Header

HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 15/09/2013

Andy (Andy Webb)
rdtprog
Thanos (aapatsos)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.41 | 1922 ratings
MOVING PICTURES
Rush
4.38 | 1623 ratings
HEMISPHERES
Rush
4.35 | 1501 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1391 ratings
PERMANENT WAVES
Rush
4.22 | 1797 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.22 | 1753 ratings
IN ABSENTIA
Porcupine Tree
4.22 | 933 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.21 | 637 ratings
THE MOUNTAIN
Haken
4.16 | 524 ratings
SALISBURY
Uriah Heep
4.12 | 732 ratings
VISIONS
Haken
4.09 | 1460 ratings
2112
Rush
4.08 | 1463 ratings
DEADWING
Porcupine Tree
4.09 | 958 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 735 ratings
AQUARIUS
Haken
4.14 | 271 ratings
FROM WITHIN
Anekdoten
4.05 | 714 ratings
FRANCES THE MUTE
Mars Volta, The
4.07 | 446 ratings
LOOK AT YOURSELF
Uriah Heep
4.01 | 1057 ratings
LIGHTBULB SUN
Porcupine Tree
4.13 | 223 ratings
SOUND AWAKE
Karnivool
4.01 | 503 ratings
DEMONS AND WIZARDS
Uriah Heep

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

SKELETON IN ARMOUR
Fusion Orchestra
HARVEST TIME
Elonkorjuu
HIGH TIDE
High Tide
VULTRESS
Cosmic Nomads

Download (Stream) Free Heavy Prog MP3


Open player in a new window

Download (Stream) Free Heavy Prog MP3

Latest Heavy Prog Music Reviews


 Clockwork Angels by RUSH album cover Studio Album, 2012
3.94 | 754 ratings

BUY
Clockwork Angels
Rush Heavy Prog

Review by Stalvern

5 stars

Unbelievable. At 60 years old (more or less), these guys not only put out an album that doesn't suck (which precious few 60-year-olds can boast), but actually stands up to the best of their classic material (which precious few Rush albums after Moving Pictures can boast). I got Clockwork Angels when it was first released two years ago, and it's lost none of its power since then - if anything, it's only gotten better with time.

Vapor Trails played a bit too directly to "current" (2002) trends after the band's six-year hiatus (there's a reason that it got included in the Need for Speed soundtrack!), and the band sounded conspicuously old on Snakes & Arrows (not a bad album at all, but way too slow and preachy for a band like this), but here, both Rush and their music are practically ageless. This whole album is loud, heavy, and ass-kicking in a way that used to be limited to one or two songs per record - imagine if Moving Pictures had sounded like "Tom Sawyer" all the way through and you'll have an idea of the approach here. Beyond that, Neil Peart has moved back from the topical lyrics of the last few albums and the more abstract subjects of the ones before to good old dorky science-fiction and fantasy... thankfully tempered this time with a healthy autobiographical slant. What would have been a fantastical concept album for its own sake in the '70s is used as a metaphorical and somewhat abstracted chronicle and exploration of Peart's own life and thoughts, and it comes off as personal and sincere, rather than self-important.

