Progarchives, the progressive rock ultimate discography

PROG RELATED

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Prog Related definition



No musical genre exists in a vacuum. Not all of the bands that have been a part of the history and development of progressive rock are necessarily progressive rock bands themselves. This is why progarchives has included a genre called prog-related, so we could include all the bands that complete the history of progressive rock, whether or not they were considered full-fledged progressive rock bands themselves.

There are many criteria that the prog-related evaluation team considers when deciding which bands are considered prog-related. Very few bands will meet all of this criteria, but this list will give an idea as to some of the things that help evaluate whether an artists is prog-related or not.

1) Influence on progressive rock - The groundbreaking work of artists like Led Zepplin and David Bowie affected many genres of rock, including at times progressive rock. Although both of these artists created rock music in a dizzying array of genres, both contributed to the ongoing history of progressive rock several times within the span of their careers.

2) Location - Progressive rock did not develop at the same time all over the world. It may surprise some people that as late as the mid-70s the US had very few original progressive rock bands that did not sound like exact copies of British bands. Journey was one of the first US bands to present a uniquely American brand of prog-rock before they eventually became a mainstream rock band. We have collaborators from all over the world who tell us which bands helped the progressive rock scene develop in their corner of the globe, even if those bands were like Journey and were known more for being mainstream rock bands.

3) Members of important progressive rock bands - Although most of the recorded solo output of artists like Greg Lake and David Gilmour falls more in a mainstream rock style, their contributions to progressive rock in their respective bands insures them a place in our prog-related genre.

4) Timeliness - Like many genres, prog-rock has had its ups and downs. In the late 70s and early 80s prog-rock was barely a blip on the radar. During this time artists such as David Bowie and Metallica released albums that captured key elements of the spirit of prog rock and did so while contributing their own original modern elements to the mix.

5) Integral part of the prog-rock scene - Sometimes you just had to be a part of the scene during a certain time period to understand how some bands fit with the prog rock scene of their time. Although Led Zeppelin, Black Sabbath and Wishbone Ash may seem like mere hard rock bands, in their time they stood apart from other hard rockers with their more serious lyrical content and more developed compositions. Put simply, in the early 70s every prog-rock record collector usually had full collections of all three of these artists. These three bands were very much part of the prog-rock scene without being total prog-rock bands them selves.

6) Influenced by progressive rock - From the late 60s till about 1976 the progressive tendency was in full effect in almost all genres of music. Once again, as we enter the second decade of the 21st century a melting pot of prog-metal, math-rock, progressive electronics and post-rock influences have once again made a progressive tendency in rock music almost more a norm than a difference. Yet in other periods of musical history receiving influence from progressive rock could really set a band apart and make them worthy of our prog-related category.
Being influenced by progressive rock is hardly the only factor we look at, and in some periods of musical history it is almost meaningless, but still, it is almost a given that most of the artists listed in prog-related were influenced by the development of progressive rock.

7) Common sense - Nitpicking over the above listed criteria is not necessarily the correct way to evaluate a band for prog-related. Sometimes you just have to use some common sense and look at the big picture.
A very good way to describe prog-related would be to imagine an exhaustive book that covered the history of progressive rock. Would such a book include references to led Zeppelin's 'Stairway to Heaven', David Bowie's 'The Man Who Sold the World' or Queen's 'Bohemian Rhapsody'? Probably so.
- Easy Money

Prog Related Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Related | More Top Prog lists and filters

4.40 | 1186 ratings
LED ZEPPELIN IV
Led Zeppelin
4.50 | 371 ratings
BLACKSTAR
Bowie, David
4.36 | 851 ratings
QUEEN II
Queen
4.31 | 1005 ratings
PARANOID
Black Sabbath
4.30 | 986 ratings
A NIGHT AT THE OPERA
Queen
4.26 | 694 ratings
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
Bowie, David
4.23 | 907 ratings
BLACK SABBATH
Black Sabbath
4.23 | 706 ratings
ARGUS
Wishbone Ash
4.20 | 797 ratings
SEVENTH SON OF A SEVENTH SON
Iron Maiden
4.19 | 534 ratings
RISING
Rainbow
4.17 | 521 ratings
HUNKY DORY
Bowie, David
4.13 | 758 ratings
POWERSLAVE
Iron Maiden
4.12 | 780 ratings
SABBATH BLOODY SABBATH
Black Sabbath
4.11 | 760 ratings
MASTER OF PUPPETS
Metallica
4.15 | 362 ratings
SCARY MONSTERS (AND SUPER CREEPS)
Bowie, David
4.08 | 792 ratings
MASTER OF REALITY
Black Sabbath
4.09 | 632 ratings
RIDE THE LIGHTNING
Metallica
4.16 | 292 ratings
SECRET TREATIES
Blue Öyster Cult
4.19 | 234 ratings
REMAIN IN LIGHT
Talking Heads
4.05 | 891 ratings
PHYSICAL GRAFFITI
Led Zeppelin

