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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current team members:
as at 15/1/2021

Scott (Evolver)
Keishiro (DamoXt7942)
Cristi
Ken (progaardvark)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.31 | 1703 ratings
CRIME OF THE CENTURY
Supertramp
4.31 | 1434 ratings
OMMADAWN
Oldfield, Mike
4.29 | 1640 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.28 | 2210 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.23 | 1029 ratings
DOOMSDAY AFTERNOON
Phideaux
4.20 | 1086 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.21 | 932 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.19 | 1839 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 864 ratings
SNOWTORCH
Phideaux
4.19 | 888 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 797 ratings
THE UNDERFALL YARD
Big Big Train
4.17 | 483 ratings
HOUNDS OF LOVE
Bush, Kate
4.13 | 1253 ratings
TUBULAR BELLS
Oldfield, Mike
4.16 | 420 ratings
SPIRIT OF EDEN
Talk Talk
4.14 | 570 ratings
~
Iamthemorning
4.12 | 638 ratings
NIGHT
Gazpacho
4.21 | 178 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.10 | 865 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.27 | 108 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.16 | 204 ratings
SHINY EYED BABIES
Bent Knee

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

CONQUISTA
Alux Nahual
FOLKLORE
Pez
TADEUSZ WOźNIAK [AKA: ODCIEń CISZY]
Wozniak, Tadeusz
NARROW-CASTER
3RDegree

Latest Crossover Prog Music Reviews


 Timeloss by PAATOS album cover Studio Album, 2002
3.86 | 150 ratings

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Timeloss
Paatos Crossover Prog

Review by prog_traveller!!

4 stars Paatos is band from Sweden, consisting of musicians from Landberk and a formation called Agg. "Timeloss", which is rather short at 40 minutes, is the debut of this group.

First of all, it contains the typical ingredients of Scandinavian Progressive Rock, that is to say, melancholy sounds with a full Mellotron and a certain folk touch prevail. The influence of Landberk is unmistakable, the dreamy track "They Are Beautiful" could easily have come from Landberk's album "Indian Summer". Interestingly enough, according to the booklet, this piece was composed by the two ex-Landberkists S. Dimle and R. Fiske and their colleague Patrick Helje, so it was probably originally a Landberk song.

Swedish sadness is omnipresent. Like so many Swedes, PAATOS use mellotron choirs en masse. The mood spreads heavily in the ear canal and captivates you. In particular, the vocals of Petronella Nettermalm underline this impressively. Goosebumps shoots down the back again and again. But the guitar doesn't shy away from adding sad moods either. Reine Fiske's play is very charismatic and soulful. There are also flute tones and complex rhythms. Nevertheless, I don't want to portray PAATOS as "depressive music", the band simply has too much drive for that, despite their often sluggish rhythms.

Because the band has a lot more to offer than just Swedish sadness. The opener "Sensor", for example, is a pretty melodic up-tempo song that runs straight into the ear. The characteristics mentioned above apply to the following three pieces without any ifs or buts. Only the final song "Quits" breaks out of this pattern. It's getting pretty modern here, with programming and the use of wind instruments.

All in all, "Timeloss" is an impressive debut of a promising formation that continues the tradition of high-quality progressive rock from Scandinavian realms.

 Secret World Live by GABRIEL, PETER album cover DVD/Video, 1994
4.27 | 199 ratings

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Secret World Live
Peter Gabriel Crossover Prog

Review by fs1957

1 stars So I love the music of Peter, no doubt about that. But.... The quality of this DVD is so poor that I can not recommend it at all. It says Digitally remixed and remastered... Must have been done by a 5 year old on a 1963 computer... The quality is barely 640 x 480 and playing it on a widescreen TV (mine is 2020) makes you wanna cry... The sound is ok, so that is good. With that said, don't even think of buying it, watch it on youtube and you will enjoy it more. Forgive me guys but whoever produced this, I would suggest, get another job.
 Irresistibili Distanze by PERROTTA, ANDREA album cover Studio Album, 2021
4.00 | 4 ratings

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Irresistibili Distanze
Andrea Perrotta Crossover Prog

