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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current team members:
as at 1/3/2020

Louis (rdtprog)
Thanos (aapatsos)
Mike (TCat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.39 | 2888 ratings
MOVING PICTURES
Rush
4.37 | 2454 ratings
HEMISPHERES
Rush
4.32 | 2273 ratings
A FAREWELL TO KINGS
Rush
4.28 | 2098 ratings
PERMANENT WAVES
Rush
4.26 | 2577 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.25 | 2542 ratings
IN ABSENTIA
Porcupine Tree
4.18 | 1233 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.19 | 816 ratings
SALISBURY
Uriah Heep
4.16 | 1183 ratings
THE MOUNTAIN
Haken
4.11 | 2124 ratings
2112
Rush
4.11 | 2017 ratings
DEADWING
Porcupine Tree
4.13 | 1102 ratings
VISIONS
Haken
4.14 | 682 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.12 | 719 ratings
LOOK AT YOURSELF
Uriah Heep
4.07 | 1346 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 926 ratings
FRANCES THE MUTE
Mars Volta, The
4.07 | 792 ratings
DEMONS AND WIZARDS
Uriah Heep
4.06 | 1071 ratings
AQUARIUS
Haken
4.03 | 1513 ratings
LIGHTBULB SUN
Porcupine Tree
4.07 | 439 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ONCE WE WERE BORN ...
Divine Baze Orchestra, The
A COMPLEX NATURE
Yang
SKELETON IN ARMOUR
Fusion Orchestra
A.F.T.
Automatic Fine Tuning

Latest Heavy Prog Music Reviews


 Dancing Maze by THEM MOOSE RUSH album cover Studio Album, 2020
4.00 | 2 ratings

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Dancing Maze
Them Moose Rush Heavy Prog

Review by Grumpyprogfan

4 stars Clocking in a little over 36 minutes, "Dancing Maze" is my favorite hard rock album of the year. The band describe themselves as a "prog rock-pop space noise trio which will change your percpetion of how a modern rock trio sounds.'' Sure did for me. TMR has a rhythm section to die for and a highly emotional vocalist who's not afraid to let it rip.  They have been a band for over eight years and this is their third full length disc. They also have three EP's. I wasn't aware of them until spring this year and quickly became a fan. First off, this music is fun. It makes you want to sing, dance, or be foolish, and the world needs more of that. Try and listen to "Judes Got Another" without it putting a smile on your face. Watch the video, and experience the humor this band possesses. With titles like "Jerry's Bacon Flavored Vegan Potion" or "Chris's Cake Crisis" it's fair to say TMR don't take themselves too seriously. And that's why I dig them so much. Finally, even though the mix is a bit crushed, the music benefits from it. Thought I would never say that.

3.5 stars rounded up. 

 StarStuff by OVRFWRD album cover Studio Album, 2020
4.05 | 15 ratings

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StarStuff
Ovrfwrd Heavy Prog

Review by Tull Tales

3 stars The album is performed well and the overall "sound" as far as engineering & production are concerned, is good. I really like the first two songs, Firelight and Let It Burn (King George). Unfortunately, for me it goes down substantially from there.

The songwriting just does not move me. It seems very repetitive. They utilize a riff or chord progression over and over, and then move on to the next one. Some of these are interesting enough, but they don't ever seem to develop into anything substantive after that. Someone else mentioned the lack of vocals and I do feel like many times the album sounds like a backing track for the missing vocals.

I have given this one many listens trying to see if it is a grower or maybe I was missing something, but for me it just does not have that "it" that I look for, sorry.

 The Secret of Our Time by SIENA ROOT album cover Studio Album, 2020
3.10 | 15 ratings

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The Secret of Our Time
Siena Root Heavy Prog

Review by prog_traveller!!

4 stars Sienna Root is definitely one of the coolest bands around. From the 2003 album A New Day Dawning to their stellar A Dream Of Lasting Peace they delivered fantastic organ driven heavy prog. Their last effort The Secret of Our Time released in 2020, at first listen for me was not the best thing that they have done, but after a few listens I came around and I must say I really dig this album. It still has that Sienna Root feel, but this time we got two female vocalists. The first song on the album is a real rocker, lead vocalist Zubaid Solid sings her heart out and gives strength and dynamic not just to this song but throughout the entire album. The Secret of Our Time is filled with classic hard prog rock with elements of blues, great riffs that just take you on a ride back to the 70's but with a modern feel.
 Madness and Magic by ARABS IN ASPIC album cover Studio Album, 2020
3.75 | 91 ratings

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Madness and Magic
Arabs In Aspic Heavy Prog

Review by prog_traveller!!

