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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


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Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3857 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 4054 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3460 ratings
ANIMALS
Pink Floyd
4.30 | 2933 ratings
MEDDLE
Pink Floyd
4.22 | 995 ratings
OCEAN
Eloy
4.17 | 303 ratings
LEGACY
Hypnos 69
4.11 | 615 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.08 | 2774 ratings
THE WALL
Pink Floyd
4.33 | 68 ratings
OBSOLETE
Hedayat, Dashiell
4.10 | 410 ratings
JURASSIC SHIFT
Ozric Tentacles
4.11 | 370 ratings
RITUAL
Nemrud
4.15 | 156 ratings
KINGSTON WALL II
Kingston Wall
4.07 | 546 ratings
A TAB IN THE OCEAN
Nektar
4.06 | 579 ratings
DAWN
Eloy
4.08 | 258 ratings
TOGETHER WE'RE STRANGER
No-Man
4.15 | 111 ratings
TAKO
Tako
4.10 | 164 ratings
BY THE WATERS OF TOMORROW
Vespero
4.13 | 120 ratings
PARALLEL WORLD
Far East Family Band
4.05 | 284 ratings
EVERYONE INTO POSITION
Oceansize
4.03 | 593 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

LORD SPACE DEVIL
Cosmic Trip Machine
THE BLACK TOMATO
Øresund Space Collective
LAST DAY OF SUN
Kalutaliksuak
AHORA MAZDA
Ahora Mazda

Latest Psychedelic/Space Rock Music Reviews


 Electric Heavyland by ACID MOTHERS TEMPLE album cover Studio Album, 2002
3.20 | 13 ratings

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Electric Heavyland
Acid Mothers Temple Psychedelic/Space Rock

Review by mariorockprog

3 stars Another jamming album by Acid Mothers Temple, it has really good moments but as I said in other reviews, you will not find any spectacular, nor elaborated. It maintains their classic style of space/krautrock, and if you like that kind of music you will find it interesting, personally I liked, but there a lot of best bands do it better, this one maintain me entertained but you are not missing a thing here. The first two song were the one that I like the most, while the last one, not too much, was too much noisy and without any melody, solo or riff that I found it interesting.Finally, a enjoyable album with mainly guitar jams and keyboard space sound that doesn't have any direction, but can keep you entertained in most of the parts.
 Suuliekki by SAMMAL album cover Studio Album, 2018
3.95 | 3 ratings

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Suuliekki
Sammal Psychedelic/Space Rock

Review by VianaProghead
Prog Reviewer

4 stars Review Nº 229

Sammal is a progressive rock band from the peninsula of Scandinavia, from Finland. The band is settled in the Finnish port city of Turku. Sammal has been committed to retro prog sounds since their foundation around the year 2010, which, contrary to the supraregional trend of their homeland and the adjoining Scandinavian countries, doesn't so much serve the symphonic prog, but instead relies on the rich 70's heritage, called jazz, hard and psychedelic rock. So far, Sammal have released a self-titled debut studio album in 2013, an EP titled "Nº 2" in 2014, a second studio album called "Myrskyvaroitus" in the following year and a third studio album with the name of "Suuliekki", three years later.

Although I always was a big fan of the progressive rock coming from Scandinavia, mainly because Kaipa, The Flower Kings, Anglagard, Anekdoten, Pain Of Salvation and Opeth, only to mention some of them, I must confess that this band, despite has already released three albums, has completely escaped from my radar, until some months ago.

