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MILES DAVIS

Jazz Rock/Fusion • United States


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Miles Davis biography
Miles Dewey Davis III (May 26, 1926 - September 28, 1991)

Miles Davis was not only a gifted musician (trumpet and composition) but also a major artist of the twentieth century. He was in a constant search for new forms of expression. Having been a painter himself, and not unlike Pablo Picasso he tried to renew himself in all periods of his life. He played on various early bebop records, recorded one of the first cool jazz records, developped modal jazz, and was a pioneer in jazz rock . Only a few musicians have mastered like him to shape new forms and set aesthetic milestones.

The "electric" period of Miles Davis started in 1969 and ended in1975 when Miles retired due to health problems until the end of the seventies. In these years Miles distributed an important part to jazz rock. Columbia released four studio records 'In a silent way'(1969), 'Bitches Brew' (1970), 'A tribute to Jack Johnson' (1970), 'On the Corner' (1972) and an important number of live records (some released on vinyl only in Japan) : 'Black Beauty'/Live at the Fillmore West (1970), 'Live-Evil' (1970), 'Dark Magus' (1974) 'Agharta' (1975), 'Pangaea' (1975). A great part of the studio tracks recorded during these years were only released in the second half of the 70's and first half of the 80's on various compilations.

Beginning with 'In a silent way' Miles used mainly riffs or short segments and more often just simple rhythmic figures that would serve as a base for collective improvisation. At the same time the rhythmic changed from tertiary jazz rhythm to binary rock rhythm. Guitarist John Mc Laughlin became one of the key elements of the electric Miles sound. Influenced by Jimi Hendrix and The Beatles, Miles Davis used during this period for the first time new studio techniques, new electronic instruments (among them the Fender Rhodes electric piano) and new sound devices, (Miles would use heavily the Wah-Wah pedal, popularized by Hendrix) to enlarge the sound spectrum of his music. Miles was among the first musicians to realize the full potential of modern recording studios. He and his longtime producer Teo Macero recorded non-stop whole sessions, with the intention to choose and assemble the material afterwards. They would use this technique in an extensive way, especially on 'Bitches Brew', creating musical "puzzles" through multiple edits, up to a point where the original tracks are barely recognizable. ('Pharaoh's Dance'on Bitches Brew contained nineteen ...
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MILES AT THE FILLMORE - Miles Davis 1970: The Bootleg Series Vol. 3MILES AT THE FILLMORE - Miles Davis 1970: The Bootleg Series Vol. 3
Legacy 2014
Audio CD$30.69
$30.00 (used)
Kind of BlueKind of Blue
Remastered
Sony 1997
Audio CD$3.00
$0.35 (used)
Best of Miles Davis & John ColtraneBest of Miles Davis & John Coltrane
Remastered
Sony 2001
Audio CD$3.58
$3.97 (used)
Sketches of SpainSketches of Spain
Remastered
Sony 1997
Audio CD$3.73
$0.01 (used)
Bitches BrewBitches Brew
Extra tracks · Remastered
Sony 1999
Audio CD$7.49
$3.66 (used)
In a Silent WayIn a Silent Way
Remastered
Sony 2002
Audio CD$4.02
$3.65 (used)
LIVE in Europe 1967: The Bootleg Series Vol. 1LIVE in Europe 1967: The Bootleg Series Vol. 1
CD+DVD
Sony Legacy 2011
Audio CD$22.89
$19.99 (used)
Round About MidnightRound About Midnight
Remastered
Sony 2001
Audio CD$4.43
$3.50 (used)
Birth of the CoolBirth of the Cool
Remastered
Capitol Records 2001
Audio CD$3.75
$1.43 (used)
Right Now on Ebay (logo)
Miles Davis: Filles de Kilimanjaro [Remaster] - Jazz CD US $4.95 Buy It Now 33m 52s
Miles Davis Jazz Legend POSTER #1 US $5.03 Buy It Now 34m 23s
Miles Davis Jazz Legend POSTER #2 US $5.03 Buy It Now 34m 29s
Miles Davis Jazz Legend POSTER #3 US $5.03 Buy It Now 34m 35s
Miles Davis Repro Tour POSTER Coltrane US $5.03 Buy It Now 34m 41s
Miles Davis, Modern Jazz Giants; blue NJ Bergenfield Prestige 7650; GELDER stamp US $4.99 [1 bids]
37m 43s
MILES DAVIS SOMEDAY MY PRINCE RARE MFSL MINT CD US $129.99 Buy It Now 40m 22s
