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STEVE HAUSCHILDT

Progressive Electronic • United States


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Steve Hauschildt picture
Steve Hauschildt biography
New comer but highly skilled artist in the electronic-prog world. After one CDr entitled The Summit (Gneiss Things, 2007) Hauschildt published his first official CD Tragedy & Geometry (Kranky, 2011). The musical content offers a dense collection of tripped out and subliminal synthscapes, featuring intriguing experiments and delicately absorbing hypno-minimal patterns.

Similar artists in the archives: Manuel Göttsching, Günter Schikert, Richard Wahnfried...

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DissolviDissolvi
Ghostly International 2018
$6.79
$4.47 (used)
Where All Is FledWhere All Is Fled
Kranky 2015
$13.79
$16.19 (used)
StrandsStrands
Kranky 2016
$13.21
$21.07 (used)
S/HS/H
Editions Mego 2013
$8.65
$9.89 (used)
Tragedy and GeometryTragedy and Geometry
Kranky 2011
$7.60
$9.99 (used)
SequiturSequitur
Kranky 2012
$13.63
$15.37 (used)
Tragedy & Geometry by Steve Hauschildt (2011-11-15)Tragedy & Geometry by Steve Hauschildt (2011-11-15)
Kranky
$519.09
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STEVE HAUSCHILDT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

STEVE HAUSCHILDT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.00 | 1 ratings
The Summit
2007
3.00 | 4 ratings
Tragedy & Geometry
2011
3.05 | 3 ratings
Sequitur
2012
4.00 | 3 ratings
Where All Is Fled
2015
4.00 | 3 ratings
Strands
2016
4.88 | 7 ratings
Dissolvi
2018

STEVE HAUSCHILDT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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STEVE HAUSCHILDT Reviews


Showing last 10 reviews only
 The Summit by HAUSCHILDT, STEVE album cover Studio Album, 2007
2.00 | 1 ratings

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The Summit
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

— First review of this album —
2 stars Steve Hauschildt, former member of USA based Progressive Electronic/Electronic Krautrock trio: EMERALDS (listed in these archives under the Prog. Electronic tag), release- The Summit (2007)- could be summarized as a resume of his direct influences and possibilities as an independent electronic music composer.

Each of the nine tracks has its own personality, there is no musical nor conceptual tie among them, which enriches the listening experience with sonic diversity.

Music composition wise it relies on interesting and simplified structures combined with aleatory electronic noise experimentation. There are no pulse driven dynamics, Krautrock "Rock" nor New Age moods or strict Ambient music solutions, so let me call them Soundscapes/Dronescapes.

Yet there is still something naive about his composing intentions therefore his musical structures, but the same it helps to keep them away from false pretentions. If anything this release is honest to the bone.

**2 PA´s stars.

 Tragedy & Geometry  by HAUSCHILDT, STEVE album cover Studio Album, 2011
3.00 | 4 ratings

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Tragedy & Geometry
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

3 stars Steve Hauschildt´s Tragedy & Geometry (2011) makes quiet a statement for a musician who is looking for a personal way of expression, which of course still shows some close influences, nevertheless compensates with a honest approach, a good quantity of doses of his own evolving musical idiom and very creative, fresh and well crafted electronic music solutions to quiet well traveled roads.

This album had the luck to get two very well written and explanatory reviews before mine in these Prog archives which kind of helps to set its whats & whereabouts and reason of existence, which usually I really not account for my music appreciation nor rating, but agree with both reviewers on the fact that even if it is not flawless what is valuable is truly worth listening (I myself will keep it due to the same).

***3.5

P.S. Even if it all seems pretentiously conceptual, the songwriting is independent of its showcase thus quiet unpretentious and up front.

 Strands by HAUSCHILDT, STEVE album cover Studio Album, 2016
4.00 | 3 ratings

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Strands
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

4 stars Strands (2016) exhibits Steve Hauschildt´s musical language take a giant leap towards a unique electronic music composer´s identity.

Having heard the Steve Hauschildt releases shown in these Prog. archives, until now, chronologically, ( less his 2018 Dissolvi which I heard first ), the maturity acquired in his music composition skills has grown exponentially. What once was a whole composition is now a section or detail of one, without losing his knack for simplification nor sacrificing melodic beauty, his idiom now displays a wider range of creative structures as it is richer, meticulously well crafted (as it usually is) and far more personal and emotional due to its detachment of foreign influences.

