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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2527 ratings
MOVING PICTURES
Rush
4.37 | 2140 ratings
HEMISPHERES
Rush
4.32 | 1985 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1838 ratings
PERMANENT WAVES
Rush
4.25 | 2321 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2276 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1115 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 695 ratings
SALISBURY
Uriah Heep
4.14 | 981 ratings
THE MOUNTAIN
Haken
4.11 | 1879 ratings
2112
Rush
4.10 | 1834 ratings
DEADWING
Porcupine Tree
4.11 | 943 ratings
VISIONS
Haken
4.14 | 556 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 614 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 940 ratings
AQUARIUS
Haken
4.05 | 1198 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 681 ratings
DEMONS AND WIZARDS
Uriah Heep
4.05 | 826 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1357 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 379 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZOOMA
Jones, John Paul
HARVEST TIME
Elonkorjuu
A COMPLEX NATURE
Yang
ZUNDAPP
Zundapp

Latest Heavy Prog Music Reviews


 A Billion Years Of Solitude by SKY ARCHITECT album cover Studio Album, 2013
4.01 | 163 ratings

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A Billion Years Of Solitude
Sky Architect Heavy Prog

Review by poslednijat_colobar
Prog Reviewer

5 stars New creative peak of the band as of its release

In the best year of the prog for the decade - 2013, the Dutch eclectic grandmasters Sky Architect came out with their best album up to that date - A Billion Years of Solitude /later surpassed by Nomad/. This album suggests complete ideas of music developments and shaping of constant style of songwriting and musicianship in the eclectic field for the youngsters. The production avoids lots of flaws and inconsistencies of the early immature Sky Architect containing in the first two albums. They are playing with the tunes and tonalities here, but still are not masters with tempo shifts in VDGG/GG/Beardfish/Anglagard/Yes manner /what later will happen in their fourth effort - Nomad/. The Space rock/Post rock flavour is strongly emerging in A Billion Years of Solitude. Strong recommendation for 10s prog lovers. 4,5 stars

One of the best albums out of the best year of the decade - 2013!

 Syndenes Magi by ARABS IN ASPIC  album cover Studio Album, 2017
4.25 | 31 ratings

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Syndenes Magi
Arabs in Aspic Heavy Prog

Review by proghaven

5 stars A 'hello-how-are-you' from Aradabia. Or, if you prefer, back to Aradabia. Aradabia rules OK! From Aradabia with love. After two song-oriented albums reminding Cressida's debut, the band returned to their early heavier sound more or less in the vein of Atomic Rooster. Some reviewers also compared early Arabs In Aspic to early King Crimson, Bodkin, Northwinds, Wicked Minds and even Black Sabbath. This all is more or less true. But most of all, the music of Arabs In Aspic reminds Arabs In Aspic. Surely their music has sources and predecessors, but first of all it's original and distinctive.

Their new one, Syndenes Magi, is even more 'aradabian' than Aradabia itself. While the band's second studio release included five songs and one suite, their fifth full-length album consists of three long and complex epic suites. Each of them is heavy enough to be compared to early Arabs and therefore (following the existing cliche) to Atomic Rooster, and - on the other hand - refined enough to be compared to no one else. This is nothing but Arabs In Aspic who found a new source for their inspiration and started to explore it. And the result is more than impressive. A month ago I would say that their best album IMHO is still Strange Frame Of Mind. Now I'm ready to modify my personal mind frame: Syndenes Magi is undoubtedly their best at the moment. And there's a great chance that their next will be even better.

Apart from the amazing music, a nota bene is that the album is their first ever sung in Norwegian. This is an important moment deserving a huge comment.

Since 1970s, many non-UK/US/Canadian/Australian prog bands sought to sing in English. Yes it allowed almost everyone around the Globe to understand what they sang about, but also led to confusions. Just remember the debut album from Novalis which had all chances to become a worldwide recognized masterpiece but was killed by English lyrics with grammatical errors. After that, Novalis started to sing in German, and we must thank them for that. Remember the only album from Tale Cue, Voices Beyond My Curtain, from 1991. Musically, it was one of the most important events of 1990s and will remain an incomparable chef d'euvre until music exists. But the erratic English lyrics irrevocably stripped the album of the status it musically deserves. Enfin, remember the splendid Italian 1990s keyboard-dominated prog metal band Presence with their absolutely stunning female vocalist... who sang in English with errors. That's the only reason why Presence will never be rated as high as (for example) Dream Theater in the coordinate system of prog metal.

