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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 15/09/2013

Andy (Andy Webb)
rdtprog
Thanos (aapatsos)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.41 | 1944 ratings
MOVING PICTURES
Rush
4.38 | 1642 ratings
HEMISPHERES
Rush
4.35 | 1520 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1407 ratings
PERMANENT WAVES
Rush
4.22 | 1816 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.22 | 1779 ratings
IN ABSENTIA
Porcupine Tree
4.21 | 944 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.20 | 660 ratings
THE MOUNTAIN
Haken
4.16 | 535 ratings
SALISBURY
Uriah Heep
4.09 | 1478 ratings
2112
Rush
4.11 | 747 ratings
VISIONS
Haken
4.08 | 1479 ratings
DEADWING
Porcupine Tree
4.10 | 970 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 744 ratings
AQUARIUS
Haken
4.09 | 461 ratings
LOOK AT YOURSELF
Uriah Heep
4.14 | 279 ratings
FROM WITHIN
Anekdoten
4.04 | 718 ratings
FRANCES THE MUTE
Mars Volta, The
4.01 | 1072 ratings
LIGHTBULB SUN
Porcupine Tree
4.03 | 516 ratings
DEMONS AND WIZARDS
Uriah Heep
4.11 | 233 ratings
SOUND AWAKE
Karnivool

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZUNDAPP
Zundapp
A COMPLEX NATURE
Yang
MÉMOIRES INCUBUSSIENNES
ExCubus
ONCE WE WERE BORN ...
Divine Baze Orchestra, The

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Latest Heavy Prog Music Reviews


 Fear Of A Blank Planet by PORCUPINE TREE album cover Studio Album, 2007
4.22 | 1816 ratings

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Fear Of A Blank Planet
Porcupine Tree Heavy Prog

Review by Progrussia

4 stars Difficult to contribute regularly by reviewing just the obscure stuff for the sake of popularizing it. Gotta move on to popular stuff... Well, what to say here. Has Steven Wilson become a grumpy old man? Singing about the apathetic generation? "Only MTV". When was the last time depressed teenagers watched it anyway? 1991 when Nirvana was on?

On Fear Of a Blank Planet Porcupine Tree move sideways from the more heavy/pop stuff of recent albums. This is more of a gloomy, synth atmosphere-heavy rock with occasional heavy outbursts. Given all the widely different stuff they've done - from psychedelia to electronica to metal - this seems like their niche. It suits well Wilson's average-guy vocals. Clearly this is one of their more conceptual albums. It's just that I felt more variety and excitement on other Porcupine Tree albums.

 Masquerade - The Dawn Years Anthology by JONESY album cover Boxset/Compilation, 2007
3.86 | 9 ratings

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Masquerade - The Dawn Years Anthology
Jonesy Heavy Prog

Review by GruvanDahlman
Prog Reviewer

4 stars Jonesy may sound, by just looking at the name, to be just about any 70's pop band playing streamlined tunes for teenagers struck to the ground by boredom and suburbian hopelessness. Yes. But they aren't. They are nothing like that. In reality Jonesy were a highly skilled and cometent bunch of people, welded together by a common vision of how Music ought to be performed This compilation gathers all the output of the band. Three albums and a single. That's it, folks! Though it may not sound alot the sum of it's parts is very impressive indeed.

The music of Jones is an appealing mix of hard rock, folk and some avant garde. I dare say that it sounds vintage but that is to me only charming. Some people argue that there are hints of King Crimson in there and it is but not in any overpowering sense. The music is however very British sounding and holds similarities to other bands of the day,apart from King Crimson. I hear Tonton Mocoute, Ben, Spring and others in that field. The really heavy use of mellotron gives the music that particular sound of early prog, which I adore. Just like Spring, Jonesy makes emotive prog which i both epi and melodious. Jonesy is, however, rawer and oriented towards hard rock of the day. At least that is true in many of the tracks. "Heaven" and "Sunset and evening star" are examples of the mellow side whilst "No alternative" is one of those heavier tracks.

I will not bother to review this compilation track by track. Instead I will say this, that if you are interested in (British) prog of the early 70's this may be something for you. It may not be the boldest of all prog recorded but is certainly very good and Jonesy deserves to more recognized than they are. They were a great.band and I think many a prog fan would find this enjoyable.