The style would be nothing, though, if the songs themselves weren't worthwhile. But they absolutely are! Rush, as a band, have always been plagued by inconsistency - damn near every album has, if not an actively bad song like "Rivendell" or "The Body Electric", at least a few really boring ones (does ANYONE like "Madrigal"?) - but the songs in Clockwork Angels are at worst decently engaging and at best excellent. (I'm not counting the tiny "BU2B" reprise there, but it at least has good lyrics and gets the hell out of the way once it makes its point.) "Caravan" is a butt-ugly (in a cool "Tom Sawyer" way), lumbering behemoth that sets the stage well; "BU2B" picks up the pace and rocks hard with some fantastic vocal melodies; "Clockwork Angels" is towering and grand without losing a bit of energy; "The Anarchist" and "Carnies" are a bit less distinctive but still loud, fun, and memorable; "Halo Effect" provides a nice change of pace with its slower, acoustic feel; "Seven Cities of Gold" treks along on a truly monstrous bass riff (not line, RIFF) from Geddy Lee; "The Wreckers" is speedy, beautiful, and dark; "Headlong Flight", the album's big centerpiece, is an absolute beast and the most overtly prog Rush song since... hell, probably since "Natural Science"; "Wish Them Well" is kinda weak and sing-songy compared to the rest, but still on the fair side of fair-to-middling, especially with its kickass bridge; "The Garden" wraps everything up in a grand, curtain-closing finale, with one of Alex Lifeson's most beautiful guitar solos EVER and a lovely comedown section at the end - EVERYTHING on this album is a keeper. Sorry if it was tiresome to run through every single song, but I really wanted to make it clear - there's no filler on this thing at all (some people might call "BU2B2" filler, but what exactly does one minute "fill" on an hour-long album?), and "Wish Them Well" is the only song that even approaches being a skipper. For any band, that's pretty good. For a band at Rush's age, it's downright impressive. For a band at Rush's age, with Rush's spotty track record, it's a goddamn miracle.

Of course, as great as it is, it isn't a perfect album. It has some expectedly goofy moments (the "steampunk carnival" intro to "Carnies", the villain's "chilled-out" interjection before the jam section of "Headlong Flight"), a couple of underdeveloped ideas (the repetitive chorus to "Caravan" and the relatively thin-sounding bridge to "Carnies" could have used a bit more fleshing out), and not nearly enough '70s prog twists and turns in the songwriting and structures for a concept album about steamliners and airships, but in the face of everything it does right - which is absolutely everything else - it's hard to complain. Lee, Lifeson, and Peart are all at what has to be a peak of their instrumental performance, with the rhythm players pounding away complex-but-powerful bass and drum work and Lifeson shredding out some of the best riffs and solos of his career, and Lee's voice might actually benefit here from its slide into a lower register; the shrieky '70s Lee never had this kind of force to his singing, and even his mitigated upper range is still safely out of my reach. Far from being softened by old age, Rush have honed their craft to absolute masterhood, and they employ it with consummate wisdom. I hope that they have another album left in them, but if not, this would be one hell of a swan song.

 Raging Silence by URIAH HEEP album cover Studio Album, 1989
2.54 | 74 ratings

BUY
Raging Silence
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

3 stars This is the first studio album of the Shaw/Lanzon era. The overall sound, songwriting and production are somewhat of an improvement over the previous "Equator" but without true highlights. In fact, none of the 10 songs is on a par with "Poor Little Rich Girl" and "The Night of the Wolf".

Notwithstanding, there are many enjoyable tracks, (still) with the recognizable heep sound. Mick Box takes on a more prominent role (electric guitar). Keyboards are generally more restrained than in the previous record: Phil Lanzon still plays bland snyth but without letting the 80s tones stand above the arrangements. Choruses are strengthened and never annoying, the rhythm session is dynamic.

On a high note: "Voice on My TV", the cover "Hold Your Head Up" (Argent) that sounds very good in the Heep' style and the soft rock ballad "When the War Is Over", with orchestration directed by Phil Lanzon (the second cover). Slightly superior is "Lifeline", the better song of the album.

Could have been a great album.

 Salisbury by URIAH HEEP album cover Studio Album, 1971
4.16 | 524 ratings

BUY
Salisbury
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

5 stars "Salisbury" is the first peak in the huge Uriah Heep's discography. From a prog point of view it is also the most consistent album they ever recorded.

The backbone is made by three memorable tracks: the heavy opener "Bird of Prey", the perfect archetype of the UH's aggressive rock song (with their multi part choruses trademark), "Lady in Black", the anthem everyone in the world knows, and the closer selft/titled epic, 16 mns of lush orchestration and large scale composing (very brass and woodwind oriented).

