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PROGRESSIVE ELECTRONIC

A Progressive Rock Sub-genre


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Progressive Electronic definition

Born in the late 60's after the expansion of avant-gardist, modern, post-modern and minimalist experimentation, the progressive electronic movement immediately guides us into a musical adventure around technologies and new possibilities for composition. As an author or a searcher, the musician often creates his own modules and electronic combinations, deciding his own artistic and musical action. The visionary works of Stockhausen, Subotnick, John Cage ("concrete" music, electro-acoustic experimentation), La Monte Young, Steve Reich, Terry Riley (minimal, micro-tonal music) express a vision of total reconstruction in the current musical world. Luminous works such as "A Rainbow in Curved Air" (1967) and "Silver Apples of the Moon" (1967) bring an inflexion on opened forms and new ways to explore the essence and the physical aspects of sounds (through time and space). "Static" textures, collages & long running sounds, the power of technology previously exposed in ambitious classical works will have a major impact in "popular" electronic music.

After the artisan & innovative uses of magnetic tapes, feedback, microphones, etc., the instrumental synthesis, the elaboration of global sound forms and the psycho-acoustic interactions will be sublimated thanks to the launch of the analog synth. A great improvement happened in 1964 with the appearance of the first modular synthesiser (Moog). This material (or "invention") brings the answer to the technological aspirations of many musicians, mainly after the release of the popular "Switched on Bach" (Walter Carlos) and Mother Mallard's portable masterpiece (pieces composed between 1970-73).

At the beginning of popular essays in electronica, the pioneering technologies (in term of recording and sound transmission) will not be abandoned. For instance, "Tone Float" (1969) by Organisation (pre-Kraftwerk), "Zwei Osterei" & "Klopzeichen" (1969-70) by Kluster and "Irrlicht" (1972) by Klaus Schulze will carry on the domestication of the electric energy and the use of refined harmoniums, organs and echo machines. During the 70's decade, European groups & musicians such as Eno, Kraftwerk and Tangerine Dream will make their name in the music industry thanks to an abundant use of analog synthesisers and original electronic combinations. After weird, mysterious experimentation on conventional acoustic & electric instruments, Kraftwerk enjoyed huge success in popular music thanks to "mechanical electronic pop music". "Trans Europe Express" (1977) and "The Man Machine" (1978) figure as two commercial classics. The German spacey electronic scene launched by Tangerine Dream with their outstanding "Alpha Centauri" (1971) and Cluster "I" & "II" (1971-72) will have echoes everywhere, starting from the Berlin underground electronic scene (the Berlin School) with Klaus Schulze ("Timewind" 1974), Michael Hoenig ("Departure from the Northern Wasteland" 1978), Ashra ("New Age of Earth" 1976), Conrad Schnitzler's buzz-drones and repetitive electronics ("Zug", "Blau", Gold" 1972-74) . After several innovations always from Germany we notice the dark, doomy atmospheric manifests of Nekropolis (Peter Frohmader) in "Le culte des Goules" (1981), Asmus Tietchens in his colourful and engaged "Biotop" (1981) and the semi-ambient "Hermeneutic Music" (1988) by Lars Troschen (sound sculptor and synthesist).

In France, the "hypnotic" and "propulsive" electronic essays of Heldon ("Electronic Guerrilla" 1974) and Lard Free ("Spiral Malax"1977) introduce an inclination for industrial, urban and post-modern sound projections. The French "avant gardist" Philippe Besombes takes back the inspiration of " concrete music" (Pierre Henry.) and mixes it to a hybrid rocking universe (published in 1973, "Libra" figures as a true classic). Bernard Xolotl in "Prophecy" (1981), "Procession" / "Last Wave" (1983), Zanov (Green Ray, 1976) and Didier Bocquet (Voyage cerebral, 1978) will follow the musical path anticipated by Klaus Schulze in his kosmische electronic symphonies.

At the end of the 70's until the debut of the 80's Albums as "ambient 1: Music for Airports" (Brian Eno), "Cluster & Eno", "Deluxe" (Hans Joachim Roedelius side project called Harmonia) will announce the emergence of the famous ambient movement, musically characterised by gorgeous shimmering atmospheric textures.

