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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


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Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3481 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 3663 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3100 ratings
ANIMALS
Pink Floyd
4.31 | 2616 ratings
MEDDLE
Pink Floyd
4.21 | 857 ratings
OCEAN
Eloy
4.16 | 264 ratings
LEGACY
Hypnos 69
4.11 | 550 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.13 | 331 ratings
RITUAL
Nemrud
4.13 | 370 ratings
JURASSIC SHIFT
Ozric Tentacles
4.20 | 143 ratings
BY THE WATERS OF TOMORROW
Vespero
4.39 | 58 ratings
OBSOLETE
Hedayatt, Dashiell
4.06 | 2505 ratings
THE WALL
Pink Floyd
4.13 | 223 ratings
TOGETHER WE'RE STRANGER
No-Man
4.18 | 128 ratings
KINGSTON WALL II
Kingston Wall
4.06 | 473 ratings
A TAB IN THE OCEAN
Nektar
4.19 | 92 ratings
TAKO
Tako
4.06 | 258 ratings
EVERYONE INTO POSITION
Oceansize
4.03 | 506 ratings
DAWN
Eloy
4.14 | 118 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The
4.03 | 426 ratings
THE OCTOPUS
Amplifier

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

FOAM
Vespero
LORD SPACE DEVIL
Cosmic Trip Machine
ELEMENT 115
Secret Saucer
AHORA MAZDA
Ahora Mazda

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Latest Psychedelic/Space Rock Music Reviews


 Scintilla by NOSOUND album cover Studio Album, 2016
3.18 | 3 ratings

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Scintilla
NoSound Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

3 stars And now NOSOUND from Italy are present with a new album in September 2016. 'The emphasis is placed firmly on feeling rather than technique', announces the label KScope, a subdivision of Burning Shed. Somewhat true, but then again, one thing does not rule out the other, we know. In contrast to the band name as such, you'll be faced with an atmospheric sound here on 'Scintilla'. Vocalist/guitarist Giancarlo Erra is acting as the driving force of a quintet, additionally supported by vocalists Andrea Chimenti and Vincent Cavanagh of Anathema fame as well.

And then not to forget Marianne De Chastelaine on the cello, she basically enhances the melancholic flow with her instrument. There's a real profundity to state concerning the tracks, which expresses a longtime song-writing experience. Interesting approach - the excellent Last Lunch shows a rather dominant drumming. Due to The Perfect Wife they are slightly drifting into a heavier direction yet. Finally, the title track shines with melancholy pure, including a fine soaring guitar and well put piano lines, later turning into something like a marching band.

This is mellow, relaxed overall, composed and implemented akin to Steven Wilson, No-Man, maybe Airbag and Marco Ragni too if you will, even provided with leanings to shoegaze and art pop. Lyrics are predominantly in English, the song Sogni E Incendio albeit differs. 'Scintilla' is a well-made album for sure. While missing something on fire or really innovative on this occasion, for me personally it's a bit too repetitive over the course. Everybody though who's absolutely keen on dreamy psychedelic tinged singer/songwriter stuff, will be convinced, I'm sure.

 Land of Blue Echoes by RAGNI, MARCO album cover Studio Album, 2016
3.96 | 7 ratings

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Land of Blue Echoes
Marco Ragni Psychedelic/Space Rock

Review by FragileKings
Prog Reviewer

4 stars I am surprised to see that this is the first review of this album that was released in March of this year, 2016. I have already read two reviews praising this album, but it seems so far to have flown under most prog radars here.

Marco Ragni is no up and comer. His 2014 album "Mother from the Sun" made it on the PA Top 100 of that year. And though his PA discography only includes five studio albums plus three others, his homepage includes some 11 releases. His catalogue on PA begins with his 2010 release "In My Eyes" which has a score of 4.25. Prior to his solo career he was involved in other bands for some 30 years.

"Land of Blue Echoes" has a very strong early seventies Pink Floyd vibe to it, but Marco doesn't lean solely on this rock. There are a number of surprises that keep this album ear-worthy. We begin with the short, spacey instrumental with a late sixties guitar sound and spoken recording at the beginning. Colin Tench (Corvus Stone, CTP, Oceans 5, Minstrel's Ghost, etc.) provides some lead guitar work. A very good start to the album!

There's a quick turn, though, as the 15-minute "Horizons" begins with harp and flute before transforming into a cosmic space rocker. The drums are pretty up front in the mix, and I'll admit that from my perspective it sounds more like listening to someone play drums along with the track. But just when you think you've got the album sussed out, a harpsichord becomes the sole instrument with Marco's vocals. The music changes once more with a spacey slide guitar bit and goes more up tempo with organ and guitar. That gives way to piano and then we reach a delicate solo piano segment. The track goes through a couple more twists and turns before returning to the cosmic theme near the beginning and wraps up with a bit of harp. There's a lot going on during these 15 minutes and a few choice parts for my ears.

