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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

rdtprog
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2153 ratings
MOVING PICTURES
Rush
4.37 | 1816 ratings
HEMISPHERES
Rush
4.34 | 1689 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1571 ratings
PERMANENT WAVES
Rush
4.24 | 1977 ratings
IN ABSENTIA
Porcupine Tree
4.23 | 2017 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.20 | 1028 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.15 | 764 ratings
THE MOUNTAIN
Haken
4.29 | 226 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.15 | 579 ratings
SALISBURY
Uriah Heep
4.09 | 1616 ratings
2112
Rush
4.09 | 1619 ratings
DEADWING
Porcupine Tree
4.10 | 788 ratings
VISIONS
Haken
4.07 | 1064 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 803 ratings
AQUARIUS
Haken
4.09 | 503 ratings
LOOK AT YOURSELF
Uriah Heep
4.05 | 747 ratings
FRANCES THE MUTE
Mars Volta, The
4.12 | 331 ratings
FROM WITHIN
Anekdoten
4.02 | 1189 ratings
LIGHTBULB SUN
Porcupine Tree
4.13 | 240 ratings
SOUND AWAKE
Karnivool

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

HIGH TIDE
High Tide
MÉMOIRES INCUBUSSIENNES
ExCubus
HARVEST TIME
Elonkorjuu
ZUNDAPP
Zundapp

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Latest Heavy Prog Music Reviews


 Gusano Mecanico by CLIMAX album cover Studio Album, 1974
2.68 | 11 ratings

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Gusano Mecanico
Climax Heavy Prog

Review by PROGNATURE BEAST

4 stars I don't "get" the low ratings and the negative reviews on this one.... frankly, I trust only my ears at last. Whatever, I think we have an excellent Southamerican psych heavy prog album here. A Bolivian power trio who promises to blow your mind and is inspired equally by Jazz in general, Cream, Hendrix, Zeppelin, Keith Moon, Keith Emerson in particular. The music is mainly instrumental because you dont need a voice with so good playing. Bass and drums really compliments one the other and both, pave the way for Jose Eugenio's energetic and psychedelic guitar pyrotechnics that never stay in one place. Also, in rare occasions you get Eugenio's Keys in a NICE psychedelic manner ! Obviously, I like Climax powerhouse very much and find them in close (and strong) competition with other European acts of the period especially the German ones (check out the similar and more experimental sounds of the " Silberbart " group alone). It strikes me more that this gem never came out on cd.... Four stars
 Into The Maelstrom by BIGELF album cover Studio Album, 2014
3.63 | 62 ratings

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Into The Maelstrom
Bigelf Heavy Prog

Review by TCat
Prog Reviewer

4 stars After the long wait from 2008 when Bigelf released the excellent album "Cheat the Gallows", there was a bit of disruption from members of the band and Damon Fox, the frontman of the band, was debating whether to continue in music. Mike Portnoy, the ex-drummer from Dream Theatre, convinced Damon to continue on, and so a new Bigelf album suddenly appeared after the long break with Portnoy as the band's new drummer.

So, was there much of a change from the previous sound? Not really much, but that is a great thing when it comes to the retro-inspired heavy prog rock style of Bigelf. With the new album, you get the shot in the arm from the great drumming talent of Portnoy, but you also still get the amazing and infectious hard guitar hooks, excellent organ and mellotron in abundance as before, and the obvious influences of Black Sabbath, David Bowie, Queen and The Beatles. The band wears their influences on their sleeve, and believe me, they deserve to be raised up on the high standard that their influences are on. The music is retro, yet it is original and specific to the band. This album does tend to be a little thicker in atmosphere than the previous albums, but not enough to turn anyone that is familiar with their sound against them at all. The rhythms are ever changing, the tracks have multiple themes and prog elements running rampant through each song.

Every single track has it's own surprises and personalities. There are heavy tracks and others that are softer, at least in parts because the music is always changing. It is dramatic music, never really going over the top in pompousness, but it is there in enough quantity to keep things fun and interesting. There is enough in each track to keep things interesting for several years worth of listening, just like their other albums. There are some amazing noteworthy tracks, namely the complex "Mr. Harry McQuhae" and the strange yet original sounding "Alien Frequency". If there were more tracks like these two, then this would have been a 5 star album because of their progressiveness beyond what the band has previously done. There is the powerful and completely proggish multi movement work "ITM" which clocks in at over 8 minutes and then there are the shorter, yet not at all diminished in creativity, tracks like "Already Gone" and "Control Freak", which even in their brevity, still contain some great ingenuity and even have room for impressive soloing.

