A Progressive Rock Sub-genre

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Various Genres definition

Albums or CD's where more than one artist is featured either as a SAMPLER or a TRIBUTE to a particular band. Examples: - Peter and The Wolf - Prog Fairytale - 1975 / The Reading Room - 2000 / Leonardo - The Absolute Man - 2001 / Best Prog Rock Album in the World... Ever - 2003 / Un Voyage En Progressif Volume 1 to 8 / Kalevala - A Finnish Progressive Rock Epic.

Various Genres Top Albums

Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Various Genres | More Top Prog lists and filters

4.26 | 132 ratings
Various Artists (Concept albums & Themed compilations)
4.27 | 69 ratings
Various Artists (Concept albums & Themed compilations)
4.36 | 38 ratings
Various Artists (Concept albums & Themed compilations)
4.22 | 73 ratings
Various Artists (Concept albums & Themed compilations)
4.30 | 35 ratings
Various Artists (Concept albums & Themed compilations)
4.78 | 11 ratings
Various Artists (Tributes)
4.21 | 46 ratings
Various Artists (Tributes)
4.17 | 54 ratings
Various Artists (Concept albums & Themed compilations)
4.09 | 47 ratings
Various Artists (Concept albums & Themed compilations)
4.03 | 58 ratings
Various Artists (Concept albums & Themed compilations)
4.04 | 40 ratings
Various Artists (Concept albums & Themed compilations)
4.01 | 34 ratings
Various Artists (Concept albums & Themed compilations)
4.09 | 18 ratings
Various Artists (Concept albums & Themed compilations)
4.41 | 8 ratings
Various Artists (Tributes)
3.94 | 32 ratings
Various Artists (Concept albums & Themed compilations)
4.14 | 13 ratings
Various Artists (Tributes)
4.50 | 6 ratings
Various Artists (Tributes)
3.92 | 25 ratings
Various Artists (Concept albums & Themed compilations)
3.94 | 15 ratings
Various Artists (Concept albums & Themed compilations)
3.87 | 22 ratings
Various Artists (Concept albums & Themed compilations)

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Latest Various Genres Music Reviews

 A Momentary Lapse of Vinyl (Pink Floyd Tribute) by VARIOUS ARTISTS (TRIBUTES) album cover Singles/EPs/Fan Club/Promo, 2014
4.00 | 1 ratings

A Momentary Lapse of Vinyl (Pink Floyd Tribute)
Various Artists (Tributes) Various Genres

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
4 stars UK label Fruits de Mer Records have an annual habit of creating something special for their regular customers. A little something the regular buyers and a few reviewers are sent towards the end of each year, small treasures they can hoard over and possibly gloat over owning that will be out of bonds for everyone else. In 2014 they really outdid themselves by assembling a double CD of material featuring cover versions of early Pink Floyd compositions and Syd Barrett songs, in a package called "A Momentary Lapse of Vinyl".

How interesting or not cover versions is to you will probably be a deciding fasctor in whether or not you'll desire to hunt down someone in possession of this double CD package, as well as just how much you treasure Pink Floyd as they came across prior to the universally well known Dark Side album. Those that treasure this period of Floyd and Barrett will most likely find this production to be an interesting one though, especially as the contributing artists all have their little special take on their chosen songs.

Personally I was most amazed by the song that bookends the first of these two CDs, Ilona V and I Am Voyager 1 both covering the tune Golden Hair. Each in their very own way, each of them managing to achieve a magical run through this brief Barrett solo tune. Among this massive collection of material, 30 songs and a playtime of more than two hours, it is difficult to point out any core traits of course, and the generally high quality of this production makes it just about impossible to describe the best ones in a brief and coherent manner. One core trait that applies tom many of these submissions is that they are fairly lo-fi sounding though. Little studio magic have been applied to polish the overall sound here, and among the most notable is the almost singer songwriter run through four songs assembled into one package by one man band Extra, where Cymbaline is the song that takes up the greater majority of time through this almost 14 minutes long rendition that also covers Pastoral Symphony, Crying Song and Green Is the Colour.

