Header

PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk


Current Psychedelic/Space Rock Team Members
as at December 2014

Uwe (Rivertree)

Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3053 ratings
WISH YOU WERE HERE
Pink Floyd
4.59 | 3227 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 2722 ratings
ANIMALS
Pink Floyd
4.31 | 2289 ratings
MEDDLE
Pink Floyd
4.23 | 767 ratings
OCEAN
Eloy
4.13 | 280 ratings
RITUAL
Nemrud
4.10 | 480 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.11 | 331 ratings
JURASSIC SHIFT
Ozric Tentacles
4.13 | 229 ratings
LEGACY
Hypnos 69
4.13 | 206 ratings
TOGETHER WE'RE STRANGER
No-Man
4.05 | 2221 ratings
THE WALL
Pink Floyd
4.05 | 416 ratings
A TAB IN THE OCEAN
Nektar
4.18 | 103 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The
4.04 | 462 ratings
DAWN
Eloy
4.15 | 124 ratings
BY THE WATERS OF TOMORROW
Vespero
4.04 | 397 ratings
THE OCTOPUS
Amplifier
4.05 | 246 ratings
EFFLORESCE
Oceansize
4.02 | 474 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy
4.05 | 239 ratings
EVERYONE INTO POSITION
Oceansize
4.21 | 69 ratings
TAKO
Tako

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

BEHOLD AND SEE
Ultimate Spinach
AHORA MAZDA
Ahora Mazda
HORIZONTE DE SUCESOS
Bëiruth
LORD SPACE DEVIL
Cosmic Trip Machine

Download (Stream) Free Psychedelic/Space Rock MP3


Open player in a new window

Download (Stream) Free Psychedelic/Space Rock MP3

Latest Psychedelic/Space Rock Music Reviews


 Astounding Sounds, Amazing Music by HAWKWIND album cover Studio Album, 1976
3.27 | 120 ratings

BUY
Astounding Sounds, Amazing Music
Hawkwind Psychedelic/Space Rock

Review by Progfan97402

4 stars A tad underrated, I guess that's because Lemmy is gone, but I really think this album is killer! I really don't see what's wrong with this album. Not metallic enough? Robert Calvert rejoined the group, which I thought was a great asset to the band, so long as he didn't get all mental on them. First you start off with "Reefer Madness", an obvious reference to the black and white movie. It's a great opening piece, and I love those synth solos. Then you have "Steppenwolf", which just simply blows me away! This song first appeared, in a much more synth-dominated form on Adrian Wagner's The Distances Between Us (1974) (Calvert wrote the song, Wagner had also appeared on Calvert's solo album Captain Lockheed & the Starfighters). Hawkwind's version is much longer, and the whole song is absolutely killer! "City of Lagoons" is an instrumental piece, with spacy synths and what sounds like a phased Mellotron (since Simon House did use Mellotron on their previous two albums, Warrior on the Edge of Time and Hall of the Mountain Grill). "The Aubergine that Ate Rangoon" is an instrumental synth-dominated number. The only song I thought was mediocre was "Kerb Crawler", it sounded more like a generic rock and roller with female backup vocals. It sounded like Hawkwind going commercial here. But they redeem themselves big time with "Kadu Flyer". It stars off rocking, but towards the end it gets all Eastern with the use of sitar. The last is a moody instrumental "Chronoglide Skyway", which sounds to my ears dominated by phased Mellotron (amongst the phasing, it really sounds like I can detect it's a Mellotron).

Really, this is another wonderful album from Hawkwind, and even "Kerb Crawler" doesn't weaken my opinion of this album. To me, it's just another must-have album from Hawkwind!

 Super record by MAGICAL POWER MAKO album cover Studio Album, 1975
3.83 | 13 ratings

BUY
Super record
Magical Power Mako Psychedelic/Space Rock

Review by Neu!mann
Prog Reviewer

4 stars The music of Magical Power Mako never crossed my radar until I stumbled across his 1995 album "Lo Pop Diamonds" in my local library (in suburban Buffalo, of all places) and later discovered he was a featured artist in these Archives. That first encounter proved a less than ideal entry into the alternate universe of MPM, elsewhere known as Makoto Kurita when he isn't hiding in his bedroom studio, conjuring his Magical Power.

