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LEGENDARY PINK DOTS

Psychedelic/Space Rock • United Kingdom


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Legendary Pink Dots biography
1. Formed in London in 1980, LEGENDARY PINK DOTS. Members throughout the band's career have been Edward Ka-Spel (vocals, keyboards) and Phil Knight (keyboards), with a shifting supporting cast over the years. The Dots' music is by turns melodic pop and exotic psychedelia, with classical influences, sampling, and relentlessly dark, violent, apocalyptic lyrics.

2. Among the best CD's are "The Maria Dimension", "Legendary Pink Dots" and "Chemical Playschool 10".

3. Highly recommended if you are into something 'modern psychedelic'.


Why this artist must be listed in www.progarchives.com :
Because the group belongs there and should be shared with others. They were the first group in the 80's that I heard that had a psychedelic sound. A must!

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Pages Of Aquarius Limited Edition Double LpPages Of Aquarius Limited Edition Double Lp
Limited Edition
Metropolis Records 2016
Vinyl$27.99
Pages Of AquariusPages Of Aquarius
Metropolis Records 2016
Audio CD$16.99
Chemical Playschool 15 (Limited Box Edition)Chemical Playschool 15 (Limited Box Edition)
Limited Edition
Rustblade 2012
Audio CD$33.57
$53.57 (used)
A Perfect MysteryA Perfect Mystery
Import
Caciocavallo 2008
Audio CD$11.00
$6.65 (used)
AsylumAsylum
Jnana 2014
Audio CD$11.00
$10.99 (used)
10 To The Power Of 910 To The Power Of 9
Rustblade 2014
Audio CD$13.03
$13.00 (used)
Right Now on Ebay (logo)
The Legendary Pink Dots-Princess Coldheart-Rare 1990 2 Track E.P.-NM In Shrink USD $9.99 Buy It Now 4h 39m
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Synesthesia by The Legendary Pink Dots (Vinyl, Feb-2015, Norton) USD $38.95 Buy It Now 3 days
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LEGENDARY PINK DOTS shows & tickets


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LEGENDARY PINK DOTS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

LEGENDARY PINK DOTS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.61 | 13 ratings
Brighter Now
1982
3.00 | 7 ratings
Basilisk
1983
3.26 | 14 ratings
Curse
1983
3.24 | 15 ratings
The Tower
1984
3.76 | 15 ratings
The Lovers
1984
3.68 | 16 ratings
Asylum
1985
3.75 | 8 ratings
Prayer For Aradia
1985
4.00 | 16 ratings
Island Of Jewels
1986
4.00 | 14 ratings
Any Day Now
1988
4.19 | 21 ratings
The Golden Age
1989
3.67 | 9 ratings
Four Days
1990
3.87 | 23 ratings
Crushed Velvet Apocalypse
1990
3.86 | 43 ratings
The Maria Dimension
1991
3.98 | 19 ratings
Shadow Weaver
1992
4.07 | 14 ratings
Malachai (Shadow Weaver Part2)
1993
3.89 | 18 ratings
9 Lives To Wonder
1994
3.41 | 13 ratings
From Here You'll Watch The World Go By
1995
4.09 | 11 ratings
Hallway Of The Gods
1997
3.75 | 12 ratings
Nemesis Online
1998
4.32 | 13 ratings
A Perfect Mystery
2000
4.38 | 8 ratings
All The Kings Horses
2002
3.70 | 10 ratings
All The King's Men
2002
3.90 | 10 ratings
Poppy Variations
2004
3.90 | 10 ratings
The Whispering Wall
2004
4.00 | 10 ratings
Your Children Placate You From Premature Graves
2006
3.86 | 7 ratings
Alchemical Playschool
2006
3.77 | 13 ratings
Plutonium Blonde
2008
4.10 | 10 ratings
Seconds Late for the Brighton Line
2010
3.60 | 5 ratings
Chemical Playschool 15
2012
2.88 | 8 ratings
The Gethsemane Option
2013
3.36 | 11 ratings
Taos Hum
2013
3.00 | 7 ratings
The Curse of Marie Antoinette
2013
2.50 | 4 ratings
Plutonium Live
2013
3.58 | 12 ratings
Dot to Dot
2014
4.39 | 6 ratings
10 To The Power Of 9
2014

