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SLINT

Prog Related • United States


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Slint biography
Though they may not immediately come to mind as a progressive rock band, Kentucky's Slint made an unparalleled impact on the music world during their brief existence, eventually gaining credit as the founders of what would become known as post-rock. Though the members were merely teenagers when the group initially formed, they wasted little time introducing themselves with 1989's Steve Albini-produced Tweez album. Though it took steps towards introducing their unusual style of math-rock and gained them a certain degree of buzz, the group was far from realizing their full poetential. In 1991 they released Spiderland, sending shockwaves throughout the independant music scene and giving birth to one of the most acclaimed yet esoteric albums of the 90s. Though the band broke up shortly afterwards, Spiderland's minimalistic, bleak and hypnotic sound would pave the way for the likes of Godspeed You Black Emperor, Mogwai, Mono and countless other bands under the label of what we've now come to know as post-rock. Guitarist David Pajo would eventually join Tortoise (another one of the genre's seminal groups) while guitarist/vocalist Brian McMahan formed The For Carnation. In 2005 Slint reunited with original drummer Britt Walford joining Pajo and McMahan for a handful of gigs.


See also:
- Tortoise




Why this artist must be listed in www.progarchives.com :
Approved by the post-rock team, seminal genre founders.



Discography:
Tweez, studio album (1989)
Spiderland, studio album (1991)
Slint EP, (1994)

Slint official website

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Buy SLINT Music


SpiderlandSpiderland
Touch & Go Records 1994
Audio CD$8.77
$6.98 (used)
TWEEZ [Vinyl]TWEEZ [Vinyl]
Touch & Go Reco 2004
Vinyl$11.80
$18.00 (used)
SlintSlint
Single · EP
Touch & Go Records 2010
Audio CD$3.45
$2.53 (used)
slint LPslint LP
TOUCH & GO
Vinyl$12.00 (used)
Tweez LP (Vinyl Album) US Touch And Go 1993Tweez LP (Vinyl Album) US Touch And Go 1993
Touch And Go
Vinyl$39.98
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SLINT shows & tickets


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SLINT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

SLINT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

1.88 | 13 ratings
Tweez
1989
3.98 | 67 ratings
Spiderland
1991

SLINT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SLINT Videos (DVD, Blu-ray, VHS etc)

SLINT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SLINT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.95 | 2 ratings
Slint
1994

SLINT Reviews


Showing last 10 reviews only
 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by siLLy puPPy
Prog Reviewer

3 stars The critically acclaimed mother of all things post-rock does indeed seem to be the first successor to Talk Talk's later albums that layed down the foundation for the subgenre of rock to blossom although it was clearly heavily influenced by other dronological bands like The Velvet Underground who had already tapped into the sound in the 60s. The band's 2nd album SPIDERLAND went virtually unnoticed at the time and the band would break up soon after its release, yet for those who heard it they were truly inspired and through sheer influence alone this album has gained a steadily growing popularity in the underground world since its release.

It is interesting to hear just which parts influenced different post-rock acts that followed. The opener "Breadcrumb Trail" and its Godspeed! You Black Emperor narrations and the slower songs being heavily influential for Toby Driver's Maudlin Of The Well and Kayo Dot projects. Although I don't love this album as much as others simply because I find the vocals a bit weak in the screaming department and way too much talking instead of some kind of singing, I do recognize this as the landmark historically important album for what it is and I do kinda like the music which is mostly a punkish dissonance with a reggae kind of syncopation for a lot of the more upbeat tracks whilst the slower tracks are pure ambient riffing and atmospheric generators. Worth having alone for the mark it's made on the musical world but I can't say I enjoy listening to this on a regular basis. 3.5 rounded down

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 Slint by SLINT album cover Singles/EPs/Fan Club/Promo, 1994
2.95 | 2 ratings

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Slint
Slint Prog Related

Review by HolyMoly
Special Collaborator RIO/Avant/Zeuhl and Canterbury Teams

3 stars Following the emotional onslaught of Slint's era-defining Spiderland album, very little was heard from the band. I've heard stories that making that album almost drove one or more of the members to madness. However, three years later in 1994, Slint very quietly put out this two-song EP, and fans of Spiderland and/or their first album Tweez will want to grab this too.