Thankfully this 1975 effort is something else entirely. And by "something else" I mean an almost uncanny funhouse-mirror reflection of his Western role models: something not uncommon in post- war Japan but elevated here to its creative zenith, where simple translation becomes original mutation. A blind headphone test would leave me convinced I was hearing a long-lost, early '70s Krautrock LP, instead of a home recording by a reclusive Japanese teenager with a tacky fringe haircut and a near-visionary understanding of his own interior cosmos.

The album was recorded over a period of several years, and the music is (literally) all over the map, from backwoods Azerbaijan to rural Switzerland to beyond the Andromeda Galaxy...everywhere, apparently, except his native Japan. But Mako's controls were set mainly for the heart of counterculture Germany. The album opener "Andromeda" reveals a kinship with Manuel Göttsching and ASH RA TEMPEL; the musical caravan of "Silk Road" carries echoes of Michael Karoli and CAN (in its strummed baglama and laser-beam electric guitars); and in "Pink Butch (LaLaLa)" the subtitle conveniently spells out the song's entire lyrical content, breathlessly sung in the style of a narcoleptic Klaus Dinger.

The latter half of the album alternates even more eclectic detours - medieval Normandy in "Majorica Resistance Song"; a child's nursery in "Rock Baby in Meadow" - with pieces of a split interlude titled "Sound 3", divided into five parts but totaling under four-minutes in combined length. Separating the tracks this way only increases the album's overall sense of stylistic dislocation, appropriate for an artist described by psychedelic fanboy and "Japrocksampler" author Julian Cope as a "musical hermit".

After first hearing the skewed tinker-toy electropop of "Lo Pop Diamonds" (worth at least one spin, for the unexpected novelty) I was relieved, and more than a little thrilled, to be reminded that there are still magicians among us, weaving their powerful spells.

 Lo Pop Diamonds by MAGICAL POWER MAKO album cover Studio Album, 1995
2.00 | 1 ratings

BUY
Lo Pop Diamonds
Magical Power Mako Psychedelic/Space Rock

Review by Neu!mann
Prog Reviewer

— First review of this album —
2 stars I'm not surprised this 1995 Magical Power Mako album wasn't included on his page here at ProgArchives, until now. But maybe his own sleeve notes might explain the omission:

"HELLO WORLD, HOW ARE YOU? Now we present '80s Mako's very private collections. There are good POP tunes featuring two girl singers...two Japanese traditional tunes...Woh - it's coming very deep. Enjoy precious time. Magical Power Mako, March 1995"

This was my first exposure to the eclectic world of MPM, and my knee-jerk instinct was to dismiss the album as Lo Pop Cubic Zirconium: a worthless ersatz gemstone with more cosmetic flash than actual value. Mako's vision is certainly unique, perhaps more so than the music itself on this effort: shiny antiseptic techno-pop employing rinky-dink Casio rhythms and synthetic dance beats, distantly related but far removed from anything resembling Progressive Electronics.

But repeated plays and a little research have taught me two valuable facts. Firstly, Mako is both a single person and a singular artist, emerging from his home studio every so often with a new collection of songs, self-produced and performed almost entirely alone. Next, and more importantly, I've learned it's never fair to judge a musician from an initial spin of just one album.

Mako was always a musical chameleon, and in the 1980's he merely changed his colors accordingly. Two decades later the Lo Pop part of the equation is obvious. The Diamonds are harder to find, but fossils of his earlier Far East Krautrock sound can still be unearthed if you dig really deep: a hint of Holger Czukay's guitar in the song "I Love You So I Want You"; a touch of Dieter Moebius grunge in the quasi-Kraftwerk instrumental "Techno '80".

And the two "Japanese traditional tunes" are nothing more than raw field recordings, of a Buddhist temple ceremony and of crowds celebrating the summer festival in the city of Aomori. These two documentary sound samples together last a numbing 17-minutes, long enough to test the patience of any headphone anthropologist, and are totally mismatched against all the bright '80s synth-pop elsewhere on the album.

