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PROG RELATED

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Prog Related definition



No musical genre exists in a vacuum. Not all of the bands that have been a part of the history and development of progressive rock are necessarily progressive rock bands themselves. This is why progarchives has included a genre called prog-related, so we could include all the bands that complete the history of progressive rock, whether or not they were considered full-fledged progressive rock bands themselves.

There are many criteria that the prog-related evaluation team considers when deciding which bands are considered prog-related. Very few bands will meet all of this criteria, but this list will give an idea as to some of the things that help evaluate whether an artists is prog-related or not.

1) Influence on progressive rock - The groundbreaking work of artists like Led Zepplin and David Bowie affected many genres of rock, including at times progressive rock. Although both of these artists created rock music in a dizzying array of genres, both contributed to the ongoing history of progressive rock several times within the span of their careers.

2) Location - Progressive rock did not develop at the same time all over the world. It may surprise some people that as late as the mid-70s the US had very few original progressive rock bands that did not sound like exact copies of British bands. Journey was one of the first US bands to present a uniquely American brand of prog-rock before they eventually became a mainstream rock band. We have collaborators from all over the world who tell us which bands helped the progressive rock scene develop in their corner of the globe, even if those bands were like Journey and were known more for being mainstream rock bands.

3) Members of important progressive rock bands - Although most of the recorded solo output of artists like Greg Lake and David Gilmour falls more in a mainstream rock style, their contributions to progressive rock in their respective bands insures them a place in our prog-related genre.

4) Timeliness - Like many genres, prog-rock has had its ups and downs. In the late 70s and early 80s prog-rock was barely a blip on the radar. During this time artists such as David Bowie and Metallica released albums that captured key elements of the spirit of prog rock and did so while contributing their own original modern elements to the mix.

5) Integral part of the prog-rock scene - Sometimes you just had to be a part of the scene during a certain time period to understand how some bands fit with the prog rock scene of their time. Although Led Zeppelin, Black Sabbath and Wishbone Ash may seem like mere hard rock bands, in their time they stood apart from other hard rockers with their more serious lyrical content and more developed compositions. Put simply, in the early 70s every prog-rock record collector usually had full collections of all three of these artists. These three bands were very much part of the prog-rock scene without being total prog-rock bands them selves.

6) Influenced by progressive rock - From the late 60s till about 1976 the progressive tendency was in full effect in almost all genres of music. Once again, as we enter the second decade of the 21st century a melting pot of prog-metal, math-rock, progressive electronics and post-rock influences have once again made a progressive tendency in rock music almost more a norm than a difference. Yet in other periods of musical history receiving influence from progressive rock could really set a band apart and make them worthy of our prog-related category.
Being influenced by progressive rock is hardly the only factor we look at, and in some periods of musical history it is almost meaningless, but still, it is almost a given that most of the artists listed in prog-related were influenced by the development of progressive rock.

7) Common sense - Nitpicking over the above listed criteria is not necessarily the correct way to evaluate a band for prog-related. Sometimes you just have to use some common sense and look at the big picture.
A very good way to describe prog-related would be to imagine an exhaustive book that covered the history of progressive rock. Would such a book include references to led Zeppelin's 'Stairway to Heaven', David Bowie's 'The Man Who Sold the World' or Queen's 'Bohemian Rhapsody'? Probably so.
- Easy Money

Prog Related Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Related | More Top Prog lists and filters

4.38 | 860 ratings
LED ZEPPELIN IV
Led Zeppelin
4.35 | 609 ratings
QUEEN II
Queen
4.28 | 706 ratings
A NIGHT AT THE OPERA
Queen
4.26 | 705 ratings
PARANOID
Black Sabbath
4.22 | 508 ratings
ARGUS
Wishbone Ash
4.20 | 636 ratings
BLACK SABBATH
Black Sabbath
4.20 | 590 ratings
SEVENTH SON OF A SEVENTH SON
Iron Maiden
4.13 | 544 ratings
POWERSLAVE
Iron Maiden
4.16 | 408 ratings
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
Bowie, David
4.16 | 376 ratings
RISING
Rainbow
4.18 | 291 ratings
HUNKY DORY
Bowie, David
4.09 | 525 ratings
MASTER OF PUPPETS
Metallica
4.08 | 556 ratings
SABBATH BLOODY SABBATH
Black Sabbath
4.04 | 643 ratings
PHYSICAL GRAFFITI
Led Zeppelin
4.05 | 413 ratings
RIDE THE LIGHTNING
Metallica
4.02 | 547 ratings
MASTER OF REALITY
Black Sabbath
4.00 | 699 ratings
LED ZEPPELIN
Led Zeppelin
4.04 | 416 ratings
HEAVEN AND HELL
Black Sabbath
4.17 | 174 ratings
SECRET TREATIES
Blue ÷yster Cult
4.01 | 414 ratings
BRAVE NEW WORLD
Iron Maiden

