of the above mentioned. Mellow sax in the fourth minute is beautifully offset and accompanied by multiple other rhythm instruments and horns. Then a little slow down of delicate horns in the fifth minute makes way for an awesome display of electronica (OZRICS again) before the original ensemble return with the full weave of music. Another song that could work awesomely as a soundtrack. I personally would love to see this made into a video. In the tenth minute the DEPECHE MODE-like synth bass line is gorgeously offset by harp and strings melodies. Just an awesome song with so much to listen to! Every time I hear it I discover so much more than I had previously heard! Gorgeous little outro, too. (10/10)

5. "Prungen" (6:35) shows the band taking on some Arabian-like musical sounds and stylings. The song does, however, continue the amazing string of made-for-movies music that they have going here. The Arabian melodies become even stronger with wooden flute in the second minute and strings in the third. Sax in the third doubles up with the flute and then electric guitar takes up a variation of the theme while layer of layer fills the background tapestry. An Arabian "violin" joins in the melody making in the fourth minute until a scratchy saw-like horn synth takes over with a ROBERT FRIPP-like dissonant melody line. This dominates the song despite the rejoinder of the rest of the band and the addition of a horn section, until 5:45 when everybody falls into line, working with the original melody line. Great song though the use of that one "Arabian" melody line makes it a little less exciting as the previous songs. (8/10)

This is an awesome album of great mood pieces--all deserving of film soundtrack contracts. I'm not yet willing to give it full masterpiece status though I think it is, it's just a little at the edge of what I consider progressive rock music--which is really a good thing. It's like The Amazing or Five-Storey Ensemble: incredible music but perhaps not true progressive ROCK music. We'll see.

BUT: Check out the album! You will LOVE it!

 Ko Ki by PLINI album cover Singles/EPs/Fan Club/Promo, 2014
2.00 | 1 ratings

BUY
Ko Ki
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

— First review of this album —
2 stars Plini is an Australian gifted musician that I recently discovered, but I have read that he is also a great human being, because this song entitled "Ko Ki" that was released in 2014 had a wonderful background. It started as a project whose aim was not only to spread Plini's music, but also to help people from the Ko Ki Village, people whose life has been devastated by government's actions. So this digital track was a fundraising that would go to that people with the intention of give them a better place to live.

I had to write that, because it was a tender cause that this man did, kudos for that!

Now the music. This is a 3-minute song that once again offers a clear vision of Plini's skills. It opens with a djent- metal structure, but later it morphs into several faces, because in moments when the piano appears it has a jazzy tune, but later it becomes faster and more emotional, turning into a post-rock piece. So it is exciting that in 3:20 minutes he gives us a rollercoaster of genres and sounds. Great!

Now don't pay attention to my rating, because as a reviewer I have my "own rules" which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life.

Enjoy it!

 Atlas by PLINI album cover Singles/EPs/Fan Club/Promo, 2014
2.23 | 3 ratings

BUY
Atlas
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars This is a 2014 single released by Australian young promise Plini, whose musical ideas have a personal recipe whose aim is to seduce listeners from all over the world with compositions that range from jazz fusion or post rock, to djent and progressive metal; the tendency of the single or EP released could not be that important, the main thing is that all of them are great and show the inherent quality of this man.

"Atlas" is another great song that like I read somewhere, it is simple but complex, more into the progressive metal scene, instrumental of course and with a clear guitar leadership. I don't really know about metal so I cannot compare it, but in moments the guitars remind me of A.C.T. Well, I invite you to listen to Plini's music yourself, I am sure you will have a positive musical journey.

Now don't pay attention to my rating, because as a reviewer I have my "own rules" which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life.

Enjoy it!

 Other Things by PLINI album cover Singles/EPs/Fan Club/Promo, 2013
2.30 | 4 ratings

BUY
Other Things
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars Plini ? Other Things

This is the first of an EP-trilogy created by Plini. The first release that features more than one song, so I think this is a good place to start digging Plini's music. Other Things was recorded back in 2012 and released in 2013. So this Australian wonder has been around creating music for the last three years, and I am just discovering it nowadays. Well, better late than never, and I am sure he has the potential to be discovered by so many people from all the globe, it will happen sooner than later, I am sure.

This 3 song EP has the talent of this man, but also the contribution of three guest musicians, two of them recorded guitar solos while the other helped with piano. It kicks off with "Heart" which starts with paused-guitars and a kind of jazzy and groovy feeling. The addition of drums is pretty accurate, and then the bass can also be perceived. What I like about Plini is that despite his youth, his compositions sound so mature, so well crafted, like if he was creating music since ten or more years ago.

"Other Things" has a jazzier sound made mainly by the guest piano that appears, but also complemented by drums and strings. I insist, if you listen to this song without knowing the performer, some big and acknowledge musicians' names will come to your mind, so it is truly satisfactory to understand this new man called Plini is creating first-class music.