The most standout contribution in a negative sense, due to my personal tastes I guess, is the chaotic, constantly fragmenting improvisational sounding Interstellar Overdrive by Interstellar Emily. While some firmer and often compelling themes do rise, and subsequently defragment, the overall impression on this elongated trek is chaotic more than anything else. Personally I was much more fond of Rob Gould's more carefully controlled take on A Saucerful of Secrets, also a chaotic affair that twists and turns but in this take with more of a melodic, ambient feel to it. And with liberal use of Mellotrons too, unless I'm, much mistaken.

Many of the shorter songs are amongst the most vital here. The Jet Age's Let's Split amongst the most compelling one in that department, and James McKeown's careful take on Dominoes another one that merits a mention. The Magic Mushroom Band is another contributor worth taking note of, and while they have a relatively easy task when their chosen song is Set the Controls for the Heart of the Sun, I found their take on this song to be a vibrant and intriguing one anyhow, and the female whispered vocals really suit this song, at least in this version. On the subject of female lead vocalists many more should probably be mentioned too. Cary Grace and Crystal Jacqueline both contribute high quality renditions too, of Cirrus Minor and Grantchester Meadows respectively, and Wild Pink Yonders take on Two of a Kind is another one that needs to be mentioned in this particular context.

All in all this is a solid package, and one many fans of Barrett era Pink Floyd most likely would have liked to experience. If you belong inside that audience and you should happen to chance upon this production, I'd advice you to get a hold of this one. Until that happens, visiting someone with this double CD in their possession will be the only possible way to experience this material presumably.

 Zabriskie Point - Original Soundtrack by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 1970
2.91 | 46 ratings

Zabriskie Point - Original Soundtrack
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TCat
Prog Reviewer

3 stars This is the album that determines if you are a true Pink Floyd fan or not. If you didn't know about this album before, then you still have a little more to learn about PF. If you did know, about it, then you probably know that the main album has 2 otherwise unavailable PF tracks on it plus 1 renamed track. But, not only that, if you get the 1997 re-release, you get a bonus disc with 4 more tracks that were previously unavailable that were written for the movie, but unused because of some issues between the band and the director. That is enough for the true PF fan to already know about and the PF music lovers to get excited about.

So, overall, is it worth it to search this out? Well, if you love the music the PF produced in the era between the departure of Barrett and "Atom Heart Mother" then this is definitely worth your while to check it out. The main feeling of the entire album (which also has some instrumentals by Jerry Garcia and other songs by other bands) is a very folky/psychedelic feeling. The songs for the most part are decent and enjoyable, but other than only a few of the PF tracks, there is not much progressive rock to talk about here. I only want to talk about the PF tracks here because I feel that is why most people on this site would want to check this album out.

"Heart Beat, Pig Meat" is the first PF track (and 1st album track). It is mostly psychedelic sounding but consists of an interesting percussion pattern with some ambient electronics flowing in and out and also a lot of what sounds like old soundtrack music clips from old movies thrown in here and there throughout the track. The next PF track is #4 on the album and it's called "Crumbling Land" This is a decent track with harmonic vocals that almost sound like what you would hear from a folk band like CSN&Y, so it fits into the feeling of the album. However, the ending gets somewhat spacey just so that you are reminded who this really is. The last track on the main album is also the last PF track and it's called "Come in Number 51, Your Time is Up". This is really not an original track in that it is very much like "Careful With That Axe, Eugene", so yes, it's psychedelic.

On the bonus disc, you get another vocal track called "Country Song" which sounds very similar to the music from "More", very mellow at first with a electric guitar joining in on the last part of the track. Nice track, but nothing really outstanding. Then you get "Unknown Song" which is a mellow full band instrumental, mostly acoustic sounding. "Love Scene Number 6" is a very nice blues instrumental which is a welcome change of pace for PF and then the disc closes with "Love Scene Number 4" which is simply Rick White on piano, nice and relaxing, but again nothing really outstanding here.

As far as the rest of the album, if you like folk rock with a little psychedelia mixed in, it's a pleasant listen. On the bonus disc, the other 4 tracks are Jerry Garcia pretty much noodling around on an acoustic guitar, so nothing too exciting there.

There was another track that was later released on a PF box set called "Fingal's Cave" which is a mellow psychedelic track. There were also two other tracks that were not released on any album that I am aware of called "Oenone" (on "The Tree Full of Secrets" bootleg and another psychedelic track) and "The Violent Sequence" (on the "Violence in Birmingham" bootleg and is a beautiful piano piece, much nicer than "Love Scene Number 4" and why it hasn't been released on a proper album, I don't know).

