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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk


Current Psychedelic/Space Rock Team Members
as at December 2014

Uwe (Rivertree)

Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3127 ratings
WISH YOU WERE HERE
Pink Floyd
4.59 | 3302 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 2790 ratings
ANIMALS
Pink Floyd
4.31 | 2345 ratings
MEDDLE
Pink Floyd
4.22 | 788 ratings
OCEAN
Eloy
4.20 | 281 ratings
RITUAL
Nemrud
4.10 | 489 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.11 | 339 ratings
JURASSIC SHIFT
Ozric Tentacles
4.13 | 232 ratings
LEGACY
Hypnos 69
4.05 | 2272 ratings
THE WALL
Pink Floyd
4.13 | 212 ratings
TOGETHER WE'RE STRANGER
No-Man
4.06 | 422 ratings
A TAB IN THE OCEAN
Nektar
4.18 | 103 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The
4.04 | 467 ratings
DAWN
Eloy
4.04 | 383 ratings
THE OCTOPUS
Amplifier
4.12 | 127 ratings
BY THE WATERS OF TOMORROW
Vespero
4.05 | 250 ratings
EFFLORESCE
Oceansize
4.22 | 70 ratings
TAKO
Tako
4.01 | 476 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy
4.05 | 243 ratings
EVERYONE INTO POSITION
Oceansize

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

ELEMENT 115
Secret Saucer
THESE THINGS TAKE TIME
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Baby Grandmothers

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Latest Psychedelic/Space Rock Music Reviews


 Moksha by MY SLEEPING KARMA album cover Studio Album, 2015
3.00 | 1 ratings

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Moksha
My Sleeping Karma Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

— First review of this album —
3 stars MY SLEEPING KARMA are in business since ten years now and consistently, pretty much every second year, deliver a top quality album. Their recept consists of songs which often enough bear a repetitve motif which is coupled with a stoner rock attitude basically. Another trademark, the corporate design, one could say, is made of Buddhistic references, just taking the song titles or album covers into account. The music is instrumental, usually, though a really excellent exception marks the female vocal decorated Svaatanya from the 2008 album 'Satya'.

On 'Moksha', released on Napalm Records, they consequently continue the path they've taken with the former albums, hence are on a safe route here, though without totally risking to miss some change, or progress if you will. Always remarkable is Seppi's guitar sound and style, psychedelic here, heavy riffing there. A matter of recognition value for sure. MY SLEEPING KARMA again provide some shorter interludes which generally ease things up, with other words they provide additional variety, like already done on 'Satya' beforehand.

By way of example I could detect some beautiful melodic pearls like Vayu and the following Interlude 2 where Akasha shows a proper groove due to Matte's bass most notably. With the title track they are stepping towards a blend of art and post rock, I mean the varied guitar appearance, and the piano is partially coming to the fore really. Although their sound does not change that much basically, they are not failing to offer new challenging compositions again and again. Which means with 'Moksha' the band have produced another album that is able to convince - 3,5 stars.

 Home & Minor by OCEANSIZE album cover Singles/EPs/Fan Club/Promo, 2009
3.65 | 30 ratings

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Home & Minor
Oceansize Psychedelic/Space Rock

Review by TCat
Prog Reviewer

5 stars Home & Minor is simply a 35 minute EP of music which is showcasing a more experimental and mellower side of the amazing band Oceansize. I have become a full-time fan of this band and their style of post-rock and heavy prog. This is one of the most innovative bands out there, and with this EP, they for the most part leave behind their heavier edge to produce what is not necessarily and acoustic album, but a spacier, softer and yet adventurous EP.

There were plans to release an EP like this from as early as their initiation as a band. It was an attempt to win over those adventurous music lovers that don't like so much feedback and heaviness in their music, yet still love the innovation that the band has been known to explore. This little EP is a beautiful representation of the band's genius. I love it just as much as their full albums and the only regret I have is that it isn't longer. But I am sure a lot of fans would have been outraged because of the lack of dynamics in the music. That is not true with me, I love the variety and tone of this album and consider it as good as their albums.

Any of these songs would have been good enough for inclusion on any of their full albums, and they would not have taken away from them. It was the decision of the band though, to feature them on their own. Maybe there was a fear that these gems would have been swallowed up in the fierceness of their typical music, though the band is always known to show their sensitive side in various places throughout their albums too.