"Selenium Forest" is the final and longest composition of this first EP, which by the way has a beautiful cover artwork. It starts slowly, with a sensual guitar that when explodes becomes powerful and virtuoso. This time the guitar importance is more evident than the previous tracks, it produces a lot of nuances, notes and textures which are greatly balanced and complemented by drums. Just before reaching the second minute the song changes and becomes heavier, more in the progressive metal vein. It flows and progresses and becomes majestic, it is simply great!

My admiration to Plini, every single song he has released has given me satisfactory moments, and I can say I am eagerly waiting to his first full-length album, because I think it might be a landmark in the progressive rock scene. Fingers crossed! Please go and listen to his music on his bandcamp site or other online platforms such as Spotify.

Now don't pay attention to my rating, because as a reviewer I have my "own rules" which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life.

Enjoy it!

 Cloudburst by PLINI album cover Singles/EPs/Fan Club/Promo, 2013
2.23 | 3 ratings

BUY
Cloudburst
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars Plini is a great and enigmatic project that in one single offers true tech metal, in other jazz fusion, then some post rock and then a djent-oriented track, like the one we listen here in "Cloudburst", a single that was released in 2013 and that fortunately for us the good music lovers, can be found and listened on Plini's Bandcamp.

I am not the most avid person regarding metal or djent, but I do recognize when music is well composed and performed, concepts that have not let me down when listening to this young Australian virtuoso whose music is starting to be known and spread in my country (Mexico), and am sure soon when he gives us a full-length album it will be spread and highlighted all around the globe. For people who love djent and great instrumental tracks with loads of notes, this is for you.

Now don't pay attention to my rating, because as a reviewer I have my "own rules" which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life.

Enjoy it!

 1745 7381 3265 2578 by PLINI album cover Singles/EPs/Fan Club/Promo, 2013
2.27 | 3 ratings

BUY
1745 7381 3265 2578
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars This is the second single release of Australian virtuoso Plini, launched back in January 2013. For some who don't know this guy, this is a wonderful new project that offers instrumental music in the jazz-metal vein, with a clear talent in both composition and performance. Thanks to the internet facilities, nowadays it is easier to discover music from all around the world with of course the artist's consent.

You can go to Plini's bandcamp and listen to "1745 7381 3265 2578", yes, this is the song's title. Though I mentioned above about the jazz-metal vein, this particular song shows a different face, closer to post rock and electronica. The atmosphere is wonderful, delicious I would say, the guitar this time is not really virtuoso, but it sound always in the best moment. The use of electronics remind me a bit of 65daysofstatic, so go figure.

I highly encourage people to listen to this guy, what I've found so far has not disappointed me.

Now don't pay attention to my rating, because as a reviewer I have my "own rules" which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life.

Enjoy it!

 Moonflower by PLINI album cover Singles/EPs/Fan Club/Promo, 2012
2.23 | 3 ratings

BUY
Moonflower
Plini Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars I don't really remember if it was early this 2015, or by the end of 2014 when a friend talked to me about Plini (thanks for the suggestion), and when I listened to his music, I realized there was a new and truly gifted guy with an enormous potential creating progressive rock in the further lands of Australia. He works under the nickname of Plini and he composes and plays everything that can be listened on his releases (almost all).

His music provides clever compositions where guitar plays the main role. He, as a composer and performer has all the elements to succeed, and though nowadays there is not a full-length album (he has just released singles and EPs so far), when it appears I am sure people's feedback will be positive. Plini creates virtuoso instrumental music, sometimes in the metal vein, sometimes with a jazz spirit, sometimes with symphonic passages, but always with a satisfactory result.

'Moonflower' was his first single, released back in 2012 and though it is a short 3-minute song, I think it is a solid introduction to his music. Since the first seconds we can appreciate a fast metal-oriented track whose guitar is impressive, but whose drums are also very well executed. Later it makes a short change and for some seconds the music becomes a bit jazzy, but later it returns to its original form and flows until it fades out.

Now don't pay attention to my rating, because as a reviewer I have my 'own rules' which don't allow me to rate releases under 20 minutes with more than 2 stars, unless it is the EP or single of my life. Better go and listen to Plini's music on his bandcamp site.

Enjoy it!

 Kentalope Island by JOIN IN album cover Studio Album, 1974
3.81 | 7 ratings

BUY
Kentalope Island
Join In Jazz Rock/Fusion

Review by Igor91

4 stars Join In were a relatively obscure German band that started out playing blues, then hard rock, and finally jazzrock/fusion. I was surprised to learn that even though they were active from the late 1960's until 1981, they managed to release only one album in 1974. "Kentalope Island" is a delicious slab of Jazzrock/fusion with a bit krautrock and psychedelia added to the mix. I came across this little gem on YouTube under the suggestions (I believe it has since been taken down), and was intrigued immediately. It is a grand album of jazzrock/fusion with elements of prog, krautrock, and psychedelia.

