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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2510 ratings
MOVING PICTURES
Rush
4.36 | 2125 ratings
HEMISPHERES
Rush
4.32 | 1974 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1827 ratings
PERMANENT WAVES
Rush
4.24 | 2303 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2260 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1110 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 971 ratings
THE MOUNTAIN
Haken
4.17 | 689 ratings
SALISBURY
Uriah Heep
4.17 | 551 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 1868 ratings
2112
Rush
4.10 | 1822 ratings
DEADWING
Porcupine Tree
4.09 | 941 ratings
VISIONS
Haken
4.12 | 606 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 938 ratings
AQUARIUS
Haken
4.06 | 1190 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 674 ratings
DEMONS AND WIZARDS
Uriah Heep
4.06 | 823 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1343 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 377 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZOOMA
Jones, John Paul
A.F.T.
Automatic Fine Tuning
HIGH TIDE
High Tide
ZUNDAPP
Zundapp

Latest Heavy Prog Music Reviews


 Atomic Roooster by ATOMIC ROOSTER album cover Studio Album, 1970
3.55 | 190 ratings

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Atomic Roooster
Atomic Rooster Heavy Prog

Review by Kingsnake

3 stars Great album but not yet all that great. Somehow I will never be a great fan of Carl's sloppy drumming. That aside the vocals, the bassguitars, the hammond are all really great. Raw, pure and energetic. The songwriting is sometimes really good (Winter, Broken Wings, Friday 13th) but sometimes the band just jams away. But it was the psychedelic era, it's okay.

It's great to hear a hammond-based heavy rock group not sounding like Deep Purple or Uriah Heep. Also I really like the vocals. Really powerful and soulful. Too bad, the singer never really served in a famous band. Another thing I like about this albums is the (sparse) fluteplaying, wich sets this bands apart from other hardrockbands of this age.

 4 by NOMADIC album cover Singles/EPs/Fan Club/Promo, 2016
4.00 | 2 ratings

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4
Nomadic Heavy Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars This four piece band released his first 4 songs EP and they didn't have many troubles to find the title of this one. They have been compared to Rush which is true in some sections but the harder guitar riffs and the presence of the violin make their music quite different. The singer and bass guitars player Tom Heslin is not your Geddy Lee because his voice is more similar to Michael Sadler of Saga, but how many singers sings like Geddy Lee? I think the influence of Saga is more obvious in a song like "Confusion".The songs are melodic with a harder twist in some places of those bands mentioned. It would be interesting to hear a full album that is in the making as we speak because the band has already written more material to complete this first EP. This EP shows some great musicianship and solid songs from a band that is not trying to reinvent the wheel but to adds their little touch to the classic progressive rock music we all love.
 Vemod by ANEKDOTEN album cover Studio Album, 1993
4.01 | 362 ratings

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Vemod
Anekdoten Heavy Prog

Review by The Crow
Prog Reviewer

4 stars Vemod is the result of the talent of a bunch of musicians who had the ability to consider the past while achieving to sound actual for their time!

And yes, this album sounds a lot like King Crimson, and sometimes even like Van Der Graaf Generator. But it's also has glimpses of grunge, alternative rock and even punk. Yes! That's what I ask of a progressive band, and Anekdoten delivered in a magnificent way.

Nevertheless, the production of the album is not the best. The drums are a bit too loud in occasions and the vocals are not really good implemented. I think Jan Erik Liljeström is not such a lousy singer as he seems to be in this album. In Nucleus he sounds better, and in posterior releases even better. So, I think that the out of tone segments that we can hear in this album are in part because of the weak production.

But it's all part of the charm of Vemod, I guess.

Karelia starts the album and Anekdoten's career in a great way, with a dark keyboard and a precious mellotron melody. After that a pungent bass appears introducing some guitar melodies very reminiscent to King Crimson, but filtered out by heavy distortion (or punk) which set us undoubtedly in the 90's.

The Old Man and the Sea starts with a schizophrenic riff which leads to another calmer one, imitating the sound of the waves. Just great! And at this moment the vocals appear? And I don't really know if I love the singing or I hate it. After repeatedly hearing this album I find the vocals not so annoying, but I guess that it's an acquired taste. At 3:47 we find an outstanding punk riff which leads to a great progressive section. Just incredible! Shame of the weak singing in this one.

Where solitude remains has a brutal bass line at the beginning, which lead to verses dominated by keyboards, very good despite the mediocre vocals. The chorus is more intense and the great bass appears again. After the chorus Anekdoten show their most psychedelic side, with an outstanding guitar solo. But the singing is just lame? "Taiaiaiaiaiaiam Looost" Just awful.

