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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


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Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk


Current Psychedelic/Space Rock Team Members
as at December 2014

Uwe (Rivertree)

Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3423 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 3608 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3050 ratings
ANIMALS
Pink Floyd
4.31 | 2569 ratings
MEDDLE
Pink Floyd
4.20 | 846 ratings
OCEAN
Eloy
4.14 | 312 ratings
RITUAL
Nemrud
4.11 | 541 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.12 | 366 ratings
JURASSIC SHIFT
Ozric Tentacles
4.06 | 2464 ratings
THE WALL
Pink Floyd
4.18 | 138 ratings
BY THE WATERS OF TOMORROW
Vespero
4.40 | 54 ratings
OBSOLETE
Hedayatt, Dashiell
4.12 | 222 ratings
TOGETHER WE'RE STRANGER
No-Man
4.11 | 257 ratings
LEGACY
Hypnos 69
4.06 | 459 ratings
A TAB IN THE OCEAN
Nektar
4.16 | 124 ratings
KINGSTON WALL II
Kingston Wall
4.06 | 258 ratings
EVERYONE INTO POSITION
Oceansize
4.02 | 498 ratings
DAWN
Eloy
4.14 | 116 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The
4.03 | 418 ratings
THE OCTOPUS
Amplifier
4.02 | 515 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

THE BLACK TOMATO
Řresund Space Collective
CSILLAGOK ÚTJÁN (Ω VIII)
Omega
AHORA MAZDA
Ahora Mazda
COSMIC MINDS AT PLAY
Spacious Mind, The

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Latest Psychedelic/Space Rock Music Reviews


 Nemrud by NEMRUD album cover Studio Album, 2016
4.23 | 4 ratings

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Nemrud
Nemrud Psychedelic/Space Rock

Review by vega

4 stars This album follows the same space rock model as Nemrud's previous albums Ritual and Journey of The Shaman, but shows a great deal more confidence on the part of the band. Nemrud's career is dominated by concept albums with a somewhat gentle space rock vibe. There is a concept here to tell us their own creation story. This is hard psych to be sure. Drums kicks scream through walls of distortion and the guitars are turned up to eleven. Levent Candas, the band's new bassist, might enjoy some of the credit for them tightening up their act, since the rhythm section this time around attains the compelling, hypnotic intensity that the likes of Hawkwind were enjoying at the time. In all though, a superb collection of tracks, and certainly one of Nemrud's finest albums. Pink Floyd and Camel influences are undeniable, and the band make no attempt to disguise them. There are though some majestic sounds and fine compositions here. Nemrud easly deserve 5 stars without question, recommended not only for Nemrud fans but for those who listen to good spacey progressive music in general. Excellent.
 Dead Meadow by DEAD MEADOW album cover Studio Album, 2001
4.43 | 16 ratings

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Dead Meadow
Dead Meadow Psychedelic/Space Rock

Review by Igor91

5 stars Dead Meadow are one of the premier psychedelic bands to come out of the U.S. in the past 20 years. Their self-titled debut is a showcase of retro, bong-rattling psychedelic rock to the highest (no pun intended) degree. On this album they mix the heavy, fuzzy riffage of Black Sabbath, the wah-wah pedal workouts of Jimi Hendrix, and the mellow psychedelia of Pink Floyd. Every song is superbly executed, and immediately creates a smokey atmosphere that remains throughout. My personal favorite track on the LP is the opener, "Sleepy Silver Door," which hypnotizes as much as it hits you over the head. The only caution I would give the listener is singer/guitarist Jason Simon's vocals. His voice kind of has a nasally whine to it, but it actually fits the music pretty well. I feel that this album is their brightest moment, with their third release, "Shivering King and Others," coming in a close second. Following that album, Dead Meadow would gradually move in a more psychedelic pop direction, dropping some of the heaviness from their early days. While not very progressive in nature, Dead Meadow's debut is an absolute must for fans of heavy psychedelic rock. Highly recommended for late nights around a wood fire with friends. 5 stars.
 Photo Musik by BOULÉ, CHRISTIAN album cover Studio Album, 1978
3.34 | 5 ratings

