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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk


Current Psychedelic/Space Rock Team Members
as at December 2013

Uwe (Rivertree)
Keishiro (DamoXt7942)

Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 2709 ratings
WISH YOU WERE HERE
Pink Floyd
4.59 | 2864 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 2381 ratings
ANIMALS
Pink Floyd
4.31 | 1989 ratings
MEDDLE
Pink Floyd
4.22 | 636 ratings
OCEAN
Eloy
4.15 | 208 ratings
RITUAL
Nemrud
4.16 | 189 ratings
TOGETHER WE'RE STRANGER
No-Man
4.10 | 429 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.11 | 283 ratings
JURASSIC SHIFT
Ozric Tentacles
4.21 | 102 ratings
BY THE WATERS OF TOMORROW
Vespero
4.13 | 201 ratings
LEGACY
Hypnos 69
4.05 | 1957 ratings
THE WALL
Pink Floyd
4.08 | 404 ratings
DAWN
Eloy
4.05 | 367 ratings
A TAB IN THE OCEAN
Nektar
4.28 | 54 ratings
TAKO
Tako
4.17 | 87 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The
4.03 | 365 ratings
THE OCTOPUS
Amplifier
4.04 | 314 ratings
PLANETS
Eloy
4.20 | 71 ratings
UGISIUNSI
Quantum Fantay
4.05 | 217 ratings
EFFLORESCE
Oceansize

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

BABY GRANDMOTHERS
Baby Grandmothers
FOAM
Vespero
PSYCHO ERECTUS
Polytoxicomane Philharmonie
A GIFT FOR YOUR DREAMS
Will-O-The-Wisp

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Latest Psychedelic/Space Rock Music Reviews


 Fantasy Shift by HERE & NOW album cover Studio Album, 1983
4.00 | 6 ratings

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Fantasy Shift
Here & Now Psychedelic/Space Rock

Review by Guldbamsen
Forum & Site Admin Group Site and Forum Admin

4 stars The forgotten prog album by The Police

I had the most amazing experience here the other day whilst listening to this album. Sometimes music can illustrate brief encounters like nothing else. No words are necessary and you feel as if your entire worldview is reduced to mere chords and sonic ambiance. I'll get back to that at the end of this little write-up, but safe to say that this album not only challenges what most on here would consider 'prog', it also tattooed itself on my brain in the most ingenious manner conceivable.

Here & Now is probably best known for being Daevid Allen's backing band for his punk prog release 'Floating Anarchy'. It's a sonic fingerprint they carried on with them on their subsequent debut album named 'Give and Take' that also quite wonderfully bridged the two seemingly odd bedfellows in punk and prog. I remember when I first heard that album. To say it was a revelation would be a small understatement. It literally blew my socks off!

In finally getting hold of their second album 'Fantasy Shift', I realised just how closely knitted the group was with the punk scene. Not that they continued the path of spikey riffs and floating psychedelic Gong like sections, but moreover in the way they blossomed into something that from a very early stage influenced the young punks: Reggae! No, I haven't lost my marbles ( not that many at least - I still have some in me back pocket), I'm merely trying to explain the close ties these two genres of music had back in the day. The folks who frequented the now infamous punk nightclub 'The Roxy' were obviously into the prevailing fad of 50s rock n roll tunes played at the speed of light, but what many nowadays seem to forget is what the soundtrack to those days mostly consisted of. Yep reggae. In between sets there'd be dj's spinning all kinds of exotic bouncy music emanating from the lands of Bob Marley and Yellowman. When you think about it, that's probably also where The Police got their white-boy ska vibes from..........and incidentally also where Here & Now got their inspiration for this marvellous little record from.

The Police is actually not that far off soundwise, if you're looking for an easy parallel. While coming off decisively more adventurous, 'Fantasy Shift' still reminds me of what The Police would have sounded like had they spent the better part of the 70s jamming alongside the likes of Daevid Allen. It's easy on the ears, filled to the brim with hooks, memorable choruses, fickle ska rhythms and that oh so persuasive bass boom that feels as if it was lifted directly from an underground reggae band in down-town Kingston.