Immediately, with "Legal Teens", you hear a difference in the typical intensity of the music. This one, to me, is the most subdued as far as standing out. A good song, but mostly a good introduction to the EP and the tone is set in this track. "Getting to Where Water Cannot" is bigger standout and the emotion in this song is very evident. This track proves that you don't have to be loud and extreme in dynamics to be powerful and beautiful. It ventures into some nice jazz territory with interesting chords and movement. This is a great example of the band's genius. "Monodrones" is a short instrumental which is based on a drone and beautiful swirling guitars, which I find very ambient and relaxing. It sets the mood for the best track coming next which is the title track "Home & Minor" which features some lovely harmonics and even has a nice build up which features brass instruments which are a rarity in t Oceansize's music. This is a beautiful track. Another 3 minute instrumental follows which flows along nicely and then the EP is wrapped up with another 8 minute track with subdued vocals, background voices and swirling guitar and vibes.

It is hard to describe where this music takes me, but I love it and find it as strong as any of their albums. I love their intensity in their albums, but I feel that intensity in this EP also even if the music is softer and explorative. I continue to hold my stance that I believe this is one of the best bands in Prog rock in this era and I think they are completely underrated in the music world. People should be listening to this music. Of course, this EP is not indicative of their usual style, but it makes a great place to come when you feel like music that is dreamy and lovely, yet still amazing. Most reviewers have been giving this lower ratings because of it's change of intensity, but I listen to it and still find a masterpiece of prog rock. Harmonics, textures and beauty abound in this recording and I don't hesitate to give it 5 stars. I keep thinking I'll find a recording by this band that I won't consider essential, but I continue to be amazed by the band and their music.

 Dyatly by OLE LUKKOYE album cover Studio Album, 2015
3.95 | 2 ratings

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Dyatly
Ole Lukkoye Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Veni, Vidi, Vici - freely adapted from Julius Caesar OLE LUKKOYE come, see and conquer throughout. Their compilation 'Petroglyphs', released on Trail Records in the same way, already had 'packed a punch' five years ago due to a proper retrospective overview about their stylistical development and variety. Now in 2015 they are back with an album consisting of new recordings. Boris Bardash and Frol are companions since the beginning, during recent years percussionist Yuri Lukyanchik should also be counted to the band's core. Furthermore they are collaborating with a bunch of other musicians, live as well as when it comes to studio efforts.

Vocals with transcendental respectively shamanic expression always play an important role for the band, this so much the more here on 'Dyatly', presented by Ness Yanushkovskaya and Boris. Four tracks are really extended ones, solely the song, whose title I mentioned at the very start, steps out of line. OLE LUKKOYE offer fine tribal percussion driven excursions, mirroring a blend of ethno, kraut and psych elements. I will not exclude that the album might be a matter of a controversial discussion. For one or two this may be a tad too monotonic over the course ... but those who already have got a disposition for such a musical approach, and/or are willing to invest enough time, will be totally captured sooner or later, that's for sure!

OLE LUKKOYE are stepping up with the initial idea to stay as close as possible to the original live sound based on intuitive spontaneity. Only some percussion and vocals are overdubbed. Well, the percussion ... although it all starts a little bit creepy due to the appearance of a howling wolf ... Kommuna Ra immediately evolves into a superb direction. They are evoking a mesmerizing trance atmosphere which is coupled with a belly dance Middle East flair due to djembe and darabouka. This might not be that spectacular as such, but augmented by a well put bass line and Ness' improvised vocals the band's uniqueness establishes more and more.

In between Frol appears with an animal-like expression of his bassoon and gradually synths as well as the echoing space guitar are attaining more impact. Wow ... this song serves a really captivating while hypnotic flow at the best possible rate. As stylistically most divergent let me also mention the song Bela Dama which shows some leanings to triphop, just closer to a Ozric Tentacles alike manner. 'Dyatly' offers more than sixty inspired minutes of trippy music. The crystal clear sound is striking. I find this a successful blend of vintage ethno atmosphere and modern technical approach. If you're looking for a new challenge you shouldn't miss that.

