Progarchives, the progressive rock ultimate discography

HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

rdtprog
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2267 ratings
MOVING PICTURES
Rush
4.37 | 1909 ratings
HEMISPHERES
Rush
4.35 | 1782 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1654 ratings
PERMANENT WAVES
Rush
4.24 | 2061 ratings
IN ABSENTIA
Porcupine Tree
4.23 | 2101 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.29 | 422 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.21 | 1056 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.17 | 830 ratings
THE MOUNTAIN
Haken
4.16 | 621 ratings
SALISBURY
Uriah Heep
4.10 | 1696 ratings
2112
Rush
4.09 | 1683 ratings
DEADWING
Porcupine Tree
4.09 | 832 ratings
VISIONS
Haken
4.07 | 1099 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.10 | 535 ratings
LOOK AT YOURSELF
Uriah Heep
4.07 | 837 ratings
AQUARIUS
Haken
4.06 | 770 ratings
FRANCES THE MUTE
Mars Volta, The
4.11 | 349 ratings
FROM WITHIN
Anekdoten
4.03 | 1237 ratings
LIGHTBULB SUN
Porcupine Tree
4.06 | 601 ratings
DEMONS AND WIZARDS
Uriah Heep

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZOOMA
Jones, John Paul
A COMPLEX NATURE
Yang
SKELETON IN ARMOUR
Fusion Orchestra
VULTRESS
Cosmic Nomads

Download (Stream) Free Heavy Prog MP3


Open player in a new window

Download (Stream) Free Heavy Prog MP3

Latest Heavy Prog Music Reviews


 [ Chaos - Chaos ] by SAELIG OYA album cover Studio Album, 2015
3.95 | 3 ratings

BUY
[ Chaos - Chaos ]
Saelig Oya Heavy Prog

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars One of my favorites for the year 2015

Saelig Oya are a French band who have released an impressive debut [Chaos - Chaos] in 2015, on Musea Records, building on the proud and eclectic history of French progressive bands. I barely know where to begin in describing this gourmet meal of sounds, I hear bits and pieces of Lazuli, Paatos, Porcupine Tree....I hear Bjork on occasion.....and most endearingly to my ear, I swear one of these guitarists must be a Syd fan. Often throughout the proceedings I hear little guitar scratches and haunting side melodies that so remind me of some of Roger Barrett's work. Maybe only coincidence rather than influences, as is often the case.

As albums should be this wonderful 6-track gem clocks in at just under 40 minutes. I love a band that can be succinct and make every second count. Saelig Oya are almost instantly commanding both musically and vocally. The dual guitars are perfect mood building in the vein of Tea Club's McGowan brothers, complimenting each other often as they strive more for overall sound than individualism. The rhythm section adds to this approach of nuance over bombast, intuitive, yet interesting enough for active listening. Equally as powerful and enticing are the exotic, haunting vocals of Ms Pean, who sings in both English and French. (I would lobby her to switch to all French on future recordings, I love French and Italian vocals.) She has a voice full of emotional intrigue, capable of light beautiful moments as well as a powerful push when the loud guitars kick in. She sometimes sounds like Bjork a little bit but certainly she has a style and sound all her own.

The six well constructed songs are full of drama and mood. Quiet passages with soft singing and spidery, chilly guitar lines can turn to powerful vocals surfing heavy, sometimes near-metallic riffing. Here and there are more eclectic modern sounds as in parts of "He Walks" that features a dual male/female, near-spoken dialogue which was a nice touch, along with the cool bass and drum parts they devised. The opening of "Remember Each Day" has one of those Syd sounding vibes before the track goes almost Porcupine Tree in scope. The last three tracks have so many beautiful vocal/guitar collaborations! "Dancing Queen" (not an Abba cover) is an enrapturing piece of music that sounds like it could be on the "Vespertine" album--I would encourage everyone to check out the live video of this song on their website, which shows off the talents of all five musicians in a well recorded visual of great ambiance. Then head to their Bandcamp to check out a few others and I believe you'll be hooked. The album also has a CD issue.

Not only one of the year's bright spots but a band to watch going forward. Loved it.