The first song is "Glenn", a title that thematically links it to the first album, which similarly named all its tracks after people (supposedly, family members of the band). Compositionally, though, it's very much of a piece with the Spiderland album. It is a mid-tempo, hypnotic instrumental that builds slowly in volume and intensity based on a simple, circular guitar pattern. The appeal lies in the crisp ensemble sound and the tension they create. It does not "explode" like some of Slint's more memorable pieces, but that somehow makes it even more foreboding. It's a very worthy addition to their repertoire, and no Slint collection is complete without it.

The other track is a remake of "Rhoda" from the debut album, and it smooths out a lot of the rough edges of the trebly, noisy original. This is a deeper, more mature Slint take on the song. It wasn't the greatest song to begin with, but it's still an improvement.

Fans are bound to be disappointed with this release, as makes for a pretty slight whimper of a followup to their masterwork Spiderland, just because there are only two songs and only one of them is new. As of this writing, nothing more has been released by this band since, either. Still, it's better than nothing at all, and as long as you don't approach it with vaulted expectations, you'll find plenty to enjoy. I'll give "Glenn" 4 stars and "Rhoda" 3 stars.

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by coasterzombie

5 stars It can take me hours, if not days, to even prepare to listen to Spiderland. The emotional burden it places on the listener is almost unfair, and devastating. Every song is a succinct masterpiece unto itself; the bleak, shadowy space each creates is a voluminous cavern into which the air is sucked and spit back out as vitriol. Spiderland is ugly, beautiful, scary, redemptive and exhausting. It inspired countless bands and an entire genre of music. It exists on an island. Nothing ever before, and nothing ever since, sounds exactly like Spiderland.

Considering the rock music landscape of 1991, Slint never should have lasted as long as they did. Grunge was being crowned king, and Nirvana was heir apparent; Pearl Jam, Red Hot Chili Peppers and Soundgarden all released seminal albums. Slint never had a chance. The Kentucky quartet was a blip on the radar, too far removed from the angst and major-label publicity of the Seattle scene. Growing up as a teenager in southern Indiana, I know exactly what it felt like to be a Midwestern kid in the early nineties. Bands like Nirvana were like a breath of fresh air, a perfect distillation of disillusion and antiestablishmentarianism wrapped up in a convenient, portion-controlled package. If you had played Spiderland for me in 1991, not only would it have not blown my mind, but would have been immediately discarded and disregarded. Music was not ready for Slint in 1991, and they broke up. A couple of years later, guitarist David Pajo joined a band called Tortoise. Their 1996 release Millions Now Living Will Never Die became a critical addition to the Post-Rock canon, a newly-dubbed genre that would not have been possible without Slint's contribution.

"Breadcrumb Trail" alternates between bars of three and four with jangly, solid-state aplomb. Artificial harmonics rattle and hum, Pajo hits the distortion pedal, and singer Brian McMahan's whispery voice cries out for help. Britt Walford leads "Nosferatu Man" with rimshots and stick clicks, applying cymbals only when absolutely necessary. The drummer's greatest contribution comes from his composition "Don, Aman" and its hauntingly accurate depiction of social anxiety disorder. Again the guitars crunch and moan but the drums never kick in. Any closure or payoff goes unanswered. You flip the record over, almost terrified to hear what comes next, and "Washer" soothes you momentarily. Then McMahan sings "Good night, my love...remember me as you fall to sleep" and you realize the nightmare has only just begun. "For Dinner" builds tension like a 2-liter bottle of soda being shook up. "Good Morning, Captain" takes the now rigidly tight bottle and slowly unscrews the cap, as uncomfortable anxiety gives way to catharsis. You flip the record back over, and listen to the whole thing again. Spiderland is an essential masterpiece of rock music.