 Sufficiently Breathless by CAPTAIN BEYOND album cover Studio Album, 1973
3.12 | 53 ratings

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Sufficiently Breathless
Captain Beyond Heavy Prog

Review by friso
Prog Reviewer

3 stars Captain Beyond - Sufficiently Breathless (1973)

Main composer en former drummer Bobby Caldwell had left the band and the second Captain Beyond album is quite different from the cool and hugely innovative heavy rock masterpiece that is the debut. One of my all-time favorites I must add.

The sound-pallet is expanded on 'Sufficiently Breathless'with acoustic guitars, keyboards and percussions. The compositions are hard rock with some inventive hooks, but without the former punch and wild ideas. The rhythmical experimentation is all but gone. The production is slightly better though. The foldout cover artwork is very nice, even from the inside. On the second side band seems to be more free and we find some of the more original compositions.

Conclusion. This is still a good heavy rock album with some catchy song-writing, riffing and a cool sound. Three stars, but only recommended to fans of heavy rock from the early seventies.

 In Absentia by PORCUPINE TREE album cover Studio Album, 2002
4.22 | 1779 ratings

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In Absentia
Porcupine Tree Heavy Prog

Review by Roland113
Prog Reviewer

5 stars . . . In my not so humble opinion.

"In Absentia" is an essential prog masterpiece. Every respectable prog collection should have this album in it. Porcupine Tree is one of the most popular prog bands of the nineties and this century and "In Absentia" is the best, most complete album front to back in their catalog. When my Dad asked me about modern prog music, this is what I played for him, and he loved it. This album hits you from the very beginning of "Blackest Eyes" through the soulful end of "Collapse the Light Into Earth".

For starters, the song writing by Steven Wilson and company is phenomenal, "Blackest Eyes" mixes the heavy and the acoustic almost interchangeably, the contrasts between the differing sections grab you while the dark, brooding lyrics sink into your soul. "It's so erotic when your make up runs . . . " "Trains" is one of the catchiest songs Mr. Wilson's ever written, the chorus sticks with you for days, while "Lips of Ashes" is almost entirely Richard Barbieri atmosphere. "The Sound of Muzak" again features a wonderfully catchy chorus.

Each and every song on this album has a notable moment to it from the progression at the end of "Prodigal" to the groove and atmosphere of ".3". This album has been reviewed by countless people at this point, if you haven't listened to this album yet, do yourself a favor, go find yourself a copy of "In Absentia" and enjoy it. Every aspect of this album is fantastic. Easy five star rating from me.

 David Barrett Trio by BARRET TRIO, DAVID album cover Studio Album, 2013
4.00 | 2 ratings

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David Barrett Trio
David Barret Trio Heavy Prog

Review by rdtprog
Collaborator Heavy Prog Team

4 stars The stamps of Alex Liefson sensibility is all over the place on this release that you can swear he has done more than working on the arrangements and the recording of this release. It's a guitar oriented album with folk, exotic (flamenco) flavors on the light side and on the heavy side, it's more classic rock and heavy rock oriented. The Rush's influence is coming from the latest period of the Canadian band. Some guitars riffs are reminiscent of Steve Howe with the use of the steel guitar, and at times Jimmy Page, but you can also hear some guitars structures similar to the band Anathema. The versatility of the guitars is completed with bass, including the moog Taurus pedals, and a nice rhythm section, which is not as strong as Neil Peart, but has some delicate complexity. The album is instrumental except on the song "Belmonte". This is a nice release with plenty of beautiful compositions that is promising for the future of the band, a second album is about to see the day.
 Demons and Wizards by URIAH HEEP album cover Studio Album, 1972
4.03 | 516 ratings

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Demons and Wizards
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

5 stars It's easy to talk about this album. It's easy to say that this is the ultimate UH album. A word is enough to the wise expert of heavy prog.

The songs are all memorable and very melodic: "The Wizard" (with the famous acoustic guitar intro), and "Easy Livin'" (one of their best rockers ever with that typical fast paced tempo that the band used also in the late seventies for "Free 'n' Easy", from the Innocent Victim album), "Circle of Hands" (an epic ballad sharing a common mood with "July Morning"), "Rainbow Demon", "Traveller in Time" and "Poet's Justice" (pure heep sound). But the absolute best and most satisfactory number for a prog lover is the mini epic closer "Paradise/The Spell": wonderful choruses, melody and solos for a perfect conclusion. To be mentioned the amazing Roger Dean's cover art (please note that the butterfly wings on the wizard are real butterfly wings).