No need to prove that the best way to write good lyrics is to write in your native language, even if you think that you speak English quite well. But it automatically reduces the number of listeners who would be able to understand and appreciate your lyrics. On the other hand, current online translators are enough to help you to understand what the lyrics are about. Of course an auto translation soft does not allow appreciating the lyrics as a work of poetry. But is this really necessary? Even a good lyricist/songwriter is not a guaranteed poet. At least I know just a few genuine poets among the rockers and progsters. Neil Peart, Ozzy Osbourne, Ian Gillan, Ian Anderson, Steven Wilson, Syd Barrett, Marc Bolan... who else? I am even not sure that Jon Anderson, Peter Sinfield, Peter Gabriel, Bob Dylan and Roger Waters are instant poets, perhaps they are rather excellent lyricists... By the way, I know at least two non-English speaking but English writing genuine poets in prog rock, Jerker Rellmark (Masque, Sweden) and Herbert von Ruppik (Rousseau, Germany).

But even this is not the main thing. I've no idea if the English lyrics from Arabs In Aspic (on their previous albums) are good or... hmmm... or very good. I don't know if they could be considered a poetry or not. On the other hand, I do know what the Norwegian lyrics from Arabs In Aspic (on their latest album) are about, I did read reviews. They sing about instability of our current world (right?). But anyway, should they sing in Norwegian or English, they are a purely Norwegian band. I mean the spirit of their music. Hope you all agree that in fact we deal not with abstract 'progressive rock in toto' but with national prog scenes/schools. Yes they form a whole, but each of them has strongly expressed features of a given national culture, though they are often difficult to verbalize and there may be no loan elements from the traditional music. I cannot say why Kalinov Most is a Russian band, their music is not similar to Russian folk songs - but it's very Russian nevertheless. I cannot say why Topos Uranos is a common example of Brazilian prog, I even vaguely imagine what Brazilian traditional music really is, but Topos Uranos is very Brazilian. I cannot say what exactly Norwegian may be found in the music of Arabs In Aspic, all the more that they are often compared to non- Norwegian Atomic Rooster, - but their music is distinctively Norwegian. Not in the same sense as (for example) Kerrs Pink or even Wobbler, but very Norwegian. (I am not sure that you all do understand me, but I'm 100% sure that Edvard Grieg or Rikard Nordraak would.)

And that's the main reason why a band who represents a national prog scene should better sing in their native language than in 'international' English. Strangely enough, none of us is surprised when we listen to an Argentinean, or Finnish, or Spanish, or Turkish... or Russian prog band diligently singing in English - while we wouldn't even believe our ears if we heard Maria Mordasova singing Russian chastushkas in (for example) French, it would seem an Alptraum. In other words, we used to link traditional music to the native language, but we still consider prog music 'international' or, if you like, 'supranational'. Meanwhile, just listen to the music and you'll hear that prog is first a part of national culture, and only secondly a part of global music market. And I think it's correct if a prog band proudly emphasizes what national culture they represent. Arabs In Aspic sang in English for fifteen years. Now they've switched to their native Norwegian. What to say? THEY ARE RIGHT.

