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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


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Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3576 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 3765 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3184 ratings
ANIMALS
Pink Floyd
4.31 | 2696 ratings
MEDDLE
Pink Floyd
4.21 | 885 ratings
OCEAN
Eloy
4.16 | 273 ratings
LEGACY
Hypnos 69
4.13 | 344 ratings
RITUAL
Nemrud
4.10 | 561 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.40 | 59 ratings
OBSOLETE
Hedayatt, Dashiell
4.11 | 381 ratings
JURASSIC SHIFT
Ozric Tentacles
4.07 | 2573 ratings
THE WALL
Pink Floyd
4.12 | 232 ratings
TOGETHER WE'RE STRANGER
No-Man
4.16 | 137 ratings
KINGSTON WALL II
Kingston Wall
4.15 | 148 ratings
BY THE WATERS OF TOMORROW
Vespero
4.06 | 488 ratings
A TAB IN THE OCEAN
Nektar
4.03 | 518 ratings
DAWN
Eloy
4.17 | 97 ratings
TAKO
Tako
4.02 | 538 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy
4.05 | 267 ratings
EVERYONE INTO POSITION
Oceansize
4.02 | 443 ratings
THE OCTOPUS
Amplifier

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

BABY GRANDMOTHERS
Baby Grandmothers
NEM TUDOM A NEVED (Ω VI)
Omega
LORD SPACE DEVIL
Cosmic Trip Machine
FOAM
Vespero

Latest Psychedelic/Space Rock Music Reviews


 Photo Musik by BOULÉ, CHRISTIAN album cover Studio Album, 1978
3.44 | 7 ratings

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Photo Musik
Christian Boulé Psychedelic/Space Rock

Review by Progfan97402

4 stars Like many of you I first became aware of Christian Boulé via Steve Hillage as well as Clearlight. Actually, for me, my first album I bought with him involved was Clearlight's Forever Blowing Bubbles, which I purchased in 1997 (it was a recommendation, given I enjoyed Gong). Photo Musik is his first of just two solo album, and it's a great album, for the most part. The music often has a Green-era Hillage feel to it, especially with that delayed guitar effect (something Manuel Göttsching explored three years earlier with Inventions for Electric Guitar, and Pink Floyd ran with it on The Wall on "Another Brick in the Wall Part 1" and "Run Like Hell", not to mention Ozric Tentacles frequently using that same guitar effect). There are these peculiar high pitched female vocals that remind me of Miquette Giraudy. No female vocalist was credited on "Cristal Palace" or "22 Broad Street", although I'm sure it was Géraldine André as she was credited on three cuts on side two. The vocal tracks often end up reminding me of Here & Now or perhaps Nik Turner's Xitintoday without the Egyptian stuff. "22 Broad Street" I can live without, it's just straight up mediocre new wave, the same nice female vocals are there as on the great "Cristal Palace", but the music is clichéd with clichéd lyrics. was shocked to hear one instrumental piece that sounded exactly like Hillage's Rainbow Dome Musick! Even if it was rather short. This was released a year before that album. It's as you expect from this type of space rock, and if you like the Hillage/Gong/Clearlight brand of space rock, this is required.
 Wish You Were Here by PINK FLOYD album cover Studio Album, 1975
4.62 | 3575 ratings

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Wish You Were Here
Pink Floyd Psychedelic/Space Rock

Review by BitterJalapeno

5 stars I owe my love of Progressive music to my Father and Uncle, the latter of which had an impressive collection of vinyl from the 60s & 70s. I may have a slight bias towards Wish You Were Here as it's the first prog album I ever heard (as a 16 year old in 2005, the album cover with the combusting man was too intriguing to pass by). Despite not particularly liking it at first and the fact my favourite Pink Floyd album has changed over the years - DOSTM, Animals, Meddle & Atom Heart Mother - I always come back to Wish You Were Here.

Shine on you Crazy Diamond (1-5) begins with eerie sounds from the late Wright, soon to be joined by Gilmour's smooth, delicious guitar which is played with such effortlessness that it can bring a tear to the eye. The intro is ended by a starkly different atmosphere with a beautifully simple yet massive sounding four note ostinato-like theme played by Gilmour which after a few renditions is joined by Nick Mason's captivating rolling toms and cymbals and a nice accompaniment from Wright. Gilmour leads the way once more with another incredibly effortless sounding solo. Additional outstanding sounds are produced from Dick Parry's Tenor and Baritone Saxophones.

