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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current team members:
as at 1/3/2020

Louis (rdtprog)
Thanos (aapatsos)
Mike (TCat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.39 | 2977 ratings
MOVING PICTURES
Rush
4.38 | 2536 ratings
HEMISPHERES
Rush
4.33 | 2342 ratings
A FAREWELL TO KINGS
Rush
4.28 | 2167 ratings
PERMANENT WAVES
Rush
4.27 | 2644 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.26 | 2603 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1257 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.17 | 1217 ratings
THE MOUNTAIN
Haken
4.19 | 845 ratings
SALISBURY
Uriah Heep
4.11 | 2204 ratings
2112
Rush
4.15 | 704 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 2070 ratings
DEADWING
Porcupine Tree
4.11 | 1130 ratings
VISIONS
Haken
4.13 | 740 ratings
LOOK AT YOURSELF
Uriah Heep
4.07 | 1387 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 948 ratings
FRANCES THE MUTE
Mars Volta, The
4.07 | 816 ratings
DEMONS AND WIZARDS
Uriah Heep
4.06 | 1092 ratings
AQUARIUS
Haken
4.24 | 150 ratings
CHRONICLES OF THE WAKING DREAM
Arcane
4.02 | 1564 ratings
LIGHTBULB SUN
Porcupine Tree

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

SNEAK ME IN
Lucifer's Friend
A COMPLEX NATURE
Yang
MMOIRES INCUBUSSIENNES
ExCubus
HIGH TIDE
High Tide

Latest Heavy Prog Music Reviews


 The Days the Clock Stopped by TDW / DREAMWALKERS INC. album cover Studio Album, 2020
4.27 | 9 ratings

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The Days the Clock Stopped
TDW / Dreamwalkers Inc. Heavy Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

5 stars I have known Tom de Wit for a few years now and have always been greatly impressed by his work and style, which generally involves him telling stories in a truly progressive metallic style quite unlike any other. When we were talking about his next release, he asked me if I would say a few words about his music for the documentary which would accompany it, and of course I agreed, so for the third consecutive week here I am reviewing something where I have a presence. Knowing what the album was about, I felt obliged to play the accompanying DVD first, which not only incudes a lengthy interview, the uncut footage of those who were asked to take part, the music video for 'Death and Her Brother Greg', but a full-length documentary on Tom. Given he dislikes being the centre of attention, this must have been incredibly hard and personal for him, as those included in the interview are his parents. Here we discover about his mental struggles with high sensitivity, as well as the severe gastric issues he suffered which led to the insertion of a stoma, and Tom very nearly dying.

The reason for having such a personal documentary included with the album, is that unlike other times when Tom has been putting himself into a persona, here he discovered when writing that he was no longer talking about a character, but instead was telling his own story. This is one of those releases where it is important to play the DVD before playing the music itself, as it adds a great deal to what the listener is hearing. Unsurprisingly, emotions run high through this album, yet somehow Tom keeps it together, giving his guests room to add their own touches to the material, which is as varied and non-standard as I have come to expect over the years. That it is progressive is never in doubt, but he also moves into the more theatrical area beloved of Clive Nolan, with the choirs definitely adding to the overall impact.

It is an album which required the listener to pay attention, and all the lyrics are included in the booklet which contains full details of who played and sang where. This reminds me of the old days when one sat with the album sleeve and (hopefully) lyrics, and that is where the most benefit can be gained, really becoming involved with the music and living the words. There are times when this is considered, times when it is frantic (Marco Sfogli's quick solo in 'Clockstop ? Insight 2' is awesome), yet always it is designed to engage with the listener on an incredibly personal level. The music is dramatic, always searching and driving, and there are times when this feels more like a modern classical piece than a metallic masterpiece, but it is both. The line where Tom says "The moment I came to terms with my mental pain, the physical pain reared its ugly head" is almost whispered, and in total contrast to the maelstrom happening musically, demonstrating just what he was going through.

Immensely personal, this is yet another stunning release from Tom, where he really has bared all and left nothing behind, even allowing his stoma to be visible in the video. This must have been incredibly draining for all those involved, as it is all so very real indeed. This is Tom's life, his struggle, and he has put it out there for all to see in a stunning piece of music.