 Haystacks Balboa  by HAYSTACKS BALBOA album cover Studio Album, 1970
3.19 | 10 ratings

BUY
Haystacks Balboa
Haystacks Balboa Heavy Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars HAYSTACKS BALBOA had a fairly unique start in their career before their demise that resulted in only this one single album that was an eponymous release with the surreal art in the middle of purple thick borders but later appeared a bootlegged CD with the title "Detoxified" in 1997 with a totally different cover of a gas mask in the greenery as explained by founder and guitarist Mark Harrison Mayo.

The band was supposed to open at the Powder Ridge Rock Festival in Middlefield, Connecticut on July 31, 1970 which was supposed to be a followup to the famous 1969 Woodstock Festival in New York, however this one was met with opposition by the locals and the whole thing was called off but no one told the fans and they all arrived anyways. The result was a huge drug fueled party only without the music! The whole thing was a mess and although HAYSTACKS BALBOA did attempt to play their gear was confiscated and unfortunately robbed them of their moment in the sun.

The band gained a loyal following while they toured and gained the attention of Polydor Records which signed them for their one and only album. The label did manage to promote the band with some radio airplay but the album did not perform well and the album has since fallen into obscurity. Although the tracks were recorded in a very simple 8 Track Studio, everything sounds quite well produced with the louder guitar parts being recorded through a double Marshall stack produces some of the heaviest music to come out in 1970. Unfortunately this one was only available in the cities where the band toured.

All the tracks are diverse and represent an eclectic palette that takes the listener on a short but sweet wild ride for 1970

"Spoiler" starts things off with a Hendrix inspired heavy rock guitar, a Deep Purple keyboard run and the heavy bluesy vocals of Bruce Scott that fit in perfectly with the sound.

"The Children Of Heaven" has a playful Beatles type of bouncy riff to it without losing its heaviness. A nice melodic development with the forceful lyrics and joker laughing.

"Bruce's Twist" is a jittery little rocker with heavy organ and has bluesy verses.

"Auburn Queen" starts out as a mellow acoustic track and then jumps into a jittery The Nice type of feel that sounds a lot like the intro of Metallica's "Don't Tread On Me" which of course came from the track "America" from West Side Story. It also has a Wishbone Ash / Allman Brothers type of duo lead assault and a killer keyboard solo. This is the most proggy sounding and ties for longest track (with "Ode To The Silken Men" on the album providing a glimpses of how proto-prog was slipping into the fully developed symphonic prog world the same year other bands like Yes were unleashing their magnifying prowess. The ending is the most progressive part as it takes an odd guitar lick, offbeat percussion and a litany of shouted poetry.

"Sticky Finger" has a rather Iron Butterfly meets Cream feel only a bit more energetic. This one is more of straight forward rocker but has an interesting guitar solo and a quirkily timed march kind of feel. Reminds a bit of Led Zeppelin at their hardest as well.

"Ode To The Silken Men" starts out as a nice acoustic number and at 8:55 ties as the longest track with "Auburn Queen." This has a nice series of melodic developments where it begins as an acoustic guitar track and then ratchets up the energy level. This track brings Led Zeppelin tracks like "Stairway To Heaven" to mind in songwriting but still has late 60s feel to it. The vocal overlay section in the middle doesn't last long but sounds very similar to the vocal segment at the end of Queen's "Prophet Song" only five years earlier. It immediately changes into a folky guitar section

"Riverland" is a folky ballad with multiple vocals and all acoustic that ends the album.

What really clicks with me and this album is the nice mix of influences. The bouncy happy-go-lucky Paul McCartney riffs and vocal playfulness accompanied by beautiful melodies, diverse vocals acrobatics, Zeppelin heavy metal riffing alternating with more mellow folky passages all dished out in a semi-proggy manner hit my pleasure zone upon first listen and hasn't diminished its return value upon repeated listens. The beauty of this is that these guys were doing the things that made bands like Zeppelin and Queen made famous very shortly after this was released and while this does not compete with those bands in quality, this was a true surprise that if taken in the context of the time it was in, this is some pretty stellar early heavy prog rock going on here.