All began when in May of 2018 when I participated in a prog tourney that usually happens every year. This tourney has the purpose that sixteen contestants can choose sixteen prog albums almost unknown. The final objective is that in the end there is a winner album, after the elimination, round by round, of all the other participants. One of the contestants chose precisely "Suuliekki", the third studio album of Sammal. So, it was in this context that I made my first contact with this band. However, at the time, I was convinced that "Suuliekki" was the debut album of Sammal. It was only when I saw that this band was added to Progarchives that I became aware of the existence of the two previous studio albums. Since I never had heard to talk of this band, I decided to take a look to Progarchives to see some information about them. Still, I saw that they hadn't been already added to this site. As I liked very much of "Suuliekki", in June of 2018 I decided to propose the addition of Sammal to Progarchives. When I contacted siLLy puPPy, he told me that he would suggest them to the "psych team". Sammal was accepted and added to Progarchives, but I only saw it few weeks ago.

So, once that Sammal was added to Progarchives, in part due to me and because I liked very much of "Suuliekki", it seems to me perfectly normal and especially a kind of an obligation, to be the first one to review this album on this site. However, I must confess that I'm very pleased because this isn't the first review of this band, really. Matti had already done the same with their second album "Myrskyvaroitus". And I must confess that he did a great job on that review.

The band state that they devoted more time collecting new song material and incorporating new ideas into the songwriting prior to releasing "Suuliekki". However, I'm not familiar with Sammal's earlier two works to fully assess that statement and to recognize substantial differences. But, according to them, it seems that the music changed a bit.

Each song on the album comes across as a healthy blend of structure and improvisation. There's also a consistent sense of fun and adventure all over the album. The material isn't quite improvised, but it definitely isn't overdone. As I listen to this album, I can almost hear the band trying out different ideas and seeing how they play with everyone else. Fortunately, they work really well. Each track is lively and fresh in ways that reminded me of fun and exciting 70's rock.

I had to rack my brains to come up with suitable comparisons with respect to Sammal's music. Whilst this is also owing to my scarce knowledge of the Finnish progressive rock scene, it certainly is due to a large extent to Sammal's originality. Their music by and large lacks the moody, dark and melancholic atmosphere, the stringency and the seriousness sometimes displayed by many Scandinavian bands such as Anglagard and Anekdoten. Instead, it's rather laid-back, upbeat and here and there comes across with a wink. There are hints of Uriah Heep and Deep Purple for the more hard rock-oriented songs mentioned above. I can also see much psychedelic/space rock music, and it comes to my mind Hawkwind. In reality, there's a bit of everything in "Suulliekki", without the music becoming incoherent, really.

Conclusion: As I mentioned before, I was deeply impressed by the originality and the quality of "Suuliekki". This is, really, a very good and nice album, a truly great surprise for me. I think we can say that we are in presence of a very honest and interesting proposal. But above all, I think the band has much potential to be developed. This is a band with strong influences of the hard rock and the psychedelic/space rock music, indeed. Listeners familiar with the bands mentioned above by me, will recognize their influences, but will be provided with something discrete, not with a mere clone. I hope that with this release, Sammal will step out of what I believe is still a small circle of insiders. They surely would deserve to be known by a wider audience. We'll see it in the future. I'm very curious about the development of this band, really. Meanwhile, soon as I've time and opportunity I'm also very curious and interested to check their two first studio albums. Definitely, here we are in presence of great prog music. I think Sammal deserves to be checked.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Pink Lady Lemonade ~ You're From Inner Space by ACID MOTHERS TEMPLE album cover Studio Album, 2011
3.39 | 9 ratings

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Pink Lady Lemonade ~ You're From Inner Space
Acid Mothers Temple Psychedelic/Space Rock

Review by mariorockprog

3 stars The "thousandth album" of Acid Mother Temple, a Japanese band that have influences by a lot of groups of space rock, krautrock and psychedelic music. basically as most of their albums, it has some nice rhythms or riffs in the background and a lot of improvisation mainly with guitar but also keyboard passages and solos are presented, as I said previously, the music will be so close to groups like ash ra temple. I considered an average album, but the music doesnt evolve in something better, and sometimes it seems so repetitive, so if you want some acid/psychedelic rock to relax but without any too elaborated, maybe this album will be of your interests.
 Louder Than Words by PINK FLOYD album cover Singles/EPs/Fan Club/Promo, 2014
4.13 | 46 ratings

