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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2521 ratings
MOVING PICTURES
Rush
4.36 | 2137 ratings
HEMISPHERES
Rush
4.32 | 1982 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1835 ratings
PERMANENT WAVES
Rush
4.25 | 2316 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2272 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1113 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 975 ratings
THE MOUNTAIN
Haken
4.16 | 694 ratings
SALISBURY
Uriah Heep
4.11 | 1875 ratings
2112
Rush
4.17 | 554 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.10 | 1829 ratings
DEADWING
Porcupine Tree
4.09 | 942 ratings
VISIONS
Haken
4.11 | 611 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 939 ratings
AQUARIUS
Haken
4.05 | 1194 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 679 ratings
DEMONS AND WIZARDS
Uriah Heep
4.05 | 825 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1353 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 379 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZOOMA
Jones, John Paul
VULTRESS
Cosmic Nomads
ZUNDAPP
Zundapp
HIGH TIDE
High Tide

Latest Heavy Prog Music Reviews


 Contemplation of Infinity by TAKE ME FAR AWAY album cover Studio Album, 2016
3.37 | 5 ratings

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Contemplation of Infinity
Take Me Far Away Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

3 stars

Here we have yet another Russian progressive rock band who were unknown to me until I received this debut album which was released towards the end of 2016. This is a four-piece with two guitars, bass and drums, and for the most part they play psychedelic- influenced hard rock with progressive tendencies. Where they really shine though is when the two guests (who provide viola and keyboards respectively) are more to the fore. When that happens the music takes on a new life and vitality, and is infinitely more interesting than when it is the two guitarists crunching out riffs and using some distortion pedals. Overall this is a good album, but not great, and the guys need to give some serious thought as to how they move forward with the next one.

 Parallelbiped by FAR SIDE, THE album cover Studio Album, 2002
2.87 | 6 ratings

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Parallelbiped
The Far Side Heavy Prog

Review by maryes

3 stars 3,5 really !!!The Far Side "Parallelebiped" make a style of sound certainly influenced by bands like Enchant, Tiles ( which are influenced by Rush specially in their third phase "Grace Under Pressure" and "Power Windows"). Although this isn't a masterpiece as for instance "Time Lost" from Enchant (review (#302991) | Posted by maryes | Saturday, October 9, 2010 with 5 Stars rate and "Presents of Mind" from Tiles ((#450636) | Posted by maryes | Saturday, May 21, 2011 with "4,5" stars. The album is very pleasant, the arrangements are very worked and his sound don't seems a cheap copy. The best moments in the album be in track 2 "Underworlds" and their strong rhythm and main melody, track 4 "Cruise Speed" and the overture with distorted bass guitar and "gently" broken beats, the middle ballad and their final "jazzy" passage (starting 6min 26 sec) and track 8 "Strange Atractors" and the delayed and repetitive electric guitar melody which for a breath moment reminds some passages from Rush's in "Distant Early Warning" and "Afterimage" from Grace Under Pressure ! In a short ...how I've said above isn't not a masterpiece but... a very good disc in the style . My rate is 3 stars!!!
 Building An Empire by DEMIANS album cover Studio Album, 2008
3.70 | 159 ratings

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Building An Empire
Demians Heavy Prog

Review by The Crow
Prog Reviewer

3 stars Good debut album from Nicholas Chapel, AKA Demians. And being a one-man project, I have to recognise that this album has a lot of merit!

It lacks the presence of a true drummer, and at some points suffers the absence of other musicians because despite Chapel does a very competent work, he is obviously limited at some points. Nevertheless, the production of the album is good and all the instruments sound crystal clear.

The album starts with The Perfect Symmetry, a long and intense track, with good atmospheric elements and fine vocals. Sadly the drums are too weak and towards the end the track is also too repetitive. Shine is an acoustic track, harder at the end. Not really progressive, but good nevertheless.

Shapphire contains a more modern sound, in a very North American style, especially at the chorus. It almost remembers me to Nickelback! I don't like this one, despite its intense final section. Nave bring back the acoustic guitars, with a beginning which remembers me to Pearl Jam. After that we can hear some Devin Townsend influenced riffs and another pop-rock chorus.

Unspoken is very atmospheric, almost trip-hop. It has some resemblances with Riverside, and the interesting melodies make this song be one of the highlights of the album. Temple continues this trend with some Opeth-reminding guitars.