Doo-Bop by Miles Davis (CD, Jun-1992, Warner Bros.) US $2.49 [0 bids]
41m 50s
Unusual Label CBS 2LP Miles Davis - Circle In The Round 1979 US $16.81 [1 bids]
45m 32s
MILES DAVIS - You're Under Arrest GATEFOLD w/ Inner Sleeve (1985) US $12.99 Buy It Now 53m 9s
Miles Davis Featuring Sonny Rollins - Dig LP REISSUE NEW w/ McLean Blakey Mingus US $14.41 Buy It Now 54m 20s
Boppin' the Blues by Miles Davis (CD, Aug-2005, 1201 Music) 24 Bit Remastered US $13.49 Buy It Now 55m 7s
MILES DAVIS - SOMEDAY MY PRINCE WILL COME (IMPORT) (BLU-SPEC) NEW CD US $35.36 Buy It Now 1h 5m
1 CENT CD VA Playlist: A Musical Journey Through Black History nas/miles davis US $1.26 [3 bids]
1h 7m
MILES DAVIS FRANCE 2xLP PRESTIGE 68.311 COMPLETE TRACKS OF COOKIN AND RELAXIN US $23.53 Buy It Now 1h 10m
Sketches of Spain by Miles Davis  Minty CD New Case  Free Ship US $8.00 Buy It Now 1h 15m
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MILES DAVIS - ORNITHOLOGY NEW CD US $14.32 Buy It Now 1h 16m
1 CENT CD Love Songs - Miles Davis US $0.61 [2 bids]
1h 16m
MILES DAVIS Seven Steps To Heaven LP Herbie Hancock Ron Carter 2 eye '63 rare!! US $44.00 Buy It Now 1h 19m
MILES DAVIS volume 2 jazz LP RED unofficial TAIWANESE CSJ-665 import BLAKEY rare US $39.99 Buy It Now 1h 26m
MILES DAVIS Kind of Blue 23AP2556 LP z0331 US $16.00 [4 bids]
1h 34m
MILES DAVIS "NM WAX" Miles Davis and the Modern Jaz Giants SMJ-6529 LP z3441 US $9.99 [0 bids]
1h 34m
THE MILES DAVIS QUINTET Steamin' SMJ-6533 OBI LP z5322 US $14.09 [3 bids]
1h 34m
MILES DAVIS Miles in the Sky SOPL-168 LP z6355 US $9.99 [1 bids]
1h 35m
MILES DAVIS Dark Magus 28AP2165 OBI 2LP Z3380 US $31.61 [12 bids]
1h 35m
MILES DAVIS Someday My Prince Will Come 18AP2058 OBI LP z3386 US $11.06 [3 bids]
1h 35m
MILES DAVIS DARK MAGUS LIVE AT CARNEGIE HALL 2 CD SET US $12.05 Buy It Now 1h 50m
Mosaic Records: Miles Davis & John Coltrane ?- The Complete Columbia Recordings US $125.00 [0 bids]
1h 52m
Miles Davis: Analogue Collection - 21 Lp's RARE! US $200.00 [0 bids]
1h 53m
Miles Davis Birth of the Cool US $7.95 [0 bids]
US $10.35 Buy It Now
1h 56m
MILES DAVIS QUINTET**1964: LIVE IN COPENHAGEN**CD US $13.50 Buy It Now 2h 5m
Miles Davis - We Want Miles 2x LP NM- Gatefold Stereo C2 38005 US $11.99 Buy It Now 2h 5m
Miles Davis Vol.1 Miles Davis Audio CD US $14.67 Buy It Now 2h 7m
Miles Davis Lp, A Tribute To Jack Johnson. PC-30455 US $12.25 [8 bids]
2h 7m
MILES DAVIS FRIDAY NIGHT IN PERSON AT THE BLACKHAWK SAN FRANCISCO VOL 1 LP 6-EYE US $9.99 [1 bids]
2h 8m
The Miles Davis Quintet ?- Cookin' With The Miles Davis Quintet LP 1958 DG Mono US $19.95 [1 bids]
2h 11m
Swiss Radio Days, Vol. 31 Miles Davis Quintet CD US $15.10 Buy It Now 2h 14m
  MILES DAVIS Water Babies COLUMBIA LP funk jazz MINT PROMO Unplayed US $43.44 Buy It Now 2h 18m
WORLD SAXOPHONE QUAR - SELIM SEVAD: A TRIBUTE TO MILES DAVIS - NEW CD US $11.93 Buy It Now 2h 21m
MILES DAVIS MILES SMILES OUT OF PRINT RARE LIMITED EDITION 180 GRAM Sealed LP US $76.49 Buy It Now 2h 35m
Miles Davis ASCENSEUR POUR L'ECHAFAUD 180g HQ AUDIOPHILE New Sealed VINYL LP US $23.99 [0 bids]
2h 51m
MILES DAVIS---AMANDLA---WEA MUSIC OF CANADA LTD. US $3.50 Buy It Now 2h 53m
In Person: Friday Night at the Blackhawk Miles Davis CD US $34.88 Buy It Now 3h
MILES DAVIS You're Under Arrest (1985) EURO CD issue US $15.30 Buy It Now 3h 17m
The Best of Miles Davis & John Coltrane: 1955-1961 by John Coltrane (CD,... US $4.99 Buy It Now 3h 20m
VG+/EXC LP~MILES DAVIS~Filles De Kilimanjaro~[OG 1969 CBS~360~2-Eye~Stereo Iss]~ US $42.90 Buy It Now 3h 21m
VG+ LP~MILES DAVIS~Kind Of Blue~{1971 CBS Reissue]~CS-8163~ US $43.90 Buy It Now 3h 21m
VG+ LP~MILES DAVIS~Filles De Kilimanjaro~[Early1970's Reissue]~CS 9750~ US $38.90 Buy It Now 3h 21m
VG+/EXC LP~MILES DAVIS~Kind Of Blue~[Original 1959 CBS~6-Eye~STEREO Issue]~ US $219.90 Buy It Now 3h 21m
NM LP~MILES DAVIS~Live At Carnegie Hall~[1970's STEREO Reissue]~CS-8612 US $28.90 Buy It Now 3h 21m
Must-Have Miles: The First Quartet by Miles Davis (CD, Feb-2007, 2 Discs, Primo US $5.95 Buy It Now 3h 29m
Miles davis vinyl record TUTU US $13.99 Buy It Now 3h 35m
Plays Classic Ballads [2003] by Miles Davis (CD, Dec-2005, Sony Music... US $4.99 Buy It Now 3h 47m
