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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre

From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON D��L, ASH RA TEMPEL, CAN, G�A, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:

Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.

The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.

A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.

Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonp��
with kind guidance and support by Windhawk

Current Psychedelic Prog / Space Rock Team Members
as at January 2013

Uwe (Rivertree)
David (Guldbamsen)
Keishiro (DamoXt7942)
Chester (The Doctor)

Psychedelic/Space Rock Top Albums

Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock

| More Top Prog lists and filters

4.61 \| 2375 ratings WISH YOU WERE HERE Pink Floyd	4.58 \| 2523 ratings DARK SIDE OF THE MOON Pink Floyd	4.51 \| 2058 ratings ANIMALS Pink Floyd	4.31 \| 1723 ratings MEDDLE Pink Floyd
4.19 \| 538 ratings OCEAN Eloy	4.17 \| 371 ratings WARRIOR ON THE EDGE OF TIME Hawkwind	4.17 \| 172 ratings TOGETHER WE'RE STRANGER No-Man	4.28 \| 69 ratings THE FUTURE KINGS OF ENGLAND Future Kings Of England, The
4.11 \| 244 ratings JURASSIC SHIFT Ozric Tentacles	4.04 \| 1706 ratings THE WALL Pink Floyd	4.08 \| 337 ratings DAWN Eloy	4.10 \| 194 ratings LEGACY Hypnos 69
4.24 \| 68 ratings UGISIUNSI Quantum Fantay	4.08 \| 204 ratings EFFLORESCE Oceansize	4.19 \| 85 ratings KINGSTON WALL II Kingston Wall	4.05 \| 317 ratings A TAB IN THE OCEAN Nektar
4.05 \| 255 ratings PLANETS Eloy	4.34 \| 41 ratings TAKO Tako	4.02 \| 327 ratings THE OCTOPUS Amplifier	4.04 \| 203 ratings EVERYONE INTO POSITION Oceansize

Psychedelic/Space Rock overlooked and obscure gems albums

Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

GAMMAPOLISZ (Ω IX)
Omega

A GIFT FOR YOUR DREAMS
Will-O-The-Wisp

PATAPHISICAL FREAK OUT MU!!
Acid Mothers Temple

NEM TUDOM A NEVED (Ω VI)
Omega

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Latest Psychedelic/Space Rock Music Reviews

Paix by ALPES & CATHERINE RIBEIRO album cover

Studio Album, 1972

4.10 | 18 ratings

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Paix
Alpes & Catherine Ribeiro Psychedelic/Space Rock

Review by Warthur
Prog Reviewer

What if Hawkwind or Gong went folk, with Nico on lead vocals? Perhaps they would have ended up with a sound a bit like the one exhibited by Catherine Ribeiro's backing group Alpes on this release. Sputtering hazily between psychedelic space rock vistas and hippy folk chants and songs, this bizarre release combines adventurous musical experimentation with capable and diverse vocals on the part of Catherine herself, which have a resonance and a boldness to them matched by very few. There aren't many groups who can count themselves as having a truly unique sound, but Alpes might just be one of them.

Studio Album, 1971

4.31 | 1723 ratings

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Meddle
Pink Floyd Psychedelic/Space Rock

Review by Lord Anon

After years of floundering creatively due to the loss of frontman and mastermind Syd Barrett, you would be forgiven for thinking Pink Floyd was over by 1971. At best, you'd expect them to improve slowly and steadily, moving away from experimental tracks and towards more clear- cut songwriting. But what happens on Meddle is the least thing you'd suspect: The new Pink Floyd has arrived practically over night, finally applying their soundscapes and experimental working methods to a solid set of memorable songs. The transformation to the band you know from The Dark Side of the Moon is not entirely complete, as Roger Waters' morose lyrics are nowhere to be found and the band still dabbles in subdued folk and experimental psychedelia, but whatever elements remain from their old style are seamlessly integrated into Meddle's aesthetic.

Meddle inhabits a strange middle ground in Pink Floyd's discography, sitting between the psychedelic excesses of their early years and the focused songwriting that was about to come. But it's also the band's most pleasant and expansive album, one that leaves you deeply relaxed, if a bit exhausted (which is why I can't give it a higher grade), after listening to it, which is a nice change of pace from the band's usual misanthropic attack. It might not have as many big songs as the following two records, but for what it's worth.

Wish You Were Here by PINK FLOYD album cover

Studio Album, 1975

4.61 | 2375 ratings

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Wish You Were Here
Pink Floyd Psychedelic/Space Rock

Review by VOTOMS

Everybody knows (this is nowhere"... just kidding) that Wish You Were Here is a wonderful album. I rate it 4/5 stars, but I will tell you the "dark side of the wish", the dark star that won't shine and make it a fullstar (5/5) masterpiece here in my collection.