The first track, "Illusions", is a nice, upbeat jazzrock tune, with fine guitar and sax work. Like most German bands singing in English, the vocals are not the strong point here (or on any of the other songs), but actually not bad compared to others. Next up is "Do It Yourself," another straightforward, but good, jazzrock song. The third track, "Dreams," is the first change-up on the album. It is an instrumental jazz-samba influenced jam, with nice jazzy guitar strumming combined with some rock soloing. A good, chill-out, dreamy vibe. The next tune, the title track, "Kentalope Island," is divided into three movements. It starts out with the sound of waves gently caressing the beach, leading into a Pink Floyd-like intro. Then, a wind kicks up and takes you into a Latin drumbeat with a driving bass line. Next enters a distant sax, hovering over the drums and bass. A bit of a krautrock flavor in this part as well, as guitars and voices join in (no pun intended). Finally the third movement is blown in by the wind again, bringing chilled-out guitar, organ, and flute over a groovy 70's bass. Very spacey, trippy jazzrock envelopes it all until it gently ends with a few organ lines. An excellent, progressive track - and all in only 6:40 minutes! "

"Used to Play" is up next, and serves as a contrast to the previous track in that it is very energetic, with guitar blasts, cool sax work, and driving drums. The singing is also back on this song, but it takes a back seat to the musicianship that is on display. Sweet! The final original album track is "Fliwatuu," which is nice little jazzy ditty that serves as an nice outro to the original album. All in all a good album - but wait - thanks to Garden of Delights we now have eight more tracks as a bonus!

Bonus tracks on reissues tend to be made up of lame, throw-away singles, outtakes, and live recordings. Not here people. To be honest, two of the bonus tracks could have been left off, for different reasons (I'll explain later). There are eight bonus tracks, yes eight, totaling more minutes that the original album! Most of them are very good live and studio tracks of good sound quality, as you would expect from G.O.D.. Starting off the bonus material is "Bridge Street," a fine example of progressive jazzrock with catchy vocals and rhythms, along with nice flute work. The song also features an excellent breakdown section that just jumps and rocks. Next up is one of my favorite songs on the album, "I want to be a Bird." This song is a quirky krautrock number, that is both catchy and groovy (for krautrock anyway). The third bonus track is the excellent "Chicago Train" a funky, jazzy party tune that will make you want to get up and move. Even the vocals are pretty good here, you can barely make out their German accent! The number closes out with a rocking, funky breakdown with awesome, soaring guitar soloing. The next track is "Listen to the Story," another funky, proggy, jam that can really groove and jump - not easy to pull off, but they do it masterfully here. Next is "Airport Entrance," and what you'll immediately notice is the sound quality on this track is not as good as the previous bonus tracks. However, the song itself makes up for the lackluster sound. This instrumental track is a full-on, jazzrock monster. Here the rock overshadows the jazz and blows the the roof off of whatever building this was recorded in! Stunning musicianship throughout!

Up next comes the first bonus track that should have stayed in the vaults, "Friday Evening." This song is actually just a different recording (of lesser sound quality) of "Chicago Train" minus the superb breakdown ending of that song. Why G.O.D felt the need to include this track as a bonus I don't know. "Higher and Higher" follows and is a pretty good jazzy rock number with decent vocals. The final bonus track is "Circus" and is the second of the bonus tracks that I feel could have been left off. The song itself is decent, but the beginning displays a major flaw in the recording. It sounds as if the master tape had been "eaten" by a tape player, for it sounds all jumbled and like it's being played underwater. It only lasts about 30 seconds and the remaining 3 minutes or so of the song sound better, but if leaves one asking why.

I would sum up Join In's "Kentalope Island" as an obscure jazzrock gem worth checking out if you like jazzrock/fusion seasoned krautrock. It is a somewhat diverse work, yet still hangs together well - even the bonus tracks. I give it a solid 4 stars.

 Siempre Que Hay Un Corazón... by TRIO, EL album cover Studio Album, 2007
4.00 | 1 ratings

BUY
Siempre Que Hay Un Corazón...
El Trio Jazz Rock/Fusion

Review by ProgShine
Collaborator Errors & Omissions Team

— First review of this album —
4 stars El Trio is a Jazz Rock/Prog trio from Dominican Republic. The band is formed by Jonatan Piña Duluc (vocals, guitars and saxophones), Kilrin Peña (bass) and Johandy Ureña (drums).

Siempre Que Hay Un Corazón... (Whenever there is a heart) is their first album and it was self released on 2007.

For me is amazing to listen to a band like El Trio and to realize that superb music doesn't need to come from USA or England. In fact I know that, but to be reassured of that is always good. It's also amazing to me how good the band was for a first recording, giving that they took 2 years to complete the recordings this just goes to show. Also, the overal quality of the recording is top notch!

I don't like the term Latin Jazz, I think it is useless as a tag for music, but I cannot deny the fact that El Trio has Latin moments. If in one side they can be very edgy and Rock like in 'Crisálida' on the very next track the Latin flavour appears in 'Como Un Mensaje' and also on the mix of Jazz and Latin music of 'Otro Muerto'.