Thoughts in Absence is a marvelous acoustic song which had a lot of influence through the 90's in my opinion, especially in acts like Opeth or Green Carnation. And the vocals are undoubtedly better in this one! Thanks God. The Flow has a completely atmospheric beginning but after that we can hear another crazy riff and piercing bass flowing, intertwined with great notes of cello and mellotron. The vocals are not good, but at least not so annoying this time. At the end of the song we can hear where Opeth took inspiration to create their characteristic riffs!

Longing is another instrumental composition with precious acoustic guitars and cello. Almost a perfect one! And Wheel is also outstanding, with its melodies which go up and down through a limited scale in attempt to imitate the form of the aforementioned wheel. The Jan Erik Liljeström's vocals are accompanied this time of the Anna Sofi Dahlberg ones, achieving the best vocal interpretation of the album. After a prodigious solo of drums, bass and trumpet we encounter the initial riff again, closing this album properly.

Conclusion: Vemod is an outstanding mixture of piercing bass melodies, tons of mellotron, weak vocals and imaginative guitars in the vein of King Crimson, and a cello (and trumpet) work reminiscent of Van der Graaf Generator. But Anekdoten has the ability to mix this 70's influences with the typical grunge, alternative rock and heavy of the 90's, achieving a unique and very influential sound.

I think a lot of bands, especially in Sweden, took a lot of ideas of Anekdoten and Vemod. So, despite the weak vocals (maybe given by the sub-par production), I think this album is an excellent addition to every prog-music collection.

Best Tracks: Karelia, The Old Man and the Sea, Longing, Wheel.

My rating: ****

 Vol 1: Solar by EARTH ELECTRIC album cover Studio Album, 2017
3.92 | 3 ratings

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Vol 1: Solar
Earth Electric Heavy Prog

Review by Einwahn

4 stars There is so much energy and talent out there in today's prog music, but once in a while something really blows your socks off. This debut release from Earth Electric is an absolute stormer, just the heaviest and liveliest 'heavy prog' I've heard in a long time. Big pluses for me are the female vocalist, whose dreamy voice sets off the pounding instruments rather like Julie Kiss of To-Mera, and the extra power injected by the Uriah Heep-style organ player.

This would easily be five stars for me, but for the glaring defect that the album is, at 35:10 mins, only EP length. The group advertise this music as prog, and this is justified by the musical invention, but the longest of the nine tracks is only 5:24 mins. Every song is so excellent they could easily have extended the instrumental sections.

Verdict: More from Earth Electric please!

 Hemispheres by RUSH album cover Studio Album, 1978
4.36 | 2125 ratings

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Hemispheres
Rush Heavy Prog

Review by Luqueasaur

4 stars No prog n' no problem: 8/10

Truth be told, I always found RUSH's flirting with prog rock laughable. Not only their "innovations" are dated, but they are not innovations at all. While the musical movement shook the earth in the early 70s, RUSH was busy playing simpleton hard rock (that bordered metal) tracks. This obviously doesn't take their merit as accomplished musicians and creators of good music, but I feel I would be ridiculous to visualize RUSH as a progressive powerhouse. So much so that, after their "prog" phase, they hopped in the synthesizer-driven poppish rock trend of the early 80s without a single flinch. Almost as if they were glad that they had no longer to worry about faking a "prog" posture. Honestly, their music became more natural.

Putting this aside, HEMISPHERES, just like most of their songs in the "prog era" (or almost any era I have listened to, to be honest) is fun to listen to. I can't seem to find any excerpt of theirs that sounds saddened or melancholic or to put it simply, isn't downright upbeat. Their joviality, cheerfulness and a rather unpretentious (well, unwillingly, because eighteen minutes long tracks aren't written accidentally) approach to music are so appealing to me.

Hemispheres is perhaps their most polemic work. Deemed by some as boring and dragging and others as enjoyable, this has a lot to do with its lack of diversity on the riff repertoire. There's also a debate whether the lyrics are overly cheesy or a well-crafted lyrical fountain. I belong to the latter group. I love this song.

Circumstances show that RUSH never truly abandoned their simple and unadorned approach to hard rock.

The Trees is a weird version of a fable. Rather than featuring animals, it features plants. Lyrics tell of small trees that, due to lack of sunlight, joins in a syndicate against the larger trees that absorbs it all. In the end - spoilers - all trees are chopped so what difference does it take? The distilled sarcasm is sturdy, resembling Frank Zappa's. Also, the midsection features a delightful and serene atmosphere as Peart plays the temple/wood blocks.

La Villa Strangiato is their acclaimed and indisputably most 'progressive' work, an instrumental song with various jams and sections that showcase their fullest potential. Didn't give many listens to it, but from what I've heard it sounds masterful.

If you are willing to ignore the debatable "lack" or "abundance" of progressiveness in their songs and just enjoy it labellessly, I'm pretty sure you're going to have a good time with it. I did.