After Dark Side of The Moon, the awesome and one of the most influential albums of the progressive music (maybe a little bit overrated), this is where Pink Floyd found themselves: believing more in the equalization, effects and... believing more in the Pink Floyd name than in their own music. Currently the #4 at the Top Prog Albums here. Sorry, but I just can't understand this. I love David Gilmour guitar playing. But I think this album is a little bit... exageratted. And god knows how it could be a way better. We know it too. We know Animals. Shine On Your Crazy Diamond (both tracks) is something like a hymn. I like it. But after many years living and learning with Pink Floyd albums, I really can't rate it a 5 star song. The songwriting at this album is a formula. It works, but most of the spacey parts are just formula. They could write 500 different albums with similar track and junkie fans would rate it 5/5. Have A Cigar is the worst track, I have that feeling that "I had heard it before" at my first listening. It's a boring track for me. It's not like Gentle Giant formula, that I always find something new. This is like, ah, another pink floyd song, cool. The main track, Wish You Were Here, it's awesome, but I can't listen to this song anymore. Every radio station plays, every guitar boy on the streets or bars are playing this one. Welcome to the machine is the most... 'cyberpunk' track, it's my favorite, but without the effects, it would be very simpleton.

Great album. Have fun.

Studio Album, 2013

2.23 | 4 ratings

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Centurionaut
Anta Psychedelic/Space Rock

Review by VOTOMS

Hmm, what could I say... Centurionaut is an instrumental heavy and atmospherical rock, including organ and keys (sometimes noise and experimental, but not innovative). I like the cover art and the album theme. Never heard of this band before this release, and I have to admit that I checked this album from start to end because of the organ. And I'm wondering to myself if they had already used the organ as a fanservice for proggers. Commercial prog? Maybe not. But I haven't found a very catchy riff during the whole album. I listen to it once, it's just fine, but I really don't want to play this album anymore.

Studio Album, 1980

3.67 | 237 ratings

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Colours
Eloy Psychedelic/Space Rock

Review by VOTOMS

And this is my 100th review special: Eloy - Colours (1980)

After several highly rated albums and some line-up changes, the 80s Eloy saga began. And this is my favorite Eloy album. Some radical early fans refused to accept this "different" soundin', without loonger tracks, but in my honest opinion, Colours are just the same Eloy, but improved and mature, a true progressive album. And the cover album is typically amazing. Highly reccomended to Pink Floyd fanatics, since Eloy is currently my pink floyd.

A Side. Horizons, the opening track, is a female singing chorus accompanied by catchy keyboards. A brilliant intro, followed by Illuminations, my favorite track and probably their best songwriting of the A Side. A definitive and essential masterpiece. The song and lyrics progression are awesome, and THAT guitar/keyboard riffs. Giant, the third track, is a floydish track. Good. Impressions, a short song, including nice harmonics and some flutes.

B Side. Child Migration, the seven minutes track (longer of the album) is another great piece. Cool prog song including intelligent lyrics. You can find the funniest keyboards at Gallery, really well done. So we reach the penultimate track, the masterpiece of the B Side, Silhouette. At the first two minutes, a dark atmospheric piano intro and fantastic lyrics. A faded song starts to grow, with the best vocal rhythm of the album. I like the guitar solos, and I love the riff at 5:33~. Sunset is a short acoustic, mysterious ending.

If you haven't got into Colours, I hope you try again!

Together We're Stranger by NO-MAN album cover

Studio Album, 2003

4.17 | 172 ratings

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Together We're Stranger
No-Man Psychedelic/Space Rock

Review by kev rowland
Prog Reviewer

No-Man are again a duo, with just a few guests, and there cannot be many bands that have been going fifteen years let alone recording while one of the members is also in a slightly more well-known outfit. Tim Bowness provides the vocals, while Steve Wilson provides all of the instruments and if anyone thinks that this might just sound anything like Porcupine Tree are very much mistaken. This is an album that sees the band really push Tim's vocals to the front, while the music swirls, moves and shifts behind. It is almost New Age at times but there is always a slight hint of menace that drives away the saccharine.

It becomes an album that is timeless, ageless, modern yet harkening back to the Seventies. There are Floydian touches but no-one could ever think that they are copyists. There can be just a gentle piano chord, followed by a line of sung melody. There are songs that are heart- achingly beautiful that if edited might even stand a chance in the charts. It is almost as if their previous albums have been leading up to this, as if Steven has managed to exorcise heavier demons with Porcupine Tree and here has come home to provide a stark view of what can be done. If these guys were designers then they would be minimalist, of that there is no doubt. This is not an album to jump into, you must be prepared to sit back and let it all wash over you (oh and don't turn up the volume at the end of "Things I Want To Tell You" like I did, otherwise you will jump out of your skin when the next song starts). Superb.

Originally appeared in Feedback #73, Jun 03

Canterbury Fayre 2001 by HAWKWIND album cover

Live, 2002

3.92 | 21 ratings

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Canterbury Fayre 2001
Hawkwind Psychedelic/Space Rock

Review by kev rowland
Prog Reviewer

I have to be honest and say that I am not sure just how many live Hawkwind albums I have listened to over the years, but this is one of the few that has been released with a strong sound quality. In fact, it is probably their best live release for many years, with a line-up of Dave Brock, Simon House, Keith Kniveton, Alan Davey, Richard Chadwick and even a special guest vocalist on "Silver Machine" of none other than Arthur Brown himself. The double CD kicks off with the gentle laid back introduction of "5th Second Of Forever" but this is just a ploy as Alan riffs his bass as if Lemmy was back in the fold and the band start to take off.