 Live In New Zealand by RAGNAROK album cover Live, 1977
3.41 | 4 ratings

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Live In New Zealand
Ragnarok Psychedelic/Space Rock

Review by sl75

2 stars My copy of this is one of those two albums on one CD things (along with the first album), and it's missing "Rainbow Bridge". I'm not sure how much that matters, since the other two tracks that are reprised from the first album don't really add anything to the studio versions. The balance of the album is made up of covers, including the majority of Side 2 of Dark Side Of The Moon, competently rendered but quite redundant to anyone who owns Pink Floyd's original. Likewise the Led Zeppelin cover, although that at least shows a very different side to the band. Not a terrible album, but really one just for collectors/fans, hence 2 stars.
 Ragnarok by RAGNAROK album cover Studio Album, 1975
3.19 | 25 ratings

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Ragnarok
Ragnarok Psychedelic/Space Rock

Review by sl75

3 stars There's not much going on here in the compositions, and not a great deal of virtuosity on display. The best musician here would be bassist Ross Muir, who occasionally approaches Squire territory, especially on the more rhythmically energetic compositions like "Fenris" or "Caviar Queen". Guitarist Ramon York doesn't show off much, but he's good at gentle relaxing textures - he's probably most responsible for the relative success of their more mellow tracks, and it's the mellow tracks that dominate - "Butterfly Sky", "Rainbow Bridge", "Raga", "Dream". The band makes heavy use of mellotron and occasional Moog, but it's some of the least imaginative playing I've heard on those instruments. Lea Maalfrid sings on several tracks, and while I'm not a great fan of her mid-range-belt, she's great in upper register - she saves the otherwise forgettable "Fire In The Sky", and well suits "Fenris" and "Caviar Queen".

My version has only the 8 tracks listed under 'correct track listing', I don't have the two tracks titled "Ragnarok". Am I missing anything?

 Droga by VESPERO album cover Studio Album, 2013
4.03 | 39 ratings

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Droga
Vespero Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. This might be my favourite VESPERO album beating out "Surpassing All Kings". A very cool closeup of a leaf is the album cover and the cd cover is made out of recycled cardboard. Three guests help out adding vocals, cello, flute and soprano sax.

"Steppe" begins sounding like we are in the Middle East as voices and flute join in. I really like the mood and atmosphere here until it changes 4 minutes as it kicks into gear. It settles back into more of a spacey groove after 5 minutes then back to the Middle Eastern sound 9 minutes in. "Maui" has a steady beat with guitar notes that seem to dance around the soundscape. It turns intense after 2 minutes but then quickly becomes uplifting with mellotron. The drumming impresses as usual plus we get some cello helping out. "Red Pitfalls" has a FLOYD-like vibe as the guitar makes spacey sounds while the drums and bass support. Beautiful stuff. Some nice guitar before 4 minutes then the sound turns spacey a minute later as it settles back. A Post-Rock flavour to the guitar after 6 minutes then the cello kicks in. "Oboo" features electronics and a spacey atmosphere early on then the drums and bass arrive. Such a feel-good vibe here. Flute before 1 1/2 minutes and I have to say that the guitar sounds really good here. "Thymus" has Post-Rock styled guitars to start then it settles into an excellent guitar led groove. Contrasts continue. Almost a Scandinavian mood after 2 minutes and the guitar recalls "Damnation" by OPETH. Another change after 4 1/2 minutes as we get this heavenly sound, just gorgeous. More Post-Rock styled guitar before 7 minutes.

"Halo" has lots of atmosphere with guitar and electronics then the tempo picks up around a minute in. A spacey calm 4 1/2 minutes in with twittering sounds and more going on. The electronics stop around 6 minutes as picked guitar only takes over then it builds. Love the drumming as usual. "Marine" opens with drums as it starts to build with some spacey guitar and sounds. This is so good. Nice bass lines here as well. A change before 4 minutes as it picks up and then the synths and guitar become more of the focus. I do prefer the earlier sound. They are kicking butt late to end it. "Frozen Lillies(Melt In Heaven)" has a PORCUPINE TREE-like spacey atmosphere to start then the tempo picks up around a minute and it's fuller. A spacey calm arrives 3 minutes in but it's brief as an intense drum/bass section kicks in with spacey synths. I like it! Guitar comes to the fore after 5 minutes to the end. "Droga" opens with mellotron and intricate sounds and there is plenty of atmosphere early on. Female vocal melodies arrive 2 1/2 minutes and they are a nice touch. It picks up before 5 1/2 minutes with the guitar soloing slowly over top as the drums and electronics support. Sax a minute later. Nice.

Man this is close to 5 stars but not yet, still this band has been a revelation to me over the years and they never disappoint.