The remaining three songs are less known but at the very same level of quality: "The Park" is an introvert and melancholic number with sparse jazzy tinges and "Time To Live" is the heaviest song on the album, based on Mick Box's wah wah guitar. Last but not least "High Priestess" that is probably the most catchy tune, starting off very laid-back, then moving into a breezy fast tempo rocker.

This is one of the band's most diverse recordings, a highlight and one of the most overshadowed of the rock/orchestral crossovers that were fashionable at the time. Furthermore, the typical Hensley's hammond organ-led sound began to take shape.

Easily a five stars rating.

 On The Sunday Of Life.....  by PORCUPINE TREE album cover Studio Album, 1991
3.01 | 606 ratings

BUY
On The Sunday Of Life.....
Porcupine Tree Heavy Prog

Review by siLLy puPPy

4 stars Although this is the first official PORCUPINE TREE release it wasn't at all the beginning. Everyone knows that PORCUPINE TREE is really the talent of Steven Wilson dressed up as a band and that is not to dismiss the talent of the members who have contributed to this prolific band's wonderful sounds over the decades but the fact remains that Wilson is the conductor and main talent on board. This first album is really a compilation of the the material that he began created as a joke actually. The idea actually started all the way back in 1987 when Steven Wilson and Malcolm Stocks decided to make a fictional band that was influenced by psychedelic space rock music especially in the Pink Floyd arena. They went to great lengths to create a faux history and personas. Sounds to me like it was meant to be a Pink Floyd inspired Spinal Tap thing. Although intended to be a joke while focusing on his "real" band called No-Man, Steven released a couple of cassette only albums and they proved to catch the attention of the right people who decided that some of this material actually had a place in the market.

That brings us to the debut album ON THE SUNDAY OF LIFE. Although officially the first album, this is really a compilation of tracks off the cassette recordings that Wilson created on his then newly purchased recording equipment. The great thing about this album is as stated in the liner notes, namely that this album really represents all the possible avenues that Wilson could have gone down. Although there are clear moments of those that he did go down in the form of the psychedelic rock and crossover prog with beautifully melancholic melodies in a rock context, there are many tracks on this album that do not represent any of the later PORCUPINE TREE albums in the least. There are industrial rock tracks, new age ambient tracks and highly experimental ones that remind me more of the indie pop band Ween. It is clear from this debut album that Steven Wilson is a formidable talent who is more than capable of developing several branches of music. This is a remarkable album. I just love it. It was more than I ever could have expected coming to this after hearing most of the later albums. What we have here is a clear indicator that Steven Wilson was a hugely talented musician capable of greatness and in that regard he hasn't disappointed. Unfortunately the collective rating on this is unjust. This is eclectic to say the least but I enjoy every single track on this and contemplate all the possible avenues Steven Wilson could have taken. A very interesting album that displays Wilson at a stage before he had a fanbase and had to focus on that aspect of his music.

 Power Windows by RUSH album cover Studio Album, 1985
3.52 | 709 ratings

BUY
Power Windows
Rush Heavy Prog

Review by Meegan

3 stars Don't get me wrong this album is incredible but not from a progressive standpoint

On my way back from seeing a friend in Dallas I had a 3 hour lay over in Houston. While waiting for my flight I thought about what I would consider to be my favorite Rush album (and yes I do think about stuff like that sometimes). Eventually I came to the conclusion that it was Power Windows. From a progressive viewpoint this album is nothing special, it doesn't have any 20- minute long epics like previous albums from the band, it's not very exploratory, the lyrics aren't very complex, the themes are fairly simple. If I look at this album in terms of what it did for Prog and how it deepened the genre, I would have to give it a 2 out of 5 stars. But this album for me really is a 5 out of 5 stars. There is not a song I do not like on this album, from The Big Money to Mystic Rhythms. This album is great not because it was a definitive prog album, it's great because every song on it is solid. The best part about this album is its lyrical simplicity.  It doesn't take you on a complex adventure, rather it gives you short and simple ideas. However these simple ideas are powerful. Neil Peart's goal was to give the listener a general idea of his opinion and then allow listeners to make their own opinions about the topic. Musically the album is fantastic (how could it not be? It's Rush). Unless you absolutely hate the synth, which if you do I'm not sure if prog is for you anyways,  you can respect this album. I went with the 3 star rating because I decided to average my ratings I made earlier. I went closer to 2 starts because I see this website as a hub for finding iconic progressive music, and since this is a poor progressive effort, it needs to be a little lower.