Welcome to the Machine has a very creepy, almost anxious atmosphere about it. Gilmour's vocals add an angry, exasperated and even pained touch to the song, with the ascending steps on acoustic guitars bringing mounting tension which reaches a peak with Wright's incredible synth solo (Minimoog I believe).

Have a Cigar is less progressive than the Welcome to the Machine but I still hold in in high regard. It is easily the rockiest song on the album with a grinding rhythmic quality. The lyrics are incredible and the guitar solo is one of my favourites for sheer groove.

Wish You Were Here starts beautifully with acoustic chords and lead parts from Gilmour but the rest of the song I do not enjoy too much with the exception of the "do do do" vocals in unison with the guitar solo. I hate the production overall as it is very dry. The guitars and vocals both sound overly scratchy and in need a good lubrication if that makes sense.

Shine on you Crazy Diamond (6-9) is without a doubt my favourite track on the album and one of my favourite Floyd songs. I have yet to meet someone who agrees with me on this but I feel it surpasses parts 1-5 in terms of sonic delights. I urge anyone in the Glasgow vicinity to put this song on in the car on the M8 heading for the Kingston Bridge Northbound at night and revel in the beauty of this entrancing journey through sound as you gaze over the Glaswegian nighttime skyline. The vocalized section is barely different from parts 1-5 but the intro is amazingly captivating and the final 6 minutes is one of the most perfect musical compositions I have ever had the pleasure of hearing. The funeral march in the final minutes is reminiscent of instrumental sections of Disney's adaptation of The Jungle Book and despite the minor tone set throughout, it comes to end on a hopeful major - a beautiful example of tierce de picardie

Overall, an absolute stonker of a prog recording but could do with better production on track 4.

 The Wall by PINK FLOYD album cover Studio Album, 1979
4.07 | 2572 ratings

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The Wall
Pink Floyd Psychedelic/Space Rock

Review by Walkscore

5 stars Even More Relevant Today in the era of Trumps Wall

Pink Floyd are the masters of the concept album, and The Wall is the ultimate concept album. While some fans of PA may be more (or only) interested in the musical side of progressive rock (and I include myself in this when it comes to a lot of albums/musicians), and that is fine, I don't think anyone can deny the importance of this album when it comes to the concept, which is largely Roger Water's brainchild. While the music on The Wall is not quite as strong as that on Dark Side or Wish (some tunes, like 'Bring the Boys Back Home" have little musicality, but they are thankfully very short, and they still add to the story), the Wall still contains some of Floyd's best songs (Comfortably Numb, Mother, etc), and some of Gilmour's best guitar solos, and it all comes together exceptionally well. Most importantly, Water's lyrics here, in my mind, are the best ever written for any rock album, ever. Back a long time ago when this PA site first started, I wrote a few reviews, including for this one (not sure if those reviews exist any more - the site looked very different back then). I called this album the rock equivalent to Tolstoy's War and Peace or Dostoyevsky's Brother's Karamazov in literature, or Ingmar Bergman's Seventh Seal in film. That is, and iconic, original, and masterful work of art that will stand the test of time for many centuries. (A hundred years from now, university programs offering courses in musicology, or even history, may assign whole units to the study of this one album - I think it is that important). I would argue this album and the message the Waters puts forward here has become increasingly important over time. Indeed, life is beginning to (once again, unfortunately) imitate art, in Trumps call to build a Wall along the border with Mexico! Water's concept is about how the horrors of war and a failed post-war dream (for building a peaceful society that is prosperous for all) fuels both resentment and emotional isolation. The internal emotional Wall that the working- and middle- class create for themselves to protect themselves emotionally then gets articulated externally first in destructive, uncaring or selfish behaviour, and then later through the support for intolerant racist populists who want to kick out the foreigners and "make their country Great Again". It is an album that spends a lot of time making these linkages, with the lead character becoming ever-more hateful (one of the cliimaxes from the live shows - both the original and Water's recent performances - is Run Like Hell). This builds up to the finale ('The Trial') where the main character (Pink, which is not only a proxy for Waters himself, but for all of us) tells the world to stop so that he can search his conscience/ face himself for his conflicted feelings. The judge (partly representing social norms, and partly representing that part of our brain that is self-critical of any inability to meet such social norms) declares Pink (us) guilty for having feelings and questioning the mainstream ethos, and sentences him "to be exposed before your peers" (as a real person whose is/has always been internally afraid and unsure, like all of us are, for having real feelings), and orders the wall to be torn down so that everyone can see the real person behind it. Waters is here saying that the only real way forward for building a peaceful world is understanding and accepting our inherent humanity. We have to tear down the Wall of indifference, intolerance, uncaring. The final piece - 'Outside the Wall' - speaks of the solution going forward - the "bleeding hearts and artists" making their stand, helping others find peace and understanding through their hard work, their art, their writing, their political organizing. This is a message that resonates very strongly, and to this day remains unmatched by any other album that I know of (if you know of one, please fill me in!). I give this album my highest ever rating, a 9.9 out of 10 on my 10-point scale (it loses 0.1 as the music is not totally perfect, although I can think of no better match for the lyrics).