During the 80's, Maurizio Bianchi will be in search of the absolute industrial "post-nuclear" sound tapestry. His visionary musical experience is based on cyclical loops, abrasive concrete noises and vertiginous piano dreamscapes. ("Symphony for a Genocide" 1981 and recently the mesmerising "A.M.B Iehn Tale" 2005). Before M.B and the industrial-bruitist wave, the 70's Italian specialists of electronic experiments had been (among others) Francesco Cabiati (Mirage, 1979), Francesco Bucherri (Journey, 1979), and Francesco Messina for representative, lyrical and spacey orchestrations and also Futuro Antica (D'ai primitivi all'elettronica, 1980) or Telaio Magnetico (Live' 75) for tripped out minimalism.

In the early 1980s and after following the kosmische path of classic Klaus Schulze, The Bay Area / Los Angeles school of electronic created the so called "alchemical" / "Sacred" space music. The music offers a dynamic combination between ancient-traditional music of the West and synthesised sonic soundscapes. The most representative artists of this movement are Michael Stream (Lyra Sound Constellation, 1983) Robert Rich (Numena, 1987) and Steve Roach (Dreamtime Return, 1988).

In the early 80s Ian Boddy (Spirits, 1984 / Phoenix, 1986) and Mark Shreeve (Assassin, 1983 / Legion, 1984) unique spacedout synthesised sagas represented the british answer to the challenging Berlin kosmische school. Their music embodies timbral drone sequences, systematic arpeggiations and synth-pop textures.

Young contemporary bands and artists in electronic experimentation took their inspiration from the 70's "kosmische" analog synth psychedelica of Klaus Schulze, Conrad Schnitzler, Tangerine Dream, etc. In the spaced out synthesisers spectrum, modern Japanese artists as Yamazaki Maso (noisy avant garde experimentor who contributes to the Kawabata's projects named Andromelos, Christina 23 onna and Father Moo & the Black sheeps) or Takushi Yamazaki (Space Machine) are key figures. The minimal, moody / lysergic epic soundscapes of Omit (Clinton Williams), Cloudland Canyon, Astral social club or Zombi also contribute to the renewal of the "cosmic" synth genre. Many modern electronic artists have taken an original musical direction, surfing on post-krautrock ambient waves (Aethenor), on spherical "abstract" ambient minimalism (Pete Namlook, Biosphere, Robert Henke) or on trancey, (post) industrial drone hypnosis (Alio Die / Amon / Nimh for the italian side and Andrew Chalk with his respective projects Mirror, Monos and Ora).

To sum up things, the progressive electronic subgenre is dedicated to intricate, moving, cerebral, intrusive electronic experiences that get involved in "kosmische", dark ambient, (post) industrial, droning, surreal or impressionist soundscapes territories.

Philippe BLACHE


The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree


Progressive Electronic Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Electronic | More Top Prog lists and filters

4.25 | 772 ratings
RUBYCON
Tangerine Dream
4.25 | 234 ratings
MIRAGE
Schulze, Klaus
4.21 | 224 ratings
TIMEWIND
Schulze, Klaus
4.57 | 24 ratings
CATCH WAVE
Kosugi, Takehisa
4.13 | 658 ratings
PHAEDRA
Tangerine Dream
4.38 | 36 ratings
GREEN RAY
Zanov
4.54 | 22 ratings
IN COURSE OF TIME
Zanov
4.18 | 119 ratings
EPSILON IN MALAYSIAN PALE
Froese, Edgar
4.11 | 207 ratings
X
Schulze, Klaus
4.26 | 36 ratings
AN ELECTRIC STORM
White Noise
4.20 | 42 ratings
FILAMENTS
Rich, Robert
4.18 | 43 ratings
INTEGRATI... DISINTEGRATI
Leprino, Franco
4.34 | 23 ratings
ALIO DIE & LORENZO MONTANA: HOLOGRAPHIC CODEX
Alio Die
4.22 | 32 ratings
LUCIFER RISING (OST)
Beausoleil, Bobby
4.03 | 149 ratings
AMBIENT 4 - ON LAND
Eno, Brian
4.02 | 157 ratings
NEW AGE OF EARTH
Ashra
3.98 | 391 ratings
FORCE MAJEURE
Tangerine Dream
3.98 | 269 ratings
ANOTHER GREEN WORLD
Eno, Brian
4.54 | 12 ratings
ARCHITEXTURE OF SILENCE
Alpha Wave Movement
3.95 | 318 ratings
THE MAN-MACHINE [AKA: DIE MENSCH-MASCHINE]
Kraftwerk

