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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2367 ratings
MOVING PICTURES
Rush
4.37 | 1997 ratings
HEMISPHERES
Rush
4.34 | 1855 ratings
A FAREWELL TO KINGS
Rush
4.30 | 1728 ratings
PERMANENT WAVES
Rush
4.24 | 2143 ratings
IN ABSENTIA
Porcupine Tree
4.24 | 2174 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.20 | 1075 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 916 ratings
THE MOUNTAIN
Haken
4.18 | 503 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.16 | 652 ratings
SALISBURY
Uriah Heep
4.10 | 1767 ratings
2112
Rush
4.10 | 1735 ratings
DEADWING
Porcupine Tree
4.09 | 902 ratings
VISIONS
Haken
4.08 | 897 ratings
AQUARIUS
Haken
4.06 | 1134 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.10 | 564 ratings
LOOK AT YOURSELF
Uriah Heep
4.06 | 790 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1285 ratings
LIGHTBULB SUN
Porcupine Tree
4.06 | 635 ratings
DEMONS AND WIZARDS
Uriah Heep
4.11 | 359 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

MÉMOIRES INCUBUSSIENNES
ExCubus
A.F.T.
Automatic Fine Tuning
VULTRESS
Cosmic Nomads
HARVEST TIME
Elonkorjuu

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Latest Heavy Prog Music Reviews


 Affinity by HAKEN album cover Studio Album, 2016
3.97 | 298 ratings

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Affinity
Haken Heavy Prog

Review by Einwahn

5 stars The artwork for this album mimics a floppy disk sleeve, and has the perfect green phosphor colour of CRT screens... it is so nostalgic for anyone who remembers the era of MS-DOS, NewWord & Space Invaders. Of course, a 1980's inspired album does require the listener to have retained some positive feelings about the sounds of that least-favoured decade for prog fans. I am definitely in that category and the 'Affinity' concept sounded interesting from the start for me. The album opens with a short track called 'affinity.exe' that is surely a Morse code transmission, not particularly 1980's ... and then the first real track, 'Initiate' rather threw me on first hearing, because it simply sounded like the Dream Theater-inspired music that makes up so much of Haken's first couple of albums (this is not a complaint). But with '1985' (I guess around when this band's members were born), the decade's influence becomes explicit and several of the tracks are in the same vein. But this always sounds like Haken nonetheless, they have a very distinctive sound that could only be mistaken for Dream Theater at times - though with much wider invention.

There is a short episode of 'growling' from Leprous's amazing vocalist Einar Solberg, who can really sing if he wants to. Like others, I am not a big fan of growling, but I note the first two Haken albums each have a growling episode, it isn't an innovation for them. Anyway, it has its artistic purpose I am sure, and it's short.

Well I said I didn't mind the 1980's, and if more of that period's music sounded like this Haken album, I would have absolutely loved it. Every single album of this band is 5 stars for me, they are a major presence in prog rock.

Verdict: the 1980's, improved.

 Hold Your Fire by RUSH album cover Studio Album, 1987
3.27 | 777 ratings

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Hold Your Fire
Rush Heavy Prog

Review by Mr. Gone

3 stars In my review of Signals, I mentioned my being a latecomer to Rush and the fact that I love synthesizers. So I'm starting by tackling (as I can) the controversial post-Moving Pictures 1980's Rush albums, just...well, because I can. So there.

Seriously, there's certainly plenty of worthy material on all those albums. The thinnest for me is probably Grace Under Pressure, where certain songs seem a bit forced, and the energy seems a tad down (there's a heaviness in sound but also in delivery). Power Windows sounds cleaner, but is weighed down by some unremarkable filler. There's filler on Hold Your Fire, too, but the high points are certainly memorable and quite moving here, more than probably on any of these other releases.

Let's start with the low(er) points. "Force Ten" is a fine song the first 30 or so times you've heard it. After awhile, though, it becomes a bit ordinary. Powerful, yes. But it doesn't always stick terribly well. The sentiments of "Time Stand Still" are beautiful (especially as someone staring down middle age and watching loved ones - even peers - succumb to that inevitable final enemy, while also contemplating things I wish I could accomplish or times I wish I could go back to), but the presentation is a bit to poppy feels somewhat unsubstantial. And "Prime Mover" - just never liked this song. There's nothing to distinguish it from anything else on the album. A rather boring riff at the center and the lyrics don't speak to me.