If you wonder where hard rock / heavy metal's fascination with fantasy world came from, please look at this record. This is not heavy metal but heavy and intense music and it surely had a strong influence on later bands from that genre. An underrated classic.

 The Gift Of Anxiety by SYLVIUM album cover Studio Album, 2013
3.40 | 16 ratings

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The Gift Of Anxiety
Sylvium Heavy Prog

Review by ProgShine
Collaborator Errors & Omissions and Crossover Team

3 stars Sylvium is a band that hails from the Netherlands with a sound proposal that makes it very hard to categorize. Progressive Rock? Yes! But with a feet in each sub-genre within Prog, though they are somewhat categorized as Heavy Prog.

The band was formed in 2010 by Ben Van Gastel (guitars and keyboards) but Sylvium only saw its formation complete in 2013 when Gijs Koopman (bass), Greg Geustsen (drums) and Richard De Geest (vocals and guitars) were added to the band.

The Gift Of Anxiety (2013) was released almost a year ago, last September, by Freia Music and it is the first proper album of the band (they also have an EP called Purified that was released in 2012). The album was a hard listening for me, Sylvium's musical roots are far away from my favorites?

The opening track is an instrumental (as it is 75% of the album) called 'Disposable' and despite the great bass lines from Gijs (moreover, he's the spotlight of the album) it is a track that doesn't really go anywhere. It's an instrumental track that seems to have been written with vocal melodies in mind but the vocals were never recorded. The second track 'Surround' despite being way more interesting than the first one and with good vocals by Richard is too much Porcupine Tree and Steven Wilson, which for me doesn't work and doesn't mean anything.

The next track 'Falling' is heavier and more cadenced. In the next songs the album goes down in an instrumental path which is not that interesting. 'Ominous' is climatic in an Ambient line and 'Heaven' is full of space and gaps. The last track 'Weathering' is basically the continuation of 'Heaven' and it's here that we see how much Sylvium's music would benefit from more vocals. But in the end these three last tracks seem to have giant holes in them, which in my opinion are the missing vocals because they give me this impression that they were written with the aim of incorporating vocals ended up without any. And because of that this instrumental tracks sound hollow and lifeless.

The Gift Of Anxiety (2013) certainly has numerous interesting moments and the ones that like their Prog Rock calm will enjoy it for sure. For me the band betting on instrumental themes most of the time didn't work, the album in general feels as if they're missing something. Now, one thing should be mentioned here, the bass player Gijs Koopman shines throughout the album playing interesting lines and with a great sound, he's a musician to pay attention to.

I hope that Sylvium will work out for the next album with more vocals and try to get a kind of unity for their music.

(Originally posted on progshine.net)

 2112 by RUSH album cover Studio Album, 1976
4.09 | 1478 ratings

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2112
Rush Heavy Prog

Review by franklogan1956

5 stars The album that started it off for me on my prog adventure!

Everything about this record just screams 'listen to me!' ? for me it's always return to this album following all the keyboard-driven prog from other bands and listen to some guitar-driven prog greatness!

The focus of the album is the 2112 suite which is just full of boundless energy and can be listened to on loop on a long car journey without ever growing sick of it!

I suppose you always like your 'first' album from the band the most as you return to it with nostalgic fondness - but i really think this is where rush set the 'benchmark'.

Do yourself a favour and rush out (har har!) and listen to this one again ? a trip into the past via a trip to the future!

F x

 Caress of Steel by RUSH album cover Studio Album, 1975
3.53 | 911 ratings

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Caress of Steel
Rush Heavy Prog

Review by k3no444

4 stars "Caress of Steel" is known as the album that nearly killed Rush. With problems such as production issues, style changes, and a promotional roller coaster, Rush heard much criticism during this time, which is still felt by listeners today. When discussing this album with others in the past, all I heard were negative remarks, which I quickly bought into. Basically skipping over this album, I would always listen from "Fly By Night," then to "2112." After some time, I decided to give this album a second chance, which I am glad I did.

