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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2541 ratings
MOVING PICTURES
Rush
4.37 | 2152 ratings
HEMISPHERES
Rush
4.32 | 1993 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1846 ratings
PERMANENT WAVES
Rush
4.25 | 2329 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2283 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1120 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 696 ratings
SALISBURY
Uriah Heep
4.14 | 987 ratings
THE MOUNTAIN
Haken
4.11 | 1885 ratings
2112
Rush
4.10 | 1841 ratings
DEADWING
Porcupine Tree
4.11 | 951 ratings
VISIONS
Haken
4.13 | 560 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 615 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 946 ratings
AQUARIUS
Haken
4.05 | 1204 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 682 ratings
DEMONS AND WIZARDS
Uriah Heep
4.05 | 828 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1362 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 380 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

VULTRESS
Cosmic Nomads
A COMPLEX NATURE
Yang
ZUNDAPP
Zundapp
HIGH TIDE
High Tide

Latest Heavy Prog Music Reviews


 Amputechture by MARS VOLTA, THE album cover Studio Album, 2006
3.85 | 522 ratings

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Amputechture
The Mars Volta Heavy Prog

Review by thesameoldfears

5 stars Ok, so I've been going back and forth between 4 or 5 stars, but I'll settle on 5 to balance out some of the negative reviews on this triumph of album. I thought this was a really compelling release. Vicarious Atonement is a slow burn that sets the table perfectly, with its ominous soundscape, searing guitar, and troubling lyrics. Then bang we get Tetragrammaton which is almost 17 minutes of a true musical odyssey; lots of twists and turns and musical contrast, never gets boring. The vocals on Viscera Eyes are just awesome when paired with the catchy guitar riff underneath. Day of the Baphomets is a really wild track which seems to be pulling from tons of different influences, but it does a very good job of conveying a sense of impending doom. I found this to be a really challenging but ultimately engaging listening experience.

Just one note on the mastering, I think this album has been mastered too loud. There seems to be some degradation in sound quality, and it really gives me ear fatigue sometimes. The music is already very heavy at times and the mastering engineer shouldn't have felt the need to crank the volume on top of that and damage the sound quality.

 Machine Years by TONEV, KALIN album cover Studio Album, 2017
3.90 | 12 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

4 stars "Machine Years" is a Heavy Prog instrumental 2017 album from Bulgaria from the multi instrumentalist Kalin Tonev. He is joined by guitarists Nenko Milev, Daniel Eliseev and Biser Ivanov. The album has some striking music that is powered by glorious Hammond organ and strong rhythms throughout. The music is always dynamic and explorative with some infectious hooks that ocasionally wander into ELP or 70s Genesis territory. I am particulary enamoured by the riffs in The Shortcut, that are a throwback to classic 70s rock with some odd percussion thrown in.

Human Not Machine has a heavy guitar driving it with a seriously vicious Hammond sound, followed by a lengthy Minimoog solo; a grand opener. Short Story About Tanks is a keyboard workout par excellence, with layers of bass synth lines and haunting violin pads. An industrial distorted guitar blasts through and more lightning fast keyboard solos. Beings is a synth soaked paradise, with a wash of vibrating Hammond passages. The music has a symphonic quality and is one of the more beautiful melancholy tracks. The lengthy track has an exploratory feel taking us on a journey that has an emotional ethereal atmosphere.

Dust features some haunting synth sounds and beautiful acoustic guitars. The shimering synths are delightful and a wall of keyboards light up the musicsphere. The track is gloriously spacey and so wondrous; one of the definitive highlights.

Mad Dancer opens with electronic effects, strikingly different from the other tracks. The heavy guitar riff that locks in is fabulous with a vintage feel, and then the keyboards dominate as lead instruments. The cool rhythm is fast paced and exciting, and how good are those multi layered synths! This features some of the heavier guitars and really powerful keyboard workouts that soar and descend until it culminates in a gentle vibrating synth-charged atmosphere. Cathedral organ closes this masterful piece.

