Progarchives, the progressive rock ultimate discography

HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2435 ratings
MOVING PICTURES
Rush
4.37 | 2054 ratings
HEMISPHERES
Rush
4.33 | 1909 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1773 ratings
PERMANENT WAVES
Rush
4.24 | 2201 ratings
IN ABSENTIA
Porcupine Tree
4.24 | 2234 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.20 | 1093 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 943 ratings
THE MOUNTAIN
Haken
4.17 | 673 ratings
SALISBURY
Uriah Heep
4.17 | 528 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.10 | 1815 ratings
2112
Rush
4.10 | 1779 ratings
DEADWING
Porcupine Tree
4.09 | 922 ratings
VISIONS
Haken
4.11 | 589 ratings
LOOK AT YOURSELF
Uriah Heep
4.07 | 919 ratings
AQUARIUS
Haken
4.06 | 1164 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.06 | 805 ratings
FRANCES THE MUTE
Mars Volta, The
4.07 | 656 ratings
DEMONS AND WIZARDS
Uriah Heep
4.03 | 1321 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 365 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

A COMPLEX NATURE
Yang
A.F.T.
Automatic Fine Tuning
MÉMOIRES INCUBUSSIENNES
ExCubus
HIGH TIDE
High Tide

Latest Heavy Prog Music Reviews


 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
4.00 | 209 ratings

BUY
Captain Beyond
Captain Beyond Heavy Prog

Review by friso
Prog Reviewer

5 stars Captain Beyond - st (1972)

I was wondering what I myself had written about this stand-out record and I found that I never actually wrote a review about the Captain Beyond debut. A shame, because in the beginning it was one of my great inspirations for my own band (along with May Blitz, Budgie and others).

For legal reasons the songwriting of the album was contributed to singer Rod Evens (ex-Deep Purple) and the excellent drummer Bobby Caldwell (ex-Johny Winter). Guitar player Larry "Rhino" Reinhardt (ex-Iron Butterfly) who obviously wrote a lot of riffs here wasn't mentioned as co-writer because of legal issues. Lee Dorman (also ex-Iron Butterfly) plays bass.

This is actually one of the few progressive rock records that actually rocks! It has power, ingenuity, the wild vibe and yet has that obscure collectible feel to it. Furthermore, the hard rock elements are firmly rooted in American rock - not British at all. It is actually quite strange why this record didn't receive more appraisal at its time. Perhaps the record was to intelligent for rock listeners and too energetic/punchy for progressive rock listeners. Perhaps because of the overly progressive songtitels and not so catchy lyrics. I would have to press myself to remember the lyrics of one single refrain now I think of it. It matters not. The endless stream of original riffs and rhythms, sometimes in odd signatures, without loosing the wild Hendrix feel is a real winner here. Furthermore one can find musical elements that clearly resemble stoner rock that would appear in the nineties. Together with some eclectic prog (metal King Crimson comes to mind) and some space-rock moments this is a complete eclectic work of art that fails to fit in any category.

My only complaint being the production - which lacks a clear low end (bass) - this is an almost perfect record. Exciting and innovative. Five stars. Must have if you like hard rock, heavy prog, heavy psych and seventies progressive gems in general.

 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
4.00 | 209 ratings

BUY
Captain Beyond
Captain Beyond Heavy Prog

Review by Modrigue
Prog Reviewer

5 stars Stoning beyond our galaxy

Consider the musical universe of the 70's. If HAWKWIND was the stoner captain in our Milky Way, CAPTAIN BEYOND was another one, however clearly navigating through a different galaxy. Where do those space corsairs comes from? This obscure band is in fact a supergroup composed of former members of well-known prestigious formations: ex-DEEP PURPLE's vocalist Rod Evans, ex-IRON BUTTERFLY's guitarist Larry Reinhardt and bassist Lee Dorman and ex-Johnny WINTER's drummer Bobby Caldwell. So is this another hard-blues formation? A pale copy of the aforementioned bands? Not at all.

CAPTAIN BEYOND's eponymous debut really is an unique mixture of hard/heavy riffs with space/psychedelic/acid rock elements. Is it progressive? Yes, in a sense that this album is more a patchwork than a collection of songs. The music is unpredictable, evolving, moving, as if the CAPTAIN was constantly re-adapting the trajectory of his ship through the unexpected turbulences of the cosmic void. Furthermore, the record is catchy, accessible and avoids being repetitive or messy. The tracks are full of unusual changes and breaks, years before RUSH's proto-prog-metal. This is no touristic stationary cruising, prepare to be surprised. There are signs that do not lie: the original cover art was in 3D. Fasten your seatbelts, an epic journey through undiscovered stellar systems awaits you...