Overall an amazing debut album and you can take a look on their Bandcamp page to prove: eltrio.bandcamp.com/

 Focus In Time by AKKERMAN, JAN album cover Studio Album, 1996
4.17 | 9 ratings

BUY
Focus In Time
Jan Akkerman Jazz Rock/Fusion

Review by KenFrankenstein

5 stars If I decided to become a Swiss monk or a hermit living off moss in desolate areas of Wales where the only movement you would observe would be the candidates for the Special Air Service this is the recording I would have with me. It is the closest Jan Akkerman came to Focus before really exploring his blues roots. I actually though that Thijs van Leer was a co writer/keyboard player on this diamond until I read the credits. There is a bit of everything on this. Latino, Bach, disco/funk. This is a piece of Jan Akkerman genius that is so overlooked. It didn't sell well and is long out of print. I have a vinyl copy of it that occupies a very special area of my collection. I think that if you go to Jan Akkerman's Youtube channel you can listen to this beaut in it's entirety.

A lost relic. Infinite stars.

Data cached

Jazz Rock/Fusion bands/artists list

Bands/Artists Country
3RD WORLD ELECTRIC Multi-National
4 FRONT United States
7 FOR 4 Germany
EIVIND AARSET Norway
JOHN ABERCROMBIE United States
ABLUTION Sweden
ABUS DANGEREUX France
ACCORDO DEI CONTRARI Italy
ADDISON PROJECT Canada
AERA Germany
AFROSKULL United States
AGHARTA Canada
AGORA Italy
AIN SOPH Japan
AKA MOON Belgium
JAN AKKERMAN Netherlands
ALAS Argentina
ALKEMY France
ALKOTRIO Russia
ALTRUISMOS Argentina
AMARILLO CIAN Y MAGENTA Costa Rica
AMIGDALA Italy
ANAMORPHOSE France
APOSTOLIS ANTHIMOS Poland
ANTIHÉROE Argentina
APOTHECARY United States
AQUARELLE Canada
ARATTA REBIRTH Armenia
ARCANA United States
ARCHIMEDES BADKAR Sweden
ARCO IRIS Argentina
NEIL ARDLEY United Kingdom
BRUCE ARNOLD United States
ARSENAL Russia
ARTI E MESTIERI Italy
TIHOMIR POP ASANOVIC Yugoslavia
ASSOCIATION P.C. Multi-National
ASSOLO DI BONGO Italy
ASTRAKAN United Kingdom
ASTRO CAN CARAVAN Finland
ATMOSPHERES Multi-National
ATTENTION DEFICIT United States
BRIAN AUGER United Kingdom
AUM Brazil
AURORA United States
AVANT GARDEN United States
AVIOLINEE UTOPIA Italy
AXIS Greece
AYERS ROCK Australia
AZIGZA United States
B F Estonia
BAALBEK Argentina
BACK DOOR United Kingdom
BAKMAK Germany
BANDHADA Chile
BANDVIVIL Japan
BANGTOWER Multi-National
PETER BANKS United Kingdom
BARCELONA TRACTION Spain
PETER BARDENS' MIRAGE United Kingdom
IL BARICENTRO Italy
RANJIT BAROT India
BAUHAUS Italy
JEFF BECK United Kingdom
BEDJABETCH France
BELLA BAND Italy
BEN United Kingdom
BERITS HALSBAND Sweden
ALESSANDRO BERTONI Italy
BLACK LADDER United States
ALAIN BLESING France
CARLA BLEY United States
BLIXT Multi-National
BLOOD SWEAT & TEARS United States
BLUE DRIFT United Kingdom
BLUE EFFECT (MODRÝ EFEKT; M. EFEKT) Czech Republic
BLUE SUN Denmark
BOHEMIA Czech Republic
CELINE BONACINA France
BONFIRE Netherlands
BOUD DEUN United States
GARY BOYLE United Kingdom
BOZON United States
BOZZIO LEVIN STEVENS United States
BRAINCHILD United Kingdom
BRAINSTORM Germany
BRAND X United Kingdom
THE BRECKER BROTHERS United States
EVAN BREWER United States
NILI BROSH United States
BROTHER APE Sweden
BROWN VS BROWN Netherlands
JACK BRUCE United Kingdom
BRUFORD LEVIN UPPER EXTREMITIES United States
BILL BRUFORD'S EARTHWORKS United Kingdom
BILL BRUFORD United Kingdom
DEWA BUDJANA Indonesia
BURNIN' RED IVANHOE Denmark
BUSHMAN'S REVENGE Norway
BWANA Nicaragua
CAB United States
CAMEMBERT France
JORGE CAMPOS Chile
FRANCIS CANG Philippines
GADI CAPLAN Israel
