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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2608 ratings
MOVING PICTURES
Rush
4.36 | 2208 ratings
HEMISPHERES
Rush
4.32 | 2047 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1889 ratings
PERMANENT WAVES
Rush
4.25 | 2373 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2331 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1143 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.15 | 1017 ratings
THE MOUNTAIN
Haken
4.17 | 716 ratings
SALISBURY
Uriah Heep
4.11 | 1941 ratings
2112
Rush
4.10 | 1877 ratings
DEADWING
Porcupine Tree
4.12 | 979 ratings
VISIONS
Haken
4.13 | 587 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.12 | 634 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 967 ratings
AQUARIUS
Haken
4.06 | 1232 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.05 | 843 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1386 ratings
LIGHTBULB SUN
Porcupine Tree
4.06 | 699 ratings
DEMONS AND WIZARDS
Uriah Heep
4.10 | 395 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZUNDAPP
Zundapp
ONCE WE WERE BORN ...
Divine Baze Orchestra, The
MÉMOIRES INCUBUSSIENNES
ExCubus
ZOOMA
Jones, John Paul

Latest Heavy Prog Music Reviews


 Psychosolstice by PINKROOM album cover Studio Album, 2009
4.00 | 86 ratings

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Psychosolstice
Pinkroom Heavy Prog

Review by TenYearsAfter

4 stars Here's another interesting Polish progrock from the last two decades, named Pinkroom. It's a duo featuring Mariusz Boniecki (guitar, vocals, keyboards and samples) and Marcin Kledzik (drums and percussion), with the additional bass player Kacper Ostrowski and guest musicians on vocals, cello and 'guitar noise'. Pinkroom have released two albums: Psychosolstice in 2009 and Unloved Toy in 2014, this review is about their debut CD.

Their music is a pretty emotional experience, I am sure the band members have sublimated a wide range of emotions and feelings into the Pinkroom sound, from despair and loneliness to anger to aggression. I often notice a lot of tension in the music, very captivating and compelling! Listening to this album bands like Porcupine Tree and Riverside come to my mind in the mellow parts. And in the more heavy parts I think about King Crimson, in my opinion their main source of inspiration.

Twanging guitar in the intricate first track Path Of Dying Truth : sensational break with mindblowing contrast between the heavy guitar riffs and the soaring violin-Mellotron.

More twanging guitar in Moodroom v. 2 : wonderful cello and short but powerful trumpet sound.

A biting electric Fripperian guitar in the alternating Quietus, from swinging to propulsive.

And especially the fiery and aggressive sound in Stonegarden (propulsive guitar and drums and fiery guitar leads) and Days Which Should Not Be (great tension and beautiful conclusion with violin).

In the other five tracks Pinkroom also succeed to keep my full attention and to surprise me, often by sudden changing climates: from dreamy and sultry to heavy and aggressive with harder-edged guitar work ( reminding me of Metallica) and a thunderous rhythm-section. Like from the dreamy Curse (with soaring keyboards, all sorts of sounds and fragile piano play) to the next song 2am that blew me away (featuring exciting rock guitar and powerful drum beats). And after the heavy and bombastic eruptions in Days Which Should Not Be, you can enjoy the mellow Floydian-like ballad Recognized with fine acoustic rhythm guitar and warm vocals. Frequently the tracks are blended with samples and distorted vocals and instruments, this adds an extra, a bit psychedelic and hypnotizing dimension to the Pinkroom sound.

If you are up to compelling progrock with Heavy Prog and some prog metal elements, this is an album to discover.

 Riverdragons & Elephant Dreams by EARTH FLIGHT album cover Studio Album, 2018
3.95 | 2 ratings

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Riverdragons & Elephant Dreams
Earth Flight Heavy Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars EARTH FLIGHT are in operation since more than ten years in the meanwhile, though have slipped beneath my radar beforehand. Now their new third studio album 'Riverdragons & Elephant Dreams' attracted my attention really, seemingly evolves to a 2018 highlight, the more I'm listening. This is sophisticated prog, yeah! Well, considering they are a German band, it appears to be somewhat surprising as for the overall style. While delivering a heavy rock fundament plus proper psychedelic sentiment, this superficially sounds more like a typical nordic band is on the run here somehow, akin to Moonwagon or Causa Sui. Okay, categories are not more than ... categories, let the music speak for itself.

