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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

rdtprog
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2111 ratings
MOVING PICTURES
Rush
4.37 | 1780 ratings
HEMISPHERES
Rush
4.35 | 1655 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1540 ratings
PERMANENT WAVES
Rush
4.23 | 1987 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.23 | 1942 ratings
IN ABSENTIA
Porcupine Tree
4.21 | 1025 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.15 | 770 ratings
THE MOUNTAIN
Haken
4.15 | 572 ratings
SALISBURY
Uriah Heep
4.09 | 1596 ratings
DEADWING
Porcupine Tree
4.09 | 1590 ratings
2112
Rush
4.09 | 792 ratings
VISIONS
Haken
4.07 | 1043 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.10 | 493 ratings
LOOK AT YOURSELF
Uriah Heep
4.06 | 799 ratings
AQUARIUS
Haken
4.06 | 746 ratings
FRANCES THE MUTE
Mars Volta, The
4.12 | 312 ratings
FROM WITHIN
Anekdoten
4.02 | 1159 ratings
LIGHTBULB SUN
Porcupine Tree
4.13 | 242 ratings
SOUND AWAKE
Karnivool
4.04 | 549 ratings
DEMONS AND WIZARDS
Uriah Heep

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

SKELETON IN ARMOUR
Fusion Orchestra
ZUNDAPP
Zundapp
A COMPLEX NATURE
Yang
SNEAK ME IN
Lucifer's Friend

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Latest Heavy Prog Music Reviews


 Spoke of Shadows by SPOKE OF SHADOWS album cover Studio Album, 2014
3.96 | 8 ratings

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Spoke of Shadows
Spoke of Shadows Heavy Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars Ghostly cyclists or a storyteller relating shade, who really knows what Spoke of Shadows really means other than another sizzling experimental-prog trinket that I felt compelled to purchase in lieu of raving critiques from my three friends (yeah, Michael, John and Raffaella!) and an already strong affinity for 'sister' band Herd of Instinct. Hey, I love the bass guitar in all its forms, 4, 5, 6, 8 or Stick or Warr, fretless or not, I just adore the lower end basso profundo! Mark Cook, as his name might imply, is a master bass chef and a terrific multi- instrumentalist, also crafting intense chords from his mellotron, guitar and assorted keyboards, and he joins polyrhythmic monster drummer Bill Bachman on an inspirational musical voyage that defies pigeon-holing and easy listening tendencies. Nice mixture of silk and steel, luminosity and obscurity, cadence and cascade, if one was to ever wink at Poseidon! Yes, fans, there is a clear and present King Crimson vibe, that dark, portentous rumble many prog fans adore.

Tracks like the howling opener 'Dominion' waver between gale force riffs, Frippoid bicycle picking, daubs of mellotronic angst and complex percussive calisthenics. There is also a calculated agenda of constant change, from mood alterations and vector corrections to sudden silence and almost jazz piano musings, firmly upheld by the combination fluid bass and shimmering mellotron played here by Gayle Ellett of Djam Karet fame. Other highlights include a flickering flute from guest Bob Fisher and a delicious piano solo from a totally unexpected source (Shannon Wickline of the'gulp' Charlie Daniels Band). By the fourth track 'Harbinger', the sonic gymnastics become overpowering, defining musicians who are from another level altogether, hopping from wild to pastoral on a flick of the wrist.

The spirit of the regretted bass visionary Mick Karn is evident on the sinuous 'Pain Map', an oily roller coaster reverberation that hyperventilates the fawning fan into submission. There is a turbulent dialog between the various bass machinations and the raw guitar exhortations from guest Tony Rohrbough (Byzantine) which then bloom sideways into something the eccentric Penguin Caf' Orchestra would dream up. This is a demanding listen that will provide countless hours of repeated delight, just follow the bass man! This segues very nicely into the pastoral revelry of 'Persona', a tight little ditty that weaves complexly amid flute serenades and a 'Ya see what I mean?' bass, crowned by a Frippoid outburst, all sustain and flicker. The idea is to venture from the velvet and arrive at the sizzle. The same formula is repeated on the delectable 'Splendid Sisters', a filigreed bass repetitiously interweaving with placid mellotron carpet. Just gloriously beautiful.