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Photo Musik
Christian Boulé Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars Christian Boule has played live or in the studio with such acts as Steve Hillage, GONG, CLEARLIGHT, LARD FREE and many others. His style of guitar playing is very much in the Steve Hillage mode although on this his first studio album he also plays harmonica, synths, flute and glissando guitar. Cyrille Verdeaux from CLEARLIGHT plays organ, electric piano, moog and more on here. We get a variety of saxophones as well plus a female singer who seems to get mixed opinions about her voice. She's not on the two bonus tracks though which feature Tim Blake from GONG as well as male and female vocals and Cyrille on keyboards. I do like the album cover.

"Elastic Minute" opens with intricate fast paced sounds before it kicks into gear around 1 1/2 minutes. Spacey synths help out as well as the sax plays over top. The guitar arrives around 2 minutes sounding really good. This is a Hillage-like track and it's all instrumental. "Photo Musik" starts out with strummed guitar as another solos over top. It turns fuller rather quickly and vocals join in. Some excellent fuzzed out guitar here as well that comes and goes. Again the guitar reminds me of Hillage. Harmonica ends it as the song stops abruptly. "Crystal Palace" is a top three tune for me. It's spacey at first with twittering sounds. It's building but then it settles back after a minute with strummed guitar, a beat and vocals. She reminds me of Sabine from GILA on that "Bury My Heart At Wounded Knee" album. She stops singing as the guitar comes to the fore after 2 1/2 minutes. Nice! Man this is so good. Check out the guitar before 4 minutes and the drum work that follows. The vocals are back before 4 1/2 minutes as it settles back some. "22 Broad Street" is my least favourite, a little too mainstream I'd say sounding like a New Wave song. Lots of energy and some ripping guitar as well.

"Radio-Arc-En-Ciel" opens with radio samples as the organ floats and these spoken female words join in just before a minute and they will last for about a minute as the floating organ and synths end it. "Seme Ocean" features vocal melodies as strummed guitar and more joins in. It's building as piano comes to the fore. So much going on here, very impressive. "Aqua Deva" is a top three as we get lots of atmosphere and water sounds as spacey synths join in as well. It blends into my final top three tune "Inter Galactic Cosmic Triolet" where it continues to be spacey but a minute in it turns fuller with vocals. The vocals echo and remind me of the female singer on BRAINTICKET's debut just not as out there. Cool song. "Orange Climax" opens with church bells and atmosphere and the tempo picks up after a minute and gets fuller too. Catchy stuff 3 minutes in then piano comes to the fore after 4 minutes. It's the sax now leading around 5 minutes in then it settles down before 6 1/2 minutes and it continues to wind down to the end. The two bonus tracks are pretty good as well, especially "Estella Futur".

It's hard to imagine anyone who's into Steve Hillage not liking this but then again some don't like the vocals. I'm quite pleased to recommend this one though as I get a lot of enjoyment out of it.

 Nyl by NYL album cover Studio Album, 1976
3.41 | 13 ratings

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Nyl
Nyl Psychedelic/Space Rock

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars The obscure sole and self-titled release in 1976 by commune collective Nyl, based around guitarist Michael Peteau of French group Cheval Fou, enjoys a slightly higher status these days due to the involvement of the more well-known Magma bass player Jannick Top on some of the tracks, and what a schizophrenic little album it is! Jumping from Sixties-styled instrumental fuzzed-up acid rock jamming, wasted ballads, jazz-fusion spasms and teasing psychedelic fragmented interludes, `Nyl' is full of ideas and a constantly up-tempo energy that makes for an infectious if deliciously incoherent listen!

The album opens with a catchy heavy pop ballad `Abery', guitars chiming on the verses in between plentiful toasty soloing breaks and a coarse male vocal struggling with the English language ? all part of its charm! `Nyarlathotep' is a teasing two minute psych freak-out, a foot-tapping, hip- swivelling grooving stew of guttural repetitive spitting vocals, manic thrashing drumming, acid-rock guitar wailing and slinking bass spasms. `Shatt' is a fleeting little sax drift that barely runs a minute, and both the frantic `Dromadaire Bleu' and trippy `Idha' are part dirty jazz-rockers with driving sax bursts and Ash Ra Tempel-like spacey distorted guitar jamming, the former peppered with a middle-eastern flavoured mantra-like guitar theme and the latter even offering some unravelling synth spirals.

