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GRIS

Tech/Extreme Prog Metal • Canada


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Gris biography
GRIS is a two-person act founded in Quebec, Canada in 2006. Originally they were known as NIFLHEIM but soon changed their name to their current moniker. Playing a cold, desolate style of depressive black metal, particularly on the performer's debut release in 2006, Neurasthénie, the band soon began experimenting more with more varied instrumentation, atmosphere and dynamics. Adding violin to their sound and incorporating more acoustic passages that teeter towards neo-folk in nature, Il était une forêt..., their second full length, was released by Sepulchral Productions in 2007. Developing their skills further, in 2013 the band finally released their third effort, an ambitious two disc full-length album entitled À l'Âme Enflammée, l'Äme Constellée.... Song lengths continue to stretch for longer duration, and stronger progressive tendencies continue to emerge with numerous passages steering away from typical metal to embrace folk and classical influences, while still delivering sonic maelstrom patterns of black metal. The two members of this band are NEPTUNE on bass, cello and guitars, and ICARE on violin, drums, piano and vocals.

Bio by Prog Sothoth

GRIS Videos (YouTube and more)


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GRIS discography


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GRIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 2 ratings
Neurasthénie
2006
3.71 | 6 ratings
Il Était une Forêt...
2007
3.96 | 4 ratings
À L'Âme Enflammée... À L'Âme Constellée
2013

GRIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

GRIS Videos (DVD, Blu-ray, VHS etc)

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GRIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

GRIS Reviews


Showing last 10 reviews only
 Il Était une Forêt... by GRIS album cover Studio Album, 2007
3.71 | 6 ratings

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Il Était une Forêt...
Gris Tech/Extreme Prog Metal

Review by Gallifrey

3 stars Listening diary 1st March, 2022: Gris - Il Était une Foret (atmospheric depressive black metal, 2007)

It's hard to separate this one from just how good its follow-up is, because this just doesn't quite do it as much for me, despite being in a similar vein. But I suppose I've never been taken much by so-called "depressive" black metal, and this is far more in the veins of that genre's heart, so in a way it's an achievement that I feel much from it. And it truly is depressing - the anguished wails, the bleak production, the deep sense of melancholy. It's some of the bleakest music that humanity has ever conceived, and for once I actually feel some of that emotion rather than indifference at what feels to be trying too hard, as most depressive black metal gets out of me. The real standout though is of course the closing track - not black metal at all, but still every bit packed with emotion. It foreshadows what would come later from this project, and almost feels like a completely different album honestly.

6.4 (5th listen)

Part of my listening diary from my facebook music blog - www.facebook.com/TheExoskeletalJunction

 Il Était une Forêt... by GRIS album cover Studio Album, 2007
3.71 | 6 ratings

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Il Était une Forêt...
Gris Tech/Extreme Prog Metal

Review by Warthur
Prog Reviewer

4 stars Depressive black metal which draws strongly on the atmospheric potential of the genre and featuring superior quality production values isn't exactly a unique sound, but Gris pull off one of the better realisations of that sound on this album. With mild folk influences here and there to keep things interesting, Icare and Neptune make a case for their status as a bit more than mere Quebec answers to Sweden's Shining, and throw in some interesting twists and turns along the way - like at least one song that is presented as though it is recorded live before a rapturous audience, whose clapping and cheering sits dissonantly next to Icare's depressed mutterings.
 À L'Âme Enflammée... À L'Âme Constellée by GRIS album cover Studio Album, 2013
3.96 | 4 ratings

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À L'Âme Enflammée... À L'Âme Constellée
Gris Tech/Extreme Prog Metal

Review by Warthur
Prog Reviewer

4 stars Having made their name with the previous album, Gris don't rest on their laurels but press on with this followup, offering an epic journey through melancholic soundscapes with dark folk and post-rock influences creeping into their sound. The use of violin, in particular, adds a particular plaintive note and spices up proceedings considerably. Admirably refusing to stand still, Gris advance their sound on this one and whilst incorporating such post-rock influences into a black metal sound isn't exactly unheard-of these days, there are plenty of groups out there who don't pull it off nearly as well as they do. Keep something cheerful nearby for when the misery gets too much.
Thanks to rdtprog for the artist addition.

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