 All the World's a Stage by RUSH album cover Live, 1976
3.85 | 481 ratings

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All the World's a Stage
Rush Heavy Prog

Review by Uruk_hai

3 stars Review #93

It is not the first time that I say this (probably not the last time either) but, with a very few exceptions, I'm not a huge fan of live albums, that is because the songs almost never sound interestingly different to the studio versions so I rather listen to the original album and this is not an exception.

This album was both recorded and published in 1976, right after "2112" (which was the main plate on the table) and it features songs from RUSH's first four albums; LEE, LIFESON and PEART were in their better days and of course the energy on stage is almost palpable but with a lack of improvisation these performances sound just the same as the studio versions and that makes the album only entertaining but not at all indispensable.

 Clockwork Angels by RUSH album cover Studio Album, 2012
3.94 | 1128 ratings

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Clockwork Angels
Rush Heavy Prog

Review by Uruk_hai

3 stars Review #92

"Clockwork angels" was the last studio album of RUSH, it was released in 2012 and it got both good and bad qualifications by the fans and the media. Back in those days, I was obsessed with the seventies records of Prog, so when I heard this album on Grooveshark it was not at all an album that I liked, but here I am almost 10 years later opening my brain and heart to give it a second chance and I have to say I've been unfair with it.

Of course, RUSH never got as good as it was in the seventies, I've been saying that in almost every RUSH review I've written, but "Clockwork angels" (as much as "Snakes and arrows" did) could bring back a little of the original hard rock style that RUSH had in their first albums, I'm not talking about the "A farewell to kings" or "Hemispheres" albums, this record sounds (at least to me) more similar to "Fly by night" and "Caress of steel", when they were a manliy Hard Rock band (with a lot of school of DEEP PURPLE, LED ZEPPELIN and WISHBONE ASH) than a Progressive Rock band but of course: this is not a band of youngsters anymore, the music played in this album was clearly made by mature old men and that absolutely marks a difference.

RUSH is without any doubt one of the most influential Rock bands ever, along its career they recorded lots of albums, some amazing ones, some not that much and I think this is right in the middle. It was a great way to close the catalog of such an important band.

 A Missing Chromosome by MARS VOLTA, THE album cover Singles/EPs/Fan Club/Promo, 2005
3.49 | 34 ratings

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A Missing Chromosome
The Mars Volta Heavy Prog

Review by Kempokid
Collaborator Prog Metal Team

4 stars While A Missing Chromosome might be little more than a bootleg compilation of b-sides along with the entire Tremulant EP, this is still without a doubt one of the most interesting bonus track collections I've heard. Not only do the tracks sound interesting and varied, but they're able to paint such a profound representation of the band's journey up to this point. The EP tracks at the start show off the post-hardcorish beginnings of the band, before things delve further and further into surreal, experimental territory that showcases the band's ability to craft detailed, evocative soundscapes. Say what you will about Bible and the Breathalyzer, some might consider it an unsuccessful experiment, but it still feels very clear that the band had the ability to move far away from those more immediate, instantly catchy and frenetic tracks from their earlier days. A Plague Upon Your Hissing is especially interesting as well thanks to the fact that it feels like a first draft of one of their most harrowing and amazing songs, Day of the Baphomets, channelling this sense of manic, anxious energy but with a distinctly heavier edge here than on the final version of the track. Frances the Mute also manages to be just as great as most of the album by the same name, so to miss out on such a masterpiece is doing a disservice if you're anything of a Mars Volta fan. So once again, despite the fact that this is a bootleg compilation of songs, it's honestly really worth a listen if you're a fan of the earlier works of the band, extremely effective as a standalone and even more effective as yet another piece of history.

Best tracks: Frances the Mute, Concertina, A Plague Upon Your Hissing

Weakest tracks: Ambuletz

 Snakes & Arrows by RUSH album cover Studio Album, 2007
3.57 | 1005 ratings

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Snakes & Arrows
Rush Heavy Prog

Review by Uruk_hai

3 stars Review #91

I gave 2 stars to "Grace under pressure" and after that, I did the same with every single RUSH album until "Vapor trails", so it made no sense to write a bunch of reviews about the same band saying exactly the same and rating every album with the same amount of stars, so I just rated the albums without writing any review until now and why did I decide to write a review about "Snakes and arrows"? What was different? Well, for starts I'll give one more star to this album because I find a lot of reminiscenses to RUSH's great albums from the seventies and start of eighties, this album got originality and clearly an improvement in the quality of the compositions.

