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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2596 ratings
MOVING PICTURES
Rush
4.36 | 2197 ratings
HEMISPHERES
Rush
4.32 | 2038 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1881 ratings
PERMANENT WAVES
Rush
4.25 | 2365 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2321 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1138 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.15 | 1012 ratings
THE MOUNTAIN
Haken
4.16 | 714 ratings
SALISBURY
Uriah Heep
4.11 | 1931 ratings
2112
Rush
4.10 | 1866 ratings
DEADWING
Porcupine Tree
4.11 | 973 ratings
VISIONS
Haken
4.13 | 582 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.12 | 632 ratings
LOOK AT YOURSELF
Uriah Heep
4.09 | 962 ratings
AQUARIUS
Haken
4.06 | 1229 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.05 | 841 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1382 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 393 ratings
FROM WITHIN
Anekdoten
4.06 | 697 ratings
DEMONS AND WIZARDS
Uriah Heep

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

HIGH TIDE
High Tide
MÉMOIRES INCUBUSSIENNES
ExCubus
VULTRESS
Cosmic Nomads
HARVEST TIME
Elonkorjuu

Latest Heavy Prog Music Reviews


 Four Points of Focus by RUBENSTEIN, JASON album cover Studio Album, 2018
5.00 | 1 ratings

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Four Points of Focus
Jason Rubenstein Heavy Prog

Review by Steve Conrad

— First review of this album —
5 stars JASON RUBENSTEIN: Four Points of Focus EP

I was given an advanced copy to review.

The players:

Jason Rubenstein ' Piano, synthesizers, samplers Tom Hipskind ' Drums Shawn Sommer ' Bass and Bass Synthesizer Bugra Sisman ' Electric guitar Chuck Bontrager ' 7-string violin Dani'l van den Berg ' Acoustic and electric guitars

It's a chilly, sizzling masterpiece.

And I'm not sure how Jason does this- but the stark, percussive, unison piano lines in the lower register, pounding out dramatic sequences accompanied by bass and drums- well, somehow one gets the idea there are mysteries and coils in Jason's brain.

There are no resting places.

No places to pause, doff your hat, cool your heels, or take a restful breath. Although the music is rarely harsh or overpowering, there's a steely core that makes you think you'd better stay focused.

And there's heat in that steely core. Passion. Intensity.

Jason seems like a big-brain person- one of those guys with more folds, and cells, and capacities than some of us lesser mortals. Things make sense and add up in different ways that sometimes appear to defy convention.

You could say he's a visionary and folks, it doesn't seem like a real easy, laid-back kind of world Jason inhabits.

There's something compelling in that vision.

He attracts luminous musicians who are equally drawn to that light Jason emits, and who add immeasurably to it.

I was trying to find a weak spot in the ensemble that surrounds this music and fleshes it out.

Couldn't.

At the heart of this music is pounding, percussive, demanding piano.

Not swanky lounge-lizard piano, or sweet, relaxing piano- no. Restless, gouging, growling piano.

Jason elsewhere mentioned Philip Glass, ELP, King Crimson, and Nine Inch Nails as influences.

I think though that he's clearly morphed into a defining 'voice' of his own.

There are four tracks-

Consideration: that driving, percussive piano, precision from all players, complex and shifting time signatures, cool echo guitar, flowing piano, impeccable rhythm section.

Acceleration: arpeggiated piano lines, turning into a 'crazed calypso on acid' with some slinky bass guitar work, flaring and soaring synth work, all ending on one dark piano stroke.

Unequivocation: beginning with some garbled static- voices? chaos?, then that piano at the heart. The stark unison lines with piano, bass, and the tasteful drums augmenting it all, growing more crisp and complex'then some flamenco-like acoustic guitar simmering over the top in fiery, restless tones'morphing into electric virtuosity, all with a Latin flavor.

Ending with

Conviction: flowing bass line, that amazing rhythm section that never over-plays, cool clinking organ tones as the tune builds, soaring synth work moving into an almost unbearable build-up'then'done.

Conclusion

Jason and fellow musicians have hammered out a rare musical sculpture- finely crafted, meticulous, icy-fire.

I give it five out of five chilly hot stars.

Four Points of Focus is due out June 25, 2018.