Progressive Electronic overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Electronic experts team

SYNTHESIST
Grosskopf, Harald
HARMONIC ASCENDANT
Schroeder, Robert
DEN GÅTFULLA MÄNNISKAN
Malmberg, Eric
HELDON IV: AGNETA NILSSON
Heldon

Latest Progressive Electronic Music Reviews


 An Unfathomable Convergence by ALIO DIE album cover Studio Album, 2016
4.00 | 1 ratings

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An Unfathomable Convergence
Alio Die Progressive Electronic

Review by admireArt
Prog Reviewer

— First review of this album —
4 stars In the same tenor as his past masterworks "An Unfathomable Convergence", 2016, simplifies to the point of sophistication its elements, structures and their seemingly aleatory slow paced movement.

Alio Die (field recordings, drones & loops) surrounds himself again with the same collaborators of his parallel release "Imaginal Symmetry " , Lingua Fungi (kantele, organ & treatments) , Aglaia (electronics and effects) plus the addition of Enten Hitti (percussions, oboe & voice).

Less zither driven (by much) than its twin release, this work conveys 4 years of recordings into a 3 track album which consists of one 50+-min. dronescape, a 13 min. one and a 6:30 min. extract of the lengthier first track.

A perfectly balanced showcase in constant mutation, charged with deep-dream like highlights which undergo the structuring, restructuring and deconstruction of its expandable musical environments , worked throughly to millisecond detail without no kind of frenzy nor obsession.

Beauty happens by the constant mutation and combination of its flowing particles and its uprising and decline participate the same in building parallel ones, therefore the ride is creative, rich as intriguing.

**** 4.5 PA stars.

 Force Majeure by TANGERINE DREAM album cover Studio Album, 1979
3.98 | 391 ratings

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Force Majeure
Tangerine Dream Progressive Electronic

Review by poito

3 stars For a while, this mythic band came out of minimalist math-rhythmic and spacy airs that dominated their production in the 70's and landed in planet Earth, they become human. New instruments, new members, Baumann has left the classic trio, and the new guys seemed to bring fresh air. It must have also spurred on Froese that woke up for a while and got out a bit of the talent they showed in Rubycon and Ricochet. Although there are some excerpts with the characteristic monotonous rhythmic background, the other instruments fly above without limits and add nice riffs, mainstream if you like, but creative and appealing, even catchy. Guitar sections craft excellent tunes, as in the first section of Thru Metamorphic Rocks. This album is a blow of fresh air in the declining trajectory of TG in late 70's.
 Encore (Live 1977) by TANGERINE DREAM album cover Live, 1977
3.86 | 202 ratings

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Encore (Live 1977)
Tangerine Dream Progressive Electronic

Review by poito

2 stars From early 70's experimental noises to the sudden outburst of immortal brilliance in Rubycon and Ricochet, something must have happened and we will never know. The following albums Stratosphere and this Encore marked a slow decline, the muses had gone again and the composition was tired, stiff and lifeless, they were living on the ashes of past glories. This Encore has nothing new, just a few excerpts copied from earlier albums. Probably that's why they returned to the noisy stuff, They had emptied?. Probably it was the success with the music a la carte for movies that make them believe it was enough, if so, they were mistaken, obviously. Music for movies is not to listen, is to watch.
 Stratosfear by TANGERINE DREAM album cover Studio Album, 1976
3.94 | 462 ratings

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Stratosfear
Tangerine Dream Progressive Electronic

Review by poito

3 stars When the dreamy band had hit the streets with Rubycon and Ricochet, they immediately released this Stratosphere album, kind of follow-up to take advantage of the moment. The style keeps the same, but the material is let's say a bit more lazy. Although they keep progressing in the sound that is now much clearer, and the chain of arpeggios that make the powerful beating backgrounds in former albums is less prominent. For the first time there are empty spaces, rock style guitar riffs and floydian guitar backgrounds, and the melodies are not as ground breaking. They still preserve quite. Some moments are really excellent and as tantalizing as before, such as the album title track and the magnificent middle part in Invisible Limits. They recall their first spacy star wars epoch by introducing some spacy noisy whatever fragments that spoil the listen. Too bad they went nostalgic.
 Ricochet by TANGERINE DREAM album cover Live, 1975
4.29 | 299 ratings

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Ricochet
Tangerine Dream Progressive Electronic

