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PROG RELATED

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Prog Related definition



No musical genre exists in a vacuum. Not all of the bands that have been a part of the history and development of progressive rock are necessarily progressive rock bands themselves. This is why progarchives has included a genre called prog-related, so we could include all the bands that complete the history of progressive rock, whether or not they were considered full-fledged progressive rock bands themselves.

There are many criteria that the prog-related evaluation team considers when deciding which bands are considered prog-related. Very few bands will meet all of this criteria, but this list will give an idea as to some of the things that help evaluate whether an artists is prog-related or not.

1) Influence on progressive rock - The groundbreaking work of artists like Led Zepplin and David Bowie affected many genres of rock, including at times progressive rock. Although both of these artists created rock music in a dizzying array of genres, both contributed to the ongoing history of progressive rock several times within the span of their careers.

2) Location - Progressive rock did not develop at the same time all over the world. It may surprise some people that as late as the mid-70s the US had very few original progressive rock bands that did not sound like exact copies of British bands. Journey was one of the first US bands to present a uniquely American brand of prog-rock before they eventually became a mainstream rock band. We have collaborators from all over the world who tell us which bands helped the progressive rock scene develop in their corner of the globe, even if those bands were like Journey and were known more for being mainstream rock bands.

3) Members of important progressive rock bands - Although most of the recorded solo output of artists like Greg Lake and David Gilmour falls more in a mainstream rock style, their contributions to progressive rock in their respective bands insures them a place in our prog-related genre.

4) Timeliness - Like many genres, prog-rock has had its ups and downs. In the late 70s and early 80s prog-rock was barely a blip on the radar. During this time artists such as David Bowie and Metallica released albums that captured key elements of the spirit of prog rock and did so while contributing their own original modern elements to the mix.

5) Integral part of the prog-rock scene - Sometimes you just had to be a part of the scene during a certain time period to understand how some bands fit with the prog rock scene of their time. Although Led Zeppelin, Black Sabbath and Wishbone Ash may seem like mere hard rock bands, in their time they stood apart from other hard rockers with their more serious lyrical content and more developed compositions. Put simply, in the early 70s every prog-rock record collector usually had full collections of all three of these artists. These three bands were very much part of the prog-rock scene without being total prog-rock bands them selves.

6) Influenced by progressive rock - From the late 60s till about 1976 the progressive tendency was in full effect in almost all genres of music. Once again, as we enter the second decade of the 21st century a melting pot of prog-metal, math-rock, progressive electronics and post-rock influences have once again made a progressive tendency in rock music almost more a norm than a difference. Yet in other periods of musical history receiving influence from progressive rock could really set a band apart and make them worthy of our prog-related category.
Being influenced by progressive rock is hardly the only factor we look at, and in some periods of musical history it is almost meaningless, but still, it is almost a given that most of the artists listed in prog-related were influenced by the development of progressive rock.

7) Common sense - Nitpicking over the above listed criteria is not necessarily the correct way to evaluate a band for prog-related. Sometimes you just have to use some common sense and look at the big picture.
A very good way to describe prog-related would be to imagine an exhaustive book that covered the history of progressive rock. Would such a book include references to led Zeppelin's 'Stairway to Heaven', David Bowie's 'The Man Who Sold the World' or Queen's 'Bohemian Rhapsody'? Probably so.
- Easy Money

Prog Related Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Related | More Top Prog lists and filters