But I think this album goes beyond ratings. I think it is absolutely essential to continue hearing this message today. The world seems to be becoming increasingly beset by intolerance and unwillingness to try and understand others, an inability to see ourselves and our humanity in others, to accept even in ourselves our shared existential fears, and like Water's predicted, it is being driven by the failed dreams of everyday people who are becoming disillusioned (and, I would add, ever-deeper in debt). It is leading to the support for intolerant leaders and authoritarian populists who scapegoat the weakest, and who in turn are irresponsibly bringing the world closer to mistrust, conflict, and hatred, just like in the album, and potentially even to war and violence. We need to resist. We need to build understanding, not walls.

Tear Down the Wall !

 Dark Side Of The Moon by PINK FLOYD album cover Studio Album, 1973
4.60 | 3764 ratings

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Dark Side Of The Moon
Pink Floyd Psychedelic/Space Rock

Review by Walkscore

5 stars What can be said about this album that hasn't been said? Like perhaps many other fans, this was the album that opened my window not just to progressive rock, but to the world of music at large, and thus was profoundly life-changing. I actually received this as a birthday present from a friend who thought (based on the cover!) that it was the next Prism album (they had a radio hit with "Armageddon" back in the late 70s). But although few of my friends even liked at at the time (this was pre-teens, perhaps 11-12 years old), when I listened to it, I was riveted. This was both highly intellectual AND emotional, and it not only developed musically over the entire album, but presented a thoughtful argument (or set of arguments); a concept album inquiring about the nature of madness and the purpose of life. It (almost literally it seems) woke me up, and was what got me interested in discovering similar albums, and I would even say it was partly instrumental in getting me interested in thinking about the big questions in life. Waters has remarked what matters most about any work of art is whether it moves you. This one clearly does, still. And it does so through an almost-perfect mating of the lyrical and intellectual with the musical. Gilmour's guitar solos on Time and Money, I think, to do this day are almost unmatched for their emotional weight (perhaps only matched by his later ones on the Wall). (You want a guitar solo that really makes you FEEL the song to your core? Follow Gilmour on this album). While some question whether Floyd is truly "progressive" (because the music is ultimately quite simple and easy to play), I would say that 'progressive' is a state of mind (intellectual, emotional, political, and musical), and this album (and similar other concept albums) are archetypical of this. It was when I heard, as an early teen, that Floyd had played with Soft Machine that I decided to pick up some of the latter bands albums, starting a musical journey that saw me spend much of my savings on Soft Machine boots, both before and after CDs came along. Is there any flaw with this album? A very minor point, but the production is very slick, and I like things a bit more spontaneous and raw. I get my fill of the latter by playing bootlegs of the 1972 version of Dark Side, before they had written the album versions of On the Run and Great Gig (which they did in the studio). This album totally stands the test of time, as one of the still very best ever made, of any musical genre. I give this 9.7 out of 10 on my 10-point scale.
 Return To Sky by CAUSA SUI album cover Studio Album, 2016
3.46 | 13 ratings

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Return To Sky
Causa Sui Psychedelic/Space Rock