If you're looking for a great prog album,  with complex themes, and lyrics this album is not for you.

If you're looking for an album with simple, understandable, yet powerful lyrics, as well as great musicianship, I highly recommend this album.

 Equator by URIAH HEEP album cover Studio Album, 1985
1.92 | 77 ratings

BUY
Equator
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

2 stars 2,5 stars, really.

This is the third and final album of the Goalby-era. Third after the "perfect pair" that was the previous combo "Abominog"-"Head First".

On a positive note, it marked the studio return of Trevor Bolder on bass guitar but, unfortunately, it's regarded by many as the worst and most controversial album by Uriah Heep.

I quite disagree. In fact it is actually surprisingly good. I can't deny that the overall pop mood of the record is very 80s sounding but still, even though made of "plastic", the sound and choruses are quite recognizable as UH's and there are a bunch of tracks that always captured my attention and should better not be overlooked: first of all "Poor Little Rich Girl", an extended number (over 6 mns) with melancholic acoustic guitar intro that leads into multi-part choruses and pure symphonic break (reminding me of THE ENID). Then the terrific closer "The Night of the Wolf" with its dramatic vibe and organ section. This is definitely one of the greatest Heep songs ever, that alone makes the album worth buying. Another good track is "Lost One Love", a nice power ballad with great keys from John Sinclair and a convincing heavy section. True letdowns are only "Skools Burning" and "Party Time".

 Very 'eavy...Very 'umble by URIAH HEEP album cover Studio Album, 1970
3.31 | 294 ratings

BUY
Very 'eavy...Very 'umble
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

3 stars The legend begins.

With the release of their debut Uriah Heep had to face hard criticism and even open hostility by the then experts of rock (or such they were supposed to be). Years to come (rectius decades) would show how much wrong they were and unjust.

This is not my personal favourite album from the band but no one can deny that we're in front of two classics: the opener "Gypsy" with its inceasing Hammond organ and guitar duet, features all the elements that forged the Heep peculiar sound. "Come Away Melinda", a cover penned by Hellerman/Minkoff, with such beautiful words (really evocative) whispered by David Byron. It's not very representative of the typical style of the group and I never heard him singing this way in other UH's albums. A gem, IMO. I prefer by far the Heep's version over the UFO's one. I've never fallen in love with the other tracks of this record and I usually skip the most part of it after the predictable "Dreammare". Yes, for me the best has yet to come but one couldn't think seriously of spittin on a band like this. They immediately made it clear that they had a lot of potential that would've been fully realized in the following releases.

 Veliki cirkus by DAH album cover Studio Album, 1974
2.12 | 4 ratings

BUY
Veliki cirkus
Dah Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

2 stars A heavy rocking trio formed in 1972, Yugoslavian band Dah not only managed two albums in their five year existence, but managed a hit single with `Shoshana' and also got to tour with Dutch prog legends Focus. On their debut album `Veliki Cirkus' ("The Grand Circus") from 1974, the band favoured a psychedelic and acid folk mix of heavy rocking tunes with softer melodic ballads, and on the strength of the material offered here, it's the latter that were more convincing. Sadly there's not much here to offer here in the way of progressive rock elements to interest followers and collectors of that genre, even though it's full of energy and well performed.

