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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2567 ratings
MOVING PICTURES
Rush
4.36 | 2177 ratings
HEMISPHERES
Rush
4.32 | 2020 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1867 ratings
PERMANENT WAVES
Rush
4.25 | 2346 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2305 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1133 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.17 | 707 ratings
SALISBURY
Uriah Heep
4.14 | 996 ratings
THE MOUNTAIN
Haken
4.11 | 1910 ratings
2112
Rush
4.10 | 1853 ratings
DEADWING
Porcupine Tree
4.11 | 962 ratings
VISIONS
Haken
4.14 | 574 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 622 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 952 ratings
AQUARIUS
Haken
4.06 | 1217 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 688 ratings
DEMONS AND WIZARDS
Uriah Heep
4.05 | 836 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1372 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 389 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

A COMPLEX NATURE
Yang
ZUNDAPP
Zundapp
ONCE WE WERE BORN ...
Divine Baze Orchestra, The
ZOOMA
Jones, John Paul

Latest Heavy Prog Music Reviews


 Time of Awakening by WEEND' album cover Studio Album, 2017
4.00 | 4 ratings

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Time of Awakening
Weend' Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars This is the second album from French band Weend', who have already been accepted by the prog fraternity as one of their own, with Alan Reed guesting on this. Fronted by keyboard player Laetitia Chaudemanche, she has obviously been influenced by Anneke Van Giersbergen (I know most people think of her with The Gathering, but I have always loved her work with Devin Townsend), and isn't afraid to provide melodic piano as well as other keyboards when the time is right. She can be playing sweetly on her own, or she can be fronting a very heavy progressive rock band, it all depends on what the music needs. The press release says that they switch between Pink Floyd and Tool, and I can certainly see where that comment is coming from.

The band see the album as a call to humanity, to keep faith and hope despite the appalling events currently afflicting the world . The band believe we are entering a new period in our evolution, and we are experiencing frequencies that are creating a new paradigm even though the events of 2017 - like devastating earthquakes - have been disastrous for individual communities. This following quote is from French writer, Ren Barjavel, from 1984, and as it sums up the lyrical approach to the album, Laetitia wanted to share it in the booklet. "Living is not enough, we must be alive. That is to say knowing that every minute we are at the heart of a miracle and being in contact, in harmony with it. That's difficult, but once we succeed in becoming aware of it, all our efforts will be rewarded a hundred- fold. Most of the time we see but we don't look at, we hear but we don't listen to. Things jostle us instead of being handled by us. We should dispose of them for our happiness, and they own us for our fear. Yet each and every one of us is at the Center of everything, in the midst of the entire universe. Each and every one of us has the doors the creator (or the nature, as you like) gave to enter it. But we forget to open them. For my part, I keep on being amazed by the phenomenon of life."

Like the lyrics, this is a grown-up and mature album, and one that I have gained more from each and every time I have played it. The guitars are sharp when they need to be, so jagged that one wonders if music can draw blood, the bass rumbles through, competing with the drums to lay the foundation, while Laetitia either provides keyboard harmonies and symphonic backdrops or takes the lead herself, while also providing vocals that cut through the music beneath. This is a band we are going to hear a great deal more about

 Machine Years by TONEV, KALIN album cover Studio Album, 2017
3.76 | 13 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by b_olariu
Prog Reviewer

3 stars Kalin Tonev, one of the wonders of keyboars from eastern Europe, more precise from Sofia- Bulgaria, released his debut in 2017 Machine years. Well, being unaware of his music previous this album, I must saying I really like what I've heared here. This is a feast of keyboards going on all territories of instrumental keyboard driving prog, from almost prog metal to more electronic , even some jazzy parts are to be found, but Kalin done all arrangements with taste and is not a boring moment here. He done everything is to be heared here, with helping hands from guitarists Nenko Milev, Daniel Eliseev and Biser Ivanov who bring almost a prog metal atmosphere on some pieces. Aswell there are some symphonic touches who ease a bit the album something between Derek Sherinian, maybe Bob Katsionis, or some old school bands who are more orintated towards keyboards then on guitar. Some highliths for me, Short Story About Tanks, The shortcut, Dust or Mad Dancer, specially the first half of the album is to me better and more intresting then the rest. All in all more then decent release who put on the map again Bulgaria, being for far to many years just a shadow in prog world, only bands as FSB from old school or for more recent years the excellent prog metal band Pantommind being little more known in Europe. 3 stars maybe 3.5 in places a nice one, like the art work in a way.