4.38 | 1035 ratings
LED ZEPPELIN IV
Led Zeppelin
4.52 | 271 ratings
BLACKSTAR
Bowie, David
4.36 | 731 ratings
QUEEN II
Queen
4.29 | 867 ratings
PARANOID
Black Sabbath
4.28 | 853 ratings
A NIGHT AT THE OPERA
Queen
4.22 | 786 ratings
BLACK SABBATH
Black Sabbath
4.21 | 719 ratings
SEVENTH SON OF A SEVENTH SON
Iron Maiden
4.22 | 604 ratings
ARGUS
Wishbone Ash
4.21 | 586 ratings
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
Bowie, David
4.19 | 457 ratings
RISING
Rainbow
4.13 | 679 ratings
POWERSLAVE
Iron Maiden
4.16 | 435 ratings
HUNKY DORY
Bowie, David
4.11 | 668 ratings
MASTER OF PUPPETS
Metallica
4.10 | 684 ratings
SABBATH BLOODY SABBATH
Black Sabbath
4.10 | 547 ratings
RIDE THE LIGHTNING
Metallica
4.07 | 675 ratings
MASTER OF REALITY
Black Sabbath
4.15 | 294 ratings
SCARY MONSTERS (AND SUPER CREEPS)
Bowie, David
4.06 | 781 ratings
PHYSICAL GRAFFITI
Led Zeppelin
4.03 | 851 ratings
LED ZEPPELIN
Led Zeppelin
4.17 | 220 ratings
SECRET TREATIES
Blue ÷yster Cult

Latest Prog Related Music Reviews


 Frizzle Fry by PRIMUS album cover Studio Album, 1990
4.02 | 127 ratings

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Frizzle Fry
Primus Prog Related

Review by martindavey87

2 stars It would be an absolute understatement to say that Primus is an acquired taste. Their music is incredibly obscure, with some of the most random musical passages and the most quirky lyrics you could think of. And so it is, that their debut album is a convoluted mess of ideas thrown together with no real sense of direction, other than being random for random's sake.

While the musical ability between all the members is of a high calibre, especially bassist, singer and all-round main man Les Claypool (story goes that he was once turned down to join Metallica for being "too good"), the general compositions seem rather unfocused and boring. Nothing really stands out in this 52-minute smorgasbord of random guitar riffs and vocal melodies, which usually are delivered via something more akin to talking or just completely random noises.

If I really had to pick out any notable highlights, 'John the Fisherman', 'Too Many Puppies' and 'To Defy the Laws of Tradition' could be considered alright, but honestly, this album as a whole just gets rather boring and repetitive fast. I'm sure there are people that love songs that randomly go into renditions of 'Humpty Dumpty', but to me, it's just not cool, it's not funny, and it's not really all that clever either.

 Kingdom Of Madness by MAGNUM album cover Studio Album, 1978
3.15 | 51 ratings

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Kingdom Of Madness
Magnum Prog Related

Review by martindavey87

3 stars Oh Magnum... one of "those bands". They never really had that one massive hit that would forever engrave them into the hearts and souls of music lovers the world over, but they had a strong enough body of work that would permanently etch them their place on hard rock (and sometimes even heavy metal) compilations. Your old man has probably heard of them, but can't name a single song of theirs. Classic dad rock.

Magnum's music is heavily keyboard-driven (cheesy 70's keyboards, at that!), with big, bombastic vocals and a progressive touch. If they're typically considered "before your time" then 'Kingdom of Madness' probably sounds naff today, but give it a chance, because it's a solid debut with some fun, high-energy tracks.

While there are a few fairly dull songs on here, the good songs are truly something special. Magnum, and AOR in general (that's "adult oriented rock"... whatever the hell that means!), has never really been my cup of tea, but special praise must go to songs like 'In the Beginning', 'Invasion', 'Lords of Chaos', 'All Come Together' and the title track, all of which have converted me into a Magnum fan.

And I'm not ashamed of it.

 Black Sabbath by BLACK SABBATH album cover Studio Album, 1970
4.22 | 786 ratings

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Black Sabbath
Black Sabbath Prog Related

Review by martindavey87

2 stars Music fads come and go so quickly that it's hard to keep up with a lot of them. That's why when Black Sabbath firmly established the genre of heavy metal (whether they solely created it or not is a different debate for another time) back in 1970, it's amazing that's it's stood the test of time and is still going strong today as one of the most popular genres of music in the world.