So, I guess it all depends on how curious you are and how big of a fan you are as to whether you want to look into locating this album. I can't consider it anything that is groundbreaking but it is pleasant like I said before, so give it a 3 star rating.

 New Way Of Krautrock - Volume 1 by VARIOUS ARTISTS (LABEL SAMPLERS) album cover Studio Album, 2015
2.95 | 2 ratings

New Way Of Krautrock - Volume 1
Various Artists (Label Samplers) Various Genres

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

3 stars In cooperation with the Underground √xpšrten team, which is on the air via Radio Sunrise with regularity, Tonzonen Records have released an interesting song collection for a thorough investigation here. Just another cause for those who are willing to discuss it to death - is this krautrock or psychedelic/space or progressive electronic stuff what I hear? There are certainly a lot of transitions to remark, thus concerning this production at least pretty much everyone who claims to be a fan of this sort of music will be on a solid ground somehow.

Hereby ELECTRIC ORANGE are one of the forerunners, which nobody seriously will deny, I'm sure. Hence it's not a surprise that they are contributing - a must so much the more, and Chorg means an excellent excerpt from their killer album 'Krautrock From Hell'. SOUNDS OF NEW SOMA are an encouraging newcomer duo from Krefeld, On their debut, released in 2014, you are encountering a cosmic sound which has its roots in the Berlin School, dreamy soundscapes enhanced due to some saxophone support. Their song Mahatma Macht Mittag comes from the subsequent EP 'Gandhis Labyrinth' though, including soaring guitars and sampled drums.

Featuring Biene on keyboards and theremin Berlin based APHODYL are a quartet on high altitude currently. They are offering the extremely extended excursion Pyramide Of Slave, dedicated to fans of unbounded psychedelic/space jamming. For me it's a bit too much, too stretched, however this is purely a matter of taste of course. While adding the track Weed Porn to the compilation the band KNALL appears with lesser spacey appeal, they are more from the heavier blues rooted psychedelic department. Their passion is to celebrate and record improv sessions whenever there is some free time, having the focus on a vivid and multi-faceted electric guitar work.

The SPACELORDS are far behind a newcomer status in the meanwhile with three praised albums in the back. Prelude-Rhinoceros-Bison seems to be a previously unreleased exemplar, a constant on live gigs anyhow. Combined with some narration this is alternating between a relaxed spacey flow and heavier escapes. LOVER 303 includes - surprise surprise - iconic figure Mani Neumeier on drums. Alongside with Conni Maly he offers the song Jetzt geht's los venturing an ambitious blend of space kraut, ethno and electro pop. LARMAN CLAMOR finally closes the session with a dreamy nightfall.

There is unquestionably a new movement to recognize in Germany during the last years, with the purpose to revitalize the inspiration of the 1960/70s, which means the approach to celebrate experimental and innovative music in other words. And this without solely rehashing the good old times. 'New Way Of Krautrock - Volume 1' sums it up in a favourable manner. A bunch of new impressions is waiting for you. Well, this will not be the end of the story, as a series of five albums in total is at the planning stage - 3.5 stars.

 Refugees: A Charisma Records Anthology 1969-1978  by VARIOUS ARTISTS (LABEL SAMPLERS) album cover Boxset/Compilation, 2009
2.47 | 4 ratings

Refugees: A Charisma Records Anthology 1969-1978
Various Artists (Label Samplers) Various Genres

Review by Jeff Carney

1 stars Much of the music contained on this 3 disc set would surely earn 4-5 stars from yours truly. However, given that this release is a set of its own, I feel obliged to review it on its own merits.

What we have here is some of the worst digital mastering one is likely to encounter. While the credits state that fresh transfers were done, some of the tracks on Disc 1 clearly seem to originate from previous digital sources. For example, when Genesis hit their turn with "Looking For Someone," it appears to be butchered with the same no-noising problem for which the Trespass "Definitive Edition Remaster" is now fairly legendary. I do suspect most tracks here were from fresh transfers where necessary, possible or desired, but regardless ... everything is mastered in a manner where you'd never know how good some of these albums sounded. Tinny, shrill frequencies abound, and some tracks sound excessively dehissed to the point of rendering things downright lifeless. Dynamically it's fine, but the EQ moves and no-noising just ruin the party. Listening on headphones I almost thought somebody had to be kidding.

