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BLOOD CEREMONY

Heavy Prog • Canada


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Blood Ceremony biography
Taking its name from an Italian horror film, BLOOD CEREMONY is a Toronto-based band that was formed in 2006 by Sean KENNEDY (guitar), Chris LANDON (bass), Andrew HAUST (drums) and Alia O'BRIEN (vocals, flute, occasional organ). In 2008, they released their eponymous debut. While the band never indulged in epic songwriting, cuts like 'Master of Confusion' and 'Hymn to Pan' comfortably pass the five minute mark.

Musically, BLOOD CEREMONY does sound like a mix between Paranoid-era SABBATH's sluggy riffage, with a touch of Stand Up period JETHRO TULL mostly due to O'BRIEN's flute. The result is something that borders on doom metal, but has enough backwards cast psychedelic atmosphere - not to mention O'BRIEN's quasi-operatic vocals - to make it stand out from the rest of the pack. Highly recommended to anyone who likes that late 60s/early seventies gloom metal sound.

- the Whistler -

Blood Ceremony official website

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Living With the AncientsLiving With the Ancients
Metal Blade 2011
Audio CD$9.76
$7.99 (used)
Eldritch DarkEldritch Dark
Metal Blade 2013
Audio CD$7.92
$6.99 (used)
Blood CeremonyBlood Ceremony
Metal Blade 2012
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LET IT COME DOWNLET IT COME DOWN
Import
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Blood Ceremony by Blood Ceremony (2008-07-29)Blood Ceremony by Blood Ceremony (2008-07-29)
101 DISTRIBUTION
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Eldritch Dark by BLOOD CEREMONY (2013)Eldritch Dark by BLOOD CEREMONY (2013)
Metal Blade
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Living With the Ancients by Blood Ceremony (2011)Living With the Ancients by Blood Ceremony (2011)
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Blood CereonyBlood Cereony
Import
Imports 2012
Audio CD$24.51
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BLOOD CEREMONY discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

BLOOD CEREMONY top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.56 | 32 ratings
Blood Ceremony
2008
3.63 | 48 ratings
Living With the Ancients
2011
4.16 | 38 ratings
The Eldritch Dark
2013

BLOOD CEREMONY Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

BLOOD CEREMONY Videos (DVD, Blu-ray, VHS etc)

BLOOD CEREMONY Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

BLOOD CEREMONY Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.35 | 3 ratings
Let It Come Down
2014

BLOOD CEREMONY Reviews


Showing last 10 reviews only
 The Eldritch Dark by BLOOD CEREMONY album cover Studio Album, 2013
4.16 | 38 ratings

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The Eldritch Dark
Blood Ceremony Heavy Prog

Review by Nightfly
Special Collaborator Honorary Collaborator

5 stars The third album from Canadian doom/heavy rock band Blood Ceremony, The Eldritch Dark was released in 2013, two years after the excellent Living With The Ancients.

It's very easy to label any band that uses flute and has an early seventies vibe about them as having similarities to Jethro Tull but the comparison is valid here - think early seventies Aqualung era. Also most people pick up on the Black Sabbath influence but with The Eldritch Dark it's less apparent than before with less of a doom element with more emphasis on heavy rock with psych/prog leanings. In Alia o'Brien not only do they have a great singer but a versatile musician (flute and organ) and bassist Lucas Gadke and new drummer Michael Carillo handle the numerous twists, turns and dynamics with ease. Sean Kennedy is an inventive guitarist with an arsenal of great riffs at his disposal, powerful yet very tasteful and restrained when required.

Like all great albums The Eldritch Dark retains a high standard throughout with some truly captivating songs making picking highlights difficult but Ballad Of The Weird Sisters is a good benchmark to show the depth and breadth of the band with a dynamic performance as well as a killer hook. It also benefits from guest fiddle player Ben Plotnick's presence. Lord Summerisle shows their lighter acoustic side and Drawing Down The Moon shows their musical chops off well shifting through many parts. The short Tull-esque instrumental Faunus leads nicely into the eight minute closer The Magician and it doesn't disappoint finishing with a melancholic organ drenched instrumental outro. A great way to close a brilliant album.

