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TECH/EXTREME PROG METAL

A Progressive Rock Sub-genre


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Tech/Extreme Prog Metal definition

This category lists technical Progressive Metal bands that have roots in Extreme Metal or that are strongly influenced by it. The style developed by the end of the 80s in the Thrash Metal scene when a number of bands stretched the boundaries of their sound by including elements from Progressive Rock. Death Metal followed a similar path in the 90s and by the 2000s, also Black Metal and Metalcore saw an increasing amount of bands taking in Prog influences.

Certain bands like EPHEL DUATH and UNEXPECT developed a style that largely abandoned their extreme metal heritage in favour of a highly eclectic jazz-influenced Avant Metal style. These bands are listed under Experimental Metal.


Progressive Thrash Metal
By the end of the 80s Thrash Metal had diversified its sound significantly to an extent where the originally very direct and uncompromisingly aggressive style had become more sophisticated, boasting challenging technical skills and ambitious song structures frequently surpassing the 6 minute mark. The best known examples are METALLICA and MEGADETH.

The bands listed in this section went one step further and embraced notable influences from Progressive Rock, replacing much of the typical Thrash Metal riffs and rhythms with a more progressive and melodic riffing style, influenced by KING CRIMSON and RUSH. The most well-known of these early bands was VOIVOD, who also brought the early psychedelic sound of PINK FLOYD into their unique mold. Important pioneering albums were released by WATCHTOWER, CORONER, MEKONG DELTA, as well as the debut album of SIEGES SEVEN.
More recent examples of Progressive Thrash are SPIRAL ARCHITECT and VEKTOR


Progressive Death Metal
Death Metal further built on the sound of the most extreme bands of the Thrash scene. Next to the brutal sound, blast beat drumming, complex song structures and multiple tempo changes, the most notorious feature of the style is probably the growled vocals. Death Metal is generally highly technical, making the dividing line between Technical Death Metal and Progressive Death Metal sometimes rather faint.

The bands considered for Prog Archives are those that show significant influences from Progressive Rock and/or Fusion. One of the landmarks in the style is "Elements" from ATHEIST, who mixed their hyper-technical Speed Metal with fusion. Other early albums include "Focus" from CYNIC and "Spheres" from PESTILENCE, where progressive riffing, polymetrics, fusion influences and atmospheric keyboards complemented their brutal Death Metal. Also DEATH, the popular founder of Death Metal, incorporated fusion and progressive elements on their later albums.

A different flavour of Progressive Death Metal came from the European continent, when half-way into the 90s leading death and doom-death bands started expanding their basic metal sound. The most significant album relevant to this section is "Crimson" from EDGE OF SANITY. In typical Scandinavian fashion, their epic approach wasn't fusion oriented but less technical and more melodic, introducing the now typical alteration between brutal Death sections and more melodic breaks with clean vocals; an approach perfected in the next decade by OPETH.


Progressive Black Metal
Unlike Thrash and Death metal, Black Metal is not a technical genre. Originally it was even purposely non-technical and low-fi. By the end of the 90s the genre had developed into various sub-styles, of which some incorporated elements from progressive music.
The bands listed in this section are Black Metal bands that traded the minimalism of Black Metal for a more progressive, technical or experimental approach. This distinguishes them from the Black Metal bands that fleshed out their sound with either post-rock and/or shoegaze influences. Those are listed under Experimental/Post Metal.

One of the earliest and best known example of this style is ENSLAVED, who maintained the harsh atmosphere and aggression of classic Black Metal but extended this with a more textured psychedelic sound, chromatic riffing and odd time-signatures, citing influences from PINK FLOYD, VOIVOD and KING CRIMSON. Also IHSAHN, front-man of EMPEROR, should be mentioned here.

Most artists in this section are Symphonic Black Metal-oriented bands with progressive and experimental influences, but without fully crossing over to either Prog or Avant Metal as they remain oppressively dark, harsh, often dissonant and inaccessible. Their strong ties to Black Metal is why they are featured under Tech/Extreme Prog Metal and not in Avant Prog Metal. Examples are DEATHSPELL OMEGA, MOONSORROW, NEGURA BUNGET and the slightly more accessible theatrical Symphonic Black Metal of ARCTURUS.