The extensive book is wonderfully detailed. Probably worth it for the Charisma completist. Just don't think for a second that this kind of modern digital butchery will give you any indication of what great music was brought to the world by Charisma.

 21st Century Schizoid Band (King Crimson alumni group) - Live In Japan (DVD) by VARIOUS ARTISTS (TRIBUTES) album cover DVD/Video, 2002
4.00 | 4 ratings

21st Century Schizoid Band (King Crimson alumni group) - Live In Japan (DVD)
Various Artists (Tributes) Various Genres

Review by Guillermo
Prog Reviewer

4 stars A very good concert DVD recorded by this band which was formed by former members of KING CRIMSON plus a new lead singer and guitarist (Jakko Jakszyk). They played for some years, and in fact they came to my country once in 2004 to play at the "Gran Forum" auditorium of the Musicians Union, a concert that I could not attend, and in fact there was very few publicity about their concert there. That time they came with Ian Wallace on drums instead of Michael Giles, who it seems he was tired of touring.

This band played some songs from some late sixties and early seventies KING CRIMSON`s albums from the time when Peter Sinfield was the lyricist of the band ("In the Court of the Crimson King", "In the Wake of Poseidon" and "Islands", with not songs being played from "Lizard"), two songs from the "McDonald and Giles" album, one soloist song from Michael Giles, and two soloist songs from Ian McDonald. But every member of the band has the chance to show their individual talents. Even Michael Giles and McDonald sang one song each, but the main lead singer is Jakko Jakszyk, who also plays very good guitar parts. This was a very good band which apparently don`t play together anymore.

I expected to see them playing the full "Birdman" suite from the McDonald and Giles" album, but they only played the final part. From the same album they played Michael Giles `s "Tomorrow`s People". The band really sounded and played very well, showing that all these musicians are very good, and that in fact they sounded very much like the late sixties-seventies version of KING CRIMSON wih Peter Sinfield as lyricist. Even the soloist songs from Michael Giles and Ian McDonald sound very related in style to the very good old KING CRIMSON from that period. Robert Fripp is not really missed while this band is playing those old songs. The same could be said about Greg Lake, Boz Burrell and other former members of KING CRIMSON from that period.

I never liked Adrian Belew`s KING CRIMSON, which for me it was not related to the old KING CRIMSON from the seventies in musical style, looks and sound. So, I prefer to watch and to listen to this 21ST CENTURY SCHIZOID BAND a lot more to than any video from KING CRIMSON with Belew in the line-up. Maybe they deserved to use the KING CRIMSON`s name more than the Belew line-ups... even without Fripp.

 Classic Rock Society - New Species by VARIOUS ARTISTS (LABEL SAMPLERS) album cover Boxset/Compilation, 2011
3.00 | 1 ratings

Classic Rock Society - New Species
Various Artists (Label Samplers) Various Genres

Review by Matti
Collaborator Neo-Prog Team

— First review of this album —
3 stars This is the first "New Species" volume of Classic Rock magazine's supplementary prog sampler discs that have rapidly grown in numbers within few years. I presume the magazine gives more information on the artists of each sampler, but I have received this - and one other - separately, and therefor my review won't be very informative. Instead I'm approaching this solely as a listening experience.

FREQUENCY DRIFT, one of those I've just heard the name of. 'Tempest' is a dreamy and melancholic track that continues four minutes before the female vocals arrive. The chorus repeating "fierce (fears?) the tempest" sticks out as more intense. A great 10-minute track that makes me interested in the band. - Norwegian WHITE WILLOW, Metal-oriented prog band with female vocals, I already know more or less. The track has some fine keyboard work and a nice but short guitar solo, while the song itself leaves me a bit cold. - DAY SIX is depressive Metal, not much to impress me. Or wait, that proggy instrumental section stepping further from the Metal style is pretty good.

WOBBLER is a highly appreciated Norwegian prog band with lots of nearly Gentle Giant-ish complexity and a strong YES flavour in sound. 'La Bealtaine' (7:53) shows their skills in an economic form and is a perfect choice for a sampler. - CRIPPLED BLACK PHOENIX, haven't heard before. A cross between Muse and Porcupine Tree perhaps. They try hard to sound original and occasionally - without the wailing vocals - they also succeed in it. - Australian UNITOPIA play pop-oriented modern cleanly produced prog. Longish 'What Kind of World' has many good things but slightly too much of quite average vocals.