 Technicians Of The Sacred by OZRIC TENTACLES album cover Studio Album, 2015
4.05 | 48 ratings

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Technicians Of The Sacred
Ozric Tentacles Psychedelic/Space Rock

Review by Progfan97402

5 stars The cover sure looks encouraging, some guy going by the name of Natan "MantisMash" was responsible for the cover and it's very much an Ozric cover. This guy sure has Blim's spirit in the artwork, those similar psychedelic colors (lots of yellow, orange and blue). The title I'm certain came from a book published in 1968 by Jerome Rothenberg, which happens to be entitled Technicians of the Sacred: A Range of Poetries from Africa, America, Asia & Oceania, which is as the book describes: poetry from indigenous tribes from around the world. Meaning it's the kind of book you could imagine Ed Wynne would read and likely felt this would make a nice title for the new Ozric release.

The Wynne family included a returning Paul Hankin as well as Hungarian drummer Balazs Szende, and let me tell you this one just blew me away. It's literally the best Ozric release I've heard in a very long time, and easily the best with Brandi. This album has a more grand and epic feel than Paper Monkeys, with a more spacy vibe, and in fact perhaps one of the spaciest Ozric albums I have ever heard! Paper Monkeys seemed more rock-oriented, this one tends more heavily on world music, lots of Asian (Japanese, Chinese, Indonesian gamelan) and Middle Eastern styles, and some reggae thrown in (as they sometimes do, but used to do more frequently in their early releases). Of course, you still get treated with synths and Ed's trademark guitar playing. Lots of reminders of the Ozric past, but on some of the songs they actually try something new, such as electronic percussion that sounds different ("Zingbong" has some of that percussion that sounded like Jean Michel Jarre used on "Equinoxe V" or "Oxygene IV"), new synth textures I've never heard on an Ozric album before (I just love that gliding synth on "Zingbong"), and a strange experimental piece with strange sounding violin on "The Unusual Village". There's also strange female tribal chants on "Butterfly Garden" and "Changa Masala" while the latter also includes a quote from "Kick Muck". "The High Pass" has this grand intro, but they really get rocking.

Either I'm losing my mind, or I'm some fanboy, but I really think this is their finest release since their glory days, in fact I rank it up there with their best material ever! I know Brandi is on here, and the stuff the Ozrics done with her on board has been frequently dismissed, but for me, the truly stands tall with the classic. And in hindsight, the stuff they've been doing since Spirals in Hyperspace has been a bit inconsistent (usually some ugly techno experiment), each of those releases still had great material. Plus I found Paper Monkeys surprisingly consistent, which I felt was a turn in the right direction. Technicians of the Sacred really exceeded all my expectations, this is truly a masterpiece, although many might not agree, it sure sounds like one to me! It's a masterpiece if it consistently reenters my CD player!

 Technicians Of The Sacred by OZRIC TENTACLES album cover Studio Album, 2015
4.05 | 48 ratings

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Technicians Of The Sacred
Ozric Tentacles Psychedelic/Space Rock

Review by admireArt
Collaborator PSIKE Team

4 stars Psychedelic roads for the electronic people.

As soon as I read a review of this Ozric Tentacles, 2015, "Technicians of the Sacred", referring to their use of electronic keyboards as their weapon of choice on this new release, well, it caught my attention.

O.T. is one of those always flexible and elastic bands that no matter what, always show their own musical language but always proposing new routes for it. Sometimes it works wonders others not, but nevertheless they dare to explore.

"Technicians of the Sacred" has, as told, a very close encounter with Prog/Electronics, as well as with Krautrock, Jazz/Fusion and Eclectic but also with more contemporary electronics or non-prog styles (Reggae, Trance, etc.)

It will not surprise me that many OT's or average prog audiophiles will miss the charm of this extreme fusion of electronics and styles with the less use of lead guitar in comparison to other releases.

Anyway, for those others I address, this record is a 2 cd explosion of freedom and creativity which expands in all directions with extreme craftmanship (as always), a sense of fun without being comic, and a restless hunger for other stylings and directions.

So expect a lot of influences which will rarely be associated with the OTs (Alan Parson, Chick Corea, Neu!, Underworld and other unorthodox roots), as very refined contemporary electronics taken to the top without losing focus on the music composition or their own idiom and instrumentation.