With that said, I'm not a massive Black Sabbath fan. I respect their achievements, and rightfully so, as the genre I hold so dear wouldn't exist without them, but that doesn't change the fact that their music just doesn't quite "do it" for me.

I can appreciate how revolutionary this was back in the day, nothing as heavy, dark or doom-laden had come before. However, by the time I came around to owning this CD, it sounded rather dated and didn't quite measure up to a lot of the stuff I was listening to at the time (I was born in 1987 to put that into context). Ozzy Osbourne's vocals are very primitive and somewhat annoying to listen to (story goes that he was only invited to join the band as he owned a PA), and Tony Iommi's guitars were never quite heavy or interesting enough for me.

That being said, there are one or two decent tracks, most notably 'N.I.B.' and the title track, but in all honesty I could think of thousands of other songs I'd rather listen to.

When it all comes down to it, it's just a matter of taste. While this is arguably one of the most influential albums of all time, I respect it for that, it's just not something I enjoy listening to. The record's status as a classic is certainly not in any danger due to my opinion, and hell, if you think this is blasphemous, you should check out my review for 'Paranoid'...

 Powerslave by IRON MAIDEN album cover Studio Album, 1984
4.13 | 679 ratings

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Powerslave
Iron Maiden Prog Related

Review by martindavey87

4 stars Despite a number of albums prior to this that have gained legendary status, 'Powerslave', Iron Maiden's fifth studio recording, is where I feel the band really hit their stride as one of metals most iconic bands.

With a previous four releases over which to bond and mature as a band, 'Powerslave' is a complete bombardment of Iron Maiden having perfected their sound. The dual-guitar harmonies are spot-on and utilized to their fullest, and vocalist Bruce Dickinson's singing hits its peak here, with every line complimenting the music perfectly.

While I didn't dislike any of the bands previous releases, I never held them in such high regard as the rest of the metal community does, feeling that each album was just a steady improvement upon the one that came before it. However, here is where the songwriting really takes a solid step up, as every song is well executed and well played. The riffs and harmonies are very catchy and easy-to-listen to, and the guitar solos all seem to suit their respective songs much better.

Tracks like 'Aces High', '2 Minutes to Midnight', 'Rime of the Ancient Mariner' and even instrumental 'Losfer Words (Big 'Orra)' are more than just Iron Maiden staples, they're essential listening for all metal fans. On top of all that, the artwork is pretty damn awesome as well!

A key album in any rock or metal collection, THIS is Iron Maiden.

 On Your Feet Or On Your Knees by BLUE ÷YSTER CULT album cover Live, 1975
3.91 | 67 ratings

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On Your Feet Or On Your Knees
Blue ÷yster Cult Prog Related

Review by SteveG

4 stars I don't write reviews of bands that I have a personal history with, or have known personally, so this is a first. And will probably be the last.

Recorded live, Blue Oyster Cult's 1975 double album On your Feet Or On Your Knees magically and majestically captures BOC at the height of their "black and white album trilogy" powers (the eponymous debut album from 1972, Tyranny and Mutation from 1973, and Secret Treaties from 1974), and does something those three initial albums only hinted at. They rock out at full bore and showcase what a powerhouse BOC was on any given night in the early seventies. A feature truly hidden by the thin bass-shy production of those three albums.

On reflection, this album's production values are not top shelf in a few areas but it doesn't need to be. On Your Feet Or On Your Knees was recorded and (importantly) mixed clearly and is loud, detailed and full of energy. On Your Feet Or On Your Knees showcases the band's absolute definitive versions of Subhuman, Harvester of Eyes, Hot Rails To Hell, The Red And The Black, Then Came The Last Days of May, Cities On Flame and ME 262.

Eric Bloom's voice is stellar as is Donald "Buck Dharma" Roeser's electrifying lead guitar playing, which is an absolute clinic in splitting the deference between technical chops and melodic invention. Trying to listen to any song without focusing solely on his playing is often difficult even forty two years later.