ALAIN CARON Canada
CARPATHIA PROJECT Hungary
CASH PONY United States
CENTIPEDE United Kingdom
CEREBUS EFFECT United States
CHAD SMITH'S BOMBASTIC MEATBATS United States
DENNIS CHAMBERS United States
CHAMELEON Sweden
CHASE United States
CHEIRO DE VIDA Brazil
CHICAGO United States
CHUTE LIBRE France
CINCINNATO Italy
CIRCUS United Kingdom
CLAREON United States
STANLEY CLARKE United States
NELS CLINE United States
BILLY COBHAM United States
ORNETTE COLEMAN & PRIME TIME United States
STEVE COLEMAN United States
COLOSSEUM United Kingdom
COLOSSEUM II United Kingdom
COMA Denmark
COMPANYIA ELÈCTRICA DHARMA Spain
CONFUSION Greece
BILL CONNORS United States
CONTEMPORARY NOISE SEXTET / QUARTET / QUINTET Poland
GIANFRANCO CONTINENZA Italy
CONTINUUM Multi-National
CONTREVENT Canada
CONTUSION Argentina
COPERNICUS CROW United States
CHICK COREA ELEKTRIC BAND United States
CORONARIAS DANS Denmark
LARRY CORYELL United States
CURT CRESS Germany
CRIMSON JAZZ TRIO United States
DAVID CROSS United Kingdom
CRY FREEDOM Germany
CRYPTO Netherlands
CYKLUS Germany
CYMANDE Multi-National
CZAJKOWSKI MINNEMANN United States
D.F.A. Italy
DARK Multi-National
MILES DAVIS United States
KOEN DE BRUYNE Belgium
LOUIS DE MIEULLE France
DEDALUS Italy
DEFUNKT United States
JACK DEJOHNETTE United States
DEMON FUZZ South Africa
DEN ZA DEN Yugoslavia
DENNIS Germany
DESATANUDOS Argentina
DEUS EX MACHINA Italy
AL DI MEOLA United States
MCLAUGHLIN AND DE LUCIA DI MEOLA Multi-National
DISCORDIAN SOCIETY United States
DIXIE DREGS United States
DJABE Hungary
DJAMRA Japan
DON GATO Peru
VIRGIL DONATI Australia
DOUBT United Kingdom
BOB DOWNES' OPEN MUSIC United Kingdom
DR. DOPO JAM Denmark
DREAMS United States
DROBAN-APHERNA Portugal
DUELLO MADRE Italy
JOEL DUGRENOT France
GEORGE DUKE United States
DZAMBLE Poland
E MOTIVE United States
EAST WIND POT Japan
EDGE United Kingdom
EDITION SPÉCIALE France
EDO Canada
EELA CRAIG Austria
ELECTROMAGNETS United States
ELEPHANT9 Norway
DON ELLIS United States
EMBRYO Germany
EMERGENCY Multi-National
ENERGIT Czech Republic
ENERGY OF SOUND United States
ERGO United States
ERGO SUM France
ESAGONO Italy
ESSENTIAL HAZARD United States
ETNA Italy
EVOLUCIÓN Chile
EX VITAE France
EXAMPLES OF TWELVES United Kingdom
EXMAGMA Germany
EXTRA BALL Poland
EYOT Serbia
EZOO Multi-National
ANTOINE FAFARD Canada
YIORGOS FAKANAS Greece
FANG CHIA United States
FANTASIA CROMATICA Argentina
FARMERS MARKET Norway
FEAT. ESSERELÀ Italy
FEEDBACK Slovenia
FENOMEN Turkey
FERMÁTA Slovakia
FICTION United States
FINNFOREST Finland
FIRE MERCHANTS United Kingdom
A FISH'S DIVING SUIT Germany
DAVID FIUCZYNSKI United States
FLAMENGO Czech Republic
FLAT 122 Japan
BELA FLECK AND THE FLECKTONES United States
FORGAS BAND PHENOMENA France
PATRICK FORGAS France
THE FOURTH WAY United States
THE FOWLER BROTHERS (AIR POCKET) United States
FRAGILE Japan
FRAGMENT37 United States
FREAKZOID United States
FREE WAVE SYSTEM Italy
FREEHAND United States
BILL FRISELL United States
FROGG CAFE United States
FUGU France
FULANO Chile
FULLMOONS Greece
GALLIARD United Kingdom
GAMALON United States
GARAGE A TROIS United States
GARAJ MAHAL United States
JAN GARBAREK Norway
AL GARCIA United States
GARLIC Italy
ROBERT GENCO Italy
GENRE United States
IAN GILLAN BAND United Kingdom
GIS MAJ ES Serbia
CHRISTOPHE GODIN France
GOLD United States
GOLDEN AVATAR United States
GONGZILLA Multi-National
GOOD GOD United States
JERRY GOODMAN United States
GORO WINS Argentina
GUTHRIE GOVAN United Kingdom
GOZZOZO France
GRAND GENERAL Norway
LE GRAND NEBULEUX France
JACQUES LA GRECA France
GRIMACE FEDERATION United States