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Louder Than Words
Pink Floyd Psychedelic/Space Rock

Review by mariorockprog

5 stars 4.5: The only single for the last album of Pink Floyd (Endless River). It is a very good song, the lyrics are based in the Live 8 reunion, where the band after several years of being apart, share the scenario for a benefit concert. it was written by Polly Samon, wife of Gilmour, when she saw that they didn't even talk or say a thing to make the room comfortably before the concert. They began the concert and everything change, there was a connection between them. Personally, I liked a lot, it is a very soft and slow prog sound, but really well accompanied by the mini guitar solos and a good arregement, including keyboards by Wright. I considered it a essential song not only because it is a good composition and has really good music, but because it sumarize in words the history of one of the best and most influencial prog bands of all time.
 Mind Minerals by CARLTON MELTON album cover Studio Album, 2018
3.00 | 2 ratings

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Mind Minerals
Carlton Melton Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

3 stars This music begs the question, "What if Jimi Hendrix went ambient and/or jam band?"

1. "Untimely" (1:37) like entering a car wash--waves of heavily treated guitar sounds washing over the listener, getting him/her ready--initiating him or her for that which follows. (3/5)

2. "Electrified Sky" (8:30) with a steady, simple rock rhythm section, this one feels like a Ted Nugent song. As the pattern continues, is prolonged, it begins to feel drone-like, mesmerizing, like a sleepy Indian's pow-wow beat. Second guitar and synths join in but the rhythm track is nearly driving me out of my mind. ("Six more minutes of this crap!" my mind is screaming.) The entry of slide guitars diverts and distracts for a while until that, too, becomes boring. Not a song professional musicians should be proud of--certainly not proud enough to include on an album for public consumption! Truly disappointing. (6/10)

3. "The Lighthouse" (3:56) ambient psychedelic electric guitar(s). Nice. No wonder the Bandcamp sampler has the listener go straight to this song (while skipping the first two turds). Very pleasant, peaceful, even melodic. (8.75/10)

4. "Eternal Returns" (7:01) nice power jam displaying creative guitar play over the steady skills of the rhythm section (bass & drums). Nice groove. Nice guitar play. (9/10)

5. "Snow Moon" (10:17) somewhat ambient track based upon one ten-minute sustained synth chord over which bass drum, bass synth, multiple synth notes and washes, and bass guitar add their oft-panning, slowly evolving sound inputs. It is, in fact, the bass guitar that offers the most interesting contributions throughout as the player offers staccato horn-like riffs from the instrument's upper registers. (8.75/10)

6. "A Basketful Of Trumpets" (7:41) steady drum and bass pattern over which guitar offers a muted, sedated melody similar to that of Jimi Hendrix's "Hey Joe." Eventually, the song gels into a form that sounds like a revised, instrumental, WEST INDIAN GIRL version of PORCUPINE TREE's "Dark Matter." (9/10)

7. "Sea Legs" (8:34) drone like in its foundation, a bit Zeuhlish, but, ultimately, pure psychedelic stoner rock. My favorite part is at 4:40 when the second guitar enters and begins to make it's fiendishly malevolent presence known. Very cool! (9/10)

8. "Way Back When" (5:07) sounds like two--or three--guitars just sittin' by the fire jamming--sometimes in synch, sometimes drifting each off into their own worlds. Okay, nothing new, important or exciting here--until the cut out. (7/10)

9. "Climbing The Ladder" (4:16) pulsing two note bass and muffled bass tom carry forward the pacing of this song as heavily echoed guitar plays its own melodic pattern. Bass is actually the most prominent instrument throughout this one. Again, experimental but nothing too new, important, or exciting. Even the melodies are lacking any hooks. (7.5/10)

