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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2359 ratings
MOVING PICTURES
Rush
4.37 | 1990 ratings
HEMISPHERES
Rush
4.34 | 1848 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1722 ratings
PERMANENT WAVES
Rush
4.24 | 2134 ratings
IN ABSENTIA
Porcupine Tree
4.24 | 2165 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.20 | 1071 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 906 ratings
THE MOUNTAIN
Haken
4.19 | 492 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.16 | 649 ratings
SALISBURY
Uriah Heep
4.10 | 1759 ratings
2112
Rush
4.10 | 1729 ratings
DEADWING
Porcupine Tree
4.09 | 897 ratings
VISIONS
Haken
4.08 | 891 ratings
AQUARIUS
Haken
4.06 | 1130 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.10 | 561 ratings
LOOK AT YOURSELF
Uriah Heep
4.06 | 788 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1278 ratings
LIGHTBULB SUN
Porcupine Tree
4.06 | 631 ratings
DEMONS AND WIZARDS
Uriah Heep
4.11 | 357 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

A COMPLEX NATURE
Yang
SKELETON IN ARMOUR
Fusion Orchestra
ZOOMA
Jones, John Paul
ZUNDAPP
Zundapp

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Latest Heavy Prog Music Reviews


 Quantum Space by PORT MAHADIA album cover Studio Album, 2016
3.83 | 3 ratings

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Quantum Space
Port Mahadia Heavy Prog

Review by Mastyrx1979

4 stars Once again Melodic Revolution Records has released a quality recording that appeals to the entire span of the progressive rock/metal spectrum. One of their recent signings is Paducah, Kentuckys' very own Port Mahadia. Coming off a eight year absence and the heels of their previous album Echos In Time, Port Mahadia have returned with their sophomore effort Quantum Space which features eight cover tracks from bands such as Rush, Dream Theater, Yes, The Beatles, Emerson Lake and Palmer, Pink Floyd, etc ... See track listing above. Quantum Space is such the most appropriate title for this venture considering the progressive span of covers the band undertook during the recording of this album. Port Mahadia have a real uncanny ability of covering some other band's songs and place their own stamp of flavor of sound on them. The covers are done with the utmost of consideration and respect as to not bore nore offend the listener, meanwhile maintaining the orginal integrity of the band who originally wrote and recorded them. Instead of a track by track analysis due to the nature of the tracks, I will focus more on highlighting the two originals on Quantum Space , Principle of Disorder and Canna . Principle of Disorder on the surface is heavily prog. However to dig deeper into the track there is so much more going on here. It is written with elements of doom and stoner rock and metal. In a era where time signatures have defined most of the prog community, Port Mahadia even incorporates well crafted guitar solos and even spoken word section. The intro begins with a huge thunderous rhythm section that seem to define the bands signature sound even more so than virtuosity. Principle of Disorder has elements of 1970's rock and metal with a modern 21st century sensibility. Canna begins with a dynamic drum intro that is soon joined in rhythmic harmony by the bass and rhythm guitar. Port Mahadia seem to be a very heavily rhythm section induced band. Canna opens up just as heavily as Principle of Disorder. Canna eventually levels out into a very avant garde atmospheric track with subtle time changes. At the 1:20 mark it is a straight away driven track in the vein of Bad Company meets Deep Purple. At the 2:20 mark it truly blisters almost into a part heavy metal part heavy progressive AOR track. Like Principle of Disorder, Canna has a little bit for every audio pallet whether progressive or straight away rock and metal. I appreciated the adventure of Quantum Space. The multiple covers where done with integrity while the band gave them its own fresh and crisp flavor and stamp on them. The two original tracks leave the listener wanting more. Melodic Revolution Records definitely has a good sign in Port Mahadia. This gets a 4/5 for the very well written originals and the carefully recorded covers.
 Roll The Bones by RUSH album cover Studio Album, 1991
3.09 | 734 ratings

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Roll The Bones
Rush Heavy Prog