Like "Meddle" is to "Dark Side of the Moon," Rush could not have released "2112" without releasing "Caress of Steel" first. The opening track is a continuation of their bluesy old selves, influenced by bands like Led Zeppelin. The wild shriek of Geddy Lee, powerful drums of Neil Peart, and guitar doodling of Alex Lifeson are prominent in this song, and is easily the song that most fans relate to off this album. Following this song are two other shorter songs "I Think I'm Going Bald" and "Lakeside Park," which I feel are also influenced by their two previous albums, but are less significant. As great as the first three tracks are, what I love the most about this album are the final two tracks, containing their most controversial songs "The Necromancer" and "The Fountain of Lamneth."

So many considered the drastic shift in musical style from the first half of the album to the second to be detrimental to the band, and the reason why Rush almost fell apart. The first half is traditional Rush, a mix of blues, punk, classic rock, and even hints of classic metal. The second half, on the other hand, was considered entirely revolutionary during this time, and to some ahead of its time. Taking on a more progressive, psychedelic, and experimental approach, these two songs totaling over 30 minutes in length sound like a mixture of early Genesis, early Yes, and King Crimson. Known for biting off more than they can chew, Rush attempted the next "Close to the Edge," using prolonged chord progressions, odd time signatures, and improvisation. Overall, I felt like Rush in their youth made an excellent attempt at progressive rock after taking this shot in the dark.

While both songs' lyrics may be hard to understand and are challenging to the listener in multiple ways, one can appreciate the musical knowledge behind the band. I love to listen to the chord progression and time signature changes in both "The Necromancer" and "The Fountain of Lamneth," traits that are still lacking in some of the most popular and most knowledgeable of rock bands. Being based on two separate concepts or stories, I love the use of each instrument in helping tell the story. The slower sections reminds me of journeying across the land, while the harder and faster sections help me picture a battle scene, or an intense action sequence. Lee's vocals are moving, especially in the beginning and end of "The Fountain of Lamneth," which help the listener to understand the feelings behind the characters in each song. While to some these songs may be considered excessive, to hear these attributes coming out of kids from Canada is absolutely astounding. With the time and effort put into these songs, it is absolutely necessary for the length of the second half of the album to take over part of your day.

Although "Caress of Steel" may not be considered the best progressive rock album of all time, it definitely is looked upon as an influence to modern progressive rock and metal bands today. The use of instruments in telling the concept, the musical knowledge, the unique vocals, the bluesy guitar, and unbelievable drum work are reasons for listening to this album. I highly recommend giving this album another listen.

Easily a 4 star rating.

 Look at Yourself by URIAH HEEP album cover Studio Album, 1971
4.09 | 461 ratings

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Look at Yourself
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

5 stars This is heavy prog at its best and where the heep's signature sound was forged. Certainly one of the band's best and most powerful albums, intense and having a rushing hammond organ thrust.

No filler tracks and two highlights: the rapid pace title track with the guest appearance of the percussionist of OSIBISA and the immortal "July Morning" (UH's ultimate and melodic epic), with a memorable moog solo by MANFRED MANN and the unforgettable operatic vocals of David Byron.

Riffs, screams, keys, superb rhythm session, anger and sweetness. No negative remark except for the fact that it stands between two giant albums ("Salisbury" and "Demons and Wizards") so it may appear smaller in comparison. I was going to rate it with 4 stars but it would be unfair. It deserves at least a half star more, so I will give it the maximum scores.

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Heavy Prog bands/artists list

Bands/Artists Country
2066 & THEN Germany
2112 Argentina
4X United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
APOLLO Finland
ARABS IN ASPIC II Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENMARTE Argentina
EPHRAT Israel
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GHOST IN MIRRORS United Kingdom
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
POINTS NORTH United States
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
RED STAR REVOLT United States
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SKELETONBREATH United States
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
THE SOUND OF ANIMALS FIGHTING United States
SPECTRUM Chile
SPETTRI Italy
SQUAT CLUB Australia
ST. ELMO'S FIRE United States
ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
STILL LIFE United Kingdom
STOLAS United States
STORM AT SUNRISE United States
THE STORM Spain
STRATEGY United States
SUBSPACE RADIO Finland
SUGARLOAF United States
SVANFRIDUR Iceland
SYLVIUM Netherlands
T2 United Kingdom
TDW Netherlands
TEA Switzerland
TEMPEST United Kingdom
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME TRAVELLER Finland
TINKICKER Denmark
TRAUMPFAD Germany
TRILI Puerto Rico
TWO CHILEKINGS Philippines
TYBURN TALL Germany
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
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