10. "Atmospheric River" (13:08) opens like a Harold Budd-Robin Guthrie "Moon & the Melodies" collaboration, very ambient and yet shoegaze, electric. The use of static sound as a rhythmic "click track" gets a little annoying and the guitar work could have gotten a little more dynamic and exciting, but overall it's an enjoyable listening experience. (8.75/10)

11. "Psychoticedelicosis" (6:26) bursts forth as if faded into the middle of a much longer jam, painfully slow drums and pulsing two-note bass provide the foundation for this two guitar jam--two heavily distorted, sky-scratching ("Purple Haze") guitars. At 2:20 a third guitar (and then fourth) are added alternating leads of squealing wah- shredding. The four guitars in the forefront are pretty cool but the rhythm pattern feels too stilted, too confining, and too insipid. (8/10)

3.5 stars; a nice contribution to prog world, especially to the stoner rock/psychedelia subgenres.

 Animals by PINK FLOYD album cover Studio Album, 1977
4.52 | 3460 ratings

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Animals
Pink Floyd Psychedelic/Space Rock

Review by mariorockprog

5 stars The tenth studio album by Pink Floyd, it was plagued with a lot of problems in its conception, basically by the dispute with Waters ideas. Also, Gilmour only cowrite one of the songs (Dogs), and is the first album where Wright didn't contribute with lyrics. Two of the song were taken by unreleased song of Wish you were here ( "Raving and Drooling" and "You've Got to Be Crazy") and adapted to the new album concept. It is based in the book of Orwell, Animal Farm, with some modification in the history and focusing on capitalism. Musically a masterpiece, the band still corroborating, every one of them putting his best in the album. Waters with its ingenuous lyrics and rhythms, Gilmour putting his amazing solos and riffs, Wright setting the ambient with his keyboard passages and outstanding solos, Mason directing by the drum and his perfect changes of time. There is nothing more to say every second of this record is perfect, is difficult to say if it is the best or Wish you were here, but musically is more elaborated. Other masterpiece by Pink Floyd, they was still working together, although the problems had begun, they still put their best effort. As all know, although the main composer of the lyrics is Waters, every members collaborate a lot to the final product, Waters always have really good ideas, however without Pink Floyd, musically they will never be successful as this one, as we can see in each of his albums. Ironically, he became most of the things he criticized. A must have album for any prog listener.
 A Momentary Lapse Of Reason by PINK FLOYD album cover Studio Album, 1987
3.06 | 1597 ratings

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A Momentary Lapse Of Reason
Pink Floyd Psychedelic/Space Rock

Review by mariorockprog

4 stars 3.5: The thirteenth album by pink floyd, beginning a new era without Roger Waters, and with the appearance of Richard Wright. After the abomination of the Final Cut, Waters left and a legal dispute began. At the end, Waters resigned and get rights for use his work in the Wall and some other things. Gilmour began to make a solo record, that at the end, reuniting some group of musician and the remaining members of Pink Floyd, became in a new PF album. Musically is good it has melodic solos by Gilmour and Keyboard passages that keep you entertained, however far for the pink floyd style, the Wright contribution are few. Is a collection of songs, instead as of the concept they were doing in previous albums. The music has prog elements, however it is mixed with pop sequences, it has good moments and good songs, the Gilmour feeling is all over the place, including his wonderful voice, however the lyrics are not so deep as we are used to. I like this album, yes, it is almost a Gilmour solo work with good musicians behind, and in certain ocasions it get close to some of the characteristic pop and disco of the eighties, but in general is a good record, I considered it a good effort and aceptable work to be listened by any prog person.
 The Final Cut by PINK FLOYD album cover Studio Album, 1983
3.18 | 1699 ratings

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The Final Cut
Pink Floyd Psychedelic/Space Rock