 Kettlespider by KETTLESPIDER album cover Studio Album, 2017
4.08 | 63 ratings

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Kettlespider
Kettlespider Heavy Prog

Review by Conor Fynes
Prog Reviewer

4 stars 'Kettlespider' - Kettlespider (78/100)

It's surreal to think it's already been five years since I first heard Kettlespider. It was 2012, and they had reached out to me personally for feedback on their debut Avadante, then newly released and full of potential. Kettlespider's tightly-wound instrumental prog already displayed a skill well beyond their years; on a more personal level the band's sound really mirrored my listening tastes around that time.

Fast-forward a fifth of my lifetime, and I still remember Avadante and the band responsible for it with warmth. Since that introduction my life has changed dramatically, and my musical headspace along with it. I've probably heard a couple thousand new albums since then; the fact I still fondly recall Avadante arguably lends more to this band's credit than anything I could have said at the time.

When a new band knocks it out of the park like that on their first go, the natural conversation to have next is whether they'll live up to the potential. Five years is a long time for anyone to sit on their second album, but I've got to imagine life has been just as busy for the guys in Kettlespider. Even if everything has changed around them, the things that made me love this band are still here with this self-titled return.

As familiar and derivative as the style itself is, Kettlespider were special for the fresh way they approached it. With a lot of the instrumental prog rock/metal I've heard, the musicians involved tend to use that liberation from vocals as an opportunity to go wild with technical instrumentation. If the common complaint people have with tech- happy instrumental bands like Canvas Solaris is that they're somehow lacking heart, the "soulful" alternative tends to involve inordinate amounts of tender David Gilmour solo worship. Those emotional bands still miss the point of what's really often lacking in this style. But Kettlespider knows.

The common preconception is that proper, concise songwriting is contrary to instrumental prog on multiple levels. Kettlespider are lively musicians with a dynamic range of proggy influences. You've got the heart of Pink Floyd, all the way to the bombast of Dream Theater. None of that would have justified me remembering Kettlespider for this long however. It's the tight, melodic approach to composition that lends this band their distinctive personality. Sparing the vocals didn't lead them away from writing palpable earworms and would-be choruses into their music. There aren't any overblown solos on this album, no longwinded freeforming, nothing that could really be seen as inessential to the structure of the music. Across the eight songs here, to varying extents, Kettlespider have effectively translated pop songwriting sensibilities onto an instrumental progressive format.

Each of the songs (or "spider's legs" as the band thinks of them) are immediately enjoyable and cozy, in part due to my obvious nostalgia for prog rock and Kettlespider, but not least of all for their tendency to keep the experience light and friendly. Don't get me wrong-- they still come across as very technically nuanced, but technique's never more than a means to an end for them.

Kettlespider's self-restraint lends them a middle-of-the-road accessibility by instrumental prog standards. They feel consistently focused, and while this comes at the cost of never getting to hear them really letting loose, it's an easy thing to live with when the songwriting's this good as a result. The only significant thing that weighs against the album is the sense that their parts all feel derived from other prog bands. There are many sections that sound directly torn from the script of one of their influences; nothing sounds like it was it was completely born with them. Kettlespider's material can feel like a collage of prog I've been familiar with long before 2012. It's no more true here than with Avadante. If anything, it makes that uncommonly