Who's PAUL MENEL? His chosen track is tightly packed pop song with an ambitious sonic texture. Some less of political voice samples would do, thanks. - MORPHEUS RISING: what else can I say than that they sound to me like dozens of other Metal bands. - The U.S. artist PHIDEAUX I have already an interest in; having heard two albums I think 'Tempest of Mutiny' isn't Phideaux at his best, especially on the vocals. - And finally KONCHORDAT (??), whose 'Panic Room' (9:20) is abbreviated here. It's so exhaustingly full of energy and in-your-face edginess that I'm not encouraged to find out more.

"No moths were harmed in the making of this CD!" I like the covers of this series (that echo TALK TALK's The Colour of Spring - perhaps unintentionally). Musically this volume has some great things and some not exactly up to my taste. I've listened to many worse compilations, so three stars are easily earned.

 21st Century Schizoid Band (King Crimson alumni group) - Official Bootled v.1 by VARIOUS ARTISTS (TRIBUTES) album cover Studio Album, 2005
3.00 | 2 ratings

21st Century Schizoid Band (King Crimson alumni group) - Official Bootled v.1
Various Artists (Tributes) Various Genres

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars Early King Crimson resurrected to great effect!

I think it is a real shame that this brilliant group of King Crimson alumni needs to be hidden away in the tributes section. With two founding members of King Crimson - Ian McDonald and Michael Giles - and a further two - Peter Giles and Mel Collins - who were part of that band very early on it is hard to complain about the band members pedigree. Jakko Jakszyk was the only one here that at the time of this "live in the studio" recording had not previously been a member of King Crimson, but Jakszyk too has now recently joined the ranks of King Crimson and is touring with them at the moment.

The present album was recorded live in the studio just before the band performed some great shows in Japan, one of which was captured on film and released as Live In Japan. The track list of this teaser CD is a little selection of tracks that they performed on those shows all of which originally came from the 1969 to 1972 period of King Crimson when these guys were part of that band (but never all of them at the same time).

Three tracks represent the ground breaking 1969 debut In The Court Of The Crimson King, two from the second album In The Wake Of Poseidon, and two from the fourth album Islands. Lizard is however overlooked. Everything is excellently performed and Jakszyk does a fantastic job as a vocalist and guitarist. Having these brilliant songs recreated by some of the people who originally wrote and performed them back in the days utilizing modern recording technology is simply great. This is especially significant in virtue of the fact that Robert Fripp and co had completely turned their backs on material from the band's early days. The 21st Century Schizoid Band is much truer to King Crimson's original sound and spirit and they carry on the flame and preserve the great legacy of that band better than anyone else.

This "official bootleg" disc is a very nice addition to any progressive Rock collection, but the subsequent live releases from 21st Century Schizoid Band are even more interesting. I highly recommend the aforementioned live concert video Live In Japan and even more so the later double live CD Pictures Of A City - Live In New York both of which offer a wider range of tracks from King Crimson's early days as well as a few selections from the members solo albums.

 The Stories of H.P. Lovecraft: A SyNphonic Collection by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2012
4.09 | 47 ratings

The Stories of H.P. Lovecraft: A SyNphonic Collection
Various Artists (Concept albums & Themed compilations) Various Genres

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars THE STORIES OF H.P. LOVECRAFT: A SYNPHONIC COLLECTION is one of those various artists releases that I decided to pick simply because of a couple artists involved despite not knowing many of the others involved in the project. Those artists were Daal and Nexus. Two eclectic symphonic bands that have kept my attention time and time again. As expected the two tracks by them are outstanding and worth the price of admission alone, however what was most unexpected is that I find every track on this sprawling triple disc album to be worth having, albeit some are far superior to others. The majority are really very good and I am quite happy to have purchased this release despite my usual dislike for such projects where more often than not it is only a few select tracks that warrant heightened enthusiasm and mental orgasmic activity.