Miles Davis Friday Night Vol.1 Orig Columbia 6 Eye DG Mono Rare! VG++ US $74.99 Buy It Now 3h 47m
Miles Davis Quintet Cookin' Prestige(yellow label) US $19.99 [2 bids]
3h 56m
MILES DAVIS QUINTET: 'ROUND ABOUT MIDNIGHT columbia LP / MONO 2-eye SHRINK NM US $22.49 [7 bids]
4h 3m
MILES DAVIS QUINTET: MILES SMILES columbia LP / MONO 2-eye 360 SOUND NM US $12.70 [3 bids]
4h 4m
MILES DAVIS QUINTET: RELAXIN' WITH prestige LP / john coltrane MONO DG RVG US $10.50 [2 bids]
4h 4m
MILES DAVIS**LIVE AT HOLLYWOOD BOWL 1981**CD US $13.50 Buy It Now 4h 4m
MILES DAVIS SEXTET: SOMEDAY MY PRINCE WILL COME columbia LP / STEREO EX US $8.00 [0 bids]
4h 5m
MILES DAVIS: COOKIN' WITH THE MILES DAVIS QUINTET prestige LP / MONO DG RVG US $12.51 [3 bids]
4h 6m
Miles Davis and Gil Evans: The Complete Columbia Studio Recordings [Box] by... US $9.95 [1 bids]
4h 6m
MILES DAVIS: DIGGIN' WITH THE MILES DAVIS SEXTET prestige LP / fireworks STEREO US $8.00 [0 bids]
4h 7m
MILES DAVIS: FRIDAY NIGHT AT BLACKHAWK SF VOL. 1 columbia LP / 6-eye MONO NM US $9.99 [1 bids]
4h 8m
MILES DAVIS: KIND OF BLUE columbia LP / STEREO EX US $13.83 [4 bids]
4h 9m
MILES DAVIS: MY FUNNY VALENTINE columbia LP / MONO 2-eye WL PROMO DJ COPY NM US $119.50 [3 bids]
4h 10m
MILES DAVIS: PORGY AND BESS columbia LP / STEREO 6-eye UNPLAYED NM US $37.00 [3 bids]
4h 11m
MILES DAVIS: QUIET NIGHTS columbia LP / MONO 2-eye WL PROMO DJ COPY NM US $21.50 [2 bids]
4h 12m
Miles Davis BLUE HAZE Original Jazz Classics REMASTERED New Sealed Vinyl LP US $15.50 [0 bids]
4h 14m
MILES DAVIS/MILT JACKSON**QUINTET/SEXTET (LIMITED/180G/RM/BONUS)**LP US $16.20 Buy It Now 4h 24m
Miles Davis + 19 "Miles Ahead 1987 Columbia Reissue Promo LP/ Remastered US $8.99 [0 bids]
4h 33m
NEW - Miles Davis: First Miles US $3.42 Buy It Now 4h 35m
MILES DAVIS A TRIBUTE TO JACK JOHNSON LP COLUMBIA KC30455 VINYL *VERY GOOD * US $23.51 [11 bids]
4h 38m
VINTAGE COLUMBIA MILES DAVIS BITCHES BREW VINYL RECORD US $49.99 Buy It Now 4h 43m
MILES DAVIS: My Funny Valentine LP (2-eye 360 lbl, wobc) Jazz US $35.00 Buy It Now 4h 54m
MILES DAVIS: At The Blackhawk, San Francisco Vol. 2 LP (Mono, 6-eye orig, heavy US $60.00 Buy It Now 5h
MILES DAVIS "MILESTONES" 1958 Stereo Recording EXCELLENT Condition! US $9.99 [0 bids]
5h 10m
Miles Davis - The Very Best Of Miles Davis (CD 1996) US $6.64 Buy It Now 5h 13m
64 Jazz MILES DAVIS - FATS NAVARRO Trumpet Giants NJLP-8296 203 SWA EB627 US $29.99 Buy It Now 5h 13m
Miles Davis CD Collection 11 CDs Albums Live Remastered No Skips Free Shipping US $20.99 [0 bids]
5h 15m
Someday My Prince Will Come Miles Davis Sextet CD US $18.79 Buy It Now 5h 19m
MILES DAVIS**BIRTH OF THE COOL (LIMITED/180G/RM)**LP US $16.20 Buy It Now 5h 24m
Miles Davis Quintet RARE Japan LP OBI 'Round about midnight MONO Jazz VINYL 12 US $19.00 [0 bids]
5h 24m
Miles Davis EIGHT CLASSIC ALBUMS 47 Tracks 1951-1959 REMASTERED New Sealed 4 CD US $10.99 [0 bids]
5h 39m
Miles Davis Friday & Saturday Nights In Person At The Blackhawk Six/6-EYE US $93.71 Buy It Now 5h 40m
JAZZ MATER MILES DAVIS US $1.00 [0 bids]
5h 43m
MILES DAVIS 'Round About Midnight Vinyl Record LP 6-eye Original Label CL 949 US $93.71 Buy It Now 5h 47m
Miles Davis Milestones 180g LP, NM Vinyl CL1193 Numbered, Limited Edition US $35.00 Buy It Now 5h 48m
NEW Best Of Miles Davis & John Col - Davis/Coltrane US $5.99 Buy It Now 6h
Miles Davis: Volume 1 US $4.00 Buy It Now 6h
MILES DAVIS-BIRTH OF THE COOL CD-1989 ISSUE-CAPITOL JAZZ- 592862-EXCELLENT US $4.99 Buy It Now 6h 2m
Miles Davis Quiet Nights Columbia PC 8906 red label VG+ cover, VG+ LP US $9.99 Buy It Now 6h 4m
Miles & Quincy: Live At Montreux by Miles Davis/Quincy Jones (CD, Aug-1993,... US $0.99 [0 bids]
6h 6m
RARE Lp 1958 6 EYE album Miles Davis John Coltrane Cannonball MILESTONES CL-1193 US $34.95 Buy It Now 6h 11m
Miles Davis, Blue Moods, Fantasy 6001, red vinyl, G+ cover (splits), VG LP US $49.99 Buy It Now 6h 12m
On the Corner by Miles Davis (CD, Aug-2000, Columbia/Legacy) US $15.90 Buy It Now 6h 17m
Miles Davis, Birth of the Cool, Capitol T762, rainbow VG- cover(splits), VG+ LP US $79.99 Buy It Now 6h 18m
NO 14.CD ALBUM..MILES DAVIS..ROUND ABOUT MIDNIGHT...6 TRACKS US $11.68 Buy It Now 6h 20m
MILES DAVIS The Sound of Miles Davis VPLR-70121 OBI LD Y6493 US $29.99 [0 bids]
6h 22m