LEGENDARY PINK DOTS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.60 | 5 ratings
Live At The Metro
1999
3.75 | 8 ratings
Farewell, Milky Way
2000
4.00 | 3 ratings
Code Noir
2013

LEGENDARY PINK DOTS Videos (DVD, Blu-ray, VHS etc)

4.00 | 1 ratings
A Dream Is A Dream Is A Dream
2005

LEGENDARY PINK DOTS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.33 | 6 ratings
Chemical Playschool 3 + 4
1983
3.50 | 4 ratings
Stone Circles - A Legendary Pink Dots Anthology
1987
3.50 | 4 ratings
Traumstadt 1
1988
4.20 | 5 ratings
Greetings 9 + Premonition 11 (It's Raining In Heaven)
1989
4.63 | 8 ratings
Legendary Pink Box
1989
4.43 | 7 ratings
Chemical Playschool 8 + 9
1995
4.80 | 5 ratings
Canta Mientras Puedas
1996
3.40 | 5 ratings
Ancient Daze
1997
3.25 | 8 ratings
Under Triple Moons
1997
3.57 | 7 ratings
Stained Glass Soma Fountains
1997
4.33 | 6 ratings
Chemical Playschool 10
1997
4.80 | 5 ratings
Poi Poka Mozhesh
1999
4.00 | 2 ratings
A Guide To The Legendary Pink Dots Vol.1: The Best Ballads
2000
3.80 | 5 ratings
Kollabaris
2001
4.33 | 6 ratings
Chemical Playschool 11, 12 & 13
2001
3.83 | 6 ratings
Synesthesia
2002
3.50 | 4 ratings
El Kaleidoscopio Terminal
2002
0.00 | 0 ratings
Caciocavallo Reissue Collection
2002
4.00 | 2 ratings
I Did Not Inhale
2003
4.00 | 1 ratings
A Guide To The Legendary Pink Dots Vol.2: Psychedelic Classics And Rarities
2003
3.75 | 4 ratings
Crushed Mementos
2005
4.00 | 2 ratings
Come Out From The Shadows
2013
2.50 | 6 ratings
12 Steps Off The Path
2014

LEGENDARY PINK DOTS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.50 | 4 ratings
Faces In The Fire
1984
3.67 | 3 ratings
Curious Guy
1986
4.00 | 3 ratings
Under Glass
1988
4.00 | 3 ratings
Princess Coldheart
1990
3.60 | 5 ratings
Remember Me This Way
1996
3.50 | 4 ratings
Sterre
1997
3.80 | 5 ratings
Pre-Milenial Single
1998
3.50 | 2 ratings
Singe Während Du Bist
2004
3.50 | 2 ratings
Legacy (25th Anniversary Single)
2006

LEGENDARY PINK DOTS Reviews


Showing last 10 reviews only
 Asylum by LEGENDARY PINK DOTS album cover Studio Album, 1985
3.68 | 16 ratings

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Asylum
Legendary Pink Dots Psychedelic/Space Rock

Review by Dobermensch
Prog Reviewer

4 stars Welcome to the most inconsistent band of all time. I present to you 'The Legendary pink Dots'. Born in England but raised in Holland and developing the weirdest accent you're likely to hear this side of Uzbekistan .

There's never a dull moment with Edward Ka-Spel whose lyrics reveal a man fit for the psychiatrists couch.

'Asylum' was their most ambitious and yet complete recording until this point. There's some great haunted house vocals on 'Femme Mirage' which resembles pale white Victorian faces staring out of mansion windows as plinky plonky piano patters evily in the background, whilst heavily reverberated strings which sound like those used in 'Cannibal Holocaust' flutter around in the background.

One highlight comes early on with the ultra Syd Barrett-like 'The Hill' which describes a sniper outside a schoolyard. I can't believe there's so little reference to Ka-Spel sounding like the spitting image of Floyd's originator. Close your eyes and every tune this guy sings just sounds like Syd.

It's all a bit like listening to creepy nursery rhymes where at times it's light and bouncy but is immediately followed by huge slabs of darkness in the lyrics. 'Asylum' has a lot of psychedelia and space-rock at its core. Much of it sounds a bit dated, particularly the keyboards which must have sounded passe even in '85. There is however some excellent usage of violins and strings which sets this apart from their contemporaries.