Empire is a mid-tempo with vocals which are too repetitive again. The voice of Chapel is nice, but his limited range makes the songs of Building an Empire a bit dull sometimes. Sand ends this album in a good way, being the longest and most progressive track of the album, despite the musical limitations of Chapel and the average musicianship.

Conclusion: if you like modern melancholic progressive rock in the vein of Riverside and Opeth, you can give this album a chance if you can stand the North American pop-rock influences in the style of Nickelback and similar acts that Chapel has.

The musicianship is good enough, and despite the repetitive long tracks the music is progressive enough to please the genre's fans. Good effort!

Best Tracks: The Perfect Symmetry, Unspoken, Sand.

My rating: ***

 Downunda.. by URIAH HEEP album cover Boxset/Compilation, 1974
5.00 | 1 ratings

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Downunda..
Uriah Heep Heavy Prog

Review by Per Kohler

— First review of this album —
5 stars I went to London in -81 and entered HMV record store and as I approached this band's compartment I said to myself the first LP I will grab is a collection I've never seen before. I was right. For the first and only time I've seen it. Don't really remember the price tag but probably it was too high for a poor student from Brighton. Of course I would've liked to own it today, sadly I didn't buy it. A double LP issued downunder that is Australia/New Zeeland in harmony with Heep's first tour in this territory. Also bass players Gary Thain's home area.

A lavish and thorough release, both visually and sonically. As far as you can come from a supermarket nice-price best of. Both heart and brain are used in the track choice and running order. One can feel the band's will to pride itself upon Gary Thain's compatriots. 'Stealin' was a huge hit in New Zeeland. All six studio albums are represented. Generous band photos, fruitful layout and comments from keyboardist Ken Hensley. One of the more successful collections of the seventies, partly due to the fact that it doesn't feel like a collection. Rather an additional sound source and imagery to yearn for. Never released on CD and there's little reason for it.

 Machine Years by TONEV, KALIN album cover Studio Album, 2017
3.89 | 9 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by Mellotron Storm
Prog Reviewer

3 stars 3.5 stars. Kalin Tonev is a keyboard player out of Bulgaria and this is his first solo album after being in a band called TRAVELHOUSE that is on this site as well. When I think of Bulgaria I can't help of the Prog-Metal band PATOMMIND from that country because they really impressed me, especially their amazing debut. This particular album has a lot of programming in it, so we do get real keyboards and a variety of them at that plus there's three guitarists splitting that duty on this album. The drums aren't real and I'm not sure about the bass but no one is credited with playing it so I assume it's programmed as well.

I do like how heavy this can get but my favourite track is "Dust" one of the mellow tunes, but man the emotion on that one has me asking for more. This is an all instrumental album that reaches pretty high at times but it's not without it's so-so songs too, hence the 3.5 stars. Plus I have so many instrumental albums that blow this one away(just saying).

"Human Not Machine" is a great way to start the album and it opens with sampled words as drums and organ kick in. A calm around 2 minutes then it kicks in again to a higher tempo with guitar playing over top. Organ then leads then synths before it settles back. The synths a minute in recall GENESIS believe it or not. "Short Story About Tanks" has a nice heavy groove to it before a spacey calm takes over. It kicks back in hard just before 2 1/2 minutes then another spacey calm arrives.

"The Short Cut" is an uptempo track with plenty of synths. This is one I haven't liked from the first listen though for some reason. "Beings" has some heavy keyboard sounds and it will continue throughout. Guitar comes in over top mid-way through then it settles late as it winds down. "Dust" is my favourite. Again it's the emotion I feel which is lacking elsewhere. A beautiful tune.

"Man Dancer" opens with electronics which I understand Kalin's other band TRAVELHOUSE uses quite a bit. It kicks into gear a minute in and organ will rise to the top along with synths. It turns heavier before 5 minutes. "Late Again" has a deep groove to it then a spacey calm arrives after a minute. The groove is back a minute later. "Human Not Machine II" is more of the same but I like the calm a minute in although it's brief.

"News From Nowhere" is one I'm not into because of the style of synths at times but but I do like the heaviness and guitar that starts before 4 minutes. "Step 4" is heavy once again with lots of depth. Catchy stuff. "Garden" is mellow with atmosphere, a beat, keys and bass. "This Empty Space" opens with percussion as the heavy organ joins in. It settles back with percussion and atmosphere before kicking back in again. "Later Than Usual" has a catchy and heavy riff which is contrasted with mellow sections led by synths.

A good album as the other reviews will attest to, just not something I'm looking forward to spinning again. It would be awesome if Kalin put a real band together, that I would look forward to.