Other songs fare better. "Open Secrets" is also a bit slight, but the melody is lovely and holds up fairly well on repeated listenings. My favorite of these "pretty good" songs is "Second Nature", with a pleading tone of gentle desperation and the recognition of our efforts to save the environment ("We fight the fire") while simultaneously destroying it ("while we're feeding the flames"). "Tai-Shan" has a nice Asian feel to it, courtesy of sitar-sounding guitars and synthesized flutes. I know this is not a favorite of many (like "Madrigal" on A Farewell to Kings, there isn't another Rush song quite like it), but I quite fancy it and also appreciate the band's willingness to try something quite atypical for them. And "High Water" rumbles along with a nice energy through its fat guitar/bass riff in its middle.

Then, there are the three songs I consider to be the true centerpieces of the album - the "side two" openers. "Lock and Key" has decent lyrics if perhaps a bit of a reach (I'm not sure all of us have homicidal mania in our psyche, especially not close to the surface), but the orchestrated melody is very, very well done and highly enjoyable. Alex Lifeson gets a nice solo in the middle (if perhaps a bit short) and Geddy Lee gets to play a muscular bass at the same time while Neil Peart turns in his usual complicatedly catchy tom hits. "Mission" is my favorite here, celebrating the movers and shakers in our world in a variety of areas (science, art, literature, architecture, etc.) while simultaneously wondering if they might have appreciated a bit more sanity in place of the frenzied brilliance that dominated the lives of many. Substantial thoughts, here, and presented against an immaculately beautiful musical backdrop. Great guitar lines, fantastic keyboards, excellent drumming - just a terrific song. And "Turn the Page" has a great bassline and a great guitar solo. Maybe it's no more progressive than "Prime Mover" (I would argue it is), but it's certainly a far more distinctive and memorable effort.

So, the final analysis? Some filler here for me. I never liked "Prime Mover", and the album's openers don't wear that well. Some of the "pretty good" songs ("Open Secrets" especially) are pleasant but not super-distinctive. But the three centerpieces are among the best work the band ever did (yes, even with "Red Barchetta", "Xanadu" and "La Villa Strangiato"), so that props things up a bit. In my younger days, this album was one of my faves. I see its flaws more clearly now, and it's certainly not their best, but I still pull it out and enjoy it from time to time. Essential? No. Somewhere between Good and Excellent. I'll give it three stars, with the caveat that everyone should hear it at least once and decide if they need more.

 The Incident by PORCUPINE TREE album cover Studio Album, 2009
3.66 | 1354 ratings

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The Incident
Porcupine Tree Heavy Prog

Review by Warthur
Prog Reviewer

2 stars Huh. This may actually be it - the point where I and Steven Wilson part ways. Despite being very keen on most of his Porcupine Tree output, I just can't get into The Incident - just as I can't get into his solo work, though for different reasons. With his solo material, I tend to find it self-consciously retro-"proggy" in a way which seems designed to tickle the fancy of prog purists but is a little bit too calculated to engage me, with the result that it leaves me cold.

Preceding all that, though, is this album - a piece which somehow seems to fall between two stools. In its presentation, it seems to be going for that sort of proggier-than-thou style - a 55 minute song, wowsers! - but in execution it actually doesn't quite deliver. That 55-minute piece is essentially a whole bunch of different songs that run together with uncharacteristically clumsy transitions and a set of running lyrical themes which don't go anywhere; the second disc feels like a bunch of off-cuts. (If these pieces weren't good enough to work into the main album, why would they be good enough separate from it?)

Musically speaking, the album seems to take the style of Fear of a Blank Planet and render it, well, a little blank, with a surprising number of decidedly pedestrian-sounding alt-rock inspired passages. It feels like the group are going through the motions, no longer really feeling engaged by the musical direction that had been so successful a left turn for Porcupine Tree since In Absentia but not entirely sure of what they could do instead, cranking out an album through obligation rather than passion.