Why this album never pushed BOC to the top the way that Frampton Comes Alive did in the seventies will always be a mystery to the band and it's diehard fans. But this live document exists for the initiated who knew "The Cult" and their brand of edgy heavy rock long before the cowbell jokes came after listening to a song about the Grim Reaper. Four stars.

 Piece Of Mind by IRON MAIDEN album cover Studio Album, 1983
3.75 | 544 ratings

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Piece Of Mind
Iron Maiden Prog Related

Review by martindavey87

3 stars After 1982's 'The Number of the Beast' cemented Iron Maiden's prominence in the metal world, the band were quickly back in the studio to build upon their momentum with 'Piece of Mind', an album that many fans hold in high regard, but one that I merely consider the final step in the transitional period that would see Iron Maiden truly reach their prime years.

Continuing Iron Maiden's run of what many consider their "golden era" of albums (the inclusion of new drummer Nicko McBrain would cement what would be viewed as the classic lineup), 'Piece of Mind' is revered by fans as one of the bands finest releases. Though, much like its predecessor, I feel there's too much filler material for me to share that opinion.

As with previous outings, there are a few instantly recognizable classics, such as 'Where Eagles Dare', 'Flight of Icarus', 'To Tame a Land', and one of the groups most memorable hits 'The Trooper' (which I often find to be fairly overrated, to be honest), but other than these songs, I feel the rest are fairly bland and uninspiring. Not that they're terrible, but tracks like 'Quest for Fire' and 'Sun and Steel' just don't really do anything for me.

The verdict has long been out that this is a classic Maiden album however, and in fairness, if you're a fan of the band then it's got enough "classic" material and status going for it that it warrants being in your collection, but overall I just find this to be the final album before the band really hit their stride and go through a string of excellent releases.

It's decent enough, but from here on out is where things really start to get good.

 Pho' hu'ynh Hie^p 1 / Kevin's Noodle House by BUCKETHEAD album cover Studio Album, 2007
2.00 | 1 ratings

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Pho' hu'ynh Hie^p 1 / Kevin's Noodle House
Buckethead Prog Related

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

— First review of this album —
2 stars While BRAIN had been a significant part of the BUCKETHEAD world, he usually was a mere cast member in the footnotes but on PHO' HU'YNH HIE^P 1 - KEVIN'S NOODLE HOUSE he found himself of equal billing under the moniker BUCKETHEAD & BRAIN. The album was released by TDRS Records along with the previous "Cyborg Slunks" and likewise retains a lot of the experimental rock meets electronica wildness.

Yet another weird and unorthodox release from the chicken lover, KEVIN'S NOODLE HOUSE is mainly a minimalist electronic album that has slow downtempo grooves with intermittent bass and a gazillion guitar effects that whiz around like loose electrons freed from the parent atom also known as free radicals. While some tracks are mostly electronically oriented with a series of bloops and bleeps with guitar frosting. Some like "Thin Crust" are guitar tracks with electronic accoutrements. The album is generally on chill mode hardly ever generating enough steam to be considered rock at all.

While there are some interesting moments if you are into the DJ electronica meets BH guitar phases, the album as a whole doesn't really gel cohesively into much. The whole endeavor seems more like a loose collection of leftover tracks compiled into a big pile. The title is fitting as it is basically an electronic canvass for some guitar noodling. Some of the ideas heard here can also be heard on albums like "Somewhere Over The Slaughterhouse" only on the other albums the tracks are much more interesting. The minimalism makes this rather bland. Not the chicken lover's finest hour for sure.

 Gretchen Goes To Nebraska by KING'S X album cover Studio Album, 1989
4.07 | 94 ratings

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Gretchen Goes To Nebraska
King's X Prog Related

Review by The Crow
Prog Reviewer

4 stars King's X consolidated their sound and status with this very good second effort!