It must be twenty years since I last saw them in concert, but this album brings it all back as if it was only yesterday. From here it is just a short step to a nine minute version of "Levitation", and the band is in full swing. They have a unique sound, even after all of these years, and with the space rock in full flow there is no-one to touch them. They may have replaced the sax with the violin but all this has done is give them yet another element to their sound.

It may not contain "Brainstorm", but with classics such as "Spirit Of The Age", "Motorway City" and "Hurry On Sundown" as well as a full version of "Silver Machine" there is more than enough here for any Hawkfan to want to have this album. A goody.

Originally appeared in Feedback #73, Jun 03

Live at Pongmasters Ball 2002 by OZRIC TENTACLES album cover

DVD/Video, 2002

4.24 | 36 ratings

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Live at Pongmasters Ball 2002
Ozric Tentacles Psychedelic/Space Rock

Review by kev rowland
Prog Reviewer

The Pongmaster's Ball was a gig held at the Shepherd Bush Empire last year, and it was recorded and made available on both DVD and CD. The DVD also features a documentary showing the band throughout the day, preparing for the gig as well as getting the flavour of the event itself by showing parts of the soundcheck and asking fans what they think of the band. It has a rough and raw feel, as if it is one person with a camcorder and this adds to the overall feel of actually being there. It ends with the band walking onto stage.

This of course leads into the concert proper. Ozrics really are unlike any other band that you can imagine, as they just don't sound like anyone else and are as happy playing dance music as they are playing 'prog'. The line-up is Ed (guitar, synths, wide ears), Champignon (flutes, wide eyes), Zia (bass, thumbs), Seaweed (synths, fingers) and Schoo (drums, tongues). In the small print it states which endorsements each has, and while Zia uses Fender basses and Marshall amps Champignon "plays sticks with holes in 'em".

It is dreamy, it is trance, it is experimental, it is a blend of keyboards/flute/guitar in a way that you will never hear anywhere else, just kept together on the wrong side of sanity by the rhythm section. While Pink Floyd and The Grateful Dead were seen as the bands to take drugs to in the Sixties, there is no doubt that this mantle has been taken up by the Ozrics and they are more than happy to oblige.

The sound is spot on and the concert camera work very good indeed, and it is great to be able to see the Ozrics in my front room. Who else can give such a totally solid instrumental performance that leaves the crowd shouting for more?

Originally appeared in Feedback #72, Feb 03

Live At Glastonbury And Guildford Festival, 2002 by SPACE RITUAL album cover

Live, 2002

2.49 | 3 ratings

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Live At Glastonbury And Guildford Festival, 2002
Space Ritual Psychedelic/Space Rock

Review by kev rowland
Prog Reviewer

It is obvious from the name alone that there are some Hawkwind connections going on, but it is just a bit more than that. It is possible to argue that the origins of the band go back as far as Group X in 1969. Their first gig on August 29th, 1969, included Nik Turner, Mick Slattery and Terry Ollis and here they are all back onstage together again. Also involved is Thomas Crimble, who was Hawkwind bassist from July 1970 to April 1971. Commander Jim Hawkman has also been playing with Space Ritual.Net and various other ex-Hawkwind luminaries have been involved, including Del Dettmar who joined them for the current tour. Even young Michael Moorcock has promised to put in appearance! This album was recorded at Glastonbury and Guildford last year.

So what about the music? There are two drummers (Terry is joined by his son Sam) but to say that they come across as classic Hawkwind seems to be stating the obvious. They resist the temptation to play "Silver Machine" followed by "Brainstorm" and instead concentrate on their own material, but it sounds as if classic Hawkwind are back. One song that is a notable exception is their version of Coltrane's "Blue Train" which shows that they have more than one string to their sax. The only thing that spoils this is the abrupt ending or interruption as the album moves from track to track but that may be just from playing it on a PC. It is a fun album with good sound and if you are a Hawkfan then you will definitely have to get this.

Originally appeared in Feedback #72, Feb 03

Studio Album, 1972

3.35 | 11 ratings

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Tractor
Tractor Psychedelic/Space Rock

Review by kev rowland
Prog Reviewer

This is the Thirtieth anniversary version of Tractor's essential album, and as well as the original album also contains a live track from Glastonbury earlier this year (yes, Jim Milne and Steve Clayton are again back playing live), a studio recording also featuring Nik Turner and four acoustic numbers from Jim Milne (two of which are songs from the main album). There are some great quotes in the press release, "They epitomise the confusion and occasional brilliance of the ear" (Uncut), or "1972 albums don't come any better than this" (Melody Maker), "Twenty years ahead of their time" (Q) or from John Peel "Jim Milne, the man responsible for some the most urgent and flowing logical guitar playing I've ever heard".