Modern Phase
In the 2000s trends became more diffuse, introducing bands that had some of their stylistic features in common with the extreme metal genres without fully belonging in any of them. Some of them continued the strong fusion element and hyper-technical approach from ATHEIST and CYNIC. Instrumental acts such a as EXIVIOUS, CANVAS SOLARIS and BLOTTED SCIENCE received lots of critical acclaim from progressive metal fans.

A new trend was set by MESHUGGAH, one of the most defining bands of this era. At the end of the 90s their eclectic mix of Death, Thrash, Avant, Fusion and Prog laid down the groundrules of Extreme Metal for the next decade. Another well known band to take a similar eclectic approach to Extreme Metal was GOJIRA.
In the second half of the 2000's, many young bands copied MESHUGGAH's guitar tone and rhythmical riffing style, giving rise to the so-called 'djent' movement. Many of these bands belong in Tech/Extreme, such as ANIMALS AS LEADERS, CHIMP SPANNER etc.


Progressive Metalcore
The second half of the 2000s also saw the rise of a new generation of Progressive Tech/Extreme acts with roots that lay in Metalcore, Mathcore and Technical Sludge, rather then the 'classic' Extreme Metal genres. Their music is inherently technical and complex and has quite a number of formal features in common with Progressive Metal such as odd time signatures and non-standard song formats.
Prog Archives only lists these bands that go beyond the default expectations of the genre and bring in distinct non-extreme Prog influences. Some of the most eye-catching bands in this area are BETWEEN THE BURIED AND ME, PROTEST THE HERO, BURST, DILLINGER ESCAPE PLAN and MASTODON.


--- Definition by Karl and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team are: (7/1/2022)
Kevin (Necroncommander)
Cristi
Sebastian (Kempokid)
Nick (nick_h_nz)
Brendan (Necrotica)

Tech/Extreme Prog Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Tech/Extreme Prog Metal | More Top Prog lists and filters

4.38 | 222 ratings
OBSCURA
Gorguts
4.28 | 1775 ratings
STILL LIFE
Opeth
4.26 | 1844 ratings
BLACKWATER PARK
Opeth
4.28 | 629 ratings
SYMBOLIC
Death
4.25 | 1720 ratings
GHOST REVERIES
Opeth
4.28 | 515 ratings
CRIMSON
Edge Of Sanity
4.25 | 502 ratings
THE SOUND OF PERSEVERANCE
Death
4.30 | 250 ratings
DIMENSION HATROSS
Voivod
4.26 | 346 ratings
NOTHINGFACE
Voivod
4.21 | 439 ratings
HUMAN
Death
4.20 | 364 ratings
UNQUESTIONABLE PRESENCE
Atheist
4.20 | 353 ratings
THE PARALLAX II - FUTURE SEQUENCE
Between The Buried And Me
4.15 | 1225 ratings
PALE COMMUNION
Opeth
4.16 | 582 ratings
FOCUS
Cynic
4.15 | 690 ratings
CRACK THE SKYE
Mastodon
4.17 | 357 ratings
INDIVIDUAL THOUGHT PATTERNS
Death
4.19 | 248 ratings
THE WAY OF ALL FLESH
Gojira
4.15 | 427 ratings
TALL POPPY SYNDROME
Leprous
4.14 | 549 ratings
TRACED IN AIR
Cynic
4.20 | 200 ratings
BACK TO TIMES OF SPLENDOR
Disillusion

Tech/Extreme Prog Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Tech/Extreme Prog Metal experts team

A THIN LINE BETWEEN HEAVEN AND HERE
My Bitter End
THE SENSE APPARATUS
Frantic Bleep
LEAVING LOTUS
Counter-World Experience
MEASURING THE ABSTRACT
Terminal Function

Latest Tech/Extreme Prog Metal Music Reviews


 Death of a Dead Day by SIKTH album cover Studio Album, 2006
3.99 | 62 ratings

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Death of a Dead Day
Sikth Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Death of a Dead Day" is the 2nd full-length studio album by UK, Watford based progressive metal/metalcore act Sikth. The album was released through Bieler Bros. Records in June 2006. It┤s the successor to "The Trees Are Dead & Dried Out Wait For Something Wild" from 2003 and the sextet lineup who recorded the predecessor is intact here. Sikth were originally active from 2001 to 2008 and released two full-length studio albums in that period. They reunited in 2013.