The lengthier opening cut that opens the second side, `Nyl', rumbles with a Krautrock-fuelled intensity, as maddening repeated vocal outbursts chant over dramatic announcing sax, punctuating Zeuhl-like aggressive bass murmurs, drifting faraway flute trills, electric guitar ripples and bubbling synth gurgles. `Ailes D'Or' calms down for a gentle melancholic ballad with the addition of female guest vocals for a weary tune that wouldn't have sounded out of place on any Amon Duul 2 album (nice mud-thick bass from Jannick throughout too), and `Dervishes' at first appears to be another fuzzed-out electric guitar roar but it surprises with gently grooving and playful country-rock licks. Sadly, one piece off the original LP appears to be missing entirely from the CD re-release, `Blue Eyes (Revox Tape)', for reasons explained below.

Rather frustratingly, despite adding over thirty minutes of bonus tracks and alternative takes, the latest CD reissue on Psych Up Melodies in 2011 only includes eight of the nine original LP pieces (a disappointing decision), as well as completely rearranging the order of the album (strike two, as programming the disc to closer resemble the original vinyl reveals a greater flow) and giving one or two pieces a touch-up remix (bingo, strike three). This sort of `re-writing' of history should never happen, as the original LP format should be replicated as closely as possible, no matter even if a particular track doesn't quite measure up to today's audio standards. Those so-called `imperfections' on these rough-around-the-edges, shambling psychedelic discs are exactly what fans expect and want to hear preserved. Still, with a bit of personal re-burning of the CD, you should be able to get album as close to the original as possible.

But all the same, it's the music, no matter how it's presented here, that impresses, so if the idea of a dirty and unpredictable mix of Sixties-sounding psych rock jamming, krautrock messiness, trippy space-rock and jazz-fusion energy sounds perfect, you can't go wrong with Nyl and their short but precious debut. It's a spiky, unpolished and addictive little gem from the vintage era well worth rediscovering today.

Four stars - and play it loud for the best results!

 The Endless River by PINK FLOYD album cover Studio Album, 2014
3.40 | 524 ratings

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The Endless River
Pink Floyd Psychedelic/Space Rock

Review by Alucard
Special Collaborator Honorary Collaborator

3 stars I listened to the record on a long bus ride on a streaming platform ( btw a nice record for Long bus rides.) I didn't expect much of the record and must say I was rather nicely surprised in terms of bus ride music. Still while listening to the record I had a couple of thoughts coming to my mind. Pink Floyd is maybe the prog band which sold the most records in prog history so far. Dark Side and Wish you were here have become the standard for stereo equipment and Pink Floyd has become a household name for people that don't care for or even know what Prog is. Endless River consists of outtakes from the Division Bell (1994) and is at the same time a homage to the late Pink Floyd Keyboarder Rick Wright. Most bands, if they have the occasion, add their outtakes as bonus tracks or release eventually a bonus CD. Pink Floyd releases them as a regular cd because'. remember the dog, yes because they can and obviously because it's a NEW Pink Floyd record. So product wise: great cover, great production and over the top it sounds like 'classic' Pink Floyd, you have the classic David Gilmour signature guitar sound plus some classic Wright keyboard sounds. And that's about it. It's actually quite close to the instrumental parts of Wish You Were Here plus one song sung by Gilmour, which isn't especially well written. Outtakes' Under the line it's really difficult to judge this record; it's on one side exactly what you would expect from a classic Pink Floyd record and at the same time more like a bygone flagrant from past days like the smell of a perfume that lingers for some time in an empty room.
 Obsolete by HEDAYATT, DASHIELL album cover Studio Album, 1971
4.40 | 54 ratings

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Obsolete
Dashiell Hedayatt Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

5 stars I remember someone posting an audio clip of Dashiell Hedayatt's "Cielo Drive" and before I was too far into the song I was writing down the information as I knew I had to have this. Unfortunately my cd liner notes are in French but at least the lineup and words on the back of the liner notes are in English. Dashiell is a French poet and writer who has enlisted the GONG lineup from the "Camembert Electrique" period, in fact that album along with GONG's "Continental Circus" and the album I am reviewing all were released in 1971 and they all have a similar vibe. Of note Robert Wyatt is not on this album as a few have stated but his son Sam who was 5 years old at the time does say some "baby" words on the closing number. Sam was raised by Pip Pyle and there's a great picture of the two in the centerfold of the "Camembert Electrique liner notes I have from the same period.