 Cycles by PHI album cover Studio Album, 2018
3.81 | 8 ratings

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Cycles
Phi Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars PHI is a greek letter, and stands for the golden ratio, the perfect aesthetic balance. The band work towards this golden ratio with music, creating a powerful alliance of aspiration and Rock 'n' Roll attitude. Formed as long ago as 2006, this is their fourth studio album, but it is the first time I have come across them. Apparently they have had a break in their career, and the current line-up is quite different to the original, but I must admit to being somewhat surprised to have not come across them prior to this as this is a very interesting album indeed. This Austrian band are very much from the heavy prog side, and it is no surprise to discover that it is the guitarist, Markus Bratusa, (also vocals, synthesizer, sound design) who is the main songwriter. What was particularly interesting to me is that he is obviously a fan of Meshuggah and djent, although he does treat that medium quite differently indeed.

This is a very melodic, very modern sounding album. While I can see them having commonalities with Threshold, if these guys had been around in the Nineties I am sure that we would also have been pointing towards Mentaur as potential influences, albeit that PHI are more melodic than both. The bass is also incredibly important with this band, strongly backing up the guitar while also going off on musical tangents when the need arises. When they cast away the melodies and vocals and start to really let rip, these guys move solidly away from heavy prog and into prog metal, resulting in an overall sound that will appeal to fans of both sub-genres, as well as those wondering whatever happened to good old fashioned neo prog. Melodic, great songs with a strong production, this feels very much an album for 2018 and has got me wondering what the other material is like. Easy to listen to and thoroughly enjoyable, this is a thoroughly enjoyable romp.

 Abscess Boils by ZUCKER, MICHAEL album cover Singles/EPs/Fan Club/Promo, 2017
3.00 | 1 ratings

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Abscess Boils
Michael Zucker Heavy Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

— First review of this album —
3 stars Michael Zucker produces a lot of music stuff, put together on multiple albums. If you're up for this, really time consuming to explore, when jumping around on his bandcamp site. I started with some recent tunes and immediately got caught by this EP. Sometimes he produces at his own risk, sometimes collaborating with other musicians. On this occasion it's more a Michael Zucker Band, a trio including Pavlo Krokidis on bass and then drummer David Solis. A weird album title, isn't it? But, as quite obvious, the songs are about various diseases, so let it be. Thematical themes or concepts are mostly accessory, the music may tell the real story however.

I would specify this one avantgarde tinged heavy psych somehow, presented in a partially agressive outfit, just take the vocals for example. Guitars are multi-tracked, soaring, the other instruments more than needful attachments in fact. Speaking of lively drums and a punchy bass. The brilliant Broken Hourglass came to my attention especially, finally challenged me to write this short review. This one differs a little, not only concerning the title, but also when it comes to the flow in general. More melancholic and empathic, makes my day. The Michael Zucker music collection is definitely worth a check - 3.5 stars finally.

 Let Silence Fall by DEAFENING OPERA album cover Studio Album, 2018
3.21 | 9 ratings

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Let Silence Fall
Deafening Opera Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

3 stars It is some five years since Deafening Opera released their second album, but finally they are back with their third. Even before putting it in the player I was impressed with the effort that had been put into the presentation, with all lyrics contained in the booklet. This is a concept album, but interestingly there is no explanation of that in the booklet, or in the press release, or on their website as there is an expectation that the listener will work the story out for themselves. I don't know why it has taken so long for a follow-up, but it is good to see that the six-man line-up are the same as last time, and there is a continuity and tightness that only comes from a band that know each other well.

They have moved firmly into hard prog territory this time, keeping it tight but never really pushing into prog metal, although they do have their moments. Adrian Daleore has a good clean voice, and by often staying more baritone than many, it definitely provides a distinctive front sound to the band. They state that the sounds they are using are more modern now, and in many ways that is true, although I did feel that they probably have more in common with many of the 90's neo-prog acts than many of the others that around today, although Riverside continues to be an obvious influence. They are playing some gigs in the near future, and they need to get out and capitalise on this, as they have been taking too long between albums to build a real momentum. The lack of reviews for this album on the web also shows how much they need to build their profile, which is a real shame as yet again they have produced a strong album, with some interesting ideas that has been well produced. It may not be essential, but it is certainly well worth investigating

 YURT III - Molluskkepokk by YURT album cover Studio Album, 2016
3.00 | 1 ratings

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YURT III - Molluskkepokk
Yurt Heavy Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars Irish band YURT was formed back in 2006, and have been recording artists since 2009. Three albums have seen the light from the band since it's inception, and a fourth is actually being finalized for launch these days as well. "III - Mollukkepokk" is their third studio album, and was self-released by the band in 2016.