(originally written to rateyourmusic, hence the review's less substantiality than I usually put)

 A Farewell To Kings by RUSH album cover Studio Album, 1977
4.32 | 1974 ratings

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A Farewell To Kings
Rush Heavy Prog

Review by The Crow
Prog Reviewer

4 stars A Farewell to Kings was a step forward in the right direction for Rush!

After very good but not excellent releases like Caress of Steel and 2112, they managed to improve their epic progressive rock with glimpses of space rock mixed with a more conventional and commercial 70's hard rock in this album, achieving a very good collection of songs with moments of true mastery.

A Farewell to Kings opens with a medieval melody and beautiful classical guitars, but soon derives into a majestic and slow riff, which introduces a typical Rush's hard rock song. After the moment 3'20'' the song transform itself in a progressive wonder, which in my opinion surpasses all that Rush had made until this moment.

Xanadu is even better. A true classic with a mystical and space-rock opening worthy of the best science fiction film. After that, we can hear a great crescendo, which leads to one of the finest Rush's song, with an outstanding instrumental work on it.

Closer to the Heart starts beautifully with precious guitar and vocal melodies, and after that transform itself in a fine rock tune. Cinderella Man is similar, but a bit more complex and a wonderful bass, especially during the rather strange Lifeson solo (this man has a weird technique in his solos in my opinion) when Geddy Lee plays in a rather funky way.

Madrigal is a mellow and slow tune, in the vein of Rivendell from Fly By Night? However, it ends too soon! I don't understand why, because I think this song could have bit better with a bit more complexity and development. Nevertheless, Cygnux X-1 mends that, because it is another wonderful progressive-space rock song with a spectacular bass at the beginning, some dark and mysterious melodies and the best guitar solo of the album in my opinion. It remembers me to 2112, but better in every sense.

Conclusion: A Farewell to Kings is not a masterpiece in my opinion, but it's an excellent addition to any prog-rock collection because it's great musicianship, original songwriting and a pair of outstanding songs. They achieved a more focused and natural sound here, after four good but not splendid albums.

In addition, I think that the band reached its maturity with this release and because of that, A Farewell to Kings is one of their most important records, although I prefer the style that they practiced after Permanent Waves.

Best Tracks: A Farewell to Kings, Xanadu, Cygnus X-1.

My rating: ****

 Lord of Misrule by BLOOD CEREMONY album cover Studio Album, 2016
3.69 | 84 ratings

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Lord of Misrule
Blood Ceremony Heavy Prog

Review by Mellotron Storm
Prog Reviewer

3 stars 3.5 stars. BLOOD CEREMONY are a Canadian band based in Toronto and this is studio album number four for them. Many mention a BLACK SABBATH/ JETHRO TULL sound which is true at times but for me this is Heavy Psych to Psychedelic for the most part. The vocals really bring late sixties Psych to mind, and it sounds like they recorded her vocal parts in a bunker or garage but I'm sure that was to get the desired affect. We get mellotron on three songs but there's not a lot of it. I can't say the occult is something I want anything to do with period but I can ignore lyrics to a point. I'm also not sure if the band is into the occult or if that's a gimmick.

"The Devil's Widow" really starts the album off on the right foot. It sounds like the late 60's to start as the organ boils in the background, then it kicks in with flute then vocals. A great chorus as well, she can sing! Nice guitar solo after 3 minutes followed by a flute solo. A calm after 4 1/2 minutes and reserved vocals will join in. It's like the song starts over 6 minutes in.

"Loreley" is a lighter, poppier tune with vocals and pulsating keys. A catchy beat to this one and some brief mellotron after 1 1/2 minutes and later before 4 1/2 minutes to end it. "The Rogue's Lot" is a heavy tune man. BLACK SABBATH comes to mind here. I like when the flute arrives before 3 minutes and the tempo picks up. Catchy stuff and I like the guitar.

"Lord Of Misrule" opens with the vocal melodies and drums standing out. It kicks into a higher gear quickly though. Some flute when the vocals step aside briefly. "Half Moon Street" has a folky vibe and when the flute starts to dominate JETHRO TULL comes to mind in a big way. The tempo picks up before 4 minutes as we get a rip snorter of an ending.

"The Weird Finistere" opens with mellotron and a relaxed sound. Reserved vocals join in around a minute with intricate guitar melodies. Quite folky and the mellotron returns along with a slow beat. The chorus is catchy. "Flower Phantoms" really has a late sixties sound to it. So catchy and we get some aggressive guitar before 2 minutes as the vocals stop briefly.

"Old Fires" opens with some in your face guitar as the drums pound and the organ fires off some runs. Vocals join in. I like how hard this one rocks. "Things Present, Things Past" is the closing track and her voice might sound the best on this one. This song trips along nicely and the flute will become prominent. Kind of a strange ending.