It seems somewhat strange now that many people have not heard of the band, and if it wasn't for label owner Chris Hewitt's long association with the band (he became their road manager back in 1972) the chances are there would be little of their material today. Their PA system was legendary, and was even hired by Mot�rhead on their 1977 tour, as well as providing sound for all of the bands at the free Deeply Dale Festivals that were organised by the band. With bands such as The Fall, Nik Turner, Frantic Elevators (featuring a young Mick Hucknall) performing and The Ruts actually coming into being at the event their place in musical history is secured.

But behind all of this is an album from 1972 that captures the spirit of that age. Yes, it is dated, extremely so in some instances, but that is now part of the appeal. They just don't make albums like this any more. There are solid slabs of distortion, combined with a Hawkwind-style intensity and space rock vision, or it can just be Jim and his guitar. There are enlightening moments of brilliance, as the mood switches such as on "Shubunkin" which has to be heard to be believed.

The release contains plenty of details and photos of the band, past and present, and for anyone interested in rediscovering forgotten gems this is a masterpiece.

Originally appeared in Feedback #71, Dec 02

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Psychedelic/Space Rock bands/artists list

Bands/Artists	Country
3 LEAFS	United States
35007	Netherlands
3RD EAR EXPERIENCE	Multi-National
THE 4 LEVELS OF EXISTENCE	Greece
A HEADFULL OF MONSTERS	United Kingdom
ABUNAI!	United States
ACID FLORIANI	Russia
ACID MOTHERS TEMPLE	Japan
AGAMEMNON	Switzerland
AHKMED	Australia
AHORA MAZDA	Netherlands
AKASHA	Norway
ALASEHIR	United States
ALEX DELIVERY	United States
ALGARNAS TRADGARD	Sweden
ALHAMBRA	Italy
ALICE	France
ALIEN PLANETSCAPES	United States
ALIENTAR	United States
ALITHIA	Australia
ALMUADEM	Portugal
ALPES & CATHERINE RIBEIRO	France
ALPHA OMEGA	Australia
ALRUNE ROD	Denmark
AME SON	France
AMONULLUNOMA	Ireland
THE AMORPHOUS ANDROGYNOUS	United Kingdom
AMPLIFIER	United Kingdom
ANALOGY	Italy
ANGEL'IN HEAVY SYRUP	Japan
ANNOT RH�L	Norway
ANONIMA SOUND LTD.	Italy
ANTA	United Kingdom
ANTLERS	United States
DADDY ANTOGNA Y LOS DE HELIO	Argentina
ANUBIAN LIGHTS	United States
APPALACHIAN TRANSLATOR	United States
APRYL FOOL	Japan
APTEKA	Poland
AQUA NEBULA OSCILLATOR	France
AQUANAUT	Australia
AQUASERGE	France
AQUELARRE	Argentina
ARCADIUM	United Kingdom
ARCHITECTURAL METAPHOR	United States
ARILYN	Germany
ARZACHEL	United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND	United States
ASTRA	United States
ASTRALIA	Italy
ATAVISM OF TWILIGHT	United States
ATAXIA	United States
ATHENE NOCTUA	Italy
ATLETA	Spain
ATOMIC SIMAO	Ukraine
AVARUUSKORPRAALI PAHA HIRVI	Finland
AXE	United Kingdom
AYAHUASCA DARK TRIP	Multi-National
BABILS	Belgium
BABY GRANDMOTHERS	Sweden
BACHDENKEL	United Kingdom
BACKSTREET ROMEOS	Germany
BAIKAL	United States
BAND OF RAIN	United Kingdom
BARDO POND	United States
BARN OWL	United States
BARRETT ELMORE	Sweden
MASAKI BATOH	Japan
B�IRUTH	Spain
BEYOND-O-MATIC	United States
BLACK BOMBAIM	Portugal
THE BLACK NOODLE PROJECT	France
BLACK SCIENCE	United States
BLAND BLADEN	Sweden
BLONDE ON BLONDE	United Kingdom
BLUE PHANTOM	Italy