Rather than 13 tracks, the disc should been rather seen as composed of 3 mini-epics plus 2 songs. The first 3 tracks form the first mini-epic, lasting 9 minutes. The take-off is immediate with the heavy "Dancing Madly Backwards", its acceleration and solo will send you directly beyond our galaxy through a wormhole to an unknown destination. Mindblowing! The floating syncoped "Armworth" symbolizes the arrival, introducing the calm and ambient "Myopic Void". You can now rest and admire the stars. Don't relax too much though, the ship re-accelerates to speed of light for a boosted-up reprise of "Armworth"'s theme. The finale is a genuine sonic deflagration. Simply great! One of the best space heavy rocks from the 70's! The aggressive "Mesmerization Eclipse" is a very nice hard rock with many rhythm changes, while "Raging River Of Fear" sounds like DEEP PURPLE on serious acids. It even includes a small jazz-rock interlude.

The next 3 tracks are the second 9 minutes long mini-epic. Don't rely on the acoustic introduction "Thousand Days Of Yesterdays (Intro)", "Frozen Over" is a evolving black hole that gets as thrilling as RUSH's "Cygnus X-1", years ahead! The surprising reprise is terrific! "Thousand Days Of Yesterdays (Time since come and gone)" concludes on a lighter SANTANA-like tone. The last 5 tracks from the third 10 minutes suite. Starting as a cool hard rock, "I Can't Feel Nothin' (Part 1)" turns out to be pretty ferocious, until "As The Moon Speaks (To The Waves Of The Sea)" arrives as a welcomed pause when you can peacefully admire star systems at the window... However, the journey is not over yet. The (very) short raging "Astral Lady" unveils a beautiful solo on "As The Moon Speaks (Return)" and prepares the reprise "I Can't Feel Nothin' (Part 2)". As you may now expect, the finale is once again worthy of its predecessors. Blimey!

What a pretty impressive journey beyond the stars! "Captain Beyond" is a little spatial treasure containing lots of gems. The quality is constant and the interest maintained intact through the many unexpected changes and the surprise factor is always there, even after several listens. Gorgeous riffs, spacey moments, Rod Evans' rock'n'roll crooner accents and Bobby Caldwell's original rhythms bring the final touches making this album quite special.

CAPTAIN BEYOND's self-titled debut is typically what astrophysicists call a singularity: unique and uncategorizeable. A sonic meteorite or a comet only visible once per century, carrying the listener among several musical stellar systems. The band already exposes innovative ideas and their own identity here. An essential trip for 70's hard/heavy/stoner/space rock lovers! Don't miss the spaceship!

The singularity notion also has its drawbacks: the next albums will unfortunately not be as inspired and breathtaking, the musicians themselves looking like they've lost the coordinates of this extraterrestrial music...

 Black Widow by BLACK WIDOW album cover Studio Album, 1971
2.99 | 51 ratings

BUY
Black Widow
Black Widow Heavy Prog

Review by poito

3 stars I came to this album searching for a version of the Mary Clark theme that appeared in a double LP sampler called Il Rock 71, with a picture of young Schwarzenegger emitting a red and yellow rainbow. My copy had worn out and as far as I know it hasn't been reissued in any way. Pity, because it is probably one of the best underground music samplers. Unfortunately, the track I was looking for was recorded differently and I didn't like the production. In general, it is very bad. Organ and guitar solos are often behind the acoustic guitar and drums. On top of this, there is an excessive use of stereo, so common in recordings of that period, when different instruments were recorded on either the left or the right tracks, which sounds a bit awkward. This makes the listening experience a bit painful, and you want it to finish and spare a bit of your brains after that much forced interaural integration. Leaving aside the awful production, there are some interesting Proto-prog Rock themes. This is 1970, and as such it should be judged. I do not find much resemblance to contemporary bands, not at least in this album that has a bunch of interesting ideas worth to check by diggers and Prog lovers. There are several tracks with long instrumental parts for the Hammond and the guitar, perfectly escorted by a great bass line and a very clever use of rhythmic guitar (as in The Journey). Check Tears and Wine, The Gypsy, and the curious choral singing in When My Mind Was Young, and enjoy the highlights Mary Clark and Legend of Creation.
 The Gift of Awareness by P.A.W.N. album cover Studio Album, 2014
3.48 | 23 ratings

BUY
The Gift of Awareness
P.A.W.N. Heavy Prog

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars "A Voyage of Uncertainity". This song title shows quite well my feelings about this album. First of all I have to apologize to the band who invited me to review it, I have taken more than two years before listening to it. My fault.