The music is heavy, but not without quieter breaks in the action. The music has a certain level of flamboyance, which is to be expected considering their influences. This album takes the sound of the prog bands that were popular in the 70's and moves them a step further. If the prog sound of the 70s was allowed to continue on without the influence of the New Wave sound of the 80s without so many prog bands trying to adjust their sound to fit in with that sounds, then this album is the logical progressive sequence that we could have expected, the same instruments used by those bands taken to the next progressive level, yes including the mellotron, and plenty of it. This is music that shouldn't be ignored in prog circles, especially those that yearn for great bands that continue the true legacy of 70s progressive rock.

I gave a 5 star rating to "Cheat the Gallows" which I stand by. There wasn't a lot of progression evident from that album to this album, and like I said before, that is not a bad thing and that by no means signifies that this is a lesser album. But with progressive rock, I come to expect a little more of a progression in the overall sound of each album, and this one, other than being a little denser, is not much different in sound from the previous album. I still recommend this album but not as an essential album as the previous one because of that reason. It's still great music that I enjoy immensely, but not different enough from before, so it can't really be considered essential. But I can easily give it 4 strong stars, and who knows, I may even change my mind as time proves it's ability to continue to be interesting.

 The Eldritch Dark by BLOOD CEREMONY album cover Studio Album, 2013
4.21 | 35 ratings

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The Eldritch Dark
Blood Ceremony Heavy Prog

Review by Nightfly
Special Collaborator Honorary Collaborator

5 stars The third album from Canadian doom/heavy rock band Blood Ceremony, The Eldritch Dark was released in 2013, two years after the excellent Living With The Ancients.

It's very easy to label any band that uses flute and has an early seventies vibe about them as having similarities to Jethro Tull but the comparison is valid here - think early seventies Aqualung era. Also most people pick up on the Black Sabbath influence but with The Eldritch Dark it's less apparent than before with less of a doom element with more emphasis on heavy rock with psych/prog leanings. In Alia o'Brien not only do they have a great singer but a versatile musician (flute and organ) and bassist Lucas Gadke and new drummer Michael Carillo handle the numerous twists, turns and dynamics with ease. Sean Kennedy is an inventive guitarist with an arsenal of great riffs at his disposal, powerful yet very tasteful and restrained when required.

Like all great albums The Eldritch Dark retains a high standard throughout with some truly captivating songs making picking highlights difficult but Ballad Of The Weird Sisters is a good benchmark to show the depth and breadth of the band with a dynamic performance as well as a killer hook. It also benefits from guest fiddle player Ben Plotnick's presence. Lord Summerisle shows their lighter acoustic side and Drawing Down The Moon shows their musical chops off well shifting through many parts. The short Tull-esque instrumental Faunus leads nicely into the eight minute closer The Magician and it doesn't disappoint finishing with a melancholic organ drenched instrumental outro. A great way to close a brilliant album.

I really love the overall sound of this album too. Whilst it packs a considerable punch it has a warmth, at least on my vinyl copy, I associate with the best sounding seventies albums. Anyone who likes the kind of heavy rock that was prevalent in the early seventies really needs to check this excellent album out. Their best yet and easily deserving of 5 stars.

 The After-Effect by OSADA VIDA album cover Studio Album, 2014
3.89 | 25 ratings

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The After-Effect
Osada Vida Heavy Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Polish band OSADA VIDA is closing in on a 20-year long history as a band, and for the greater part of their career they established a reputation as a talented and promising progressive metal oriented outfit. The last few years have seen the band change however, both in terms of personnel and line-up. This is a transition that continues on their seventh studio album "The After Effect", which was released by the Polish label Metal Mind Productions in 2014.

Osada Vida as of 2014 is a band that is quickly transforming into an adventurous, well developed band that is willing and able to cover a multitude of stylistic ground within and arguably at times outside of the progressive rock universe as well. Their blend of acoustic and electric instrumentation in a progressive rock context is easy to enjoy, compelling, well developed and sophisticated, the inclusions of jazz-oriented sequences functioning at least, as well as their inclusion of progressive metal related details. A strong production by a skilled band exploring a distinctly contemporary and well developed variety of progressive rock.

 Awakening by LUCIFER'S FRIEND album cover Boxset/Compilation, 2015
3.96 | 7 ratings

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Awakening
Lucifer's Friend Heavy Prog

Review by ProgShine
Collaborator Errors & Omissions Team

4 stars I got this CD 2 days ago on my mailbox and I had mixed feelings and I always have with old bands' new releases.