I really wish this band would have stuck around for a while longer because this debut points to myriad directions and all of them would have been interesting. Despite being called typical hard rocker / heavy psyche sound for the era, i find this one to be all over the place which is more diverse than almost any similar band of this year. Highly recommended to early heavy rock lovers with a diverse palette. All musicians on here play together quite well and unlike many heavier bands of this era, i really like the vocals a lot. An interesting snapshot into the transition of late 60s heavy psych into 70s heavy prog with a nice balance of both sides of the equation.

 Entelechy by MONTRESOR album cover Studio Album, 2015
4.00 | 1 ratings

BUY
Entelechy
Montresor Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

— First review of this album —
4 stars Back in 2011, eclectic Australian proggers Montresor released an energetic instrumental album that flirted with reaching Post Rock sounds and heavier outbursts. It was a hugely promising debut, and the few years since (in addition to the replacement of one of their guitar players and a drummer) has increased the scope of the group on the evidence on their follow-up `Entelechy' in 2015, with a wider range of influences, a confident honing of skills and more ambitious, challenging arrangements maturing the group nicely. Comprised of everything from the quirkiness of Frank Zappa, the epic hard-rocking of Rush and the icy Mellotron flights and gutsy guitar rages of the `Red' and `Thrak'-eras of King Crimson, it's a big step up for the group that shows that potential of the debut really starting to pay off.

Fully composed by Cameron Pik, an immensely talented musician, not to mention genuinely nice guy with an inspiring knowledge of a wide range of prog-related music for such a young fella, Montresor's music on `Entelechy' is more varied than before, painting a bigger and more extravagant aural canvas this time around that is equally more intense and fascinatingly subtle. That's no easy task for a two guitar/bass/drum band setup, but the band are talented and inventive enough to drive home the constantly twisting time-changes and genre jumping material.

The unpredictable opener `Antarctica' weaves in and out of driving heavier passages with Dan Nathanson's silken bass grumbles and electric guitars from both Cameron and Bzen Byanjankar that move between ethereal chimes and fiery runs. Mournful guitars reach through `Daedelus', and the mighty beast that is `Belewga Whale' rattles with `Red'-era jangling noisiness and sludgy grooving riffs that sound like Robert Fripp bringing sexy back (mental image - Robert Fripp should NEVER try to bring sexy back!), and just listen out for the playful and infectious little jazzy run in the middle - bravo, gentlemen!

`Supersonic' is a catchy foot-tapping fuzzy groover powered by relentless bass, Jack Osbourne's driving beat and bluesy guitar smoulders (plus some choice angry spasms and a flighty jazz-fusion finale work great), the brooding `The Madman' is all echoing distortion and icy Mellotron veils that recall some of their Post Rock flavours before spiralling into chaos and out again, and the brilliantly titled middle-eastern tinged `Funkminster Bullarene' is lively with moments of bashing heavy grooves and angular cutting Crimson serrations. A Tool-like maddening atmosphere permeates the sitar drones, infernal Mellotron choirs and mantra-like guitar ruminations of `Paracelsus', and closer `The Nolan' is the most ambitious piece from the group to date at over eleven minutes. It stalks with Rush-like metallic rolling grooves, reflective droning guitar ambience, dusty blues and out-and-out proudly epic prog-rock guitar soloing grandness, all energetically married together with an expert control of build and emotion, and the fade-out works beautifully here.

With Pik relocating to the U.K late in 2015, it's unsure what the future of the Montresor project will be, but hopefully all the spontaneity, propulsive energy and even sly sense of humour of the group will find a way to collaborate again in the future. There's too much musical skill and imagination within the band to let things fall away, and with Australia hardly a hotbed of much in the way of progressive music activity (not counting the plentiful `adventurous metal' bands that piggyback on the `prog' tag, no shortage of them!), a band like this needs to be appreciated and supported. Montresor should be immensely proud of their work here, such an addictive and diverse hard-rocking instrumental progressive album, and we can only imagine the sort of efforts they can go on to from here.

Four stars.