Stylistically the material on "Death of a Dead Day" continue the technical/progressive metal of "The Trees Are Dead & Dried Out Wait For Something Wild" (2003). SikTh┤s brand of progressive metal features elements of mathcore, NU-metal, alternative metal, and hardcore, and a combination of the sound of artists like The Dillinger Escape Plan and System of a Down is a relatively valid description, although Sikth definitely have a sound of their own. While their songwriting is clever and effective, I┤m predominantly blow away by the high level musicianship found on "Death of a Dead Day". The complexity of the material is pretty high, but it┤s the natural organic way that said material is performed and the way the many different vocal styles (clean, screaming, aggressive, schizophrenic lunatic babbling) compliment the often manic instrumental parts of the music, which make this a spectacular release. You┤re definitely in for at ride with this album...

Featuring a detailed, powerful, and very well sounding production "Death of a Dead Day" is also a treat on the ears in terms of every instrument and vocal parts sounding great in the mix. The fact that it┤s a self-produced affair bears witness to how skilled SikTh are. They aren┤t just clever composers and well playing musicians, but also competent producers. Upon conclusion "Death of a Dead Day" is a high quality sophomore album by SikTh and a 4 - 4.5 star (85%) rating is deserved.

(Originally posted on Metal Music Archives)

 Parrhesia by ANIMALS AS LEADERS album cover Studio Album, 2022
4.03 | 31 ratings

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Parrhesia
Animals As Leaders Tech/Extreme Prog Metal

Review by JohnProg

5 stars Animals As Leaders' latest work doesn't shine so much for its technical virtues as for the refinement of the band's style, which had begun on their previous album, and which is now shown to us in a more transparent and effective way. In just thirty-seven minutes and with short pieces, the band has limited itself to composing only the necessary material, thus getting rid of the tendency - present in their first works - to create easily disposable pieces or pieces that were only meant to enhance the technical virtuosity of the musicians. We can also appreciate the work of creating a cohesive album, where each piece interacts with the others to create a sense of continuity and not create isolated compositions (as with 'the Brain Dance' on their previous album). All this without the band stopping exploring its different forms (now is where you can best appreciate how the band uses its technical qualities to create great melodies, rarefied atmospheres and dense grooves typical of Djent) or making its sound more 'accessible' .

The best work of the band so far.

 Sorceress by OPETH album cover Studio Album, 2016
3.70 | 575 ratings

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Sorceress
Opeth Tech/Extreme Prog Metal

Review by Warthur
Prog Reviewer

5 stars Sorceress finds Opeth continuing the run of nostalgic prog albums that began with Heritage and continued through Pale Communion. As on those two albums, the band show a keen appreciation of not just the prog rock bands of the past, but also the sounds which were influencing and inspiring those bands.

Pale Communion had its moments where it took on influence from the heavier end of psychedelic rock, and Sorceress finds the band deepening their appreciation of and drawing on the psychedelic sounds which the early prog scene coalesced out of. Indeed, one song is named The Wilde Flowers, after the band which would, post-fracture, spawn Caravan and The Soft Machine, and whilst I wouldn't say the band go full Canterbury here, I would say there's passages on here which aren't entirely incompatible with that.

Other tracks, such as Will O the Wisp, have a folky air to them and a general production approach highly reminiscent of Jethro Tull from the early 1970s, or heavier moments. The band have still more or less exited the metal sphere on this album, but Chrysalis is hard rocking enough to suggest a potential route back, with a pulsing intensity which puts me in mind of Hawkwind.

Whilst many Opeth albums took a while to grow on me, Sorceress gripped me from the start, and I think it's an excellent further improvement of the approach of Heritage and Pale Communion.