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MILES DAVIS shows & tickets


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MILES DAVIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

MILES DAVIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 7 ratings
First Miles
1945
3.33 | 3 ratings
Boppin' the Blues
1946
3.00 | 3 ratings
Cool Boppin'
1948
3.00 | 1 ratings
Blue Period
1951
3.55 | 11 ratings
Blue Haze
1954
3.69 | 26 ratings
Walkin'
1954
4.00 | 3 ratings
The Musings of Miles
1955
4.08 | 13 ratings
Miles Davis and Milt Jackson Quintet/Sextet
1955
4.50 | 4 ratings
Miles Davis and Horns
1956
3.17 | 10 ratings
Miles (aka The New Miles Davis Quintet)
1956
4.00 | 3 ratings
Collectors Items
1956
3.73 | 11 ratings
Dig
1956
4.08 | 31 ratings
Cookin
1957
3.83 | 30 ratings
Relaxin'
1957
4.28 | 82 ratings
'Round About Midnight
1957
4.00 | 21 ratings
Bags' Groove
1957
3.82 | 30 ratings
Miles Ahead
1957
2.79 | 15 ratings
Ascenseur pour l'Echafaud (Lift To The Scaffold)
1958
4.36 | 84 ratings
Milestones
1958
3.73 | 11 ratings
Miles Davis and The Modern Jazz Giants
1958
3.96 | 6 ratings
Jazz Track
1958
4.16 | 49 ratings
Porgy and Bess
1958
4.16 | 31 ratings
Workin'
1959
4.39 | 574 ratings
Kind Of Blue
1959
3.90 | 103 ratings
Sketches of Spain
1960
3.52 | 27 ratings
Someday My Prince Will Come
1961
4.20 | 35 ratings
Steamin'
1961
3.65 | 20 ratings
Quiet Nights
1963
3.49 | 15 ratings
Blue Moods
1963
4.19 | 36 ratings
Seven Steps to Heaven
1963
3.79 | 42 ratings
E.S.P.
1965
4.25 | 71 ratings
Miles Smiles
1966
4.19 | 72 ratings
Nefertiti
1967
4.01 | 44 ratings
Sorcerer
1967
4.04 | 52 ratings
Miles in the Sky
1968
3.89 | 50 ratings
Filles De Kilimanjaro
1969
4.40 | 380 ratings
In a Silent Way
1969
4.26 | 335 ratings
Bitches Brew
1970
4.25 | 122 ratings
A Tribute to Jack Johnson
1971
3.79 | 63 ratings
On the Corner
1972
4.12 | 59 ratings
Get Up With It
1974
4.28 | 58 ratings
Big Fun
1974
3.43 | 35 ratings
Water Babies
1976
3.13 | 4 ratings
At Last . Miles Davis and The Lighthouse All-Stars
1977
3.58 | 22 ratings
The Man with the Horn
1981
3.17 | 22 ratings
Star People
1983
2.41 | 20 ratings
Decoy
1983
2.60 | 24 ratings
You're Under Arrest
1985
2.38 | 43 ratings
Tutu
1986
3.75 | 33 ratings
Aura
1989
3.87 | 19 ratings
Amandla
1989
2.36 | 32 ratings
Doo-Bop
1991

MILES DAVIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 1 ratings
Birdland 1951
1951
3.60 | 5 ratings
At Newport
1958
3.26 | 8 ratings
At Carnegie Hall
1961
3.88 | 8 ratings
Miles in Berlin
1964
3.97 | 14 ratings
My Funny Valentine: Miles Davis in Concert
1965
3.53 | 5 ratings
Miles in Tokyo
1969
3.08 | 23 ratings
Miles Davis at Fillmore: Live at the Fillmore East
1970
4.05 | 51 ratings
Live-Evil
1971
2.93 | 17 ratings
In Concert: Live at Philharmonic Hall
1972
3.27 | 18 ratings
Black Beauty: Live at the Fillmore West
1973
4.70 | 39 ratings
Dark Magus
1974
4.36 | 37 ratings
Pangaea
1975
3.64 | 41 ratings
Agharta
1975
3.44 | 16 ratings
We Want Miles
1982
4.00 | 1 ratings
Live In Warsaw
1983
0.00 | 0 ratings
The Second Spring
1991
0.00 | 0 ratings
The Best Live
1991
4.33 | 6 ratings
The Complete Concert 1964 My Funny Valentine + Four & More
1992
4.00 | 9 ratings
Live At Montreux (with Quincy Jones)
1993
4.50 | 4 ratings
The Complete Live at The Plugged Nickel
1995
3.24 | 8 ratings
Live Around the World
1996
0.00 | 0 ratings
Bye Bye Blackbird
1996
4.00 | 1 ratings
Fat Time
1997
4.10 | 13 ratings
It's About that Time: Live at the Fillmore East, March 7, 1970
2001
3.00 | 1 ratings
Olympia - Jul. 11th, 1973
2002
4.75 | 4 ratings
In Person Friday and Saturday Nights at the Blackhawk, Complete
2003
4.00 | 1 ratings
European Tour '56 (With the Modern Jazz Quartet and Lester Young)
2006
0.00 | 0 ratings
Moondreams
2007
4.04 | 4 ratings
Bitches Brew Live
2011
3.00 | 1 ratings
Miles Davis Quintet - The Unissued Japanese Concerts
2011

MILES DAVIS Videos (DVD, Blu-ray, VHS etc)