Late Again is glistening Hammond to the walls grinding with a ferocity until a guitar riff becomes the centrepiece. Hammond staccato stabs jab at the guitar and then it cascades into a spacey outer worldy feel. The bassline is delightful and it moves into some swing rhythms and very retro synth lines.

Human Not Machine II has a steady tempo and Hammond crunches until the fractured melody enters. A symphonic vibe breaks through, and very catchy guitar hooks. The Hammond sound is pure filth as it blasts over the layers of off kilter percussion and synth pads. This is one of the more progressive tracks as far as structure is concerned.

News From Nowhere is the longest piece clocking in at 8 minutes. The Hammond is again omnipresent, and it shimmers with proud relish over the waves of guitars and percussion. A synth solo takes over. Soon a chunky guitar riff with a distorted sound bashes its way through all the keyboards. It is the heaviest section so far, metallic and aggressive, and it gives the music an exciting edge. More synths sparkle over and the tempo switches to a 7/8 feel and a guitar solo follows. The ending is like A Space Odyssey soundtrack; so mesmirising to my ears.

Step 4 blows the cobwebs out with a fiery rhythm; splattered with a Hammond foundation. Garden is a short piece, very pastoral and tranquil. The peaceful atmosphere is striking after the heavier tracks. It allows our ears to calm down into a restful state but one suspects it will be short lived. It makes a nice interlude away from the chaos and overpowering Hammond.

This Empty Space actually features real NASA sound bytes. It is spacey and ethereal, with synth reverberations and African rhythms. The Hammond beast returns like a lion from its cage, and then a pounding drum beat ensues. The synth strings have that Vangelis "Blade Runner" sound and it ends witha NASA byte; "Godspeed" says the astronaut.

Later Than Usual is another short piece to close the album. It has a heavy distorted guitar and synths slice through carving up the atmosphere. This whole album is hypnotic and really captures a very distinct style with powerhouse keyboard playing and some downright infectious riffs.

This bold debut album by Kalin Tonev is a dynamic atmospheric instrumental journey that really struck me for its diversity in heavy guitars and Hammond stabs, through to synthesizer flourishes and a driving rhythm section. The sound generated is at times organic, spacey and symphonic, at other times jarring and fractured. Each track has its own atmosphere and keeps the ear intrigued. It is inventive, complex and innovative, exploring musical styles with passion and vitality. For this reason I can recommend "Machine Years" as one of the better debuts in recent years.

 Kettlespider by KETTLESPIDER album cover Studio Album, 2017
4.32 | 27 ratings

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Kettlespider
Kettlespider Heavy Prog

Review by Malekmoprog

5 stars Wow!!! I hadn't heard of Kettlespider before, yet there is a Facebook music group site that specifically is for Progressive Rock acts here in Australia. I have made comments on there and I was observed by one member of Kettlespider who, thankfully, asked me to have a listen to their latest release simply titled Kettlespider. Wow, what a revelation. If you knew my personal history of discovering Prog in the mid to late 1970s just as Punk overruled the genre and in this country took Prog off the map. The days of sitting around discussing details of every inch of the groove on a long epic rock song or dare I even mention, an instrumental, was long gone!!! Punk brought to the world 2 chord wonders and sometimes one minute and fifty seven second songs back again, and, took us away from more complex time signatures or virtuoso musicianship. Australia virtually took the British anti- everything that came before too serious. Many great acts that I adored and loved folded due to a glut of Punk and New Wave bands appearing everywhere. So I am so glad that Kettlespider here in 2017 and back in 2012 have been holding the long held torch for Progressive Rock Music for an Australian and overseas audience. This album is a must in anyone's collection and the fact they do instrumentals is a big step into normally vocal Progressive bands! If you want to hear that Australian bands are up there on the World Stage then invest in this great band with many more albums to come and great music!!!! Worthwhile in any market, hopefully this will take their career to greater heights!!!👍❤
 Where (In Conclusion) by RAM album cover Studio Album, 1972
3.43 | 25 ratings