BOAT BURNING	United States
BOSQUES	Argentina
CHRISTIAN BOUL�	France
BRAINSTORM	Australia
DAVE BROCK	United Kingdom
ARTHUR BROWN'S KINGDOM COME	United Kingdom
BURNT NOODLE	United States
ROBERT CALVERT	South Africa
CAMEL	United Kingdom
CAPITAL SENTIMENTAL	Netherlands
CARLTON MELTON	United States
THE CARPET KNIGHTS	Sweden
CARR�.LADICH.MARCHAL	Multi-National
CATHARSIS	France
CATS ON THE ROOF	Ukraine
CAULDRON	Sweden
CAUSA SUI	Denmark
CENTRIC JONES	United States
LES CHAMPIGNONS	Canada
CHARLIE & ESDOR	Sweden
CHICKENCAGE EXPERIENCE	Germany
CHILLIWACK	Canada
CHIMERA	United Kingdom
CHROMA KEY	United States
CIRCLE	Finland
CIRCUS 2000	Italy
COBALT BLUE	Brazil
COCK C'NELL	Japan
COLD SUN	United States
COLORSTAR	Hungary
COLSTER	Italy
COMA STEREO	Slovenia
COMETS ON FIRE	United States
LA COMPAGNIA DIGITALE	Italy
LAS COSAS	Argentina
THE COSMIC DEAD	United Kingdom
COSMIC TRIP MACHINE	Belgium
COSMOS FACTORY	Japan
CRANIUM PIE	United Kingdom
CRIPPLED BLACK PHOENIX	United Kingdom
CRONOMAD	Mexico
CROW	United Kingdom
CRUMBLING GHOST	United Kingdom
CUCUMBER FARMER	Finland
CUZO	Spain
D SOUND	Hungary
D'ARCANA	United States
DARK BUDDHA RISING	Finland
DARK SUN	Finland
DARXTAR	Sweden
DASPUTNIK	Finland
DATETENRYU	Japan
ALAN DAVEY	United Kingdom
DAY OF PHOENIX	Denmark
DAY SHIFT	United Kingdom
DEAD MEADOW	United States
DEIGEN	Japan
EL DIABLO	Mexico
DOMO	Spain
DR HASBEEN	United Kingdom
DRAGONTEARS	Denmark
DRAGONWYCK	United States
DRAHK VON TRIP	Sweden
DREAM MACHINE	United Kingdom
DRUNKEN GUNMEN	Australia
DUNGEN	Sweden
THE EARLIES	Multi-National
EARTHLESS	United States
EARTHLING SOCIETY	United Kingdom
EASTERN SYNDROME	Russia
EATING.SEATS	Italy
EDEN ROSE	France
EGO ON THE ROCKS	Germany
THE EGOCENTRICS	Romania
EGYPTIAN KINGS	Portugal
EIDETIC SEEING	United States
EKOS	Mexico
EKTROVERDE	Finland
ELECTRIC MOON	Germany
ELEVATOR	Canada
BRIAN ELLIS	United States
ELMER GANTRY'S VELVET OPERA	United Kingdom
ELOY	Germany
AN EMERALD CITY	Multi-National
THE ENTRANCE BAND	United States
ESCAPADE	United States
ETER-K	Peru
ETERNAL TAPESTRY	United States
EVEL GAZEBOW	United Kingdom
EYE	United States
F/I	United States
THE FACEDANCERS	United States
FAIRUZ DERIN BULUT	Turkey
FALSOS CONEJOS	Argentina
FANTASY	United States
FAR EAST FAMILY BAND	Japan
FAR OUT	Japan
FARFLUNG	United States
MICK FARREN	United Kingdom
FIFTY FOOT HOSE	United States
FIRECLAN	United States
FIRST BAND FROM OUTER SPACE	Sweden
FISH EYE LENS	United States
FJODOR	Croatia
FLEUR DE LIS	Denmark
FLOORIAN	United States
THE FLOW	Greece
FLOWER TRAVELLIN' BAND	Japan
FLOWERS MUST DIE	Sweden
F�LLAKZOID	Chile
FONYA	United States
FOOD BRAIN	Japan
FORCE MAJEURE	Hungary
FRAKTAL	Argentina
FROGGIE BEAVER	United States
FROLIC FROTH	Mexico
FROZEN GEESE	United Kingdom
FUNGAL ABYSS	United States
THE FUTURE KINGS OF ENGLAND	United Kingdom
GALACTICKA	Finland
GAL�PAGOS	Argentina
GALAXY	Switzerland
GDEVA	Russia
GHOST	Japan
THE GIANT HOGWEED ORCHESTRA	Finland
GLOSSOLALIA	Multi-National
GO-NEKO!	Argentina
GOAT	Sweden
ALAIN GORAGUER	France
CARY GRACE	United Kingdom
GRAILS	United States
GREEN MILK FROM THE PLANET ORANGE	Japan
GREYLEVEL	Canada
GROUP 1850	Netherlands
GROWING SEEDS	Germany
GUILD NAVIGATORS	United States
HANADENSHA	Japan
HANDLINGNOISE	Finland
HASH JAR TEMPO	Multi-National
HAUNTED LEATHER	United States
HAWKWIND	United Kingdom
THE HEADS	United Kingdom
HEAVY WATER EXPERIMENTS	United States