Listening to the effective nightmarish sound collage that opens the disc with `Prologue', you'd be expecting this album to be experimental and ambitious all the way through, but this inventive beginning is sadly short lived. It soons morphs into `Prohujalo Sa Vihorom', a by-the-numbers collection of heavy rocking passages, despite moving through a few tempos and direction changes. `Troil I Kresida' and `Desetorica Sa Loace' are bouncy but utterly forgettable throwaway grooving rockers, only the roaring vocal from guitarist Zlatco Manojlovic leaves any impression in the first, some twisting electric guitar soloing on both sides of the speakers the latter.

The jangling ballad title track that opens side B is spirited but ultimately repetitive. `Dobar Vetar, Plava Ptico' could have been a promising acid folk ballad (lovely mandolin from Zlatko throughout), but a semi-comical half-spoken narration over the top and a silly forced childish psychedelic ending destroys it. `Mozda Zvoni' is a forgettable one minute novelty old-school rock-'n-roller in the same manner as E.L.P's `Are You Ready, Eddy' - urgh! Album closer has plenty of slow-burn bluesy guitar wailing, Branko Gluscevic's purring bass and pounding drums from Velibor Bogdanovic the standouts, but a screeching falsetto vocal from Zlatko is utterly excruciating and completely ruins the piece altogether. Despite a different surname here, I had a bad feeling this was the same Zlatko that offered a similar unlistenable guest vocal on the Yugoslavian `Hobo' album from 1975 that I reviewed a few days back, and sure enough it's the same guy. His usual singing voice is perfectly fine, but as soon as he moves into that shriek, it spells disaster for any track, and like on that album, it just goes on forever...

The one absolute highlight of the album for me is the seven minute slinky, sexy, mellow borderline-reggae grooving ballad `Majka Jugovica', which reminds me of the same sun-kissed optimism and warmth of Guru Guru's `Tango Fango'. Smoothly sung, with chilled electric guitar solos, spontaneous drum fills and a general laid-back shuffling groove and toasty atmosphere makes this one to share with your lady. Only a splintering audio pop that slices through the speakers at the 3:33 mark lets it down, was this locked into the original recording? Anyway, this chilled number showed far more potential than the heavier tracks that make up the bulk of the album, and is worthy trying to have a listen to on it's own.

Admittedly the Eastern Time label have down a superb job with the 2013 CD reissue of `Veliki Circus' that adds an additional 9 bonus tracks, a collection of single A and B sides and live performances, so if you must own it, this would be the edition to get. But if you want to investigate the Yugoslavian prog acts from the early 70's period, bands like Korni Gruppa and Izvir should be way up the top of your list over something like this. Grupa Dah were no doubt a solid rock band, but they sure aren't too exciting for progressive rock listeners.

Two and a half stars.

 Shamelessly Dressed  by CASUAL SILENCE album cover Studio Album, 1999
3.00 | 2 ratings

BUY
Shamelessly Dressed
Casual Silence Heavy Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars ''Bad side memories'' showed a band with potential but also with evident flaws in its sound.Two years forward Casual Silence would return, this time with a 3-track, 20-min. EP, entitled ''Shamelessly dressed''.By the time they had added a sixth member in the line-up, keyboardist David Natali.

The obvious changes, soundwise speaking, become clear from the very first notes of the title-track, a piece lying somewhere between AOR/ballad stylings and Melodic/Heavy Rock with emphatic vocals and a grandiose atmosphere, based on smooth piano lines, dreamy synthesizer and some strong guitar solos.With '' Different silence'' they play some sort of DREAM THEATER-like Progressive Rock/Metal, featuring the high-pitched vocals of Rob Larrhoven and the punchy electric guitars of D'Armandville/Van Dijk, but the addition of some symphonic keys and the complex synth twists show that the band was heading towards the right direction.''Empty hands'' is a mix of the previous styles, clocking at 9 minutes and allowing the band to perform as many styles as possible.From dramatic Heavy Prog tunes with ethereal keyboards to scratching riffs, from lyrical moments to AOR-spiced choruses, from atmospheric soundscapes to rockin' solos.Another decent attempt by the band to enter more progressive realms.