Review by mariorockprog

2 stars 2.5: The last album by Pink Floyd including Roger Waters, in fact every song was composed by himself, and make the remaining members of the band to do it, also the only one without Richard Wright. Some of the song are leftover parts of the Wall album and other new compositions. After the announcement of Margaret Thatcher of the Malvinas War, Waters felt betrayed because every English man was expecting to after the winning the Second war, where his father died, there would not be any other war. Musically, it has a few moments, it reminds me a little to The Wall album, although essentially is Waters solo album with supporting music by the other members. It is very inconsistent, in fact I am feeling it more like pop, and not prog at all. Lyrically also is not good, it is not deep at all, no different meanings or metaphors, only straight personal feelings antiwar by Waters. For me, the less consistent album by pink floyd, and although it has like two songs musically great(not now john, your possible pasts), all the others are more pop and boring songs about the toughs of Waters about the war, I didn't identify any good effort by Gilmour, just only supporting the songs. In my opinion the worst album by Pink Floyd, I recommended only for PF Fans, for historical reasons.
 Voyage by BIG RED PANDA album cover Studio Album, 2019
3.00 | 1 ratings

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Voyage
Big Red Panda Psychedelic/Space Rock

Review by TCat
Prog Reviewer

— First review of this album —
3 stars Big Red Panda is a stoner rock/psychedelic band with heavy leanings to space rock. The band comes from Portugal, but their lyrics are mostly in English. "Voyage" is their 2nd full length album, but they have also released 3 EPs between 2014 (when their debut album was released) and 2019.

The music on this album leans towards a guitar heavy rock, with standard meters and mostly standard song formation. The vocals have a lot of reverb and a little processing, sort of what you expect of space rock music, and the beat is mostly steady through the individual tracks, which is also something you would expect from the genre. The psychedelic aspect lies mostly in the somewhat hazy texture and the processed vocals.

The vocals are mostly shared by 2 members, many times both of them singing parts or together on the tracks. They seem a little sharp, especially when they sing together. This tends to wear on the listener after a while..

The instrumental sections are very rich and riff heavy, with solid guitar playing. That is the strongest point of this album. The album starts off with some heavy tracks that are quite solid, such as the perfect opener "Recognition" and the title track. This style continues through "Bad Blood Host". There are keyboards also, but they are mostly mixed down as the guitars are the main feature on this album. There is a deep, funky keyboard in "Atlanta", which also has more of a blues style, but you only hear it for a short time. There is some killer guitar in "Back to Zero Time", and the synths play a more important part here, but the overall feel of the songs start to suffer at this point especially because of the annoying vocals which tend to become more annoying as it plays on.

Quite frankly, I love the instrumental sections on this and feel that they are very solid and perfect for the stoner and psychedelic feel they are trying for. There are a few longer instrumental sections like at the end of "Distress Call", but most of them are too short as there is just too many vocal sections, and I feel myself wishing they would just let the music play more often.

The bluesy "Fugitive" is a highlight which allows more time for expansion of the track at over 10 minutes, and fortunately, the vocals are done by a guest. The vocals are a deep, Hendrix-like vibe which fit the music perfectly, and the guitar passages are very nice on this one. And the sudden tempo change on the last half of the track that sounds almost like a "surf-rock" beat is a nice surprise. But, the bad vocals come in at the end of the track and once again, I am left wishing that they would let the instruments just play it out.

So, I would have loved this album if the vocals were less and the actual music was allowed to play out more often. The best part of the album is in the guitars and the band no doubt has a great stoner/space rock feel, but the vocals just bring it all down. I understand what they are trying to do, but if they want to rely on vocals so much, then they need to make them less annoying so that they live up to the quality of the music they are trying to produce. Either that, or just let the music play.