Now that I've listened to it few times I'm still thinking about it. There are some really good parts and other which fail to raise my interest. As the band says, their music has connections to Ayreon and Corvus Stone, but I've found myself thinking that with a stronger German accent they could be compared to Eloy.

The album is well played and produced, and the voice of Lisa-Marie Rothe is very nice. The only problem is the discontinuity in the longer tracks. More than epics, they sound more like shorter tracks tied togethe: more a Tubular Bells than a Lady Fantasy, I mean.

Said so, the album is good enough. It shows that the band has a good potential and I'm now worried in seeing that this is still the only official release of P.A.W.N. It's true that I enjoy this album more as background while I'm doing something else as I fail to concentrate really on it, but with the potential and the musicianship shown I think that hey would deserve another shot. Some parts of the 26 minutes title track are very good and are able to reclaim my attention.

Neo-Prog ears would probably enjoy it more than me, but this is my fault, not the band's. I sincerely hope to listen to new P.A.W.N. outputs. Not a bad debut, but clearly a debut.

 Contemplation of Infinity by TAKE ME FAR AWAY album cover Studio Album, 2016
3.00 | 1 ratings

BUY
Contemplation of Infinity
Take Me Far Away Heavy Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

— First review of this album —
3 stars This Russian plays some instrumental heavy prog rock that can go to the Progressive Metal in his most heavy parts. The music is driven mostly by the guitars of Dmitriy Kshanovskiy and Alexandr Mutin with viola parts and occasional piano, and it's never too heavy which gives to the music a nice atmosphere. There is a sense of uniformity throughout the songs, so it makes it difficult to choose a favorite track. The drums are also well recorded to go along with all others instruments. The compositions seem to have been constructed with repeated jams sessions just like the band wanted to let the music "take them far away". 3.5 stars
 Affinity by HAKEN album cover Studio Album, 2016
3.94 | 370 ratings

BUY
Affinity
Haken Heavy Prog

Review by dmwilkie

4 stars I was impressed by 'The Mountain', having discovered it long after it was released, so I had high expectations for 'Affinity'. These have largely been met. I agree with others who regard 'The Architect' as the best track. It is my favourite track of 2016 - I love its adventure, its range of mood and tempo, and I thought the importation of growly vocals was a masterstroke. '1985' and 'Lapse' are also outstandingly good, in my view. The other tracks range from good to rather ordinary, making it a bit of a mixed bag. But, given that Haken have an adventurous approach, this is hardly surprising. One of the best of 2016.
 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
4.00 | 209 ratings

BUY
Captain Beyond
Captain Beyond Heavy Prog

Review by PlacesofLight405

5 stars Captain Beyond is the ultimate in hard rock meets space rock meets obscurity!

Everything about the band and album has been covered in previous reviews, so I'll go personal. I don't usually ever go for the heavy guitar stuff, I'm way more into pastoral prog and electronics. I passed the heavy metal phase at 14. This isn't exactly heavy metal, but its heavier than my norm. I wish I could go back in time and replace this with all the ACDC and Ozzy dreck that was blasted in high school. If I have a few brews nowadays, this is always in the player.

Captain Beyond is for me like surfing the perfect wave. The first two tracks are the get off, the second half of the third track myopic void is where the wave starts to crest. I can't feel nothing bookends the end of the ride, and you wish to replicate the experience immediately.

 Abominog by URIAH HEEP album cover Studio Album, 1982
2.81 | 152 ratings

BUY
Abominog
Uriah Heep Heavy Prog

Review by Modrigue
Prog Reviewer

3 stars The best Uriah Heep album of the 80's

3.5 stars

After a half-decade of more or less convincing art rock wandering, plus the explosion of punk and the new generation of metalheads, URIAH HEEP could difficulty survive in its current form. Therefore what should logically happen happens: Ken Hensley - one of the two original members responsible of several hit titles - left the band, resulting in the split of the quintet. After multiple hesitations, the other original member, Mick Box, finally decided to reform the HEEP by calling Lee Kerslake back, the band's main drummer during the seventies, and recruited ex-TRAPEZE singer Peter Goalby, ex-OZZY OSBOURNE bassist Bob Daisley and future OZZY OSBOURNE keyboardist John Sinclair. So what could we expect from a recomposed dated art-prog-rock band from the 70's, without its brain, already searching for renewal since several albums, for the turn of the 80's? Well, in fact... a pretty good surprise, really.