I love everything about this album - even the cover of Bowie's 'Man who sold the World' is delightfully fresh with all it's stuttering ska beats and melodic saxophone toot. There's a youthful exuberance running through the heart of this record that continues to make my head bop and my feat stomp. It's also an album you can spin with other folks in the same room (!!!!).....oh yes, I've even had females dancing to this one, and I hadn't even spiked their drinks.

Going back to the start of my review, here the other day I was walking through the streets of 'lborg Denmark - just chilling to this album, then decided to go for a wee pint in one of the more obscure bars hidden far away from the high street. I sat there with my beer and noticed this middle-aged Afro- American man looking at me from across the room. He looked like he needed someone to talk to, and I was obviously right in my assessment as he then approached me with a big smile on his face and a cold beer in his hand:

"Hey! I'm the invisible black guy! *laughs*" "Why hello there! Gotta say, you're doing a pretty bad job at being invisible. I saw you the moment I stepped in the door."

He laughed again and offered me his beer - trying his best to start a conversation with me. Those who know me well also know that you don't need to do much in order to get me talking, so I instantly welcomed him and commenced one of the most memorable conversations I've had in a long while. At one point he was on about vibrations and how they effect the human body, which I in turn mischievously directed towards music. He started talking about Daniel Lanois and how he once took the studio out of the studio and placed it in old wooden homes to get that warm and sensuous feel to it. He obviously had no hope whatsoever that I knew about the cat, yet I did and proceeded to talk about his collaboration with both U2 and Bob Dylan, and that then lead to more music and we ended up talking about his favourite bands such as Yes, King Crimson and a lot of the more well-known acts featured on this very site. "Wow" I said.... I think he said the same. He was so happy that he'd finally met somebody with the same taste in music as himself - hell even his first love, jazz, is something I adore like the beach bathed in sunset.

After he'd given me a huge hug, I went on my way with my earplugs safely in place, and this album returned in the most magical way. The dreamy 'Secrets' invaded my ears with it's No Wave synths and pensive drum work, and as I proceeded to walk down the street with the sun going down behind me, the music suddenly blossomed into this beautiful middle section and I had goosebumps rolling through my body. I stopped and looked up at the baby night sky and saw one single star shining oh so brightly. Just one. I thought to myself: this must be a coincidence and immediately thought of the friendly encounter I'd just had. What a coincidence though.....and what an album!

 Beyond by CUCUMBER FARMER album cover Studio Album, 2004
2.14 | 2 ratings

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Beyond
Cucumber Farmer Psychedelic/Space Rock

Review by Matti
Collaborator Neo-Prog Team

2 stars Here's the first review for this Finnish Psych band that probably has ceased to exist by now. As can be read from the band bio, CUCUMBER FARMER have declared several (pseudo-serious) manifestations of their aims, such as "we are dada-priests and surrealistic revolutionaries simultaneously" and "we want a listener as prone to reflection and to broadening the listening experience, as ourselves. We demand fast thrills, the superlative feedback produced by a superlative moment." Hmm, pretty ignorable mumble-jumble. Let's concentrate on the music.

'Sabbath of Reynold' starts creepingly before the frenzy beat enters. The male vocalist keeps repeating mostly "praise the Lord" and the female singer yells at background. The atmosphere is sinister; the music, in addition of being very psychedelic, somehow reminds also of the darker realms of New Wave in the early eighties. The production is deliberately hollow-sounding. Instrumental 'Sovhoosi' is an 8-minute meditative trip - this band is clearly better without the shouty, depressed vocals - and 'Greyhound Star' is a vocal song that shifts between slow ambience and punk-like anger.

Instrumentally oriented 'Jazz-odysseia' inspired by the Homer epic hasn't much to do with jazz, but the keyboards come better into the light than on the guitar-heavy overall sound... at least occasionally. This music is starting to feel too serious and dark-minded. Despite the certain spaceyness it's tiringly thick and lacking of freshness. The brief 'Tivoli' is hilarious and crazy but not enjoyable. 'Bordeaux 1998' is the other track besides the opener featuring the nice guest vocals of Elisa Piispanen. Very lunatic, freak-out track where the vocals remind of Gong. The album closes with a tight version of PINK FLOYD's 'Interstellar Overdrive'.

Cucumber Farmer seems to have a deep respect for the original Psychedelic Rock era and they have some faint originality too, but I rather listen to the old masters themselves.