Things shudder back into the 'Red' zone, with the longer 'Tilting at Windmills', a definitely more PTree like atmosphere, bouncing between lenient and inflexible without any forewarning. Bachman in particular showing percussive skills that are way beyond the norm, very close to the Bruford/Harrison/Minnerman mode. Shadowy, ominous and frightening like some distant twister, the imagery is kaleidoscopic.

A trio of shorter 3 minute pieces complete this intense offering, the solemn 'Accord' first off the blocks is heavily strapped by a humble mellotron that suggests more reflective dedication, while the more physical 'Dichotomy', machine-gun drum aiming at twisted synth loopings and a guitar assault that enjoys to forage amid the foliage . I have listened to this in the morning, mid-afternoon and late at night, each scenario fitting well into the mood generated by the rambunctious sonic onslaught.

This is silly good, at times frighteningly so, not for the faint of heart or the pop fluff aficionado. The next one is on auto-buy, another instrumental masterpiece with heavy concentration on the fetish bass, as tasty if not more so than that Herd of Instinct duo of albums. Wow!

4.5 rib of shades

 The Magician's Birthday by URIAH HEEP album cover Studio Album, 1972
3.82 | 433 ratings

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The Magician's Birthday
Uriah Heep Heavy Prog

Review by Progfan97402

4 stars When I was younger, I was a bit dismissive of Uriah Heep, but now I own a few of their albums (Look at Yourself, Demons and Wizards, and this one) I come to the conclusion that they can do some absolutely brilliant material, and material I can do without. I know I'll still be looking for more Uriah Heep albums as they come my way. The Magician's Birthday seems to be my very favorite Uriah Heep albums, of the ones I heard. Since the band was riding high with Demons & Wizards (an album I personally find a tad overrated), with "Easy Living" receiving tons of FM radio airplay, they quickly followed it with The Magician's Birthday. "Sunrise", "Spider Woman", and "Tales" are some great songs found here. "Rain" is the one song I can do with out, a rather generic, piano-dominated ballad that I know Ken Hensley can do much better, such as "What Should Be Done" (off Look At Yourself"). That song has that charming quality that "Rain" lacks. "Sweet Lorraine" is a rocking piece but I really dig that synth. The title track is the epic track, one of Uriah Heep's best. It seemed they cut back a bit on the swords and sorcery of Demons & Wizards. I realize after their next album, Sweet Freedom, their input had became more erratic, but The Magician's Birthday really exceeded my expectations. Despite "Rain", it's simply Uriah Heep at their best.
 Until All The Ghosts Are Gone by ANEKDOTEN album cover Studio Album, 2015
4.26 | 111 ratings

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Until All The Ghosts Are Gone
Anekdoten Heavy Prog

Review by strange engine

5 stars Wow! I think this is one of the best work ever in the last thirty/forty years!Magnificent compositions in the best melancholic way.Anekdoten returns with a great,complex,structured album in which all the instruments are perfectly blended and the flute of Theo Travis added something special to the songs.For me it's incredible that in 2015 is possible to imagine such a wonderful work.Just the beginning tracks, "Shooting Star",by itself, worth the cost of the album.My only disappointment is that its too short!But this is in the vein of all Anekdoten albums.Sorry for my English(this is my first review here)but i'm so excited for this i consider a real masterpiece.Absolutely five stars!
 Until All The Ghosts Are Gone by ANEKDOTEN album cover Studio Album, 2015
4.26 | 111 ratings

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Until All The Ghosts Are Gone
Anekdoten Heavy Prog