In my opinion this album does not reach the outstanding song writing levels of their debut, but it sounds better and the band is even more consolidated than before. And more varied too, because they increased the progressiveness of the songs and they also incorporated some new-age and psychedelic elements.

The production is a bit strange, because it not really homogeneous. Some tracks just sound different, and I'm not talking about the style, just the production. I don't know if it's deliberated, but strange nonetheless.

Out of the Silent Planet is a surprising mid-tempo with a psychedelic interlude and even sitar on it, with some kind of weak sounding guitars and Ty Tybor on vocals. And Over My Head, on the contrary, contains some incredible guitars and very original riffs, making this track on of King's X finest. A real classic!

Summerland starts with some mellow guitars which automatically bring Goldilox to mind. But this track is harder and more intense, despite being not so good. Pinnick's voice is also different on this album. His singing is higher pitched and rough this time, and I prefer his style on King's X debut which was more gospel oriented. Just my personal taste! And don't take me wrong? His voice is still incredible here.

Everybody Knows a Little Bit of Something is a more typical hard rock track, with some nice riffing and great bass lines at the verses. The chorus is a bit repetitive, but the song is still pretty good, specially the instrumental section and the solos. The Difference is a mellow acoustic track with Ty Tybor again on the vocals, who sings great vocal melodies this time. But the guitars are even better! Splendid track.

I'll Never be the Same is another hard rock mixed with some prog elements and another very good solo, just like Mission, a song which talks subtly about religion. Fall on Me follows the same path. Just good hard rock with splendid musicianship and some experimental elements towards the end.

Pleiades is another slower song with Ty Tybor on vocals, also in the style of the hit Goldilox at the beginning, but harder and more progressive after that. Don't Believe It is another competent hard rock song with fine choirs which will appeal to Extreme fans, and Send A Message is a very catchy tune with great verses, funky elements and funny lyrics wonderfully interpreted by Doug Pinnick.

The Burning Down has also Ty Tabor on leads vocals, and it has some incredible guitar melodies. The final part is just a little masterpiece with some new age influences and flutes on it. What a good way to give to end this album!

Conclusion: Gretchen Goes to Nebraska is not as cohesive as Out of the Silent Planet, and sometimes is even too long and repetitive. But it contains a lot of great songs and very innovative ideas, making it a very interesting listening for every prog rock and hard rock fan.

I still honestly prefer their debut, but that's just my personal taste because from an objective point of view this second effort is just as good, if not better. Strongly recommended!

Best Tracks: Over my Head, Summerland, The Difference, Pleiades, Send a Message, The Burning Down.

My rating: ****, rounded up to four stars.

 The Unnamed Feeling E.P. by METALLICA album cover Singles/EPs/Fan Club/Promo, 2003
2.50 | 7 ratings

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The Unnamed Feeling E.P.
Metallica Prog Related

Review by martindavey87

2 stars I've never been ashamed to say that I like the 'St. Anger' album. I suppose somebody has to! And while I recognize it's flaws and why people look at it with such disdain, from a musical point of view, 'The Unnamed Feeling' is definitely one of the better tracks on the record (if there are any good ones, to begin with), and totally justified for it's release as a single. Or an extended play. Whichever.

To accompany the feature track here, we're given six live cuts from one of Metallica's shows of that time period. While these are a nice addition for collectors, unfortunately they're still pretty dull. Bearing in mind that these were recorded in 2003, a time when the band were still "rediscovering" themselves, and Hetfields vocals were pretty cringeworthy at that point, you'd be better off listening to any of the many other live recorded versions of these tracks, and there are plenty of them.

There is one random nugget of joy however. James Hetfield: "I forgot the [%*!#]ing words!". Haha! Brilliant.

I won't dwell on this one too much. If you're a loyal Metallica fan then this belongs in your collection. However, if you didn't like 'St. Anger' (so basically, everyone), this EP really isn't worth getting, and the live tracks certainly won't give you any incentive.