4 stars Arabs In Aspic is one of those fantastic bands that emerged from Norway wich delivers great classic sounding heavy prog. Since Far Out In Aradabia to the new album Madness and Magic they produced notable records. Madness and Magic bring us a different vibe, a more acoustic feel, but still followed with their sound. I Vow to Thee, My Screen is the opening track and it is a great almost space rock song which delivers beautiful melodies and lyrics that revolve around society's obsession with modern technologies. Lullaby for Modern Kids, Part 1 is a true example of the band's sound. Heavy riffs and great guitar solos make this song a perfect follow up to a more space rock oriented first song. Fantastic lyrics continue through out the album. Heaven in Your Eye is the epic of the album and it rounds up various styles that AIA delivered on this record, from some folk elements to a truly heavy organ and guitar driven parts, and elements of space rock.
 Before the Winter by WITCHWOOD album cover Studio Album, 2020
4.21 | 5 ratings

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Before the Winter
Witchwood Heavy Prog

Review by prog_traveller!!

4 stars Witchwood is back after their fantastic 2016 album Handfull of stars with Before the winter and what a heavy prog ride it is It starts with Anthem for a Child, first tones are set with dark synth tones only to explode with a great Hammond, guitar and flute riff and it sets the tone for the entire album. It has all the elements of classic heavy prog sound and it will speak to all who love bands like Atomic Rooster, Wishbone ash, Lucifer friend to Black Widow but with their own stamp. This album for me is a real treat, well written songs with great lyrics filled with heavy guitars, Hammond riffs and solos and fantastic vocals.
 I'm Awake, Carry On Life by SONIQ CIRCUS album cover Singles/EPs/Fan Club/Promo, 2020
2.00 | 1 ratings

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I'm Awake, Carry On Life
Soniq Circus Heavy Prog

Review by Steve Conrad

— First review of this album —
2 stars Herky-Jerky Circus

Does Not Gel

Sorry, this EP from Sweden's SONIQ CIRCUS has some of the right ingredients- the circus has clowns and highwire artists and glitz and glamor- but it somehow doesn't hold together well.

It was hard to come by (how is it bands don't make this information easily available?) but here's the current lineup: Alexander Abrahamsson (vocals), Marcus Enochsson (guitar, vocals), Marco Ledri (keyboards), Markus Nilsson (bass) and Christer Ugglin (drums).

"I'm Awake, Carry On Life"

This EP consists of four tracks, cleverly mirroring the title of the EP: 1) IM; 2) Awake; 3) Carry On; and 4) Life. It appears to be the third release from SONIQ CIRCUS- the band has apparently been around since 2000; their eponymous debut was released in 2007. Then in 2011 came "Reflections in the Hourglass"; and now, nine years later the subject of this review.

IM

There's a piano intro- and I think the keyboards are done well, a highlight- then a vibrant guitar/bass/drum entry. For my ears, the drums are consistently mixed too high, the bass guitar too low, and I never got fond of the guitar tones. There is a stately progression, imaginative tempo changes, and I'd call the band 'heavy progressive' music. There's a pretty nifty synthesizer lead.

Awake

I like the uptempo, vibrant opening. Catchy choruses are a strength in this EP and certainly here. It's pretty intense. Vocals are just barely ok, rarely making much impression, although there are good harmonies at times. Some soaring guitar leads are nice.

Carry On

The synthesizer opens the track, leading to jaggedy guitar riffs and again some sizzling synthesizer leads. Variable tempos keep the interest, but again, the pieces don't always hang together for me. I like the grand piano, which subsides, and a dreamy, lazy vibe begins, with soaring lead guitar overhead. The hard-driving piano changes the feel, and leads to some treated, rougher vocals- perhaps the most compelling vocal work on the EP.

Life

Drums put down a catchy rhythm, then spritely bass/guitar enter. There's a wistful, offbeat verse with the so-so vocals. This leads to a lovely, stately progression, in which the harmonies and vocal arrangements are nice. Jangly, psychedelic screeching, wailing lead guitar begins to enter, and forces the other instruments into submission, and closes the EP with a yowl.

Highs- drums, keyboards, some of the progressions. Lows- didn't gel, didn't feel well composed, mix seemed iffy.

My rating, 2.5 stars. I think this circus has better days ahead if they choose to do so.