Review by misterprog

3 stars The Scandic group is back with an interesting album. It took me a bit to get into it! In fact their are master in creating dark athomesheres that didn't made my life easy.It is quite difficult to describe their music, been a mix of post-rock, heavy rock with some symphonic influences here and there and some parts that pay quite a tribute to cold jazz.The sound is a bit flat for my tastes, I would prefere more musical colours and rythmic solutions. In fact all the songs looks a little similar and in the long run make you feeling ''full''. The best song in my opinion is ''Shooting Star''. Quite a nice start of guitar, dark and disarmonic by purpose, Here you fully feel the cold jazz influence.At minute 4:30 the music turns suddenly into heavy rock.From minutes 6 it open more to symphonic rock. To summarize: a good album wirh some remarkable us of flute and guitar. Vocal so-so. In general a cd that you struggle to listen in one shot. i am not sure I will come back often to it, but it is a good album, even if not essential. 3 stars.
 Grace Under Pressure by RUSH album cover Studio Album, 1984
3.69 | 883 ratings

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Grace Under Pressure
Rush Heavy Prog

Review by TCat
Prog Reviewer

3 stars After initially being disappointed with the sound of the album "Signals", I hoped that the old Rush was back with this album, but once again I was disappointed. At that point, I figured the old days of Rush were gone and I was unwilling to move on like Rush did. But I would always love their harder and heavier (and proggier) albums from before. It was quite a while before I started really listening to the Rush from the 80s, but now at least I enjoy some of their music from that decade. You do have to admit, that out of all the 70s bands trying to cross into the 80s, many of them didn't do so well and sounded even older and more dated than they would if they hadn't tried to change their sound. Rush was one band that made the cross over quite well, and survived it without hardly scratch, and they actually didn't sound dated, just different.

With Grace Under Pressure being the 2nd album after the big change, Rush had decided to go with a new producer. They also kept the emphasis on keyboards, but they did at least bring more of a guitar sound back to the forefront than they did with Signals. But the guitar sound was more 80s sounding and the hard sound was turned into more of a "Police" mentality in that it was more of a support for the vocals. The new production pushed back the sound of any particular instrument standing out or emphasized, yes even the vocals in my opinion. The lyrics were still top notch, but the overall delivery of vocals and instruments were evened out and this made everything more flat and similar sounding, as a result, not many of the songs stood out much either. You can listen to a Rush album from this decade and not remember anything about it which is completely opposite of how it was before.

After becoming more accustomed to the songs on this album, I can now say that there are a few that stand out more than others, but it took a long time for that to happen for me. For every good song, there are a few mediocre songs. For every "Distant Early Warning" there is a "The Enemy Within" and a "Between the Wheels"...one that was good and two that were nothing special. On this album, Rush also took to experimenting with sounds that were new to them like Ska/Reggae or Funk. Now, there is nothing wrong with that, it's just that at this point, there wasn't much to distinguish the different sound because, again, nothing stood out. So these new forays into new sound still sounded too much like the song before it. You had to listen really close to even realize they were doing something different from the track before it.

After listening to the 80s albums a little closer, this one comes out of the decade as not the worst of the decade, but not even close to any of the best from the decade before....it's just slightly better than average because of a few good tracks. It's not quite good enough to give 4 stars to, but it's still better than average, so it comes out of it with 3 and a half stars, but I can't bring myself to like it enough to round it up , so 3 stars it is. Besides, the description really fits this one anyway, Good, but non-essential. A little better than average, but not much.

 Waiting For The Noise by SYLVIUM album cover Studio Album, 2015
2.65 | 12 ratings

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Waiting For The Noise
Sylvium Heavy Prog

Review by ProgShine
Collaborator Errors & Omissions Team

2 stars I don't understand this Dutch band Sylvium. This is their second full lenght album (plus one EP) and the band still has no identity whatsoever...

As in their first album more than half of Waiting For The Noise (2015) is but a copy of Steven Wilson's music and style, then you have a couple of tracks that are basically copies of Riverside's music...

I understand influence, but on Sylvium's case this is more like lack of identity, which one would think that by the second album the band would have solved the issue, guess not!

They actually worked to solve some points I had against them when I reviewed their first album The Gift Of Anxiety (2013), they are indeed working with more vocals and the album in general feels more 'Prog' and less Alternative. But they achieved that by assimilating, as I mentioned before, too much of other bands music and that makes almost impossible for me to enjoy Sylvium's new album.