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Latest Prog Related Music Reviews


 Frizzle Fry by PRIMUS album cover Studio Album, 1990
4.02 | 98 ratings

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Frizzle Fry
Primus Prog Related

Review by TCat
Prog Reviewer

5 stars By now, most people are somewhat familiar with the chaotic, crazy, maniacal music of Primus. Of course it fits into the ProgArchives because of the originality of the music and the influence of some great progressive artists that have inspired this mad, yet amazing music that always sounds like it is teetering on the edge of implosion. So, it's not for everyone, it's true....it is for me and I loved it from the first time I heard it. No one, however, can deny the fact that the 3 members of this band are amazing musicians that fit together so well.

This band gets it's influence from some of the most eclectic and eccentric progressive bands including The Residents, Frank Zappa, Metallica, King Crimson and Rush. Meld all of these sounds together and what you get is Primus....yet even though Primus wear their influences proudly, they have taken this sound and made it their very own.

Frizzle Fry is their debut album and they hit the ground running. This is an amazing album, a showcase of the band's talents and their signature sound. This album was originally released and not well received by the public. I don't know if the public was ready for it at the time or if it just didn't get the spotlight it deserved. However, the album was reissued after the huge successful popularity of the next album "Sailing the Seas of Cheese". Since then, this album has quickly become a favorite of mine and every Primus fan and it features many of the band's legendary songs including "John the Fisherman" (featured on one of the Guitar Hero editions which I have attempted to play and have a blast doing it, even though I suck at it, it's still a blast to play the song), "Puddin' Time", "Too Many Puppies", and "Mr. Knowitall", every one of these songs an amazing blast of whacked out noise and chaos, teetering somewhere between conventional heavy rock and insanity. There are other great songs on here besides the regular classics including "To Deny the Laws of Tradition", "Groundhog's Day" "Harold of the Rocks" and so on. There are a few more blues oriented rockers, but when I say blues, I mean it in a very non-traditional way, like the multi rhythmic title track and the softer (?) side of Primus featured in "The Toys Go Winding Down". Yep, that's as soft as it gets for Primus, which is still heavy.

Many say this music isn't for everyone, and that's true....it's too chaotic, but that is what I love the most about it, and it's unpredictable on the first several listening's. The sound does tend to get predictable though as one gets used to their music, but to me, it never gets tiring. This album in my opinion is one of the band's best, it's a pinnacle to bass driven/guitar heavy rock, it's loud and heavy, and it doesn't really let up much except for a few short interludes. Also, if you get the reissue, you get as a bonus track a cover of one of their major influence's songs, actually a medley of 2 of The Residents songs "Hello Skinny/Constantinople" which is a worthy cover with the Primus sound. Definitely worth looking for the bonus track and it fits very nicely with the rest of the album. I have to give this 5 stars because it is an essential showcase for the band and it is a very important album for those who love music with the bass featured very prominently. Great stuff, fun music, and very original. Primus would go on to influence many future bands in return. They took their influences and turned it into their own sound and tipped heavy metal music (or at least heavy rock music) upside-down. Essential!