"Abominog" is a nice and punchy mixture of direct AOR, hard rock but also of a slice of NWOBHM and a touch of fantasy. After a mediocre try, URIAH HEEP starts the eighties again with a new youth! A transformed quintet for a strengthened approach: rarely before played the band this ferocious! However, don't be mistaken: despite its cover art, somehow demonic title and release date, don't expect pre-thrash / black metal on this album. Even if we're surely not in prog-land any more, fans will still recognize some HEEP's markers here: typical keyboards, powerful choruses and cool melodies, this time coupled good riffs and a harder sound. There is one last particularity to mention about this disc though: half of the songs are covers from 1979-1980 rock titles.

First the new compositions. From the very beginning of "Too Scared To Run", you can hear the reconstructed URIAH HEEP wanting to catch up with the young generation. This dynamic opener is definitely a little NWOBHM bomb! Wow! "Chasing Shadows" is a synth FM rock with a light fantasy ambiance. Simply the best song of the record. On the opposite, "Hot Persuasion" is rather average and flat. Same goes for "Sell Your Soul", which darker and slower passages are the only interest. Concluding the disc, "Think It Over"'s creation dates back to the recording sessions of 1980's "Conquest", the band's previous album. With its short spacey intro, keyboards and chorus, this epic track is the one that resembles the most the band in their 70's.

Let's now talk about the covers. Mainly located in the middle of the disc, they're often pretty nice and match the overall quality of the new compositions. The rearranged version of RUSS BALLARD's "On The Rebound" is a cool "hard new-wave" song, while "Hot Night In A Cold Town" is softer. Another effective title is "Running All Night", in the pure tradition of 80's big rock. The two last covers are unfortunately less convincing. "That's The Way That It Is" is enjoyable but not very remarkable, whereas "Prisoner" aims at calming the pace down but this ballad is a bit soapy and lengthy.

Concerning the 2 bonus studio tracks, "Tin Soldier" starts well in an epic ambiance in the style of MAGNUM, but fails at really lifting off. Contrarily to "Son Of A Bitch", a muscular and direct AOR title, with a slight touch of fantasy. Simply rocks!

Let's go straight to the point: if you're allergic to 80's synthesizers and guitars or expecting 70's fantasy progressive epics, this new HEEP won't fulfil your desires. Furthermore, the music sounds quite dated and has some weaker moments. Apart from these points, "Abominog" is a fun and lively record, offering simple, direct and punchy hard/heavy FM rock, kinda "Adult Oriented Metal".

A lesser-known but underrated album, URIAH HEEP's best in the eighties! Raging at times but never really violent, kind but not too much, the music is finally in par with the creature depicted on the cover: A gentle little demon...

 Safety In Numbers by CRACK THE SKY album cover Studio Album, 1978
3.64 | 39 ratings

BUY
Safety In Numbers
Crack The Sky Heavy Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

3 stars A very enjoyable album, if not the best for Crack the Sky, ''Safety in Numbers'' has a bit of everything: prog epics (and probably the best two songs of the album) in ''Nuclear Apathy'' and the title track, outright rockers with perplexed guitar playing (''Flashlight'', ''Lighten Up McGraw'', ''Give Myself to You'') and mellower moments in the pleasant ''Long Nights'' and the rather disappointing ''A Night on the Town''. Actually there is a strong Queen feeling on the latter but also on several moments through the album that remind us of May's guitar playing or Freddie's melodies, both from the creative 70's and the poppy 80's era. The influence of Styx and Boston can be found in ''Long Nights'', pertinent to the era when this album was released.

There is a hefty dose of talent in the group, for who I understand this was the last worth-noting album back then. The guitar/bass syncopation heard in songs like ''Flashlight'' well place this album into the "creative hard rock" category. The rocky feeling of Led Zeppelin-meets-Rush is delightful through ''Lighten Up McGraw'' and the heavier parts of ''Nuclear Apathy''.

Perhaps not the masterpiece it promises to be, ticking on just over 36 minutes this is a nice heavy/prog rock album with some memorable moments and enjoyable diversity which would keep the listener nodding their heads smoothly throughout.

3.5 stars

 Crack The Sky by CRACK THE SKY album cover Studio Album, 1975
3.78 | 44 ratings

BUY
Crack The Sky
Crack The Sky Heavy Prog

Review by Luqueasaur

4 stars Can I even consider this prog? Well... does it even matter? It's an amazing album!