I was also surprised to learn that this is actually the 19th release of a lofty ongoing collaboration between The Finnish Progressive Music Association and Musea Records. The idea is to pick a concept and ask various bands to write a track within the parameters of its subject matter. Although I have not yet savored the fruits of the other installments in the grandiose project, I have to admit that if they are anywhere close to being as enjoyable as this release then sign me up for MOOORE!!! Despite the unfounded fears that the thematic unification would be a total train wreck of clashing sounds and ideas, the total opposite rings true with THE STORIES OF H.P. LOVECRAFT: A SYNPHONIC COLLECTION.

Howard Phillips Lovecraft was, of course, the author who haunted pulp magazines and lived a most eccentric life before he died in poverty due to the fact he never made it big during his lifetime but had great success posthumously. He was obsessed in his stories with forbidden and occult knowledge. The characters in his stories were seekers of dark and esoteric wisdom often meeting their own demise by going just a tad too far in their quest. The music on this release perfectly represents these themes and I am utterly amazed at how well it holds together despite the twenty bands existing in seemingly different corners of the symphonic prog realm.

The album just bursts into your consciousness with the first attention grabbing track by The Samurai Of Prog and continues throughout the entire 02:58:25 duration. This was love at first listen with a few tracks seeming a little lackluster but only in comparison to the better ones. I have never been a huge Glass Hammer fan and I have to admit it's one of my lesser faves here but like I said, there is no bad track here. Only outstanding and very good. Most tracks are instrumental and the few that aren't incite LOVECRAFT's poetry and literary themes. I am happy to say that my favorite band on here Daal is the one who carries the weight of his most popular tale "The Call Of Cthulu" where they deliver their appropriate creepy symphonic take on it. There is no need to go through this track by track and I would bore you to tears if I did. All I can say is that this is one massively brilliant behemoth of well-LOVECRAFT-ed symphonic prog going on here.

Of the bands I know well including The Samari Of Prog, Glass Hammer, Jinetes Negros, Daal, Nexus and Simon Says, I have to say that they deliver their best here and all the other bands I have not yet encountered give me a gleeful introduction to their particular sounds that warrant further exploration. The musicianship on here is outstanding and the tracks really spice it up so as to keep the theme unified over the need for self-expression yet every track is clearly by a different musical entity. GREAT stuff on this one.

In case you're wondering here is the whole list of Colossus Project released so far:

Tuonen Tytar: A Tribute To Finnish Progressive (2000)

Kalevala - Finnish Progressive Rock Epic (2003)

The Spaghetti Epic - Six Modern Prog Bands For Six Seventies Prog Suites (2004)

Odyssey - The Greatest Tale (2005)

The Colossus of Rhodes (2006)

The 7 Samurai - The Ultimate Epic (2006)

The Spaghetti Epic 2 - The Good, The Bad, & The Ugly (2007)

Treasure Island (2007)

Giallo! One Suite for the Murderer (2008)

The Empire and The Rebellion (2008)

Dante's Divine Comedy Part I - Dante's Inferno (2009)

Dante's Divine Comedy Part II - Purgatorio (2009)

Rökstenen - a Tribute to Swedish Progressive Rock of the 70's (2009)

The Spaghetti Epic 3 - The Great Silence (2009)

Tuonen Tytar-A Tribute To Finnish Progressive Rock Of The Seventies - Volume Two (2009)

Iliad: A Grand Piano Extravaganza (2010)

The Tales of Edgar Allan Poe: A SyNphonic Collection (2010)

Decameron-Ten Days In 100 Novellas - Part I (2011)


Decameron - Ten days in 100 novellas - Part II (2014)

 The Flaming Lips and Stardeath and White Dwarfs With Henry Rollins and Peaches Doing The Dark Side of the Moon by VARIOUS ARTISTS (TRIBUTES) album cover Studio Album, 2009
3.00 | 11 ratings

The Flaming Lips and Stardeath and White Dwarfs With Henry Rollins and Peaches Doing The Dark Side of the Moon
Various Artists (Tributes) Various Genres

Review by SteveG

2 stars Ain't nothing like the real thing, baby. As much as I love the Lips and appreciate their love of classic progressive rock music from KC to Yes, this take on PF's DSOTM just comes up short. First of all, they share the bill with Wayne Coyne's brother's band Stardeath and White Dwarfs, and neither have the vocal abilities to carry this material, showing us just how good the vocal abilities are of the Floyd themselves.