 More (OST) by PINK FLOYD album cover Studio Album, 1969
3.15 | 1243 ratings

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More (OST)
Pink Floyd Psychedelic/Space Rock

Review by mariorockprog

3 stars 3 The first album by pink floyd for a soundtrack, the first one without any involvement of Syd Barret and the first where David Gilmour was the lead vocalist. I considered it a average album, however far of the standard of a Pink Floyd records. It contains mostly acoustic songs and a few avant-garde passages. In general, two or three song stands out (Nile Song, Green is the Colour and other instrumental parts), Lyrically it has its moments, but nothing special. I recommend it only for Pink Floyd Fans, to prog listener I don't think is going to fulfill their expectations, but it has its moments.
Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
ÄLGARNAS TRÄDGÅRD Sweden
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
ADDICTHEAD Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALAMEDA 5 Poland
ALASEHIR United States
ALEX DELIVERY United States
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPHA NORD Germany
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMGALA TEMPLE Norway
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANDROMEDA SPACE RITUAL Poland
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APHODYL Germany
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRAL SON Netherlands
ASTRALIA Italy
ASTRODOME Portugal
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
ATON FIVE Russia
AURORIS United Kingdom
AUTOMATISM Sweden
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
THE BAND WHOSE NAME IS A SYMBOL Canada
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
BARROWS United States
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BIG RED PANDA Portugal
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
BREMEN Sweden
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
BROWN SPIRITS Australia
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BUNNIES United States
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CAVE United States
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CHROMIUM HAWK MACHINE United States
CIOLKOWSKA Russia
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COBRA FAMILY PICNIC United States
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
O CORVO MUDO Portugal
COSARARA Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC FALL Germany
COSMIC TRIGGERS Russia
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRACKED MACHINE United Kingdom
CRANIUM PIE United Kingdom
THE CRAZY LEFT EXPERIENCE Portugal
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAD SEA APES United Kingdom
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
DHVANI Italy
EL DIABLO Mexico
DOMBOSHAWA Sweden
DOMO Spain
THE DOPPELGÄNGERS United States
DOWNLOUDERS Italy
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
DUNST Germany
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
ECHOLOT Switzerland
ECSTATIC VISION United States
EDEN ROSE France
EDGAR'S HAIR Netherlands
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC EYE Norway
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
ETHIVA Spain
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
THE FORMLESS FORM United States
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROM GROTTO Finland
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLASWALD Germany
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
GURU & ZERO United Kingdom
HADAL SHERPA Finland
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
HEADROOM United States
THE HEADS United Kingdom
HEAVY MOON Canada
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYAT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERBCRAFT United States
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HIMMELLEGEME Norway
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMINOITA Finland
HUMUS Mexico
HUNDOS United States
HYPNODRONE ENSEMBLE Germany
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
THE INFINITE TRIP United Kingdom
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANAAN Norway
KANZEON Japan
KARABA Germany
KARAKORUM Germany
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
KAULA SPANDA Russia
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRKBINSINEK Turkey
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNGENS MÄN Sweden
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LAGHONIA Peru
LAMAGAIA Sweden
LANA LEE Spain
LANDING United States
LANDS END United States
LAVA Sweden
LAY LLAMAS Italy
LE MUR Germany
THE LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES LEKIN Austria
LES RALLIZES DENUDES Japan
LIQUID ORBIT Germany
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LIQUIDO DI MORTE Italy
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LORDFISH Costa Rica
LOVE LIVE LIFE + ONE Japan
LOVE MACHINE Germany
LUBIANKA Spain
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MALADY Finland
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
MANBURGER SURGICAL United States
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
KEVIN MAPPLEBECK United States
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MATUSHKA Russia