 Meld by PINNACLE album cover Studio Album, 2006
3.53 | 8 ratings

BUY
Meld
Pinnacle Heavy Prog

Review by maryes

5 stars When I heard for the first time this album I thought " How this album passed by me completely unnoticed during almost ten years ? After this I read (with some surprise) in P A Discography section of the band , which this album shows the lowest quotation between their three releases until now ( I can't wait to hear the others !!! ) ..."In PINNACLE "Meld" the second album from this North-American band, released in 2006 at first audition my heart "smile" like if I have meet again dear old friends. I can say is, in this album I feel many influences mainly from the masters of 70's , from heavy-prog like, RUSH , LED ZEPPELIN , some "hints" of jazz -rock of JEFF BECK and Symphonic Prog like YES, KANSAS , etc... Besides this the music is actual because add to this "old" influences , the sound of another generation of progressive rock music in the "vein" of TILES, TRIUMPH and the pop new wave from THE POLICE. This" tapestry" of influences, don't sound like a cheap copy or a simply recall of any themes from the mentioned bands ! The track 1 "Information Overload" is cearly influenced by RUSH and their exceptional form to combine broken beats, bass/guitars frenetic duos and counterpoints. The track 2 "Alkways Somewhere Else" shows a LED ZEPPELIN'S slightly " shape, with remarkable bass guitar soft solo. The track 3 "Love In Our Hands" is a "sweet" ballad , full of filigrees: a exceptional acoustic guitar melody, some tuned percussions and a clear homage to YES (a bass melody starting 4 min 14 sec) with the first verses of "And You And I" ! The track 5 "Built For Speed" reminds JEFF BECK'S composition style , with RUSH's "nervous" bass/ guitar arrangements. The track 6 "The Deepest Sea" shows a overture and main theme with KANSAS's "moods" mixed whit SPOCK'S BEARD something of RUSH. The last track "The Life In A Year " receives a perfect title, due the recolection of almost all influences of the band . My rate is 5 Stars !!!!
 Walrus by WALRUS album cover Studio Album, 1970
3.12 | 15 ratings

BUY
Walrus
Walrus Heavy Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Interesting obscure band from which has released a single, self titled, in 1970 and quickly disappeared without trace soon after that. Their sound was a curious mix of brass rock a la Blood, Sweat & Tears or Chicago with psychedelic rock, jazz and even some acid-folk bits (like in Why). The music of this octet is quite appealing and certainly the band was promising: bassist Steve Hawthorn shows up as a viable songwriter of good material, while the players are obviously skilled enough. Singer Noel Greenaway is another great find, with a fine voice that handles well all styles of music. With time they probably could produce a personal and outstanding sound. Unfortunately this was not to be. I guess at the time there were enough good brass bands riding the charts and their psychedelic takes were already dated by 1970. Even the cover was not that original for the period:it looks like several others Ive seen then.

Anyway, if you like the above mentioned styles you should give this album a chance. I was quite surprised by the strong performances and the overall good songwriting and arrangements. Nothing spectacular or groundbreaking, but nice to listen to. The production is very good for the time and the CD release has a bonus track that was not included on the original LP. Nice find.

Rating: 2,5 stars rounded up. good, but clearly non essential in any way.

 Walrus by WALRUS album cover Studio Album, 1970
3.12 | 15 ratings

BUY
Walrus
Walrus Heavy Prog

Review by Groucho Barks

3 stars Tucked away in the darker recesses of any prog collection are sunk without trace gems from the late 60's/early 70's. I was surprised and pleased that over a dozen others have at least heard this and bothered to rate it. It has even had a couple of reviews. I shall add mine then! With previous reviews, especially from such an obscure 9 (or 8 depending on source)piece, you need a touchstone to base any potential purchasing decisions on. Without repeating what has been said before, the obvious Colosseum and early Chicago (Transit Authority) haven't been name checked....along with Blodwyn Pig and the criminally absent from PA Mick Abrahams Band. I think Ginger Bakers Airforce and Dada can be thrown in to the mix also....and of course the delightful Keef Hartley Band and the slightly more mainstream CCS. Without wanting to overload the comparisons, IF have to be mentioned and even Ashton, Gardener & Dyke! So what does that give us? A brassy, heavy prog masterpiece? Not quite, but not for want of effort! There are perhaps a little too many pop/psych hang overs (Tomorrow Never Comes could have been The Nice on a not quite their best day) and the brass parts are mostly just multi layered same riff rather than something counterpointal and longer tracks feel more like different ideas tagged on to each other rather than any meaningful bridged links making for a satisfying whole. Yes we get a prog/blues feel a la early Tull but without their playful and knowing nod and a wink so it can feel a bit leaden. Having said that, there are enough contrasts to make this an interesting listen with the more pastoral 'Why' being one such example. Yes it is firmly locked in a time and a place sound and content wise, but there are and were a lot worse places to be than a Marquee or college gig in say late 1970 with this lot in yer face/ears I imagine. Again, a 5 star review system makes it difficult as would want to give them a half star for sheer effort this pushing it firmly in to 3.5 area. It is what it (was) is.
 Visions by HAKEN album cover Studio Album, 2011
4.09 | 832 ratings