 Affinity by HAKEN album cover Studio Album, 2016
3.97 | 298 ratings

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Affinity
Haken Heavy Prog

Review by Stiyekton

4 stars Affinity is a great album overall. The first track works very well as an intro and transition into "Initiate," which has an interesting rhythm, catchy but not annoying melody, and great atmosphere. "1985" is a highlight with creative riffs, unusual time signatures, and a really fun instrumental section, and the total 80's feel of the song is fun also. "Lapse" is the inevitable U2-style song, and is one of the weaker tracks on the album, but it is far from a bad song. The epic "The Architect" is another highlight, with an instrumental intro with fun rhythms in different time signatures, a section with more glitch drumming, and a part with growls which are not bad and actually add to the emotion of that part of the song. "Earthrise" is a modern-sounding pop rock track, but with several parts to which it is fun to tap or drum along, and the chorus really highlights Haken's unique vocal style, so it is overall a good track. "Red Giant" is a rather unusual atmospheric track with more electronic drums, and the song starts out slow but it later speeds up. "The Endless Knot" takes repeated listens to get, but it is worth it as it is totally a highlight of the album. This track has more modern influences including djent and dubstep, and this song also has parts in unusual time signatures that are not apparent unless the listener is paying close attention. "Bound by Gravity" is a somewhat boring ballad that is also a bit too long and is in my opinion the weakest track on the album and is a big part of why this album loses a star.
 Affinity by HAKEN album cover Studio Album, 2016
3.97 | 298 ratings

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Affinity
Haken Heavy Prog

Review by stefano

3 stars Affinity does not rise to the heights of The Mountain or Visions. It has a fun 1980s feel to it that I partly enjoy. But where are the songs that grab a hold of the listener and don't let go? Maybe The Mountain was too hard an act to follow and surpass. I think Affinity is a pretty good CD but it ends and I don't feel like any of the songs stay with me and resonate. Also I really dislike the screaming/ growling on Architect. It seems really out of place. Once again, it is a fairly good song, but marred by a mis-step.
 Rush by RUSH album cover Studio Album, 1974
2.92 | 913 ratings

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Rush
Rush Heavy Prog

Review by Rodrigo Andrade7

2 stars "Rush" is the self titled debut album of this incredible band. It's a good taste from what Rush is, but its just the beginning of it. This album features many pure rock catchy songs but what I like about this album is that you can already tell what Rush will be in the near future. Sure this album has a lot of influences on many hardrock bands (and thats what this album is), its a difficult album to listen to without Led Zeppelin coming into your mind... I would say impossible, but this is not a bad thing, this is still a fantastic album to play on your car and enjoy the nice rock music, but its not really more than just that. I like the tracks "Finding my way" because its a very good rock track and "Working man" because gives slight approach for what Rush is going to turn in the future. I am giving 2 stars on this album because it doesn't contain any progressive music on it, its just a pure hardrock album, but a good hardrock album if you take it to its consideration.
 Sound Awake by KARNIVOOL album cover Studio Album, 2009
4.08 | 254 ratings

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Sound Awake
Karnivool Heavy Prog

Review by Warthur
Prog Reviewer

3 stars Karnivool's Sound Awake finds the band making perhaps their most gripping and seamless expression of their blend of alternative metal and progressive rock. In the "metal bands who've listened to a bunch of Pink Floyd" stakes, they rank well alongside acts like Anathema - and truth be told, I find them less dependent on heavy handed Floyd-isms than Anathema and much more original in their sound. That said, I still find that this is a bit of a hit-or-miss album; in particular, the band are building this prog edifice based on a foundation from the poppier end of alt-metal, which bugged me and I suspect may bug other listeners who find alternative metal to be a bit of a mixed bag.
 Chronocopia by CHRONOBUNNY album cover Studio Album, 2014
4.00 | 1 ratings

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Chronocopia
Chronobunny Heavy Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

— First review of this album —
4 stars This Norwegian quartet has gone way under the radar! Chronobunny are a fairly new band and seem to enjoy the DIY method of arranging and recording their material. ''Chronocopia'' is a less-than-40 minutes rough-around-the-edges, purely instrumental heavy/eclectic prog album.