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by DisgruntledPorcupine

5 stars Whenever I think about who invented post-rock, two bands come to mind. Talk Talk, known much better as a synth-pop band when they miraculously started making the exact opposite of the music they were known for with their Spirit of Eden and Laughing Stock released, is one of those bands. The other is Slint, who underwent just as miraculous of a change, moving from post-hardcore to this difficult to classify piece of work. Is it post-rock? Not really. But like The Velvet Underground did with several genres, they were a spark that helped set the flame for the birth of it.

Let's forget about influence and importance though. Is this album good? Well I'd say it's much more than that. I've really never heard an album that sounded quite like this one. Much of the vocals are made up of spoken word that tells a story. It really adds to a creepy, tense atmosphere found throughout the album. The guitar riffs really fit the albums title, as I find them to have a "spider-y" feel to them. And of course, as with any good post-rock (or in this case, post-rockish) album, there is a great use of dynamics capable of sending chills down your spine at every turn.

So while this album does carry a very similar feel throughout, it's executed in different and new ways each song. "Washer" is a soothing track built around a drifting guitar riff. "Breadcrumb Trainer" is the most rocker like track on the album, but still carries the vibe the album is known for. Good Morning Captain is the one pure post rock song on the album. It still contains vocals which isn't a staple of the genre, but the whole song has pretty, but not melodic guitar sections that eventually builds into a chaos of "I miss you!!!". The best on the album, and very well executed climax.

If you're interested in dissecting post-rock to it's roots, there's no way you can not have this in your collection. A wonderful and inventive album that the genre owes so much to. A masterpiece in my eyes.

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by akajazzman

5 stars Unlike many, I don't consider "Spiderland" post rock, but I do consider it probably the most influential album on the genre. Sort of like Velvet Underground's first album is to Punk. See this album does in fact "Rock" at times, helping to make it the classic it is. The album is name checked all the time by post rock fans. Possibly more than even heard it. It was hugely influential on Tortoise, Mogwai and Godspeed You Black Emperor just to name a few. The long morose pieces with a simmering hardcore punk underbelly make you wonder why nobody really thought of this sound/approach before. Its not Prog, its more like a glum punk rock band trying to play their own versions of Prog inspired extended mood pieces, and they somehow came up with a classic!

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by Marty McFly
Special Collaborator Errors and Omissions Team

2 stars Funny note for the starters, "Slint" means "to produce saliva" in Czech, so it's rather hard not to laugh when hearing this music. Not that it matters at all. Next thing that is there (just for the record) is that I don't like spiders. And this music is creepy one, same as them. Maybe one of the first Post-Rock efforts and I appreciate that. But this music is so uninteresting. Every P-R band after this one does it better, not so terribly. There's something in their sound that I can't simply stand and makes me nauseous and nervous, checking the time all the time. And it sounds the same all the time. The same applies to a lot of Post-Rock albums too, but it's not so prominent. This music is dead and void, like long forgotten carcass. Or tomb.

2(+), but remember, there's historical value in this release.

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by Rune2000
Special Collaborator Prog Metal Team

4 stars Calling this the album the backbone of the post rock-movement wouldn't be enough since Spiderland has much more to offer than just the blueprint. Instead it actually creates the first original masterpiece of the genre, at least if we don't count Talk Talk's Spirit Of Eden.

I'm probably one of the few people who actually feels underwhelmed by Good Morning, Captain, but that's only in comparison to the other highlights! Nosferatu Man sounds like a product of the Grunge-era, but it still manages to surpass its genre limitations and create something that has not been done before. Just the mere fact that this track has a groove puts it over most material that the Seattle based bands could offer at the time. The definite stand-out track for me here is Washer which is a truly gorgeous composition. The track offers a pretty simple development pattern, but yet there is so power embedded into this 9 minute performance. If you have any doubts about purchasing the whole album then you can at least do yourself a favor by purchasing this one track off a digital download website of your choice.

This album is essential for fans of post-rock and an excellent addition to any rock music collection!