 Second Nature by FLYING COLORS album cover Studio Album, 2014
3.99 | 98 ratings

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Second Nature
Flying Colors Prog Related

Review by subassonic

3 stars Here's a question to consider....Does great musicianship automatically guarantee an album of progressive music?? Now, I think everyone will agree that the answer to that question is an unqualified..NO, because progressive music traditionally required superb composition, an attempt to incorporate non-conventional instruments and production techniques, blah, blah, blah....you know....all of the above. Here are four undisputed instrumental giants and...ahhh....a new guy with a very pleasant voice. Fine....so they've got the playing part covered but have they satisfied us on the other level?...you know...the blah, blah stuff? Well....yes and no. What I'm hearing on this and the first album from FC is pretty much, straight ahead melodic rock albeit played by exeptional dudes. That said, the opening track is a fine composition that really does cover a lot of sonic territory and can very sensibly be described as a piece of progressive music. The remaining tracks however are most definitely not. So...what to do? This.....accept yet another entry into the Progarchives that arguably should not be here. Second Nature is a great album and I will listen to it quite a few times but....and here's the test....will I look forward to loading the album 20 years from now, the way I do Close to the Edge or Nursery Crime?....an unqualified....NO.....3 stars for the first track and the hints of prog littered about the rest of the album.
 Tyranny And Mutation by BLUE ÷YSTER CULT album cover Studio Album, 1973
3.37 | 125 ratings

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Tyranny And Mutation
Blue ÷yster Cult Prog Related

Review by FragileKings
Prog Reviewer

3 stars In the early 1980's, Blue Oyster Cult was proclaimed to be one of the heaviest bands among my friends who had older brothers who brought home heavy metal cassettes. After being blown away by Judas Priest, I bought 'The Revolution by Night' and heard that heavy rocking first track 'Take Me Away' but was disappointed with the rest of the album. In fact, after having purchased four BOC albums in my time and a compilation album, I have come to the conclusion that they were never really that heavy. Though original manager Sandy Pearlman wanted them to be America's answer to Black Sabbath, I think they are in a different league. BOC managed to incorporate heavy metal guitar riffs and solos it's true, but they just as easily shifted to boogie rock, blues-based barroom rock, and even naturally blended some more progressive tendencies sometimes all in the same song. Never really too metal; never exactly true prog. But during the 1970's, Blue Oyster Cult established themselves among the rock band elite.

While checking out proto-metal albums from 1969 to 1973, I decided to order 'Tyranny and Mutation' to see if there wasn't any really good example of early heavy metal. What I found was that most songs include some great heavy guitar sounds, riffs, and solos but never stay heavy throughout. There's often some more radio friendly verse that lightens the mood or perhaps a blues rock segment, some piano, etc. Furthermore, the vocal delivery of the various lead singers is often quite theatrical in a tough-guy-from-New-York-singing-about- science-fiction kind of way (English has no adjective for that). The music of BOC seemed more geared towards entertainment than head banging.

And therein laid the charm of the band's music. This was a point that I seemed to have missed all these decades. BOC were not about serious doom metal or hard rock. They were about science fiction, about ghosts and aliens, about fighter aircraft and urban legends. They were about rock, sometimes just feeling good hard rock, sometimes about heavy rock, sometimes about a progressive journey focused more on the story than the machinery that got you there. And this album has really begun to connect me to the music of Blue Oyster Cult.

Side one is the more rock and roll part of the album and side two the more progressive; however both sides lean toward the other at times. Some of the heavier riffs occur on side two in 'Wings Wetted Down' and 'Mistress of the Salmon Salt (Quicklime Girl)'. But 'The Red & The Black' and 'Hot Rails to Hell' give us the rock and roll approach of the band. Side one's closer, 'Seven Screaming Diz Busters' (love the title) crosses the rock and roll approach with the progressive side of the band. Overall, the album has a fair bit of variety. Having three or four lead vocalists and various external contributing writers also helps to make for an album that doesn't get stale.

One of the things that has really caught my attention with this album is the music composition. The band make good use of two guitars and use keyboards effectively when they deem it essential to the music. The drumming is also very clever and I find myself really following the drums in a number of the songs. Thank you, Albert Bouchard!

This is not a really heavy album but it has its heavy moments. It's not progressive like Yes or Genesis but it has its share of creative music composition. And once again, there is a certain charm to the vocal delivers that give it a theatrical feel. Blue Oyster Cult is about intelligent heavy metal with a sci-fi slant and with an attitude of artful pretense. Based on my appreciation for this album, I have now ordered three more classic albums with the confidence that I will enjoy them for what I know to expect this time. As a prog album this is not spectacular. However as a rock album this could well deserve nearly five stars.