There's a schizophrenic yet whimsical sound that prevails through the entire recording, where at times there's beautiful strings played in an orchestral manner to be met with such wonderful titles as 'Fifteen Flies in the Marmalade'. What does it all mean?

'So Gallantly Screaming' has machine guns and a U.S civil war bugle calls to arms. This is where things go a bit mental with chopped up banging and short stabs of electronics coming to the forefront. All the while 'Ka-Spel' plaintively sings tunes from his clearly damaged mind. I guess the amateurish cover makes a bit more sense whilst listening to his insane mutterings.

Things certainly get more bizarre and odd towards the end with string arrangements accompanying the vocal derangements. The last three tracks are superb as they go completely off the rails but remain tuneful. Of particular note is the final track 'This Could be the End' with it's treated violins and mashed up vocals and a whole load of sound effects.

'Asylum' is a lengthy double album with much lunacy, completely crazy lyrics and is superbly played by a group of clearly highly skilled musicians. It's therefore very difficult to give a sensible rating.

Four stars, only just.

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 10 To The Power Of 9 by LEGENDARY PINK DOTS album cover Studio Album, 2014
4.39 | 6 ratings

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10 To The Power Of 9
Legendary Pink Dots Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Core members Edward Ka-Spel und Phil Knight are representing the LEGENDARY PINK DOTS first and foremost. They are from the United Kingdom, originally constituted the band, or project if you will, over there - however meanwhile having settled down in the Netherlands. Their musical legacy, since the early 1980's up to now, is comprised of a huge amount of albums, which in general deliver experimental, avantgarde oriented psychedelic/space/kraut stuff. Now it was about time, '10 To The Power Of 9' - released on Italian label Rustblade Records - is my first attempt to review one of their recordings.

This album appears in three incarnations so to say. There's a standard compact disc and vinyl release given with differing tracks, and additionally a CD deluxe version which includes another second disc. Who might expect rock music as such should be on the watch here, as the tracks are featuring more dark ambient and trancendental soundscapes all the way through. Well, what is required to get in touch? An open-minded approach as it is not easy getting access to. The tracks definitely need time and concentration, you should be in a good mood also, preferably have your headphones at hand ...

... and then the PINK DOTS - who are truly legendary in the meanwhile - will send you on a gripping trip which is spiritual, weird, beautiful ... eh, different at all events. Synths, minimalistic halting beats, guitars and Kaspels characteristic voice, that is needed to produce such a cinematic exploration when it comes to the ingredients. Just in order to name some extraordinary examples, the short new wave infected Your Humble Servant is nested by two amazing spacey trips named Primordial Soup and Freak Flag featuring synth loops, soaring guitars managed by Erik Drost. This is effectively designed overall, here and there reminds me of David Sylvian.

While taking more than 17 minutes the broadly conceived The Elevator is finally closing this new LPD chapter. When listening to this I felt like being on sight and insight, relaxed without having fear at all, buried in a capsule spinning around traversing outer space with ease, offering a fantastic view on spiral galaxies aso, plus extraterrestrial voices repectively sounds coming from the aether. Wow, they obviously know how to give us space cadets a treat. So here we have an album with easy-going chill though not simple-minded approach at all, assuming a lot of experience to make it in this successful way.

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 10 To The Power Of 9 by LEGENDARY PINK DOTS album cover Studio Album, 2014
4.39 | 6 ratings

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10 To The Power Of 9
Legendary Pink Dots Psychedelic/Space Rock

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars Haunting. This is the dark, strange, rough, raw side of space. LPD says that they "will subject you to depraved but memorable rituals", and this is a perfect description of their sound and style. This is a bleak, dour, odd collection of chants, rituals, and avant garde experiments that don't always feel like they are of space rock, even though they most certainly are. This chills, but at the same time draws in inexorably. "Open Season" is one of the best tracks, and an excellent example of the style. Drums lead, various chants drone in and out, unexpected sounds arrive at times. It feels like the coldest night is making itself at home in your head and your heart. Without drums, the album would be nothing, but they are the best part of a brilliantly composed and performed record. Perfect, and a great companion piece to the works of Univers Zero, Art Zoyd, X-TG, and the darker releases of Bass Communion.