It turned out that this is a compilation that also brings us 4 brand new tracks from the core of Lucifer's Friends line up.

Now, let me say that this CD had everything to be a 5 stars. Lucifer's Friend is a great (and underrated) band with some amazing material and a great singer (John Lawton). And indeed, the music here is absolutely amazing, both the old tracks and surprinsingly the new 4 tracks too!

The fact this is going to be a 4 stars to me is the way they packaged everything. TO begin with there's only ten tracks on the compilation (CD 1). According to the CD booklet the tracks were chosen after a research in the web and the band thought that these were the tracks the fans liked most... this is dubious. In the end they have 4 songs out of the first album, one song out of Where The Groupies Killed The Blues, 2 songs out of Mind Exploding, 1 song out of Banquet and 2 songs out of Mean Machine. That means that there's no songs from I'm Just a Rock 'n' Roll Singer, Good Time Warrior, Sneak Me In or Sumo Grip for that matter and the CD is only 47 minutes long. The band could have packed the CD1 with more songs, songs from all the studio albums, etc.

Then we have a second CD with the 4 new tracks and it clocks only 17 minutes long. Now, if you have 47 minutes in one CD and 17 on the other, why not pack them together? Aesthetic reasons? Well, CHerry Red (their distributor) is selling it for the price of a single CD so I think it doesn't matter in the end, but for practical reasons it should have been better off with a single disc.

But hey, don't let my ramblings fool you, Awakening is well worth it buying, specially if you don't own their old studio records. For the old fans the 4 new songs are high quality material that brings the old Lucifer's Friend to a new era and John Lawton still sings amazingly well!

 Now The Waves Of Sound Remain by PHI album cover Studio Album, 2014
3.88 | 13 ratings

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Now The Waves Of Sound Remain
Phi Heavy Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Austrian band PHI was formed back in 2006, and started making a name for themselves before breaking up a few years later. In 2011 the band reformed, and in their second phase of existence they have developed a style and presence that again have seen them steadily creating a presence for themselves in the contemporary scene. "Now the Waves of Sound Remain" is their third studio album, and was released through the German label Gentle Art of Music in the fall of 2014.

Throw Porcupine Tree, Pink Floyd, Rush and Tool into the blender and season with some touches of The Mars Volta, perhaps with some Riverside too, and you may end up with an end result like this. Well developed and highly enjoyable music, atmospheric-laden and gentle, as well as edgy, feisty and powerful, compelling, sophisticated and also rather quirky at times. Those who enjoy bands that explore the landscapes in the borderlands between progressive rock and progressive metal will most likely be a key audience for Phi and the band's 2014 album "Now the Waves of Sound Remain".

 On The Sunday Of Life.....  by PORCUPINE TREE album cover Studio Album, 1991
3.02 | 665 ratings

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On The Sunday Of Life.....
Porcupine Tree Heavy Prog

Review by Billy900

3 stars This was my first PORCUPINE TREE album, and I was blown away when it came out. But looking back now, it's obvious that Steve Wilson has come a LONG way since then.

In retrospect, I'd say this is overall a good album:a solid three stars. I never feel the need to skip any tracks, and I still play it reasonably often. The album is mostly very experimental, trippy and comparatively low-budget, but with TWO outstanding tracks..

1) Radioactive Toy 2) Nine Cats

The sound is obviously dated, but these standouts wouldn't be out of place in a modern day Steve Wilson concert. Having just come back from the gig in Seattle (Jun 2015) though, I suspect he'd rearrange them for extra heaviness, and turn the volume up to 11.!

 The Incident by PORCUPINE TREE album cover Studio Album, 2009
3.69 | 1263 ratings

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The Incident
Porcupine Tree Heavy Prog

Review by TCat
Prog Reviewer

4 stars Yet another great album from my favorite current progressive band and frontman Steven Wilson and once again, a lot of reviews for the album. This album obviously is not getting the love from the ProgArchives reviewers that some of the band's past albums received, and even though I agree it's not their best, especially following the last 3 albums, I don't believe it deserves the harsh criticism that it has received. I still find it an enjoyable album and definitely still at a higher quality than a lot of artists. The songwriting is still stellar, the concept is great, and the prog elements are all there. But, even with that, and with the album also coming in between some excellent albums also released by Steven Wilson as solo albums, this album does suffer from something. For some reason, the songs overall don't have the same impact on me, or just aren't quite as memorable as they have been on previous albums. The music is still leaning towards heaviness, but not quite as heavy as previous. There is still an excellent use of dynamics also. So where does it suffer?