Review by Chicapah
Prog Reviewer

3 stars After taking a long break from going through Rush's extensive catalog of work (and reviewing prog discs at all, for that matter) I sat down and gave this album a few spins recently. I recall all too well that the rock music scene in the early 90s was undergoing a drastic, everything-must-go overhaul due to the emergence and popularity of the grunge movement so I give this trio and all prog artists of that era a mile or two of slack. The "Seattle sound" invasion was akin to the "back to the basics" trend punk rockers instigated in the late 70s in an effort to distinguish themselves from what they considered pompous and preposterous posturing on the part of groups like Yes and ELP. Prog took a vicious uppercut to the jaw and hit the canvas hard. Many acts didn't survive the beating and those who did walked with a limp for the rest of their careers. The sole exception was Rush. They never expected to be accepted in the first place so being quarantined outside the mainstream was business as usual for those guys. The more I've gotten to know about them, the more admiration I have for their sheer audacity and guts to stay true to themselves. I still think "Moving Pictures" was their apex but I also think they scaled the heights of adaptive creativity on '84's "Grace Under Pressure." I find all of their releases to be above average in general but those two really stick out as special. As for "Roll the Bones," it sits comfortably in the "pretty-good-but-not-extraordinary" range.

They open with "Dreamline" and I was immediately struck by Geddy Lee's ever-maturing voice. I, like many others, had a very difficult time handling the screeching chirps that characterized his vocals on earlier efforts and it kept me away from giving the band a fair listen for decades. But beginning with the aforementioned "Grace Under Pressure" the man mellowed substantially and I found his lower register much more to my liking. This number is a dynamic hard rock ditty that showcases their always top-notch production, a reliable hallmark of their recordings, but the composition itself is slightly pedestrian. "Bravado" is next and I was instantly drawn into the track's cavernous depth-of-field and solid groove but the shallow lyric content doesn't stir up anything I can relate to. It doesn't help that Lee doesn't deliver them with suitable conviction. The title track "Roll the Bones" follows and I was bowled over by Alex Lifeson's guitar sound that's huge and impressive. Geddy's synth adds a brassy tint and, while I'm no fan of the genre, their detour into pseudo rap territory during the breakdown section actually provides a welcome relief from predictability. The "life's a crap shoot" theme imbedded in the lyric is attractive, as well.

"Face Up" is a bit of a throwback to their original sound but once again it's hard to take Lee seriously when he doesn't put enough raw passion into his vocal. Especially when he's singing about how angry he is. Gotta give Alex a nod, though. His flaming guitar solo rips a new one. The instrumental "Where's My Thing?" is the best thing on the CD because it's as if they finally stopped overthinking and just let nature take its course. It's awesomely funky and fun with Neil Peart getting to toss in some nifty drum fills. They take a few risks here and there and the enriching payoff proves they were worth it. "The Big Wheel" is next and it comes out swingin' with a Who-ish gritty vibe but the too-relaxed chorus detracts from the powerful verse pattern they'd built up. It would've been more effective if they'd kept this one a simple, straight-ahead rocker from start to finish. "Heresy" begins with a military march beat that promises an epic thrill ride but it ends up being more of the same arena rock fare. I'm not complaining, per se, but I expected something wild to happen and it never did. "Ghost of a Chance" sports the edgier approach that I prefer but alas, the airy chorus sucks all the helium out of the balloon. The song just never quite jells. "Neurotica" is next and, while I have great respect for their continuing to pay close attention to the technical quality of their artistic endeavors, the tune fails to take me anywhere they haven't taken me several times before. Lifeson does wow my ear canal briefly by letting the fur fly on his solo, though. "You Bet Your Life" has the trademark of a progression they might have developed while jamming in rehearsal but, no matter its birth, it manages to shine brightly. The song's chorus in particular is distinct and intriguing. Makes for a good exit.

"Roll the Bones," released on September 3rd of 1991, was their 14th studio album and it marked an upturn in their collective fortunes. By reaching #3 on the American charts it became their first CD to reach the top five since "Moving Pictures" did that ten years prior. I've gotten to know more about Rush due to various documentaries, interviews and live concerts that keep being aired on satellite TV networks and my hat's off to them for hanging in there so long. They really are a remarkable entity but they had their ups and downs just like their peers. "Roll the Bones" is better than "Presto" was but only by a few checkmarks. 3.4 stars.

 Signify by PORCUPINE TREE album cover Studio Album, 1996
3.83 | 1011 ratings

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Signify
Porcupine Tree Heavy Prog

Review by SteveG

4 stars Signify is Porcupine Tree's somewhat disregarded stepchild in that it's a transititional album between their earlier ambient work and their more popular later alternative work. But Signify is a cohessive whole that spans space rock, Kraut rock, Floydian influences and, of course, ambient moods of a darker world (or a darker mind) as suggested by the album's disturbing cover art. And this viseral darkness could only come from the imagine of Steven Wilson.