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 The Maria Dimension by LEGENDARY PINK DOTS album cover Studio Album, 1991
3.86 | 43 ratings

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The Maria Dimension
Legendary Pink Dots Psychedelic/Space Rock

Review by Dobermensch
Prog Reviewer

3 stars If you can imagine Syd Barrett scraping through the mid 70's and somehow pulling himself together to make an album in the next decade, this is the kind of outcome you'd probably expect.

'The Maria Dimension' is a paisley patterned kaleidoscopic psychedelic recording which sounds as though Syd is at the helm throughout. In reality, it's the work of the prolific Edward Ka-Spel - who has been around for a very long time brushing shoulders with the likes of total outsiders like Nurse With Wound and Current 93. Unlike their work this is far more accessible and tuneful.

Regular instruments are at play, but are used in an unusual way and the vocals are more often than not squashed through filters and compressors which add to the other worldliness of this recording which sports a very poor and cheesy front cover.

Although English by birth, Ka-Spel's spent so long in Holland that his accent has gone all funny and weird. Not that it detracts - it just makes it all the stranger. There are many moments of beauty hidden within this recording and every song has its moment. It's just that as a whole it kind of drags over the huge 74 minute duration. I can fully understand however, that it's most likely viewed as a classic by fans of the band.

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 Asylum by LEGENDARY PINK DOTS album cover Studio Album, 1985
3.68 | 16 ratings

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Asylum
Legendary Pink Dots Psychedelic/Space Rock

Review by Pietro Otello Romano

4 stars During the late '80, I was pretty bored by the music scenario unable to offer something really new and exciting than neo-prog bands imitators of Genesis, and I was looking for something new, but with a more intriguing complexity than the new wave movement, generated from the post-punk and techno-pop.

So a friend of mine introduced me to the 'Legendary Pink Dots' with their 6th album 'Asylum'.

'The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980' by Wikipedia.

At the first listening they reminded me of the Tuxedomoon with a more complexity in the arrangement, and in the composition of the tracks. After several listening, came out some vague remembrance of the golden age's Pink Floyd of 'Wish you were here' and 'Atom heart mother', Eloy, and the Van Der Graaf Generator of 'the Quiet zone/the pleasure dome' too, but above all, the consciousness that finally, since long time, I was listening something very interesting.

Maybe for a 'modern psychedelic', "The Maria Dimension", "Legendary Pink Dots" and "Chemical Playschool 10" are the best albums to recommend, and they are good, indeed. Personally I still prefer a long and complex structure in a track, such as the traditional way of the prog-rock music, and 'Asylum' can offer this, in its atypical way. I mean please don't aspect the typical prog opera, but just an interesting album with several tracks with some changes of movements within the same song such as mini-suites, and an excellent richness of instruments in the arrangement.

I recommend, among the best songs, 'Echo Police' rich and complex in the arrangement, it is a very example of atypical mini-suite; lovely guitar's solo at the end; 'Prisoner' remarkable for the vocal's interpretation of the singer; 'I am the way, I am the truth, I am the light' a long track, with some strong characteristic of a suite, well arranged and executed, and with an interesting epic mood; and last but not least the gorgeous atmospheric 'Golden Dawn' an emotionally involving song, perfectly arranged, with an inexorable melancholy cadence that flow in a melting guitar's finale.

The Legendary Pink Dots are a typical example of an unwilling prog music band, and I recommend this album to all the prog fans that are looking for something alternative and different, highly creative but with strong features in the beloved genre.

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 Shadow Weaver by LEGENDARY PINK DOTS album cover Studio Album, 1992
3.98 | 19 ratings

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Shadow Weaver
Legendary Pink Dots Psychedelic/Space Rock

Review by Evolver
Special Collaborator Crossover & JR/F/Canterbury Teams

4 stars This album, the follow up to the fabulous The Maria Dimension continues in the same vein as the previous album. Pulsing, swirling synthesizer sounds flow around the bizarre, yet compelling lyrics. As on the previous album, the sound brings to mind an updating of Syd Barrett era Pink Floyd, with a bit of early Brian Eno's deadpan delivery mixed in.

While not quite as ear catching as Maria, this album, even after numerous listenings, continues to offer a heaping helping of audio candy ton the discerning listener. I particularly like the interplay between the sax and guest violinist Patrick Q-Wright. True, there is no astounding virtuosity on the Pink Dots' albums, but there is plenty of aural pleasure.