5.00 | 1 ratings
Miles in Paris
1990
4.00 | 4 ratings
The Miles Davis Story
2002

MILES DAVIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.13 | 41 ratings
Birth of The Cool
1949
4.00 | 1 ratings
Miles Davis: Volume 1
1956
4.50 | 2 ratings
Many Miles of Davis
1962
0.00 | 0 ratings
Miles Davis Vol. 1
1963
0.00 | 0 ratings
Plays For Lovers
1965
0.00 | 0 ratings
Greatest Hits
1967
2.26 | 4 ratings
Greatest Hits
1969
0.00 | 0 ratings
A Man Ahead
1970
4.00 | 1 ratings
Tallest Trees
1972
4.49 | 11 ratings
Circle In The Round
1979
4.60 | 5 ratings
'58 Sessions Featuring Stella By Starlight
1991
0.00 | 0 ratings
Miles Davis (Collection)
1993
4.50 | 2 ratings
This Is Jazz: Miles Davis Acoustic
1996
0.00 | 0 ratings
Jazz Masters - 100 Ans De Jazz
1996
3.67 | 12 ratings
The Complete Bitches Brew Sessions
1998
3.17 | 4 ratings
Panthalassa: The Music of Miles Davis 1969-1974
1998
4.75 | 4 ratings
Best of the Miles Davis Quintet, 1965-'68
1999
4.96 | 6 ratings
Miles Davis Quintet: The Complete Studio Recordings, 1965-'68
1999
4.14 | 12 ratings
The Complete In a Silent Way Sessions
2001
4.33 | 3 ratings
The Essential Miles Davis
2001
3.36 | 5 ratings
The Complete Jack Johnson Sessions
2003
4.11 | 8 ratings
The Cellar Door Sessions
2005
0.00 | 0 ratings
The Very Best Of Miles davis: The Warner Bros. Sessions 1985/ 1991
2007
4.97 | 7 ratings
The Complete On the Corner Sessions
2007
3.00 | 1 ratings
Milestones
2007
2.00 | 1 ratings
Double Best Collection: Miles Davis
2007
5.00 | 1 ratings
Collections
2009
5.00 | 3 ratings
The Complete Columbia Album Collection
2009
4.00 | 1 ratings
Perfect Way: The Miles Davis Anthology - The Warner Bros. Years
2010
4.00 | 1 ratings
Miles Davis Quintet: Live in Europe 1969 (The Bootleg Series Vol. 2)
2013

MILES DAVIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Miles Davis And His Orchestra Vol. 2
1953
0.00 | 0 ratings
Classics In Jazz Part 1
1954
0.00 | 0 ratings
Green Haze
1955
3.00 | 1 ratings
Collectors' Items
1957
5.00 | 1 ratings
Someday My Prince Will Come
1962
0.00 | 0 ratings
Blow / Fantasy
1992
3.00 | 1 ratings
Plugged Nickel Sampler
1995
0.00 | 0 ratings
Miles
2008

MILES DAVIS Reviews


Showing last 10 reviews only
 Kind Of Blue by DAVIS, MILES album cover Studio Album, 1959
4.39 | 574 ratings

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Kind Of Blue
Miles Davis Jazz Rock/Fusion

Review by BatBacon

5 stars - Hello, Kind of Blue!

- Hi, Batbacon!

- Say, Kind of blue! Do you consider yourself to be a progressive rock album?

- No, don't be silly! I'm just an totaly amazing jazz record!

- So how come the high rating then? You are aware that this is a site about progressive rock?

- Well, I guess people mostly are just looking for good music, progressive or not.

- So should I give you a high rating then, or what?

- Sure, I deserve it!

I was going to any way, because this is one of my favorite albums of all time. The best jazz album of all time, no doubt at all. Its nothing progressive going on here, no Mahavishnu or Return to Forever. Its just a bunch of really chill jazz songs and I guess thats the reason its so good. Most of the musicians playing on this record is famous for being jazz virtuosos, playing quick and complex music, demanding a lot from the listener. On this record it seems they all took a chill pill before going in to the studio. With other terms, they kept it simple and minimalistic.

The album starts of with the cool "So What". The first thing you hear is the piano intro, setting the mood for not only the song, but for the whole album. With Bill Evans in front of the piano you know exactly which kind of jazz to expect, calm and thoughtful. He belongs to the pianists who never play a note to many, picking out exactly the notes needed for the song. Think about how Richard Wright would sound if he played jazz, and you get Bill Evans. But I don't think he ever played with a band this good before or after the recording of Kind of Blue. Miles Davis, John Coltrane and Cannonball at their best, finding great tunes within their passionate solos. They are not famous for being this calm and minimalistic, but it suits them fantastically well.

The slow tempo creates a kind of sad mood, especially on songs like "Blue in Green" and "Flamenco Sketches". Imagine sitting in a window looking out on a rainy town, lit by neon lights and the moon itself. You can hear nothing but the rain against the window, except from the lonely guy across the street, playing a sad song on his saxophone. Its really moody but oh, so beautiful.

This is what jazz should be like; More cool than awesome. Less is more, yes indeed!

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 It's About that Time: Live at the Fillmore East, March 7, 1970 by DAVIS, MILES album cover Live, 2001
4.10 | 13 ratings

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It's About that Time: Live at the Fillmore East, March 7, 1970
Miles Davis Jazz Rock/Fusion

Review by Mellotron Storm
Prog Reviewer

4 stars When it comes to posthumous live releases by Zappa, Davis and SOFT MACHINE it's difficult to know what to get and what to pass on because the releases just keep on coming. This particular live album features Miles Davis and his band in unfamiliar territory as they were playing for the first time at a Rock festival which took place at the Fillmore East in March of 1970. This was also the first time that a Ring Modulator was used by Davis and his band in a concert. This gave the piano a powerful sound and certainly Chick Corea really stands out here. Check out the lineup with Miles Davis on trumpet, Chick Corea on electric piano, Wayne Shorter on sax, Dave Holland on bass, Jack DeJohnette on drums and Airto Moreira on percussion. One of the attractions of this particular concert recording is that this quintet never made a studio album together and this lineup is often called the "Lost Quintet". Add to that the fact that only bootlegs of this lineup playing live were only previously available makes this a must have. This would be the last of Miles' three great quintets. Wayne Shorter would soon leave after this to join his buddy and former Miles Davis bandmate Joe Zawinal to form WEATHER REPORT. Also I should note that there's a lot of material here is from "Bitches Brew" which was just a month away from being released upon the population at large.

This is a two disc affair with each disc representing one of the two sets they played that day. Love how "Directions" opens with the crowd cheering as this runaway train comes plowing through, slowly building in speed. There's so much going on here. I can only imagine what the people in the audience must have thought. This was not normal Jazz by any stretch of the imagination, and these guys were kicking ass. "Spanish Key" continues the onslaught, man this gets down-right insane. Amazing ! "Masqualero" continues with everyone playing like they are on fire. Just to pick out one guy and to focus on him is so intense no matter who you choose. The first set ends with "It's About That Time/The Theme" which actually opens quietly which is maybe why the crowd cheers at the start(haha). This is laid back and intricate as sounds come and go. It doesn't stay this way for long though.