Review by Tapfret
Prog Reviewer

3 stars On first impression Return to Sky is one of those albums that I found myself really enjoying, but had a hard time with considering this as a "progressive album of the year" candidate. Primarily because the feeling I got from the album was that of a desert / Stoner Rock album. Particularly with the parallels I found between this album and Kyuss' Welcome to Sky Valley, a name that is strikingly samiliar. And it's not just the name itself that conjures this feeling. The very moment the sludgy, occasionally phasered, Proto-metal guitars start in the image of that early-nineties-retrograde approach sets in. But several listens drove home the expanses of undistorted psychedelic ambiance (quite a bit more reverb use),  use of keys, more non-power chord guitar work and the fact that it's an instrumental album. These originally seemed like minor differences to my ear but ultimately gave the album a more individual texture without disarming that raw intensity that caused me to draw those original comparisons. In fact, Return to Sky comes close at times, but does not fall into the structurally ambiguous "jam band" trap I find detracts me from enjoying many artists in the psychedelic/space rock sub-genre. And whether the aforementioned similarities I hear to Kyuss are homage or just coincidence does not make the album less enjoyable. Much like the similarities to Black Sabbath make Kyuss less enjoyable.

I very much enjoy listening to Return to Sky . Though I would stop short of calling it an excellent addition to any prog rock music collection. I very rarely (almost never) say this, but I believe this is the type of album that would definitely benefit from vocals. Good album, 3 stars.

 Embalment by WOODEN BABY album cover Studio Album, 1990
4.00 | 1 ratings

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Embalment
Wooden Baby Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

— First review of this album —
4 stars A complete space ritual

Sometimes appearances are misleading. Released one year earlier, "Forbidden Pastures", WOODEN BABY's previous tape, exhibited clear OZRIC TENTACLES influences. Furthermore, for this new cassette, Merv Pepler and Charlie invited two members of the well-known space rock group, the guitarist and leader Ed Wynne and the keyboardist Joie Hinten. So is the side-project turning into a pale copy of its elder brother? Not at all.

"Embalment" is the most personal and varied cassette by WOODEN BABY, as well as one of the strangest and eclectic space rock patchwork ever recorded. In between two decades, still mixing psychedelic / space rock with 80's cold wave and gothic ambiances, the compositions incorporates this time a few pre-techno sonorities that will further developed in the 90's. Therefore, this third opus is the duo's most electronic... but also its rockiest! The track-list consists in an important collection of short and medium-length tracks, including rearranged versions of titles from the previous cassettes, plus two 10 minutes long compositions. As a result, the atmosphere is constantly changing, the listener travels from a space-time location to another. Now open your mind and let the trip begin...

Side 1 is maybe the most eclectic. From the beginning, you know you're in for something special. "Birth" is short introduction to the spacey ethereal "Parallel Vortex", the entrance to a strange unknown quantum universe. Mysterious eerie xylophone bells, esoterism, and then robotic retro-futuristic ambiance... A very fine opening for such cassette! On the opposite, "Impossible Maze" is a HAWKWIND-like song with raging riffs and screaming vocals, however even more aggressive than the space warriors. This is nearly space punk! Nice and punchy, although a little repetitive. Then comes the house / early techno ramshackle "Bath - Scum", which foreshadows what Merv Pepler will be offering with his future band EAT STATIC. Again, cool but too monotonous. "Tammiz I" is a more concise version of the GONG-esque track "The Eyes of Tammuz" from "Forbidden Pastures", whereas "Weeping" is a short enchanting interlude and "Sherbert Lemons", a soothing electronic title in the style of 90's OZRIC TENTACLES. No time to rest, the growing Middle-Eastern-ish saturated pysch jam "It's Only Paranoia" reminds HAWKWIND's "You Shouldn't Do That" at times with its various percussions and sound effects. Truly one of the best tracks of the cassette, "False World" begins with a terrific trippy gothic opening and a catchy futuristic galaxy conquering melody. Mindblowing! This can easily compete with Captain Brock and co.'s best 80's material! More modern, "Flabby Abo" and its digeridoo immerses us in some strange mystical ethnic temple. "Immortal Souls" consists in a dark psyched-out electronic loop, a bit too lengthy, while "Light From A Nebula II" is a rearranged and better balanced version of the cosmic adventure "Light From A Nebula" from WOODEN BABY's first tape, "Stuck In The Mind-Cage".