 Synchro Anarchy by VOIVOD album cover Studio Album, 2022
3.93 | 38 ratings

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Synchro Anarchy
Voivod Tech/Extreme Prog Metal

Review by JohnProg

4 stars The differentiating element that we find in 'Synchro Anarchy' is that the band, without abandoning the energy, strength and rock n' roll spirit of thrash metal, manages to create dynamic pieces, with a sense of riffs and harmonic guitars - with tendency to dissonance - bordering on the 'spatial' and the extravagant, which fits very well with the character of the vocalist and the technical execution of the instruments. We also have the general rhythm of the album, which moves fast and constant without overloading or reducing the quality of the compositions, which are around five minutes long, and therefore move away from unnecessary excesses and fillers.
 Starlight and Ash by OCEANS OF SLUMBER album cover Studio Album, 2022
4.01 | 26 ratings

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Starlight and Ash
Oceans Of Slumber Tech/Extreme Prog Metal

Review by WJA-K

2 stars This album is not bad at all. But it also isn't great by any means.

Overall the playing and singing are of high quality. Although I'm not taken aback by the voice of Cammie Gilbert.

But the compositions are forgettable. They are nice, but none of them stands out in such a way that I would return to them.

There's no way this record deserves to be rated as highly as the prog classics. But 3 stars is also too high in my book. This is no more than a record you may consider buying. 2 stars it is. Truly a fan of the band or genre only record.

 Caravans to the Outer Worlds by ENSLAVED album cover Singles/EPs/Fan Club/Promo, 2021
3.32 | 8 ratings

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Caravans to the Outer Worlds
Enslaved Tech/Extreme Prog Metal

Review by kev rowland
Special Collaborator Honorary Reviewer

3 stars Over the years Enslaved have become known for releasing EPs that contain material not on an album, and 'Caravans' is another example in that while it was released only a year after their fifteenth album, 'Utgart', these four tracks are all new. They have also continued to move their sound, so they are now far removed from the black metal sound of their early material and instead are embracing so many different elements that the only way to describe them is as progressive metal, although this is in its truest sense as opposed to sticking to any particular genre. I have enjoyed many of their albums over the years, but these four songs feel like the band are somewhat going through the motions and creating atmosphere but without much substance behind them.

They throw lots of ideas into the pot, blasting into tech blackened death metal here, acoustic there, some chanting vocals yonder, but to my ears there is no cogent or interwoven structure. The keyboards just don't sound right at some points, while the clean vocals are not as powerful as they could be and detract from the gruffness of Grutle Kjellson. I don't know who produced this, but it has all the hallmarks of self-production as this should have been chopped and external guidance provided as this just does not work for me. I know there are a load of fans out there who have been reviewing this with high marks, but it is just too muddy and confused for me to follow that path.

 Amuk by MONOGONO album cover Studio Album, 2007
3.00 | 1 ratings

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Amuk
Monogono Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars "Amuk" is the debut full-length studio album by Portugese technical/progressive metal act Monogono. The album was released through Mother Should Know Records in March 2007. Monogono formed in 2002 in Set˙bal and released the "Genesis" demo in 2005, before being signed for the release of "Amok".

Stylistically the material on "Amuk" is a brutal, technical, and bordering chaotic sounding metal style. The album features elements of mathcore, technical death metal, and progressive sludge (and the odd jazz/fusion influenced section here and there). All delivered in the most intense and caustic fashion you can imagine. Think of early Mastodon but much more crazy, brutal, and technical.

Don┤t be fooled by the 2:00 minutes long instrumental piano intro, because right from the first second of "Remolding Steel", your ears are exposed to busy technical drumming, complex fast-paced guitars riffs, dissonance, creative song structures loaded with tempo changes, and a raw shouting/screaming vocalist, who sounds a little like a really pissed Max Cavalera (and the occassional melancholic monotone clean vocals). This is definitely not for the faint at heart, although the band do incorporate more atmospheric parts on the album too. Those work as short breathers...and believe me you┤ll need them.

Monogono are incredibly well playing and especially drummer Gonšalo Santos deserves a mention for this performance on the album. Playing complex music like this and managing to make it groove and swing is no easy feat. The powerful, organic sounding production values also help enhance the listening experience, as it┤s also detailed enough for you to be able to hear what all instruments are playing at all times.

"Amuk" is not exactly an album which invites you in, but rather the type of release which threatens to rip you face off if you get too close. Listeners interested in near chaotic sounding, extremely technical, and very brutal and aggressive metal, should find this album a treat. To those with a low threshold for stress...enter at your own risk. A 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives)

 World Suicide Machine by SKALDIC CURSE album cover Studio Album, 2009
4.00 | 1 ratings

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World Suicide Machine
Skaldic Curse Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

— First review of this album —
4 stars "World Suicide Machine" is the second full-length studio album by UK, London based black metal act Skaldic Curse. The album was released through Dark Essence Records in February 2009. It┤s the successor to "Pathogen" from 2006.