Disc two opens with some feedback and deep sounds and this version of "Directions" is much less "out there" than on the first set but it's building in intensity. Man I love this, in fact disc two is my favourite of the two. "Miles Runs The Voodoo Down" almost seems normal at first as the crowd can be heard cheering. Nice bass work 2 1/2 minutes in. "Bitches Brew" is a slow moving beast to say the least. Again i'm just so impressed with all that's going on here. DeJohnette is all over this but then they all seem to be in what sounds like organized chaos. "Spanish Key" also like "Directions" doesn't seem as "out there" as the version on the first set. I love when this gets going. "It's About That Time/Willie Nelson" opens rather pleasantly with some actual space to breathe. It starts to pickup before 2 minutes and getting fuller as well. This is great !

Easily 4 stars and a must for Miles Davis fans out there. I'm going to get some mileage out of this one.

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 In a Silent Way by DAVIS, MILES album cover Studio Album, 1969
4.40 | 380 ratings

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In a Silent Way
Miles Davis Jazz Rock/Fusion

Review by Prog 74

5 stars Now this is a truly beautiful work of art! Miles Davis had been hinting at a new direction for a couple of years and with this seminal album he delivers. It's his first foray into what would go on to be called jazz-rock fusion, though I am sure to Miles it was just "music". This is an incredible album and one of several masterpieces he would give the world during his lifetime. The recording features some of the greatest musicians on the planet at the time - Herbie Hancock, Chick Corea, Wayne Shorter, Dave Holland, Joe Zawinul, John McLaughlin & Tony Williams. Just an amazing collection of talent. Never really warming up to his mid-60s quintet, I feel that this is the best album Miles Davis released since Sketches of Spain. It's massive influence cannot be underestimated. This album along with Bitches Brew and Jack Johnson represent a trio of albums that would completely transform the jazz landscape. This was the new music and it was exciting. It was progressive, it was experimental and it rocked. This particular album is also very ambient. The feeling is of a group of musicians in on a secret that the world may not quite be ready for. It's hushed and meditative, but definitely inspired. The way Miles would approach recording at the time was basically to gather his musicians in the studio (or on stage), give a little direction, roll the tape and then let them jam. Ideas were developed on the spot. This is organic music making in it's purest form. Albums would then be edited down to something digestible for people to listen to. And on this album producer Teo Macero gets a lot of credit for splicing together these open-ended jams into something that could be put on an album and flow beautifully. The edits are noticable, but do not hinder the musical experience in the least and they are certainly not as dramatic as they would be on some the live albums Miles would release in the 70s. This album is essential to any lover of music.

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 Bags' Groove by DAVIS, MILES album cover Studio Album, 1957
4.00 | 21 ratings

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Bags' Groove
Miles Davis Jazz Rock/Fusion

Review by siLLy puPPy

4 stars Long before MILES DAVIS was mastering the art of fusion and creating outstanding influential albums that would change the direction of the jazz world, he was doing his more traditional stuff like on this this album where he does his cool jazz meets hard bop thing. Wanting to hear some of the older pre-Kind Of Blue era material I picked this one randomly solely because of the pretty green album cover that stands out like a the Jolly Green Giant in a cranberry bog. BAGS GROOVE was recorded way back in 1954 but wasn't released until 1957. That was a fruitful year of session recordings since other tracks from the same period led to the album "Miles Davis And The Modern Jazz Giants" as well as there being enough material to throw on Thelonious Monk albums. BAGS was the nickname of vibraphonist Milt Jackson who, despite having the album named after him, only plays on the first two tracks which are different versions of the title track.

There's absolutely nothing remotely rock to be found here. This is pure jazz throughout the whole album but what pleasant and beautiful jazz this is. Thelonious Monk and Horace Silver on piano, Sonny Rollins on tenor sax, Percy Heath on bass, Kenny Clarke on drums and of course Miles himself on trumpet all conspire to make an outstanding album of classic jazz that is satisfying from beginning to end. The music is good enough to merit a much higher rating but there is one thing keeping this album from being a huge classic and that is the fact that two tracks here, namely the title track "Bags Groove" and "But Not For Me" appear here twice each showcasing two different takes of each piece. Although I have no preference of one take over another, the fact is that this makes listening to this as an album from beginning to end a bit of chore especially when the title track takes are over 11 and 9 minutes and also that the takes don't differ significantly from each other. So this basically makes it feel like a leftovers package and since the album came out three years after it was recorded that very well may be exactly what this is.

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 Kind Of Blue by DAVIS, MILES album cover Studio Album, 1959
4.39 | 574 ratings

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Kind Of Blue
Miles Davis Jazz Rock/Fusion

Review by thwok

5 stars Kind of Blue was the first jazz record I ever owned; I think I got it just because it was so renowned. It was the record that got me into jazz, although it's not my favorite genre. Therefore, although I wouldn't consider myself a jazz expert, Kind of Blue has to be one of the cornerstone albums in jazz history.

One of the things I love about Kind of Blue is how it's arranged. By that I mean how it alternates between slower tracks and quicker tracks. If my memory is good, the first three tracks were on side 1 of the LP, and "All Blues" and "Flamenco Sketches" made up side 2. It flows very well. The musicians are beyond reproach. Bill Evans swings more on this album than he's sometimes given credit for, I think.

My favorite tracks are probably the first three. "All Blues" and "Flamenco Sketches" go on a bit too long for my tastes, but that's a very minor complaint. Also, Kind of Blue couldn't be considered jazz fusion in any way, so it lives on the edge of a progressive rock website. Only those two factors cause me to dock Kind of Blue a half star. I give 4 and 1/2 stars to one of the most important records in jazz history.

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 The Complete Bitches Brew Sessions by DAVIS, MILES album cover Boxset/Compilation, 1998
3.67 | 12 ratings

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The Complete Bitches Brew Sessions
Miles Davis Jazz Rock/Fusion

Review by Neu!mann
Prog Reviewer

3 stars I don't think anyone can credibly argue that "Bitches Brew" isn't a groundbreaking album. But like any true masterpiece it can also be a very difficult and often divisive experience, even today. The music existed outside its time in 1970, and nothing like it has been heard since.