But that same, weird juxtaposition is what prompted my second thoughts. Was the songwriting really so naďve, or is "Today's Fashion" (in the opening song of the same name) something more clever: an ethnological pop music forgery worthy of Can? And is counterfeit kitsch somehow less offensive than the real thing?

Woh - it's coming very deep, as Mako himself said, and I'm beginning to see his point. But I still can't imagine this album holding much interest for anyone except the most open-eared collector of Asian pop esoterica. It may not be the most representative MPM effort, but then again: neither is anything else in his wide discography.

 Lizards Exist by LIZARDS EXIST album cover Studio Album, 2014
4.76 | 8 ratings

BUY
Lizards Exist
Lizards Exist Psychedelic/Space Rock

Review by Meltdowner
Collaborator PSIKE Team

5 stars 2015 started with a great surprise, when this new Croatian band appeared on the forum with a very strong debut album.

The album starts with 'Bamija', that sounds a bit like Soft Machine and Pink Floyd jamming together, with highly delayed electric guitar, nice jazzy Rhodes and some sweet Mellotron near the end.

The beginning of 'Ljetni Hit' reminds of Can, with really skilfull drumming and groovy bass guitar. The guitar joins the song with a vibrant clean solo and then the very spacey synthesizer. After a great but brief drum solo, the song ends with a cool organ led funky part.

'58' shows how great the band's songwriting and musicianship is, with great interplay between the musicians. It reminds a bit of Gong's fusion sound, and the synthesizer sounds of Ozric Tentacles.

The album ends greatly with the 17 minute epic 'Anunnaki Dance', that starts with a great bass riff, murky electric piano and guitar with very warm 60's tremolo. All of a sudden the music is invaded by a goose bumping wave of Hammond organ and a great guitar solo that goes with it. After a while everything collapses to give way to the psychedelic interlude, in a very Floydian fashion. The song finishes by reemerging, sounding a bit like early Eloy, and reprising its beginning.

Besides the quality of the music itself, the production and mastering are stellar, matching with the completely analog way it was played and recorded.

There isn't a single wasted note here and I can't rate this mind-blowing album with less than 5 stars.

(I really hope they release it on vinyl someday)

 Hapmoniym 1 by MAGICAL POWER MAKO album cover Studio Album, 1993
2.95 | 3 ratings

BUY
Hapmoniym 1
Magical Power Mako Psychedelic/Space Rock

Review by Neu!mann
Prog Reviewer

3 stars The first of five identically-titled home recordings from the Japanese artist calling himself Magical Power Mako was only the opening installment of a planned 15-CD project, to be released in limited batches of one-thousand copies each (the remaining ten volumes have yet to see the light of day). Like the rest of the existing series, this initial chapter combines song fragments, tape experiments, and cryptic oriental psychedelia in a dense, continuous (and non-indexed) 43-minute stew, prepared and served with no written recipe.

The music here was first heard in 1993, but was recorded twenty years earlier, during the sporadic sessions for MPM's highly-regarded (and aptly-titled) 'Super Record', the two albums sharing a similar mood of homemade nonconformity. Comparisons have also been made to the Krautrockers of FAUST, and with good reason: the disc is an exotic Far Eastern cousin to the cut-and-paste mayhem of 'The Faust Tapes', produced more or less at the same time, and with the same uninhibited freedom of expression.

How to describe such elusive (non-) music to newcomers? A minute-by-minute breakdown of the almost three-quarter hour composite would be a fool's errand, so naturally I feel obligated to try...

The album opens with an ominous 13-minute, acid-fried rite of passage, played on ancient zithers over a hypnotic chanted mantra...then moves toward a groovier acoustic guitar passage, devolving after a few minutes into another one-chord space-out...followed by a very Faustian freak-out, anchored (barely) to some atonal singing, reminiscent of Damo Suzuki's wilder digressions alongside CAN...which in turn blossoms at the 22-minute mark into something not unlike early HAWKWIND or classic PINK FLOYD, but with even more demented vocalizing and some distinctly Krautrock guitar embellishments...