Review by poito

5 stars Oh yeah, they were there. Twenty years since I've listened to this album for the last time. And certainly not because I didn't like it, I reminded it as one of the greatest. Time flies when tons of music are knocking the door waiting for a kind ear to let them in. But they were there, as fresh and powerful as the first day. Ricochet is one of the most creative albums of the 70's, probably the music has no the complexity of canterburians, the virtuosity of symphonic masters, or the academicism of fusioners. What was then? Well, it was a bit of all that, but above all, it was tantalizing, hypnotic, and powerful; you can't leave the room when this album is on. Most other music will have some trouble when the years go through, but Ricochet stands as if done for you yesterday night. No matter your favorite stream, it is for you. Trust me. It has not aged a bit. It rivals with Rubycon for the climax of the band. The striking thing is that in less than two years the band was able to release the four most creative albums of their career, and at least two all-time masterpieces, an impressive record. Only two years earlier they were recording noises for space horror movies, and suddenly they were shocking the world with electronic yes, but flourished melodies in a bombastic style that will stick in your brain forever. So powerful it is.
 Zeit 'Largo In 4 Movements' by TANGERINE DREAM album cover Studio Album, 1972
3.65 | 310 ratings

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Zeit 'Largo In 4 Movements'
Tangerine Dream Progressive Electronic

Review by poito

1 stars If you like sci-fi you sure will recognize the sounds poured in this album. This belongs to the early epoch of this mythic band, when they were catching space ghosts out there. I must have two or three tapes by Klaus Schulze somewhere, a former member of the band, I used them to close the old crazy parties in my flat, when my friends had already gone and only the people nobody knew, gate crashers attracted by the noise and fun, wanted to take my room by assault and stay there forever, then it was time to put one of these in the cassette player. Magic reaction, everybody begun to march (or they crawled? can't remember) back to the streets, and I got my house back and empty. That's what this music is good for. Did I say music? Sorry. But it is useful. I mean it. And someone may like it, I did it sometime, or it probably wasn't me. Sure, it wasn't me.
 Phaedra by TANGERINE DREAM album cover Studio Album, 1974
4.13 | 658 ratings

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Phaedra
Tangerine Dream Progressive Electronic

Review by poito

2 stars Phoedra is probably the first album that hit the international scene for this mythic band of the 70's. Masters of synth electronic music, this album meant the end of an epoch in their career, or the start of a new one if you like. The difference with the next album Rubycon is enormous. You have here an essentially ambient music, neatly spacy, that puts you out there amongst starships, galactic monsters and laser guns, elegantly though, but there is little compositional work, that is the main difference with the new Rubycon's era. If you heard about TG, you probably are familiar with the later, this one you won't like it. Maybe one may get hooked for a while in the hypnotic rhythms and clouds, but that's it. I remember when I bought the tape nearly 30 years ago, I did it in the hope that it would be similar to Rubycon, Ricochet or Stratosphere, but I got disappointed. Too much star wars for me. This is for fans of electronic music, which I do not see as Prog though I respect other views. Anyway, by no means this has similar quality or style to Rubycon, as it appears from the ratings. Don't get confused, they are totally different and for different audience. Phoedra is a minor work, only for hardcore fans of electronic music, and possibly overrated because it meant the birth of masterpieces like Rubycon and Ricochet. But get ready to bore, better if you skip it and go directly to those.
 Rubycon by TANGERINE DREAM album cover Studio Album, 1975
4.25 | 772 ratings

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Rubycon
Tangerine Dream Progressive Electronic

Review by poito

5 stars Mythic band of the 70's. The grandeur of TG was that spite of the artificial synth-based sound they were able to turn heads of youngsters of an epoch and listen to their music, no matter their Prog, Heavy, Jazz, or whatever musical orientation. Obviously, not all their work had the same effect, but their masterpieces did. That's the case of this Rubycon, probably the climax ever of synth music. Many would think of TG concerts as boring shows where a few guys behind a bunch of synths and cables pressed a key every now and then. This probably was so in this album too, but the music is nothing like the improvisational spacy clouds they abused of earlier. Rubycon is not even close, it has a notable variety of tunes mingling smoothly, in and out of the tide of powerful sound that these guys were creating from who knows where. It might have been the influence of math composers like Steve Reich, whatever, but the tunes were something new, never heard before, ground breaking indeed. Rubycon stands out of the rest of their production; it meant a gigantic step ahead in their trajectory. They jumped from ambient, spacy, extremely simple composition in the former album Phaedra to a completely different level; only two 18 min long magnificent tracks full of blending tunes mostly keys and synths, but also included a few drum bits and fabulous slow but wall-shaking guitar riffs, fighting the overwhelming pounding background for a space in the air. This album is precursor of machine music, space music, math music, and never matched. I had not listened to it for more than 20 years, and I have to admit it has aged perfectly, even better, it has not aged at all, it is music out of time. Believe me. A masterpiece. If you don't get immediately captivated, probably you are dead, dear.
 Cosmic Ground III by COSMIC GROUND album cover Studio Album, 2016
4.00 | 4 ratings