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Where (In Conclusion)
Ram Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars A short lived early Seventies American band, Ram delivered the confusingly titled `Where? (The Conclusion)' in 1972 and promptly vanished a year later, with their sole album becoming a quietly prized rarity ever since. The band played a mix of heavy rock and spacey psych with touches of blues and jazz, and it reminds of everything from Atomic Rooster, Raw Material, Jimi Hendrix, Nosferatu and Cream, with little traces of the intensity of Van der Graaf Generator to the sax, flute and clarinet driven passages, as well as the heaviness of Hawkwind's deep-space explorations lightly filtered through here and there too.

Opener `The Want In You' is a rollicking and infectious rock groover spiked with sax blasts, sparkling Hammond organ, darting flute and no shortage of wailing electric guitar histrionics. `Stoned Silence' alternates between If-like jazz-fusion twists, tougher R&B blasts and softly mysterious introspection, and `Odyssey' is a floating and delicately romantic flute-driven instrumental reflection. `The Mothers Day Song' is a raunchy smoulder of Hendrix-flavoured bluesy lustiness, and while overwrought lines like `Today's Mumma's Day, so if you wanna be a mumma, COME UP TO MY ROOM AND PLAY!!!' are excruciating, it's pretty clear that the song is a making light of the hedonistic rock-star ego cliché, vocalist Dennis Carbone even uttering `They tell me I'm a big star, I gotta get it on'! Luckily there's also some cool Van der Graaf Generator-style dirty wafting sax thrown into the middle, and it culminates in a huffing flute and heavy crushing drum 'n guitar stormy rumble!

But it's all about the twenty-one minute side-long piece `Aza', an unhurried multi-part suite laced with eerie mystery, delicious dream-like ambiance and a noisier scuzzy danger. Other-wordly treated vocal harmonies drift in every direction around ethereal siren-like Mellotron veils and guitars that move between shimmering drones and Pink Floyd-ian cutting bluesy piercing. The piece explodes into a calamitous din of relentless maddening drumming, mud-thick bass spasms and crashing chugging slab-like guitar riffs with twisting/turning mangled soloing. It not only reminds of the more raucous outbursts of Italian band Osanna's `Il Castello Dell'Es' opener off their `Landscape of Life' album that came later in '74, but you'll also wonder if the Mars Volta overdosed on this piece to form a blueprint for parts of their own sound! Strangled sax and darting flute takes us to Hawkwind's search for space and the gnashing schizophrenic violence of Van der Graaf Generator, and distorting electronics bleed over cool jazzy groves before the band are sucked into a tormented sonic vacuum for eternity.

While it might be pushing things to consider Ram's album an essential disc, `Where? (In Conclusion)' proves to be a constant grower of an LP that becomes hugely satisfying on replays, and in its own little way had plenty of great ideas that the band never got to further develop on further albums. The Relics label reissue makes the disc a lot easier to track down now, so those wanting to expand their collection with lesser-known prog/psych-related gems that hold great value and plenty of exciting music should enjoy this tasty one.

Three and a half stars.

 Mirrors by FIVE OF THE EYES album cover Singles/EPs/Fan Club/Promo, 2017
2.00 | 1 ratings

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Mirrors
Five of the Eyes Heavy Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

— First review of this album —
2 stars Don't pay attention to the rating.

This very cool song is a single taken from Five of the Eyes' first full-length album, which I liked a lot and wanted to listen after I saw the band on the recently celebrated ProgtoberFest. What this band shares is heavy prog with a clear alt rock sound that in moments might remind you of The Mars Volta, but with a cleaner sound.

"Mirrors" is a great choice for a single, it is soft and disarming, but later heavy and more powerful, here I love the great use of neverending guitars and those heartfelt vocals. It might be the catchiest track off the album, with a chorus that you will surely learn and sing. I believe this could nicely work as an introductory track for those who are still not familiar with this great band.