Side 2 still holds several surprises. The atmospheric "Astral Highways" interlaces a saturated floydian guitar with floating synthesizer patterns. Cool. The Indian female vocalizations samples of "Darjeeling" reminds me ASHRA's minimalistic exercise "Twelve Samples" from "Walkin' the Desert", released one year earlier. However, the rest of the track differs, as it possesses gorgeous bass lines and alternates with cold wave-ish sections. Back to meditation with the slow "Bali Sun", a mysterious ritual mixing Indonesian and Japanese sonorities, and to retro science-fiction with the sequenced "Amniote Egg". Weirdness and fuzzy logic return with the experimental "Hiccup" and its discrete Egyptian theme. Fun but does not justify its 3 minutes duration. "City Of 1000 Suns II" is short piano revisit of "City Of 1000 Suns" from the first tape, whereas "Exorcism I" is a more concise and dynamic rearrangement of the spacey new-wave song "Exorcism of Anu" from "Forbidden Pastures". "Ominous Omness" concludes the short and medium-length tracks collection, its electric violin will let you lost in the depths of the cosmos. Now we can accost the two long ending titles. Fasten your seat belt. "Friday The 13th (Full Moon Fever)" is a rapid space synth metal instrumental jam, displaying an atmosphere ŕ la John Carpenter. Pulsating, frightening, raw, this is like escaping in the dark from an invisible threat. The perfect soundtrack to a 80's horror movie! The cassette finishes with the great energizing "Cocoon (Excerpt)", an incantatory futuristico-mystical theme, deep and mesmerizing. Violin, guitars, keyboards, ethnic instruments, everything is here. A powerful trance and a freaking good conclusion, well suited to end such a stellar patchwork, and completely in opposition with the ethereal ambient opening!

Wow! Despite some lengthy passages, "Embalment" is part of the most original and eclectic psychedelic / space rock releases that offers such a wide and uncommon variety of styles, even more than on "Stuck in the Mind-Cage"! Songs, instrumentals, short, medium, long tracks, space rock/metal/punk, retro-electronic sequences, ambient house, ethnic percussions, violin... A genuine trip into unknown galaxies. The surprise effect remains, while the approached music styles both cover the eighties and unveils future things to come in the nineties.

With its third and unfortunately last tape, WOODEN BABY just gave birth to undoubtedly one of the best space rock recording of the beginning of the 90's, released in a transitional time period when the very genre was about to renew itself with the second psychedelic and electronic revolutions.

Not the one to begin with, nonetheless essential for 80's HAWKWIND and OZRIC TENTACLES lovers!

 Forbidden Pastures by WOODEN BABY album cover Studio Album, 1989
3.00 | 1 ratings

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Forbidden Pastures
Wooden Baby Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

— First review of this album —
3 stars Pastures near the Ozrician fields

3.5 stars

Whereas WOODEN BABY's first tape, "Stuck in the Mind-Cage" shares only partial resemblances with OZRIC TENTACLES, which Merv Pepler just joined as a drummer, this second effort is this time more influenced by Ed Wynne's band. As before, "Forbidden pastures" still offers a wide variety and uncommon mix of 80's cold wave / gothic rock with 70's space prog, however now incorporating the typical "ambient trippy jungle" feel of GONG and their successors. Lasting 66 minutes, this cassette is also the duo's shortest in terms of duration.

You're about to enter a strange world with "Gestation Of A Koala Bear", introducing the relaxing and mystical "The Sound Of One Hand", quite in the OZRICs' style. The track then accelerates to turn into a darker and frightening atmosphere with keyboards and guitar, while the ending part goes to back to calm. Not bad but first section is too long. Again, "Wasps Feet" has a nice OZRIC-ian Middle-Eastern-ish texture and a touch of LEGENDARY PINK DOTS, although different. "Pump-Face" reminds the pulsating 80's HAWKWIND song "Angels of Death", while "Exocism Of Anu" is mesmerizing spacey new-wave. Original but a bit lengthy. Side 1 concludes with the strange experimental interlude "Gullet-Ache", and the GONG-esque "The Eyes Of Tammuz" and its Arabic clarinet.