While Wilson is still the band's primary instrumentalist, even playing some fab mellotron, bassist Colin Edwin and drummer Chris Maitland lock in the twisting groves of this sometimes twisted sounding music to great effect, while deftly dailing back the drama on the album's quieter ambient bassed tracks. It's a delicate balance that both perform well.

The hard question to answer is if prog a fan is missing something by not having Signify in their collection. I would have to say yes, as it's easy to miss much of what this music offers on just a few listens. It's one of those deeper albums that sneaks up on you and that, IMO, is why it's important to experience the music, over and over again, that's on this great album. 4 stars.

 Far From the Sun by SIENA ROOT album cover Studio Album, 2008
4.18 | 21 ratings

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Far From the Sun
Siena Root Heavy Prog

Review by Warthur
Prog Reviewer

4 stars From the cover art down to the musical content, Siena Root's Far From the Sun feels like an artifact from the psychedelic era they are out to recapture. We're talking the more hard-rocking side of West Coast psychedelia, as represented by the likes of The Doors or the harder moments of Jefferson Airplane or maybe just a hint of Vanilla Fudge or early Deep Purple. There are a few whiffs here and there of later psych-prog styles, but for the most part it's an excellent attempt to recapture the sound of a past era without cloning any specific band of that time.
 Permutations by MERCURY TREE, THE album cover Studio Album, 2016
4.35 | 36 ratings

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Permutations
The Mercury Tree Heavy Prog

Review by Warthur
Prog Reviewer

5 stars A genre-bending prog rock mashup of styles, replete with influences that mostly sound extremely modern (there's a high-quality post-rock and math rock foundation to a lot of their music) but with some interesting diversions here and there. (In particular, opener Symptoms has this pulsating, rhythmic style which feels like it's taken from prime zeuhl.) The fact that it's credited as being recorded at "The College of Wizardry & Bongo Fury" is a hint to the band having a good sense of humour, but the music here is serious and smart, offering a technical tour de force with quality compositions that don't ever descend into aimless noodling or waste time with filler.
 A Complex Nature by YANG album cover Studio Album, 2004
3.51 | 12 ratings

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A Complex Nature
Yang Heavy Prog

Review by admireArt
Prog Reviewer

3 stars Precise and creative performance of a Heavy/ Post Rock/Math Rock mixture, tainted with Jazzistic ala Django Reinhardt flavors and brushes with some Rock in Opposition's colors here and there. Meaning for Heavy Prog followers that "heaviness" is more than once or thrice undertoned or even subdued totally in favor of discovering refreshing ways of musical expression.

YANG's first, 2004, release "A Complex Nature", is complex in its clockwork performances not that much in its music composition, which for a first release serves as a promising statement of brighter things to come which if, by luck or work, could explode beyond its own first steps borders in the future.

As for now, the mechanics of team work are quiet well based and oiled, which in turn deliver more than once highly inventive solutions to otherwise quiet well travelled roads. The kind of release that is worth listening to yet ,(unconsciously maybe), makes me wonder how far matters could be taken in the future of YANG's musical idiom. I hope really far because the talent to do so is already there.

***3.5 stars.

 All That You Fear Is Gone by HEADSPACE album cover Studio Album, 2016
3.82 | 119 ratings

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All That You Fear Is Gone
Headspace Heavy Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars This superband is back with the new drummer Adam Falkner to offer us a well crafted melodic progressive metal album with some classical tones. The songwriting is strong showing some inspired musicians that know how to balance technique and emotions. The overall sound is on the metal prog rock side but everything is moderate by the vocals of Damien and some choirs. We have few instrumental passages despite many rhythm changes but not too much to sacrifice the flow of the music. The keyboards, the piano, and some acoustic guitar have plenty space and the band don't use too many guitars solos, but when they do, it's very effective. The production is top notch which always add to the enjoyment of this 70 minutes album. If the band show some influences from Haken in some places and to other bands in the realm of Progressive Metal, they have succeeded to create something refreshing that I am sure many will enjoy.
 Discontinuance by GHOST MEDICINE album cover Studio Album, 2016
3.95 | 6 ratings

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Discontinuance
Ghost Medicine Heavy Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Here we have a brilliant statement, distributed by Jared Leach from Georgia, a singer/songwriter I've never heard of before. He decided to dub his project GHOST MEDICINE, this obviously intended as a working name. At least the second part nails it for some reason. Thematically they are ' ... exploring themes related to the contradictory and inexpressible nature of the human experience ...' - okay, nothing which surprises actually, though quite a broad subject indeed.