As some of my readers know, I normally rate under-20-minute-releases with two stars, unless it is the song or EP or release of the year or my life. If interested, you can read my review of their "The Venus Transit" here in Progarchives.

 Innergy by FORGOTTEN SUNS album cover Studio Album, 2009
3.43 | 23 ratings

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Innergy
Forgotten Suns Heavy Prog

Review by ElNapalmo

3 stars The second album of the Portuguese Prog-Rock band Forgotten Suns brings a new line-up and a new reocrd label, Progrock Records from USA. Eight new songs in over one hour. Progressive Metal is the main genre of "Innergy", a much heavier effort than the previous works, cohesive, mature, with a more careful production and a fuller and more powerful sound. A lot of melody is allied to the progressive contours and tends a little bit more to Hard Rock / Heavy Metal rather than the symphonic sound of previous albums. The band has its own style and sound but, nevertheless, some (new) influences by the likes of Fates Warning, Savatage, Evergrey, Dream Theater or Pain Of Salvation can be uncovered. It is not a masterpiece but, I would say with certainty, the future of Portuguese Progressive Metal goes through here.
 Light of Day by ALDENFIELD album cover Studio Album, 2017
3.86 | 10 ratings

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Light of Day
Aldenfield Heavy Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars ALDENFIELD was formed by Howard Helm (keyboards) and Jim Morris (guitars) several years ago. Both are prolific studio respectively touring musicians for diverse wellknown artists. The line-up also sees Ruben Drake on bass and Mark Prator behind the drum set. After many years in the making they now could fulfill their goal to release an album completely comprised of self-written compositions. The quartet have recorded a concept album 'which takes the listener on a journey through potential end times as seen and told by seven people in different parts of the world'. A rather opportune theme, in these globalized times in particular, isn't it?

The comic art on the front cover may not really tease you, the music though is well worth the check for sure. The eight given songs are dominated by heavy progressive elements, partially getting close to bands like Tiles, Orpheus Nine, Odd Logic. Helm and Morris are equipped with a proper singing voice too. A fruitful collaboration, especially guitars and keys are perfectly complementing. So this is really multi-varianted, entertaining, groovy and highly melodic rock stuff which impresses me the more I'm listening. Decorated with a jazzy interlude and further twists and turns Going Nowhere currently marks my album highlight. Very well done, folks!

 The Mountain by HAKEN album cover Studio Album, 2013
4.14 | 987 ratings

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The Mountain
Haken Heavy Prog

Review by Biff Tannen

4 stars I will admit that this band took a while to grow on me, but once it did, the greatness just poured out from my speakers. The Mountain, in particular, stands out as being especially terrific, thanks to the thematic nature of the lyrics, the flow of the record, and, of course, the great songwriting. It seems like Falling Back to Earth and Cockroach King are the songs most genuflected to, and it's easy to see, but for my money, the last two songs are the two biggest standouts: Pareidolia and Somebody. The build-up in the latter, and then the release at the end, is just breathtaking. That, my friends, is how you end a prog record. 4.5 out of 5 stars.
 Of Two Minds, Stages 1-2 The Ape and the Cage by IN THE PRESENCE OF WOLVES album cover Studio Album, 2017
3.16 | 6 ratings

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Of Two Minds, Stages 1-2 The Ape and the Cage
In The Presence of Wolves Heavy Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

3 stars Review originally published at: www.therocktologist.com

This is another band I could see on stage at the ProgtoberFest, and wow, I also decided to listen to them and write a review just because they made us have a great time there. In The Presence of Wolves knew how to get us involved in spite their heavy and really loud sound that maybe some of us aren't that use to dig.

They have a new EP released this 2017 that features 5 songs and half an hour of pretty cool heavy prog rock (it could be metal, why not). It opens with the delicate 'As We Speak, Pt. 1' which doesn't have anything of heavy prog, but works as a good introductory EP track. Now we are talking, 'The One Who Fell to Earth' will make you move your head and body, its rhythm is much more addictive and of course, heavier. I am afraid their live performance bring louder moments than the studio ones, because on stage I could bet they were a metal band, but in studio they don't really sound like metal, but heavy prog rock. Great guitar work on this track, by the way.