 The $5.98 Garage Days Re-Revisited by METALLICA album cover Singles/EPs/Fan Club/Promo, 1987
3.14 | 47 ratings

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The $5.98 Garage Days Re-Revisited
Metallica Prog Related

Review by martindavey87

3 stars Having barely mourned the loss of bassist Cliff Burton after his sudden and tragic death, Metallica were back in the studio, breaking in newcomer Jason Newsted with this short collection of covers.

'The $5.98 EP: Garage Days Re-Revisited' (bit of a mouthful, that) is a nice little E.P. that shows that even at a young age, Metallica were always good at doing cover versions, although the song choices themselves are quite obscure and certainly not the most exciting. I mean, let's be honest, how many people can honestly say they were Diamond Head fans or Holocaust fans before Metallica covered them?

With that said, the band are on point here, and although this release was mostly meant for fun, it still shows a band full of ambition and enthusiasm. With production that, whilst sounding rough in places, fits the music perfectly and gives just the right amount of punch and grittiness.

Any praise or criticisms aside, there's really no point in tracking this down these days. I say this because all five songs offered here appear on the 'Garage Inc.' album, a compilation of newly recorded and every previously released cover Metallica have done. And unless you're a collector looking to own everything, you're better off just getting that.

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Prog Related bands/artists list