The beauty of this album lies in its simplicity (an oxymoron I will explain later): no polished production, no multi-layered arrangements, few (if any) overdubs. Four chaps full of energy delivering five excellent compositions based on thoughtful improvisation. Odd-time signatures, sudden breaks, guitar blasts and saxophone outbursts blend with extended mellow jazzy themes (Muskedunder reminds me of a more jazzy acoustic Opeth!). There is certainly resemblance to fellow Norwegians Motorpsycho, Jaga Jazzist or Seven Impale; here the focus is on melodic improvisations that lead to heavy prog outbursts rather than building on eclectic song structures as the above bands.

Not that the heavy-Zappa tunes are missing (see opening of ''Chronocopia'' and ''Maeth'') but Chronobunny take it less seriously and experiment freely rather than stick to overly complex arrangements. The result is a free-flowing, ''sorgenfrei'' recording, similar perhaps to another gone-unnoticed album, ''Germinal'' by Minerva. Hope we hear more from these quality bunnies!

 Don't Lie to the Band by DILLINGER album cover Studio Album, 1975
3.94 | 15 ratings

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Don't Lie to the Band
Dillinger Heavy Prog

Review by Progfan97402

4 stars Don't Lie to the Band, released in 1976 on Daffodil, was the second album by the Toronto-based Dillinger. They were basically a hard rock band but with a few extra ambitions. Here the album starts off with two covers, Spooky Tooth's "Two Time Love" and George Harrison's "Taxman", both done in recognizable fashion, although the latter with a funky approach, from Paul Cockburn. The rest are all originals. "It's Not Mine" is a ballad, rather nice, but then they get really adventurous on "Munchkin Men". I find it a bit strange to hear a prog rock song about the munchkin men from the Wizard of Oz. There's a bit of a Yes feel in the vocals, although I could have lived without the "We are the Munchkin Men, neh neh neh neh" part halfway through the song, though. There's some nice low key Mellotron on this song. The rest of the album may not reach the heights of "Munchkin Men", but still quite good. I get reminded a bit of Nektar and Camel, even the vocals (apparently from Jacques Harrison) aren't too terribly different from Roye Albrighton, although Paul Cockburb's guitar playing at times is closer to David Gilmour or Andy Latimer. There's an occasional Jethro Tull reminder when the flute pops up. This album will NOT appeal to the prog purists out there, it sounds like those Midwestern bands who'd do some sort of crowd pleasing or radio-friendly material next to much more ambitious prog material. Many of these bands had a blue-collar approach to prog (Kansas being rather obvious), and Dillinger likewise, even though they hardly sound like Kansas. I have to tell you many listeners on this particular album seemed put off by the covers and never reach to "Munchkin Men" and side two, so some might write it off as "bargain bin" filler (actually apparently it did end up in the bargain bin, my LP copy features a small punch hole on the lower left hand corner). By the way, "Bumpadiddly" is only on the CD reissue, it was never on the original LP. The CD cover is also in color, while the original LP, while featuring the same artwork, was in black and while.

No, it's not the most mindblowing thing you'll hear all year, but I really like that nice '70s vibe and does have some nice material.

 Hoodoo Man  by BIRTH CONTROL album cover Studio Album, 1972
3.83 | 126 ratings

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Hoodoo Man
Birth Control Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Though some prog fans may prefer later Birth Control albums such as Plastic People or Backdoor Possibilities, perhaps due to the more mannered, polished, and symphonic-leaning keyboard playing of Zeus B. Held, I greatly prefer the raw, dirty, Deep Purple and Uriah Heep- derived heavy psych-rock of Hoodoo Man, which derives much of its pleasures from the keyboard work of Wolfgang Neuser. This would be Neuser's sole album with the group, which is kind of a shame, because he's able to range from bluesy Deep Purple-esque playing to more classical-influenced organ work reminiscent of the more hard rocking moments of early ELP with ease. The distinctive Hammond organ sound would drain away from Birth Control beginning with the subsequent Rebirth, which is a shame because this album is pretty decent... shame about the horrible cover art, though.
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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORPHAN BLOOM United States
ORPHEO Netherlands
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERMIAN INCIDENT Norway
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
PLESIOSAURIO Argentina
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
REACHING REVERY United States
RED STAR REVOLT United States
RENAISSANCE OF FOOLS Sweden
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
JASON RUBENSTEIN United States
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAELIG OYA France
SAILOR FREE Italy
SANDCASTLE Italy
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