The album is made up of a very long, multi-movement song cycle lasting around 55 minutes with 14 movements. The concept of the song cycle is an attempt to personalize the use of the word "Incident" to describe what would be a life-changing occurrence in someone's life. Even though an actual automobile accident inspired the work, SW wanted to make the concept more general to include any type of incident. The song cycle is made up of many medium to short tracks which are interesting and varied enough, but may be the reason for the slightly lower quality of the album because of a lack of development among the tracks. Some themes are recurring, but they are not necessarily catchy enough to remember right away, and it takes the listener a little longer to appreciate the album. This could be part of the reason why so many reviewers are harder on this album, and I feel is the reason why it has a little less appeal to me than the previous albums. But I'm not saying that I don't like this album, because I do. I still listen to it a lot, but there is a slightly lower amount of enthusiasm for it from me than on some of PT's other albums. There are a few longer tracks, namely "Time Flies", which is the centerpiece of the album at over 11 minutes, and definitely the most memorable track on the album, and also "I Drive the Hearse", which is still only just shy of 7 minutes. There are some great guitar parts in here, especially in tracks like "Circle of Manias", but I find myself wishing for more development anyway.

After the song-cycle is over, there are 4 more tracks unrelated to the main concept, and these make up the 2nd CD in the album which runs an additional 20 minutes. "Flicker" and "Black Dahlia" are both ok songs that don't stand out a lot. "Bonnie the Cat' is awesome and probably one of my favorite PT songs, but it is probably the most original song on the album. Finally, "Remember Me Lover" starts out as a slow burn and quietly, but the intensity increases as it goes on and develops into an excellent heavy guitar sound before calming again. A nice melody and it has the great development that helps give the tune the life that was present on previous albums.

So, anyway, it's not their best effort, but it's still excellent and still a worthy effort nonetheless. Many bands would do great to only have an album as good as this. But we come to expect so much from PT and SW, so when something is a small step back from previous output, then we tend to be a little more aware of a slight dip in quality. If you are just starting to explore PT, then make sure to start with "Deadwing" or "In Absentia" first, then you might venture to this album later. If you have a choice, make sure to pick one of SW's better solo albums over this one too, but don't just ignore this one either, because it is still an excellent addition to your collection. And it really is better than a lot of people have given it credit for. 4 stars.

 Grow by THREE SEASONS album cover Studio Album, 2014
4.11 | 18 ratings

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Grow
Three Seasons Heavy Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Swedish band THREE SEASONS was formed back in 2009, and through 6 years and three albums they have managed to work their way to becoming quite the popular band in a relatively short amount of time. "Grow" is their third studio album, and was released in the late spring of 2014 through Swedish label Transubstans Records.

Those familiar with this band from previous occasions, or those familiar with their label, will have a pretty good idea about what to expect from this production. The band's label are known for signing bands exploring a more vintage oriented kind of rock, and Three Seasons hasn't been an exception in that department. This is a band with a deep affection for the rock and hard rock of the 1970's, and they document their talents quite nicely indeed also on this occasion.

A few details do set Three Seasons a bit apart from many other bands of a similar kind, at least on this specific album. That their songs tends to revolve around a higher degree of light tones, creating a more positive and at times even jubilant mood and atmosphere is one such aspect. That the songs have a strong orientation towards blues isn't perhaps all that surprising I guess, nor that they have a lead vocalist with a powerful voice well suited to a blues based variety of rock music, and that the driving, dominant elements are guitar and organ combinations is probably expected as well.

But whereas many other bands exploring this particular brand of vintage rock appears to orient themselves after Deep Purple or Uriah Heep, Three Seasons opts for a sound that, at least to my ears, appears to be much closer to a band like Procol Harum. They do arguably borrow some of the harder edged Deep Purple approaches at times, and the organ movements may well have more of a Uriah Heep flavor at times, but the manner in which the instruments are combined and the specific deliveries and tones used results in a sound that for me comes much closer to the kind of material I associate with Procol Harum. An additional aspect of this specific CD is a general sound, mix and production that emphasize the vintage mood of the songs, and the delightful rich but brittle electric guitar used merits a special mention in that department.