Stylistically the material on "World Suicide Machine" further develop upon the harsh and atmospheric black metal of the preceding releases by the band (three demos, one EP, and the debut album). "World Suicide Machine" is a step up on production values though, which gives the listener a better understanding of how intriguing and adventurous the band┤s material actually is. At it┤s core this is fast-paced blasting black metal, which isn┤t anything unusual for the genre, although it is arguably delivered with the right amount of hateful conviction, but when the band decide to add tempo changes, technical playing details, and progressive songwriting ideas, that┤s when they become more interesting.

"World Suicide Machine" is a cold, harsh, and relentlessly hateful album, but the atmospheric part of the music still provides the album with an air of accessibility you don┤t always experience on releases as extreme as this one. Skaldic Curse do what a lot of other experimental artists often don┤t. They add progressive songwriting ideas in a subtle manner, and make them fit naturally with their core black metal sound, and as a result nothing on "World Suicide Machine" sounds awkward or out of place.

Featuring 6 tracks which are all between 6 and 7 minutes long Skaldic Curse also make room for their creative songwriting ideas to develop in a natural way, and upon conclusion it┤s a highly intriguing progressive black metal release and a 4 star (80%) rating is deserved.

(Originally posted on Metal Music Archives)

 Promo 2008 by SKALDIC CURSE album cover Singles/EPs/Fan Club/Promo, 2008
3.00 | 1 ratings

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Promo 2008
Skaldic Curse Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars "Promo 2008" is an independently released promo by UK, London based black metal act Skaldic Curse. The promo was originally released on the CD format limited to 50 copies, which were sold at the band┤s shows (the first time at the Camden Unicorn, 17/10/2008).

The promo features 3 tracks and a total playing time of 19:39 minutes. The opening track is the studio version of the title track from Skaldic Curse┤s forthcoming sophomore full-length studio album "World Suicide Machine" (2009). The two remaining tracks on the promo are live versions of "Slaughter of the Useless" and "Onset of Decay". Both tracks which originally appeared on the band┤s debut full-length studio album "Pathogen" (2006). Both are well performed and features a professional live recording quality.

As a promo for the upcoming release of "World Suicide Machine" (2009), this release is a successful teaser, giving you a taste of what┤s to come, but also a couple of rare live tracks, which are exclusive to this release. A 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives)

 Pathogen by SKALDIC CURSE album cover Studio Album, 2006
3.00 | 1 ratings

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Pathogen
Skaldic Curse Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

— First review of this album —
3 stars "Pathogen" is the debut full-length studio album by UK, London based black metal act Skaldic Curse. The album was released through Forgotten Wisdom Productions in 2006. Skaldic Curse formed in 2001 and were active until 2011, releasing a couple of demos, one EP, and two full-length studio albums in that period, and also released the posthumous third album ("Devourer") in 2013.

Stylistially the material on "Pathogen" pretty much continue the harsh and cold, but also atmospheric black metal style of the 2004 "Contagious Psychic Misery" EP, but adds even more atmosphere and progressive songwriting ideas to the compositions. Sure some of the progressive moments include acoustic sections and other relatively standard progressive features, but Skaldic Curse often disguise how adventurous they are in the chords they use or the way they transist from one part of the song to the next. In other words it┤s a subtle progressive touch and it┤s seldom rubbed in your face, so to those who want their black metal undiluted, harsh, and cold, "Pathogen" still delivers plenty of that.