MECHANIK Spain
MELANGE Spain
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
LA MORTE VIENE DALLO SPAZIO Italy
MOTHER DUST Germany
MOTHER ENGINE Germany
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
MOTHS & LOCUSTS Canada
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
MYTHIC SUNSHIP Denmark
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NAXATRAS Greece
NAZCA SPACE FOX Germany
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
THE NIGHT SEA United States
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTAVIO SENDERO Argentina
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ØRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION TANGO United States
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
LA OTRACINA United States
OULU SPACE JAM COLLECTIVE Finland
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARADOX ONE United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PAVALLION Germany
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
PLANK United Kingdom
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROFESSOR TIP TOP Norway
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC SUN'S Finland
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
PSYCHIC LEMON United Kingdom
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RÅD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RASASOUND Hungary
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
RED SUN Italy
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
CATHERINE RIBEIRO & ALPES France
RINSE. REPEAT. United States
ROBB & POTT Multi-National
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SALMA GANDHI Sweden
SAMMAL Finland
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SAWKEN Chile
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHAMAN ELEPHANT Norway
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
SHUTTAH United Kingdom
SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SILAS NEPTUNE United States
SIMILAR Puerto Rico
SISTA MAJ Sweden
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
SLEEPING PANDORA Germany
SLEEPY SUN United States
SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
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SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SOMALI YACHT CLUB Ukraine
SONAR Hungary
SONIC BOOM United Kingdom
THE SONIC SHAMEN United Kingdom
SONORA Russia
SONTAAG United Kingdom
SOPHIES'S EARTHQUAKE Germany
NICKLAS SØRENSEN Denmark
SOUNDARCADE Latvia
SPACE DEBRIS Germany
SPACE INVADERS Germany
SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
THE SPIRITS OF THE EARTH United Kingdom
SPONTANEOUS COMBUSTION United Kingdom
SQUADRA OMEGA Italy
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
STUPID COSMONAUT United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUN DIAL United Kingdom
SUNBURNED HAND OF THE MAN United States
SUNFOREST United Kingdom
SUNGRAZER Netherlands
SUNRISE SUNSET PROJECT Russia
SUNSET OF RA Greece
SUPERFJORD Finland
SUUK Estonia
SVARTBAG Denmark
SWEDENBORG RAUM Germany
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
TABOO STU United States
TAIPUVA LUOTISUORA Finland
TAJ-MAHAL TRAVELLERS Japan
TAKO Yugoslavia
TANGLE EDGE Norway
TANNED LEATHER Germany
TANTRA Argentina
TASHA-YAR United States
JAY TAUSIG United States
TEETH OF THE SEA United Kingdom
TELEGRAPH Israel
TEMPLE OF THE SMOKE Serbia
TEMPLES Finland
TERMINAL LOVERS United States
TESTET ÖLT Multi-National
THINK FLOYD United Kingdom
THTX United States
TIA CARRERA United States
TIDAL FLOOD Greece
TINY FINGERS Israel
TITAN United States
TMA-1 Spain
TNVVNÜM Estonia
TORGA OSTERA Portugal
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TRÄD GRÄS OCH STENAR Sweden
TRAFFIC SOUND Peru
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NIK TURNER United Kingdom
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TWINK United Kingdom
U SCO United States
U-NI Japan
UBERMODO United Kingdom
UFO ÖVER LAPPLAND Sweden
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UNDERGROUND ZERO United Kingdom
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UNIMOTHER 27 Italy
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UNZEN PILOT Portugal
THE URSULA MINOR Tunisia
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VAGO SAGRADO Chile
VED Sweden
VERMA United States
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VIRTUAL MAX Canada
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VOICE OF THE SEVEN THUNDERS United Kingdom
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WALRUS Norway
WANIYETULA Germany
THE WARLOCKS United States
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WELCOME INSIDE THE BRAIN Germany
WELTRAUM Germany
WHERE THE MOON CAME FROM United States
THE WHIRLINGS Italy
WHITE HILLS United States
WHITE MANNA United States
WILL-O-THE-WISP Greece
WIND Norway
WINDY AND CARL United States
WOODEN BABY United Kingdom
WOODEN SHJIPS United States
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YUKON TERRITORIAL EXPANSION United States
YUME BITSU United States
YURI GAGARIN Sweden
WILL Z. Belgium
ZEMLJA BROJ 9 Serbia
ZENITH EFFLUVEUM United States
ZODIAC SUNRISE Finland
ZOFFF United Kingdom
ZONE SIX Germany

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