 Scientific by TIDAL FLOOD album cover Studio Album, 2002
3.61 | 7 ratings

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Scientific
Tidal Flood Psychedelic/Space Rock

Review by Neu!mann
Prog Reviewer

3 stars Apparently the slackers of OZRIC TENTACLES haven't recorded nearly enough music to satisfy their fans, driving many of them to organize their own copycat bands. One of the better clones was this Aegean outfit, long defunct, but in their heyday close enough in style to function almost like an unofficial tribute group, for a time even earning an endorsement on the official Ozric web site.

All the familiar tics are accounted for, and played with a sometimes thrilling sense of déjŕ vu: the same energetic space jams, the same subsonic dub excursions, the same burbling synthesizers and blinding lead guitars. But what the quartet couldn't duplicate was the same grass-roots support system, hardly surprising in conservative Greece at the turn of the last millennium. The end result was only a handful of tracks and one EP (not a full album, as it's currently listed here) containing just about everything the group ever recorded: five short instrumental jams, with two of them repeated in a live television appearance, a welcome video bonus to the disc.

They certainly weren't original, and lacked the technical finesse of their Somerset role models. But the band's enthusiasm and skills were beyond question. And they came by their near-eastern riffing more honestly than the Ozrics. The TV material shows how easily the music came alive in concert, but also reveals their collective Achilles heel: the players had no charisma on stage, perhaps a clue to the band's untimely demise.

The project was over almost as soon as it began, a blessing in disguise if you consider the alarming redundancy in the greater Ozric catalogue. It's a pity the band died so quickly, before they even had a chance to develop. But at the end of the day a page in these Archives isn't such a bad final resting place.

 Arzachel  by ARZACHEL album cover Studio Album, 1969
3.62 | 137 ratings

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Arzachel
Arzachel Psychedelic/Space Rock

Review by stefro
Prog Reviewer

3 stars Before the successful solo career, before Gong and way even before Khan, there was Arzachel. Yes, I'm talking about Steve Hillage, that legendary psychedelic guitarist who's forty-five year career has pretty much seen it all. And this is where it began. A deeply psychedelic excursion into early prog-rock territory laced with organs, spacey effects and neon dropped keyboards, underground psych-rock outfit Arzachel saw Hillage teamed with Canterbury keyboardist extraordinaire Dave Stewart and the multi-instrumentalist duo of Mont Campbell(bass) and Clive Brooks(drums), who would of course go on to form the quirky jazz-influenced group Egg. Nowadays, original vinyl copies of 'Arzachel' can fetch to upwards of Ł1,000, such is the rarity and reputation of an album steeped in Canterbury-lore. As an album it certainly has its moments, yet is let down by the two lengthy pieces that make up side 2, the shorter, more focused pieces such as the star-kissed opener 'Garden Of Earthly Delights' and the catchy r'n'b of the Stewart-led 'Queen St. Gang'. Elsewhere, the raucous acid blues of 'Leg' finds the group whirling deep into psychedelic territory, whilst the fuzzy 'Azazoth' exudes yet more of the album's deeply-lysergic ambience. Much more ambitious in their conception yet let down by incessant, unplesant jamming, overly-emphatic execution and an unpleasant, doomy feel, both the heavy and intense 'Clean Innocent Fun', which features yet more wild blues licks from Hillage, and the mind-melting cosmic madness of the aptly-titled 'Metampsychosis', simply fail to hold the attention. The low-budget production only adds to the slightly menacing atmosphere, though you have to give the group marks for pure intensity. Unlike Hillage's next album, the more polished and melodic 'Space Shanty', 'Arzachel' seems to lose focus just at the right moment, providing maybe just a touch too much far-out madness. That said, it's still a fasinating curio from the short-lived British psychedelic scene of the late-sixties, offering up intense underground thrills for all fans of darkly obscure progressive music. STEFAN TURNER, STOKE NEWINGTON, 2014
 Just A Poke by SWEET SMOKE album cover Studio Album, 1970
3.81 | 61 ratings

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Just A Poke
Sweet Smoke Psychedelic/Space Rock

Review by Anon-E-Mouse

4 stars Firstly, I feel compelled to take exception at a previous comment. That the performers are Jews from New York is totally irrelevant. Apart from that most of their works were recorded in the very Germany, in a musical sense it matters not if they were from the Italian fishing village of Brescia, or Kiev in the Ukraine. Short of reporting the comment, I'd welcome that person - if he/she is still with us - to edit that comment.