Side 2 opens with the tape's best and most progressive track, the multidimensional "The Painted Smile". First beginning with an enigmatic electronic loop, this 7 minutes title features many changes as it turns to space rock with a pretty Hillagian guitar and then to an oppressive science-fiction tale. Excellent! Prepare to lose your landmarks with the pysched-out paranoid inner trip "Wading Gannets", and to be hypnotized by the "Table Of Existence". This trippy gothic composition in the vein of DEAD CAN DANCE's first opus is one of the best passages of the cassette. On the contrary, the ambient "Treading Air" is my least favorite with its a voice. Like an incantatory ritual, "Bombay Mix" assembles American Indian chants on Asian Indian sitar. Cool but not varied enough for 5 minutes. Fortunately, the ender "A Warm Sponge" is rather enjoyable. The first half consists in a cold wave song including a few special sound effects and variations, whereas the second half is more rocking 80's HAWKWIND.

"Forbidden Pastures" may be less original, strange, impacting and personal than WOODEN BABY's two other releases. Furthermore, it contains some lengthy moments. Nonetheless, the duo manages to keep its own identity and weirdness though their compositions, which seem to come from another dimension. These pastures are not forbidden, the inspiration and psychedelic trip, as well as exciting tracks, are still well present.

Recommended to fans of OZRIC TENTACLES, 80's HAWKWIND and space rock!

 Stuck In The Mind-Cage by WOODEN BABY album cover Studio Album, 1988
4.00 | 1 ratings

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Stuck In The Mind-Cage
Wooden Baby Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

— First review of this album —
4 stars Psychedelic-electro-gothico-mystical-garage-space cold wave

Welcome to a pocket universe where styles have no distinct boundaries, to a new dimension where your familiar landmarks have disappeared, welcome to an uncharted territory of highly trippy music.

The first interesting fact about "Stuck In The Mind-Cage" is its release date. The 80's were a desolated but transitional time period for psychedelic / space rock, the heydays of the long progressive suites or freak-out jams of the past decades were long gone, while the second electronic revolution of the 90's was to arrive years later. Only a few bands were proposing something new in the genre, merging their influences with the musical approaches and sonorities of the eighties. If OZRIC TENTACLES and THE LEGENDARY PINK DOTS come to mind, WOODEN BABY should not be forgotten either.

Hard to describe, Merv Pepler and Charles Daniel's compositions are really nice and varied, as if GONG or HAWKWIND has made (wooden?) babies with DEAD CAN DANCE or THE CURE, during their gothic / cold-wave, eras. Despite Merv will later join the OZRICs, their music is not entirely similar. Darker, more synthetic, the duo's tracks rather offer a meditative, inner experience than immersing the listener in a flourishing ambient jungle. Less complex, rich and improvisational, but growing and yet very accessible. Furthermore, this is not quite comparable to Merv's future side-project, the pre-trance band EAT STATIC. Prepare to free your mind from your cage...

Side 1 is nearly perfect. "The Birth Of Venus" is a slow hallucinated electronic title, whereas "The Birds", more aggressive and futuristic, sounds like good 80's HAWKWIND. The gloomy and gothic "Embryo" is a trippy version of an hypothetical song from DEAD CAN DANCE's debut album. Terrific! "Walk The Ruins" alternates hazy psychedelic impressions ŕ la TIM BLAKE with faster rhythmic passages, while the mystical "Tutan Khamen Walks" makes great use of 70's HAWKWIND-esque electronic sound effects. Although a bit lengthy, "The Cellar" is my favorite passage from the cassette. This mid-tempo hypnotic and spacey dark wave with the right amount of raging accelerations is just a perfect follow-up. Mindblowing! After all this, the sequenced "Time Must Have A Stop", the well-named, arrives as a welcomed contemplative pause.

Side 2 is also very good but not as remarkable, as it contains a few useless moments. The first one is "Greek Stash". Completely unexpected by the listener, totally out of place, this is just a messing around the Sirtaki dance from the famous "Zorba the Greek" movie. Not interesting. Back to meditation with "Top Of The Tree", a slow-paced title, and to retro science-fiction with the short "City Of 1000 Suns" and its ice melancholic synthesizer waves and guitar. Longest track of the cassette, "End Of The Pier" extends the mystical experience. Not bad, however these 10 minutes appear a little flat and monotonous compared to the rest. A heroic spacey journey is about to start with "The Light From The Nebula" and the dynamic "Execution", a very nice cold wave song. On the opposite, "Dance Of The Goober" is a quite playful and strange interlude, again not really belonging here... Anyway, ladies and gentlemen, we apologize for this interruption, we can now continue our trip aboard HAWKWIND spaceways with "Burning The Witch" - with a few turbulences though - and with our captain, a distant parent from TIM BLAKE piloting "Pawns Of Nulla". We're now entering Ethereality with a "Journey Through The Fallopian Tubes", a pretty cool synthesizer sequenced title, reminding the 80's German progressive electronic SOFTWARE's early albums. Nonetheless, the arrival is ruined by "Eating Sprouts" and its stupid vocalizations. It's a pity the cassette ends with such a... "track". Just skip it, the previous one works very well as a conclusion.