 Destiny by MATUCHNIAK, PETER album cover Studio Album, 2014
2.95 | 3 ratings

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Destiny
Peter Matuchniak Prog Related

Review by Ivan_Melgar_M
Special Collaborator Symphonic Prog Specialist

4 stars Soft and Classy Prog Related release

reviewers in sites as our's are sometimes hard with PETER MATUCHNIAK releases, mostly because they expect a full Progressive album, but this is Prog Related and we should expect something different. His style of music isn't the most complex in the market,but complexity isn't a goal to achieve "per se", it's good when it's the natural consequence of the composition, and not something to be expected in every album.

In Destiny he blends different styles from Prog, Blues Based Rock, Soft Jazz to some sort of vocal Pop, but the music is coherent and good?.Which the only thing that matters.

I've never been a fan of extremes, don't like ultra-complex Prog which I call "complexity for the sake of complexity" but neither I like extremely basic music that tells me nothing?..Peter has found the perfect balance between melodic rock and elaborate arrangements that I enjoyed from start to end.

My favorite songs are Destiny because the amazing guitar work by Peter during the instrumental breaks and the blend between Pop & Prog, plus Product an 8 minutes mini epic where the vocal work and piano are delightful specially in the closing section where Natalie Azerad provides a magnificent chorus that reminds me of Claire Torry in DSOTM.

Spies is also another track to listen carefully, because the jazzy atmosphere and the wonderful female vocal by Natalie Azerad, and even better if you listen it immediately after the previously mentioned being that both songs work perfectly in tandem.

The album is closed with Victory, which is the perfect ending for an album to be included in Prog Archives, an elaborate an interesting track from the Progressive Rock perspective, with surprisingly complex keyboard sections that break with the melodic nature of the record and gives the listener of this site a track with interesting changes and absolutely eclectic essence.

I won't describe all the other tracks because the comments would be very similar, but I have to mention the pristine production and the capable musicianship of all the members of the band who managed to maintain a beautiful melodic and oneiric atmosphere all along the album, except in the already mentioned Victory and the interesting Reprisal which sound closer to GEKKO PROJECT than to PETER MATUCHNIAK solo works.

If I was rating this album in Symphonic or any other 100% Prog sub-genre, I would be talking of 2.5 stars at the max, because it's not what we would be expecting, but we are in Prog Related, a category where Destiny fits perfectly, so in the context of a Rock album with Prog tendencies, I have to go with 4 stars.

 Fuzzy Logic by SUPER FURRY ANIMALS album cover Studio Album, 1996
3.46 | 11 ratings

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Fuzzy Logic
Super Furry Animals Prog Related

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars SUPER FURRY ANIMALS is a strange band emerging out of Wales, UK in the 90s and not strange like OMG this music is too weird, man! Strange in that they are at their base a britpop band that has song structures similar in catchiness to the bigwigs of that movement like Oasis, Blur and Supergrass but also incorporates a healthy dose of neo-psychedelia from Radiohead, the indie pop craziness of Ween, the glam rock riffage from David Bowie, Alice Cooper and other 70s giants as well as sensual orchestration like that of The Verve.

FUZZY LOGIC is their debut LP and a surprise to find that it is a very consistent album incorporating so many different influences that end up working together so very well. While the short intro track "God! Show Me Magic" sounds a lot like the harder sounds of Supergrass, it quickly cedes to a slower britpop Oasis groove that sounds more like a glam rock Bowie song, but although the influences are evident they are just distant enough to keep me from crying rip off.

Tracks like "Hometown Unicorn" show a distinct "The Mollusk" era Ween sound in action with Hendrix guitar and solos and other 60s psych / pop influences melded together. The rest of the album follows suit mixing and fusing all these influences together with catchy britpop based compositions but always bring some strange new ideas or seasoning to the table. This is only the debut album by SFA. Despite their delving into the progressive realms of music they were also fairly successful from the start on the UK pop charts.

Their sound becomes more distinct starting with their second album "Radiator" when all these detectable influences simmer down into a tastier concoction generating a more original sound. For a debut album clearly rooted in the britpop era i have to say that i find this album a winner. The production is crystal clear, the alternation of hard and soft tracks mixed with glam, psychedelic, indie rock / pop as well as 60s influences too numerous to mention really adds up to a pleasant surprise.