 Shape Without Form by GHOST TOAST album cover Studio Album, 2020
3.62 | 75 ratings

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Shape Without Form
Ghost Toast Heavy Prog

Review by nick_h_nz

4 stars [Originally published at The Progressive Aspect]

I reviewed this album from Ghost Toast immediately after the debut from, Ajna. Luckily, I think I chose to listen to these two Hungarian post-rock bands in what turned out to be the best order, for after listening to Ghost Toast, I might have been underwhelmed by Ajna ? and that would be unfair, as Ajna's Rengeteg is a wonderful album. But if Rengeteg is wonderful, then Ghost Toast's Shape Without Form is phenomenal! The album is well-named, for while the music fits into the shape of what we call post-rock, it does not have the familiar form. Indeed, so often does the music shift and chop and change, it never has the chance to take any one form. The music is as wispy and whimsical as the band's name implies, and provides constant surprises, which are never less than enjoyable.

You might, however, be forgiven for wondering just what I am going on about when you hit play. The introduction to the opening number, Frankenstein's, is a sumptuous and gorgeous piano piece. But when the guitars and drums kick in after a minute and a half, the contrast with the introductory gentleness really provides even greater 'oomph' to the first post-rock blast of the album than it already has. The piano comes back into play towards the end, and the track ends as beautifully as it began. Ghost Toast say they "love heavy, trippy music and movie scores as well, so we use these elements to create something that is special to us." Frankenstein's encapsulates this perfectly.

Eclipse, contrarily, begins quite brutally, but takes time out for some nice laidback passages. Over its eight minutes, it neatly and smoothly shifts between moods, and there are some very tasty jazz breaks in there. László Papp is a monster on the drums, whether he's hitting hard and fast or lightly and deftly. Y13 lets János Pusker shine again, as his piano playing again leads us in. In fact, Pusker's cello also features. This is a very cinematic piece, with that feel enhanced even more by the use of voice samples from film. It's fairly laidback for the first four minutes or so before it picks up pace. As with the opening track, the piano finishes the track in a beautiful fashion. This is easily one of my favourite numbers on the album, surpassed only by the closing number, W.A.N.T.

Next up is Hunt of Life, which is, according to the Bandcamp page, a cover of an Icelandic folk song called Krummavísur. But don't expect this to sound Scandinavian. It's a full-on dub track, and the reggae vibe is really very cool. It's too easy for a heavy band to sound cheesy, and very difficult to get right. I can think of only two other heavier bands who have succeeded as well as Ghost Toast do here ? Blindspott and Trio. Of course, this being Ghost Toast, I've learnt by now that the band is unlikely to stick to one style within a song, and it changes towards the end. But, as always, it works. The song is also quite interesting for the lyrics to Krummavísur, along with the spoken introduction, are by Kelly Jenny, who the band appear to have found on YouTube. Intrigued, I couldn't resist searching for Kelly Jenny's YouTube video, and no offence intended to Jenny, but Ghost Toast really take her version to a whole new level of awesome!

From the upbeat Hunt of Life, the melancholic Follow, uh, follows, sounding mystic and mysterious. A psychedelic and spacey treat with an Eastern vibe, almost reminiscent of Ozric Tentacles. And then the guitars pound in at approximately the two-minute mark. Wow! Once again, Ghost Toast know how to make an impact. The riffs are somewhat Black Sabbath-like, and there's a wonderful disparity between the psychedelia and metal playing off against each other. The Eastern vibe continues with Before Anything Happens, at least within the introduction. This is the second shortest track on the album, but it manages to pack a heck of a lot into it, with some more gorgeous piano, and plenty of twists and turns.

The band leave the best until last, though, as I intimated earlier. The final track W.A.N.T. is simply amazing. A feast of samples, riffs and beats that I can't begin to adequately describe. It's aggressive. It's melodic. It's mesmerising. This one track is the entire album in microcosm, and it's as brilliant as the whole. Quite simply, Shape Without Form is one of the most impressive and engaging post- rock albums I've heard. Wow! Just, wow!

 Realm by BLOODY MALLARD, THE album cover Studio Album, 2020
3.00 | 5 ratings

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Realm
The Bloody Mallard Heavy Prog

Review by nick_h_nz

3 stars [Originally published at The Progressive Aspect]

The Bloody Mallard are a new band for me. The tags on their Bandcamp page indicate, in various permutations, that the music will be heavy, psychedelic and progressive. The band's website states that "musical influences can be heard from bands King Crimson, Pink Floyd, Baroness, Yob and Elder though they stem a lot further?" And while that might give you some idea of what the band sound like, be prepared for the edges of that idea to be stretched somewhat. The Bloody Mallard are all over the place, in terms of style and sound. So what does debut album Realm sound like?