Of course, as this was only released in cassette, the sound quality is not pefect. Furthermore, these 88 minutes contains a few lengthy passages or songs that could have been removed. But trust me, you don't hear this kind of music that every day...

Contrarily to what its name may suggest, "Stuck In The Mind-Cage" is not stuck in pre-defined schemes at all. Very original, refreshing, trippy, gloomy, futuristic, the palette of atmospheres created is quite wide and will grandly nourish your imagination.

Fans of retro-futuristic psychedelic / space rock, 80's HAWKWIND, TIM BLAKE, or early THE LEGENDARY PINK DOTS, but also of gothic and cold wave bands should definitely check it out.

Free your mind from the established musical genres cages!

 Tako by TAKO album cover Studio Album, 1978
4.17 | 97 ratings

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Tako
Tako Psychedelic/Space Rock

Review by Warthur
Prog Reviewer

4 stars Imagine a combination of the melodicism and pastoral moods of Trespass-era Genesis with the jazz-flavoured chops of Relayer-era Yes, marinade in classic-era Camel's willingness to dial back on the vocals and let the instrumental work do the talking, then sprinkle on some spacey, psychedelic atmosphere, and maybe you'll start thinking along the same sort of directions that Tako take on this debut album. The magnificent Druga Strana Mene is the truly standout track, a 16 minute voyage that fascinates for its entire running time, but the shorter pieces that build up to it are also laudable. Đorđe Ilijin gets the most valued player award with memorable contributions on both keyboards and flute.
 Darkness To Light  by SWEET SMOKE album cover Studio Album, 1973
3.09 | 42 ratings

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Darkness To Light
Sweet Smoke Psychedelic/Space Rock

Review by Warthur
Prog Reviewer

4 stars The second Sweet Smoke album is a bit of a gear shift from the first, the band having moved away from their previous focus on tripped-out side-long jams and overt weed references to present a more carefully composed set of actual, coherent songs.

The band hadn't just grown musically. In true hippy style, the gang had gone on a spiritual retreat to India after releasing Just a Poke - in fact, they didn't realise that it had become a minor hit until partway through the voyage - but on the strength of its success they were able to sign a contract with EMI when they got back. Thematically, Darkness to Light seems to draw a lot on the band's spiritual interests in general and their Indian voyage in particular., with Kundalini in particular incorporating various chants (I am not enough of a linguist to know whether they are invented or borrowed from their India experiences, I am afraid) and the title track also having overtly religious lyrics.

With each side consisting of two shorter songs and a longer jam, the band seemed to find a nice balance between the new compositional discipline they had learned and the freer, longer-form playing that was still part of the group's identity. I suspect that at the time of release, this must have seemed rather dated - whilst the band had been keeping the peace and love dream alive, the music world had moved on during their journeys, and the heavily psychedelic style of progressive rock they play here had long since given way to a more polished and technical and professionalised approach. Still, the passing of time has been kind to it, and the album represents an oasis of psychedelic sunshine and spirituality amidst the cynicism of the 1970s.