The sound production is as harsh as the music, but it┤s detailed and suiting the material well. Upon conclusion "Pathogen" is an adventurous, progressive inclined black metal release by Skaldic Curse and a good quality debut album. A 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives)

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Tech/Extreme Prog Metal bands/artists list

Bands/Artists Country
1980 France
7TH NEMESIS France
A.I.(D) France
ABIGOR Austria
ABNORMAL THOUGHT PATTERNS United States
ABORYM Italy
ABSORBED Spain
ACHOKARLOS Spain
ACID DEATH Greece
ACOLYTE United Kingdom
ACRIMÍNIA Poland
ACROSS THE SUN United States
AD NAUSEAM Italy
ADEIA Netherlands
THE ADVENT EQUATION Mexico
AEOLIA United States
AEON OF HORUS Australia
AERODYNE FLEX United States
AEVITERNE United States
AFTER FOREST Finland
AGARTHA United States
AGE OF SILENCE Norway
AGHORA United States
AINMATTER United States
AKERCOCKE United Kingdom
ALARUM Australia
ALCHEMIST Australia
ALGOPHOBIA Italy
ALKALOID Germany
ALKUHARMONIAN KANTAJA Finland
ALL DREAMS DYING Finland
ALLEY Russia
ALTERA ENIGMA Australia
THE AMENTA Australia
AMOGH SYMPHONY India
AN ISLE ATE HER United States
ANATA Sweden
ANCIENT Norway
ANCIIENTS Canada
ANGEL OF DISEASE Georgia
ANGEL VIVALDI United States
ANGMAR France
ANIMALS AS LEADERS United States
ANOMALY United States
ANSUR Norway
THE ANTICHRIST IMPERIUM United Kingdom
THE ANTIKYTHERA MECHANISM United States
ANTISOPH Germany
APRIL ETHEREAL Poland
ARCTURUS Norway
ARKAN France
ARRHYTHMOGEN United States
ARTCELL Bangladesh
ARTIFICIAL BRAIN United States
ASEITAS United States
ASHENSPIRE United Kingdom
ASTOMATOUS United States
AT WAR WITH SELF United States
ATEM Finland
ATHEIST United States
ATROPHIA RED SUN Poland
ATRORUM Germany
AUGURY Canada
AUTOCATALYTICA United States
AUTOLATRY United States
AWE Greece
AXAMENTA Belgium
AZURE EMOTE United States
AZUSA Multi-National
BABYLON SAD Switzerland
BACK TO R'YLEH Spain
BARING TEETH United States
BARISHI United States
BARREN EARTH Finland
BAR┌S France
BECOMING THE ARCHETYPE United States
BEDSORE Italy
BEHEADED ZOMBIE Russia
BEHOLD...THE ARCTOPUS United States
BEKOR QILISH Italy
BELIEVER United States
BELTANE Germany
BENTHOS Italy
BETWEEN THE BURIED AND ME United States
BEYOND CREATION Canada
BHAVACHAKRA United States
BIESY Poland
THE BINARY CODE United States
BISBAYE Canada
BLACK CROWN INITIATE United States
BLACK SUN AEON Finland
BLOOD INCANTATION United States
BLOTTED SCIENCE United States
BLUTMOND Switzerland
BORGIA France
BORKNAGAR Norway
BORN OF OSIRIS United States
BOTCH United States
BR─ND JORD Sweden
BURGUL TORKHA¤N France
BURIAL IN THE SKY United States
BURST Sweden
CANVAS SOLARIS United States
CAPHARNAUM United States
CAR BOMB United States
CARBONIZED Sweden
CARCARIASS France
CASTEVET United States
CELARIS United States
CEPHALIC CARNAGE United States
CEREBRUM Greece
CHAOS DIVINE Australia
CHAOS OVER COSMOS United States
CHAPEL OF DISEASE Germany
CHIMP SPANNER United Kingdom
CHRONOSTASIS United States
CIRCLE OF CONTEMPT Finland
CIRCLE TAKES THE SQUARE United States
CIRCLES Australia
CITRINITI Italy
COBALT United States
CODE Multi-National
COLD NIGHT FOR ALLIGATORS Denmark
COLLAPSAR United States
COMA CLUSTER VOID United States
CONQUERING DYSTOPIA United States
CONTEMPLATOR Canada
CONTINUO RENACER Spain
THE CONTORTIONIST United States
CONTRARIAN United States
CONTROL DENIED United States