Not sayinf there's no quality in their music, but for me I can't listen to the album without pointing which songs is similar to what artist and that... is not good for an album.

 Ghostship Demos by FALL OF TROY, THE album cover Singles/EPs/Fan Club/Promo, 2004
3.28 | 6 ratings

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Ghostship Demos
The Fall of Troy Heavy Prog

Review by TCat
Prog Reviewer

3 stars This is wild and crazy music along the same lines as The Mars Volta, but with a lot a screaming vocals. The instrumentals are complex and heavy, quite dense at times like TMV, but sometimes breaking down the density without really cutting back on the intensity. Even the short quieter passages are frantic.

Since these are demos, they are quite raw, yet the instrumentals are worked out very well. They are very technically performed with wild passages. These demos were leaked on the internet while the band was working on the E.P. entitled "Phantom on the Horizon". The demos that make up this "E.P." were never released in a physical form, but only available in downloaded format. They were perfected however for the actual 2008 recording of "Phantom of the Horizon".

I am reviewing this particular recording because of it's crazy raw sound that actually is quite impressive even if it is hard to listen to because of it's intensity, which is occasionally interrupted by musical break downs, only to be commenced again shortly after. For those that love unforgiving brutal music, this is a great album. I don't care for the screaming, I have to admit, but I do love the complexity of the music and the amazing musicianship here. I can easily give this 3 stars, but unless you want to search for the rawness of this collection, you are better off getting "Phantom of the Horizon".

 Clockwork Angels Tour by RUSH album cover Live, 2013
3.96 | 55 ratings

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Clockwork Angels Tour
Rush Heavy Prog

Review by ProgShine
Collaborator Errors & Omissions Team

3 stars I am a big (not to say huge) Rush fan, I own almost all of their releases, saw them live and keep following what they do. But, I must say that it's very, very sad to hear all this great music that Rush has in its back catalogue for the thousandth time live since 1997 (this is the sixth live release since then against 3 studio albums in the same time) and even more so it's really sad when you hear how bad Geddy Lee is singing.

I am one of those guys that always fought back when people accused him of having a horrible voice, because I always thought he has an amazing powerfull voice. So it's really sad when you hear him suffering so much and even going out of tune to reach notes that he would hit so easily in the past.

It's particular bad in tracks like 'Far Cry' (one of my favorite from the band), where his voice is REALLY bad.

To be very honest the material played in this 3 hours set is, as always with Rush, superb! They play if flawlessly as always. But I'm really surprised that they keep releasing live stuff as it is now. Sure, play concerts, people still want to see you live but do not release every single tour as it has been since 2002. To be honest, I'm not even sure if they hear the tapes before releasing them... because I have the impression that if they did, they would not put this album out...

 Futile by PORCUPINE TREE album cover Singles/EPs/Fan Club/Promo, 2003
3.43 | 124 ratings

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Futile
Porcupine Tree Heavy Prog

Review by TCat
Prog Reviewer

4 stars A great companion E.P. to "In Absentia" as it contains a variety of material from those sessions. This review is based on the digital version of this release. The other "hard copy" version contains another live track, and interview with Steven Wilson, an Opeth track from their "Damnation" album which SW helped co-write and produce and contributed to some of the instrumentals, and a promo ID from SW. This downloadable album makes more sense since it is more available than the original E.P. and is more consistent since it contains only music from PT.

It starts out with "Collapse" which is a very shortened alternative version of "Collapse the Light into Earth" from the original album. I love the original song and this acts as more of a intro to the E.P. and give you an idea of how the entire song sounds. It serves the purpose of being a great opener and only lasts a minute and a half. This was originally supposed to open the "In Abesentia" album, but was left off probably because of repetition, so it is used as an introduction to this E.P. From there, we go into the MOR song called "Drown With Me" which is also available on the European edition of IA as a bonus track. This one is very accessible and has a nice hook with a great chorus full of the signature PT harmonics. Following this is a hard edged instrumental called "Orchidia" which sounds more upbeat and even in it's current underdeveloped state, still is an excellent track. The title track of the E.P. is next and is also a harder edged PT song this time with vocals. Any of these outtakes would have fit quite well upon the original album, but who is to complain when you can add these extra songs yourself to an already excellent album.