It's easy to imagine a breezily uplifting track like "Circus" passing for an above-average Dream Theater instrumental with all unnecessary padding scrubbed away. "The Climber", "Circus", "Anubis" and "Life" all particularly feel like we're catching Kettlespider on the best of days. I've listened to this album many, many times over the last few months, and although comparisons to bands like Dream Theater are guaranteed by certain parts here, the accessibly technical vibe of their music feels most akin to Joe Satriani; playful and bountifully talented, but never testing the listener's patience to demonstrate it. Five years was a long time coming for Kettlespider to make this album, and I'm glad to have experienced it. They reminded me of the comfy joy I felt listening to Avadante; in that sense, this is everything I could have asked for.

 Clockwork Angels by RUSH album cover Studio Album, 2012
3.95 | 1005 ratings

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Clockwork Angels
Rush Heavy Prog

Review by Corcoranw687

4 stars The final Rush album is very impressive, considering the age of the performers and their work leading up to this. I wouldn't call this a prog masterpiece but it's a great album with several interesting sections and a neat concept. The first two tracks premiered a couple years prior to promote the Time Machine Tour, giving the fans a taste of the past and future of the band, and really set the bar high. Caravan is a great opener with a riff that embodies what Rush were doing in their later years, taking something simple and playing around with it until it's more interesting. I love the bass part in BU2B during the pre-chorus, taking a radio friendly song and giving it something to define it. The title track is just awesome, it just sounds so huge! My favourite is The Anarchist, wicked riff and lyrics, you can really hear each band member's strengths while showing they can write a cohesive long song so far removed from their prog albums. Carnies is alright, a song that really came to life in a live setting, helped by an enormous fireworks budget and string ensemble, but on the album it sort of blends in. Similar story for other tracks like Halo Effect and Wish Them Well, which were fun live but I find almost irritating here, especially the latter. The Wreckers is a good single song, written with Alex on bass and Geddy on guitar, an interesting approach. Seven Cities of Gold is heavy and huge,.and Headlong Flight is a hell of a jam with a focus on Neil Peart's drumming virtuosity. These two are absolute Rush classics, but The Garden is a fantastic end to a great album and exceptional career, it's probably the biggest departure from their later style with an abundance of strings and a section with Alex on piano. This album is so full of life which can't really be said for the work that came before it, this is certainly their best album in 25 years and absolutely recommended for any fan of Rush or music in general. 8.5/10
 Rush in Rio by RUSH album cover DVD/Video, 2003
4.35 | 263 ratings

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Rush in Rio
Rush Heavy Prog

Review by TenYearsAfter

4 stars Recently Rush called it a day, to no surprise, after their long and impressive presence in prog and roll since the early Seventies. But a few years after they formed, the trio was mighty close to do the same, when everything went wrong since the release of their third album Caress Of Steel. Rush decided to give themselves a last chance with a new album. Geddy, Neil and Alex put everything in it, fortunately in 1976 the release of 2112 was a success .... and the rest is history!

Rush has always been a 'people's band', "nailed by the press and hailed by the fans". That's why I would like to put the focus on the Rush In Rio 2-DVD set.

DVD 1: In my opinion this live registration in Brasil is the best example of the warm connection and mutual appreciation between a band and its following. Because the audience (soaken by the heavy rainfall) went euphoric and because of their noisy appearance (of course here meant in a positive way) in especially YYZ, Closer To The Heart and La Villa Strangiato. It caused goose bumps on my skin, and it even gave me a bit wet eyes. How wonderful to watch that a band can evoke these wonderful emotions, and that music can mean so much to people!

Although the sound quality is not optimal, I enjoy this Rush playing in Brasil a very inspired set of songs from all periods, especially the 'classic' era compositions, like Natural Science, YYZ, The Trees and La Villa Strangiato. I am not very much into Rush after since Presto, the Vapor Trails tour didn't appeal to me during every song,but One Little Victory is a prog and roll gem, what an exciting guitar riff, on the level of Ritchie Blackmore and Jimmy Page! Funny is the interlude in La Villa Strangiato, a great example from Rush their excellent blend of skills and humour.

DVD 2 : It contains a lot of interesting bonus material, I was blown away by the Multi-angle tracks but the Boys From Brasil docu is also very worth watching.

To quote Abba: "Thank you for the music!".

 Pioneers by SIENA ROOT album cover Studio Album, 2014
3.98 | 31 ratings

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Pioneers
Siena Root Heavy Prog

Review by Kingsnake

4 stars Great psychedelic bluesy stonerrock from Sweden.

The music reminds of Clutch, Kamchatka, Greenleaf etc. They play old fashioned 70's rock reminiscent of Deep Purple, Humble Pie, Jim Hendrix, Uriah Heep, Cream, Blind Faith and throw in some southern rock-influences aswell (slideguitar).

Most of the songs are in your face rock, nothing really new or progressive. It just sounds great! The 9 minute long In My Kitchen is especially great. It reminds a bit of Allman Brothers and Gov't Mule, because of the lengthy Rhodes-solo. Haven't heard a rhodes solo for years. And after the rhodes-solo there's a slide-guitarsolo. This just doesn't get any better. I just wish it was summer.

 A Dream Of Lasting Peace by SIENA ROOT album cover Studio Album, 2017
3.80 | 47 ratings

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A Dream Of Lasting Peace
Siena Root Heavy Prog

Review by Kingsnake

4 stars I was surprised to find this band under Heavy Prog, I'd rather say this band plays psychedelic rock.

The band plays 70's influenced bluesy psychrock with lots of organ, bluesriffs and great vocals. The songs are short and full of hooks. Kind of sounds like Clutch, Kamchatka, Spiritual Beggars, Five Horse Johnson and the likes.

For the people who don't know those bands, here are some old bands they draw influence from: Cream, Blind Faith, Led Zeppelin, Humble Pie, etc.

Not really progressive rock, not at all, but bluesy stonerrock, which I find really great, but maybe not everybody's cup- of-tea, because it's rather straight forward.

 Crack The Sky by CRACK THE SKY album cover Studio Album, 1975
3.74 | 52 ratings

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Crack The Sky
Crack The Sky Heavy Prog

Review by poito

3 stars 3.5 Forty years after it was released and this album was a bit of a surprise for me. CTS's music is hard to describe, strange, kind of a salad made with all influences of the band members, but unstirred, not a fine blend that defines a characteristic sound of a band. One may discover recognizable influences all throughout. The outcome is however pleasant to the ears, sometimes even to the mind. They play aggressively with tempos and instruments, but they do wisely so we can still feel this is not a bizarre medley put forward by a horde of teens pretending to Prog. They have little European influences, it is mostly American-root, and we all know what that means, particularly in those years. Curiously, there are no blues or jazz influences. And surprisingly, it has aged really well, that's perhaps one of the most attractive values of the album, it doesn't check as middle 70's. If you get a remastered copy, you might think it could have been released last month. The band has notable technical skill and good taste, which makes musical transitions easier and bearable, spite of violent: does this make sense? You better check it out. A bit of Eagles here, some heavy there, some big band, Zappa dressed in Pop, E.L.O., The Moody Blues, original riffs in unexpected moments... Actually, there are plenty of brilliant moments. The general tone is high spirited, clear, fun, no dark corners. Listening to CTS is like mining, some gangue here, some ore there, but in the end, it pays, although there are lots of bits that one would gladly leave out, some ingenuous, even tacky. You know this childish fascination of Americans by musicals. In the end, you will decide if a theme is for you depending on whether you may wait a few seconds till unacceptable bits are gone or not. For me, the tracks to keep are "A Sea Epic", "Ice", and "Sleep", Spite of being original the album is far from the top 50 Prog albums as qualified by the Rolling Stone magazine, but we all know Prog is a bit difficult for the simple ears of the average American listener. No offense.
 Ursus by ALBATROS album cover Studio Album, 2011
3.88 | 86 ratings

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Ursus
Albatros Heavy Prog

Review by TenYearsAfter

4 stars As a huge fan of the Spanish progrock, I often search on speciliazed websites for old and new bands. On The Spanish Progressive Rock Page I noticed positive words about Albatros their debut CD Pentadelia (2008). It was just released so I directly ordered it, when I got it and played Pentadelia at home, it remained in my CD player for weeks!

In the spring of 2011 Albatros released the successor entitled Ursus, high expectations! During my first listening session the music didn't succeed to generate the same excitement as on Pentadelia, although the sound is pretty similar. But good progrock needs time and patience so I played it again and again. And then Ursus started to evoke that good feeling as on Pentadelia, in the end I am even more excited.

The album starts in the tradition of Pentadelia: first a compelling atmosphere with fiery wah-wah guitar and subtle Fender electric piano runs, then a huge tension between the bombastic prog and Floydian psychedelia, followed by a harder-edged guitar solo (evoking Alex Lifeson) and eventually heavy Hammond with distinctive Spanish vocals and again that fiery wah-wah guitar sound. The next track El Camino De Swann is another story: no Heavy Prog but music between neo-prog and melodic rock with delicate Fender piano, bombastic synthesizer flights and a fine guitar solo. The following compositions deliver more Albatros trademark. First heavy (with hints of Medina Azahara) in Loki featuring fat synthesizer runs and a part with prog metal and then the compelling La Cinaga with heavy Hammond, catchy Spanish vocals and in the end a very moving guitar solo, I am on my way to Prog Heaven. The next track is also pretty surprising, this time we can enjoy a swinging Albatros in Rey Lombriz : fluent interplay between guitar and keyboards and again those distinctive Spanish vocals.

And now my highlight, the epic Icaro with some great musical surprises like an intricate duel between the Fender electric piano and slide guitar, along emotional vocals, fiery guitar and a flashy synthesizer solo, excellent work senores! The final composition of this album is exciting with the strongly build-up Planeta Prohibido. It features decent English vocals, especially the second part evokes goose bumps due to a mindblowing duel between the vocals on the vocoder and Arabian sounding synthesizer flights. This sounds like "Peter Frampton Goes Prog Andaluz", goose bumps!

So I needed some time to get into this new Albatros album but in the end I came to the conclusion that Albatros has released another strong and original progrock album. At some moments I feel the same thrilling excitement and pure motion as on the albums of early Uriah Heep, 76-83 Rush and early Riverside. This makes Ursus to a very exciting musical experience: adventurous, lots of ideas, guts, variety, strong work on guitar and keyboards ... all elements that match with genuine progressive rock.

If you are up to Spanish vocals this album could turn into a very pleasant listening session, highly recommended!

 The Time Traveller by BREAKING ORBIT album cover Studio Album, 2012
3.75 | 46 ratings

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The Time Traveller
Breaking Orbit Heavy Prog

Review by Mellotron Storm
Prog Reviewer

3 stars I'm not going to say a lot about this one mainly because while I love the instrumental music here, those modern, whiny vocals just kill it for me. And I know I'm in the minority big time with these feelings but they really remind me of many of the bands my two youngest would listen to when the were teenagers. This is another Heavy Prog band from Australia like KARIVOOL, ARCANE and many others. KARNIVOOL seems to be the only one that I really appreciate. The music here has been compared to TOOL(even the album art) but it's far less impressive and complex in my opinion. Still if your into this heavy style I'd be very surprised if you didn't love this album.

This is a concept album and the band has put a lot of work into the lyrics and compositions that are both really well done. Heavy beats, upfront bass, nice guitar leads and melodic vocals is why this band has gotten some pretty high ratings all over the Web so take my review and rating with a grain of salt please.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMALGAM EFFECT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DJ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLARESHIFT Italy
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
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