I really love the overall sound of this album too. Whilst it packs a considerable punch it has a warmth, at least on my vinyl copy, I associate with the best sounding seventies albums. Anyone who likes the kind of heavy rock that was prevalent in the early seventies really needs to check this excellent album out. Their best yet and easily deserving of 5 stars.

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 Let It Come Down by BLOOD CEREMONY album cover Singles/EPs/Fan Club/Promo, 2014
3.35 | 3 ratings

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Let It Come Down
Blood Ceremony Heavy Prog

Review by thwok

4 stars Blood Ceremony are a terrific band, and they certainly deserve more reviews on Prog Archives. Let It Come Down is an excellent single. Their sound and influences have been discussed repeatedly by other reviewers, so I don't feel it necessary to do so. "Loving You" is a good cover of a band that is even more obscure than Blood Ceremony! It's always good when one of your favorite bands leads you to other music that's unfamiliar. Of the two songs on this single, I prefer the band original "Let It Come Down". Although it's not as complex as their other music, it is more representative of what Blood Ceremony normally sounds like. If this single is any indication of what their next release sounds like, I am definitely looking forward to what's coming; Although Let It Come Down is not quite up to the level of their other three albums, I'm giving 3 1/2 stars rounded up to 4 for this single by a great Heavy Prog band.

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 The Eldritch Dark by BLOOD CEREMONY album cover Studio Album, 2013
4.16 | 38 ratings

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The Eldritch Dark
Blood Ceremony Heavy Prog

Review by thwok

4 stars I am surprised at the relative neglect of Blood Ceremony by my fellow reviewers here at Prog Archives. I'm glad that Warthur, one of my favorite reviewers, has given Blood Ceremony the attention they deserve. They're more progressive and better qualified for a spot here at the Archives than some other bands. However, that's a discussion for the forums, not for the reviews section of Prog Archives.

Perhaps the reason is because Blood Ceremony's music isn't extremely complex. Their "Black Sabbath sung by Grace Slick with added flute" sound also hasn't changed drastically over 3 albums. There is some progress on The Eldritch Dark. It's nice to hear Sean Kennedy's very listenable voice on one of the tracks. It sounds like there is some good viola or cello playing on "Ballad of the Weird Sisters". It could be a keyboard, but it sounds a whole lot like a string instrument. In fact, "Ballad of the Weird Sisters" and "The Magician" are my favorite songs on the album. However, I enjoy everything on The Eldrich Dark; it's an excellent addition to Blood Ceremony's discography.

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 Living With the Ancients by BLOOD CEREMONY album cover Studio Album, 2011
3.63 | 48 ratings

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Living With the Ancients
Blood Ceremony Heavy Prog

Review by thwok

4 stars The reason I love progressive music is because I'm always looking for variety. I'm searching for a different combination of elements, something I haven't heard 100 times before. The reason Blood Ceremony is one of my favorite bands at the moment is because they are different from your average "doom metal" band. Alia O'Brien, the singer/ flute player/keyboardist, is the defining element IMO. I won't describe what their music sounds like, because other reviewers have already done so. There aren't enough reviews of Living with the Ancients on ProgArchives. All three of their releases are well worth checking out, but I'm giving Living with the Ancients 4 stars.

Living with the Ancients is a step up from Blood Ceremony's fine debut album. IMO the songwriting has improved. My favorite songs are at the beginning of the album: "The Great God Pan", "Coven Tree", "The Hermit", "Morning of the Magicians". As someone with Asperger's Syndrome, my attention span is naturally short, so it may be that those four songs just appear first!

However, the album is consistently good throughout. The band sustains their songs, which tend to be long by FM radio standards, better than on their first album. The only real complaint I have is that I would like to hear more of Alia O'Brien's skillful flute playing. Her singing, while it doesn't display a significant range, is good and suits the music very well. To wrap things up, Living with the Ancients is a four star album IMO. If you a fan of first generation hard rock, and you've worn out your Uriah Heep records, you'll have a good time with Living with the Ancients.