And by the end of the album the music has collapsed into a formless yet fascinating chaos. The noise continues until the final, unexpected space-ballad, crooned romantically over a gorgeous synth-and-piano melody before drifting away once again into the uncharted cosmos.

Eclectic stuff to be sure, as outtakes often are. And maybe needing a pair of ears conditioned by the amateur Outsider Music of the early RESIDENTS to hear it in the right context, where creativity doesn't require textbook proficiency, only an exploratory spirit and a blissful ignorance of your own limitations.

Three-plus stars, rounded down in recognition of its very narrow appeal. But the complete, multi-volume package might qualify as a masterpiece of arcane musical self-indulgence.

 A L'amitié by AQUASERGE album cover Studio Album, 2014
5.00 | 1 ratings

BUY
A L'amitié
Aquaserge Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

— First review of this album —
5 stars Well it's a huge honour to be the first to review AQUASERGE's latest album "L'amitie". The music is difficult for me to pin down but it's been called a blend of psychedelia, jazz and avant pop. The vocals are very understated, almost whimsical at times. We get complex and twisted melodies with plenty of clarinet and percussion and to my ears this sounds very French. The leader Julien Gasc played keyboards for a short time for one of his all time favourite bands STEREOLAB, and the drummer played with TAME IMPALA for a while.

"A L'amitie" is spacey to start then those almost mono-toned vocals take over with a beat, bass and atmosphere. Intricate sounds come and go. Piano and more also help out. A calm before 3 1/2 minutes as sounds beat and pulse then it starts to pick up as the organ creates atmosphere. The vocals are back again 5 minutes in as an earlier theme returns. Guitar takes the spotlight after 6 minutes. "Serge Singe" opens with fuzzed out guitar and a cool sounding rhythm to start. It settles down with clarinet as these contrasts continue. So much going on. "For Bob" as Gasc pointed out in an interview with "Quietus" has a beat inspired by Hip-Hop. It opens with vocals, a beat, atmosphere, piano and more. Some good backing vocals here as well. This is catchy with those understated vocals and we get some left of center guitar for a while then the clarinet joins in. "Sillage 1 & 2" and the next track which is a continuation of this one are my favourite tracks. Drums to start then this CAN-like rhythm kicks in along with piano. Love this stuff. It changes shades somewhat after 3 minutes. So good!

"Sillage 3" has more of that CAN-like beat. I love when the clarinet joins in. Piano after 2 1/2 minutes as it feels like it's winding down. "Je Viens" opens with sounds that echo as bass and some atmospheric keyboards join in. Vocals and clarinet also join in. I really like the backing vocals and mood of this one. It sounds like whistling after 3 minutes as it settles right down. Amazing song. "Travelling" opens with piano as the sounds of cars driving by can be heard. Clarinet helps out then this interesting rhythm kicks in. Strange synth? sounds arrive followed by more clarinet after 1 1/2 minutes. Voices can be heard in the background after 2 minutes. Twittering sounds only after 3 minutes then it ends with an experimental soundscape. "Preparation" is a short avant piece with outbursts of sounds coming and going. "Je Viens(Reprise)" has this guitar tone that reminds me of the sixties. Another short piece. "Ceci" opens with percussion-like sounds as dark piano lines come and go. Vocals after a minute will also come and go. This is a haunting song that turns experimental late to end it.

Man i'm so excited about discovering this band and without question one of my favourite releases from 2014.

 Ra by ELOY album cover Studio Album, 1988
2.80 | 164 ratings

BUY
Ra
Eloy Psychedelic/Space Rock

Review by Progfan97402

3 stars I found this LP for next to nothing at a Eugene, Oregon record convention. The seller was a prog junkie, and likes Eloy just as much as the next proghead, but I was under the impression he never cared for Ra, which is understandable, it's not well liked in the prog community. That's why I got it for next to nothing, along with several prog albums more worth noting, including Melody's Yesterlife (1977), a band that's not in ProgArchives (although should be).