The style of "Snakes and arrows" is probably not as Heavy and powerful as "Hemispheres" or "Permanent waves" but cat least it has a lot of interesting and fresh songs such as "Spindrift" "Faithless" or "Armor and sword", we can hear a very revitilized band with very original material that doesn't sound as mototonal and boring as the previous 8 or 9 previous albums of the band. RUSH had a tremendous change of style in this record, it is probably their only album after "Signals" that I would ever buy.

 Scab Dates by MARS VOLTA, THE album cover Live, 2005
2.72 | 111 ratings

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Scab Dates
The Mars Volta Heavy Prog

Review by Kempokid
Collaborator Prog Metal Team

1 stars The idea of letting a band as wildly creative as The Mars Volta go completely all out in a live setting sounds frankly incredible on paper, seeing what sorts of surreal jamming can be done to build upon some of their pre-existing material. Unfortunately, what ends up happening on Scabdates is the band completely losing themselves in the process with these long stretches of meandering nonsense that seems to have a total lack of grounding. This is just an all around awful live album for the most part, not just in terms of the compositions themselves being all over the place, but even in terms of the performances themselves. Nobody here seems to be anywhere near in top form, with the instrumentation feeling very messy and Cedric's vocals making him sound like he's half asleep and just going through the motions. The songs themselves rarely benefit from their extended runtimes either, with the additions feeling extremely redundant for the vast majority of the time and not even really lining up with anything else they try to achieve, feeling entirely disconnected from the core that's being built off. Not entirely worthless since you've got parts 2 and 3 of Cicatriz which do in fact work really well, extending things in a more natural way and even including a bit of David Bowie's Ashes to Ashes, which was a very charming moment, but then it ends up devolving into 20 minutes of weird effects and field recordings and goes back to the negatives. I guess this just shows what happens when a band just gets a bit lost in their own madness and self-indulgence, because this ends up having next to none of the appeal that the band typically would have.

Best tracks: Concertina, Cicatriz part 2 and 3

Weakest tracks: Abrasions Mount the Timpani, Caviglia, Cicatriz part 4

 XM  by PORCUPINE TREE album cover Live, 2003
3.70 | 154 ratings

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XM
Porcupine Tree Heavy Prog

Review by Gallifrey

4 stars Listening diary 21st January, 2021: Porcupine Tree - XM (progressive rock, 2003)

Of all the (far too many) live albums Porcupine Tree did (and are still doing, thanks to their new bandcamp), this is probably one of the most pointless. It's not even a live album, but a live-in-studio performance, with material almost all from one album. It's almost the definition of a fan club release, but I still absolutely adore this material, so I still enjoy it. I will say that I love the version of "Gravity Eyelids" here in particular, with Steven's voice being a bit more vulnerable. But on the other end, they've never done "Slave Called Shiver" well on a live recording - it just doesn't work without the robot voice.

7.3 (2nd listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Into the Wild by URIAH HEEP album cover Studio Album, 2011
3.37 | 161 ratings

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Into the Wild
Uriah Heep Heavy Prog

Review by TCat
Forum & Site Admin Group Eclectic / Prog Metal / Heavy Prog Team

3 stars It says a lot that Uriah Heep, had finally got away from the revolving door of members coming and going in 1987. Except for the departure of long-time drummer Lee Kerslake in 2007 for health reasons, the line-up has remained the same with Bernie Shaw on vocals (you could pretty much say that he is the voice for UH now), forever UH member Mick Box, the only original member that has been with the band through everything, Phil Lanzon on keys, Trevor Bolder on bass and finally, Kerslake's replacement Russell Gilbrook on drums.

So, this line-up has had a lot of time to get familiar with each other, and quite honestly, they play as quite a tight union. The main problem is they have pretty much settled into a rather typical hard rock sound that has very little to do with progressive rock anymore. It's all quite straightforward, and the band has seen some success in a few countries with this formula.