A very good example of how you do not have to rip-off TD´s, Schulze´s or Eno´s (nor Steve Reich´s by the way) musical language or pamper yourself behind conceptual explanations to update and continue the Berlin School´s teachings.

An 8 track release where all eight compositions offer up front refreshing, diverse, enticing and above all a personal approach to the 21st century´s electronic music evolution thus to the Progressive Electronic sub-genre as well.

****4.5 PA´s stars.

 Where All Is Fled by HAUSCHILDT, STEVE album cover Studio Album, 2015
4.00 | 3 ratings

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Where All Is Fled
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

4 stars A journey into Steve Hauschildt´s own electronic music universe that is what - Where All Is Fled (2015) - sounds like. A composer who has freed himself of borrowed luggage.

Exciting in diversity, rich in creativity, full of surprising details and overflowing with confidence this 14 tracks release delivers on each of its tracks a unique, emotional and intelligent contemporary Progressive Electronic trip without no kind of attachments to past glories but its possible future ones.

Sometimes the good things in life are so close that one ends up looking for them on the other side of the planet.

****4.5 PA´s stars. Do not miss.

 Dissolvi by HAUSCHILDT, STEVE album cover Studio Album, 2018
4.88 | 7 ratings

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Dissolvi
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

5 stars A new kind of frontier.

Frankly I really don´t want to talk about this guy´s dos and don'ts or his bio or whatever you can easily find in this site´s Progressive Electronic files. I had the luck of encountering Steve Hauschildt´s Dissolvi (2018) before any of his previous works. I liked the cover art and bought it just to find out that the DADAistic visual composition was a cover up for a very unDADAistic electronic music project, and boy! It was an unexpected surprise.

Dissolvi is an 8 track no cheap thrills, highly refined and perfectly threaded and even better composed non-classical contemporary electronic music Masterpiece.

A new kind of groove in these P.A.´s P.E. fields (of course he is not the first but this is just too good to go unnoticed) and by contemporary I mean up close encounters with ELECTRONICA to put it simply and scare away the purists.

Steve Hauschildt´s Dissolvi consists of solid/ethereal songs (some even with lyrics & vocals) no experimental bs, no unrequired Artsy pretentions but Artistic solutions to intelligent and emotional electronic music songwriting.

But let me insist this is a new kind of electronic playground and even better yet an original approach to P.E. in a unique and refined musical language, without no real connection to the electronic school´s of yore as his previous works are, which I later found out.

***** ENJOY!

 Sequitur by HAUSCHILDT, STEVE album cover Studio Album, 2012
3.05 | 3 ratings

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Sequitur
Steve Hauschildt Progressive Electronic

Review by admireArt
Prog Reviewer

3 stars Steve Hauschildt´s Sequitur (2012) takes a chance into a kind of mainstream course.

In this release, music wise, Steve Hauschildt is more into the catchy and friendly electronic riffs and compositions, although his experimental approach is still there it just acts as a secondary character. Of course there is nothing wrong with accesible music (or any kind of music by the way), if it touches you it is for you if it does not well it is not.

Sequitur has some real close encounters with the 80s Synth-Wave styling (drum boxes/deep bass included) in tune with the New Romantics kind of melancholic/tragic songwriting in some of its tracks, others have brushes with what TD, Klaus Schulze and J.M. Jarre or even Kraftwerk were sounding like in those same years.

Like a late retribution to other of his personal influences and likings yet even among these close calls one can still recognize what he also brings to the table.

Probably one of his more mainstream albums and hopefully a nice way to interest a broader audience into his otherwise more "complex" works.

***3 PA stars.

 Tragedy & Geometry  by HAUSCHILDT, STEVE album cover Studio Album, 2011
3.00 | 4 ratings

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Tragedy & Geometry
Steve Hauschildt Progressive Electronic

Review by colorofmoney91
Prog Reviewer

3 stars Tragedy & Geometry is basically very active (usually mid-paced) ambient music that relies mostly on thin sounding cascades of notes held together by soaring synth melodies. When most people think of ambient, they may think of never-ending drones that sound ethereal or angelic, and while this album does have that ethereal sound, most of the tracks on this album have some energetic character that alludes to Berlin school style of electronic composition and newer experimental electronic artists, except the spacey atmosphere is traded for more serenity.