The opening number of the album, Haemoglobin, begins with a delicate acoustic instrumental introduction that reminds me, of all things, of early Queen. That's not a bad thing because I love early Queen, but I am reminded of Brian May's dulcet tones for the first minute or so, before the piece turns into a strange hybrid reminiscent of early King Crimson and later Tool, through a filter of doom. Then some really nifty bass, after which we can introduce some classic stoner, a la Kyuss, yet remaining Crimsonesque all the while. Confused, yet? Well just wait a little, because the band are about to throw some post-rock in the mix too. This is a glorious combobulation ? and I don't know that there is such a word, but there should be, and The Bloody Mallard should be the definition as they manage to bring together something cohesive out of what appears to be a state of confusion and disarray. The track appears to come to an end after around seven minutes, but there are still another three or four to go. I absolutely love the almost heartbeat-like gentle rhythm (appropriate enough, given the track's title) that brings to life the extended coda to Haemoglobin, before it explodes once more, with final notes reminding me a little of Rush (just to add another name to the mix).

The next track, Subject to Entropy, is one of the few singles that have been released prior to the album, juxtaposing giant slabs of heaviness with more quiet passages that still simmer with menace. If the first track showed combobulation, then I guess this track should show discombobulation. But if this is entropy, it's hardly a deterioration into decay and disarray. In fact, the final 40-seconds or so, with their clean acoustic sound, are even more beautiful for the contrast with the fuzzy walls of distortion that preceded them. It's no wonder the band picked this as a single to promote the album, as it's a real gem!

Sandwiched between Subject to Entropy and another single, Noble Rot, is a very pretty piece called Reversion. It's short and sweet, but while it's not too sweet, I do find it far too short. I'd really have liked for this to develop a little more. It ends, if not abruptly, as if it were about to go somewhere, but then just trails off. Still, Noble Rot makes up for any disappointment fairly swiftly. It makes for a very solid centrepiece, and I love the Floydian middle section ? easily one of my most favourite moments within the album. Of course, it doesn't last too long, before being pummelled away. Despite being in the middle of the album, Noble Rot acts somewhat like an overture. I guess maybe the overture was subject to entropy, too, and in the chaos, it fell here, rather than the beginning. It works incredibly well, though, recalling what has come, and foreshadowing what is to come.

And boy, what is to come is pretty darn good. I love the two parts of Ceremonious Synapses, which appropriately enough fire off in every direction. The Bloody Mallard don't state Tool as one of their influences on their website, but I'd be surprised if they aren't one. I hear Tool throughout the album, in some places more than others. Ceremonious Synapses (i) and (ii) definitely have such places. The second part, particularly, has a very nice Tool vibe in its introduction. And I have to say that Ceremonious Synapses (ii) is probably my favourite track on the album. It is described by the band as being the most climactic moment, and I can't argue with that.

Despite The Bloody Mallard being a group formed by guitarist Tom Walding, and the walls of sound and delicate textures he creates being an integral part of the band, throughout the album I am drawn time and time again to the rhythm section of Raihan Ruben (bass) and Jake Bradford-Sharp ? particularly the drums of the latter. There are so many moments where much of the atmosphere is provided by the drums, and the rolling drums in the final couple of minutes of Ceremonius Synapses (ii) are just one example. They end the track with real style. But there is no getting around the fact that this is one hell of a power trio, who are all in each other's pockets. There's no other explanation for how well they stitch together the various sounds and styles that make up this album.

We're left with the attractive and reflective Dawn to close out the album. Like Reversion, this is a fairly short number, but here the length seems perfect. After Ceremonious Synapses (ii) anything longer would have felt superfluous. In structure, if not sound, this track also reminds me of Brian May and early Queen, as it almost replicates the feel of his "never-ending staircase" that bookended the A Day At The Races album. It definitely provides a perfect closure to an album full of surprises and enjoyment. This is an incredibly impressive debut, and it will be very interesting to see where the band goes from here. If live performances ever exist again beyond the online watch parties that are the new norm, then I will definitely try and attend a The Bloody Mallard gig. Their sound is contained and somewhat restrained by recording in the studio. I would love to be subject to the entropy of a live performance!