 Songs Of A Lifetime by LAKE, GREG album cover Live, 2013
2.77 | 14 ratings

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Songs Of A Lifetime
Greg Lake Prog Related

Review by richardh
Prog Reviewer

3 stars Not nearly as bad as you might expect and preferable to the Manticore Hall CD that Lake did with Emerson , this comes from a solo tour that has no band and uses a backing track (gulp!). Lake sings very well though and his voice is seemingly stronger than it was in the 90's although obviously not having the same range of ELP's early days. You get a pleasing mix of covers of ELP , King Crimson , Beatles and even an Elvis song . His recollection of seeing Elvis in Vegas 'Tribute To The King' is a treasure in itself ( he can tell a good story!) as well as interesting recollections and anecdotes about Lucky Man and The Beatles. His version of You've Got To Hide Your Love Away is lovely and demonstrates perfectly Lake's ability to deliver a ballad. The backing track of course on some of the rockier songs is not ideal like KE9 but its okay. Will only be purchased by fans I guess but the stories and anecdotes hopefully will be of interest to everyone.
 An Introduction To Syd Barrett by BARRETT, SYD album cover Boxset/Compilation, 2010
3.77 | 15 ratings

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An Introduction To Syd Barrett
Syd Barrett Prog Related

Review by memowakeman
Special Collaborator Honorary Collaborator

3 stars Great Barrett days!

Most people know that Syd Barrett was the first lunatic inside Pink Floyd; that his work with the band produced the most psychedelic tunes; but only a few people know his solo work, and that's a fact. Given that fact, I think it was a good decision to release a compilation album from his work, because it is a nice way of reliving him, of giving him a deserved credit, of spreading his tunes with new listeners. It is a nice tribute to someone who changed rock history.

And though I am not fond of compilation albums, I received this one with open arms; and though I don't regularly listen to it, I think it deserves exposure and a word from us, the fans. It was a pretty cool decision to begin this 18-song album with some early Floyd tracks, of course, Pink Floyd songs composed by Barrett whose sound has his truly personal touch, so you will smile and sing with songs such as "Arnold Layne", "See Emily Play" and "Bike", which are representative from those early years.

From track 7 to 17 the album has songs from his solo career. The first batch has music taken from "The Madcap Laughs", with tunes such as "Terrapin", "Dark Globe", "Octopus" and "If it's in You", songs that show his melancholic, depressive and crazy elements, songs that one can sing and enjoy, because his voice and guitar were good enough to enjoy. The second batch contains songs from "Syd Barrett", there you will listen to "Baby Lemonade", "Dominoes" and "Effervescing Elephant", among others. It is worth mentioning that some of the songs featured here were remixed in 2010.

Last but not least, track 18 is "Bob Dylan Blues", a kind of tribute that Syd composed for Bob, and that was lost somewhere and found several years after its composition by David Gilmour. I think this was a good choice for finishing this great compilation. So if you would like to explore a bit more about Barrett, this is a great way to start.

Enjoy it!

 Then & Now  by ASIA album cover Boxset/Compilation, 1990
2.56 | 45 ratings

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Then & Now
Asia Prog Related

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars This is one of those controverted bands featured here in ProgArchives, because their music tends more to be under the pop-rock scene than the progressive rock one, despite it was formed by prog rock musicians. For some people, Asia was the first successful supergroup in musical history, for others, it was a project meant to earn millions of dollars, but anyway, they created themselves a career with some highs and lows, but they have prevailed in the hearts of their solid fan base.

I am not a fan of Asia, however, I do like some of their songs and have a special feeling towards their "Then & Now" compilation, because it was one of the first best-of-albums I ever bought, and sadly, one of the first I ever exchanged with a stranger. So as you can imagine, this album features some of the best known songs (a.k.a. hits) from the band, which was released in 1990, in a time when Asia themselves was changing.

So basically, what you will find here is a nice, maybe not necessary, but not bad compilation of AOR/prog-pop/rock/whatever music with 10 songs that range from 3-5 minutes. For a progressive rock fan it should be a pleasure to listen a band with Wetton, Palmer and Downes together (along with Howe, of course) but this might be disappointing. Songs that reached popular charts, songs that are well composed but have a truly catchy and poppy tendency, songs for a completely different audience. Some of the hits you will find here are "Only Time Will Tell", "Heat of the Moment", "Don't Cry" and "Am I in Love?" Songs that you might listen at a radio station, or if you prefer, in this CD/LP on your collection.