They have Tobias Brunner aboard. From charming to shouting, provided with a great singing voice - that's half the battle, isn't it? Now when considering a good and proper amount of vocal activity one can expect a very melodic affair too in general. And then, no doubts concerning the prog essence, as there are sophisticated arrangements given. Mirai marks an exceptional exemplar, tricky and enchanting. And I'd like to emphasize Bedlam especially. The song begins a bit innocent, but soon evolves into a big highlight. This due to an impressive blend of atmospheric space parts but also heavy expressive head banging moments. Wow! Take your time, an album which definitely needs some rounds to fully unfold.

 L-1VE by HAKEN album cover Live, 2018
4.71 | 12 ratings

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L-1VE
Haken Heavy Prog

Review by rdtprog
Special Collaborator Metal / Heavy / RPI / Symph Prog Team

5 stars To celebrate his 10th anniversary the band was ready to release a live album after four albums of great music. On this package with have 2 CDs and 2dvds. The main show is the full show in Amsterdam running for 120 minutes. The CDs contains that full show. The second DVD is not your typical bootleg show for an extra but another professionally shot show in Prog Power for almost an hour. The 2 shows are mixed in a very good Dolby 5.1 surround sound filling up the room nicely. The visuals are busy but maybe a bit too much with stroboscopic effect, which is not the case with the Prog Power show. As for the music Haken has set a new standard with his new kind of Progressive Metal that not only has a djent influence but a complexity that show a band that enjoys going in a different style of music to give a breather to their fast pace and heavy prog metal sections. Adding to this great music, Ross Jennings vocals are very enjoyable. The set list is covering all their catalog including the highlight track of the show: the epic "Visions" as an encore. The last song "Crystallised" from the EP "Restoration" is another high moment on The Prog Power show with the medley of the album "Aquarius" of the first show. This package could be a good introduction to the band or a must for Haken fans.
 Die Kreise schließen sich by TRAUMPFAD album cover Studio Album, 2006
3.77 | 5 ratings

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Die Kreise schließen sich
Traumpfad Heavy Prog

Review by TenYearsAfter

3 stars The German quintet Traumpfad was founded in the late Nineties and exists in their recent line-up since 2003. In 2004 they released their eponymous debut-CD and two years later we can enjoy this second effort. Because of the German vocals the music reminds me of early Novalis and the album Wer Will? by Anabis. Their music is rooted in the melodic rock tradition, but the frequent shifting moods, surprising breaks and frequent use of keyboards turnes this band into an interesting band for progheads.

The nine composiitons sound elaborate and tasteful featuring lots of variety, strong soli on guitar and keyboards, a dynamic rhythm-section and good vocals. The one moment you hear a fluent rhythm with fat synthesizer flights, propulsive guitar riffs and fiery guitar play, the other moment yoiuare carried away by classical piano, sensitive guitar or a dreamy climate with fragile piano and romantic vocals.

My favorite tracks on this CD.

Der Kreislauf Beginnt : propulsive with heavy guitar and bombastic keyboards and a final part with captivating interplay between keyboards and guitar.

Der N'chste Winter Kommt Bestimmt : alternating featuring a wonderful grand finale with organ, dynamic drums and fiery guitar.

Totes Meer : a beautiful, very sensitive guitar solo loaded with howling runs.

The exciting and strongly build-up titletrack : spectacular keyboards, a wonderful, dreamy break with a lush strings- sound and violin-Mellotron and again a howling guitar solo,

And the final track Ein Neuer Tag: first a dreamy part, then more and more compelling, culminating in a 24-carat symphonic prog closing section featuring moving work on keyboards and guitar, this is Progheaven!

I am delighted about this pleasant and dynamic debut-CD and it sounds original, also due to the German vocals.

My rating: 3,5 star.

 Ambulance Chasers by PORCUPINE TREE album cover Singles/EPs/Fan Club/Promo, 1997
4.04 | 34 ratings

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Ambulance Chasers
Porcupine Tree Heavy Prog

Review by TCat
Prog Reviewer

4 stars This hard to find gem is a collection of most of the tracks in demo form from the album "Stupid Dream". The release of "Stupid Dream" was delayed because Porcupine Tree was trying to find a new label to get signed to. This collection somehow got released inadvertently while the public was waiting for the new CD. It is now very hard to find. The demos included from the album proper are "Even Less", "Piano Lessons", "Baby Dream in Cellophane", "Slave Called Shiver", "Don't Hate Me", "Tinto Brass", and "Stop Swimming". That accounts for 7 of the tracks on this collection. The remaining are other demos of songs previously not available on the original "Stupid Dream" album. These are "I Fail", "Ambulance Chasing", and "Disappear".