I can't even review the album itself, as it defeats any attempt at a systematic rating...imagine trying to judge a sunrise, or a tsunami, using only the ProgArchives star system. But I can at least approach it indirectly, through this flawed 1998 box set, which doesn't quite live up to its grand (but misleading) title. These aren't the unedited tapes used by producer Teo Macero to assemble the "Brew" album, but a compilation of studio sessions from the weeks and months afterward, when Davis was searching (in a hit-or-miss manner) for new musical worlds to conquer.

The original 1970 album was never an end in itself. It was more like a road map for Davis toward a possible bridge between the purity of his Jazz roots and the raw power of his avant-funk Götterdämmerung later in the decade. In the turbulent aftermath of "Bitches Brew" the trumpet player was more an explorer than a pioneer, and his intermittent studio forays grew more radical as they became less focused. The music on these four discs (actually two-and-one-half: the rest of the set is the "Brew" album itself, re-mastered but intact) illustrates that uncertainty with several long, formless, but compelling journeys into a musical terra-incognita far beyond even the frontiers of "Bitches Brew".

And here's where my rhetoric fails me. The paragraph that would have followed (before I wisely deleted it) was top-heavy with metaphysical weirdness: a futile attempt to describe music unbound by any stylistic tethers, to Jazz, Rock, Classical, Indo-Raga, or Ambient Shoegaze. Not every note is perfect, or needs to be. But it's the chaos behind the order that gives the music its vitality, and the order in the chaos that keeps it real.

The problem here, at least for confirmed fans, is that a lot of it has already been heard, on the albums "Big Fun", "Live-Evil", and the belated compilation "Circle in the Round". There's a logical sense to collecting the music in the order it was recorded. But logic isn't always a blessing where the creative impulse is concerned, and the unpolished building blocks can't match the imposing majesty of the final construction.

For Miles Davis, continuing to play traditional Jazz was "like going to bed with a real old person who even smells real old" (his quote). If true, this new musical direction would have been like bedding a temperamental odalisque on a divan of roses: a memorable experience to be sure, but is she the same alluring siren when exposed the next morning without any make-up?

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 In Concert: Live at Philharmonic Hall by DAVIS, MILES album cover Live, 1972
2.93 | 17 ratings

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In Concert: Live at Philharmonic Hall
Miles Davis Jazz Rock/Fusion

Review by Neu!mann
Prog Reviewer

3 stars Because the bar for live albums from the electrified Miles Davis was set so high with the triple threat of 'Dark Magus', 'Agharta', and 'Pangaea', this (likewise) double-disc gets treated at times like a poor relation, the backwards cousin you're embarrassed to be seen in public with. But don't dismiss it too quickly: there's plenty of worthwhile music here, documenting yet another fascinating mutation in the ongoing evolution of a forward-thinking artist.

Davis was already miles away (so to speak) from anything resembling acoustic Jazz, and by late 1972 he was beginning to outpace even his own Jazz Rock Fusion innovations. This live set was recorded mere days before the release of his controversial avant-funk album 'On the Corner', and was likewise built on long, mesmerizing group improvisations, flowing like water around the unyielding rock of Michael Henderson's repetitive bass lines, with very little traditional soloing, even by Davis.

It may have been that his touring band at the time simply lacked a natural soloist like Chick Corea, or Wayne Shorter. The keyboards and saxophone (played by Cedric Lawson and Carlos Garnett: neither one a part of the Davis stock company for long) were just two more ingredients in a dense musical stew. And the album has attracted some criticism for not featuring ace guitarist Pete Cosey, who would join the live ensemble the following year. It's a valid complaint, but using the same logic the set deserves five stars because Phil Collins doesn't sing on it.

It's true the full nine-piece band resembles a work-in-progress, with tablas and electric sitar adding subtle ethnic undercurrents to the music. But the longer jams ('Black Satin', or the 28-minute 'Ife') often attain a lofty hypnotic plateau, thanks to the driving momentum of the Foster/Henderson rhythm section, with help from Mtume and his battery of African percussion. Of course the original LP had no information whatsoever about the band or the music. The untitled side-long medleys on each disc were identified only as 'Foot Fooler' and 'Slickaphonics', and illustrated in the sleeve art with amusing inner-city caricatures.

It was all part of the usual Miles Davis 'call it anything' ethos: an attempt to focus attention on the music, and nothing but the music. But that deliberate anonymity may have actually undermined the album's impact, and the somewhat two-dimensional production didn't help (a more dynamic live sound would have made it a near-essential experience). But even on its own somewhat compromised terms it's still a valuable addition to any electric Miles library.

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 The Cellar Door Sessions by DAVIS, MILES album cover Boxset/Compilation, 2005
4.11 | 8 ratings

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The Cellar Door Sessions
Miles Davis Jazz Rock/Fusion

Review by Neu!mann
Prog Reviewer

4 stars Fans of electric Miles Davis might feel a warm glow of déjà vu while sampling this mammoth '05 boxed set. A lot of the material has been heard before, in the live parts of the 1971 "Live-Evil" album, albeit heavily edited by producer Teo Macero, who never saw a length of recording tape he didn't want to cut and rearrange. The earlier LP still works as an abridged sampler, but for over three decades has frustrated anyone expecting an undoctored performance.

Well, here it is at last, 35-years later but worth the long wait: six discs of embryonic Jazz-Funk fusion, "on the edge and off the rails", according to bass guitarist Michael Henderson. The box compiles six of eight complete, uncut sets from the eponymous Georgetown jazz club, closing out a watershed year for Davis. From the spring release of "Bitches Brew" through the summer acme of the Isle of Wight festival, and to his barnstorming of larger Rock 'n' Roll arenas, 1970 was truly an annus mirabilis in the career of the suddenly galvanized trumpet player.