"III - Molluskkepokk" comes across for me at least as a more metal-oriented variety of Hawkwind style music, a tad simpler in approach and execution and with an obviously harder drive and edge. To my mind a band that sounds best when they are closer rather than further away from Hawkwind-sounding territories, and where the vocals for me becomes a slightly detrimental element. Hawkwind fans with a taste for metal and metal fans with a taste for Hawkwind appears to me to be the prime candidates to check this one out.

 Kiel Auditorium, St Louis, MI, February 14 1980 by RUSH album cover Live, 2015
3.92 | 17 ratings

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Kiel Auditorium, St Louis, MI, February 14 1980
Rush Heavy Prog

Review by TenYearsAfter

4 stars "FIRST REVIEW OF THIS ALBUM"

This is a live recording from the Red Vox Label, in the serie Historical FM Broadcastings. It captures a Rush gig in the USA, shortly after the release of their Permanent Waves album (early 1980). The recording is at the level of a high quality bootleg and the running time is 73 minutes. The 8-page booklet (I own the CD version) contains an interesting interview in the English rock magazine Sounds (March 1980), Rush telling about their success (Canadian awards and Best Band In The World by UK magazine Sounds) and the change of their musical direction.

The first track 2112 showcases how Rush have matured since All The World's A Stage from 1976. Here Rush sounds more dynamic and adventurous, from the intro with the synthesizer sounds to the final words 'We have assumed control', awesome, this is top notch progressive hardrock. And loaded with sensational wah-wah drenched guitar soli by Alex Lifeson and featuring an outstanding, very fluent rhythm-section. And on the following By-Tor And The Snow Dog the criminally underrated Lifeson delivers one of his exciting soli, with use of the phaser, wah-wah and echo pedal. You can consider the rest of the setlist on this 1980 live CD as a bridge between the progressive hardrock on the live album All The World's A Stage (1976) and the Heavy Prog on the live album Exit Stage Left (1981). From straightforward in Beneath, Between, Behind, Working Man, Anthem, Bastille Day and In The Mood (including Geddy Lee his still a bit 'Micky Mouse on helium' voice) to elaborate and alternating in The Spirit Of Radio, Xanadu, Natural Science and La Villa Strangiato. But there is always that distinctive Rush, with their high quality, huge inspiration and inventive musical ideas. Only the long drum solo by Neil Peart during In The Mood tends to sound a bit embryonal: entertaining but still searching for the perfect balance between time and quality, as he did since the mid-Eighties, nicknamed 'the professor on the drum kit'. The final track La Villa Strangiato emphasizes Rush their new musical direction, into captivating and compelling Heavy Prog, highly recommended!

 Godzilla in The Kitcche by GODZILLA IN THE KITCHEN album cover Studio Album, 2015
3.00 | 1 ratings

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Godzilla in The Kitcche
Godzilla in The Kitchen Heavy Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars German band GODZILLA IN THE KITCHEN was formed back in 2011, consisting then as now of three musicians, handling bass, drums and guitars respectively. Their self-titled debut album "Godzilla in the Kitchen" is their debut album, as well as their sole release to date, and was self-released in 2015.

Hard, instrumental progressive rock that borrows an idea or two from the stoner rock department comes across as a good general description of Godzilla in the Kitchen, complete with both subtly adventurous and occasionally expressive instrument details. A certain affection for riff based creations and a gnarly stoner rock tinged guitar sound is merited to enjoy this album, as rare a band that gives the bass in particular a liberal amount of limelight moments. An album with more of a niche appeal in my book, and a niche without too many competitors at that.