While "Grow" may not be an album that will suit everyone, they have managed to create a compelling album with a compelling sound, and that it hit the lofty heights of the top 20 album charts in Sweden upon it's release probably indicates that this is a CD that will have a broad appeal, and one that goes outside of the regular vintage hard rock and progressive rock oriented audience. Fans of vintage rock and hard rock is a proposed key audience for me, and those who have albums by Procol Harum, Deep Purple and Uriah Heep lined up in their music collection the ones most likely to treasure this one the most.

 Until All The Ghosts Are Gone by ANEKDOTEN album cover Studio Album, 2015
4.29 | 226 ratings

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Until All The Ghosts Are Gone
Anekdoten Heavy Prog

Review by BrufordFreak

5 stars Now this is a Progressive Rock album! Great mix of styles and moods and lots of instrumental choices and stylings that are fairly fresh for Anekdoten. I guesss the eight years off tending to other projects served Nicklas, Ana Sofia, Jan Erik and Peter well. 1. "Shooting Star" (10:10) opens deceptively quietly for what is to follow. A hard driving album with some organ and lead guitar stylings that remind me of URIAH HEEP-era Ken Hensley and BLUE OYSTER CULT's "Buck Dharma" Roeser and even a little of TRAFFIC-era Steve Winwood and NEKTAR's Roye Albrighton. Definitely one of the best long-play prog songs of the year and one of the best songs overall! Depsite the awesome mood and key changes, this song maintains its hard driving force throughout the entire ten minutes. I can never believe how quickly this song plays! Just awesome energy! (10/10)

2. "Get Out Alive" (7:32) opens with what I call their signature "oppressive heavy-happiness." While driving us into despair and doom Anekdoten's music somehow maintains an upbeat,"happy" feel to it. The band just can't go full-out doomer. Devil may care, they must love the music too much. The vocals and doomer lyrics are somehow quite fitting for the music and yet I love how they feel secondary to the heavy (and light--from the sixth minute on) instrumental parts. Nice Frippertronics in the fifth minute. That one note Nicklas bends up and then down is so cool! Awesome song. (10/10)

3. "If It All Comes Down to You" (5:52) Melllotron drenched with CRHIS REA-like lead guitar riffs playing tantalizingly over the top, this song is just gorgeous and very jazzy--almost in MOTORPSYCHO or THE AMAZING territory. The constant background 'tron and Theo Travis flute play are awesome but it's Nicklas's delicate guitar play and the background tuned percussion (xylophone?) that make this song for me. (10/10)

4. "Writing on the Wall" (9:03) opens with another familiar Anekdoten opening and settles into a structure not unlike their masterpiece "Hole"--that is, until the lead vocal establishes its surprisingly light melody. An especially heavy subject matter is treated rather lightly, almost happily, for sure lackadaisically as if in complete resignation to the belief that there is absolutely nothing to be done. Perhaps the weakest song on the album, it is still a pretty good song. Some nice drum and guitar work in the middle over Ana Sofia's awesome chord progression of the Mellotron foundation. The delicate guitar and synth "raindrops" interlude section is very KING CRIMSON-esque before bursting back into a two minute, two-part outro with some awesome REINE FISKE-like guitar soloing. (8/10)

5. "Until All the Ghosts Are Gone" (5:07) opens with full band, some nice guitar work, and more of Theo Travis' awesome flute (and saxophone) work. The vocal feels and sounds a bit too much like older Anekdoten, but the acoustic and electronic interplay is awesome throughout. between acoustic and electric guitars, mellow drum play, multiple keyboards and even some harmonized vocals. Acoustic and electric guitars, mellow drum play, multiple keyboards, beautiful flute play, and even some harmonized vocals for the repetition of the catchy final lyric, "Praying that it will work out ok" is really nice. (9/10)

6. "Our Days Are Numbered" (8:36) is an instrumental with a familiar Anekdoten feel, driving acoustic drums with bass, electric guitar and keyboards weaving with and around each other in and out of synchrony and from collective play of the melody to weaving into harmony structures. Return of Nicklas' new "Buck Dharma" guitar play preempts a brief polyphonic section before all music drops away for bass and echoed sax notes and riffs float around the background. The band gradually builds back its volume and full presence until at 6:28 Theo Travis' saxophone screeches out some awesome notes to signal the beginning of a section in which there is a kind of gradual whole band climb until at 8:15 it all comes to a head for the finale. Another gem! (9/10)

I don't feel as positively about any previous Anekdoten studio album as I do about this one. Until All the Ghosts Are Gone deserves five stars all the way. A masterpiece of progressive rock music that is definitely a candidate for Album of the Year!

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
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