GRITS United States
MUCK GROH Germany
GROTESK Germany
GROUP 87 United States
THE GROUP Finland
GUADALQUIVIR Spain
GUILLAUME PERRET & THE ELECTRIC EPIC France
WLODZIMIERZ GULGOWSKI Poland
GUNESH ENSEMBLE Turkmenistan
GURTH Spain
JUKKA GUSTAVSON Finland
VASIL HADZIMANOV BAND Serbia
MARY HALVORSON United States
JAN HAMMER United States
HERBIE HANCOCK United States
HANSFORD ROWE COLLECTIVE United States
JON HASSELL United States
HEAD United Kingdom
HEADBAND Germany
DICK HECKSTALL-SMITH United Kingdom
HECTIC WATERMELON United States
RONNY HEIMDAL Norway
JONAS HELLBORG Sweden
A HELMET OF GNATS United States
EDDIE HENDERSON United States
ALEJANDRO HERRERA Argentina
JAKE HERTZOG United States
DAVID HINES United States
ALLAN HOLDSWORTH United Kingdom
HOOFFOOT Sweden
HOWEVER United States
HUGHSCORE United Kingdom
HUMAN ELEMENT United States
GARY HUSBAND United Kingdom
I KNOW YOU WELL MISS CLARA Indonesia
IBIS Sweden
ICARUS United Kingdom
ICEBERG Spain
ICONOCLASTA Mexico
IF United Kingdom
IGZIT-NINE Japan
IMÁN CALIFATO INDEPENDIENTE Spain
IMPACT FUZE Russia
IMPULS Czech Republic
INNER DRIVE Russia
IRON KIM STYLE United States
JOHN IRVINE United Kingdom
ISOTOPE United Kingdom
IZVIR Yugoslavia
RONALD SHANNON JACKSON United States
JAGA JAZZIST Norway
JAM CAMP United States
BENNY JANSSON Sweden
JARKA Spain
JAZZ PISTOLS Germany
JAZZ Q Czech Republic
JINETE AZUL Argentina
JENS JOHANSSON Sweden
ALPHONSO JOHNSON United States
JOIN IN Germany
Hungary
JULIAN JULIEN France
JUPU GROUP Finland
JUTRO Yugoslavia
KADA Hungary
KALEIDON Italy
KANDAHAR Belgium
KARCIUS Canada
KASEKE Estonia
KBB Japan
KEHELL Japan
KENNEDY Japan
KENSO Japan
KICK THE CAT United States
KLAN Poland
KORNET Sweden
KORNI GRUPA / KORNELYANS Yugoslavia
KOSTAREV GROUP Russia
KRAAN Germany
KRABAT Germany
KRAKATOA United States
WAYNE KRANTZ United States
KRÉ Venezuela
VOLKER KRIEGEL Germany
KROKOFANT Norway
KUJAKUON Japan
KUMINA.ORG Finland
KUNDALINI Sweden
LA DESOOORDEN Chile
LABORATORIUM Poland
LAND OF CHOCOLATE United States
SHAWN LANE United States
LASTING WEEP Canada
LEB I SOL Yugoslavia
LEHMEJUM Brazil
LEPRECHAUN Chile
CHRIS LETCHFORD United States
TONY LEVIN United States
LIGHTHOUSE Canada
LIGRO Indonesia
LINDWURM Germany
LIVING LIFE Italy
DIDIER LOCKWOOD France
THE LONELY BEARS Multi-National
LOTUS Sweden
RENAUD LOUIS GROUP France
LUMINA Brazil
MAAD Italy
JOHN MACEY United States
MACHINE AND THE SYNERGETIC NUTS Japan
MACHINE MASS Multi-National
MACKENZIE THEORY Australia
MADE IN SWEDEN Sweden
MAELSTROM United States
MAGNETIC SOUND MACHINE Italy
MAHAGON Czech Republic
MAHAVISHNU ORCHESTRA Multi-National
MAHAVISHNU PROJECT United States
MAHJUN France
MAHTRAK Brazil
DIDIER MALHERBE France
SEAN MALONE United States
MAN DOKI SOULMATES Multi-National
MANDRILL United States
MANEIGE Canada
MANFRED MANN'S CHAPTER THREE United Kingdom
MANOGURGEIL Finland
MICHAEL MANRING United States
MICHAEL MANTLER Austria
MAR DE ROBLES Chile
MARBIN Multi-National
THOMAS MARRIOTT United States
MASCHERE VUOTE Italy
MATERIAL United States
MATHEMATICIANS United States
MATS-MORGAN (BAND) Sweden
BENNIE MAUPIN United States
MCGILL MANRING STEVENS United States
SCOTT MCGILL United States
JOHN MCLAUGHLIN United Kingdom
MCLUHAN United States
MECKI MARK MEN Sweden
MEDESKI MARTIN & WOOD United States
MEDIABANDA Chile
MEGAN QUARTET Estonia
MENTAT ROUTAGE France
METALWOOD Multi-National
METAMORFOSIS Spain
PAT METHENY United States
CARLO MEZZANOTTE & SYNTAXIS Italy
MISA MICEVSKI Serbia
RIGEL MICHELENA Venezuela
MICKYLEE Serbia
MIDNIGHT SUN (RAINBOW BAND) Denmark
RADOMIR MIHAJLOVIC TOCAK Yugoslavia