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 The Maria Dimension by LEGENDARY PINK DOTS album cover Studio Album, 1991
3.86 | 43 ratings

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The Maria Dimension
Legendary Pink Dots Psychedelic/Space Rock

Review by Evolver
Special Collaborator Crossover & JR/F/Canterbury Teams

4 stars Well into their career, The Pink Dots are now showing why they are legendary. And why they belong on this site. The best description of this album, to me, would be a sound that Pink Floyd probably would have been into had Syd Barrett not self destructed into oblivion.

The music on this album is much more intense, and original than their earlier albums (at least the ones I've heard). There are pulsing, compelling rhythms, with interesting synthesized and acoustic instrumentation. But the true beauty of this album is the lyrics. Surreal, yet well structured, the lyrics evoke Syd Barrett at his best (perhaps even better than Barrett's).

If you want to get into this band, start here.

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 The Lovers by LEGENDARY PINK DOTS album cover Studio Album, 1984
3.76 | 15 ratings

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The Lovers
Legendary Pink Dots Psychedelic/Space Rock

Review by Evolver
Special Collaborator Crossover & JR/F/Canterbury Teams

3 stars One of the benefits of managing a record/CD store was getting promos from the distibutors. And the sales reps for the different labels quickly developed an idea of what their customers were interested in. As such, the Caroline rep knew I was interested in all sorts of odd music, and gave me some disks by The Legendary Pink Dots. I doubt I would have ever purchased them.

This album, to me sounds like a cross between 80's synth pop, and Daevid Allen silliness and naivete. The first four tracks were recorded live. Patrick Wright's violin is what makes these interesting. The better tracks, and more prog to my ears are the two parts of The Lovers, with the second part being almost symphonic, and the final track Premonition 16, that makes me feel like Spinal Tap recorded a new wave piece.

Not uninteresting, but not something that compels me to listen again.

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 Asylum by LEGENDARY PINK DOTS album cover Studio Album, 1985
3.68 | 16 ratings

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Asylum
Legendary Pink Dots Psychedelic/Space Rock

Review by tszirmay
Special Collaborator Crossover Team

3 stars This is another lush psychedelic journey courtesy of those barmy Orangemen , the Legendary Pink Dots, purveyors of strange sounds and bizarre moods and stalwart defenders of the space vibe in the 1980s, when prog was an excellent cadaver indeed. What makes their brand of lunacy so appealing is that they have maintained the Planet Gong weirdness and infused it with some admirable personal traits, the voluptuous violin of Patrick Wright, the stifling guitar growls from Barry Gray, slippery keys handled by Phil Knight and of course, the deadpanned vocals of singer Edward Kaspel , aka The Prophet. This is a snippet laden affair with 15 mini-tracks that sort of flow together helter-skelter but it works in some enchanted way. Things can be pretty standard on tracks like "Echo Police", as well as outright leftfield (get the pun?) on the smelly "Gorgon Zola's Baby" (now that's cheese!) or the seedy "Fifteen Flies in the Marmalade" with a violin riff lifted from Bedrich Smetana's classic Moldau and kookie vocalizings. The haunting voice boots up the "Femme Mirage" program, full of desperate illusions, Arab violin swindling evocatively, oasis guitars and sparse instrumentation coloring the musical dunes. By sheer fluke, a quirky piece like "The Hill" appends to the poetic confusion even more idiosyncrasy and keeps the tension sweatingly palpable. Yes, it's weird, folks, so be warned. Satanic on "Demonic", outright histrionic on "Prisoner" and epic on the 11 minute + "So Gallantly Screaming" where the Dutch lads decide to pick on the poor US of A by editing a line from the "Stars & Stripes" and going on a First Amendment joyride (We Canadians know American history!). This is not surprisingly the album's highpoint as the width offers freedom enough for major introspection and instrumental liberty. Ambient yet bizarre, obtuse and somehow veiled, Kaspel shines here. On the Jesusian "I Am the Way, the Truth, the Light" er?. John 14.6 (we Canadians know our religion especially if we are skeptics), Edward the Prophet goes nirvana on us, deliriously preaching to some imaginary higher order. The violin shows its catty appeal once again, in collusion with the ruffled axe and the pillorying beat. Bees are! A choice piece of holy bread dipped in sweet wine. Other wacky tracks pursue the course, little ditties like the celestial "Agape", the bombastic electronica of "Golden Dawn" with its flinching electric guitar solo, the ominous and unhinged "The Last Straw", the ultra sarcastic "Message from Our Sponsor"(where the ambient copters flutter and Lucifer rants) , the unbalanced "Go Ask Alice" (vocal fx in Dutch) and the ungodly 8 minute closer , vacuously titled "This Could Be the End" which really highlights the Lucy in the Sky with Diamonds philosophy that keeps these trekkers tripping!