We get two long suites but the first one "Oh, Mushroom, Will You Mush My Room?" is divided into 3 tracks. Up first is "Chrysler" which reminds me of GURU GURU for some reason. Check out the psychedelic guitar in the intro as vocals, bass and drums kick in quickly. I like when the sax joins in, love that tone. Catchy stuff. It's like they jam the rest of the way but check out the bass before 6 minutes. Nice. "Fille De L'Ombre" opens with water sounds as percussion joins in. More water sounds then we get spoken words, guitar and some freak-out sounds. Insanity! "Long Song For Zelda" features strummed guitar and vocals to start and they sound so good here. Drums and bass join in then we get a second guitar before 1 1/2 minutes. Dashiell offers up some theatrical vocals sounds around 5 minutes then he continues to pretty much speak the words. Sax follows adding a sexy mood. It turns freaky after 7 minutes to end it including a spoken word bit by William S. Burroughs.

"Cielo Drive/17" is haunting to begin with and very psychedelic as this hypnotic bass line joins in before a minute. Eerie sounds continue but check out that bass! Drums and cymbals join in as well. Spoken words before 4 minutes, sax too. A guitar solo from Pip replaces the spoken words before 8 minutes but the words are back quickly as the guitar continues to light it up with bass and drums supporting. Around 11 1/2 minutes we're back to that haunting atmosphere with those hypnotic bass lines. Unreal! Drums help out and then those spoken baby words from Sam arrive before 12 1/2 minutes. Flute after 14 minutes as spoken words follow. The guitar is back before 16 minutes as the vocals and sound turn somewhat bombastic. It's starting to wind down at 16 1/2 minutes until we get a dreamy, folky soundscape with vocals as it drifts on to the end of this epic track.

I can't give this less than 5 stars, it's a Psychedelic masterpiece and better than my favourite GONG albums, all in my opinion of course.

 Codename Wildgeese - Original Motion Picture Soundtrack by ELOY album cover Studio Album, 1984
2.00 | 70 ratings

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Codename Wildgeese - Original Motion Picture Soundtrack
Eloy Psychedelic/Space Rock

Review by Progfan97402

2 stars Pretty bogus, if you ask me, and it's not even that particularly good. This is a soundtrack to some war flick starring Ernest Borgnine called Codename: Wildgeese, coming out roughly the same time Borgnine was busy with the Airwolf TV series playing Dominique Santini. This isn't Eloy, but three ex-Eloy members Hannes Arkona, Hannes Folbert, and Klaus-Peter Matziol with Jan Nemec. This is basically instrumental incidental music that might function fine in the film (I have little desire to watch the movie, because although I grew up in the 1980s and watched Airwolf as a youth, I couldn't stand Ernest Borgnine) but try actually listening to it. It's a bit like the synthy parts of Metromania, but at least with that album you get real songs and of course Frank Bornemann's input, making that a true legitimate Eloy album. I think this disaster could have easily been avoided if it credited as a Hannes Arkona & Hannes Folberth album. That's basically what it is, and even then, the music quality wouldn't be any better. The music on Codename: Wildgeese, from what I remembered sounded like half-sketched ideas rather than full-on songs. I even get the feeling both of the Hannes seems like without Frank Bornemann as their guidance, they're sunk. Also notice that EMI Records (Harvest being a subsidiary of EMI) had nothing to do with this, released on some small Swiss label called Milan. If you never owned this, really, you're not missing much. Stick with the real Eloy albums.
 Masters Of The Universe (1991/ Castle) by HAWKWIND album cover Boxset/Compilation, 1991
3.88 | 6 ratings

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Masters Of The Universe (1991/ Castle)
Hawkwind Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

4 stars This record was my very first encounter with HAWKWIND. Like other compilations of the band, the track-list is half-studio, half-live. The studio part features two of the best songs from the space metal thundering album "Levitation": the heavy eponymous track and the futuristic "Dust Of Time". Unfortunately, it also features two mediocre songs: "Who's Gonna Win The War" (weakest from "Levitation") and "Quark, Strangeness And Charm" (weakest from the eponymous 1977 album). These last two choices are the only faults of the disc.