With 'White Noise' I could not help remembering Coheed and Cambria, Stamato's voice is quite alike to Claudio S'nchez. The music is a bit djently, with great strings and wonderful drums. There is a great instrumental passage here, so the band knows how to give worthy moments with and without lyrics. The longest track comes next, a challenging 10-minute song 'The Ape and The Cage'. It opens with acoustic guitar and vocals, a soft first minute that leads to an explosion of heavy moments, several changes in time and mood and a so powerful sound that in moments is contrasted by the charm of the backing vocals and that acoustic guitar. Again, you can enjoy both the instrumental passages and the moments with voice.

The album finishes with 'M.U.A. (Manipulation Under Anesthesia)', an 8-minute track very well composed, again with several changes, with great strings work and clean heavy vocals. The djently feeling is also here, but they are far from being a djent band, let me clarify. The musicianship is great here, it is clear the guys are talented composers and performers, and it is also clear that this release can be easily loved by fans of modern heavy prog alt rock bands.

Enjoy it!

 The Venus Transit by FIVE OF THE EYES album cover Studio Album, 2017
4.00 | 3 ratings

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The Venus Transit
Five of the Eyes Heavy Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

4 stars Review originally published at: www.therocktologist.com

I wanted to write a review of this album after watching Five of the Eyes performance at ProgtoberFest, because they did a great job, spreading a lot of energy and giving us a cool example of new prog / alt rock that cant' be missed by fans of fresh heavy sounds. These guys from Portland had already released a couple of EPs, but this 2017 their first full-length baby saw the light. Entitled "The Venus Transit", here we can spend 41 cool minutes divided in 9 short (4-5 minutes) but powerful tracks.

They chose "Atmosphere" as opener, and man, that song really brings that powerful atmosphere that will remind you of The Mars Volta (due to the music and the vocals), but without the annoying sound of Bixler and the pretentiousness of Rodríguez. Five of the Eyes bring great guitar stuff and an amazing work of the drummer. "Wasteland" continues with those heavy rhythms, so you cannot take a deep breath, you just have to leave the music taking you to its realm. In this track they kind of remind me of Jane's Addiction in one side, and of Iron Maiden on the other side.

"Mirrors" is their single from this album. A softer track with once again excellent guitars and a heartfelt voice; it is much easier to dig than the previous tracks; while the seconds pass it becomes a bit heavier but never thaaat heavy. A very cool and -why not- catchy track. The bass work on "Space is" caught my attention since the first listen. The band has managed to equal the weight of all the instruments so in the end there is a unit and not 5 isolated units. "Passenger" is another soft track that has a smooth keyboard background and a melancholic feeling. The first three minutes have the same spirit but then it makes a change and the rhythm becomes a bit more tasty, it might make you want to shake your body; and the final 30 seconds are heavier and chaotic.

"Lust to Dust" might have been considered as another single track, it is pretty cool and accurate for an introduction to Five of the Eyes. It shows their proggy but alternative style at its best, I think. It includes a wonderful guitar solo in the last part. Above I mentioned the band has a balance, but not only the musicians and instruments, but the tracks overall, I mean, one can have favorite songs but all of them are in the same league, equally good, there are no weak tracks here. I am saying this because at first "Oblivion" was my least favorite, but man, it has changed, the more I listen to it, the more I like it.

It is funny but right now, "Monsoon" is my least favorite track here (tough call, in fact), but I do like it, of course. I like its cadence, how it brings peace and introspection and how it reflects the band's quality at their softest passages. The final song is excellent and it brings again that Mars Volt-esque feeling, heavy prog with an alt rock essence, contrasted but united, giving a wonderful result.

Congrats to the band, they've released a solid debut full-length. Enjoy it!

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLARESHIFT Italy
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
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