****4 PA stars on the rise.

 Mantric Muse by MANTRIC MUSE album cover Studio Album, 2012
4.28 | 37 ratings

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Mantric Muse
Mantric Muse Psychedelic/Space Rock

Review by Progfan97402

5 stars A band I should have heard about a couple years back when their debut LP was released. Actually this isn't their debut release, as an EP in 1998 called Picks in Space was released, but that one seems forgotten in time. Why the long gap between releases? Well, these guys did help form Řresund Space Collective, so I know that's been taking up so much of their time. I've heard many bands being compared to Ozric Tentacles, like Hidria Spacefolk to Korai Öröm, but those groups seemed to have their own identity not to mistake them for the Ozrics. The Greek band Tidal Flood most definitely sounded like the Ozrics, sadly they never passed releasing an EP called Scientific. So comes Mantric Muse. I am just amazed! I think they're even better than Tidal Flood, and just as good as the Ozrics at their best. Sometimes the Ozrics can be a bit much, Ed Wynne's guitar playing often threatens to drown out the rest of the music (you can often notice the synthesizers and sometimes flute trying to compete, even if some of the synth work is from Ed himself), guitarist Magnus Hannibal isn't quite so over-the-top. Swedish keyboardist Ola Eriksson really gives us great spacy synths in the Ozric grand tradition, and while the techno influence is there, isn't as pronounced as the Ozrics frequently are (I know some Ozric fans have been bothered by the more techno direction they've been headed since Waterfall Cities, or if not, since Brandi hopped on board). You can almost imagine Ola Eriksson being an Ozric member, if the Ozrics were not now a family band. I also really highly recommend this to those who felt the Ozrics lost the plot once they brought in Brandi and became a family band (to be honest I really enjoyed Paper Monkeys). Let's hope Mantric Muse continues to release more albums, but it's really hard telling, Řresund Space Collective could easy take much of their time, given the buzz they have in space rock circles. ŘSC has released so much material to the point that only Acid Mother's Temple and Radio Massacre International would rival them in prolific output. Unlike Tidal Flood, who never made it past EP stage, I'm glad Mantric Muse finally gave a full LP, some 15 years after their debut EP. This is an album that all space rock fans, particularly of the Ozric variety, should own.
 Arborescence by OZRIC TENTACLES album cover Studio Album, 1994
3.91 | 169 ratings

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Arborescence
Ozric Tentacles Psychedelic/Space Rock

Review by Prog Leviathan
Prog Reviewer

4 stars For a long time I've considered the Ozric Tentacles to be one of the happiest discoveries that Prog Archives has helped me make. Every one of their albums is entertaining and fun to listen to, and Arboresence may be one of their best.

As a follow-up to what is probably their best album (Jurassic Shift), Arboresence deliveries with the band's usual mix of spacey instrumental jams, twisting synthesizer textures, throbbing bass grooves, and shredding guitar. It's a great mix of hot/cold, fast/slow, cosmic/earthy... I could keep going, but no matter how many metaphors I come up with they'd all be just a bit of what Ozric Tentacle manages to accomplish, and none of them could fully describe the effect you'll get when listening. For those familiar with some of the band's output, Arboresence is slightly harder and more upbeat; Wynne's guitar seems a bit more on here, and the overall tone just seems to energize more than usual.

If you've never listened to the Ozric Tentacles - do yourself a favor and pick up this album. It's one of the best instrumental acts on this site at the high end of their game. Arboresence is solid from start to finish.

Songwriting: 4 - Instrumental Performances: 4 - Lyrics/Vocals: NA - Style/Emotion/Replay: 4

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
EL DIABLO Mexico
DOMO Spain
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
GALAXY Switzerland
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYATT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LANDING United States
LANDS END United States
LAVA Sweden
LE MUR Germany
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LOVE LIVE LIFE + ONE Japan
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
MOTHERSHIP ORACLE United Kingdom
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
O CORVO MUDO Portugal
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ŘRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RĹD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
RINSE. REPEAT. United States
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SALMA GANDHI Sweden
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
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SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SIMILAR Puerto Rico
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
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SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
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SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SONAR Hungary
SONIC BOOM United Kingdom
SOPHIES'S EARTHQUAKE Germany
SOUNDARCADE Latvia
SPACE DEBRIS Germany
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SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
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SPONTANEOUS COMBUSTION United Kingdom
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUNBURNED HAND OF THE MAN United States
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SUNRISE SUNSET PROJECT Russia
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SUUK Estonia
SVARTBAG Denmark
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
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TAIPUVA LUOTISUORA Finland
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TAKO Yugoslavia
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VED Sweden
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HIRO YANAGIDA Japan
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