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 Let It Come Down by BLOOD CEREMONY album cover Singles/EPs/Fan Club/Promo, 2014
3.35 | 3 ratings

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Let It Come Down
Blood Ceremony Heavy Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

3 stars I have fairly recently discovered this band and happy to have found them. This is a 7" vinly single release, of which I only have the digital promo. "Let it Come Down" is the one original composition and "Loving You" is the cover with which they decided to accompany this single, originally recorded by Iron Claw.

Both songs are fairly straightforward, short, heavy rock, compositions, with the original recording showing late 60's psychedelia influences at a mid-tempo with Alia's vocals and flute work dominating the rich and retro sound. The bluesy guitar solo does little to hide the Cream-era inspiration and the whole tune flows brilliantly, resembling the beginnings of heavy rock with a fairly "typical", yet memorable melody. The cover song is fairly close to the original, albeit extended by a minute or so, with more raw power and a hard-rockin' street feeling. The heavy rock/proto-metal riff signatures are showing up and Blood Ceremony don't attempt to alter its character, and throw in a couple more riff and refrain passages as finishing touches.

A nice single release (albeit less proggy) which confirms the relationship of the band with the late 60's/early 70's - "Let it Come Down" is the more interesting of which heavy and retro proggers will enjoy the remarkable flute sections. 3.5 stars.

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 The Eldritch Dark by BLOOD CEREMONY album cover Studio Album, 2013
4.16 | 38 ratings

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The Eldritch Dark
Blood Ceremony Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Blood Ceremony work further to establish a unique identity for themselves on The Eldritch Dark. Whilst still showing a doom metal influence, the overt borrowing from Black Sabbath is dialled back considerably here in favour of more varied borrowings from classic-era proto-prog, early metal and heavy psych bands. You can imagine Blood Ceremony opening for Vanilla Fudge or Deep Purple, especially with Alia O'Brien's three-pronged attack on vocals, flute and organ enhancing the group's sound. Once again managing to recapture the spirit of Coven or Black Widow without succumbing to mere nostalgia-peddling, Blood Ceremony might be one of the most consistently interesting acts in the witch rock scene they've come to popularise.

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 Living With the Ancients by BLOOD CEREMONY album cover Studio Album, 2011
3.63 | 48 ratings

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Living With the Ancients
Blood Ceremony Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Blood Ceremony's second album sees them continue their evocative "What if Tony Iommi hadn't returned to the fold after Rock and Roll Circus" Jethro Tull meets Black Sabbath sonic experiments, this time leaning somewhat more heavily on the Sabbath side of the equation and less on the Tull (though Alia O'Brien's flute is still a welcome presence). Alia's vocals are also an interesting presence too, with occult allusions more accurate than Sabbath's ever were littering the songs. On the whole, Alia and her coven continue to preside over their witch rock rituals as one of the most interesting - and perhaps the outright best - of the occult rock bands of today.

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 Blood Ceremony by BLOOD CEREMONY album cover Studio Album, 2008
3.56 | 32 ratings

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Blood Ceremony
Blood Ceremony Heavy Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Well, this is really something! Imagine a Black Sabbath cover band with a female vocalist who also plays a very Jethro Tull-like flute! Yes, that´s pretty much Blood Ceremony´s sound. They were from Canada and they emulate quite well the Brimingham quartet (around the time of their Paranoid/Master of Rality Cds), while Alia O´brien´s vocals are pretty interesting. So much so I was convinced this album was recorded in the late 60´s until I read it was in fact a recent release (of 2008) All the intruments timbres, the overall atmosphere and even the cover seems to be of that time. To top it all, the title of several songs are similar to BS classics (Master Of Confusion, Return Of Forever, Children Of Future and so on). Still, not really a copycat of sorts. More like a homage, I guess. Of course the members of the band don´t have the same ingenous songwriting skills as a Tony Iommi or a Geezer Butler (not ot mention Ozzy Osborne´s very distintive way of singing this kind of doom music). The tracks are not much varied either. On the other hand, no tune here is bad either.