Man this is so close to 4 stars but I'm just not able to pull the trigger. The enjoyment level just isn't there despite some great moments throughout.

 Into The Unknown by MIGHTY ZAZUUM album cover Studio Album, 2015
3.95 | 2 ratings

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Into The Unknown
Mighty Zazuum Heavy Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars It's not every day that I can listen to music from Croatia, but this is the case here with an album release two years ago.The first song"FNO" is a 3 minutes Porcupine Tree guitar riff with some vocals effects, short, but efficient. The second track is starting into some old school rock and switching into a psychedelic mood with some catchy grooves and a melody that builds slowly with intensity. "Float" is again a return to the past with some good guitar and bass playing, the bass sound being upfront in the mix. The song ends in a kind of post-rock atmosphere. "Quest" is very ambient for the first 5 minutes before getting back to their regular pace at the end. "Chant" brings some impressive guitar/bass riffs again into some frenzy passages with their most heavy parts so far and also the best song. The song ends up with a stellar guitar solo. "Form" continue to add some heavy guitar riffs and many stops and go showing the guitar skill again. "Deep" is mixing the old school style of rock with the ambient and the psychedelic. In conclusion, this album is a nice discovery in that type of album that combines 60's, 70's music with some modern progressive rock, that has succeeded to build some "mighty" strong songs here.
 Lore by ELDER album cover Studio Album, 2015
4.58 | 14 ratings

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Lore
Elder Heavy Prog

Review by Prog-jester
Prog Reviewer

5 stars Seeing zero reviews for stoner rock's hottest band now makes me really sad. Yep, this is a prog-oriented site, but man have you actually heard ELDER? Their 10-15-min long epics are heavily inspired by the likes of MOTORPSYCHO, ANEKDOTEN, MASTODON, SOUNDGARDEN, even GENESIS and RUSH, and "Lore" is definitely their best album and/or the best starting point with their music. Got a soft spot for all the others too, but while "Dead Roots..." is a bit too jammy and "Reflections..." is basically "Lore, pt.II", this 5-track, 60-min beast of a record strikes a perfect balance between amazing songwriting (those leads!), hard-hitting grooves and impressive musicianship. One last word to sell it to ya? MELLOTRON, loads of it!

Knowing these guys personally makes me really proud - I was the one who brought them to play Kyiv's Robustfest back in 2016 (the biggest/oldest psych/stoner/doom/prog Ukrainian festival) - and they KILL it live. What a fantastic band, don't you miss them!

 Banquet by LUCIFER'S FRIEND album cover Studio Album, 1974
3.98 | 126 ratings

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Banquet
Lucifer's Friend Heavy Prog

Review by Luqueasaur

3 stars Heavy prog? More like light jazz: 6/10

What do you think that would be the world's reaction if BLACK SABBATH, on their fourth album, decided to swap their sonority to jazz fusion? In short terms, this is what happened here. Heavy & doom metal (too) forerunners LUCIFER'S FRIEND took no time to abandon their dark style and opt for freaking jazz. Doing something like this in the 70s naturally got them criticized; it was an era where familiarity was fundamental for a band's success (no one would buy BLACK SABBATH hoping for jazz fusion) after all. Actually, they did this swap earlier - on their second album - but it was with BANQUET they departed from everything they represented hitherto. A highly venturesome move and progressive indeed.

Sadly, they don't do so well. BANQUET is a mountain peak album. It climaxes rapidly, but its captivation dies equally quickly. There are no flaws found in Spanish Galleon, the album's peak: John Lawton's vocal performance is intense, the guitar is virtuoso, the piano is smooth and quick-paced, and Herb Geller's brass sections sounds terrific. Simply put, it is a perfect multi-layered allegory for what a band can achieve with jazz fusion pretensions. Thus Spoke Oberon - the edge of the cliff - lacks the instrumental eclecticism, being more guitar and piano oriented, but is nonetheless good.

What happens next is that LUCIFER'S FRIEND bluesy sides, which weren't properly exorcised, start to speak louder. The frenzied energy begins to fade, turning mostly into piano tracks a la Elton John (with, uhm, 'jazz', I suppose). High- Flying Lady is an absolute buzz killer after the first two excellent tracks. Sorrow is as large as Spanish Galleon but not nearly as interesting. Dirty Old Down is almost boogie-woogie, if I recall correctly.

The supposedly defunct band, thanks to the internet, hit the road again since 2015. LUCIFER'S FRIEND released an (apparently) good album in 2016. They are also actively searching for their old record songs' lyrics. For as much as BANQUET failed to impress me as a jazz fusion album, I recommend trying it nonetheless. The first two tracks (which by themselves are roughly half the album) suffices to make it a worthy purchase. Well, worthy enough to make me interested on its creators' interesting historic after all, especially now they've been brought back from the dead.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
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