Enjoy it!

 New York Minute (with The Les Paul Trio) by WETTON, JOHN album cover Live, 2015
2.00 | 1 ratings

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New York Minute (with The Les Paul Trio)
John Wetton Prog Related

Review by The Ploot

— First review of this album —
2 stars I can only surmise from this odd little set (only 37 minutes long) Wetton was not the singular act on the bill that night in 2013 but, rather, one among an assemblage of artists willing to make perfunctory remarks about colon-rectal cancer awareness before a lukewarm "charity gala" audience. On the other hand, it may just be a boring, uninspired, stand-alone performance and nothing more.

Here we have a disjointed collection of cover songs rendered by Wetton, accompanied by the Les Paul Trio (huh?) as well as two passing references to cancer. I doubt the fourteen people in attendance (judging by the ripple of unenthusiastic applause) even noticed the plugs/PSAs.

As for the set list, I personally like every song on it BUT the majority would probably have been better presented - and likely received - by the original composers (Fagen, Henley et al) Obviously, Marvin Gaye was unavailable and, mercifully, Bob Dylan did not appear. I'm baffled by John's half-hearted renderings of his own "Heat of the Moment" and "Battle Lines". Both would have been better covered by Hank Azaria in any number of character voices. For me, the only song containing even an ounce of passion is Brian Wilson's "God Only Knows", although I personally prefer the original (Olivia Newton- John's cover is quite lovely, too). Wetton has long had a justified respect for Wilson's compositions, as evidenced by his charming tribute to the Beach Boy, "Voice of America". For this gig, however, a medley of surf and hot rod tunes might have gone over better.

For me "New York Minute" (the album - not the song) is an unnecessary record. It could have been cut by thirty-three minutes and offered as a Beach Boys tribute single. I can only award it two stars.

 Fear Of The Dark by GILTRAP, GORDON album cover Studio Album, 1978
3.60 | 14 ratings

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Fear Of The Dark
Gordon Giltrap Prog Related

Review by apps79
Special Collaborator Neo Prog Team

3 stars The Sunday Times refered to ''Perilous journey'' as ''one of the best albums of the year''.It climbed to No.29 in the UK Albums Chart, while the track ''Heartsong'' received some serious airplay and reached No.21 in the UK Singles Chart.Same track was used as a signature tune on the ''Holidays'' TV programme of BBC.In 1978 Giltrap returns with ''Fear of the dark'' with his regular group supported now by multi-instrumentalist Graham Preskett on violin, female singer Shirlie Roden handles the vocal parts and Roger Hand provided the string arrangements.

This work shows a return to Giltrap's Folk roots, containing plenty of bucolic, acoustic parts, sitting comfortably next to the electric ones.The music comes like a cross between STEVE HACKETT's solo albums, SKY, maybe a little bit of STRAWBS and, of course, MIKE OLDFIELD.It refuses to abandon a strongly elaborate, sophisticated and mainly instrumental profile for the sake of the trends of the time, but simultaneously it sounds pretty accesible to a wide variety of music fans.With Giltrap setting up a true seminar on classic guitar, Hand providing a grandiose string-based background and Edwards offering the gentle tones of Classical Music through his keyboard and piano work, ''Fear of the dark'' comes as a nice proposal on soft, instrumental Prog Rock music, as certain tracks are entirely based on acoustic textures with mellow keyboard surroundings, while the electric pieces are mostly pretty melodic with calm solos, sporadic choirs, piano and keyboard waves and a confident rhythm section.This ones ends up to be closer to Orchestral Folk Rock than Prog Rock at moments, still Giltrap's composing talent and guitar excellence shines through, after all providing well-crafted, memorable tunes over a bunch of demanding arrangements is a hard thing and the man did a pretty great job.

Closer to the lines of ''Visionary'' than the more electric/Steve Hackett-like ''Perilous journey''.Soft instrumental Prog/Art Rock with folky and Classical underlines and some pastoral aesthetics.Recommended.