Now, onto the music. If you have never visited, or lived in a hippie village, it'll represent the closest you can get to impromtu jamming every other night and in numerous Cafes after dark - on a good day/night. I lived in such a place for many years and such music is something that I remain very fond of, be that coming from New York, or elsewhere. Your next door neighbour could appear and blow your head off with his skills on saxes, or backpacker "chick" doing spirited work on her congas, you'd never know what was on offer. I never forget of going to sleep on the outskirts of the village. Music wafting through the air was very comforting, indeed.

This album represents perhaps of a taste of people coming together with their various instruments and create virtually instant magic. I've also heard much better Jamming by faceless locals, never having a chance to be recorded.

This album - whilst hardly the best ever representation - remains a pretty good example of times still treasured by die-hard alternatives - like myself.

 Atavism of Twilight by ATAVISM OF TWILIGHT album cover Studio Album, 1992
3.23 | 10 ratings

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Atavism of Twilight
Atavism Of Twilight Psychedelic/Space Rock

Review by b_olariu
Prog Reviewer

3 stars One of the most unknown and obscure bands from entire american prog rock scene, Atavism of Twilight for sure delivers a quite competent heavy prog with psychedelic and spce overtones who will pleases most of the fans of the genre. The self titled album issued in 1992 at already famous Greg Walker's label Syn-Phonic offers 4 instrumental pieces with intricate arrangements, complicated parts and sophisticated songwritting with solid musicinship all over. Maybe the production is not top notch, but the rest for me is quite enjoyble. This band and implicit this album gone under the radar of prog, is quite strange because in early '90s prog was in a revival world wide. For me 3 solid satrs, maybe 3.5 stars in places. For fans of Djam Karet or those who incorporated some retro heavy psychedelic prog in their music.

 Le Komuso ŕ Cordes  by MADORE, MICHEL album cover Studio Album, 1976
3.48 | 6 ratings

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Le Komuso ŕ Cordes
Michel Madore Psychedelic/Space Rock

Review by apps79
Special Collaborator Neo Prog Team

3 stars A Canadian multi-instrumentalist and composer from the Quebec area, escaping from the typical style of the local groups into more synthetic music.He composed his first album ''Le Komuso a cordes'' in 1975, released the following year on Barclay, where he played keyboards, guitar and wind instruments.Errol Walters along with Fernand Durand play the bass, a member of Dionysos, Mathieu Leger provides the drumming, formerly of Lasting Weep and around the time a member of L'Orchestre Sympathique and Ron Proby handles the sax, synthesizers and percussion.

During an inventive and very different album regarding the more Fusion and Folk side of Quebec Prog, Madore enters the realms of GONG and CLEARIGHT with this release, providing a beautiful synth-based background with certain Electronic variations, upon which the instrumentalists build an elegant Space Fusion enviroment with dreamy and cosmic climates.The music is mainly driven by Proby's ethereal sax solos, a bit similar to DIDIER MALHEBERE's style, and the discreet acoustic soundscapes of Madore with spacey keyboard lines supporting the music.If you expect a vastly psychedelic album with long, hypnotic instrumentals you are completely wrong, because the team here occasionally breaks into more furious waters with a definite Fusion vibe, where the drumming becomes powerful, the sax plays are dynamic and the alternating piano, keyboard and synth moves offer a certain instrumental depth.Very cinematic textures with some great shifting moods between sax-based themes and keyboard-drenched sections, which are combined with intelligence and talent to delliver fascinating, atmospheric instrumentals.

Madore released one more work in 1978, ''La chambre nuptiale'', on Kebec-Disc, which is said to contain long Electronic ambiences in a more experimental style, executed exclusively by himself.From 80's and on he abandoned music and focused on his career as a painter and a sculptor.

Atmospheric Space Fusion.Beautiful images created by Madore's composing talent and an accomplished team of musicians, resulting to a work somewhere between Space Rock and Prog Fusion.Strongly recommended...3.5 stars.