***** star songs: Nosferatu Man (5:34) Washer (8:50)

**** star songs: Breadcrumb Trail (5:55) Don, Aman (6:28) For Dinner... (5:05) Good Morning, Captain (7:39)

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by volta3

5 stars Slint is one of the few bands that is depressingly obscure. SPIDERLAND is almost like THE VELVET UNDERGROUND & NICO of the 1990's. Few people bought it, but it still had a wide ranging influence on experimental rock throughout the '90s and into this century. Slint really sound like NOBODY else in the music business then or now. Their combination of spoken/whispered/screamed vocals, dissonant guitar melodies, and off-kilter rhythmic changes is something so unique it can't, and shouldn't, be mimicked. The atmosphere of this album is dark, quiet, and extremely unsettling. Brian McMahan's vocal delivery is one of the main aspects that contributes to this doom-laden mood. Just listen to the songs "Don, Aman" and "Good Morning, Capitain" and you'll be scared s**tless! David Pajo's guitar genius cannot be overstated, as he has a unique style that permeates this album (those high, tapped-string notes on "Breadcrumb Trail" and "Nosferatu Man" are so cool)! Perhaps the most underrated of all the musicians on this album is drummer Britt Walford. He has a drumming style that combines the technicality and looseness of jazz drummers such as Elvin Jones with the sheer muscular force of hard rock, paving the way for drummers like Damon Che. SPIDERLAND is a wonderfully strange and creepy album full of musical surprises that jump out from the eerie silence--much like a musical haunted house. Higlights include: "Breadcrumb Trail," "Washer," and "Good Morning, Captain." GRADE: A (94%)

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 Spiderland by SLINT album cover Studio Album, 1991
3.98 | 67 ratings

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Spiderland
Slint Prog Related

Review by Cayafas

5 stars Pushing the boundaries of rock music without resorting to non-rock instrumentation and classical or jazzy influences. That's post-rock at is purest. This is what started it all. The humongous list of brilliant bands that would never have existed if it weren't for Slint is reason enough to cherish this album. That reason isn't needed.

Slint's Spiderland is evocative, emotional, and drove the depth of rock further than any non-prog band ever did, let alone the noise-rock scene from which is emerged. We are probably cheating by classifying math rock and post-rock as prog.

Using simple rock instrumentation, a droning bass, extremely careful use of dynamics, holding back rock's rough power in exchange for tension, Slint takes you on an emotional journey with their spoken, often whispered vocals and imaginitive stories. Good Morning Captain, their variation on the Rime of the Ancient Mariner, is the culmination of this, slowly building up tension in a bone-chilling atmosphere. If you're not breathless by the time this album ends, you probably don't have a soul.

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 Tweez by SLINT album cover Studio Album, 1989
1.88 | 13 ratings

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Tweez
Slint Prog Related

Review by ClemofNazareth
Special Collaborator Prog Folk Researcher

1 stars There really isn’t much of a valid argument for lumping Slint in with any subgenre of progressive music as far as I’m concerned. These guys were a disjointed blend of post-punk, garage band and primal grunge at a time when none of those sounds would have been considered very palatable by most music fans.

Don’t get me wrong - ‘Spiderland’ was a great musical experience and I have no doubt it was an influence on post-rock pioneers like Mogwai, Explosions in the Sky and probably even Efrim Menuck. Maybe it even was, as so many have claimed, the first post-rock album (although Bark Psychosis’s ‘Hex’ would get my vote for that label).

But in any case this debut album from the band does not factor into any discussion about post-rock and Slint’s influence on it. This is nothing more than a handful of undeveloped, poorly produced and scruffy half-assed recordings by some very young and not very talented Kentucky musicians a couple years before they would finally get their act together. And it’s really an EP, not an album. Other than “Kent” which shows some recognition by the band that drone and feedback can be used to sculpture and song, there is nothing here that remotely resembles what they would release next. The minimalist alternately reminds me of the eighties German band Trio, Dead Kennedys, and the Dead Milkmen. It’s just hard to take seriously.

If you are a completionist and a Slint fan your task is a pretty simple one since they only have two albums. But in reality you’d only be buying this one to be able to say you have everything the band recorded, and that’s not a very good reason to spend money you worked hard for. ‘Spiderland’ is worth hearing, but this one isn’t. One star and not recommended.

peace

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