Jared can be proud of having excellent musicians on his side, first and foremost Colin Edwin of Porcupine Tree fame as well as expressive drummer Scott Prian. Additionally Sarah Hoefer takes the female vocal part. A surprising facet maybe, one would not necessarily expect. This will fit the album's context in general, and finally her contribution concerning the title track is a real treat. Shiver in the same way for example after some rounds, a rather mellow tune, featuring a slight country rock touch.

Coming to Jared Leach himself, he definitely put's his mark on the album with tricky guitar focussed compositions, hereby often running into heavy and powerful outings like on Desert Spring. His instruments are presented multi-layered, equipped with a properly formatted bandwith of acoustic and electric impressions. So this is partially including reminiscences of Opeth, Porcupine Tree, King Crimson ... very impressing. Furthermore, his voice, while often duetting with Sarah, is top too.

Equipped with some rare synth patterns the representative title track is crossing the ten minute mark, another highlight for sure. A little suite maybe, consisting of different partitions. I especially adore the short and groovy jamming interlude with propulsive bass, while Sarah is adding some ethereal impressions ... anyway, there's a lot to discover here. On a side note, in recent times I could listen to several music projects showing Colin Edwin contributing, 'Discontinuance' is an example which convinces me completely.

 Deadwing by PORCUPINE TREE album cover Studio Album, 2005
4.10 | 1729 ratings

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Deadwing
Porcupine Tree Heavy Prog

Review by Rodrigo Andrade7

5 stars Such a beautiful album, I've heard it countless times...

Let's face it! This is one of the best modern prog albums put out to date, top music written by none other than the talented himself mr. Steven Wilson, which everyone knows, it's one of the main prog heads of this universe.

What can you ask more, when you have a album that is melancholic,dark,heavy,melodic,soothing,wonderful and calm all in one pack jammed together? Seems unreal, but its Deadwing. A brilliant album, it makes me happy that music like this exist. The creativity on this album is off the charts, which is already to be quite expected from Steven Wilson, but I think that its the greatness of making so many different records with so different characteristics from each other thats makes every single of them standout. Highlights: "Arriving somewhere but not here" is clearly, the masterpiece of the album which you should check out, but I also reccomend some heavy and fast paced songs like: "Deadwing" (amazing adrenaline to start up a album) "Shallow" and "Open car" and last but not least "Lazarus" which is the most beautiful track in the album and perhaps the most beautiful song Porcupine Tree has made. The album, is clearly more enjoyable if you listen to it as a whole, in the correct order, which is what I always do, but there goes my highlights anyway, just in case you just want a small touch of it first.

Rating: 5 stars: A masterpiece of progressive rock.

This is not hard for me to rate, as I do feel that the rating for "Deadwing" here is way lower than it really should be, any 3 or less stars reviews for this album are meaningless.

 Grace Under Pressure by RUSH album cover Studio Album, 1984
3.69 | 979 ratings

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Grace Under Pressure
Rush Heavy Prog

Review by maryes

4 stars 4,5 stars !!! "Grace Under Preasure" , how I've said in my review about the previous album from RUSH ( (#1568194) | Posted Friday, May 20, 2016 ), with the audition of this one I start to make a better appreciation of the new direction assumed by these incredible Canadian guys, which in that moment I presume was shows how to make more simple melodic themes becomes a great progressive rock music. Already on the first track "Distant Early Warning" with their overture theme you can feel this - the repetition turns a "tension point" which as the same "trigger" To guitar solo and the climax of the track ! Another intersting point in this album is the clear Alex's tendency of prioritize the chjords progressions in the construction of his solo melodies - this is present in track 2 " Afterimage" and track 3. "Red Sector A". Besides the last track "Between the Wheels" are simply outstanding (slightly above the other tracks) . In short a excellent album. My rate is 4 stars !!!
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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERMIAN INCIDENT Norway
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
PLESIOSAURIO Argentina
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
REACHING REVERY United States
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