The title track is a piano waltz with acoustic guitar and strings. There's an emotive, early seventies-inspired guitar solo to bring this shorter track to a close.

"Money Doesn't Think" is a rollicking track that sounds somewhere between "Dark Side of the Moon" and the more up tempo side of "Wish You Were Here" but with lead guitar that could have come off "Meddle". It eases back a bit more the sung parts but for the instrumental segment we are back into the exciting rolling and grooving part with some great lead guitar work. One of my favourite tracks!

"Canto D'Amore" will turn your head for sure with its harp and acoustic guitar and beautiful vocals sung in Italian. This was the first track on the album to really make a deep impression on me and even now after several listens it remains my favourite. Prog should have more harp!

Durga McBroom, who has sung "Great Gig in the Sky" and backing vocals for Pink Floyd, sings the lead vocal here. The music is very eased back with organ and electric guitar and McBroom's excellent vocal performance. Style-wise, it's not exactly my preference; however, there is no questioning the music and vocal performance.

"Beltane" is another favourite of mine. Acoustic guitar and a folk prog approach, this song features what sounds like backwards wah-wah guitar playing and has a strong cosmic rock feel in parts. There are some spoken recording added in and a ticking clock that will surely remind you of Pink Floyd again, and another smooth and soul-felt guitar solo.

The longest track on the album is "Nucleus, Pts. I-III". It covers a range of moods from more Pink Floyd-inspired lead guitar to Durga McBroom delivering a "Great Gig in the Sky" vocal performance, to more eased back cosmic groove to some great early seventies guitar rock groove with some cool, simple but chunky bass. This track of nearly 23 minutes covers a lot of ground though overall there's a laid back feeling of continuity. Some parts are a little easy to drift away in but it's not too long before something happens that reels you back in.

"Queen of Blue Fires" is also an outstanding track for me. It begins with clean electric guitar in a style almost like Pavement or Sloan but brings in organ. The chorus is the catchiest of the whole album and there are more organ, keyboard and acoustic guitar parts that are handled wonderfully. An excellent track to wrap up the album.

Though it's not every song that perks up my ears, Marco Ragni has created an album that really shows off his song- writing and multi-instrumentalist skills. If there's one criticism I have it's that sometimes the electric guitar lead work has some scratchy echo to it that works to create an atmosphere in most cases but sometimes sounds a little harsh. The drums sound great, especially the toms, but once or twice they seem to be a bit loud and to the front of the mix. I give this album a solid four stars and I am now considering which album I should go for next. I recommend this album to anyone who thinks they can enjoy early seventies, Pink Floyd-inspired, cosmic rock with some twists such as delicate piano solos and a song composed for harp and vocals. The digipak is quite beautiful, too!

 Paix by ALPES & CATHERINE RIBEIRO album cover Studio Album, 1972
4.14 | 34 ratings

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Paix
Alpes & Catherine Ribeiro Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars This sounds like a cross between Acid Folk and Psychedelic music, there's very much a hippyish vibe here especially on the first two tracks. The highlights though are the final two songs that clock in at over 15 1/2 minutes and 24 1/2 minutes respectively. Man Catherine is a beautiful woman, just a unique and gorgeous face while her voice is strong and deep.

"Roc Alpin" opens with guitar, bass and drums as vocal melodies come and go. An upbeat tune with keyboard-like sounds that come and go. This one's fairly straightforward and there's a 60' vibe with the vocals. "Jusqu'a Ce Que La Force De T'aimer Me Manque" opens with strummed guitar and vocals as the organ floats in. Keyboard-like sounds come and go too. Vocal melodies follow then back to vocals. The Psych/ Folk flavour to this one is strong. "Paix" has a sparse beginning with percussion-like sounds and atmosphere. The organ becomes more prominent then it's fuzzed out before 4 minutes. Nice! Catherine starts to speak before 6 minutes as the guitar melodies come and go while the bass, drums and organ continue. This is trippy yet her words seem serious. She starts to get more theatrical before 10 minutes and the music also turns more powerful. Love the fuzzed out organ that returns. Some almost avant sounding guitar around 11 1/2 minutes. Vocal melodies are back at 13 minutes. A psychedelic beauty right there, almost perfect and my favourite song on here.