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Cosmic Ground III
Cosmic Ground Progressive Electronic

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Cosmic Ground is the alias employed by keyboard player Dirk Jan Müller of modern German Krautrockers Electric Orange, a solo project in the progressive-electronic/kozmiche musik style completely composed on the same analogue equipment of the original era. While the vintage Berlin School influences are still present as on the previous two Cosmic Ground releases, Dirk has given his lengthy compositions here a broader approach that allows them more space to breathe and to carefully unfold, making `III' his most natural and subtle artistic expression with this project yet.

Again made up of four vinyl length side-long pieces, opener `Ground Control' might be comprised of slow to reveal longer ambient streams and briefly rising electronic washes, but a constant variety of frequently up-tempo dramatic sequencer trickles quickly gain unceasing momentum throughout with an ever-expanding serene Mellotron pool slowly seeping out. `Crumbling Darkness' is an elegant cinematic drone that holds a tender mystery, with gentle sweeping winds behind ambient landscapes of electric piano ripples, shimmering electronic levitations and hypnotic looping steady sequencer beats that hover in the air.

A ticking bounce quickly overwhelms the monolithic metallic hum of `Keep Us in Space' with an unflinching trance-like rhythm, and `Monochrome Ritual' is a groaning drone expanse, initially not unlike the self-titled opening track off Tangerine Dream's `Green Desert'. It morphs into an ethereal glistening caress lapping around the most submerged rumbling traces of sequencers trying to take flight before a final crystalline deep-space mediation.

Unhurried yet also seductively busy with the most minute of variations and intricate details that assure the airy flowing atmospheres never vanish into still nothingness, `III' is intelligent and restrained with a frequent aching beauty, and is easily the strongest effort from Mr Müller under the Cosmic Ground moniker to date.

Four stars (and Dirk, how about some live recordings soon?!)

 Imaginal Symmetry by ALIO DIE album cover Studio Album, 2016
4.00 | 1 ratings

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Imaginal Symmetry
Alio Die Progressive Electronic

Review by admireArt
Prog Reviewer

— First review of this album —
4 stars Alio Die's shimmering, zyther driven "Imaginal Symmetry", 2016, travels flawlessly and creatively through the brighter environments he sometimes or rarely constructs. This turn of events is enhanced alongside fellow old time collaborators Lingua Fungi and Aglaia, taking an otherwise unusual turn themselves, into this adventure. (Parallel to this project Alio Die also releases "An Unfathomable Convergence", featuring the same ensemble, (which still waits patiently in my recently acquired collection).

So to describe it in sonic/imagery let me say his last 2 (solo) works "Standing in a place" & "Seamlessly bliss" resembled respectively the forest and its shadows. This "Imaginal Symmetry" resembles the skies' colors transitions, its clouds and its cosmic connection.

****4.5 PA stars.

A good referential for the connoisseurs will turn out to be Laraaji's slow paced zyther compositions.

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Progressive Electronic bands/artists list