I enjoy listening to LPD when I feel my sanity leaving me, generally caused by the massive ongoing daily stupidity we are all faced with in daily life. Was it not Albert Einstein who said "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former" . Not their best album (5 of those will come up very soon from 1988-1992) but a pleasant enough intravenous of banana colored freeze. 3.5 loonie bins

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 The Lovers by LEGENDARY PINK DOTS album cover Studio Album, 1984
3.76 | 15 ratings

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The Lovers
Legendary Pink Dots Psychedelic/Space Rock

Review by tszirmay
Special Collaborator Crossover Team

4 stars I was extremely pleased with the inclusion of this rebellious crew from the Netherlands into the prog community as they occupy a large section of my collection (like the equally prolific Bill Nelson) and fully deserve all the adulation possible, keeping space/psychedelia alive in the "dry" years back in the 80s when haircuts and synths ruled. Check out their bio on their web page , it's a ride worthy of Gong, Hawkwind and some of the punkier electro bands of the times (Trisomie 21, In the Nursery, This Mortal Coil etc?). Charismatic singer Edward Ka-Spel has a unique voice and delivery, a strange mixture of Robert Calvert (always a good thing), Daevid Allen, Howard Devoto and Julian Cope, reciting as often as singing over the classic 80s metronome beat, guitar flashing through the synthesized whirlwind that keeps things organic (using the er? organ) and contrasting sonic alterations throughout. There are some splendid pieces here such as throbbing opener "MMMMMM", the placid "Geisha Mermaid", the robust "The Jungle" a track that really carves out the appeal, having all the cosmic planets aligned, supple bass careening ever forward and drawing the other soloists along including a screeching violin and rattling guitar swaths that spin comfortably on their axis. But it's the massive and incredible "The Lovers" title track is a two part affair that has a perplex definition of the cosmic sound and hesitates little in exploring the farthest universes. Daring to start with elegant piano is a bold enterprise but keyboardist Phil Knight is a pure musician and delivers in longing melancholia. The supreme violin makes another charming return, drenching the arrangement in a lush orchestral balm that soothes and somehow disturbs as well (just like a love relationship I guess). The two tracks sandwiched in between the two Lovers parts serve as added instrumental fodder, the short "Silvertude" being purely electronic in spirit and the more vocally involved "Flowers for the Silverman" (Silverman being Knight's stage name!) slipping into deeper absurdia, the in your face bass rolling beastily along and Edward doing some weird hippy-trippy singing while the violin cattily shrieks once again. A great track this that Gongsters will adore! "The Lovers Part 2" reunites everyone with the divine piano and the sleek strings , Edward whispering sensuously into the microphone, enraptured by the carnal bliss and the overt classicism of the music. The romantic violins are overpowering yet blend well within all the bizarre effects challenging the casual listener to pay attention. "Curious Guy" hovers near humorous Robert Calvert territory, cold, visceral and sexually perverse ("I would like to lick your secret valleys, I am a curious guy!"), with simply brilliant chorus, mood and atmosphere, the edgy violins pushing the piece along with a surprise funky danceable mid-section. I mean this is fun. "Premonition 16" ends this pleasant little psycho foray into the curious world of the Pink Dots, blazing mellotron and hushed vocals supply the vaporous backdrop for an elongated spoken Ka-Spel rant (winking at Michael Moorcock) , clocking in over 11 minutes and flinging one into far-flung horizons that defy normal constraints. "Gliding so far the eye cannot follow, where do they go, we'll never know" (lyrics from "Beauty Queen" by Roxy Music). This is exalted space rock, probably closer to Syd Barrett and early Gong than anything structured like Eloy or Hawkwind. To this day, the band remains devoted to its fans and doing their own thing, touring and releasing albums along the way. I am a fan of their music and it does deserve to be checked out, albeit prudently. This is one of their good ones.

4 Romeos and Juliets

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Thanks to hassebabo for the artist addition. and to Angelo for the last updates

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