BUY
Visions
Haken Heavy Prog

Review by Progrussia

4 stars If you ever wondered whether Haken can be best classified as heavy prog or prog metal, chalk this album up as a firm evidence for the latter. This is Haken's most Dream Theater-like release, combining the signature mix of symphonic complexity, metal loudness, high-speed soloing and saccharine pop sensibilities, but with more weirdness thrown in (computer game sounds, Latin beats). Hey, the group credits two guys both for guitar and the keyboards. Even the somewhat whining vocal of Ross Jennings reminds of Dream Theater. Anyway, this a deliciously over-the-top album, culminating in the 20-minute Visions . Sure, the vocal and the narration drag on a bit, but otherwise this song finds Haken firing on all cylinders.
 Round the Edges by DARK album cover Studio Album, 1971
3.09 | 27 ratings

BUY
Round the Edges
Dark Heavy Prog

Review by Igor91

4 stars The obscure album by Dark, "Dark Round the Edges" has been both praised and maligned by critics over the years since it's very limited private pressing over 40 years ago. While not all that progressive, it does feature progressive moments, but a more accurate description would be a prog-leaning, 70's psych-rock band. When first listening to this album, the thing that stood out to me was the great sound of Steve Giles' guitar work. Dead Meadow must have had this album somewhere in their collection, for that is what came to mind as I listened. Fat, fuzzed-out, groovy guitar is present in many moments, paired with lighter, cleaner strumming at other times. The vocals are the main weakness here, not bad, but not that good either. However, the songs are well-crafted enough, and the occasional firey guitar stabs of second guitarist Martin Weaver make this album an enjoyable listen. If you are a serious prog-head you may not enjoy this one, but if you like early 70's heavy psych with prog leanings, this is right up your alley. 4 stars.
 I Turned To See Whose Voice It Was by GOMORRHA album cover Studio Album, 1972
3.16 | 37 ratings

BUY
I Turned To See Whose Voice It Was
Gomorrha Heavy Prog

Review by Atavachron
Special Collaborator Honorary Collaborator

2 stars Rough and tumble stuff from these Germans, a recording that could only have occurred in '72 with its bargain-basement heavy psych, rumbling brown guff, deeply stoned performances and "you had to be there" trance-jams. One of those sets that must've seemed transcendent at 3 am but wholly questionable in the light of day, I Turned to See Whose Voice it Was is a progressive mess. That said, it does have a modicum of rock 'n roll street cred with Peter Otten doing a poor man's David Clayton-Thomas and a decent, honest heavy organ base, ten-minute 'Dance on a Volcano' faltering but hitting the spot in a guilty pleasure sort of way. It must be said even this grimy mix required a good bit of prep and practice to pull off and, for a very brief moment, surely fit right in with the exploratory nature of jam-rock. But 'Opening of the Sealed Book' doesn't up the stakes and goes on for...ev...er. Eberhard Krietsch provides a pleasant ground with a wet & warm Hammond as the backbone, Claudi & Ochel having a good time on their steelstrings as on the title cut. Though 'I Try to Change the World' is so overdriven and grainy that it makes its 9 1/2 minute run ridiculous.

If producer Conny Plank had had a greater vision for the six-piece, the LP might've shone brighter. As it is, the amount of hash you'd have to smoke to even begin to enjoy this swamp of an exercise would probably induce a brain hemorrhage.