Bands/Artists Country
12 FOLLOWERS United States
6LA8 Pakistan
ACI Germany
AEON France
AETHENOR Multi-National
AFTERLIFE United States
ILDEFONSO AGUILAR Spain
PEKKA AIRAKSINEN Finland
AIRSCULPTURE United Kingdom
ALBERGO INTERGALATTICO SPAZIALE Italy
ALIO DIE Italy
ALLEGORY CHAPEL LTD United States
DAEVID ALLEN MICROCOSMIC United Kingdom
ALLUSTE Italy
ALPHA WAVE MOVEMENT United States
ALTO STRATUS United Kingdom
AMBER ROUTE United States
AMON Italy
PETER ANDERSSON Sweden
ANDROMELOS Japan
ANNA SJALV TREDJE Sweden
ARC United Kingdom
ARPANET United States
EDWARD ARTEMIEV Russia
ARZATHON Sweden
ASCOIL SUN Finland
ASHRA Germany
THE ASTROBOY Portugal
ATOMINE ELEKTRINE Sweden
AUBE Japan
AUTOMAT Italy
AWENSON France
MARVIN AYRES United Kingdom
HARVEY BAINBRIDGE United Kingdom
AIDAN BAKER Canada
SIMON BALESTRAZZI Italy
BAFFO BANFI Italy
BASS COMMUNION United Kingdom
PETER BAUMANN Germany
BAUMANN/KOEK Germany
BEAR BONES LAY LOW Venezuela
BOBBY BEAUSOLEIL United States
CARLOS BELTRÁN Mexico
LÁSZLÓ BENKő Hungary
PHILIPPE BESOMBES France
BETWEEN INTERVAL Sweden
MAURIZIO BIANCHI Italy
BIG ROBOT Norway
BIOSPHERE Norway
TIM BLAKE France
BLUE MOTION Switzerland
BLUE SAUSAGE INFANT United States
WOLFGANG BOCK Germany
DIDIER BOCQUET France
IAN BODDY United Kingdom
GASTON BORREANI Italy
ADAM CERTAMEN BOWNIK Poland
MICHAEL BRÜCKNER Germany
FRANCESCO BUCCHERI Italy
HAROLD BUDD United States
MICHAEL BUNDT Germany
FRANCESCO CABIATI Italy
ROBERTO CACCIAPAGLIA Italy
CALDERA United States
TOM CAMERON United States
DALLAS CAMPBELL United States
CELLULOID United States
CELLUTRON & THE INVISIBLE United States
ANDREW CHALK United Kingdom
JOHN CHRISTIAN United Kingdom
CHRISTINE 23 ONNA Japan
THE CIRCULAR RUINS United Kingdom
CLOUDLAND BALLROOM Ireland
CLOUDLAND CANYON United States
CLOUDLAND CANYON/LICHENS United States
COIL United Kingdom
COMA VIRUS Germany
PASCAL COMELADE France
COMPUTERCHEMIST United Kingdom
CONTRASTATE United Kingdom
COSMIC DEBRIS United States
COSMIC GROUND Germany
COSMIC HOFFMANN Germany
CRAWL UNIT United States
CREMATOR United Kingdom
CROP CIRCLES France
CROWS LABYRINTH Netherlands
CULTURAL NOISE Austria
FRANCESCO CURRÀ Italy
CYBOTRON Australia
DEAD VOICES ON AIR United Kingdom
NICOLAS DICK France
DIN A TESTBILD Germany
DIONNE - BRÉGENT Canada
DOLULUS Switzerland
HEINRICH DRESSEL Italy
E-MUSIKGRUPPE LUX OHR Finland
EARTHSTAR Multi-National
EDEN France
ELEKTRIKTUS Italy
ELICOIDE Italy
EMERALDS United States
J.D EMMANUEL United States
ENDOPLASMIC FLOW Multi-National
BRIAN ENO United Kingdom
ENVENOMIST United States
EXPO 70 United States
F.G EXPERIMENTAL LABORATORY Switzerland
FRANCO FALSINI Italy
FANGER & SCHÖNWÄLDER Germany
FARBFELDE United States
FASER Germany
FATHER MOO & THE BLACK SHEEP Japan
FFWD United Kingdom
FHIEVEL Italy
FIVE THOUSAND SPIRITS Italy
FLAMEN DIALIS France
FOVEA HEX Ireland
FREE SYSTEM PROJEKT Netherlands
FRIPP & ENO United Kingdom
EDGAR FROESE Germany
PETER FROHMADER Germany
KEITH FULLERTON WHITMAN United States
FUTURO ANTICO Multi-National
GALACTIC EXPLORERS Germany
MICHAEL GARRISON United States
MORT GARSON Canada
GRAHAM GETTY United Kingdom
SACHA GIBSON United Kingdom