DASHIELL HEDAYATT	France
HELLBENDER	United States
HEPTAGRAM	Bulgaria
HERE & NOW	United Kingdom
HERU AVENGER	United States
HIDRIA SPACEFOLK	Finland
HIGH DEPENDENCY UNIT	New Zealand
HILLS	Sweden
HISKO DETRIA	Finland
HOLY RIVER FAMILY BAND	Sweden
HONDURAS LIBREGRUPO	Argentina
HOTEL WRECKING CITY TRADERS	Australia
HOUSE OF NOT	Canada
HOWLIN' MAGIC	United States
HUMAN FACTOR	Russia
HUMANOID	Canada
HUMUS	Mexico
HUNDOS	United States
HYPNOS 69	Belgium
I.E.M.	United Kingdom
ICI MAINTENANTS	United Kingdom
ID	United States
IGRA STAKLENIH PERLI	Yugoslavia
IKIHEVONEN	Finland
DJORDJE ILIJIN	Yugoslavia
IMANISSIMO	Indonesia
IN A NUTSHELL	Russia
INCANDESCENT SKY	United States
INOMATA TAKESHI & SOUND L.T.D.	Japan
INSIDER	Italy
INSTANT FLIGHT	Multi-National
INTERKOSMOS	Austria
INTERNATIONAL HARVESTER	Sweden
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL)	Brazil
ION QUEST	United States
IT'S NOT NIGHT: IT'S SPACE	United States
IVORY	Germany
IXTHULUH	Austria
J. A. CAESAR	Japan
JACKO WACKO	Peru
JACKS	Japan
JADE	France
JADE WARRIOR	United Kingdom
THE JELLY JAM	United States
JESUS WITH ME	United States
JOY HEIGHTS	Japan
JUUDAS ISKARIOTIN SUUDELMA	Finland
KAARNA	Finland
KALUTALIKSUAK	Russia
KARMA CANON	United States
KARMIC SOCIETY	Germany
KARUNA KHYAL	Japan
ROSE KEMP	United Kingdom
PAUL KIDNEY EXPERIENCE	Australia
KIKAGAKU MOYO	Japan
KILL FOR TOTAL PEACE	France
KILLFLAVOUR	Germany
KINGBATHMAT	United Kingdom
KINGSTON WALL	Finland
KINSKI	United States
KIRUNA	Norway
KLAR	Czech Republic
KNALL	Germany
PASI KOIVU	Finland
KORAI �R�M	Hungary
ERKIN KORAY	Turkey
KOSMOS	Canada
KOUSOKUYA	Japan
KOZMIC MUFFIN	Spain
KREL	United Kingdom
KROM LEK	United Kingdom
KUNI KAWACHI TO KARE NO TOMODACHI	Japan
KVASAR	Spain
LA IRA DE DIOS	Peru
LA OTRACINA	United States
LAGHONIA	Peru
LANDING	United States
LANDS END	United States
LAVA	Sweden
LEGENDARY PINK DOTS	United Kingdom
LEMMUS LEMMUS	Israel
LENIN	Argentina
LENINGRAD BLUES MACHINE	Japan
LES RALLIZES DENUDES	Japan
LIQUID SOUND COMPANY	United States
LIQUID VISIONS	Germany
LITMUS	United Kingdom
LOCH NESS	Mexico
LONDON UNDERGROUND	Italy
THE LONGEST DAY	Australia
LOOP	United Kingdom
LOVE LIVE LIFE + ONE	Japan
L�GER	Spain
LUMERIANS	United States
LUNAR DUNES	United Kingdom
THE MACHINE	Netherlands
MACONDO	Peru
MADEMOISELLE MARQUEE	United Kingdom
MICHEL MADORE	Canada
MAGIC LANTERN	United States
MAGIC MUSCLE	United Kingdom
MAGICAL POWER MAKO	Japan
MAGNOG	United States
MAINLINER	Japan
MAJUTSU NO NIWA	Japan
MAMMAL MACHINE	Japan
MAMMATUS	United States
MAN	United Kingdom
THE MANDRAKE MEMORIAL	United States
MANTA RAY	Spain
MANTRIC MUSE	Denmark
MAPPE NOOTICHE	Italy
MARBLE SHEEP	Japan
ALAIN MARKUSFELD	France
MARS EVERYWHERE	United States
MARS RED SKY	France
MARY NEWSLETTER	Italy
M�SF�L	Hungary
MASTER MUSICIANS OF BUKKAKE	United States
MELTING EUPHORIA	United States
MERKABAH	Poland
MESS	Estonia
MESSAGE	Germany
MIDDAY VEIL	United States
MIJA	United States
MILES FROM PANGAEA	United States
MILO BLACK	United Kingdom
MOBY TRIP	New Zealand
MOHODISCO	United States
MOLECULE	France
MONDO DRAG	United States
MONKEY3	Switzerland
MOOCH	United Kingdom
MOON DUO	United States
MOON FOG PROPHET	Finland
MOON PHANTOMS	Multi-National
MOONWAGON	Finland
THE MOOR	Sweden
MOTHER GONG	United Kingdom
MOTHER-UNIT	Netherlands
MOTHERSHIP	United States
MOTHERSHIP ORACLE	United Kingdom