For being demos, these are still excellent versions of the originals. They are less polished, but in some cases, just as good and sometimes a little better, as in the case of "Even Less", which is on this collection as a 15 minute track, where as on the "Stupid Dream" album is edited to 7 minutes. This is the best version of "Even Less" as far as instrumentation is concerned in my opinion. The lyrics are different, and admittedly I do like the lyrics better on the version more people are familiar with, but the actual instrumentation is more raw, more intense and much more enjoyable. Now, a full length version would become available on other collections, and it is also great, but it's still not the same version as what is on here. I'm not sure if this version is available anywhere else.

"Piano Lessons" is also great as a demo, again not as polished as the official version, but a little harder. "Baby Dream in Cellophane" is not so great as a demo however and is still underdeveloped here. "I Fail" comes next and as far as I know, this is not available anywhere else. It is pretty straightforward and decent enough, but nothing special really. It sounds like an outtake which is what it is. The overall sound of rawness and less polish continues for "Slave Called Shiver" and "Don't Hate Me", the latter actually coming off better than the former. Many bands probably would have been happy calling these takes finished product.

"Disappear" was not on the "Stupid Dream" album, but a more polished version of it would show up on the official outtake release "Recordings". This version is somewhat finished, but the instrumentals are top notch while the vocals are not quite there yet. Steven's vocals on the last chorus to go up an octave though and this creates more tension at the end of the song. Again, it's interesting to hear it in this unrefined version. "Ambulance Chasing" was exclusive to this collection for quite a while and did become available on one of the reissues of "Stupid Dream" as a bonus track, but since I haven't heard that reissue, I don't know how it compares to this version. It was also released on the "Piano Lessons" single, but in a more finished version. It is all instrumental. It starts out with some atmospheric sounds from the instruments and heavy on percussion. This develops into an great sounding instrumental with a lot of atmospheric sounds and tones, but not in a psychedelic way, because it is melodic, but it is also quite heavy at times. It ends with some nice, treated wordless vocalizations.

"Tinto Brass" is about 10 minutes long on this version where as the official version was around 7 minutes. This is also an instrumental. This version takes more time to develop by having an atmospheric section at the beginning of the track with interesting noises and a longer development section involving percussion and bass. Either way, this is an excellent track in either version, a very driving instrumental with an amazing level of intensity. I do like this longer version though, because this track with more time added can only make it even better. "Stop Swimming" again is an unpolished version of the official recording, still a great song, but not much different except for the rawer sound and a bit more ambient.

This is a tough one to rate. Since it is a collection of demos, it is rather hard to find and can't be considered essential. If you are not familiar with the official versions of these songs, you wouldn't appreciate the difference, and that is the biggest draw to this collection, but it would only apply to those familiar with PT's music. I have to say that the unfinished feeling of the recordings is very nice to hear and it gives insight to the development of the songs. But this would only be appreciated by fans. It's hard to just give this a 2 star rating, but only collectors and fans would understand the difference in the tracks. The best tracks here which even come close to surpassing the official versions are "Even Less" and "Tinto Brass". These alone make this collection worth having, it you can find it, but if you can, I would consider it an excellent addition to your collection. There you go, 4 stars!

 YYNOT by YYNOT album cover Studio Album, 2018
3.86 | 3 ratings

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YYNOT
YYNOT Heavy Prog

Review by rdtprog
Special Collaborator Metal / Heavy / RPI / Symph Prog Team

4 stars Here's the closest Rush inspired band you can find, after that it's David Barrett Trio. It's no stranger that this band is a Rush tribute band because the overall sound is very similar to our Canadian band. The main composer and guitar player Billy Alexander is an experienced musician that has worked with others band in the past. The vocal duty is taken by a female vocalist which goes very well with the music. If the musicianship is of a high quality including some impressive drumming of Joel Stevenett, you can't expect the songwriting to be in the same level of Rush. Some will be put off and others will love the plagiarism of "Kingdome Come" with the album "2112" especially with that almost same Alex Lifeson guitar solo. So every instrument bass/drums/guitar is sounding almost like the Canadian band, and it will be interesting if they stay on the same path for the next release. If they can write some epic song in the future, I will be very happy! I think it's a good hard rock Progressive Rock album that I will give a high rating because I can't get enough Rush.
 Raging Through the Silence - - The 20th Anniversary Concert - Live At The London Astoria 18th May 1989 by URIAH HEEP album cover Live, 2017
3.00 | 2 ratings