To me, the music just doesn't stand out anymore as anything other than another good hard rock band. It is good that the band has found a foothold in their style, and they still get to show off the talents of their main players, Box on some really great guitar solos and Lanzon on the organ, they have that Deep Purple vibe, but with a rather formulaic and unoriginal sound. But, they do it well, don't get me wrong, it's just not music that stands out for me now. Deep Purple, the band that they are always compared to, at least has managed to incorporate their unique style into a current style of heavy rock, where Uriah Heep just pretty much sounds like any hard rock band and don't have enough uniqueness to keep them interesting, even in the non-progressive universe.

It always seems, however, that the band can still pull off a few really great tracks on each of their later albums. One of these is the real standout "Trail of Diamonds" which begins as a nice ballad-style and later evolves into an interesting heavy track with some excellent guitar and organ work, and even some great vocals from Shaw. This singing on this track tends to bring back some of the emotion we felt from the band in their early years, and that is always a big plus on a UH album. More emotion like this would help to raise the overall rating, but, unfortunately, this gets lost in following the formula and staying safe. At this point, UH is pretty much just maintaining the fans they have and not really winning over new fans or bringing back old fans that have lost faith in the band. More variety would have helped out too, but at least they still find time to allow Bolder to sing lead on one track, "Lost". There is a great organ solo at the end, but it fades too quickly. This track has some merit in that it is the last time we would hear his vocals and this album is the last time he plays for the band as he passed away from pancreatic cancer in 2013 and was replaced by Dave Rimmer who remains with the band today. There is one more standout moment with the ending track "Kiss of Freedom". Is it a coincidence that the two best tracks here are the longer ones (over 6 minutes)? Even then, there's nothing surprising here, it's just that these longer tracks seem to be better composed.

What you get here is mostly typical and predictable hard rock. There is plenty of this and the music will appeal to those fans. For me, it's not enough, even to satisfy the hard rocker in myself, as even in my mind, nothing much really stands out. It's just another album with a bunch of songs that could have easily fit on any of their albums released in 1990 to present. It's good, but I can't really recommend anything about it that you can't find on any other hard rock album. For the most part, the soul and fire of the early years is missing and you get a bunch of songs that could have easily come from the assembly line of hard rock songs.

 Asymmetry by KARNIVOOL album cover Studio Album, 2013
3.51 | 124 ratings

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Asymmetry
Karnivool Heavy Prog

Review by Gallifrey

3 stars Listening diary 15th January, 2021: Karnivool - Asymmetry (post-prog, 2013)

Given that these guys have two of my favourite ever albums preceding this, I've always felt like I should go back and try and get this. This was attempt #4 and probably my most successful yet, but I'm still not really sold. I admire them a lot for making this - it's undeniably quite creative and is miles away from Sound Awake just as that was miles away from Themata. But there's just nothing to grip onto - no hooks, no atmospheres, no melody, no riffs. It's got some great drumming and some great production, but I never seem to remember anything from it, which is the antithesis of their first two albums. Perhaps I'll never get it, but at least I know that whenever they emerge with album 4 it won't be them standing still.

6.4 (4th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Driftwood by DEAFENING OPERA album cover Studio Album, 2021
3.39 | 4 ratings

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Driftwood
Deafening Opera Heavy Prog

Review by alainPP

3 stars DEAFENING OPERA, which I have already reviewed in 2018, is releasing a fourth album here following the still present Covid situation. Born in 2005, they quickly orient themselves towards a prog metal sound, here and there approaching PORCUPINE TREE, ARENA, RIVERSIDE, FAITH NO MORE, ETERNITY X, ECHOLYN, GENESIS or SYLVAN! Varied voices with big riffs, planing progressive atmospheres, rhythm breaks, in short a good inventive group. Let's not wait any longer to let you know that this short album is "unplugged" acoustically oriented with a jazzy, folk, funk, country and pop slant; a singular album so let's see what wet, driftwood it is made of.