Nevertheless, the live songs clearly are the main interest of this compilation. Pretty rare, for the most part, they cannot be found on known live releases such as "Space Ritual" or "Live Chronicles", and are great while differing from their original versions.

"Angels Of Death" is undoubtedly the highlight. Recorded live at Barnstable Queens Hall 23rd December 1977 during the Hawklords / Sonic Assassins tour, it may have been the first draft version of the track of the same name that will feature on the "Sonic Attack" album. But the beginning is in fact a ferocious and heavier version of "Magnu", the oriental sonorities being replaced by raging guitars. Mindblowing! An essential listen for every space metal lover! The origin of the versions of "Masters Of The Universe" and "Motorhead" are unsure, maybe also circa 1977, maybe during the same tour. Nonetheless, they're also harder and faster than their original studio versions and includes additional sci-fi effects. Very very nice.

Initially a B-side, "Shot Down In The Night" was composed by ex-HAWKLORDS keyboardist Steve Swindells. This nice spacey hard rock song was first officially released in "Live Seventy Nine".

Do not rely on the awful cover art and font, "Masters Of The Universe (1991)" is a very good entry point for newcomers, as well as a quite interesting compilation for the Hawkfans, due to the presence of excellent rare live reinterpretations of some of band's iconic tracks. Give it a listen if you can grab it!

 Live Chronicles by HAWKWIND album cover Live, 1986
3.60 | 59 ratings

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Live Chronicles
Hawkwind Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

4 stars Best 80's Hawkwind live album

Let's make it simple: "Live Chronicles" is to the eighties what "Space Ritual" is to the seventies: HAWKWIND's best live release of the decade. Whereas the 70's performance is mainly stoner, this one is mainly space metal. The set-list features tracks from "In Search of Space", "Warrior on the Edge of Time" and their 80's albums, especially - as the title suggests - their last opus at this time, "The Chronicle Of The Black Sword". Furthermore, like "Space Ritual" and other concerts, it also contains a few previously unreleased compositions, as well as - unfortunately - spoken ambient transitions, however shorter than usual, so it does not matter much.

The live versions of the studio songs are all good: space metal oriented and often with additional sci-fi sonorities. In particular, "Dragons And Fables" is better than the original studio version, with a more epic melody variation and spacey keyboards. The renditions of the 70's iconic tracks "Master Of The Universe" and "Conjuration Of Magnu / Magnu" are heavier, especially "Magnu" which is shortened and whose middle-eastern arrangements are replaced by distorted guitars. This is the eighties now... The peaceful "Zarozinia" is enhanced by a dreamy synthesizer solo. Instead of the original song, "Dust of Time" is in fact a nice short metal-ized instrumental reinterpretation of the studio version.

Concerning the previously unreleased tracks, they're overall quite interesting. The soft space ballad "Dreaming City" is not great, but enjoyable. "Wizards Of Pan Tang" is an epic piece in a style similar to "Dragons And Fables", while the cool space metal song "The Dark Lords" displays a dark electronic ambiance.

This double live album is a good rendition of the band's best passages of the 1981-1985 period. Furthermore, it's nice to hear the 70's classics reinterpreted the heavy metal way. Although different from "Space Ritual", attending the live performance with Elric brandishing his swords should have been also great.

Essential for all 80's HAWKWIND fans, "Live Chronicles" is simply one of their best releases from this decade!