Another problem with the material is that it's not going through the usual filter of Flaming Lips distinctive quirky sound as the FL's weave acid rock motifs around the opener Breath, it's reprise and Any Color You Like. Money starts off as a more chunky version of the well known song that immediately sinks as Wayne Coyne's vocal is robotized by vocoder effects. The less said about the butchering of the Great Gig In the Sky by a guest vocalist named Peaches, the better.

This album only drives one to seek out the original upon completion of listening instead of driving you on to other Flaming Lips albums. Bypass this turkey and grab the dark existential Popol Vuh like 2012 album The Terror, or stick with the older feel good psych pop of Yoshimi Battles The Pink Robots and get back into what the Flaming Lips do best. For completists only, 2 stars.

 21st Century Schizoid Band (King Crimson alumni group) - Live In Japan (DVD) by VARIOUS ARTISTS (TRIBUTES) album cover DVD/Video, 2002
4.00 | 4 ratings

21st Century Schizoid Band (King Crimson alumni group) - Live In Japan (DVD)
Various Artists (Tributes) Various Genres

Review by Gatot
Special Collaborator Honorary Collaborator

4 stars Impressive Show by King Crimson Alumnus PLUS

Anything about King Crimson has always attracted my attention as the band is truly a progressive band: it evolves in many forms and styles of music. 21st Century Schizoid Band were a King Crimson alumnus plus one musician formed sometime in 2002. Everyone who claims as prog head must have known that "21st Century Schizoid Man" is a legendary name that refers to a brilliant song by King Crimson from their debut album, sung by Greg Lake (originally). I love the early years of King Crimson where they had Mel Collins on saxophones, flute and keyboards, Michael Giles on drums, Peter Giles on bass, Ian McDonald on saxophones, flute and keyboards which span across four albums - all of them are excellent ones. Those alumni plus Jakko Jakszyk on guitar and vocals formed the new band. The band played live and filmed in this DVD, recorded in November 6, 2002 at Shinjuku Kouseinenkin Hall, Tokyo, Japan.

When the concert starts off with "A Man, A City" I was so stunned by the excellent performance they play especially on the ability to provide energy and harmony of this wonderfully crafted track from Lizard album. One that really impresses me is Michael Giles who still can play drums wonderfully as it was in the late sixties or early seventies with his varied shots plus raw drum sounds. It's really wonderful especially looking at the fact that he is no longer young by the time the concert was recorded. The other is Mel Collins who has been very consistent in prog music since then until now. My favorite "Cat Food" was performed in slower tempo that at first listen did not impress me at all ...but later I like it because it's different than the studio version. Jakko is really good in vocal as well as guitar work.

To me it's something like a trip to the past where most of legendary tracks performed again live in 2002 with much better audio technology so I can feel the vintage "In The Court of Crimson King" performed with better sound quality but maintaining the raw drums sound. I think Michael Giles creates the character of the music here as his work makes the overall music rich in nuances. Flute work also nice and it's performed sometimes by Collins and sometimes by Ian McDonald (like in I Talk To The Wind where he gave long flute solo). "Formentera Lady" from Islands album is another great performance, in some way it's better than the studio version. I think the most interesting part is "Ladies of The Road" as the song was performed differently with excellent delivery of complex arrangement at the end.

The performance was peaked at Epitaph where at the end of the song the band members closed the performance. It's quite a joy having "Epitaph" performed by maintaining its vintage nuances. Jakko's voice can produce great voice even though quite different from the original studio version. The mellotron-drenched composition still make the song enjoyed as if it was the seventies performance. The band gave two songs as encore: one from McDonald's instrumental song "Birdman" and the really last one is the wonderfully-crafted song "21st Century of Schizoid Man". WOW!!! This last song really make my day! It's really great performance and almost flawless from the beginning until the end part. I do enjoy the sax improvisations as well as stunning guitar solo by Jakko. Oh by the way ... Peter Giles also played wonderful bass guitar throughout the show. The sax solo is played initially by Collins and then followed wonderfully by McDonald ...Oh man ......! You will be amazed with this performance!!! I always replay this last song as it's really top notch! In fact the distorted sound of vocal by Jakko is also great.

Overall , this is an excellent performance by King Crimson alumnus plus Jakko as lead vocals and guitar. I envy on Japanese who had the opportunity to watch this excellent performance. Long live King Crimson! Keep on proggin' ...!

Peace on earth and mercy mild - GW

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