 Satori by FLOWER TRAVELLIN' BAND album cover Studio Album, 1971
3.82 | 60 ratings

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Satori
Flower Travellin' Band Psychedelic/Space Rock

Review by stefro
Prog Reviewer

4 stars A legendary Japanese outfit with a penchant for Black Sabbath, King Crimson and Jimi Hendrix, the Flower Travellin' Band were standard-bearers for the exciting rock scene that emerged out of Japan during the early-seventies and one of the ultimate cult groups. They issued just four albums during their rather brief musical career, all between 1970 and 1973, though much of their reputation stems from 1971's bruisingly doomy 'Satori', an album seen by many as the high watermark of Japan's psychedelic rock scene. Made up of five interlocking parts, 'Satori' charts a raw and powerful course through the group's grazing mixture of chundering proto-metal guitars, warbling vocal assaults and ethnic percussion licks, an almost apocalyptic sense of foreboding drenching every single chord. At it's best, it's a truy mesmerising experience, the group darting between heavy and light sonic shades with an almost punk sense of reckless abandon, though occasional repetitive longeurs - some of the overlong guitar solo's for example - do slightly diminish the overall effect. That said, its rare to find an album that mixes power and beauty with such wild-eyed gusto, matching the likes of The Stooges, Hendrix and Sabbath for pure, single-minded bluster. Essentially one long piece of music, 'Satori' may well appeal to those with a fondness for the heavier things in life, but conversely, may also put off fans of more melodic forms of rock. However, if it's a blazing, blues-tinged trip to the outer reaches of wigged-out psychedelia you're after then look no further than 'Satori'. Jagged and metallic, at times utterly engrossing, and about as subtle as a crazed psychopathic bull having a massive epileptic fit in an over-crowded fine china shop, this is music of astonishing power and aggression. You have been warned. STEFAN TURNER, STOKE NEWINGTON, 2014
 Pyramidion by OZRIC TENTACLES album cover Singles/EPs/Fan Club/Promo, 2001
4.26 | 27 ratings

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Pyramidion
Ozric Tentacles Psychedelic/Space Rock

Review by thwok

4 stars I am truly surprised that Pyramidion has only gotten four reviews so far on Progarchives. Ed Wynne & friends are clearly popular, and this is one of the highest rated OT releases. I myself am generally not a fan of the space rock subgenre - I prefer music that is actually composed, and has structure to it. Ozric Tentacles is the exception. I think Pyramidion is one of their best efforts - I'll give it 4 stars. Even the revered Pink Floyd is often too indulgent and eccentric-for-its-own-sake for my tastes! This album is a great introduction for folks who do not know Ozric Tentacles. It contains some of their better known material. As stated in several other reviews, the live version of "Pixel Dream" is just brilliant. "Sultana Detrii" is also a OT favorite, and this is a terrific version. I think the reason that I like OT so much is they write good material with variety, and play it so well. Ed's an excellent guitarist, and the drumming, done by Johnny Morgan and Rad at this point, is always good. The only reason I've given Pyramidion 4 instead of 4 and 1/2 stars is that most of these songs would already be familiar to regular Ozric Tentacles fans.
 The Resurrectionists & Night Raider by CRIPPLED BLACK PHOENIX album cover Boxset/Compilation, 2009
4.00 | 27 ratings

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The Resurrectionists & Night Raider
Crippled Black Phoenix Psychedelic/Space Rock

Review by Anon-E-Mouse

3 stars Well, if this compilation represents the better bits that this band produced beforehand, then I've heard enough of their music. How this work is (currently) rated 4.38 without a single review , eclipsing Prog masterpieces is just beyond belief.

There is nothing wrong with the music - only precious little is right. Lacking body, lacking drive, not only bordering on boring, but it is outright boring. At times the crew appear to wake up - if only briefly - but it's not enough to raise much interest, too little, too late.

A slight (early) Pink Floyd influence can be detected in parts, something that may have represented some interest around 1970, but by today's standards is seen as rather lame.

As indicated before, I don't see this work as bad, only far too laid back and uneventful. In a word, indulgent. It is of a bit of a miracle that it doesn't come across as melancholic, probably due to failing to raise emotions - either way. A great admirer of British Prog-Rock of previous decades, I find it disturbing to observe that the new generation appear to take their heritage for granted, making little effort to live up to standards of distinction.