CONTROL HUMAN DELETE Netherlands
CONVULSING Australia
COPROFAGO Chile
CORAM LETHE Italy
COSMOPHOBE United States
COUNTER-WORLD EXPERIENCE Germany
COUNTLESS SKIES United Kingdom
CRANIUM United States
CREATURE France
CROWPATH Sweden
CRYPTIC SHIFT United Kingdom
CRYPTODIRA United States
CRYPTOSIS Netherlands
CUBICAL SPHERE Greece
CYCLAMEN United Kingdom
CYNIC United States
DAATH United States
DARK HERESEY United Kingdom
DARK MILLENNIUM Germany
DE PROFUNDIS United Kingdom
DEAD EMPIRES United States
DEAD LETTER OPENER Australia
DEATH United States
DEATH MACHINE United States
DEATHROW Germany
DEATHSPELL OMEGA France
DEEMTEE Spain
DELTA CEPHEID Germany
DEMILICH Finland
DEMIMONDE Czech Republic
DEMONIC RESURRECTION India
D╔PARTE Australia
DESCEND Sweden
DESTRAGE Italy
DEVIUS Argentina
DIABOLICAL MASQUERADE Sweden
THE DILLINGER ESCAPE PLAN United States
DIMESLAND United States
DIONAEA United States
DIORAMIC Germany
DIREWOLF United States
DISEMBARKATION Canada
DISFIGURING REALITY Canada
DISHARMONIC ORCHESTRA Austria
DISILLUSION Germany
DISKORD Norway
DIVINITY Canada
DODECAHEDRON Netherlands
DěDHEIMSGARD Norway
DORDEDUH Romania
DOWN I GO United Kingdom
DREAMGRAVE Hungary
DROTTNAR Norway
DRUDKH Ukraine
DRYAD'S TREE Germany
DUOBETIC HOMUNKULUS Czech Republic
DYSRHYTHMIA United States
DYSSIDIA Australia
EARTH SNAKE United States
ECCENTRIC PENDULUM India
ECHIDNA Greece
EDGE OF SANITY Sweden
MATTIAS IA EKLUNDH Sweden
ELECTRO QUARTERSTAFF Canada
ELECTROCUTION 250 United States
ELENIUM Finland
ELENIUM Poland
EMPYREAN SKY United States
ENDITOL Canada
ENSLAVED Norway
ENTROPIA Poland
ERA VULGARIS United Kingdom
ERYN NON DAE France
ESCHATON Austria
ETERNITY VOID United States
EVER FORTHRIGHT United States
EXENCE Italy
EXIST United States
EXIVIOUS Netherlands
EXPATRIATED Denmark
EXTOL Norway
EXTREMITIES Netherlands
EXXPERIOR Germany
F Finland
THE FACELESS United States
FALLUJAH United States
FARMAKON Finland
FEARSCAPE Australia
FIRST FRAGMENT Canada
FLESHGOD APOCALYPSE Italy
FLESHVESSEL United States
FLESHWROUGHT United States
FLOODLINE United States
FLOURISHING United States
FORCES AT WORK Germany
FORGOTTEN SILENCE Czech Republic
FORNOST ARNOR United Kingdom
FRACTAL SUN Costa Rica
FRANTIC BLEEP Norway
FROM A SECOND STORY WINDOW United States
FROM THE EMBRACE United States
GALLOWS HYMN United States
GERYON United States
GIGAN United States
GIZMACHI United States
GLADIATOR United States
GOJIRA France
GOLLUM / HADEA United States
GORGUTS Canada
GOROD France
LE GRAND GUIGNOL Luxembourg
GRIS Canada
GROWTH Australia
GUILLOTINE India
GWYNBLEIDD United States
HAAR United Kingdom
THE HAARP MACHINE United Kingdom
HACKSAW TO THE THROAT United States
HACRIDE France
HALCYON REIGN Australia
HANGING GARDEN Finland
HATED Russia
HATH United States
HAUNTED SHORES United States
HAUNTER United States
HELHEIM Norway
A HERO A FAKE United States
HIDDEN United States
HOPE FOR THE DYING United States
HORRENDOUS United States
HOWLING SYCAMORE United States
THE HUMAN ABSTRACT United States
HUNG United States
HYBRID Spain
HYPNOTHETICALL Italy
IBARAKI United States
IHSAHN Norway
IKUINEN KAAMOS Finland
ILENKUS Ireland
ILLOGICIST Italy
ILLUMINATI Romania
IMPERIAL TRIUMPHANT United States
IN GRIEF Norway
IN LINGUA MORTUA Norway
IN MOURNING Sweden
IN VAIN Norway
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WHAT'S HE BUILDING IN THERE? Canada
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