I knew right away this was not going to be like Ocean or Silent Cries and Mighty Echoes. I didn't even expect it to be like Planets or Time to Turn, their best 1980s albums. It's not bad, although having a real drummer could have benefited big time (listen to Ocean 2 from a decade later, which had a real drummer in Bodo Schopf and you can see the difference). Put this against Ocean or Silent Cries and Ra crashes and burns. Put this up against popular mainstream music of the time like teen bubblegum of the Debbie Gibson and Tiffany variety, or cheesy hair metal of the Bon Jovi, Poison, Whitesnake, and White Lion variety, and this sounds like a breath of fresh air. The music is straight out of the late '80s. Digital synths (including the Yamaha DX-7) and drum machines all over the place, heavy metal guitar riffs (at least more tolerable than cliched hair metal guitar riffs as done by those kind of bands mentioned). There's no denying the intro of "Voyager of the Future Race", a nice ambient piece, and one could have imagine this becoming the Ocean of the '80s, but you know that wasn't going to me. But the album does have some really nice melodies, and not the most offensive of '80s sounds so I did find it enjoyable. Ballads like "Dreams" and "Rainbow" clearly showing them attempting to score a hit, and Frank Bornemann attempts a ridiculous falsetto he never did before, but does on this album (and on Destination and even parts of The Tides Return Forever). I guess this album probably would not have been so trashed on had it been released as a Frank Bornemann & Michael Gerlach album. I guess Bornemann felt that he'd be able to sell more copies by slapping on the Eloy name. I guess if you are strictly '70s for prog rock, you probably should stop at Time to Turn, and avoid anything they done after. But to my ears it's not bad, and I didn't expect it to be like their classics and found it nice listening, but not really essential, so three stars. Love that cover, though (which leaves such bad covers as Yes' 90125 and Big Generator, King Crimson's Beat, Emerson, Lake & Powell's sole album and ELO's Balance of Power totally in the dust).

 A Spoonful Of Time by NEKTAR album cover Studio Album, 2012
2.73 | 52 ratings

BUY
A Spoonful Of Time
Nektar Psychedelic/Space Rock

Review by Tom Ozric
Prog Reviewer

3 stars This recent-ish release, masquerading as a NEKTAR album, can be taken as another Billy Sherwood 'Prog Collective' project. Indeed, the current line-up of Nektar, featuring only 2 of the 'classic' formation in Roye Albrighton (guitars/vocals) and Ron Howden (drums/vocals), are joined by keyboardist Klaus Henatsch and multi-intstrumentalist/vocalist Billy Sherwood to form the core of the band. Then we have help from all sorts of top-notch musicians from Marillion's Mark Kelly, to Brainticket's Joel Vandroogenbroeck, Billy Sheehan to Rick Wakeman. I gather the 'lion's share' of the recording layed on Roye's shoulders, and helped re-ignite the Nektar brand. The songs are all 'classic radio songs' from the 70's, and actually vary little from the originals. They are mostly better and interesting selections from those days of 'hits', but unless you already appreciate songs like Steve Miller's Fly Like An Eagle, The Doors' Riders On The Storm, and even Gary Wright's Dream Weaver, this will be 'just another' covers album. From the 14 songs here, I was only unaware of Neil Young's Old Man, which features guest David Cross (King Crimson) on violin. Recommended highlights here being a very pretty 6min version of Floyd's Wish You Were Here, with the featured guest being the late, great EDGAR FROESE on keyboards, Riders On The Storm featuring a superb performance on the Hammond from legendary Rod Argent. A suitable Roxy Music tune in Out Of The Blue features Hawkwind's Simon House on violin, replacing Eddie Jobson's stellar performance on the 1974 original. 10CC are represented by a sweet rendition of I'm Not In Love, beautifully ethereal, and having a super Moog solo from Wakeman. The soul hit For The Love Of Money, which is played to death throughout the media, features guest drummer Ian Paice (Deep Purple), and woodwinds eccentric Nik Turner on sax - this lengthy rendition adding some deliciously spacey grooves, background mellotron sounds and suitable jamming from all. Having been fortunate enough to have caught up with Klaus H at an NYC Nektar gig, from memory he said the idea was suggested by manager John Lappen, immediately jumped-on by Roye and Billy, and was a lot of fun to work on. Definitely a solidly good album, perhaps a little light on the 'Prog', but an enjoyable listen never-the-less. 3.5 stars.
 The Endless River by PINK FLOYD album cover Studio Album, 2014
3.50 | 354 ratings