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Raging Through the Silence - - The 20th Anniversary Concert - Live At The London Astoria 18th May 1989
Uriah Heep Heavy Prog

Review by Kingsnake

3 stars Originally released on VHS only in 1989, this is a real treat.

In fact this one is superior to the Live in Moscow-album. You can hear Heep run through mostly hardrocksongs of the 80's and their new album Raging Silence. Of course there are some older songs like Look at Yourself, Wizard and July Morning, but mostly this is a hardrocking affair.

Bernie Shaw is not at his best, mostly he is screaming his way through the songs. But he is still young and I guess the band plays really loud (most band around 1989 played way too loud).

The energy of Mick Box, Trevor Bolder and Lee Kerslake is apparent. Finally they have a real band again. This line-up will prove to be the longest line-up of Heep, relentlessly touring throughout the 90's and 00's and occasionally releasing an album.

The soundquality is alright, but as said; the band plays loud, so there's not much dynamic, just a hardrocking band playing hard rock. But at they do it really well. Except that Bernie Shaw sometimes is just screaming instead of singing. But it doesn't really matter to me,

This album is not really important for progrock-fanatics, it's just plain hardrock, but Heep-fans worldwide would really enjoy this one, especially because it's much better than Live in Moscow.

Now all I want is a full live-album with Pete Goalby on vocals.

 Staircase To The Day by GRAVY TRAIN album cover Studio Album, 1974
3.64 | 85 ratings

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Staircase To The Day
Gravy Train Heavy Prog

Review by steamhammeralltheway

3 stars Make that 2.67. The buzz on the street on Gravy Train's fourth album Staircase to the Day is that it represents the band's finest hour. I certainly do not think so and am prepared to explain why. In a nutshell, it is too funky, frolicking and diverse for my tastes. I prefer a rockier, more somber sound. This I found on Gravy Train's first album. That work has the additional advantage of weaving together unusual instrument combinations, strange moods and trippy jams, little of which surfaces on Staircase to the Day.

'Starlight Starbright' does have a rarified melody and a pageant of instrumental activity grooving in the background. I can't help finding the choruses of 'yeah' and the uttering of the words 'Starlight, starbright' corny. Yet on this track the band has made a considerable achievement; they have captured the spirit of Yes in a slightly harder, more driving fashion with a lower-register vocal. I actually have met Jon Anderson haters, who unlike devotees like myself, find his sweet countertenor sickening rather than angelic. (Even the best vocalists have their detractors; a few people find Bruce Dickinson annoying, as well.) Gravy Train's biggest claim to notoriety could very well be their uncanny ability to emulate Yes without parroting, not an easy feat.

On a couple tracks Norman Barrett's voice seems a bit gravelly and hoarse. This is just simply irritating. Furthermore some tracks seem lightweight and contrived. This is the case, for instance, on 'Bring my life on Back to Me.' Here liberal use of a piano contributes to a mood of frivolity. I have always thought piano is difficult instrument to integrate into prog. rock and rock and general. Beckett and Journey succeed marvelously in my estimate and Van der Graaf Generator founders miserably on 'The House with no Door,' especially in the context of H to He ' , where the ivory tinkling follows the 70 ton 'Killer.' 'Bring my Life back to Me' is almost as ridiculous. Too bad because its message is pretty grave, it appears from a peak I was finally able to take at the lyrics. 'Evening of my Life' here on Staircase to the Day is as piano saturated and no less odd.

Some tracks capture the blues-based escapades of the debut but don't fully reach that level of mood and nuance. 'Never wanted You' fits this description. 'Going for a Quick One' occasionally delivers a very juicy chord change or pattern but altogether is so funky to be dated sounding and with a completely overcooked vocal. 'The Last Day' reminds me of a lighter Grateful Dead 'Fire on the Mountain,' replete with an obnoxious vocal.