 Permanent Waves by RUSH album cover Studio Album, 1980
4.28 | 2098 ratings

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Permanent Waves
Rush Heavy Prog

Review by Hector Enrique

4 stars Permanent Waves is one more demonstration of the excellent state of form of Canadian virtuosos, incorporating some less harsh sounds and new wave touches to their progressive proposal. It is thus that the keyboards that Geddy Lee alternated with the bass, acquire greater weight and begin to look at Alex Lifeson's guitar riffs more closely, challenging part of their prominence. On the other hand, Neil Peart's percussion does keep the same old line, a master class on how to play the drums.

The album unfolds with a lot of vitality, from Alex Lifeson's meandering guitars in the festive and captivating The Spirit of Radio, a brushstroke of reggae in between and crowned by the interaction of an audience that responds to the challenge, through the epic and hypnotic Jacob's Ladder that reminds us of a biblical passage from Genesis, up to the final and indisputable jewel of Permanent Waves, the magnificent and super progressive Natural Science, ideal for the instrumental display of the trio in the 3 sections that compose it in their most of 9 minutes, being this one of the last extensive pieces of Rush (the last one ended up being The Camera Eye of the mega-successful Moving Pictures).

In between, the dynamic and more digestible Freewill and Entre Nous, and the delicate and at times inconsequential ballad Different Strings, perhaps the most debatable song on this great album. The duration of these three pieces would be the example of the new standard from now on, themes not so extensive and more direct, leaving little by little the intricate conceptual developments.

Permanent Waves implied one more evolution in Rush's musical career, they extended their horizons into new territories, but without neglecting or betraying their essence. Excellent work starting in the eighties.

 Virus by HAKEN album cover Studio Album, 2020
3.71 | 172 ratings

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Virus
Haken Heavy Prog

Review by Corcoranw687

5 stars This album is crazy. I can't think of any other album from 2020 I've heard so far that defines "progressive rock". These guys are not sound chasers, looking to recreate the musical palette of older bands. This is an album that only cites one influence, and it cities it so heavily you can't help but wonder what they were even thinking when they decided to take a chorus from one of their most popular songs and make a 20 minute epic out of it? I don't even know where to start with this album, so I'll start where I think they want me to; their previous album. This album continues the story of the previous album, and yes there was one. Something very important here is listening over and over again with the lyric booklet, to both of these albums. This is some "Lamb Lies Down on Broadway" level stuff, I keep listening and the picture becomes easier to visualize. This is such a multi-layered puzzle box with such clear layers and pieces, it's incredible really. This is a collection of two albums that never stops giving... I want to take a quick look at each track and then what I think makes this truly a perfect album.

I've seen several reviews call Prosthetic a "to the point opener", someone even likened this track to Fear Factory which I think about every time I listen to the first 90 seconds of focused heavy metal playing. This begins simply and then starts to unravel, as Haken like to do, and within those 90 seconds you have 6 or 7 different riffs and sections, but it never feels too frantic or unfocused. Invasion continues, reminding one of Leprous at first before giving that distinct sound I call the "Haken chord", also found at the start of Puzzle Box on the previous album. Carousel might be the best Haken song overall and I don't want to say much more, what a brilliant progression of sections. The Strain is delightful, Haken like to put a slower piece in the center but the reduced BPM doesn't change the fact they are crafting a brilliant song, within the confines of a longer story and theme, and all musicians are constantly showing off in a very non-obnoxious way. Here we can draw comparisons to Rush. Canary Yellow is slow and deliberate, once again a nice song, an attempt to calm us before we are attacked again. The production stands out here more than ever; this album sounds beautiful. There are so many tracks at once and everything sounds so...correct. Everything breathes the way it should and not one note ever sounds out of place or poorly mixed. The praise doesn't stop as we reach Messiah Complex which still baffles me, and I have heard this album well over 100 times now. What other band just... takes a piece of an older song and makes it a new song, and we all love it? We listen to them repeat pieces of Vector and The Mountain in a new context and I don't speak for everyone, but I don't groan, I think "this is such a confident and complete piece of music". Haken have done pieces of similar length before, but this one has about one minute of "downtime" in part 3, otherwise it's a constant heavy metal epic. Calling back to their own achievements, wearing their influences on their sleeves and creating something new because they can. Only Stars is a great ending, about 2 minutes of Ross Jennings and atmosphere. I don't need anything else from a closing track. If this ended a concert I would probably be the first audible "WOOO".