 Live in Budapest Hungary 2010 (Official Bootleg Volume II) by URIAH HEEP album cover Live, 2010
2.16 | 9 ratings

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Live in Budapest Hungary 2010 (Official Bootleg Volume II)
Uriah Heep Heavy Prog

Review by tvtennis

2 stars I hate to be the barer of bad news, but I really wanted to like this release. I am a longtime UH fan, ever since my early childhood, discovering rock bands, they were always on the top of my list, and to some degree, they still are. Another reason is that I originate from that part of the world, so there is the sentimental part of the connection w/this live recording. Now the disappointment; the sound quality! I am fully aware of the title "... Official Bootleg Vol....", I was expecting a decent soundboard recording quality, as an "official" release that is authorized by the band management. I would say it is somewhere about 4-5 / 10! Even some of my unofficial live, (truly bootleg) recordings of UH are far superior to this one. It sounds like a spectator recording by simply holding up a small recording device in the middle of the crowd. Occasionally you can clearly hear people talking amongst themselves. On top of it, it is in mono. This release most likely has some value to someone that was present that evening, and would like to have a document of that performance. It is a shame, since it seems to include the entire show (2 CD's). Having said this, I must mention that in the UH "Bootleg series" there are some releases with much better results that would qualify for 7-8 /10, which I feel is acceptable for an official bootleg (raw) recording. None the less, this one is a disappointment.
 Nomad by SKY ARCHITECT album cover Studio Album, 2017
4.12 | 40 ratings

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Nomad
Sky Architect Heavy Prog

Review by poslednijat_colobar
Prog Reviewer

5 stars Best contemporary eclectic prog band

One of my favourite bands of the 10s continues to evolve in sound and maturity to become fully complete and leading eclectic prog band in world prog-underground scene. Already big boys, the Dutches Sky Architect offer very mature production from an exceptional dimension in terms of sound and composition. Nomad is a logical evolution to A Billion Years of Solitude's style /their best album till the release of Nomad/. Nomad influences on many and different levels using a bowl full of different skills and ways of expression. With it the band completely abandons its original/initial style of heavy-symphonic type of prog and establishes itself as one of the most prolific eclectic bands full of energy and varied types of ideas. At the same time time Sky Architect continues to explore deeper and deeper the slower post-rock genre as well. All of the compositions are complex, profound and innovative. These is no more talented youngsters, but just an established eclectic band that produces complex masterpieces. They skillfully play with the tunes, tempo and tonalities. Just a great and highly recommended album!

Already within my top 10 of the decade.

 Grace Under Pressure by RUSH album cover Studio Album, 1984
3.70 | 1044 ratings

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Grace Under Pressure
Rush Heavy Prog

Review by martindavey87

4 stars Following on from where 'Signals' left off, 1984's 'Grace Under Pressure' sees Rush fully embrace the 80's synthesizer era of music, with some of their most radio-friendly and keyboard-driven pieces yet, but without losing any integrity or sense of identity. It makes for some easy-listening progressive rock, which can appeal to fans of the genre and non- fans alike.

Surprisingly, a lot of people were put off by what they consider Rush's "pop era", though personally I find this to be some of the bands most accessible material. Admittedly the second half of the album is a little on the weak side, but the first half is absolutely stellar, and consists of some of my all-time favourite Rush tunes.

'Distant Early Warning', 'Afterimage', 'Red Sector A' and 'The Enemy Within' (check that bass line!) are all perfectly crafted songs. Each one remains true to the band's sound while adapting to that periods musical trends. They're fantastic songs, incredibly catchy, creative, and well performed. Although, as mentioned above, the second half of the album does get a little stale. They're not awful by any stretch, in fact, 'The Body Electric' and 'Between the Wheels' aren't too shabby, but they pale in comparison to the previous tracks.

Well-produced to truly emphasize that glorious 80's pop vibe, Rush's 'Grace Under Pressure' is a fantastic album that shows a band able to keep with the times and avoid stagnation while delivering a product that is undeniably their own. Despite the weaker second half, I still consider this one of their finest releases.

 Night To Day by TIME COLLAPSE album cover Studio Album, 2017
4.17 | 30 ratings

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Night To Day
Time Collapse Heavy Prog

Review by epi4ce

5 stars This is the debut album of the band, and i must confess, maybe my No.1 for 2017 till now. It's a heavy prog , still someone might categorised it in the Crossover genre as well.

A great Project, a complete story that describes the metaphorical transition from (our inside) Night to Day, from darkness to light, from our material slavery , rise up to a spiritual freedom.

The thing about this album is that it came to move me from the first time i've heard it, It took me away to different emotional situations, from calm, to sorrow , and from happyness, to sadness. But in the end, all i kept was a feeling of redemption and hope as well.