 Up The Downstair by PORCUPINE TREE album cover Studio Album, 1993
3.91 | 808 ratings

BUY
Up The Downstair
Porcupine Tree Heavy Prog

Review by Emiliano

5 stars I remember entering this prog-rock forum a few years ago to see which new prog-rock band could satisfy my musical needs, so after reading some reviews I got hold of this disc plus another of Riverside. The latter I only heard twice, as by that time my interest in metal-centered bands would start dwindling. Instead, I was in search for a new sound, which I found in the form of the psychedelic and spacey Up the Downstair soundscapes.

I can't even count the hours I have spent listening to the perfect progression between Siren, Small Fish, and Burning Sky, which in my opinion is the best song progression I ever heard in my life, even surpassing that of Time/The Great Gig in the Sky, which is a hell of progression that now and then plays back in my head. Gosh, I even learnt to play Small Fish with the classical guitar, an instrument with which I seldom play rock tunes.

My love for the soundscape achieved in this album is incommensurable. That trial-speech style intro leading into the powerful chord pattern of Synesthesia is one of Porcupine Tree's finest moments, only to come back in what I regard one of the finest songs of Porcupine Tree's repertoire: Dark Matter. But, let's get back to Up the Downstair. There are two versions: the original with electronic drums, and the remastered one with Gavin and Staircase Infinities as Disc 2. Let's just say that The joke is on you is a perfect match for Up the Downstair.

If you want to listen to Porcupine Tree's rawest psychedelic and space-rock version this is your album. Other albums from the pre-Gavin era don't have that ambient. For instance, "On the Sunday of Life" is playful, "The Sky Moves Sideways" shifts between tight and spaceful, "Signify" is a revolving sound-wall, "Stupid Dream" is light and sorrowful, and "Lightbulb Sun" shifts between acid and mellow. Of course, in Gavin's era Porcupine Tree would add a metal sound-palette that in spite of not being dominant until The Incident, it would provide the band with a more stable soundscape.

Data cached

Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MINERVA Germany
MOCAH Argentina
MDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVRLLJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OLLOCS United States
ONSGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
RED STAR REVOLT United States
RENAISSANCE OF FOOLS Sweden
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
JASON RUBENSTEIN United States
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAELIG OYA France
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SKELETONBREATH United States
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
THE SOUND OF ANIMALS FIGHTING United States
SPECTRUM Chile
SPETTRI Italy
SPOKE OF SHADOWS United States
SQUAT CLUB Australia
ST. ELMO'S FIRE United States
ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
STILL LIFE United Kingdom
STOLAS United States
STORM AT SUNRISE United States
THE STORM Spain
STRATEGY United States
SUBSPACE RADIO Finland
SUGARLOAF United States
SULPHAT' KETAMINE France
SVANFRIDUR Iceland
SWEET HOLE Spain
SYLVIUM Netherlands
T2 United Kingdom
TDW Netherlands
TEA Switzerland
TEMPEST United Kingdom
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THE TIRITH United Kingdom
THEMATIC United States
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME TRAVELLER Finland
TINKICKER Denmark
TRANSIENCE Australia
TRAUMPFAD Germany
TRILI Puerto Rico
TWENTY SIXTY SIX AND THEN Germany
TWO CHILEKINGS Philippines
TYBURN TALL Germany
UNBROKEN SPIRIT United Kingdom
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
VLOOO France
VEMM Italy
VIRUS Germany
VIVALMA Brazil
VOLVOX Argentina
VON FRICKLE United States
VOS VOISINS Canada
VOTCHI Czech Republic
VULKAN Sweden
VULTRESS United States
WALRUS United Kingdom
WARHORSE United Kingdom
WARPIG Canada
WATERLOO Belgium
WEEND' France
ANDY WEST United States
WHERE ARE YOU LIAM? Russia
WHITE WITCH United States
WICKED MINDS Italy
THE WINDMILL Norway
WITCHWOOD Italy
WRITING ON THE WALL United Kingdom
XANADU Poland
YANG France
YEARSTONES Norway
YGGDRAZIL Italy
YSMA Germany
YURT Ireland
Z.O.A Japan
ZARATHUSTRA Germany
ZION Italy
MICHAEL ZUCKER United States
ZUNDAPP Italy
ZYDRA Chile

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.22 seconds