BARRY MILES United States
MIND GALLERY Canada
MINDFLOWERS Hungary
MINOKE? Japan
MIRAGE France
MISSING LINK Germany
MISSUS BEASTLY Germany
MIST SEASON Finland
THE MISTAKES United States
TOSHIYUKI MIYAMA & HIS NEW HERD / MASAHIKO SATOH Japan
MOGUL THRASH United Kingdom
MOIRA Germany
NILS PETTER MOLVÆR Norway
MOMBASA Multi-National
MONGOL Japan
MONSIEUR DUBOIS Netherlands
MOOGG Italy
MOOSE LOOSE Norway
MORAZ & BRUFORD Multi-National
MORPHEUS Germany
ALAN MORSE United States
MORSOF Japan
MORTA Canada
MOUSE ON THE KEYS Japan
ZUZO MOUSSAWER Brazil
ALPHONSE MOUZON United States
MUSICA URBANA Spain
MYSTERIES OF THE REVOLUTION United Kingdom
NADOIEDA Italy
NANU URWERK Germany
MAREK NAPIORKOWSKI Poland
NAPOLI CENTRALE Italy
NATHAN MAHL Canada
NATSUMEN Japan
NDIO Netherlands
NEXT ORDER Japan
NGUYÊN LÊ France
NIACIN United States
NIMA & MERGE United States
NOA Japan
NOETRA France
NOVA Italy
NUCLEUS United Kingdom
Ô-LIOSTÉRE France
OCTOBER United States
ODRAREG Venezuela
L' OEIL DU SOURD France
OHM United States
OHMPHREY United States
ONE SHOT France
ÁNGEL ONTALVA Spain
OPA Uruguay
OPUS-5 Canada
L' ORCHESTRE SYMPATHIQUE Canada
OREGON United States
OSIBISA Ghana
MAGNUS ÖSTRÖM Sweden
KIYOMI OTAKA Japan
OTIS GROVE United States
OTOWALA United States
OUT OF FOCUS Germany
OUTRE MESURE France
THE OWL WATCHES United States
OZONE QUARTET United States
PAIENS Canada
PANAMA RED Germany
PANOPTICON Belgium
PANTA RHEI Germany
PANZERBALLETT Germany
PARALLEL MIND United States
PARANOISE United States
BARBARA THOMPSON'S PARAPHERNALIA United Kingdom
HERMETO PASCOAL Brazil
PASSPORT Germany
JACO PASTORIUS United States
PATTO United Kingdom
PERIGEO Italy
MIKI PETKOVSKI Yugoslavia
PHLOX Estonia
PI-ER-2 Poland
PINK FREUD Poland
PLACEBO Belgium
PLANET X United States
PLANETA IMAGINARIO Spain
PLINI Australia
PEKKA POHJOLA Finland
JEAN-LUC PONTY France
COZY POWELL United Kingdom
POWER TOOLS United States
PREDMESTJE Yugoslavia
PRIAM France
JULIAN PRIESTER United States
PRIORITY Japan
PRISMA X Chile
PROBE 10 United States
LES PROJECTIONNISTES Canada
PROTEUS United States
PSI Germany
PSICOMAGIA United States
PSP (PHILLIPS SAISSE PALLADINO) Multi-National
PSYFUNETIK Germany
PTF Japan
PUPPENHAUS Germany
PURPLE CERISE EXPERIENCE Canada
QUARTIK Canada
QUARTO SENSORIAL Brazil
QUASAR Australia
QUASER Japan
QUI Japan
R-11 Italy
RA QUINTET United States
RADIUS United Kingdom
RAGA BOP TRIO United States
RAHMANN France
RAINS Italy
RAYUELA Argentina
THE REAL AX BAND Germany
REFORM Sweden
XAVI REIJA Spain
RELEASE MUSIC ORCHESTRA Germany
RENAISSANCE SOUND United States
RESIDENTS OF THE FUTURE Multi-National
RETURN TO FOREVER United States
RHESUS O France
JEFF RICHMAN United States
RIFF RAFF United Kingdom
ROBOTOBIBOK Poland
ROCK JOINT Japan
ROHMER Italy
DAVID ROSE United States
ROUGH RAMBLERS United Kingdom
ROUND HOUSE Japan
RUDDER United States
TERJE RYPDAL Norway
SALAIVA Finland
SAM (SLICK ALEXIUS MENNIGMANN) Germany
DAVID SANCIOUS United States
SANTANA Multi-National
CARLOS SANTANA Mexico
DON SCHIFF United States
ART SPIKE SCHLOEMER United States
SCHÖNFELD United Kingdom
SCHOOL OF THE ARTS United States
KRZYSZTOF SCIERANSKI Poland
JOHN SCOFIELD United States
SCOPE Netherlands
SCREAMING HEADLESS TORSOS United States
SECRET OYSTER Denmark
SELECTRIC United Kingdom
TONY SENATORE United States
SEPTEMBER Yugoslavia
DEREK SHERINIAN United States
SHIBUSASHIRAZU Japan
THE SHIN Georgia
SHIVANANDA Switzerland
WAYNE SHORTER United States
SIMAK DIALOG Indonesia
SIX NORTH Japan
SIXUN France
SKIN ALLEY United Kingdom
SKYWHALE United Kingdom
SLIVOVITZ Italy
SLOCHE Canada
THE SLOWMOVIES Italy