BRUCE GILBERT United Kingdom
GIRÓN Spain
MATHIAS GRASSOW Germany
GRAUGLANZ Germany
GREGOR CÜRTEN & ANSELM ROGMANS Germany
RANDY GREIF United States
RAGNAR GRIPPE Sweden
HARALD GROSSKOPF Germany
SVEN GRÜNBERG Estonia
GEORGES GRÜNBLATT France
JEAN GUÉRIN France
CARLOS GUIRAO Spain
BRUCE HAACK Canada
HALL OF MIRRORS Italy
PETER MICHAEL HAMEL Germany
HARMONIA Germany
STEVE HAUSCHILDT United States
HEADSHOCK United Kingdom
TIM HECKER Canada
HELDON France
HEMMELIG TEMPO Norway
ROBERT HENKE Germany
JACK HERTZ United States
MICHAEL HOENIG Germany
HOLLAN HOLMES United States
HORSE PALACE Canada
HARUOMI HOSONO Japan
EPPIE E. HULSHOF Netherlands
HYDRAVION France
HYDRUS Italy
GIUSEPPE IELASI Italy
INVOLVED United States
IVERSEN Norway
JAZZCOMPUTER.ORG France
JESDAT Spain
JIHEL France
GUSTAVO JOBIM Brazil
EDDIE JOBSON United Kingdom
JONATHAN Germany
ARIEL KALMA Australia
JÜRGEN KARG Germany
KASHMIR Switzerland
KHA - YM France
BERND KISTENMACHER Germany
KL(AÜS) Australia
KNITTING BY TWILIGHT United States
KOROIEV Spain
KÖSMONAUT United States
TAKEHISA KOSUGI Japan
ESA KOTILAINEN Finland
KRAFTWERK Germany
MIHA KRALJ Yugoslavia
KLAUS KRÜGER Germany
RICHARD LAINHART United States
LAMBWOOL France
PASCAL LANGUIRAND Canada
LAOZI Georgia
TEDDY LASRY France
STÉPHANE LEMAIRE France
IGOR LEN Russia
FRANCO LEPRINO Italy
LEROUGE France
NED LAGIN & PHIL LESH United States
CECIL LEUTER France
LIIR BU FER Italy
LILIENTAL Germany
JOHN LIVENGOOD France
LOGIC GATE United States
LONG DISTANCE POISON United States
LOOM Germany
BERTRAND LOREAU France
RÜDIGER LORENZ Germany
LORQ DAMON United States
LULL United Kingdom
LUNAR MIASMA Greece
TOR LUNDVALL United States
LUSTMORD United States
LYDHODE Norway
BJORN LYNNE Norway
IAN MACFARLANE Australia
MAEROR TRI Germany
MAGINA Portugal
PEPE MAINA Italy
MAJEURE United States
ERIC MALMBERG Sweden
MARIBOR Italy
RUNE MARTINSEN & ØYSTEIN JØRGENSEN Norway
ANDREA MARUTTI Italy
MEERKAT Italy
METATAG Norway
EMERSON MEYERS United States
MICKIE D'S UNICORN Germany
CLAUDIO MILANO Italy
DIETER MOEBIUS Germany
MOLNIJA AURA Italy
CLARA MONDSHINE Germany
MONOTON Austria
GEN KEN MONTGOMERY United States
MOORE / MYERS United States
KEN MOORE United States
STEVE MOORE United States
MORA-TAU Japan
SCOTT MOSHER United States
MOTHER MALLARD'S PORTABLE MASTERPIECE CO. United States
MOUNTAIN OCEAN SUN Japan
MOUNTAINS United States
THE ALMAN MULO BAND United Kingdom
MUSHY Italy
IAN NAGOSKI United States
PETE NAMLOOK Germany
NAUTILUS Germany
NAZI UFO COMMANDER Italy
NEPTUNE TOWERS Norway
NEURONIUM Spain
NEVER KNOWN Italy
NEWCLEAR WAVES Italy
NIMH Italy
NIMH + M.B Italy
NISUS Belgium
NODE United Kingdom
NUMINA United States
OMIT (CLINTON WILLIAMS) New Zealand
OÖPHOI Italy
OSCILLOTRON Sweden
OSE France
P'COCK Germany
PALADIN United Kingdom
STEPHEN PARSICK Germany
PEAK Australia
PETER M. Italy
PHROZENLIGHT Netherlands
RICHARD PINHAS France
BRENDAN POLLARD United Kingdom
TJ PORTER Canada
COLIN POTTER United Kingdom
NIC POTTER United Kingdom
ROGER POWELL United States
DAVID PRESCOTT United States
THE PRESENT MOMENT United States
DAVID PRITCHARD Canada
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