If you've skipped out, please listen. This is a sequel to Vector, although I honestly don't hear any sort of connection between A Cell Divides and Prosthetic, apparently they are a bridge between the albums? 2018's Vector and 2020's Virus are Haken's defining statement and I agree with it. Haken are telling us they have only been around for 10 years, and yet they are the future of their own type of music. I appear to be able to listen to this every day and encourage you to try it if you haven't. Easy 5 stars

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
41POINT9 United States
4X United Kingdom
99 NAMES OF GOD United States
ABASH Italy
ABIGAIL'S GHOST United States
ABOUT:BLANK Italy
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALIZARIN United States
ALL SHADES OF WRONG Spain
ALTERED STATE United States
ALTHEA Italy
AMALGAM EFFECT United States
AMERICAN DRAFT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANIM8 Australia
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ARTYFICTION Poland
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
BARON CRÂNE France
DAVID BARRET TRIO Canada
BASS INVADERS United States
LUFEH BATERA United States
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLÅ LOTUS Sweden
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK THUNDER Canada
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
THE BLOODY MALLARD United Kingdom
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
THE CALMER United States
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN KICKARSE AND THE AWESOMES Australia
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CIDEVANT Germany
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
THE CYBERIAM United States
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DCODED Spain
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EAT GHOSTS / MINERVA Germany
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
DANIEL ELISEEV PROJECT (D.E.P.) Bulgaria
ELONKORJUU Finland
EMPIRE BATHTUB United States
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
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EVERON Germany
EVERY OTHER FATE United States
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FRAME Germany
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FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
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H.A.A.S. Colombia
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HAIL THE SUN United States
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IZ United States
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HEDVIG MOLLESTAD TRIO Norway
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MRS. KITE Germany
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NO BRAIN CELL Greece
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NO MORE PAIN United States
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NOW IN COLOR Australia
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OPUS 3 Chile
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PHI Austria
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PINKROOM Poland
PINN DROPP Poland
PINNACLE United States
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PLAYGROUNDED Greece
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PORTMAN Croatia
POSEIDOTICA Argentina
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PROGRESIV TM Romania
PSIGLO Uruguay
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PUGH'S PLACE Netherlands
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PULSONICA Argentina
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RAINBOW FACE United States
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RAM United States
RANTAMA Finland
REACHING REVERY United States
RED STAR REVOLT United States
REFRAME United States
RENAISSANCE OF FOOLS Sweden
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ROLE OF THE OBSERVER United States
ROOM United Kingdom
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JASON RUBENSTEIN United States
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAELIG OYA France
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SILJAN France
SKELETONBREATH United States
SKORE Hungary
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLARHALL Finland
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
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SPECTRUM Chile
SPETTRI Italy
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SQUAT CLUB Australia
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ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
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STORM AT SUNRISE United States
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STRATEGY United States
SUBLUNAR Poland
SUBSPACE RADIO Finland
SUGARLOAF United States
SULPHAT' KETAMINE France
SVANFRIDUR Iceland
SWEET HOLE Spain
SYLVIUM Netherlands
T2 United Kingdom
TAKE ME FAR AWAY Russia
TDW / DREAMWALKERS INC. Netherlands
TEA Switzerland
TELEPATH Norway
TEMPEST United Kingdom
TERMINAL DEGREE United States
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THEM MOOSE RUSH Croatia
THEMATIC United States
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THÖDOL France
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME COLLAPSE Greece
TIME TRAVELLER Finland
TINKICKER Denmark
THE TIRITH United Kingdom
KALIN TONEV Bulgaria
TRANSIENCE Australia
TRAUMPFAD Germany
TRILI Puerto Rico
TWENTY SIXTY SIX AND THEN Germany
TWIN PYRAMID COMPLEX Sweden
TWO CHILEKINGS Philippines
TYBURN TALL Germany
UNBROKEN SPIRIT United Kingdom
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
VÉLOOO France
VEMM Italy
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VIVALMA Brazil
VOLVOX Argentina
VON FRICKLE United States
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VOTCHI Czech Republic
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WALRUS United Kingdom
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WARPICKS Norway
WARPIG Canada
WATERLOO Belgium
WEEND'Ô France
ANDY WEST United States
WHERE ARE YOU LIAM? Russia
WHITE WITCH United States
WICKED MINDS Italy
THE WINDMILL Norway
WITCHWOOD Italy
WRITING ON THE WALL United Kingdom
XANADU Poland
YANG France
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YSMA Germany
YURT Ireland
YYNOT United States
Z.O.A Japan
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ZION Italy
MICHAEL ZUCKER United States
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ZYDRA Chile

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