 The Incident by PORCUPINE TREE album cover Studio Album, 2009
3.66 | 1445 ratings

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The Incident
Porcupine Tree Heavy Prog

Review by thwok

4 stars This is a fine Porcupine Tree album. It's not one of the handful of their best, but it's still an entertaining release. There's an enjoyable performance/interview on YouTube called "Mhz" from 2003. In it Wilson discusses how much he loves the traditional idea of an album, as an entity. He believes CDs have taken away the enjoyment of listening to a whole album as an immersive experience.

Unlike most people it seems, I actually prefer the second disc of THE INCIDENT. The variety in these four songs makes for an excellent 21 minutes of listening. The songs on the first disc aren't as enjoyable as individual pieces. They seems like parts of a whole, rather than finished songs, which requires more time and attention. However, I'm sure that's exactly how Steve Wilson intended it. If you can devote some time to extended listening, THE INCIDENT is definitely worthwhile. I'm bumping this up the half star to 4.

 Cheat The Gallows by BIGELF album cover Studio Album, 2008
3.70 | 112 ratings

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Cheat The Gallows
Bigelf Heavy Prog

Review by TenYearsAfter

4 stars On this third album (from 2008) by the exciting USA progrock formation I notice more variety and less emphasis on a bombastic vintage keyboard sound than on their previous two albums. Just take a look at the huge amount of guest musicians, especially the The Gallows Orchestra, The Section Quartet and The Kung-Pao Horns. Due to their contributions Bigelf sounds like The Brian Setzer Orchestra (brass in Blackball) and ELO (omnipresent violin sound in Gravest Show On Earth and The Game). And often Cheat The Gallows sounds like a tribute to many sixties and seventies Classic Rock Bands, I notice hints of Marc Bolan (Superstar), Black Sabbath (Blackball, Race With Time and Hydra), The Beatles (Money, It's Pure Evil), The Doors (Blackball) and Pink Floyd (Race With Time).

But Bigelf succeeds to sound like Bigelf because of the way they blend their distinctive elements like the compelling atmospheres featuring strong vocals (with that cynical undertone), heavy guitarwork (I love those fat Black Sabbath inspired riffs) and a lush Mellotron sound, especially on The Evils of Rock & Roll (fiery guitar solo), The Game, the dynamic and alternating Race With Time (delicate Floydian slide-guitar and sensational interplay between powerful guitar and intense violin-Mellotron) and Hydra (great break with synthesizer flights and heavy guitar riffs). The two dreamy tracks are very tastefully arranged: flute-Mellotron, fiery guitar and an orchestra in Money, It's Pure Evil and acoustic rhythm-guitar with choir-Mellotron a long a wonderful, very moving guitar solo in the emotional No Parachute.

The long final composition entitle Counting Sheep is their most ambitious work, it sounds like a mini rock-opera with lots of shifting moods, multiple breaks and captivating musical ideas, Bigelf in its full splendor as a progressive rock band and for sure Bigelf has progressed on Cheat The Gallows!

 A New Day Dawning by SIENA ROOT album cover Studio Album, 2003
4.08 | 31 ratings

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A New Day Dawning
Siena Root Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Siena Root's debut album is a big fat helping of retro-heavy psychedelic action. At points they become reminiscent of the classic early work of the likes of Uriah Heep or Deep Purple (Oskar Lundstr'm's organ work being key here), but never quite to the extent that they are outright ripping them off - more that in terms of their throwback sound you could imagine Siena Root sharing a stage with either band back in 1969-1970 or thereabouts. As the album progresses they tend towards longer and more intricate songs, demonstrating an adept mastery of the genre. Though it's over an hour long, it feels like it breezes by in a substantially shorter span of time - the sure sign of an album which hasn't wasted its time on filler.
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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMALGAM EFFECT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLARESHIFT Italy
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LAUNDRY United States
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LOVE FAGERSTEDT Sweden
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MIGHTY ZAZUUM Croatia
MILESTONE Russia
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NOMADIC United States
NON NEWTONIAN MAN Italy
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OKTOPUS United Kingdom
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORIGENS Brazil
ORION DUST France
ORPHAN BLOOM United States
ORPHEO Netherlands
ORPHEUS NINE United States
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERMIAN INCIDENT Norway
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
PLESIOSAURIO Argentina
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULP CULTURE United States
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
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