"Un Jour... La Mort" is spacey with trippy guitar sounds to start. Vocal melodies and a change in sound after 4 minutes as bass and strummed guitar help out as well. Love the organ-like sounds after 5 minutes and also a minute after that. Vocals arrive just before 7 1/2 minutes and there's lots of depth instrumentally as she sings so beautifully. She starts to sing with more passion at 8 1/2 minutes. The vocals then stop as the music winds down until there's silence after 10 1/2 minutes. Then it kicks in with percussion, vocals, organ and more. Intense and determined is the sound here. Suddenly they seem to jam as the vocals stop. Organ and drums stand out here. The vocals are almost drugged-out sounding around 15 minutes, then she sings normally and man this all sounds so amazing. Silence before 18 1/2 minutes then solo picked guitar takes over. Strummed guitar and vocals follow. Bass and organ also join in. Some deranged vocal yells come and go over the last few minutes.

This is such an enjoyable album and it's often adventerous both vocally and instrumentally. A solid 4 stars and well worth tracking down.

 Book Of Days by NEKTAR album cover Studio Album, 2008
3.22 | 59 ratings

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Book Of Days
Nektar Psychedelic/Space Rock

Review by BigDaddyAEL1964

2 stars So what happened here? Nektar meets Nazareth or something?

This album has by far the worst sound of any Nektar album in my opinion. It's too electronic and digital, much less warm and human than usual. The songs are not bad, but definitely not great. "Where Are You Now" and the two "Book Of Days" that close the album are the best songs, and this is a strange feeling; it sound like a 2 stars album at the beginning, but it becomes a solid 2.5 stars at the end.

When I look back at the very respectable discography of Nektar and I only find one album worst than this (The Prodigal Son), then I can't give it more then 2/5. Generally forgettable.

 Psycho Erectus by POLYTOXICOMANE PHILHARMONIE album cover Studio Album, 2003
4.22 | 20 ratings

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Psycho Erectus
Polytoxicomane Philharmonie Psychedelic/Space Rock

Review by admireArt
Prog Reviewer

3 stars Electronic sounds + cool Jazz + Rock guitar's licks.

A blending of styles and influences, not that unique as I was meant to understand, but very well accomplished.

This is the kind of release which could have landed, here in PA, in any other of its sub-genres, from Krautrock to Prog-Rock/Electronic to Jazz/Fusion and of course Psychedelic/Space Rock.

Its variety in experimentation could also be tagged as Avant Garde inclined and Rock in Opposition un-structured, but of all those sub-genres I would have chosen Krautrock. It has lots of weird electronic noises and quirky time signatures, but always comes back to basic Rock or Jazz lines.

This band's sound, considering its date of release, should be thought as retro, meaning no real "new" groundbreaking directions, but a faithful extension of the roots they somehow reenact.

Polished yet raw, daringly blending simultaneously all type of these Prog-non-mainstream styles, tainted with Frank Zappa's or Resident's like colors, close to G.A.M.'s or Ash Ra's hypnotic trances, but not really that original in their own music compositions, nevertheless extraordinary in performances, ideas and sound quality. Sound quality which really was ignored or unattainable in those early Krautrock days, which brought back with this top-notch engineering sounds amazing.

Anyway, if you enjoy this release you are a sure candidate to enjoy any of the before mentioned Prog sub-genres ( or F. Zappa's style), which have gone through some very interesting changes up to these days...like this Polytoxicomane Philharmonie's "Psycho Erectus", 2003.

3.5 PA stars for people already acquainted with these stylings and bands and 4 stars for young and hungry for non-mainstream Prog cats.

***3.5 PA stars.

 Evolution by NEKTAR album cover Studio Album, 2004
3.39 | 76 ratings

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Evolution
Nektar Psychedelic/Space Rock

Review by BigDaddyAEL1964

4 stars What an inspired album! A major upgrade from the previous "Prodigal Son", with all the elements that make quality prog rock: nice melodies, reasonably lengthy songs, trippy lyrics, concept structure.

A very joyful work that flows very well and it's pretty listenable. If I was to choose one song as the stand-out one, that has to be "Old Mother Earth", but there is no weakness at all on this album.

The mostly acoustic nature of the album makes it even more trippy, with the piano playing a major role supporting the whole concept. This is maybe the last great album by Nektar; I guess we have seen it all from them and they will be officially disbanded soon, since Roye Albrighton died.

 The Prodigal Son by NEKTAR album cover Studio Album, 2001
2.86 | 53 ratings

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The Prodigal Son
Nektar Psychedelic/Space Rock

Review by BigDaddyAEL1964

2 stars The most prog thing about this album is it's (mediocre) cover artwork.