 Mournin by NIGHT SUN album cover Studio Album, 1972
3.94 | 69 ratings

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Mournin
Night Sun Heavy Prog

Review by ProgRobUK

4 stars A friend recommended this album to me. His recommendation was not wrong. The overall sound is generally more contemporary than I expected, though the more balladic "Come Down" felt to me to be more of its time and the persistently consistent organ sound indicates the provenance.

The brief opener, Plastic Shotgun, is explosive. Crazy Woman, is initially very LED ZEPELLIN-like but with an excellent guitar solo. Next is the more progressive sounding Got A Bone Of My Own clocking in at 7:45 with its wonderfully atmospheric start and the vocals not starting until almost 5 minutes in! Slush Pan Man is a rocker. Living With The Dying starts with a suitably ominous vocal and includes a great drum solo followed by guitar and organ trading leads. Come Down is, as already indicated, slower and ends with some excellent guitar work, Blind has a bit of a bluesy feel to it. Nightmare is another rocker. Don't Start Flying ends the record with a twist by adding sax into the sound.

Really there is not a really weak track in there!

Vocally, the songs are delivered with a very ROBERT PLANT-like vocal but, as other reviewers have noted, all credit to Bruno Schaab who delivers them without any discernible trace of a German accent (which works when the song is in English). Instrumentally the album has more of a DEEP PURPLE vibe.

The album was produced by Conny Plank who produced the early KRAFTWERK albums and also produced GURU GURU to which Bruno Schaab moved after Night Sun.

A really interesting discovery which would make a worthwhile addition for anyone interested in proto-progressive metal.

 Transmission IV by PORCUPINE TREE album cover Singles/EPs/Fan Club/Promo, 2001
4.08 | 96 ratings

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Transmission IV
Porcupine Tree Heavy Prog

Review by Luqueasaur

4 stars Porcupine Tree's Planet Caravan: 8.5/10

PORCUPINE TREE's metal phase shadows its earlier psychedelic phase, which, in my opinion, was much more accomplished (albeit heavily influenced by PINK FLOYD, or so they claim). Said epoch's magnum opus was THE SKY MOVE SIDEWAYS, which presented many solid and mature psychedelic tracks. One of them was a four-minutes version of Moonloop. Little did we all know of its true nature as a song as tenfold as big until PT decided to release, under scarce numbers, the entirety of the improvisation. Such releases are, by now, a rarity and roughly a collector's item, which makes its status as "essential" hard to agree with.

Moonloop is terrifically atmospheric. From the very beginning, the droney synthesizers coupled with Rick Edwards' eerie percussions (a psychedelic, less aggressive counterpart of LARKS) sets the mood of the track as an immersive track. The electronic and ambient moments are deeply vivid and build several environments, from the vast emptiness of space (when "astronaut voices" mutter random words) to still and murky jungles (thanks to the zoomorphic rattles that sounds like insects). There are some moments Moonloop border the realms of acid fusion, especially after the guitar solo, where the cosmic organs jam in a jazzier fashion; but after a while, the warmth eventually fades and the track return to its initial stance - of immense placidity. In others, Wilson's overly distorted guitar, similarly to David Gilmour's, strikes at full force. However, in no moment the band sounds like a PINK FLOYD copy (the styles are similar, but that's how far it goes). First, because melodic, long and distorted solos were not trademarked by that band - which so seems to be the excuse of many to dismiss PT as a PF wannabe; second, because PT creates a chill, almost entropic ambiance, whereas PINK FLOYD is intense, regardless whether they are playing serenely or agitatedly.

Superb songwriting, given the fact a 40-minutes-long jam never gets old even with its calmness. Really recommended for all space/psychedelic rock fans who like to trip on music (check this on YouTube if you can't afford to pay $200 on a limited edition LP); for those more mistrustful of ambient music, tread cautiously - unless you like PINK FLOYD (for some reason), in that case, you'll certainly dig this as well. For neither of those, take a shot. Submerge into PORCUPINE TREE's world and voyage through their surreal landscapes.

 Rush by RUSH album cover Studio Album, 1974
2.93 | 969 ratings

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Rush
Rush Heavy Prog

Review by martindavey87

3 stars Arguably one of the most influential and beloved bands of all time, Canada's Rush came from humble beginnings, with this 1974 self-titled debut, which sees the Canadian three-piece as not much more than a standard hard rock outfit, long before they adopted a more progressive sound that would garner them worldwide fame.