THE MOVEMENTS	Sweden
MR QUIMBY'S BEARD	United Kingdom
MUGSTAR	United Kingdom
MUSHGOONS	Italy
MUSHROOM	United States
MUSHROOM GIANT	Australia
MUSIC EMPORIUM	United States
OS MUTANTES	Brazil
MY BROTHER THE WIND	Sweden
MY SLEEPING KARMA	Germany
MYRIAD	Australia
THE MYRRORS	United States
NAAM	United States
NAKED ELF	United States
NANGYALA	Netherlands
THE NARCOTIC DAFFODILS	Belgium
LOS NATAS	Argentina
NEGATIVE ZONE	France
NEKTAR	United Kingdom
NEMRUD	Turkey
GIORGIO C. NERI	Italy
NIMBUS	Finland
NNECRA PACKE	France
NO MAN'S LAND	Greece
NO-MAN	United Kingdom
NODENS ICTUS	United Kingdom
NOETICS	Germany
NOSOUND	Italy
NUDITY	United States
NUKLI	United Kingdom
NUMINOUS EYE	United States
NYL	France
OBSKURIA	Multi-National
OC FEEF	United States
OCEANSIZE	United Kingdom
OCTOPUS	United Kingdom
OCTOPUS	Germany
OCTOPUS SYNG	Finland
OHEAD	United Kingdom
OKTA LOGUE	Germany
OLE LUKKOYE	Russia
OMEGA	Hungary
OMENOPUS	United Kingdom
OMNIA OPERA	United Kingdom
ONE SWITCH TO COLLISION	Multi-National
ONEIDA	United States
ORANGE SHADING STARLIGHT	Italy
ORANZADA	Poland
ORESUND SPACE COLLECTIVE	Multi-National
ORION'S BEETHOVEN	Argentina
THE OSCILLATION	United Kingdom
OSIRIS THE REBIRTH	United Kingdom
THE OVALS	Australia
OXHUITZA	Italy
OZRIC TENTACLES	United Kingdom
TA PAICHNIDIA TOU ILIOU	Greece
THE PANCAKES	Germany
PANTA REI	Sweden
PAPIR	Denmark
PARADISE 9	United Kingdom
PARADOX	United Kingdom
PARALLEL OR 90 DEGREES	United Kingdom
EL P�RAMO	Spain
P�LOQUIN-SAUVAGEAU	Canada
PEOPLE	Japan
PEOPLE OF THE NORTH	United States
PERIZONA EXPERIMENT	Italy
PHARAOH OVERLORD	Finland
PHLOX	Malaysia
PILOTOCOPILOTO	Peru
PINK FLOYD	United Kingdom
PLASTIC OVERLORDS	United States
PLJ BAND	Greece
POLYPHONY	United States
POLYTOXICOMANE PHILHARMONIE	Germany
POND	Australia
POSEIDON	Germany
PRE-MED	United Kingdom
PRIMORDIAL UNDERMIND	United States
PRISMA	Germany
PROJECT MOONBEAM	United States
PSEUDO SUN	Sweden
PSI CORPS	Russia
PSYCHATRONE RHONEDAKK	United States
PSYCHE BUGYO	Japan
PSYCHEDELIC WARRIORS	United Kingdom
PSYCHIC ILLS	United States
THE PSYCHIC PARAMOUNT	United States
PUBLIC FOOT THE ROMAN	United Kingdom
PURPLE OVERDOSE	Greece
PUSSY	United Kingdom
PYRAMIDAL	Spain
PYRAMIDION	United Kingdom
QOPH	Sweden
QUANTUM FANTAY	Belgium
QUARKSPACE	United States
QUEEN ELEPHANTINE	United States
RA CAN ROW	United States
R�D KJETIL AND THE LOVING EYE OF GOD	Sweden
RADAR MEN FROM THE MOON	Netherlands
RADIOMOBEL	Sweden
RAGNAROK	New Zealand
RAINY SEASON	Russia
RAPTOR KONRAD	Czech Republic
RARA AVIS IN TERRIS	France
RAVEN SAD	Italy
THE RE-STONED	Russia
REALEAF	Israel
THE RESONANCE ASSOCIATION	United Kingdom
RHYTON	United States
RINSE. REPEAT.	United States
RODOTOTOED	Mexico
ROOT	United Kingdom
THE ROOTS OF ECHO	Sweden
ANDREW DOUGLAS ROTHBARD	United States
ROTOR	Germany
ROVO	Japan
RYODAN	Japan
SAMSARA BLUES EXPERIMENT	Germany
SAPAT	United States
SATURNALIA	United Kingdom
SAUNABADH	Finland
SAVANNA	Portugal
SCARED BUNNY	Canada
SCARLET UTOPIA	Germany
SCHWARZ	Spain
SECOND HAND	United Kingdom
THE SECRET MACHINES	United States
SECRET SAUCER	United States
SEHNSUCHT	Russia
SEID	Norway
SEMENTE	Brazil
SEMI	Japan
SENDELICA	United Kingdom
SENSATIONS' FIX	Italy
SEPSIS	Russia
SERPENTINA SATELITE	Peru
SEVEN PERCENT SOLUTION	United States
SEVEN THAT SPELLS	Croatia
SF	Japan
SH'MANTRA	Australia
SHATTER PROJECKT / SHATTER PROJECT	United States