Although this album's music is initially very soothing and engaging, it starts to get very samey and uninteresting just before the half-way point. Only a few tracks stand out to me, and those are "Batteries May Drain" which features Haushildt's serene ambient combined with an uptempo drum track that makes this sound like the most sophisticated synth-pop, "Music for a Moire Pattern" which is primarily an epic showcasing of Hauschildt exploring the glassy cascades of synth patterns for 11 minutes and gets quite hypnotizing, "Overnight Venusian" which adds considerable darkness to the sound that's been established on all of the previous songs on this album (finally some mood change), and "The Impossible Flower" takes the same glassy synths and adds an effects that makes them sound as if they were submerged in water giving this single track a strong aquatic feel (very video game "water level"). Even with four standout tracks, most of the album still sounds entirely samey and, while pleasant, feels more like a chore to get through than an enjoyment.

Tragedy & Geometry is a very soothing album that is as relaxing as it is beautiful, but lack of variety throughout makes this album a bit too long-winded (especially at over an hour in length), but what we have here is proof that Steve Hauschildt, performing solo and away from his group Emeralds, has a lot of potential. This is a good album, but I'm confident that Hauschilt can do much better.

 Tragedy & Geometry  by HAUSCHILDT, STEVE album cover Studio Album, 2011
3.00 | 4 ratings

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Tragedy & Geometry
Steve Hauschildt Progressive Electronic

Review by Guldbamsen
Special Collaborator Retired Admin

3 stars Aquarium tales

If you wonder what music to put on, when nothing´s on the telly and you aren´t improving your oboe skills in the slightest -and just want some time to yourself happily spent watching the colourful flashes radiating from your neon fish shoals - then look no further. This outing feels like the perfect soundtrack for small rainbow coloured cichlids zipping about in geometric shape-shifting patterns inside the miniature sea world of your aquarium.

Steve Hauschildt is a new boy on the block - at least to me that is. He´s been a member of electronic artist Emeralds for several years, where he´s explored many facets to this bubbly genre. Noise, ambient, Berliner Schule and a bunch of other different approaches. From what I´ve heard in Emeralds music, this new album of his called Tragedy & Geometry sounds altogether different. Hauschildt draws his inspiration from many of the head honchos of the progressive electronic world. I hear some references coming from the early Klaus Schulze albums - although they are hiding pretty well beneath the somewhat modern surface this album exudes, but they are there. The track Peroxide is a perfect example of this, where the synths form into thick electrically charged storm clouds of sound slowly percolating these giant breadths of oscillating soundscapes. I´d wish the album had more of these dreamy oozing tracks, where everything just flows.

The main inspiration here however, is Manuel Göttsching, and it becomes remarkably clear just how much of an inspiration his genius chessboard album from 1981 is to Hauschildt. These micro-tonal hypnotic beats, moving in minuscule slightly shifting patterns - like big oceanic waves of mosaic sounds - are indeed what drives this album. It´s like watching images of spheres and blurry looking planets illuminated by stroboscopic lighting. When you listen to this album whilst looking at the laser infected cover, the music suddenly swarms around the room like a private Who concert(remember those laser green accompaniments they had back in the day?) with grandiose light show and all - only here with electronic music as your sonorous mistress. The longest track here called Music for a Moiré Pattern shows how elegantly Hauschildt weaves these micro-tonal eccentricities into one another, and as a result of this he succeeds in doing something that is terribly difficult. He makes it sound like he was the originator of this rather fluid electronic movement, -even if Göttsching commenced it with his Early Water recordings from back in 76.

This is a very smooth and delightful album, which, had it been released some 30 years ago and trimmed down a bit, - would have deserved a big 4 star rating from yours truly. As it is, perhaps too long and slightly meandering, I´ll keep the one star lying comfortably on the bottom of my trouser pocket. Still, I think some people around here, have forgotten how wonderful and captivating a 3 star record can be, and this is surely one of those. I love listening to this, and it keeps my concentration revitalized and blooming like no other remedy could hope to achieve- filling my head with bubbling images of these entrancingly swarming shoals of fish.

Thanks to Philippe Blache for the artist addition.

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