More of a soft rock album with prog elements, it has nothing exceptionally memorable to offer. Some of the lyrics are good, but musically it's nothing fancy, compared to other Nektar works and in general. There is not even a single stand-out song to elevate the general reputation of the album.

Nektar release an album after 21 long years, and the result is this? Through all of those years they should have arranged some masterpieces! That's what we were expecting at least... It's not a bad album in any way, maybe closer to 2.5/5, but how can I rate it higher when after the first listen I have no intention to replay at least a single song?

 Ce Trčs Cher Serge, Spécial Origines by AQUASERGE album cover Studio Album, 2010
3.62 | 8 ratings

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Ce Trčs Cher Serge, Spécial Origines
Aquaserge Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars While I don't think that this album matches the magic of their most recent release "A L'Amitie", it still casts a spell over this fan. This French trio are helped out by nine guests adding vocals, viola, violin, trumpet, flute, clarinet, organ and guitar. The latter by the way from Makoto Kawabata from ACID MOTHERS TEMPLE. Man this one grew on me a lot as it took a while for it to unfold it's mysteries. Once again we get plenty of intricate and repetitive sounds and those understated vocals. This is very French sounding and I love their sound.

Part of what took me a while to get into this album was the opening track called "La Genese" as we get laid back multi-vocals only and nothing else. Thankfully it's short at under 1 1/2 minutes. But yes this is called getting off on the wrong foot. "Un Soir Tempete" is the guitar/ drum show to start but then some very prominent bass lines arrive as it turns avant sounding, vocals follow as the avant vibe continues. We now get a run of some great sounding tracks starting with "Errance". Percussion leads early on as this repetitive melody slowly builds as the bass then horns then vocals eventually join in. Check out the horns late. Nice. "Ce Cher Serge Est Perdu" opens with what sounds like strummed bass as a beat and more joins in. Catchy stuff as the vocals arrive after a minute. Such a cool track. "Un Monde Englouti" is similar to the previous tune, at least the melody seems to be. This one has more of a psychedelic style and it becomes much more experimental when the vocals stop after a minute. This is so interesting to listen to. Horns after 2 minutes as spoken words come and go.

"Es Algues" is powerful with some screaming guitar. "Vers Le Neant" opens with intricate sounds as the vocals arrive briefly then we hear water sounds. Flute follows in this laid back start. An almost native vibe with the chanting and drums before 2 minutes but it's brief. A relaxed tune overall. "Visions" is by far the longest track at over 11 minutes. Piano and violin to start. A slow beat takes over 1 1/2 minutes in then the piano and strings return. It's building very slowly then bass joins in after 4 minutes along with some guitar expressions. It turns somewhat spacey after 6 minutes and the vocals join in as well. This is good! Love the spacey synths and sound. A change before 9 minutes with some interesting guitar as the bass and drums continue. "Retrouvailles" ends it and this is different from the rest as it brings to mind Brian Eno solo as in "Another Green World". Strummed guitar, horns and multi-vocals with plenty of energy.

I feel this is well worth the 4 stars despite paling somewhat to their 2014 release. This is a band that certainly has a sound that I can't help but appreciate in a major way.

 Man in the Moon by NEKTAR album cover Studio Album, 1980
3.21 | 77 ratings

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Man in the Moon
Nektar Psychedelic/Space Rock

Review by BigDaddyAEL1964

3 stars This one follows the musical path of "Magic is a Child", but it's not as inspired or quality as it's predecessor.

The album has no weaknesses, but no significant strengths too. Prog pop rock and all, but just not as good as the previous effort. "Torraine" is probably the album's best moment, a bittersweet love ballad with a hard rock bridge, that if it was a bit more refined could easily be a radio hit (if it got edited, as it's 5:30, a bit long for the common radio standards).

A solid 3,5 stars for this one, and yet again an impressive cover artwork.

 Magic is a Child by NEKTAR album cover Studio Album, 1977
2.99 | 97 ratings

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Magic is a Child
Nektar Psychedelic/Space Rock

Review by BigDaddyAEL1964

4 stars Nektar meets later years Genesis in a very good album!

"Magic is a child", "Midnite light", "Listen" and "Spread your Wings" are a quartet of songs that could easily fit in a best of Nektar compilation (the more pop-oriented side of it), and the yet another different music approach by Nektar in this album makes them one of the most colorful bands out there. This album could be categorized as prog pop rock, one of great taste and high quality.

Maybe closer to 3,5/5 stars than a solid 4/5, but definitely an album worth of owning and appreciating. Oh, and the cover art is absolutely magnificent!

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Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
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