SHINKI CHEN & FRIENDS	Japan
SHIP OF FOOLS	United Kingdom
SHUTTAH	United Kingdom
SIDDHARTHA	Turkey
SIGNAL TO NOISE RATIO	Poland
SIMILAR	Puerto Rico
SISTRA	Italy
SIX ORGANS OF ADMITTANCE	United States
SKY PICNIC	United States
SLEEPIN PILLOW	Greece
SLEEPY SUN	United States
SLOW RIDE HOME	Ukraine
SMOKING SPORE	United States
SNC	Italy
SNOVI	Croatia
SOLAR PROJECT	Germany
SOM IMAGIN�RIO	Brazil
SOMA	United Kingdom
SONAR	Hungary
SONIC BOOM	United Kingdom
SOUNDARCADE	Latvia
SPACE DEBRIS	Germany
SPACE MIRRORS	Multi-National
SPACE MUSHROOM FUZZ	United States
SPACE RITUAL	United Kingdom
SPACEHEAD	United Kingdom
THE SPACELORDS	Germany
SPACEMEN 3	United Kingdom
SPACESEED	United States
THE SPACIOUS MIND	Sweden
SPECIMEN 37	United States
SPEED; GLUE AND SHINKI	Japan
SPIRAL	United States
SPIRAL REALMS	United Kingdom
SPIRIT OF THE MATTER	France
SPIRITS BURNING	Multi-National
THE SPIRITS OF THE EARTH	United Kingdom
SPONTANEOUS COMBUSTION	United Kingdom
SRI AUROBINDO	United States
ST 37	United States
ST MIKAEL	Sweden
STAIRCASES	United States
THE STARS	Japan
STEEO	Italy
STEREOKIMONO	Italy
STREETMARK	Germany
STROBE	United Kingdom
SUBARACHNOID SPACE	United States
S�DSTERN 44	Germany
SUISHOU NO FUNE	Japan
SULA BASSANA	Germany
THE SUN BLINDNESS	Australia
SUNBURNED HAND OF THE MAN	United States
SUNFOREST	United Kingdom
SUNGRAZER	Netherlands
SUNRISE SUNSET PROJECT	Russia
SUUK	Estonia
SVARTBAG	Denmark
SWEET SMOKE	United States
THE SYN	United Kingdom
SYSTEMS THEORY	United States
TABOO STU	United States
TAIPUVA LUOTISUORA	Finland
TAJ-MAHAL TRAVELLERS	Japan
TAKO	Yugoslavia
TANGLE EDGE	Norway
TANNED LEATHER	Germany
TANTRA	Argentina
TASHA-YAR	United States
TEETH OF THE SEA	United Kingdom
TEMPLE OF THE SMOKE	Serbia
TEMPLES	Finland
TERMINAL LOVERS	United States
TESTET �LT	Multi-National
THINK FLOYD	United Kingdom
THTX	United States
TIA CARRERA	United States
TIDAL FLOOD	Greece
TITAN	United States
TMA-1	Spain
TNVVN�M	Estonia
TORGA OSTERA	Portugal
TRACTOR	United Kingdom
TRAD GRAS OCH STENAR	Sweden
TRAFFIC SOUND	Peru
TRANSITIONAL PHASE	United States
TRAUMMASCHINE	Spain
TRAVELING CIRCLE	United States
TREATMENT	United Kingdom
TRIBE OF CRO	United Kingdom
TRIGON	Germany
TRIP LAVA	United States
TROLDMAND	Denmark
TR�BROT	Iceland
TUBILAH DOG	United Kingdom
TUNDERGROUND	Romania
NIK TURNER	United Kingdom
TURZI	France
TWILIGHT	Germany
TWIN TAIL	Japan
TWINK	United Kingdom
U SCO	United States
U-NI	Japan
UBERMODO	United Kingdom
ULTIMATE SPINACH	United States
UNDERGROUND ZERO	United Kingdom
UNIVERSITY OF ERRORS	United States
UNZEN PILOT	Portugal
THE URSULA MINOR	Tunisia
VED	Sweden
VERMA	United States
VERT:X	United Kingdom
VESPERO	Russia
VIBRAVOID	Germany
VINTAGE CUCUMBER	Germany
VIOLETA DE OUTONO	Brazil
VIRTUAL MAX	Canada
THE VOCOKESH	United States
VOICE OF THE SEVEN THUNDERS	United Kingdom
VOID GENERATOR	Italy
WALRUS	Norway
THE WARLOCKS	United States
WELTRAUM	Germany
WHERE THE MOON CAME FROM	United States
THE WHIRLINGS	Italy
WHITE HILLS	United States
WILL-O-THE-WISP	Greece
WIND	Norway
WINDY AND CARL	United States
WOODEN SHJIPS	United States
XOO	United Kingdom
HIRO YANAGIDA	Japan
YAWNING SONS	Multi-National
THE YELLOW MOON BAND	United Kingdom
YUME BITSU	United States
ZEMLJA BROJ 9	Serbia
ZENITH EFFLUVEUM	United States
ZODIAC SUNRISE	Finland
ZONE SIX	Germany

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