Latest Prog Related Music Reviews


 Time and Time Again by RUTHERFORD, MIKE album cover Singles/EPs/Fan Club/Promo, 1980
3.42 | 7 ratings

BUY
Time and Time Again
Mike Rutherford Prog Related

Review by Matti
Prog Reviewer

3 stars Mike Rutherford was the next in line after Tony Banks to make his solo debut while still in Genesis, one year before Phil Collins charted with 'On the Air Tonight' and with the album Face Value. Rutherford's album Smallcreep's Day was produced by the trusted Genesis producer David Hentschel and its performing line-up is excellent. The finest thing on it is perhaps the sidelong, 7-part title suite inspired by Peter Currell Brown's novel of the same name (1965) about a factory worker's journey of self-discovery. One could call the suite progressive pop.

The other side has separate songs that follow more closely the regular adult oriented pop form, and this single contains two of them. 'Time and Time Again' is my favourite track of Smallcreep's Day. The sensitive ballad has a beautiful, autumnal mood, and Noel McCalla's clean and tender voice fits the song perfectly. The single version is slightly edited.

The vinyl single's B-side was wrongly stated as 'At the End of the Day', the romantically mellow and cathartic final part of the album's title suite. But it's actually 'Overnight Job', which is a more upbeat pop song and also pretty finely crafted. Personally I'm not so fond of it though. (As for the rating, let's stick to three stars which I gave the album too, but 'Time and Time Again' is easily a four-star pop ballad for me.)

 The Symbol Remains by BLUE ÖYSTER CULT album cover Studio Album, 2020
3.37 | 24 ratings

BUY
The Symbol Remains
Blue Öyster Cult Prog Related

Review by MrMan2000

4 stars Yeah, if you had Blue Oyster Cult putting out one of the best albums in their entire catalog after nearly 20 years of silence and at 50 years(!) past their original album on your 2020 bingo card congratulations! I had no idea these guys were even making music, let along releasing a full-length album. More importantly the "band" features original key member Eric Bloom and Donadl Roeser and long-time member Richie Castellano.

Everything that has made BOC is here:

1. riff-heavy proto-metal 2. groovy pop-laden, mid-tempo rockers 3. bizarro sci-fi-tinged lyrics that somehow make no sense but also make cogent commentary on society today

Honestly, it's shocking how good this album is. Favorites include conspiracy-rocker Edge of the World, mega-shuffle Train True, sinister The Aldhemist and classic BOC rocker The Return of St. Cecilia.

But it's Stand and Fight that truly shines. A no-holds-barred, heavy metal rocker (think Cities on Flame heavy riffs) combined with an anthemic chorus and cool instrumental section that bludgeons the listener while simultaneously making us stand and raise our fist. Seriously, no band 50+ years into their career has a right to be making music this heavy.

A truly shocking and surprisingly enjoyable release that fits proudly amongst the band's best in their mammoth catalog.

 Houses Of The Holy by LED ZEPPELIN album cover Studio Album, 1973
3.91 | 853 ratings

BUY
Houses Of The Holy
Led Zeppelin Prog Related

Review by Dellinger

3 stars After the great fourth album, this one is indeed a disappointment. I find most of the songs rather annoying and in a totally different style... but not in a good way. They went with some sort of caribbean, almost danceable sound or something, instead of their hard rock / blues sound that we had gotten used to. I would be tempted to give it 2 stars if it were not for the two great songs that it does have, the soft and beautiful "The Rain Song" and the proggy "No Quarter", which is among my very favourite songs from the band.
 Still [Aka: Stillusion] by SINFIELD, PETER album cover Studio Album, 1973
3.57 | 55 ratings

BUY
Still [Aka: Stillusion]
Peter Sinfield Prog Related

Review by SteveG

3 stars Still was a hard album for me to get into when first released on CD as it suffered from abrasive sounding EQing to go along with it's unattractive (for me) sound mix, with Peter Sinfield's vocals deep in the mix and heavily bathed in echo. Lo and behold, a 2009 remastered edition with proper EQing by Esoteric Records made for a listenable sound. More to my surprise was discovering that this double CD's second disc contained the album's first mixes of all the songs with Sinfield's echo-less vocals up front and the music pushed more to the back. And that was a God send as Peter's elfin voice was front and center when espousing his poetic lyrics.