 The Chronicle Of The Black Sword by HAWKWIND album cover Studio Album, 1985
3.50 | 99 ratings

BUY
The Chronicle Of The Black Sword
Hawkwind Psychedelic/Space Rock

Review by Modrigue
Prog Reviewer

3 stars "ElRocktronic" of Melniboné

After the aborted "Earth Ritual" project two years before, HAWKWIND preferred to release an entirely new concept album (mostly) based on Michael Moorcock's character Elric of Melniboné. First studio LP since 1982's mediocre "Choose Your Masques", the record alternates punchy space rock/metals songs with more or less anecdotal ambient electronic passages. Although uneven, the overall result is rather pleasant, due to the presence of the hard rock compositions typical of the Hawks.

The first half of the record is the most interesting. The space metal opener "Song Of The Swords" is quite ferocious and epic, in the style of "Night of the Hawks". The electronic dreamy "Shade Gate" displays a contemplative landscape, whereas the sharp and aggressive "The Sea King" is another catchy rock song of the record, with added aquatic sound effects. Calm comes back with the ambient "The Pulsing Cavern", followed by the nice "Elric The Enchanter", a space rock/metal piece with a slight FM feel, reminiscent of "Sonic Attack".

Released as a single, "Needle Gun" is a double intruder here. First, it does not refer to the mythology of Elric but to another character from Moorcock, Jerry Cornelius. Second, and more important, this quite repetitive and irritating hard rock'n'roll seems musically out of place compared to the rest of the album. The weakest track of the record. In contrast, the melancholic space ballad "Zarozinia" is refreshing and enjoyable. "The Demise" is another atmospheric transition for "Sleep Of A Thousand Tears", a cool powerful space metal piece. Finally, the short messy "Chaos Army" introduces the strange futuristic floating hard rock "Horn Of Destiny".

The bonus instrumental "Arioch" is in fact more interesting than these last tracks. Unusual from HAWKWIND, this hard jazz/rock tune has similitudes with RUSH's "YYZ".

This concept album is a little overrated: the composition quality is unequal and the electronic pauses are not always interesting. Despite these few negative points - and a slight FM approach - the space rock passages are powerful and (mostly) very cool. Furthermore, the general ambiance is quite unique for its variety and mood changes, mixing heroic fantasy pieces with science-fiction sonorities.

For all these reasons, "The Chronicle Of The Black Sword" remains one of HAWKWIND's best studio efforts from the 80's, an essential listen for every Hawkfan, as well as a welcomed ambitious surprise for the space rock lover in the deserted mid-eighties.

NOTE: Certain remastered versions of this album includes the 1983 EP "Night of the Hawks".

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRAL SON Netherlands
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CAVE United States
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIOLKOWSKA Russia
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
EL DIABLO Mexico
DOMO Spain
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
DUNST Germany
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
ECSTATIC VISION United States
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC EYE Norway
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
GALAXY Switzerland
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYATT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERBCRAFT United States
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARABA Germany
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRKBINSINEK Turkey
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNGENS MÄN Sweden
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LANDING United States
LANDS END United States
LAVA Sweden
LAY LLAMAS Italy
LE MUR Germany
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES LEKIN Austria
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LORDFISH Costa Rica
LOVE LIVE LIFE + ONE Japan
LOVE MACHINE Germany
LUBIANKA Spain
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MATUSHKA Russia
MECHANIK Spain
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
MOTHERSHIP ORACLE United Kingdom
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NAXATRAS Greece
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
THE NIGHT SEA United States
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
O CORVO MUDO Portugal
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ŘRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
OULU SPACE JAM COLLECTIVE Finland
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
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PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
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PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
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POND Australia
POSEIDON Germany
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PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
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RA CAN ROW United States
RĹD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
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RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
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ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
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RYODAN Japan
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SECOND HAND United Kingdom
THE SECRET MACHINES United States
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SIGNAL TO NOISE RATIO Poland
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SOMA United Kingdom
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THE SPACELORDS Germany
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THE SPACIOUS MIND Sweden
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SPEED; GLUE AND SHINKI Japan
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SQUADRA OMEGA Italy
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ST 37 United States
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THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
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SUISHOU NO FUNE Japan
SULA BASSANA Germany
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WHERE THE MOON CAME FROM United States
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