If you´re a fan of this style of music, go for it. It is all very well recorded, well performed and the production is very adequate. The singer is very promising too (and her flute playing is outstandig). I really hope those guys will develop their sound into something more original and consistent. Their approach is quite bold and spurred my curiosity into listening to their second efford.

Rating: a good start. Very promising, so a 3 star rating is fair enough.

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 Blood Ceremony by BLOOD CEREMONY album cover Studio Album, 2008
3.56 | 32 ratings

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Blood Ceremony
Blood Ceremony Heavy Prog

Review by stefro
Prog Reviewer

3 stars There are but a handful of progressive rock-styled groups currently active whose work can actually be compared to classic era groups of the 1970s(Astra, Diagonal, Il Bacio Della Medusa, Black Mountain, Wooden Shjips, Wobbler, Arabs In Aspic, Dungen, Hills, Umberto) the rest either producing tacky modern genre readings(The Tangent, The Flower Kings, Darwin's Radio etc) or messy metal(Haken, Pendragon, Opeth, Dream Theatre). And whilst Blood Ceremony - a Canadian outfit who fall somewhere between the jaunty flute- prog of Jethro Tull and the meaty sludge-rock of Black Sabbath - don't quite hit the same excellent heights of the aforementioned list of authentic retro-prog purveyors, their crunchy sound is still leagues ahead of most. Issued in 2008 on the small Candlelight label, the group's self-titled debut mixes punchy guitars, twittering flutes, cod-satanic imagery and Alia O'Brien's powerful vocals with a gruff contemporary edge whilst never losing sight of their 1970s rock ambitions. O'Brien also provides the expansive flute runs that punctuate the hazy guitar riffs that dominate throughout, and although 'Blood Ceremony' does on occasion veer towards ersatz metal territory there's enough instrumental dexterity on show to demonstrate that the Toronto- bred four-piece have real progressive-sized ambitions. As with many albums, both old and new, the opening salvo of tracks prove the most indelible, especially in the form of opener 'Master Of Confusion', a piece that finds O'Brien displaying both her gruff vocal style and impressive flautistry atop a crescendo of Sean Kennedy's groaning guitars. Elsewhere, the fire-and-brimstone approach reaps more rewards with the wiry fills and satanic imagery of 'Into The Coven', whilst album-ender 'Hymn To Pan' stretches the group's formula into a suitably grand, seven-minute mini-epic. Although Blood Ceremony don't deviate too far from their brisk-but-effective sonic blueprint - this is an album constructed almost purely out of dazzling flute passages, tough riffing, black magic-styled wordplay and O'Brien's forceful tones - the slight lack of ambition allows Blood Ceremony to focus on exactly what they do best: rock the hell out. By no means a classic then, but those who enjoy the gritty sounds of fellow Canadian's Black Mountain and the 'Red'-inspired assault of Norway's Arabs In Aspic should feel right at home.

STEFAN TURNER, STOKE NEWINGTON, 2012

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 Blood Ceremony by BLOOD CEREMONY album cover Studio Album, 2008
3.56 | 32 ratings

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Blood Ceremony
Blood Ceremony Heavy Prog

Review by Warthur
Prog Reviewer

5 stars Now, here's something refreshingly different - progressive doom metal! Blood Ceremony play a style of proto-metal which never was: it mostly sounds like a fusion of the heavy, dirty riffs of early Black Sabbath with the dynamic flute-guitar interplay of Jethro Tull, with a witchy atmosphere reminiscent of Black Widow capping things off. It's a fascinating mixture which makes Blood Ceremony the best sort of retro band: they've hit on a style of music which absolutely could have emerged back in 1970 if the relevant musical trends at the time (proto- metal and pagan/prog folk) had only connected, but for some reason never quite emerged. Rather than indulging nostalgia for old bands, they fill in a hole in musical history which I never noticed but was clearly overdue a little exploration. Mindblowing.

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Thanks to atavachron for the artist addition.

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