For those that may not know, Sinfield was King Crisom's lyricist for that august band's first four albums as well as their artistic director and was always billed on the albums as a full member. After splitting for KC, Peter created this solo album with support by Crimson alumni like Greg Lake, John Wetton, Boz Burrell, Keith Tippet and the incredible Mel Collins, who also served as this album's co-producer and musical arranger. The result is a lavish and lush mix of sound on this album's eclectic group of songs, with a deep resemblance to some of the adventurous jazz and orchestral musical mixes found on Crimson's Lizard album. With Mel Collins' sax and flute mixed with session player's horns, it could not be anything else. To be fair, the sound is more like a Lizard lite album. This is true with songs like "Under The Sky", "Wholesale Foods", "Envelopes Of Yesterday", "Piper" (a whimsical tune with Collin's majestic flute), " A House Of Hopes And Dreams", "and "Night People". The album also includes a faux country tune supported by steel guitar from a guesting B.J Cole. Of note is the leadoff track "The Song Of The Sea Goat" with it's reflective lyrical musings on top of some very esoteric organ, as well as the similarly constructed title track. "Still" has more otherworldly musing from Sinfield on the song's verses with the dramatic choruses sung in grand style by Greg Lake.

The major drawback to Still is that Sinfield has a very thin weak voice that only works well on the nearly spoken songs like the majestic lead off track and fails on a hard pseudo rocker like "Wholefood Boogie", However, Sinfeild has wonderfully entertaining phrasing, similar to Roy Harper's, which really helps.

Still is a very pleasant album that contains some of Sinfields best lyrics. At least with the 2009 Esoteric CD, one can actually hear them. 3.5 stars rounded down to 3.

 The Symbol Remains by BLUE ÖYSTER CULT album cover Studio Album, 2020
3.37 | 24 ratings

BUY
The Symbol Remains
Blue Öyster Cult Prog Related

Review by mohaveman

3 stars It's been a long time, I believe 19 years since the last album from BOC. But they are finally back with THE SYMBOL REMAINS. There are 14 songs on this release, and, like most of their recent efforts, it is very hit and miss. I have always been a huge fan of BOC going back to their early "progressive" heavy albums and even through their more commercial albums from the 80's. While they are not all great, there was always enough meaty songs to make up for the ones to skip. Even albums like CLUB NINJA have some great tunes. With this current release the Cult has given us a mixture of excellent tunes, good tunes, and a few that I just can't get myself to find interesting. "Box in my head" is pure Buck Dharma and brings back memories of many earlier Buck tunes. I enjoy "Nightmare Epiphany", and "Tainted Blood" (another vampire BOC song to add to things like "Nosferatu", as well as "The Alchemist". I have issues getting into the more rocky, bluesy numbers like "Florida Man" and "Train True". So, this is not a stellar album like "Imaginos", "Secret Treaties", or "On Your Feet or On Your Knees" but it contains enough gems among the lesser pieces to rate 3 stars. No matter what, it's fantastic to hear something new from a classic band...
 Blue Horizon by WISHBONE ASH album cover Studio Album, 2014
3.41 | 55 ratings

BUY
Blue Horizon
Wishbone Ash Prog Related

Review by Heart of the Matter

4 stars Very often along the years, it has been noted the peculiar (and fundamental) role that the twin lead guitar approach plays in the music of Wishbone Ash. This is also true for this record, although the fact is not so simple, but involves more than one manifestation: the mentioned twins provide not only riffs, leads and solos, but elsewhere you can find them in textures that in another context could be left to synths, or installing ambient and atmospheres, or collaborating with the vocals in setting the appropriately vast space for the expansion of the overall sound by resorting to reverb and the right chord sequences.

All that is here, and is backing a great set of songs. Anything else? Oh yes, Andy Powell is here and sings just great

 The Symbol Remains by BLUE ÖYSTER CULT album cover Studio Album, 2020
3.37 | 24 ratings

BUY
The Symbol Remains
Blue Öyster Cult Prog Related

Review by Heart of the Matter

3 stars Nothing to proclaim, but also nothing to complain about this album. It has everything one have learn to expect from the Cult: Thunderous riffs, like the one in the opener. Effective (yet distinctive) vocal harmonies introducing a welcomed dose of strangeness, like in "Box in My Head". And, of course, the tasty and unmistakable electric guitar soloing by their long-time leader, Buck Dharma, like in "Tainted Blood".

The songs may not be the best among their considerable catalog, but certainly they are fine material, strong both in composition and execution: hard rock with a touch of creepy weirdness (never indulging in glam excesses, nevertheless, listen to "Nightmare Epiphany").

A good album to consider.

 When the Wind Blows by BOWIE, DAVID album cover Singles/EPs/Fan Club/Promo, 1986
3.00 | 1 ratings

BUY
When the Wind Blows
David Bowie Prog Related

Review by Matti
Prog Reviewer

— First review of this album —
3 stars In the mid-80's David Bowie was quite busy in the movie industry, in most cases as a performer of a theme song, but also appearing as an actor in some films, such as the fantasy adventure Labyrinth. When the Wind Blows (1986) is an animated disaster film based on Raymond Brigg's graphic novel, accounting a rural English couple's attempt to survive a nearby nuclear attack. Originally Bowie was to contribute more to the soundtrack but he chose to focus on his upcoming album Never Let Me Down, and Roger Waters was brought in to complete the project instead. The soundtrack album also features contributions from other artists, for example the instrumental Invisible Touch album track 'The Brazilian' by Genesis. The title song was composed by Erdal Kızılçay and the lyrics were written by Bowie.

It is an emotionally strong song full of pathos, and especially the slight increase in tempo in the halfway is effective. What I don't like very much is the hard-edged, eighties-styled production. Just like the single for The Falcon and the Snowman theme song 'This Is Not America', the B side contains an instrumental version. In the case of 'When the Wind Blows', the instrumental version works quite nicely on its own, as a mellower orchestral piece. On the other hand it's also more harmless slice of sentimental movie music.

Being fond of Raymond Briggs' works (e.g. The Snowman) I wish to see the film some day.

 This Is Not America (with Pat Metheny Group) by BOWIE, DAVID album cover Singles/EPs/Fan Club/Promo, 1985
4.00 | 1 ratings

BUY
This Is Not America (with Pat Metheny Group)
David Bowie Prog Related

Review by Matti
Prog Reviewer

— First review of this album —
4 stars Being deeply disappointed at the uncertain situation of the US presidential election -- the world is at the risk of seeing that disgusting, hate-spreading, lying idiot staying in power and suffering the global results -- this song started to play in my mind this morning.

Naturally this collaborative single could just as well have been placed in the discography of PAT METHENY, whose Group made the soundtrack for John Schlesinger's spy drama "The Falcon and the Snowman" (1985). Based on the 1979 book by Robert Lindsey, it tells the true story of two young American men (acted by Timothy Hutton and Sean Penn), who sold US security secrets to the Soviet Union. I saw the film as a teenager and liked it. It was years later I found Pat Metheny, one of my biggest jazz/fusion favourites, and sadly I have no memories of the music on that movie.

The theme song finely sung by David Bowie has been among my favourite post-70's Bowie songs. It is included as a bonus track on the 1995 remaster of Tonight (1984), and it's contained on some of his compilations such as Best of Bowie (2002) and 3-cd Nothing Has Changed (2014). The cool, urban and moody soundscape created by Pat Metheny Group and Bowie's vocals with his interesting lyrics function brilliantly together. I also enjoy the cover by Alice, the Italian pop singer, although the original is clearly better.

Up till now I had never heard the instrumental version (the single's B side). Had I heard it without knowing the vocal version, I probably would appreciate it more, as an elegantly understated and atmospheric Pat Metheny piece, but can't help feeling that something crucial is missing -- the vocals. They simply make it whole.

 The Friends Of Mr. Cairo by JON & VANGELIS album cover Studio Album, 1981
3.39 | 127 ratings

BUY
The Friends Of Mr. Cairo
Jon & Vangelis Prog Related

Review by TCat
Special Collaborator Eclectic / Prog Metal / Heavy Prog Team

4 stars Both Jon Anderson and Vangelis have discographies (as solo artists) that are sort of hit or miss, some are really great while others are weak. But when they teamed up, they had, for me at least, some very memorable albums, some of my favorites from both artists (minus the Yes albums of course).

"The Friends of Mr. Cairo" is their 2nd collaboration, released 2 years after their first one, in 1981. I have to say that as far as both artist's solo albums, this one has aged quite well. Being as both artists at the time were trying to fit into the new decade at the time, they did so without selling out. In this album, we tend to move away a bit from the experimental feel of the first album "Short Stories" and they work on making this one a bit more accessible, yet they don't compromise in the quality of their output and ingenuity.

The album, for the most part, is more of a homage to old classic cinema, especially evident in the title track, where snippets from films are edited into the music, and done so with class. Vangelis and Anderson both incorporate snippets of themes from a few of the classics along the way, yet they do it without making it feel like they are stealing from the soundtracks while they incorporate the music so that it flows well together. This track, which surpasses 12 minutes, never gets old or stale and, in fact, seems to be divided into two (or maybe more) sections. The talents of both artists really fit together quite well, better, in fact, than their 3rd collaboration "Private Collection". This also helps to elevate this track, and the entire album for that matter. The 2nd track "Back to School" ends up being a little corny and just a bit too happy, but the beat is nice and might even make you tap your foot, just a little bit. But "Outside of This (Inside of That)" comes off a bit more naturally to the pair making up for that somewhat childish track.

The 2nd side of the original version of the album starts with "State of Independence", which was later covered by Donna Summers and, a decade later, a band called "Moodswings" with Chrissie Hynde on vocals, which is where I first became familiar with it. I was a big fan of that version, and when I finally heard this earlier version, I was impressed that the song was written by Vangelis and Anderson. It's a beautiful song and both versions are quite acceptable, yet quite different from each other in their own ways with only the melody being the constant between the two. "Beside" is a shorter track, one that really doesn't stand out much for me. The final track is more cinematic and progressive sounding with complex melodies and lyrics from Anderson and with Vangelis' cinematic flair, both of which work very well together and close the album quite impressively.

Overall, this is a very good album. It's biggest fallback is that it isn't necessarily the most progressive work of either artist, but it is, in my opinion, one that I would still place among my progressive albums. I have always loved the sounds of Vangelis and own almost all of his albums. The same can be said of Yes and Jon Anderson, but many of Anderson and Vangelis' solo albums can be pretty bad, while others are stellar. I place this one in with the best of both artist's works. I can easily give it 4 stars, and about half of the album could be considered progressive, but mostly in a lighter sense of the style. It's definitely not deserving of 3 stars, so I don't feel bad rating at 4, even with the cringe- worthy "Back to School". It is the best of their collaborations.

Data cached

Prog Related bands/artists list

Bands/Artists Country
10CC United Kingdom
14 BIS Brazil
801 United Kingdom
ABEDUL Spain
ABSOLUUTTINEN NOLLAPISTE Finland
ACIDENTE Brazil
AERODROM Yugoslavia
AGNUS DEI Austria
DON AIREY United Kingdom
ALBERO MOTORE Italy
ALWAYS ALMOST United States
THE AMBER LIGHT Germany
AMBROSIA United States
JON ANDERSON United Kingdom
ARIEL Australia
ASIA United Kingdom
ATLANTIS United States
PETER BARDENS United Kingdom
SYD BARRETT United Kingdom
LUCIO BATTISTI Italy
BEAU DOMMAGE Canada
BIJELO DUGME Yugoslavia
BLACK SABBATH United Kingdom
BLACKFIELD Multi-National
BLODWYN PIG United Kingdom
BLUE ÖYSTER CULT United States
JEAN-PASCAL BOFFO France
THE BOLLENBERG EXPERIENCE Belgium
DAVID BOWIE United Kingdom
BRAM STOKER United Kingdom
BUCKETHEAD United States
BUDGIE United Kingdom
BYZANTIUM United Kingdom
JOHN CALE United Kingdom
CARNEGIE United States
CASA DAS MÁQUINAS Brazil
THE CHURCH Australia
CITY Germany
CITY BOY United Kingdom
CLOUDS United Kingdom
STEWART COPELAND United States
CRUACHAN Ireland
MARTIN DARVILL & FRIENDS United Kingdom
BRIAN DAVISON'S EVERY WHICH WAY United Kingdom
FABRIZIO DE ANDRÉ Italy
CHRISTIAN DÉCAMPS France
DEUS Belgium
DIABOLUS United Kingdom
DIR EN GREY Japan
DRAGON New Zealand
DREAMLAND United States
ER. J. ORCHESTRA Ukraine
ESQUIRE United Kingdom
EVOLVE IV United States
EX CATHEDRA United States
EXIT Switzerland
FAIRPORT CONVENTION United Kingdom
THE FIRE THEFT United States
FLIED EGG / STRAWBERRY PATH Japan
FLIGHT 09 Uzbekistan
FLYING COLORS United States
FM Canada
FOTHERINGAY United Kingdom
ELOY FRITSCH Brazil
FUGATO ORCHESTRA Hungary
AVIV GEFFEN Israel
DAVID GILMOUR United Kingdom
GORDON GILTRAP United Kingdom
ROGER GLOVER United Kingdom
GOD BLESS Indonesia
GODLEY & CREME United Kingdom
GOLDEN EARRING Netherlands
GROUNDHOGS United Kingdom
GTR United Kingdom
GUDDAL (YNGVE) & MATTE (ROGER T.) Norway
GYGAFO United Kingdom
THE HAPPENINGS FOUR Japan
HAPPY END Japan
HELP YOURSELF United Kingdom
KEN HENSLEY United Kingdom
ROGER HODGSON United Kingdom
HORIZONT Sweden
INDIGO Austria
IRON MAIDEN United Kingdom
JACKSON HEIGHTS United Kingdom
BERT JANSCH United Kingdom
JAPAN United Kingdom
JEAN-MICHEL JARRE France
JON & VANGELIS United Kingdom
BRYAN JOSH United Kingdom
JOURNEY United States
KALEVALA Finland
ERIC KAMPMAN United States
KESTREL United Kingdom
KING'S X United States
KINO United Kingdom
KLAATU Canada
KORNELIJE KOVAč Yugoslavia
KREUZWEG Germany
GREG LAKE United Kingdom
LANA LANE United States
LED ZEPPELIN United Kingdom
GEDDY LEE Canada
ALEX LIFESON Canada
JOSIPA LISAC Yugoslavia
JON LORD United Kingdom
MAGELLANMUSIC United States
MAGNA CARTA United Kingdom
MAGNUM United Kingdom
YNGWIE MALMSTEEN Sweden
MĊNS MOSSA Sweden
GERARD MANSET France
PHIL MANZANERA United Kingdom
NICK MASON United Kingdom
MASTERPLAN Multi-National
MATTER OF TASTE Austria
PETER MATUCHNIAK United States
MAX WEBSTER Canada
MERCURY REV United States
METALLICA United States
MINDFIELDS Poland
MOONDANCER Japan
MUSE United Kingdom
NOW United States
OFFENBACH Canada
OM ART FORMATION Bulgaria
OYSTERHEAD United States
JIMMY PAGE - ROBERT PLANT United Kingdom
THE PARLOUR BAND United Kingdom
ALAN PARSONS BAND United Kingdom
SHAWN PHILLIPS United States
PHISH United States
I POOH Italy
DAVORIN POPOVIć Yugoslavia
PRIMUS United States
QUEEN United Kingdom
RAIN FOR A DAY Germany
RAINBOW Multi-National
JOHN RENBOURN United Kingdom
TERRY RILEY United States
LAZA RISTOVSKI Yugoslavia
ROCKFOUR Israel
MIKE RUTHERFORD United Kingdom
SADISTIC MIKA BAND Japan
SATIN WHALE Germany
SERÚ GIRÁN Argentina
SIGNS OF ONE Canada
DAVE SINCLAIR United Kingdom
PETER SINFIELD United Kingdom
SLINT United States
SOLSTICE COIL Israel
STEELEYE SPAN United Kingdom
STRAWBERRY FIELDS Poland
STREAM OF PASSION Netherlands
STYX United States
SUI GENERIS Argentina
SUPER FURRY ANIMALS United Kingdom
SVANN Poland
SYMPHONIC SLAM Canada
SYNERGY United States
SYNOPSIS Estonia
ALDO TAGLIAPIETRA Italy
TALKING HEADS United States
TAMOUZ Israel
TANTALUS United Kingdom
TIRED TREE Sweden
TITANIC Norway
TOY MATINEE United States
TRAVELLERS Poland
TRIANGLE France
TRIANGULUS Sweden
TRICANTROPUS Spain
TRIUMPH Canada
STEVE VAI United States
ANNEKE VAN GIERSBERGEN Netherlands
VANGELIS Greece
OLIVER WAKEMAN United Kingdom
WALRUS Japan
JOHN WETTON United Kingdom
WHALEFEATHERS United States
WHEATSTONE BRIDGE United States
WHIMWISE United Kingdom
WHITE United Kingdom
ROBIN WILLIAMSON United Kingdom
WISHBONE ASH United Kingdom
THE WISHING TREE United Kingdom
ERIC WOOLFSON United Kingdom
ZON Canada

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives

Donate monthly and keep PA fast-loading and ad-free forever.