Excellent complex drum patterns, awesome quitar rythms chords and structures, amazing piano breaks and play as well. The vocals are great too, so passionate in fact, still expect to hear some ''maturity'' from the vocalist to the upper future. The artwork consists a brilliant idea. Let's not forget that we refer to an autoproduction, and that means a lot.

This work consists a play combination from Porcupine Tree, Tool, also Deeexpus and Pendragon in some parts, but i need to mention the YES and ELOY influence to the bassist's play as well.

Last but not least, the unique sound from this album..Completely own to the band...An excellent addition.

 Ellipsism by ENFANT album cover Studio Album, 2015
4.56 | 9 ratings

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Ellipsism
Enfant Heavy Prog

Review by raigor

5 stars ENFANT is an experimental-prog band from La Paz, Bolivia. It was formed in 2008, initially as a collaborative project of three talented composers, song-writers, and multi-instrumentalists: Jose Carlos Auza (aka Horuset, Dante Dominguez, or Nicolas Uxusiri), Christian Aillon Valverde, and Bernardo Paz. Their debut album, "Filium.Ex.Machina" was recorded with the help from invited musicians in 2009-2010, but was not published until 2012. By the time of recording their sophomore album, "Ellipsism", which was self-released digitally in 2015, Enfant have grown up into a full-scale and actively concerting ensemble with two leading vocalists, Jose Auza and Luis Aranda.

"Ellipsism" was conceived and composed by the core trio of Jose Auza, Christian Aillon, and Bernardo Paz, but in total 12 musicians from Bolivia and Argentina contributed to creating the music. In addition to the basic rock-instrumental line-up of drums-bass-guitars-keyboards, the album features expanded percussion, string and wind sections, as well as multi-layered electronic treatment.

The music perfectly fits the categories of Modern Prog/ Experimental Prog or Eclectic Prog. In general, Enfant blend multiple influences - from acoustic folk, electrified art-rock and fusion, up to contemporary classic, cinematic, and avant-garde music - into their own, very original way. The musical context is shifting constantly, from chamber, mellow, romantic, and intimate fragments towards tight, massive, bombastic, and symphonically proto-orchestrated pieces. This is rather complex, variable, emotionally charged, colorful, intricate, and challenging music, yet listenable and charming.

I completely agree with those who consider "Ellipsism" kinda "undiscovered and undescribed masterpiece" (using John Koenig's terminology of "The Dictionary of Obscure Sorrows") of Modern Prog stage. The important thing is that in 2017 the album was released on professional CDs by R.A.I.G. Records. The CD-album production differs from an old digital version and presents more expanded and prominent sound. Highly recommended item!

P.S. Classifying and describing this album as "Heavy Prog" is somewhat misleading and weird. It need to be corrected for sure, as well as the band's bio section and the album credits need to be updated. All release credits can be copied from here - raig.bandcamp.com/album/enfant-ellipsism

 In Hearing Of Atomic Rooster by ATOMIC ROOSTER album cover Studio Album, 1971
3.75 | 181 ratings

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In Hearing Of Atomic Rooster
Atomic Rooster Heavy Prog

Review by Tonbridge Man

4 stars I kind of missed Atomic Rooster first time round. My pre-teen tastes at that time tended to take me more in the direction of the likes of Slade and T Rex. However I caught the revived Rooster twice on the current festival circuit with Pete French on vocals and Steve Bolton on guitar and was mightily impressed with the music on display where naturally they drew a lot on material taken from this - French's only album with the band. French himself has still got it on vocals in 2017 and his younger characterful slightly bluesy voice works well on most of the tracks on this fine 1971 outing. The only exception strangely is the single Devils Answer that can be found on some CD versions where the doomy deeper Du Cann vocals fitted the song better.

My personal favourite tracks are Break the Ice, Decision/Indecision, a spoonful of Bromide and Head in the Sky but there is no weak song here - indeed this is a good prog related album by any standard. Check it out!