"Murghab Morning" for an acoustic intro, bass and vibrating percussions, spleen and languid air, ideal for a frank attack !! "25,000 Miles" from 'Blueprint' with a piano starting up, well that reminds me a little of the MAIDEN UNITED and their soft acoustic covers because, you understood it, we are good on that; I read a column from someone who didn't know them, he thinks it's their trademark, you need to learn a little! Repetitive Philip GLASS piano, the rest kind of acoustic beef.

"Snowman's Meadow" folk-song unplugged on jazzy notes, it's sweet, fresh, long gradually, cool. "Outlaw Feline" on a more country rhythm, a fast tune that we dream of having the electric guitar that arrives just in time for a few notes with bluesy overtones. "As Night and Day Collide" by 'Let Silence Fall' on piano, slow, majestic, jazzy drums; another facet of a heavy prog track at the base, confusing, the accent is also put on the vocals in chorus for a reworked ballad. "Farewell Kiss" with here a banjo that adds even more to the pleasant countertop acoustics; musical sweetness to listen to after work in a trendy lounge bar; aside with the voice of Alexandra in duet with Adrien; a very bluesy slide solo adds a moderate atmosphere.

"Man and Machine" covers their latest too; rhythmic intro which can shock, the tune arrives soft, bluesy again then takes off in all moderation; the shattered notes and the acoustic riff energize, the keyboard solo then the guitar solo tries to get us off the ground but we are too much in the memories of their electric antics. "Little Stone" ends this album with the same observation, a soft acoustic song whose chorus easily stays in mind.

DEAFENING OPERA without warning gives us the hit of the acoustic album, rather unplugged, but with new titles and only three covers; acoustics filled with sensitivity, stylized, pleasant to listen to both jazzy and country sounds. A well done album with beautiful melodies which hardly has any place here given the lack of progressive depth that one would expect at a minimum. Let's wait and see the next? electric.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
41POINT9 United States
4X United Kingdom
99 NAMES OF GOD United States
ABASH Italy
ABIGAIL'S GHOST United States
ABOUT:BLANK Italy
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALDI DALLO SPAZIO Italy
ALGABAS Russia
ALGARAVIA Brazil
ALIZARIN United States
ALL SHADES OF WRONG Spain
ALTERED STATE United States
ALTHEA Italy
AMALGAM EFFECT United States
AMERICAN DRAFT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANIM8 Australia
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APAIRYS France
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ARTYFICTION Poland
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
AZURE United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
BARON CRNE France
DAVID BARRET TRIO Canada
BASS INVADERS United States
BASTIAN PER Argentina
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BEAUTIFUL BEDLAM Australia
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BL LOTUS Sweden
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK THUNDER Canada
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
THE BLOODY MALLARD United Kingdom
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BOSS KELOID United Kingdom
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
THE CALMER United States
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN KICKARSE AND THE AWESOMES Australia
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHAIN REAKTOR Netherlands
CHOLO VISCERAL Peru
CHROMATIC ABERRATION United States
CHRONOBUNNY Norway
STEVE CICHON United States
CIDEVANT Germany
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONFUSION FIELD Finland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
THE CYBERIAM United States
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DCODED Spain
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DJ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRIVEBY Austria
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EAT GHOSTS / MINERVA Germany
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS Australia
ELIAS HULK United Kingdom
DANIEL ELISEEV PROJECT (D.E.P.) Bulgaria
ELONKORJUU Finland
EMPIRE BATHTUB United States
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
EPIZOOTIC Sweden
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FLYING CIRCUS Germany
FORGOTTEN SUNS Portugal
A FORMAL HORSE United Kingdom
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GIANT STEP Indonesia
GLARESHIFT Italy
GLASSWING United States
GLASSWORK Spain
GLISTENING LEOTARD Germany
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
GUPPY FISH Greece
H.A.A.S. Colombia
HACKBERRY Netherlands
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
HOLLINGSHEAD Sweden
EL HOMBRE ASTRAL Spain
HST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
I VIAGGI DI MADELEINE Italy
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIN Costa Rica
INVASIVE SPECIES United States
L' IRA DEL BACCANO Italy
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JOVIAC Finland
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KALEIDOREAL Sweden
KARMAMOI Italy
KARNIVOOL Australia
KEPLER TEN United Kingdom
KES Turkey
KETTLESPIDER Australia
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