SMAK Yugoslavia
NATHAN PARKER SMITH United States
SNOWBALL Germany
SOLAR PLEXUS Sweden
SOLIS LACUS Belgium
SOLSTICE Canada
SOLUTION Netherlands
SOMBRE REPTILE France
SONCNA POT Yugoslavia
SPACE CIRCUS Japan
SPACED OUT Canada
SPACES United States
TONY SPADA United States
SPECIAL OTHERS Japan
SPECTRUM ROAD Multi-National
SPEED LIMIT France
SPHERE 3 United Kingdom
SPHEROE France
SPIN Netherlands
SPINETTA JADE Argentina
SPLASH Sweden
SQUAREPUSHER United Kingdom
ST.ERHART France
STEELY DAN United States
STEEP United States
STRETCH IT TO THE LIMIT Peru
STRING CONNECTION Poland
STRINGS ARGUMENTS Japan
STROMBOLI Czech Republic
DARYL STUERMER United States
SUL DIVANO Argentina
SUNBIRDS Multi-National
SUPERFLUOUS MOTOR Canada
SUR OCULTO Argentina
SURGERY Germany
MITSURU SUTOH Japan
SYMPOZION Israel
SYNCOPE Canada
SYNCRISIS Germany
SYRINX France
T.R.A.M. United States
TANTOR Argentina
TASAVALLAN PRESIDENTTI Finland
TAU CETI Brazil
TESSERACT United States
TETRAGON Germany
LA THEORIE DES CORDES France
THIRSTY MOON Germany
STEVE TIBBETTS United States
TIDELINE Belgium
TIEMKO France
KEITH TIPPETT GROUP United Kingdom
TO BE Germany
TOHPATI BERTIGA Indonesia
TOHPATI ETHNOMISSION Indonesia
JUKKA TOLONEN Finland
TOMORROW'S GIFT Germany
TONBRUKET Sweden
TONTON MACOUTE United Kingdom
TÓRAX Argentina
DAVID TORN United States
TOSHIMI PROJECT Japan
TOTAL ISSUE France
TOUBABOU Canada
RALPH TOWNER United States
TRANSIT EXPRESS France
TRI-OFFENSIVE Japan
TRIAL X Argentina
TRIANGULIZONA Croatia
TRIBAL TECH United States
A TRIGGERING MYTH United States
TRIO 96 Japan
EL TRIO Dominican Republic
TRIOSCAPES United States
TRIOSHIFT United States
TRIOXYDE United States
TRIPOD United States
TROUT CAKE United States
TROUT QT Finland
ERIK TRUFFAZ France
TRURL United States
TRYO Chile
TUATARA United States
TUNNELS United States
JARTSE TUOMINEN Finland
TURNING POINT United Kingdom
TWO SIBERIANS (Белый Острог / WHITE FORT) Russia
ÜBERFALL Switzerland
HIROMI UEHARA Japan
JAMES BLOOD ULMER United States
UMEZU KAZUTOKI KIKI BAND Japan
UNDER THE BIG TREE United States
UNDERTAKERS CIRCUS Norway
THE UNITED JAZZ AND ROCK ENSEMBLE Multi-National
UNOMA Spain
UPRIGHT Canada
MICHAL URBANIAK Poland
UTOPIANISTI Finland
UZEB Canada
UZVA Finland
VENEGONI & CO Italy
VENUS TEBLA Italy
VERDAGUER Brazil
VERTÚ United States
VILLE EMARD BLUES BAND Canada
JAMES VINCENT United States
THE VIOLA CRAYOLA United States
VIRTUAL DREAM Italy
VISUAL CLIFF United States
VITAL INFORMATION United States
VITAL TECH TONES United States
MIROSLAV VITOUS Czech Republic
VOLKOR France
VOLTO! United States
CHAD WACKERMAN United States
LEE WANNER United States
WAPPA GAPPA Japan
WARM DUST United Kingdom
WASA EXPRESS Sweden
KAZUMI WATANABE Japan
DEAN WATSON Canada
WEATHER REPORT United States
THE WEB United Kingdom
EBERHARD WEBER Germany
SUSAN WEINERT BAND Germany
BUGGE WESSELTOFT Norway
WHERE'S THE NINE Canada
LENNY WHITE United States
WHOOPGNASH United States
BENOIT WIDEMANN France
WIGWAM Finland
WILDING/BONUS United Kingdom
TAL WILKENFELD Australia
TONY WILLIAMS LIFETIME United States
GARY WILLIS United States
MARK WINGFIELD & KEVIN KASTNING Multi-National
WOLF United Kingdom
THE WRONG OBJECT Belgium
XADU Multi-National
XTRA Italy
TAKU YABUKI Japan
STOMU YAMASH'TA Japan
YAZZBOT MAZUT Poland
YOJO Russia
LARRY YOUNG United States
YUUKAI KENCHIKU Japan
ZAAL Italy
ADRIÁN ZÁRATE Mexico
JOE ZAWINUL Austria
ZED United States
ZINGALE Israel
ZODIAK TRIO Germany
LA ZOMBIE ET SES BIZONS France
ZONDA PROJECKT Argentina
ZZEBRA United Kingdom

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.27 seconds