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRAL SON Netherlands
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
BREMEN Sweden
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CAVE United States
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIOLKOWSKA Russia
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
O CORVO MUDO Portugal
COSARARA Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAD SEA APES United Kingdom
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
EL DIABLO Mexico
DOMO Spain
DOWNLOUDERS Italy
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
DUNST Germany
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
ECHOLOT Switzerland
ECSTATIC VISION United States
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC EYE Norway
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
GALAXY Switzerland
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYATT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERBCRAFT United States
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMINOITA Finland
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARABA Germany
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRKBINSINEK Turkey
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNGENS MÄN Sweden
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LANDING United States
LANDS END United States
LAVA Sweden
LAY LLAMAS Italy
LE MUR Germany
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES LEKIN Austria
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LIQUIDO DI MORTE Italy
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LORDFISH Costa Rica
LOVE LIVE LIFE + ONE Japan
LOVE MACHINE Germany
LUBIANKA Spain
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
MANBURGER SURGICAL United States
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MATUSHKA Russia
MECHANIK Spain
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NAXATRAS Greece
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
THE NIGHT SEA United States
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ŘRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
OULU SPACE JAM COLLECTIVE Finland
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARADOX ONE United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROFESSOR TIP TOP Norway
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RĹD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RASASOUND Hungary
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
RINSE. REPEAT. United States
ROBB & POTT Multi-National
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SALMA GANDHI Sweden
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
SHUTTAH United Kingdom
SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SIMILAR Puerto Rico
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
SLEEPY SUN United States
SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
SOLAR CORONA Portugal
SOLAR GLORY United States
SOLAR PROJECT Germany
SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SONAR Hungary
SONIC BOOM United Kingdom
SONTAAG United Kingdom
SOPHIES'S EARTHQUAKE Germany
SOUNDARCADE Latvia
SPACE DEBRIS Germany
SPACE INVADERS Germany
SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
THE SPIRITS OF THE EARTH United Kingdom
SPONTANEOUS COMBUSTION United Kingdom
SQUADRA OMEGA Italy
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUN DIAL United Kingdom
SUNBURNED HAND OF THE MAN United States
SUNFOREST United Kingdom
SUNGRAZER Netherlands
SUNRISE SUNSET PROJECT Russia
SUNSET OF RA Greece
SUUK Estonia
SVARTBAG Denmark
SWEDENBORG RAUM Germany
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
TABOO STU United States
TAIPUVA LUOTISUORA Finland
TAJ-MAHAL TRAVELLERS Japan
TAKO Yugoslavia
TANGLE EDGE Norway
TANNED LEATHER Germany
TANTRA Argentina
TASHA-YAR United States
TEETH OF THE SEA United Kingdom
TEMPLE OF THE SMOKE Serbia
TEMPLES Finland
TERMINAL LOVERS United States
TESTET ÖLT Multi-National
THE FORMLESS FORM United States
THINK FLOYD United Kingdom
THTX United States
TIA CARRERA United States
TIDAL FLOOD Greece
TITAN United States
TMA-1 Spain
TNVVNÜM Estonia
TORGA OSTERA Portugal
TRACTOR United Kingdom
TRAD GRAS OCH STENAR Sweden
TRAFFIC SOUND Peru
TRANSITIONAL PHASE United States
TRAUMMASCHINE Spain
TRAVELING CIRCLE United States
TREATMENT United Kingdom
TRIBE OF CRO United Kingdom
TRIGON Germany
TRIP LAVA United States
TROLDMAND Denmark
TRÚBROT Iceland
TUBILAH DOG United Kingdom
TUNDERGROUND Romania
NIK TURNER United Kingdom
TURZI France
TWILIGHT Germany
TWIN TAIL Japan
TWINK United Kingdom
U SCO United States
U-NI Japan
UBERMODO United Kingdom
ULTIMATE SPINACH United States
UNDERGROUND ZERO United Kingdom
UNICORN PORN United States
UNIVERSITY OF ERRORS United States
UNZEN PILOT Portugal
THE URSULA MINOR Tunisia
THE USA IS A MONSTER United States
VAGO SAGRADO Chile
VED Sweden
VERMA United States
VERT:X United Kingdom
VESPERO Russia
VIBRAVOID Germany
VINTAGE CUCUMBER Germany
VIOLETA DE OUTONO Brazil
VIRTUAL MAX Canada
VLAD TEPES Argentina
THE VOCOKESH United States
VOICE OF THE SEVEN THUNDERS United Kingdom
VOID GENERATOR Italy
VOSTOK PROGRAMME United States
WALRUS Norway
THE WARLOCKS United States
WEITES LUFTMEER Germany
WELTRAUM Germany
WHERE THE MOON CAME FROM United States
THE WHIRLINGS Italy
WHITE HILLS United States
WHITE MANNA United States
WILL-O-THE-WISP Greece
WIND Norway
WINDY AND CARL United States
WOODEN BABY United Kingdom
WOODEN SHJIPS United States
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YUME BITSU United States
YURI GAGARIN Sweden
ZEMLJA BROJ 9 Serbia
ZENITH EFFLUVEUM United States
ZODIAC SUNRISE Finland
ZONE SIX Germany

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