The following track is a live version of the excellent epic song "Hatesong" performed in Philadelphia on July 26, 2002. This is a definite hard and heavy song in a live atmosphere and is one of the excellent highlights of the original album. The song transfers well to a live format, and you can hear some differences in the vocal harmonics and a slightly heavier sound with some pronounced keyboards in certain passages and also features an extended guitar solo. This gives a slightly more developed sound to the song, which remains amazing. The last track is another great outtake that isn't available on the hard copy of the E.P. or anywhere else before this called "Chloroform" which is a very moody mid-tempo song with an accentuated bass line, some amazing vocals from Steven Wilson and later develops into a hard instrumental break with an excellent guitar solo. This one lasts over 7 minutes, so you know it's worth getting the downloaded copy over the hard copy (which is actually just a promotional release which explains the strange addtions of the interview and the Opeth song).

Porcupine Tree and Steven Wilson fans owe it to themselves to get this as it is one of their best E,P.s and it is worth the money to get the extra additions to one of the most loved albums in the PT discography. I can't call it essential because it really belongs together with the "In Absentia" album, but it is definitely excellent even at the 32 minute run-time. Excellent companion to the IA album by all means. 4 stars.

 A Billion Years of Solitude by SKY ARCHITECT album cover Studio Album, 2013
3.95 | 136 ratings

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A Billion Years of Solitude
Sky Architect Heavy Prog

Review by Mellotron Storm
Prog Reviewer

3 stars I really enjoyed this band's debut from 2010 called "Excavations Of The Mind" but skipped their next one after seeing some not so favourable reviews. This most recent recording by SKY ARCHITECT is pretty darn good but in my opinion it doesn't match the quality of the debut which was two years in the making.

"The Curious One" has a dramatic intro that gives way to some meandering drum work and spacey sounds. Strummed guitar and spacey synths take over after 3 minutes. Reserved vocals after 5 minutes then it starts to kick in after 7 minutes instrumentally, an impressive display. The vocals will proceed to come and go as the song plays out. I like the laid back atmospheric section starting after 12 minutes, especially when the spacey sounds are added. It kicks back in before 15 minutes for a kick-ass ending. "Wormholes(The Inevitable...)" opens with vocals, drums, organ and more before it settles into a groove although this song will continue to evolve and change. Some good organ runs late before we get a big finish. "Tides" is one I like a lot with those melancholic vocals which are the focus. Water sounds end it.

"Elegy Of A Solitary Giant" opens with piano and atmosphere before it kicks into an ANGLAGARD-like section which is really surprising and well done. It changes after 2 minutes with reserved vocals and a mellow sound. It starts to build. Horns 4 minutes in which is another surprise. A calm with piano like the intro follows then it kicks back in after 5 1/2 minutes. Impressive. Piano and a mellow vibe again before 8 minutes as we get a dreamy section with more horns. It's heavier late to end it. "Jim's Ride To Hell" is a really good kick-ass instrumental with some great bottom end sounds with atmospheric synths. Check out the guitar as well. "Revolutions" is my favourite and it has a punchy instrumental passage to start that is quite impressive along with the guitar before a minute. Organ to the fore then we get a calm before 2 1/2 minutes with vocals. Some nice guitar as a new instrumental section takes over at 5 minutes, but the vocals will come and go. "Traveller's Last Candle" is a catchy vocal-led piece that changes before 2 minutes with mellotron and manipulated spoken words. A calm with melancholic synths before 3 minutes then the vocals return a minute later. I like the way it drifts along after 5 minutes then it kicks back in. Vocals are back before 10 minutes then an intense slow burn ends it all. Nice.

3.5 stars but i'll stick with the debut when I reach for a SKY ARCHITECT album.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
APOLLO Finland
ARABS IN ASPIC II Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENMARTE Argentina
EPHRAT Israel
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
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