The eponymous of CRACK THE SKY is unexpectedly energetic, heavy and interesting. The first two tracks ( Hold on and Surf City) are the hooks that make you listen to this 13-tracks long progressive (?) hard rock piece.

I'll tackle this detail about my doubt regarding this being properly progressive. It's definitively not an album that features much experimentalism or innovativeness, there's little influence from jazz and the compositions are overall quite simple. It IS progressive because it's deemed by almost everyone as so - and I won't question this, because the general consensus, is, after all, what makes a definition... a definition. So if everyone says "this is prog", well, this is prog.

Back on the album, it's perhaps more humoristic than one would expect. Hold On, Surf City, Sea Epic, She's a Dancer, Robots for Ronnie; Eileen, I Lean on You (I'm telling you, they made a whole song only to put this pun on their album); Dr. Octopus... they're a very humorous band. This factor brings much freshness to the lyrics, and therefore to the songs. The guitar is also superb here.

Each track is also VERY unique on their own: Hold On is perhaps the only truly progressive track, featuring powerful guitar riffs and solos. Surf City's sections are interesting, with one piece that particularly resembles GENTLE GIANT'S KNOTS. Sea Epic is an orchestral epic tale about a man on a boat praying to God, whom... listen to his prayers, in a certain way. The humor here is the flavor that brings interest to the music. Lastly, there's - accordingly to lyrics sites - the band's most viewed song, She's a Dancer offers an unforeseen funky grip on the track, whose solo section also could be deemed as "progressive". The lyrics' buildup to the "plot twist" is pretty interesting, and will most likely leave you with a grin.

My review ends as the following: If you like hard rock, whether or not proggy, listen to this track. It's guaranteed you'll enjoy at least one of the abundant tracks. If you're into humor, then that's a plus. CRACK THE SKY is great at making you smile both from the good song and good jokes they produce. If you like Iron Maiden, give this a shot too - the vocalist definitively resembles, at least slightly, Bruce Dickinson. If you like The Sex Pistols, jump to the last track - Dr. Octopus (pt 2). I guess the vocalist is really good at sounding like other people.

Data cached

Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MILESTONE Russia
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OKTOPUS United Kingdom
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERMIAN INCIDENT Norway
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
PLESIOSAURIO Argentina
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
REACHING REVERY United States
RED STAR REVOLT United States
RENAISSANCE OF FOOLS Sweden
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
JASON RUBENSTEIN United States
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAELIG OYA France
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SKELETONBREATH United States
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLARHALL Finland
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
THE SOUND OF ANIMALS FIGHTING United States
SPECTRUM Chile
SPETTRI Italy
SPOKE OF SHADOWS United States
SQUAT CLUB Australia
ST. ELMO'S FIRE United States
ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
STILL LIFE United Kingdom
STOLAS United States
STORM AT SUNRISE United States
THE STORM Spain
STRATEGY United States
SUBSPACE RADIO Finland
SUGARLOAF United States
SULPHAT' KETAMINE France
SVANFRIDUR Iceland
SWEET HOLE Spain
SYLVIUM Netherlands
T2 United Kingdom
TAKE ME FAR AWAY Russia
TDW Netherlands
TEA Switzerland
TEMPEST United Kingdom
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THE TIRITH United Kingdom
THEMATIC United States
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME TRAVELLER Finland
TINKICKER Denmark
TRANSIENCE Australia
TRAUMPFAD Germany
TRILI Puerto Rico
TWENTY SIXTY SIX AND THEN Germany
TWO CHILEKINGS Philippines
TYBURN TALL Germany
UNBROKEN SPIRIT United Kingdom
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
VÉLOOO France
VEMM Italy
VIRUS Germany
VIVALMA Brazil
VOLVOX Argentina
VON FRICKLE United States
VOS VOISINS Canada
VOTCHI Czech Republic
VULKAN Sweden
VULTRESS United States
WALRUS United Kingdom
WARHORSE United Kingdom
WARPICKS Norway
WARPIG Canada
WATERLOO Belgium
WEEND'Ô France
ANDY WEST United States
WHERE ARE YOU LIAM? Russia
WHITE WITCH United States
WICKED MINDS Italy
THE WINDMILL Norway
WITCHWOOD Italy
WRITING ON THE WALL United Kingdom
XANADU Poland
YANG France
YEARSTONES Norway
YGGDRAZIL Italy
YSMA Germany
YURT Ireland
Z.O.A Japan
ZARATHUSTRA Germany
ZION Italy
MICHAEL ZUCKER United States
ZUNDAPP Italy
ZYDRA Chile

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives