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PROG RELATED

A Progressive Rock Sub-genre


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Prog Related definition



No musical genre exists in a vacuum. Not all of the bands that have been a part of the history and development of progressive rock are necessarily progressive rock bands themselves. This is why progarchives has included a genre called prog-related, so we could include all the bands that complete the history of progressive rock, whether or not they were considered full-fledged progressive rock bands themselves.

There are many criteria that the prog-related evaluation team considers when deciding which bands are considered prog-related. Very few bands will meet all of this criteria, but this list will give an idea as to some of the things that help evaluate whether an artists is prog-related or not.

1) Influence on progressive rock - The groundbreaking work of artists like Led Zepplin and David Bowie affected many genres of rock, including at times progressive rock. Although both of these artists created rock music in a dizzying array of genres, both contributed to the ongoing history of progressive rock several times within the span of their careers.

2) Location - Progressive rock did not develop at the same time all over the world. It may surprise some people that as late as the mid-70s the US had very few original progressive rock bands that did not sound like exact copies of British bands. Journey was one of the first US bands to present a uniquely American brand of prog-rock before they eventually became a mainstream rock band. We have collaborators from all over the world who tell us which bands helped the progressive rock scene develop in their corner of the globe, even if those bands were like Journey and were known more for being mainstream rock bands.

3) Members of important progressive rock bands - Although most of the recorded solo output of artists like Greg Lake and David Gilmour falls more in a mainstream rock style, their contributions to progressive rock in their respective bands insures them a place in our prog-related genre.

4) Timeliness - Like many genres, prog-rock has had its ups and downs. In the late 70s and early 80s prog-rock was barely a blip on the radar. During this time artists such as David Bowie and Metallica released albums that captured key elements of the spirit of prog rock and did so while contributing their own original modern elements to the mix.

5) Integral part of the prog-rock scene - Sometimes you just had to be a part of the scene during a certain time period to understand how some bands fit with the prog rock scene of their time. Although Led Zeppelin, Black Sabbath and Wishbone Ash may seem like mere hard rock bands, in their time they stood apart from other hard rockers with their more serious lyrical content and more developed compositions. Put simply, in the early 70s every prog-rock record collector usually had full collections of all three of these artists. These three bands were very much part of the prog-rock scene without being total prog-rock bands them selves.

6) Influenced by progressive rock - From the late 60s till about 1976 the progressive tendency was in full effect in almost all genres of music. Once again, as we enter the second decade of the 21st century a melting pot of prog-metal, math-rock, progressive electronics and post-rock influences have once again made a progressive tendency in rock music almost more a norm than a difference. Yet in other periods of musical history receiving influence from progressive rock could really set a band apart and make them worthy of our prog-related category.
Being influenced by progressive rock is hardly the only factor we look at, and in some periods of musical history it is almost meaningless, but still, it is almost a given that most of the artists listed in prog-related were influenced by the development of progressive rock.

7) Common sense - Nitpicking over the above listed criteria is not necessarily the correct way to evaluate a band for prog-related. Sometimes you just have to use some common sense and look at the big picture.
A very good way to describe prog-related would be to imagine an exhaustive book that covered the history of progressive rock. Would such a book include references to led Zeppelin's 'Stairway to Heaven', David Bowie's 'The Man Who Sold the World' or Queen's 'Bohemian Rhapsody'? Probably so.
- Easy Money

Prog Related Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Related | More Top Prog lists and filters

4.38 | 841 ratings
LED ZEPPELIN IV
Led Zeppelin
4.35 | 596 ratings
QUEEN II
Queen
4.27 | 692 ratings
A NIGHT AT THE OPERA
Queen
4.25 | 680 ratings
PARANOID
Black Sabbath
4.22 | 498 ratings
ARGUS
Wishbone Ash
4.20 | 574 ratings
SEVENTH SON OF A SEVENTH SON
Iron Maiden
4.19 | 611 ratings
BLACK SABBATH
Black Sabbath
4.13 | 527 ratings
POWERSLAVE
Iron Maiden
4.16 | 398 ratings
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
Bowie, David
4.16 | 366 ratings
RISING
Rainbow
4.17 | 286 ratings
HUNKY DORY
Bowie, David
4.08 | 514 ratings
MASTER OF PUPPETS
Metallica
4.08 | 535 ratings
SABBATH BLOODY SABBATH
Black Sabbath
4.03 | 629 ratings
PHYSICAL GRAFFITI
Led Zeppelin
3.99 | 683 ratings
LED ZEPPELIN
Led Zeppelin
4.01 | 527 ratings
MASTER OF REALITY
Black Sabbath
4.16 | 167 ratings
SECRET TREATIES
Blue Öyster Cult
4.02 | 401 ratings
HEAVEN AND HELL
Black Sabbath
4.02 | 403 ratings
BRAVE NEW WORLD
Iron Maiden
3.99 | 403 ratings
RIDE THE LIGHTNING
Metallica

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Latest Prog Related Music Reviews


 Physical Graffiti by LED ZEPPELIN album cover Studio Album, 1975
4.03 | 629 ratings

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Physical Graffiti
Led Zeppelin Prog Related

Review by Losimba

4 stars Physical Graffiti is recognized as one of the strongest Led Zeppelin albums, some even say that it is the most "proggy" one. While I definitely agree with the first statement, I'm not too sure about the second one. True, the album runs over a total of nearly 83 minutes. True, 3 of the 15 songs exceed the 8 minute mark. But is that enough?

There is one main point against defining Physical Graffiti as a prog album: There's little variety in the style of the songs. Only Boogie With Stu, which is the boogie the title hints at, acoustic Bron-Yr-Aur and the ballads In The Light and Black Country Woman are different from the rest. All other songs are dominated by strong and heavy guitar riffs, though most of them are more complex than the average hard rock riff of the time. Ok, the intro parts of those songs show some variety, too. And there is of course Kashmir with its string arrangement and complex patterns which certainly qualifies as a prog song.

But as I wrote in an earlier review, an album doesn't necessarily have to be prog to get a high rating from me. It only has to be of high quality which is certainly true for Physical Graffity. I already mentioned Jimmy Page's strong guitar work, but the other musicians performances follow up closely and occasionally surpass him. Especially drummer John Bonham has never performed finer and more energetical than on this album. The same can be said about John Paul Jones on bass and keys and vocalist Robert Plant. He may never qualify as an opera singer, but he did exactly what the song needed in all 15 cases.

I might edit the rating up to a 5 after I've had another quiet hour with Led Zep IV (which will most certainly retain its provisional 5 star rating) to find out whether I feel a difference in quality (and liking) between the two albums. But for now, I go for very strong 4 stars.

 Acting Very Strange by RUTHERFORD, MIKE album cover Studio Album, 1982
1.65 | 61 ratings

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Acting Very Strange
Mike Rutherford Prog Related

Review by stefro
Prog Reviewer

2 stars Whilst Rutherford's 1981 solo debut 'Smallcreep's Day' wasn't exactly a masterpiece, it did feature a handful of decent, well- written tunes, some interesting ideas and an over-arching concept - the little-read novel of the same name - that was strong enough to hold it together. Issued a couple of years later and much lighter in shade and tone, the same cannot, however, be said of 'Acting Very Strange'. The second-and-final solo effort from the original Genesis member before the formation of his blockbusting 1980's pop-rock act Mike + The Mechanics, this is essentially a straight-ahead commercial pop album designed to appeal to a mainstearm audience of housewives, pre-teenage girls and guys with no style. Prog-Rock this ain't. As a result, 'Acting Very Strange' really does struggle to justify it's place on this website, with the only explanation being the overall thoroughness of progarchives and the rule of: if you include one, you have to include the rest. And I wholeheartedly agree. Sadly, however, that means you will get occasional albums such as 'Acting Very Strange' slipping through the net. In this case, it's due to the light progressive textures found dotted throughout 'Smallcreep's Day', yet even that enjoyable record leans more towards casual pop-rock stylea than it does prog. The point being that even if you liked Rutherford's debut, you might struggle with this. However, if Mike + The Mechanics and unexceptional 1980's pop is your thing, you may just be tempted to take a look... STEFAN TURNER, STOKE NEWINGTON, 2015
 Argus  by WISHBONE ASH album cover Studio Album, 1972
4.22 | 498 ratings

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Argus
Wishbone Ash Prog Related

Review by Mista-Gordie

5 stars This bluesy hard prog rock masterpiece is certainly one of the very best of the genre and has a lot of merit for the twin guitar attack, which is its most definite characteristic, and which would later influence bands like Iron Maiden. The virtuosity of the two guitarist is impressive to say at least, but what always strikes me is the fact that they both play with the exact same tone, attack and approach, making them virtually impossible to distinguish, and all that without sounding like the average blues lead guitar. It sometimes sounds like two tracks of the same guitarist duelling himself passionately, and the result is nothing short of amazing.

"Time Was" starts out slowly, like a folk-rock ballad, before bursting into a groovy, southern rock-like second part which contains superb guitar leads and a simple but effective bass work.

The same pattern is kind of repeated on the second track "Sometime World", but in an even more effective way this time. The track starts out slowly and progresses into a more upbeat part with a great bass riff. Awesome guitar guitar work also, as always. This might be the most heartfelt track on the whole album.

"Blowin' Free" is the bluesiest track on the album, quite forgettable, but nevertheless very pleasant. I definitely never grow tired of that one.

"The King Will Come" starts the second side of the LP brilliantly, with that epic intro building up to two great riffs (one on guitar and one on bass) playing simultaneously and perfectly complementing each other. Both instruments are on their very best on this track, and I'm thinking especially about these twin guitar solos around 3:15, which represent more the classic Wishbone Ash sound than anything on this album. Around 4:30 comes the most proggy moment of the album, a true highlight, and it leads to a return to the main riff to close the track brilliantly.

"Leaf and Stream" is probably the less impressive track out here, though it's quite beautiful. There's not a lot to remark here, except great guitar playing, just as usual.

"Warrior" is another stunning track, featuring one of my all time favorite hard rock intros and many of my favorite guitar exchanges between Powell and Turner. The lyrics are wonderful- and wonderfully delivered, and this could have been a perfect album closer. I know I said earlier in this review that "The King Will Come" was the best track here but it really was no easy choice, as these two tracks are to me the two greatest Wishbone Ash classics.

While the previous one could have been the perfect album closer, "Throw Down the Sword" is not so bad either, even if there are at least 5 better tracks on the rest of this record (1,2,3,4,6). Overall it's a great track, but it might lacks the epic feel an album finale should have (especially one with a concept). Fortunately, it is saved by a heart wrenching guitar exchange between the two virtuosos.

Finally, the bonus track "No Easy Road" is also very pleasant, but happily hasn't been included on the final record final record, cause it would have been totally out of place.

9/10

 Oxygene by JARRE, JEAN-MICHEL album cover Studio Album, 1976
3.86 | 243 ratings

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Oxygene
Jean-Michel Jarre Prog Related

Review by steelyhead

4 stars It is difficult to run if you are on a permanent state of "goosebumps". This is utterly ridiculous when I put this in my iPod I can barely remember the trail and I am in a continuum "air keyboard" state.

I remember very well the way We used this LP at our parties and It is still bringing memories. This is the ONE CD to have from the french master. Really recommended to all progressive electronic fans.

Like Tangerine Dream but with a little sense of rhytm. Like Kraftwerk but more for the masses. A timeless classic to cherish for another years to come. Get It soon!

 Phish [i.e. The White Tape] by PHISH album cover Studio Album, 1998
3.38 | 8 ratings

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Phish [i.e. The White Tape]
Phish Prog Related

Review by aglasshouse

4 stars Raw Phish vs. Cooked Phish

Phish's White Tape is the first recording effort they did way back in 1984, and marked for a great series of albums by the band. Of course it did, but is it worth it to buy? Well...yes, I would say so. This was of course back when they still hadn't replaced Grateful Dead as the new hip jam-band of the eighties. Instead, they were a bunch of young men who decided to have some fun and make a neat little record. Thus, they weren't as much devling into the experimental side of rock as much as they would later on albums like A Picture of Nectar and Rift. But aye, do not fret yea phellow Phish-head, these younger versions of the amazing musicians you know today are still there, but maybe not as chiseled musically.

Seeing as this was a very low-budget project for Phish at the time, the production is nothing short of mediocre. I mean, a college-studio recorded cassette should be expected to have the quality of a top notch platinum release. The entire album retains a gritty, non-filtered quality which, as a whole, gives the band a rawer intensity that you see rarely on their later albums, where they prefer to lay back and just jam to whatever the feel like.

It's really interesting to listen to these jams that I know so well from listening to live Phish material on this album in it's original form. A song that really comes to mind is 'AC/DC Bag', a song that lead singer and guitarist Trey Anastasio wrote back in college. To quote from Phish.net: "The lyrics to this groove-rock tune speak of a certain Mr. Palmer, who is most decidedly "concerned with the thousand- dollar question." He is about to be hanged by the AC/DC Bag (the name of Wilson's plug-in, robotized, bag-headed executioner) under orders from Wilson himself." One of the most recognized song perhaps from the album, and is most likely the most played song from it on Phish's live track list repertoire. Usually extended three-times over length wise, Phish does really make the most of 'Bag' when they do play it. It's quite the spectacular jazz-influenced track that holds much water in my mind. 'Divided Sky' is another one of my favorites, yet it's painfully short and I wish that it could have been extended to a minimum of three minutes. The rest of the album is good, but I would say that the other tracks are pretty forgettable.

So, if you are interested in Phish's history or comeuppance, I suggest that you give this a try. Although, I would not go so far as to say it is an excellent addition to a prog-minded fellow.

 Fuego by PHISH album cover Studio Album, 2014
3.20 | 13 ratings

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Fuego
Phish Prog Related

Review by Pastmaster

4 stars Phish-Fuego

'Fuego' is the twelfth studio album by progressive/jam rock band Phish. I was introduced to Phish fairly recently, a friend played their album 'A Picture of Nectar' for me and I really enjoyed it. That was the first album I heard, but 'Fuego' is the first Phish album I got for myself. After listening, I can safely say that Phish has not lost their touch after all these years.

In typical Phish fashion, this album has many different elements to the music. Anything ranging from jazz, hard rock, jam rock, and blues, creating a great progressive rock album. The opening title track is one of my favorites, beginning with some great piano and unique drumming. There is some hard rock guitar before great A capella. This song never really stays the same, changing from melodic rock parts to experimental drum/keyboard jams. Three minutes through there is an awesome guitar solo, playing over some great drumming by Jon Fishman. This song is definitely the main highlight of the album. '555' is another one of my favorites, having a great combination of blues rock and jazz. It has an awesome bassline and a really catchy chorus. 'Sing Monica' and 'The Line' are two other really good tracks, both being catchy. 'Wombat' is silly, yet pretty catchy. None of the other songs, while good, stand out to me as much.

Overall, I wouldn't call it as good as 'A Picture of Nectar'. It's still a great album, especially taking in to account the fact that these guys have been playing for many years now. If you want some good experimental rock, this would not be a bad choice at all.

 Priest = Aura  by CHURCH, THE album cover Studio Album, 1992
3.99 | 31 ratings

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Priest = Aura
The Church Prog Related

Review by sinslice

4 stars It's strange to see The Church here. However, this is a must, particularly album.

Perhaps most progressive of the Australian band is in some surprising EP's, in songs like 'So Love May Find Us' (Pangaea), and 'Night Sequence' (Back with Two Beasts). Here in "Priest ..." we might mention the overwhelming ´Chaos´. The rest develops between rhythmic and dotted guitars, bass simple and accurate, new drummer that curdles well; and above all, compelling and exciting melodies, like much of the lyrics, sung with energy and passion. The production is top notch.

Is it appropriate not highlight it because it is not 100% Progressive? Who knows? The word 'progress' corresponds irrefutably and is applicable to this sublime work. I remember buying the CD 20 years ago and do not know any songs due to little commercial impact it had.

Musicians with accredited and a long career. It earned the band, despite facing serious difficulties and changes, has been reinventing and has remained active for more than three decades; because they are really good at their proposal. Several subsequent albums are worthy and leave a good feeling, but here there are no good rating for being less progressive.

In short: 'Aura' Is mesmerizing, dark and light at a time. The chorus of 'The Disilusionist' excels; ´Feel' should have given more commercial revenues. It would be unfair not to mention 'Mistress', 'Lustre', 'Feel', 'Ripples'. Short songs are competent and fit well in the work.

 Powerslave by IRON MAIDEN album cover Studio Album, 1984
4.13 | 527 ratings

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Powerslave
Iron Maiden Prog Related

Review by Pastmaster

5 stars Iron Maiden-Powerslave

After the increased progressive leanings on 'Piece of Mind', Maiden released a new height with 'Powerslave' which could very well be called the first progressive metal album.

I'm always amazed when I listen to Iron Maiden, the fact that they can release masterpiece after masterpiece is simply amazing. Even though 'A Matter of Life and Death' is my personal favorite Maiden album, it's hard to pick a favorite when nearly all of their albums are flawless. If I had to pick a favorite out of the classics though, it would probably be 'Powerslave'.

The album begins with single 'Aces High'. Nicko McBrain's drumming on this track is very powerful and the guitar compliments it well. Of course you can't forget the other single '2 Minutes to Midnight', being just as powerful as the previous track. One song on this album that I feel gets forgotten is the instrumental 'Losfer Words (Big Orra)'. The song begins with cymbals before some really powerful driving guitar riffs come in. My favorite song from the album though has to go to the amazing title track. Bruce Dickinson gives one of his strongest vocal performances on this song, real power coming out of great lyrics like 'Tell me why I have to be a powerslave'. The instruments all compliment each other well, and the riffing can sound menacing on this song. Even though my favorite song on this album is the title track, my favorite classic Maiden epic 'Rime of the Ancient Mariner' can't be forgotten. This nearly 14-minute behemoth is a musical interpretation of a poem, but that doesn't need to be known to enjoy this masterpiece. The guitars really drive, Dickinson's vocals are powerful, the drums are powerful, the song changes and is definitely one of my favorite epics of all time. The bridge is conducted perfectly, reminding me a lot of Rush's 'Cygnus X-1' with the way the guitar sounds and the spoken word. Once the song builds back up, Dickinson gives yet another powerful vocal performance. A true masterpiece.

Overall, I think everyone can agree that this is an essential album to any metal collection. This album boosted Iron Maiden's popularity, and helped make them one of the most influential bands in heavy metal.

 A Night At The Opera by QUEEN album cover Studio Album, 1975
4.27 | 692 ratings

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A Night At The Opera
Queen Prog Related

Review by Losimba

5 stars I admit I'm quite mainstream with my feelings of this album. But it is very hard not to be, looking at the variety of the songs which already makes this album as complex as possible without looking at the really complex songs. There's only one superfluous track, God Save The Queen, but if you put it into context with the name of the band and eccentrics of some of the musicians, it finds some justification, too. But let's start at the beginning.

The piano intro to the first track is a first hint of what to expect and soon evolves into teh accusing Death On Two Legs, a song directly aimed at the boss of their former record company who tried to have it banned, but without success. It is followed by the short and innocent Lazing On a Sunday Afternoon and the very heavy anthem of every proud European middle class twenty-odd year old man, I'm In Love With My Car. It is only after this fabulous song that the first half second of actual silence is set before the next song, one of Queen's classics, You're My Best Friend, the first ballad on the album. Number five is an up-tempo acoustic piece with Brian May at the microphone, '39 with some weird lyrics. It is followed by another Heavy Metal track, Sweet Lady, which is really good for a "weakest" song of the album, before side 1 ends with funky and funny .

All in all, 7 fine and nice short songs that would make a fine album for themselves if re-recorded in some extended versions. But then the extensions would probably only destroy the compact and strong feeling of those songs.

This all ends with the first track of the second side of the album. The definition of "epic" songs is a very wide one, and many prog fans use a certain length in minutes and seconds as the only parameter. While this is an easy and clear option, it sometimes does not do the songs justice. The Prophet's Song is one example, as many would not consider it long enough. But the song's structure more than makes up for the missing two or so minutes. The acapella section in the middle of the song is certainly not everybody's darling, but I like it not only because it hints at what will still come, but also for the show of vocal skill of all 4 band members. The outro is a direct link to the second ballad of the album, Love Of My Life which shows that Freddie Mercury might have been a strong contestant to Elton John in the race for best piano rock performer if he had wanted to. The album closes in to the end and gives the audience three and a half minutes to either dance or breathe through with the easy going Good Company before Freddie Mercury unleashes his opus magnum.

When I first heard Bohemian Rhapsody as a 13 year old lass, I hated it because I didn't understand the complexity of both music and lyrics. A few years later, when I had become older and wiser (yes this pun was borrowed from Alan Parsons), this epic song had become another of my all time top 5 songs and will probably never be relegated from this status. The gong at the end would be a perfect conclusion for the album, but this is Queen, so the British anthem was added as an outro and doesn't even spoil the overall impression of genius.

Full and undisputed 5 stars for one of the greatest albums ever recorded.

 Vigilante by MAGNUM album cover Studio Album, 1986
2.67 | 41 ratings

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Vigilante
Magnum Prog Related

Review by Losimba

4 stars I've read quite a few reviews who depend their rating whether the album (or artist) is prog and rate it down if not. I will not do so.

Vigilante was the first Magnum album I bought (still on vinyl back in 1991 as I didn't have a CD player then) and I still believe it is their best one. True, the songs are more mainstream melodic rock than prog, but I don't care what genre a song is if it sounds great. And that is exactly true for 5 of the 9 songs on this album, with the others somewhere between ok and really good.

I won't copy the structure of the other reviews I published here the last few days and write a sentence or paragrah about each single song, but try a different approach. The production is strong and clear, the songwriting is some of the best we've ever got from Tony Clarkin and Bob Catley's voice has matured compared to the earlier publications. So has the guitar play of Clarkin while Wally Lowe, Mark Stanway and Mickey Barker contribute solidly as ever.

On to the highlights: The lyrics of Need A Lot Of Love, Daniel Bourquoin's saxophone on Midnight (You Won't Be Sleeping), the atmosphere of the strong ballad When The World Comes Down, Tony Clarkin's guitar work on the title track is only rivalled by the solo in Storyteller's Night and finally the bass line of Back Street Kid, which has been my favourite Magnum song from the beginning and still is, maybe because I always dreamt of having a band, recording and performing my own songs with my own lyrics which of course never became reality.

2 songs rate 3 stars, 2 songs 4 stars and 5 songs 5 stars, so the average is something like 4.33, meaning 4 stars.

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Prog Related bands/artists list

Bands/Artists Country
10CC United Kingdom
14 BIS Brazil
801 United Kingdom
ABEDUL Spain
ABSOLUUTTINEN NOLLAPISTE Finland
ACIDENTE Brazil
AERODROM Yugoslavia
AGNUS DEI Austria
AGUA DE ANNIQUE Netherlands
DON AIREY United Kingdom
ALBERO MOTORE Italy
ALWAYS ALMOST United States
THE AMBER LIGHT Germany
AMBROSIA United States
JON ANDERSON United Kingdom
ARIEL Australia
ASIA United Kingdom
ATLANTIS United States
PETER BARDENS United Kingdom
SYD BARRETT United Kingdom
LUCIO BATTISTI Italy
BEAU DOMMAGE Canada
BIJELO DUGME Yugoslavia
BLACK SABBATH United Kingdom
BLACKFIELD Multi-National
BLODWYN PIG United Kingdom
BLUE ÖYSTER CULT United States
JEAN-PASCAL BOFFO France
THE BOLLENBERG EXPERIENCE Belgium
DAVID BOWIE United Kingdom
BRAM STOKER United Kingdom
BUDGIE United Kingdom
BYZANTIUM United Kingdom
JOHN CALE United Kingdom
CARNEGIE United States
CASA DAS MÁQUINAS Brazil
THE CHURCH Australia
CITY Germany
CITY BOY United Kingdom
CLOUDS United Kingdom
STEWART COPELAND United States
CRUACHAN Ireland
MARTIN DARVILL & FRIENDS United Kingdom
BRIAN DAVISON'S EVERY WHICH WAY United Kingdom
FABRIZIO DE ANDRÉ Italy
CHRISTIAN DÉCAMPS France
DEUS Belgium
DIABOLUS United Kingdom
DIR EN GREY Japan
DREAMLAND United States
ER. J. ORCHESTRA Ukraine
ESQUIRE United Kingdom
EVOLVE IV United States
EX CATHEDRA United States
FAIRPORT CONVENTION United Kingdom
THE FIRE THEFT United States
FLIED EGG / STRAWBERRY PATH Japan
FLIGHT 09 Uzbekistan
FLYING COLORS United States
FM Canada
FOTHERINGAY United Kingdom
ELOY FRITSCH Brazil
FUGATO ORCHESTRA Hungary
AVIV GEFFEN Israel
DAVID GILMOUR United Kingdom
GORDON GILTRAP United Kingdom
GOD BLESS Indonesia
GODLEY & CREME United Kingdom
GOLDEN EARRING Netherlands
GROUNDHOGS United Kingdom
GTR United Kingdom
GUDDAL (YNGVE) & MATTE (ROGER T.) Norway
GYGAFO United Kingdom
THE HAPPENINGS FOUR Japan
HELP YOURSELF United Kingdom
KEN HENSLEY United Kingdom
ROGER HODGSON United Kingdom
HORIZONT Sweden
INDIGO Austria
IRON MAIDEN United Kingdom
JACKSON HEIGHTS United Kingdom
JAPAN United Kingdom
JEAN-MICHEL JARRE France
JON & VANGELIS United Kingdom
BRYAN JOSH United Kingdom
JOURNEY United States
KALEVALA Finland
ERIC KAMPMAN United States
KESTREL United Kingdom
KING'S X United States
KINO United Kingdom
KLAATU Canada
KORNELIJE KOVAC / KORNELL KOVACH Yugoslavia
KREUZWEG Germany
GREG LAKE United Kingdom
LANA LANE United States
LED ZEPPELIN United Kingdom
GEDDY LEE Canada
JOSIPA LISAC Yugoslavia
JON LORD United Kingdom
MAGELLANMUSIC United States
MAGNA CARTA United Kingdom
MAGNUM United Kingdom
YNGWIE MALMSTEEN Sweden
MÅNS MOSSA Sweden
GERARD MANSET France
PHIL MANZANERA United Kingdom
NICK MASON United Kingdom
MASTERPLAN Multi-National
MATTER OF TASTE Austria
PETER MATUCHNIAK United States
MAX WEBSTER Canada
MERCURY REV United States
METALLICA United States
MINDFIELDS Poland
MOONDANCER Japan
MUSE United Kingdom
NOW United States
OFFENBACH Canada
OM ART FORMATION Bulgaria
OYSTERHEAD United States
PAGE AND PLANT United Kingdom
THE PARLOUR BAND United Kingdom
ALAN PARSONS BAND United Kingdom
PHISH United States
I POOH Italy
DAVORIN POPOVIC Yugoslavia
PRIMUS United States
QUEEN United Kingdom
RAIN FOR A DAY Germany
RAINBOW Multi-National
TERRY RILEY United States
LAZA RISTOVSKI Yugoslavia
ROCKFOUR Israel
MIKE RUTHERFORD United Kingdom
SADISTIC MIKA BAND Japan
SATIN WHALE Germany
SERU GIRAN Argentina
SIGNS OF ONE Canada
DAVE SINCLAIR United Kingdom
PETER SINFIELD United Kingdom
SLINT United States
SOLSTICE COIL Israel
STEELEYE SPAN United Kingdom
STRAWBERRY FIELDS Poland
STREAM OF PASSION Netherlands
STYX United States
SUI GENERIS Argentina
SUPER FURRY ANIMALS United Kingdom
SVANN Poland
SYMPHONIC SLAM Canada
SYNERGY United States
SYNOPSIS Estonia
ALDO TAGLIAPIETRA Italy
TALKING HEADS United States
TAMOUZ Israel
TANTALUS United Kingdom
TIRED TREE Sweden
TITANIC Norway
TOY MATINEE United States
TRAVELLERS Poland
TRIANGULUS Sweden
TRICANTROPUS Spain
TRIUMPH Canada
STEVE VAI United States
VANGELIS Greece
VICTOR Canada
OLIVER WAKEMAN United Kingdom
WALRUS Japan
JOHN WETTON United Kingdom
WHALEFEATHERS United States
WHEATSTONE BRIDGE United States
WHIMWISE United Kingdom
WHITE United Kingdom
WISHBONE ASH United Kingdom
THE WISHING TREE United Kingdom
ERIC WOOLFSON United Kingdom
ZON Canada

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