Although it's not really the sort of thing I'd normally listen to, and certainly not the first Rush album I'd reach for, 'Rush' is still a nice little record. It's 40-minute duration makes it an easy listen, and although none of the tracks are notably memorable compared to their later material (with the possible exception of 'Working Man', which was an early hit for the band), they're still fairly catchy and certainly won't cause any harm.

Forming six years prior to the release of this record, it's evident in the music that this is a band that have had time to gel and really develop their own identity with their music. Geddy Lee's powerful voice bellows with a high-pitched passion that has yet to be tarnished by age or years of touring, and Alex Lifeson's guitar work, though not quite as instantly recognizable as it would become in later years, is still confident and impressive.

'Finding My Way', 'Here Again', 'Before and After', 'Working Man' and my personal favourite, 'What You're Doing' are all highlights of this album, though as I've mentioned before, most of them will be overshadowed by the bands later output, and that's not a slight on 'Rush', but a testament to how great this band will become.

 Wounded by ENCHANT album cover Studio Album, 1996
3.46 | 91 ratings

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Wounded
Enchant Heavy Prog

Review by martindavey87

2 stars Enchant's debut, 'A Blueprint of the World', caused a bit of a stir in the prog world when it was released back in 1993. With a combination of good songwriting and solid musicianship, catchy hooks and a sound that would appeal to fans of old progressive rock or the rising progressive metal scene, expectations were high for its follow-up.

Sadly, they're expectations that I feel the band couldn't live up to.

Now, don't get me wrong, I love Enchant, but 'Wounded' has always been that little hiccup in their discography where things just don't click for me. As before, the musicianship is impeccable and Ted Leonard's vocals are fantastic as always, but the songs just "aren't happening" as they were before.

There are a few highlights, though. Tracks like 'Below Zero', 'Pure', 'Hostile World' and 'Missing' are all good, and in fact, none of the songs are bad, but they're just not overly memorable either, especially when compared to the bands later material.

Enchant are one of my favourite groups, and it pains me to say this, but 'Wounded' is just an all-round forgettable release.

 White Music by CRACK THE SKY album cover Studio Album, 1980
1.79 | 16 ratings

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White Music
Crack The Sky Heavy Prog

Review by drmalba

3 stars I'll start out by saying that I get the overall lack of enthusiasm for this platter, but I'm going to have to respectfully disagree with my fellow Crack Addicts on its place in the pantheon. Of course I can't lift this one to the lofty heights of any of its predecessors, but White Music's embrace of stark new wave and its totally eighties concerns with the state of pop radio, wasteful American consumption, and of course - the Russians, always fills me with some kind of weird cold-war era spiked mixture of nostalgia and wistful admiration. White Music is less a CTS album proper, than a John Palumbo solo album employing two of his of his old CTS cohorts, suitably paranoid synth-ster Vince DePaul and the stinging guitar of Rick Witkowski, who also produces here. Another thing White Music has going for it, is that its got several of Palumbo's best pure rock songs - sly opener "Poptown," the sinister, pulsing hard rock and nasty social commentary of "White Music," and desperate ballad "Hot Razors In My Heart" which eschews Palumbo's normal world-weary cynicism and just goes for a pure radio single - and scores well enough to get maybe the last significant bit of national radio play CTS ever got. As a whole, White Music is definitely a bit front-loaded, and stops being effortless right around the blatant, somewhat tasteless jealous cuckoldry of "Suspicion", maybe finally getting too clever by half with hamfisted "The Techni Generation," and ending in delusions of MOR grandeur in "Songs of Soviet Sons," presaging Sting's ponderous synth-orchestrated Russo-pretension by a good five years. Flaws duly noted, as a piece I think it is fair to say the album has more depth of arrangement and ambition than any of the CTS records that followed up until 2002's Ghosts. A serviceable soundtrack to Palumbo's still-sharp pen, it deserves a little more respect, even if it certainly isn't prog, more like a stripped-down version of the hard rock aspects of the seventies lineup. Maybe in retrospect it also encapsulates and presages the bad habits of the long lost decade to follow, a decade that would finally bury CTS in the bargain bins of the rock kingdom for good (outside of Dundalk, that is).
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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DJ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MIGHTY ZAZUUM Croatia
MILESTONE Russia
MINERVA Germany
MOCAH Argentina
MDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVRLLJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NOMADIC United States
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OKTOPUS United Kingdom
OLLOCS United States
ONSGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORIGENS Brazil
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
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