Some tracks like the title piece have the complexity, introspection and build of tension I look for in a prog. record. What gives, then? While Norman Barrett sings of 'haunting my days and night' and 'excursions of delight,' certainly what I would like to find here and almost do, there is a certain inexplicable hollowness about the whole enterprise. Obviously this is my opinion and may not be fair, but I feel obliged to report what I feel in my heart. A string-filled Moody Blues-like echoey symphonic, lacking the Moodies' depth just drives home the slightly empty feeling the title track gave me. Of course I am being extremely finicky here. By all measure 'Staircase to the Day' is a remarkable, intricate epic, the likes of which most bands would be pressed to achieve. In this review I try to balance the objective and subjective. Gravy Train brews up a cauldron of spellbinding instrumental magic in the jam following the main theme of 'Busted in Schenectady.' The first part of this song is the whimsical musical throwaway I have come to expect from this album after the several largely uninspired cuts. Then suddenly at the eleventh hour, this record goes places and how! And just when it's getting good and really grooving, it ends! The band could have ran with that rollicking vibe another couple minutes.

 Nucleus by ANEKDOTEN album cover Studio Album, 1995
3.98 | 369 ratings

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Nucleus
Anekdoten Heavy Prog

Review by The Crow
Prog Reviewer

4 stars Nucleus is the second effort from one of the most interesting prog-rock bands born in the 90's.

And it's also a confirmation that this band is more of a King Crimson wannabe because they were able to develop and expand their sound in rather hoarse way, but equally interesting.

The album opens with the title track, with a rather aggressive and noisy mellotron, creating an exciting contrast with the more mellow and melodic first record. In the brutal chorus we can also hear that the main singer has also improved his singing, while we enjoy the piercing bass and the fast guitar melodies.

Harvest regain a Little the King Crimson's style at the beginning, but soon turns into a rabid punk tune with playful guitars. After that we are delighted with some cello melodies and a great and obscure final section, very prog.

Book of Hours starts with a slow and repetitive Melody with a persistent mellotron which is broken by dissonant guitars which lead to another marvelous Vemod-style tune followed by Raft, a Little dissonant instrumental song.

Rubankh is another instrumental song but much more hard and aggressive. I think this track is a good summary of that Anekdoten were trying to achieve with this album, developing a very distinctive and personal sound. This makes the album less accessible and rather difficult to appreciate at the first listening, but catchy and enchanting through repeated plays.

This Far From the Sky has a very fierce beginning with an interlude which brings automatically Vemod to mind with the typical interlaced mellotron, cello and psychedelia. The instrumental part is maybe the most intricated and psychedelic of the whole album.

In Freedom closes the album in a very beautiful and mellow way, with incredible strings melodies. Pure talent.

Conclusion: Nucleus was strong step forward in the right direction. The compositions are maybe not so catchy and resounding like in the marvelous opera prima Vemod, but the band achieved a more personal and distinctive sound, making this album even more valuable than the previous one in my opinion while almost maintaining the same quality in the melodies and structures of the songs.

The King Crimson tribute band is gone. Welcome Anekdoten!

Best Tracks: Nucleus, Book of Hours, This Far From the Sky, In Freedom.

My rating: ****

 Echoes by ORPHEO album cover Studio Album, 2005
3.34 | 10 ratings

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Echoes
Orpheo Heavy Prog

Review by b_olariu
Prog Reviewer

3 stars Orpheo from Holland is a little known band in prog circles with one full length released so far named Echoes in 2005. Well, I like the album, this is like a metalized neo prog in sound, a combination of progressive metal with neo prog with slightly symphonic touches. Pieces are lenghty from the all 7, two are over 15 min, the rest are around 8 min. The song writting is quite mature for a debut album, the arrangements are tight and the keyboards and guitars are nice composed and quite intelligent. Pieces like Night Time or ending Outside in are good at best, like the rest. So, if you like bands like Splinter also from Holland, Ayreon at some point, even Dream Theater or those neo prog bands with prog metal infused passages. 3.5 stars for sure, a nice forgotten album, that desearves a far better view.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMALGAM EFFECT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BASS INVADERS United States
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLARESHIFT Italy
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
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