BUY
The Endless River
Pink Floyd Psychedelic/Space Rock

Review by DrömmarenAdrian

3 stars Pink Floyd is a band I like more than I appreciate and "The Endless River" is an album I appreciate more than I like. I have not really wanted to get into this band's music of some reasons. Perhaps it's because they are so popular by average people. However, Pink Floyd is a perfect reserve I know I should love if I wanted. I am also quite sure it will be a day like that! Atom Heart Mother, Meddle, Dark side of the moon and Wish you were here are magical masterpieces and they are also the only records of them I have heard. Now have the band though quit with "The Endless River" which becomes their fifteenth studio album. Even the cover shouts out farewell.

The music is almost entirely instrumental and was recorded some years ago and features David Gilmour, Nick Mason and Richard Wright together with a bunch of talented guests. Eighteen tracks amongst which the majority are short and atmospheric. On a harmonic and lovely keyboard sound wall are put the confident drums and the typical lyrical guitar which this band is so famous for. The music is slow and it doesn't happen a lot but I must confess it's really pleasant to listen to. Many tracks are a bit too ambient for me but it's still very nice to hear the typical Pink Floyd sound on a 2014 release. My favourite parts are "Louder than words"(10/10) the only song with vocals, and how I wish all songs would have been as good as this. The last song from this band could be one of the classic songs as well. The song has similarities with "Wish you were here" for example. "Sum", "Anisina" and "Allons-y2"(8/10) are amazing tracks with wonderful melodies and fine guitars. "Surfacing"(7/19) is a great opening act for the final track and "Allons-y1"(7/10) makes me feel very satisfied too. All of the other tracks would I rate 5-6/10 and I could easily say that this album is decent from the beginning to the end.

This farewell from this great band thought contains too few masterworks and too many fillers, even if the fillers are quite good. I appreciate that the band made this conclusion and think that the future will give it a more fair judgement. My rating ends at 3.19 which meens three stars. Best song: "Louder than words"

 I by TAIPUVA LUOTISUORA album cover Studio Album, 2005
3.39 | 12 ratings

BUY
I
Taipuva Luotisuora Psychedelic/Space Rock

Review by apps79
Special Collaborator Neo Prog Team

3 stars After the nice introduction to the public with their debut, Taipuva Luotisuora signed with their hometown label Kaakao.Meanwhile the line-up was expanded to a six-piece core but without Hermanni Vuorisalo on drums, instead Tatu Laurila and Taneli Korpinen had entered the team on drums and percussion repectively.The second album of the band, simply titled ''I'', was released in 2005.

They picked up the sound of their debut album and throwed in some heaviness in the electric parts, as this point the band seems to walk on parallel ways with Belgians QUANTUM FANTAY, introducing space inventiveness, rhythmic guitars and a bit of Folk in a nice Space Rock package.Unlike the Belgians though, their more folky touches, performed mainly on kantele and flute, had a strong oriental edge, recalling the 70's Kraut Folk acts, and creating ethnic soundscapes over cosmic, multi-layered synthesizers and electronics.Drums are very pounding and the guitar-driven parts are quite mascular, they even enter some PORCUPINE TREE-like territories during these heavier moments.The new album even contains a 15-min. long instrumental, ''Tropiikin hedelmia soseena'', divided in four movements and showcasing the Finnish at their most diverse execution.An exchange between powerful riffs and neurotic electronics with ambiental textures and acoustic injections, while parts of the piece sound very melodic and certain guitar moves are inspired by Eastern Music.And after the display of groovy, spacious sounds they have chosen a calm instrumental to close this work, ''Sohvatyynyja jaannöslangoista'', based on soft piano, violin and hypnotic drumming.