Casual Silence had sweetened their sound a bit with the addition of keyboards, but their style remained a groovy Heavy Rock/Prog with dominant atmospheres.Well-developed and recommended step.

 Head First by URIAH HEEP album cover Studio Album, 1983
2.33 | 86 ratings

BUY
Head First
Uriah Heep Heavy Prog

Review by Andrea Cortese
Special Collaborator Honorary Collaborator

3 stars The second album of the Goalby-era is made of the same ingredients of the previous "Abominog". It is also moulded by the same hands. Despite the low ratings it's a solid effort, a hard rock number with hints of that new wave of heavy metal hailing at that time from the UK: a lot of energy and good vibes.

The overall impression is an unstoppable flow of refined music which is difficult to resist and it's hard to tell whether is gleaming AOR or pure heavy rock. There are four highlights IMHO: the opener "The Other Side of Midnight", another kick ass hard rock number in the very same way of "Too Scared to Run". But the most interesting part (for a prog lover) is side 2 with the combo "Roll-Overture" and "Red Lights": the former is a real symphonic break, too short and not far from THE ENID, that leads to the metallic up-tempo "Red Lights" featuring typical Heep's dramatic choruses (awesome!). The title and the general mood of the latter reminds me of UFO and their memorable exciting hard rock attitude. The closer "Weekend Warriors" is in a similar way.

The other tracks are more radio-friendly cuts, arranged here and there with heavy metal grit and passion thanks to Peter Goalby his wonderful set of pipes. Well, I know that for many reviewers this is not Uriah Heep anymore; in particular, its bad fame is in part due to the BRYAN ADAMS cover "Lonely Nights". However, I find the song pretty decent and the whole disc more surprising than that I would expect from such poor ratings and negative reviews. At that time the band dreamed that they could conquer the US charts. They did not but still released an appreciable work.

Data cached

Heavy Prog bands/artists list

Bands/Artists Country
2066 & THEN Germany
2112 Argentina
4X United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
APOLLO Finland
ARABS IN ASPIC II Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENMARTE Argentina
EPHRAT Israel
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GHOST IN MIRRORS United Kingdom
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
POINTS NORTH United States
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
RED STAR REVOLT United States
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SKELETONBREATH United States
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
THE SOUND OF ANIMALS FIGHTING United States
SPECTRUM Chile
SPETTRI Italy
SQUAT CLUB Australia
ST. ELMO'S FIRE United States
ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
STILL LIFE United Kingdom
STOLAS United States
STORM AT SUNRISE United States
THE STORM Spain
STRATEGY United States
SUBSPACE RADIO Finland
SUGARLOAF United States
SVANFRIDUR Iceland
SYLVIUM Netherlands
T2 United Kingdom
TDW Netherlands
TEA Switzerland
TEMPEST United Kingdom
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME TRAVELLER Finland
TINKICKER Denmark
TRAUMPFAD Germany
TRILI Puerto Rico
TWO CHILEKINGS Philippines
TYBURN TALL Germany
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
VÉLOOO France
VIRUS Germany
VIVALMA Brazil
VON FRICKLE United States
VOS VOISINS Canada
VOTCHI Czech Republic
VULKAN Sweden
VULTRESS United States
WALRUS United Kingdom
WARHORSE United Kingdom
WARPIG Canada
WATERLOO Belgium
WEEND'Ô France
ANDY WEST United States
WHERE ARE YOU LIAM? Russia
WHITE WITCH United States
WICKED MINDS Italy
THE WINDMILL Norway
WRITING ON THE WALL United Kingdom
XANADU Poland
YANG France
YGGDRAZIL Italy
YSMA Germany
YURT Ireland
ZARATHUSTRA Germany
ZION Italy
MICHAEL ZUCKER United States
ZUNDAPP Italy
ZYDRA Chile

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | GeoIP Services by MaxMind | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.16 seconds