 Ellipsism by ENFANT album cover Studio Album, 2015
4.56 | 9 ratings

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Ellipsism
Enfant Heavy Prog

Review by AleksPR

5 stars This year, an amazing Bolivian band, Enfant for the first time in their career has released on CDs via a record-label from Russia their sophomore, and the best to my taste, album from 2015, which until now existed only in a digital version. The band's debut album, "Filium.Ex.Machina" was out digitally in 2012, while their newest third album, "00" was digitally released in 2017. "Ellipsism" (this term came out from John Koenig's writings to describe the sadness that you'll never be able to know how the history turns out) was recorded by the ensemble of Jose Auza (vocal, guitar, keyboard, bass, drums, electronics), Bernardo Paz (guitar), and Christian Aillon (guitar, vocal), as well as Luis Aranda (vocal, percussion), Diego Ponce (bass), Enrique Poppe (drums), Ignacio Ponzone, Raul Garcia, Mariano Potichkin, and Adrian Moroni, who were accompanied by Alfonso Ugarte and Veronica Perez as guest performers.

The music can be described as a crossover of modern prog-rock (though the musicians do not associate themselves with this style) varying from song oriented art-rock, chamber avant-prog, or even specific avant-sympho-prog, experimental rock with electroacoustic elements, avant-garde electronic, partially post-rock, and neoclassic. However, it all about conventionality. It seems to me that the musicians managed to create really unique piece of work, from the point of its stylistic and sound specifications. One that is hard to describe in traditional terms and definitions of musicology.

The compositions are characterized by highly unusual and intricate architectonic, which reflects the characteristic features of all above mentioned subgenres though in original authors' interpretation. The fragments, relatively peaceful, close to electroacoustic, and full of beautifully touching melodies, are replaced by highly expressive and dense passages that are on the verge of neoclassic and avant-garde, with almost orchestral arrangements for strings and winds melted in various electronic effects, yet retaining melodic edge of music. Unfortunately, the musicians didn't reveal the whole arsenal of musical instruments they used. Both electric and acoustic guitars are present in each song. The rhythmical patterns and tempos keep changing unpredictably. The beautiful and soulful, yet sometimes in rather exalted manner, singing in Spanish of the two leading male-vocalists builds up a unique emotional background of the album adding more imagery to the music.

In sum of its features, "Ellipsism" is excitingly fascinating and intriguingly multifaceted piece of work! It's one of the best albums I discovered over recent years and included into my all-favorite list. This is a true masterpiece of contemporary prog-rock (in a broad sense). Highly recommended!

 Moving Pictures by RUSH album cover Studio Album, 1981
4.40 | 2527 ratings

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Moving Pictures
Rush Heavy Prog

Review by martindavey87

4 stars I remember back in 2006, at the age of 19, I was playing in a band with a drummer who wanted to do a cover of 'Tom Sawyer'. I'd heard of Rush and was well-aware of how they'd inspired countless others, but I'd yet to actually listen to them. Oddly enough, around the same time, another friend of mine (a bassist... poor fella), was digging the instrumental track 'YYZ'. I was blown away by both songs, and when I found out they appeared on the same album, the decision was made. And so 'Moving Pictures', coincidentally one of Rush's most beloved and renowned releases, also served as my introduction to the Canadian rockers.

Not a bad place to start.

Having started as a traditional hard rock outfit, by the time Rush reached 'Moving Pictures', their eighth studio release, they were firmly established as a progressive rock act, with their music full of the traits associated with the genre. While the band had used keyboards and synthesizers before, this album ushered the trio into the 80's, in which their music would become much more keyboard-driven, adapting to the musical trends of the time, whilst never compromising their own identity.

Containing fan favourites such as 'Tom Sawyer', 'YYZ', 'Limelight', 'Vital Signs' and 'Red Barchetta', 'Moving Pictures' features excellent performances by everyone involved, with no self-indulgent endless musical passages, every note on this record has true meaning behind it, and is wonderfully produced to ensure the band sound as majestic as ever.

Highly regarded amongst fans as Rush's greatest release, 'Moving Pictures' is a classic album that rightfully deserves it's place in every progressive rock collection.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DJ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
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