Among the interesting groups of modern Space Rock.All these bands had Ozric Tentacles as their guiding light, so do not expect something very personal, but the material is passionate, psychedelic and very, very dynamic.Recommended.

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
EL DIABLO Mexico
DOMO Spain
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
GALAXY Switzerland
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
HANADENSHA Japan
HANDLINGNOISE Finland
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYATT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LANDING United States
LANDS END United States
LAVA Sweden
LE MUR Germany
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LOVE LIVE LIFE + ONE Japan
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
MOTHERSHIP ORACLE United Kingdom
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
O CORVO MUDO Portugal
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ŘRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RĹD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
RINSE. REPEAT. United States
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SALMA GANDHI Sweden
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
SHUTTAH United Kingdom
SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SIMILAR Puerto Rico
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
SLEEPY SUN United States
SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
SOLAR CORONA Portugal
SOLAR PROJECT Germany
SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SONAR Hungary
SONIC BOOM United Kingdom
SOPHIES'S EARTHQUAKE Germany
SOUNDARCADE Latvia
SPACE DEBRIS Germany
SPACE INVADERS Germany
SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
THE SPIRITS OF THE EARTH United Kingdom
SPONTANEOUS COMBUSTION United Kingdom
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUNBURNED HAND OF THE MAN United States
SUNFOREST United Kingdom
SUNGRAZER Netherlands
SUNRISE SUNSET PROJECT Russia
SUNSET OF RA Greece
SUUK Estonia
SVARTBAG Denmark
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
TABOO STU United States
TAIPUVA LUOTISUORA Finland
TAJ-MAHAL TRAVELLERS Japan
TAKO Yugoslavia
TANGLE EDGE Norway
TANNED LEATHER Germany
TANTRA Argentina
TASHA-YAR United States
TEETH OF THE SEA United Kingdom
TEMPLE OF THE SMOKE Serbia
TEMPLES Finland
TERMINAL LOVERS United States
TESTET ÖLT Multi-National
THINK FLOYD United Kingdom
THTX United States
TIA CARRERA United States
TIDAL FLOOD Greece
TITAN United States
TMA-1 Spain
TNVVNÜM Estonia
TORGA OSTERA Portugal
TRACTOR United Kingdom
TRAD GRAS OCH STENAR Sweden
TRAFFIC SOUND Peru
TRANSITIONAL PHASE United States
TRAUMMASCHINE Spain
TRAVELING CIRCLE United States
TREATMENT United Kingdom
TRIBE OF CRO United Kingdom
TRIGON Germany
TRIP LAVA United States
TROLDMAND Denmark
TRÚBROT Iceland
TUBILAH DOG United Kingdom
TUNDERGROUND Romania
NIK TURNER United Kingdom
TURZI France
TWILIGHT Germany
TWIN TAIL Japan
TWINK United Kingdom
U SCO United States
U-NI Japan
UBERMODO United Kingdom
ULTIMATE SPINACH United States
UNDERGROUND ZERO United Kingdom
UNICORN PORN United States
UNIVERSITY OF ERRORS United States
UNZEN PILOT Portugal
THE URSULA MINOR Tunisia
THE USA IS A MONSTER United States
VED Sweden
VERMA United States
VERT:X United Kingdom
VESPERO Russia
VIBRAVOID Germany
VINTAGE CUCUMBER Germany
VIOLETA DE OUTONO Brazil
VIRTUAL MAX Canada
VLAD TEPES Argentina
THE VOCOKESH United States
VOICE OF THE SEVEN THUNDERS United Kingdom
VOID GENERATOR Italy
WALRUS Norway
THE WARLOCKS United States
WELTRAUM Germany
WHERE THE MOON CAME FROM United States
THE WHIRLINGS Italy
WHITE HILLS United States
WHITE MANNA United States
WILL-O-THE-WISP Greece
WIND Norway
WINDY AND CARL United States
WOODEN SHJIPS United States
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YUME BITSU United States
YURI GAGARIN Sweden
ZEMLJA BROJ 9 Serbia
ZENITH EFFLUVEUM United States
ZODIAC SUNRISE Finland
ZONE SIX Germany

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.25 seconds