The Cellar Door was a relatively small venue for Davis at the time, seating upwards of one hundred patrons, max. So the sound of these gigs is more intimate than the Fillmore East or West concerts. And the band was again slightly re-shuffled from the impressive talent mix of those earlier tours. Jack DeJohnette kept his spot behind the drum kit, but his long-time battery mate Dave Holland was replaced here by Michael Henderson, the first true rocker in an otherwise Jazz Rock ensemble. And Chick Corea had finally left for other, greener pastures (see: RETURN TO FOREVER), leaving Keith Jarrett as the band's only keyboard ace.

Jarrett has always been loud in his disdain for electric keyboards, and didn't change his tune when contributing to the notes in the extensive CD booklet. But his performances on each of these discs include some of the most vital, creative, and invigorating playing of the entire box, at times surpassing even Davis in energy and ingenuity. The trumpet player too was in peak form, his style already fragmenting into the sudden bursts and staccato interruptions that would characterize his sound at mid-decade.

The music wasn't yet the fully-formed funkathonic monster of the "Dark Magus" era, but it was starting to lean in that direction, cued by the use of a wah-wah trumpet pedal: a crutch for the increasingly ill Davis in years to come. And the final icing on an already colorful Fusion cake was a last-minute guest appearance by John McLaughlin on the final night of the residency (discs five and six here). The guitarist throws himself headfirst into some torrid solos, but the heavier guitar lines of Reggie Lucas and Pete Cosey were still below the horizon in late 1970.

So the question remains: how much live Miles Davis is too much of a good thing? There's a lot of repetition from set to set here, and although the details vary between each performance, I would challenge even the hardiest fan to sit through all six discs in one sitting. My advice is to play it like it was originally performed; one or two sets per evening over four separate days. The caliber of the music speaks for itself, but even the most brilliant troubadour will sound like a windbag without an occasional break.

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 We Want Miles by DAVIS, MILES album cover Live, 1982
3.44 | 16 ratings

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We Want Miles
Miles Davis Jazz Rock/Fusion

Review by Neu!mann
Prog Reviewer

3 stars The return of Miles Davis to the public spotlight in the early 1980s, after falling off the map for almost six years, saw the Fusion beast of the mid '70s finally tamed and on a tighter stylistic leash. The trumpet player who took the stage in the summer and autumn of 1981 was a more easy-on-the-ears bandleader compared to the "seriously brutal artist" of the earlier decade (quoting guitarist and fan Carlos Santana). History, failing health, and creative fatigue had finally caught up to the aging Davis, a trendsetting pioneer reduced to following in the footsteps of his own protégés, notably aping the milder Jazz Rock fusions of WEATHER REPORT.

And yet his playing seems oddly stronger here than it was in those frantic, drug-fueled gigs caught on the "Agharta / Pangaea" and "Dark Magus" albums. And his new back-up band was solid, if nowhere near as incandescent or experimental as the thermonuclear ensembles of the middle '70s. Drummer Al Foster was the only remaining musician in the reconfigured line-up, now paired with twenty-two year old bassist Marcus Miller, soon to become a fixture on Davis albums and a stabilizing factor in his mentor's professional life.

The set-list from these concerts, recorded in Tokyo and the eastern U.S. seaboard, was more pleasantly jam-oriented than the often pyrotechnic improvisations of earlier bands, the difference immediately apparent in the late-career signature melody "Jean-Pierre" (included twice in this set). Needless to say, the simple, childlike song is a long way from the elegant sophistication of "So What", but it's a catchy little tune, and oddly playful coming from such an uncompromising musical agitator.

Of course in 1982 we should have been grateful to hear anything at all from the aging and reclusive legend. So how come the album has never (to date) been released on CD in North America? Never mind the cultural insult; in purely commercial terms the oversight makes little sense, although it might explain why so many fans, this relative newbie included, were hardly aware the album even existed. Don't expect a masterpiece, but on its own terms it works surprisingly well, far better than some of the Miles Davis studio albums from the same period.

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 Big Fun by DAVIS, MILES album cover Studio Album, 1974
4.28 | 58 ratings

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Big Fun
Miles Davis Jazz Rock/Fusion

Review by Neu!mann
Prog Reviewer

4 stars The shortest route across the electric metamorphosis of Miles Davis in the 1970s is through his many live albums from the era (the unedited concerts; not the scissor-mad hybrids of "Live-Evil" or "Live at Fillmore"). His studio output after "Bitches Brew" was often erratic, and released in too fitful a manner, with cuts recorded years apart forced onto belated albums or spread throughout different compilations.

Albums like "Big Fun", or its equally schizoid 1974 companion "Get Up With It", should rightly be considered compilations. But the former title in particular (both the original vinyl and the expanded compact disc edition) shows a remarkable uniformity in mood and emotion for a collection of music spanning three tumultuous years, and culled from sessions for albums as divergent as "Bitched Brew", "Jack Johnson", and "On the Corner". If you approach it with no awareness of the sporadic recording details (and there's really no reason why you need to be aware of them) "Big Fun" stands as one of the trumpet player's more haunting and mysterious efforts, making even the enigmatic grooves of "Bitches Brew" sound almost conventional by comparison.

The emphasis is often on mood and texture instead of rhythm or melody. And the straightjacket of time has even less meaning here than it did in the notoriously protracted "Brew" sessions. The original LP included only four tracks, each one filling an entire side of vinyl, and in two cases pushing the limits of analog storage toward the half-hour mark. A dreamlike weirdness abounds throughout, from the hypnotic minimalist funk of "Great Expectations" to the bizarre, misaligned double-tracking of drums and guitar in the propulsive "Go Ahead John" (the unedited tapes can be heard in "The Complete Jack Johnson Sessions", and sound even better when stripped of their razzle-dazzle studio camouflage). The soothing "Recollections" is a clear offspring of "In A Silent Way" (both were composed by pianist Joe Zawinul), and the addition of sitars, tablas and tambouras adds an exotic undercurrent to some already alien soundscapes.

It's too bad this album wasn't released immediately following the success of "Bitches Brew"; its influence might have been equally as profound, if a little more complex. The sessions for both were more or less contiguous, but some of the music here had to wait almost half a decade before seeing daylight. In a literal sense, this was an album ahead of its time.

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