I struggle with rating it as a 3 at the most, but in all sincerity, I've heard lot worse rated higher by some. This piece is likely to gather dust at my place - till Spring clean up time.

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
A HEADFULL OF MONSTERS United Kingdom
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AGAMEMNON Switzerland
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BLACK BOMBAIM Portugal
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC TRIP MACHINE Belgium
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEIGEN Japan
EL DIABLO Mexico
DOMO Spain
DR HASBEEN United Kingdom
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
GALAXY Switzerland
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
HANADENSHA Japan
HANDLINGNOISE Finland
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYATT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KREL United Kingdom
KROM LEK United Kingdom
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LANDING United States
LANDS END United States
LAVA Sweden
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LITMUS United Kingdom
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LOVE LIVE LIFE + ONE Japan
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
MARBLE SHEEP Japan
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
MOTHERSHIP ORACLE United Kingdom
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ŘRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RĹD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
RINSE. REPEAT. United States
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
SHUTTAH United Kingdom
SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SIMILAR Puerto Rico
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
SLEEPY SUN United States
SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
SOLAR CORONA Portugal
SOLAR PROJECT Germany
SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SONAR Hungary
SONIC BOOM United Kingdom
SOUNDARCADE Latvia
SPACE DEBRIS Germany
SPACE INVADERS Germany
SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
THE SPIRITS OF THE EARTH United Kingdom
SPONTANEOUS COMBUSTION United Kingdom
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUNBURNED HAND OF THE MAN United States
SUNFOREST United Kingdom
SUNGRAZER Netherlands
SUNRISE SUNSET PROJECT Russia
SUUK Estonia
SVARTBAG Denmark
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
TABOO STU United States
TAIPUVA LUOTISUORA Finland
TAJ-MAHAL TRAVELLERS Japan
TAKO Yugoslavia
TANGLE EDGE Norway
TANNED LEATHER Germany
TANTRA Argentina
TASHA-YAR United States
TEETH OF THE SEA United Kingdom
TEMPLE OF THE SMOKE Serbia
TEMPLES Finland
TERMINAL LOVERS United States
TESTET ÖLT Multi-National
THINK FLOYD United Kingdom
THTX United States
TIA CARRERA United States
TIDAL FLOOD Greece
TITAN United States
TMA-1 Spain
TNVVNÜM Estonia
TORGA OSTERA Portugal
TRACTOR United Kingdom
TRAD GRAS OCH STENAR Sweden
TRAFFIC SOUND Peru
TRANSITIONAL PHASE United States
TRAUMMASCHINE Spain
TRAVELING CIRCLE United States
TREATMENT United Kingdom
TRIBE OF CRO United Kingdom
TRIGON Germany
TRIP LAVA United States
TROLDMAND Denmark
TRÚBROT Iceland
TUBILAH DOG United Kingdom
TUNDERGROUND Romania
NIK TURNER United Kingdom
TURZI France
TWILIGHT Germany
TWIN TAIL Japan
TWINK United Kingdom
U SCO United States
U-NI Japan
UBERMODO United Kingdom
ULTIMATE SPINACH United States
UNDERGROUND ZERO United Kingdom
UNIVERSITY OF ERRORS United States
UNZEN PILOT Portugal
THE URSULA MINOR Tunisia
VED Sweden
VERMA United States
VERT:X United Kingdom
VESPERO Russia
VIBRAVOID Germany
VINTAGE CUCUMBER Germany
VIOLETA DE OUTONO Brazil
VIRTUAL MAX Canada
THE VOCOKESH United States
VOICE OF THE SEVEN THUNDERS United Kingdom
VOID GENERATOR Italy
WALRUS Norway
THE WARLOCKS United States
WELTRAUM Germany
WHERE THE MOON CAME FROM United States
THE WHIRLINGS Italy
WHITE HILLS United States
WHITE MANNA United States
WILL-O-THE-WISP Greece
WIND Norway
WINDY AND CARL United States
WOODEN SHJIPS United States
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YUME BITSU United States
ZEMLJA BROJ 9 Serbia
ZENITH EFFLUVEUM United States
ZODIAC SUNRISE Finland
ZONE SIX Germany

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