Bands/Artists Country
10CC United Kingdom
14 BIS Brazil
801 United Kingdom
ABEDUL Spain
ABSOLUUTTINEN NOLLAPISTE Finland
ACIDENTE Brazil
AERODROM Yugoslavia
AGNUS DEI Austria
DON AIREY United Kingdom
ALBERO MOTORE Italy
ALWAYS ALMOST United States
THE AMBER LIGHT Germany
AMBROSIA United States
JON ANDERSON United Kingdom
ANNEKE VAN GIERSBERGEN (AGUA DE ANNIQUE) Netherlands
ARIEL Australia
ASIA United Kingdom
ATLANTIS United States
PETER BARDENS United Kingdom
SYD BARRETT United Kingdom
LUCIO BATTISTI Italy
BEAU DOMMAGE Canada
BIJELO DUGME Yugoslavia
BLACK SABBATH United Kingdom
BLACKFIELD Multi-National
BLODWYN PIG United Kingdom
BLUE ÷YSTER CULT United States
JEAN-PASCAL BOFFO France
THE BOLLENBERG EXPERIENCE Belgium
DAVID BOWIE United Kingdom
BRAM STOKER United Kingdom
BUCKETHEAD United States
BUDGIE United Kingdom
BYZANTIUM United Kingdom
JOHN CALE United Kingdom
CARNEGIE United States
CASA DAS MŃQUINAS Brazil
THE CHURCH Australia
CITY Germany
CITY BOY United Kingdom
CLOUDS United Kingdom
STEWART COPELAND United States
CRUACHAN Ireland
MARTIN DARVILL & FRIENDS United Kingdom
BRIAN DAVISON'S EVERY WHICH WAY United Kingdom
FABRIZIO DE ANDR… Italy
CHRISTIAN D…CAMPS France
DEUS Belgium
DIABOLUS United Kingdom
DIR EN GREY Japan
DRAGON New Zealand
DREAMLAND United States
ER. J. ORCHESTRA Ukraine
ESQUIRE United Kingdom
EVOLVE IV United States
EX CATHEDRA United States
FAIRPORT CONVENTION United Kingdom
THE FIRE THEFT United States
FLIED EGG / STRAWBERRY PATH Japan
FLIGHT 09 Uzbekistan
FLYING COLORS United States
FM Canada
FOTHERINGAY United Kingdom
ELOY FRITSCH Brazil
FUGATO ORCHESTRA Hungary
AVIV GEFFEN Israel
DAVID GILMOUR United Kingdom
GORDON GILTRAP United Kingdom
ROGER GLOVER United Kingdom
GOD BLESS Indonesia
GODLEY & CREME United Kingdom
GOLDEN EARRING Netherlands
GROUNDHOGS United Kingdom
GTR United Kingdom
GUDDAL (YNGVE) & MATTE (ROGER T.) Norway
GYGAFO United Kingdom
THE HAPPENINGS FOUR Japan
HELP YOURSELF United Kingdom
KEN HENSLEY United Kingdom
ROGER HODGSON United Kingdom
HORIZONT Sweden
INDIGO Austria
IRON MAIDEN United Kingdom
JACKSON HEIGHTS United Kingdom
BERT JANSCH United Kingdom
JAPAN United Kingdom
JEAN-MICHEL JARRE France
JON & VANGELIS United Kingdom
BRYAN JOSH United Kingdom
JOURNEY United States
KALEVALA Finland
ERIC KAMPMAN United States
KESTREL United Kingdom
KING'S X United States
KINO United Kingdom
KLAATU Canada
KORNELIJE KOVAC / KORNELL KOVACH Yugoslavia
KREUZWEG Germany
GREG LAKE United Kingdom
LANA LANE United States
LED ZEPPELIN United Kingdom
GEDDY LEE Canada
JOSIPA LISAC Yugoslavia
JON LORD United Kingdom
MAGELLANMUSIC United States
MAGNA CARTA United Kingdom
MAGNUM United Kingdom
YNGWIE MALMSTEEN Sweden
MŇNS MOSSA Sweden
GERARD MANSET France
PHIL MANZANERA United Kingdom
NICK MASON United Kingdom
MASTERPLAN Multi-National
MATTER OF TASTE Austria
PETER MATUCHNIAK United States
MAX WEBSTER Canada
MERCURY REV United States
METALLICA United States
MINDFIELDS Poland
MOONDANCER Japan
MUSE United Kingdom
NOW United States
OFFENBACH Canada
OM ART FORMATION Bulgaria
OYSTERHEAD United States
PAGE AND PLANT United Kingdom
THE PARLOUR BAND United Kingdom
ALAN PARSONS BAND United Kingdom
PHISH United States
I POOH Italy
DAVORIN POPOVIC Yugoslavia
PRIMUS United States
QUEEN United Kingdom
RAIN FOR A DAY Germany
RAINBOW Multi-National
TERRY RILEY United States
LAZA RISTOVSKI Yugoslavia
ROCKFOUR Israel
MIKE RUTHERFORD United Kingdom
SADISTIC MIKA BAND Japan
SATIN WHALE Germany
SERU GIRAN Argentina
SIGNS OF ONE Canada
DAVE SINCLAIR United Kingdom
PETER SINFIELD United Kingdom
SLINT United States
SOLSTICE COIL Israel
STEELEYE SPAN United Kingdom
STRAWBERRY FIELDS Poland
STREAM OF PASSION Netherlands
STYX United States
SUI GENERIS Argentina
SUPER FURRY ANIMALS United Kingdom
SVANN Poland
SYMPHONIC SLAM Canada
SYNERGY United States
SYNOPSIS Estonia
ALDO TAGLIAPIETRA Italy
TALKING HEADS United States
TAMOUZ Israel
TANTALUS United Kingdom
TIRED TREE Sweden
TITANIC Norway
TOY MATINEE United States
TRAVELLERS Poland
TRIANGULUS Sweden
TRICANTROPUS Spain
TRIUMPH Canada
STEVE VAI United States
VANGELIS Greece
VICTOR Canada
OLIVER WAKEMAN United Kingdom
WALRUS Japan
JOHN WETTON United Kingdom
WHALEFEATHERS United States
WHEATSTONE BRIDGE United States
WHIMWISE United Kingdom
WHITE United Kingdom
ROBIN WILLIAMSON United Kingdom
WISHBONE ASH United Kingdom
THE WISHING TREE United Kingdom
ERIC WOOLFSON United Kingdom
ZON Canada

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