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Prog Related bands/artists list

Bands/Artists Country
10CC United Kingdom
14 BIS Brazil
801 United Kingdom
ABEDUL Spain
ABSOLUUTTINEN NOLLAPISTE Finland
ACIDENTE Brazil
AERODROM Yugoslavia
AGNUS DEI Austria
AGUA DE ANNIQUE Netherlands
DON AIREY United Kingdom
ALBERO MOTORE Italy
ALWAYS ALMOST United States
THE AMBER LIGHT Germany
AMBROSIA United States
JON ANDERSON United Kingdom
ARIEL Australia
ASIA United Kingdom
ATLANTIS United States
PETER BARDENS United Kingdom
SYD BARRETT United Kingdom
LUCIO BATTISTI Italy
BEAU DOMMAGE Canada
BIJELO DUGME Yugoslavia
BLACK SABBATH United Kingdom
BLACKFIELD Multi-National
BLODWYN PIG United Kingdom
BLUE ÷YSTER CULT United States
JEAN-PASCAL BOFFO France
THE BOLLENBERG EXPERIENCE Belgium
DAVID BOWIE United Kingdom
BRAM STOKER United Kingdom
BUDGIE United Kingdom
BYZANTIUM United Kingdom
JOHN CALE United Kingdom
CARNEGIE United States
CASA DAS MŃQUINAS Brazil
THE CHURCH Australia
CITY Germany
CITY BOY United Kingdom
CLOUDS United Kingdom
STEWART COPELAND United States
CRUACHAN Ireland
MARTIN DARVILL & FRIENDS United Kingdom
BRIAN DAVISON'S EVERY WHICH WAY United Kingdom
FABRIZIO DE ANDR… Italy
CHRISTIAN D…CAMPS France
DEUS Belgium
DIABOLUS United Kingdom
DIR EN GREY Japan
DREAMLAND United States
ER. J. ORCHESTRA Ukraine
ESQUIRE United Kingdom
EVOLVE IV United States
EX CATHEDRA United States
FAIRPORT CONVENTION United Kingdom
THE FIRE THEFT United States
FLIED EGG / STRAWBERRY PATH Japan
FLIGHT 09 Uzbekistan
FLYING COLORS United States
FM Canada
FOTHERINGAY United Kingdom
ELOY FRITSCH Brazil
FUGATO ORCHESTRA Hungary
AVIV GEFFEN Israel
DAVID GILMOUR United Kingdom
GORDON GILTRAP United Kingdom
GOD BLESS Indonesia
GODLEY & CREME United Kingdom
GOLDEN EARRING Netherlands
GROUNDHOGS United Kingdom
GTR United Kingdom
GUDDAL (YNGVE) & MATTE (ROGER T.) Norway
GYGAFO United Kingdom
THE HAPPENINGS FOUR Japan
HELP YOURSELF United Kingdom
KEN HENSLEY United Kingdom
ROGER HODGSON United Kingdom
HORIZONT Sweden
INDIGO Austria
IRON MAIDEN United Kingdom
JACKSON HEIGHTS United Kingdom
JAPAN United Kingdom
JEAN-MICHEL JARRE France
JON & VANGELIS United Kingdom
BRYAN JOSH United Kingdom
JOURNEY United States
KALEVALA Finland
ERIC KAMPMAN United States
KESTREL United Kingdom
KING'S X United States
KINO United Kingdom
KLAATU Canada
KORNELIJE KOVAC / KORNELL KOVACH Yugoslavia
KREUZWEG Germany
GREG LAKE United Kingdom
LANA LANE United States
LED ZEPPELIN United Kingdom
GEDDY LEE Canada
JOSIPA LISAC Yugoslavia
JON LORD United Kingdom
MAGELLANMUSIC United States
MAGNA CARTA United Kingdom
MAGNUM United Kingdom
YNGWIE MALMSTEEN Sweden
MŇNS MOSSA Sweden
GERARD MANSET France
PHIL MANZANERA United Kingdom
NICK MASON United Kingdom
MASTERPLAN Multi-National
MATTER OF TASTE Austria
PETER MATUCHNIAK United States
MAX WEBSTER Canada
MERCURY REV United States
METALLICA United States
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MOONDANCER Japan
MUSE United Kingdom
NOW United States
OFFENBACH Canada
OM ART FORMATION Bulgaria
OYSTERHEAD United States
PAGE AND PLANT United Kingdom
THE PARLOUR BAND United Kingdom
ALAN PARSONS BAND United Kingdom
PHISH United States
I POOH Italy
DAVORIN POPOVIC Yugoslavia
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