Review by shaft

4 stars Excellent first lp for this very versatile Italian musician. Lots of well connected ideas coming from different musical genres: crossover prog and eclectic prog, Italian progressive rock, heavy prog, progressive metal and also shades of 90's pop (the second track "game over"). I think he takes inspiration from several artists among the mentioned genres, such as PFM-Cervello-Steven Wilson-Porcupine tree-Van Der Graaf Generator-Dream Theater. Andrea Perrotta is supported by many excellent musicians, and also his voice is pleasant and suitable for the musical genre. Very interesting studio album because it leaves us hopeful in a potential creative ability of the author. To be followed for future initiatives
 Selah! by TIMELIGHT album cover Studio Album, 2020
3.93 | 8 ratings

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Selah!
Timelight Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars By the time of Timelight's second album, 'Selah!', there had been some significant changes and the band had now become a studio only project of Chris Rudolf (guitars, keyboards, bass, vocals, production) and Ron Murvihill (keyboards, flute, drum programming, vocals), with the addition of guest bassist Ian Siegel on 3 of the 6 songs. As with the debut, most of the songs are lengthy (just one under 5 and all the others past 10), yet here it feels that Murvihill has had a much larger impact on the material and he and Rudolf are very much linked. As well as more keyboards in general, there is a much greater use of piano, which has major impact in some places, such as on the title cut which is huge in so many ways. While I have never been a fan of programming, it must be said that here it has been done incredibly well, and one can imagine this being played by a human and is far more innovative and all over the kit than much I have heard.

Whereas the debut showed lots of promise, this is more about fulfilling that aim and the result is an album which is incredibly powerful. This does not sound like a project, but by a full band who went into the studio and rocked. There are a lot more keyboards here, yet the guys are still very much in the American Nineties prog mould, with plenty of rock guitars when the time is right. The guys also play to their strengths with long instrumental passages, but whereas some bands use these as an excuse for self-congratulatory solos or meandering elements which go nowhere, here they have purpose and direction and fit within the theme of the song. The vocals do take some getting used to, but musically this is an incredibly powerful unit, and the underlying piano and rock guitar often combine to create something very special indeed.

Both this and the debut are easy to find on Bandcamp, and fans of a combination of prog and American melodic rock should seek them out.

 Timelight by TIMELIGHT album cover Studio Album, 2016
3.07 | 5 ratings

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Timelight
Timelight Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

3 stars Guitarist/singer Chris Rudolf and I somehow got in contact last year, after which he sent me not only the latest release from Timelight to review, but also their debut from 2016. The band were formed in Portland, Orgeon, by Chris in 2013 as a continuation of his solo work and was initially a trio featuring Steve Lauer (drums) and Stevie Williams (bass, keyboards), before Ron Murvihill (keyboards, vocals, flute) joined in time to record and release the debut. To me this is very reminiscent of much of the prog that was coming out of the American scene in the Nineties, not really neo-prog, but much more with an ear to the melodic rock and AOR scene.

These guys certainly understand how to produce powerful, bombastic music with some great riffs and guitar lines. There are times when Ron is relegated somewhat to the rear, providing a secondary support role, while the rest of the guys really kick off. There are some bass/drum/guitar runs in "The Law of Identity" which are an absolute delight, with the guys truly locked in and playing as one. But when he is given the opportunity Ron also shows he can either rock with the best of them or take the band in a totally different direction. Although this style was commonplace some twenty years earlier, there are few prog bands mixing it up quite like this in the 21st Century which makes this feel fresh and exciting.

The style of vocals can be a little off putting at first, just because Chris has a distinctive style, but that soon passes by, and one becomes completely enamoured with this five-song 55-minute-long debut which has a lot going for it. Self-produced and self-released, this is a solid album which is certainly worthy of investigation who want their prog to be influenced by progressive rock, and also for those who enjoy it the other way round.

 Figureheads by THEO album cover Studio Album, 2020
4.04 | 25 ratings

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Figureheads
THEO Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars I didn't come across Theo's 2015's debut album, 'The Game Of Ouroboros', until five years after it release, and while it had some strong points, there were others where it felt just too commercial and bland for me. Now they are back with the second, and band leader Jim Alfredson (keyboards, lead vocals) has pulled together pretty much the same line-up with Gary Davenport (Chapman Stick, fretless bass) and Kevin DePree (drums, percussion) while guitarist Jake Reichbart here only features on two songs with Tom MacLean on the other two. Yes, this is just a four-track album, but they are all at least 10 minutes in length, with two about 15.

Right from the off, this hits with way more punch, as the gentle birdsong soon gives way to keyboards which lead into sweet guitar, just in time for MacLean to throw in some djent, Alfredson throws some leads over the top, and then when the vocals start they are harsh and we are off. It soon switches into something more melodic, but this is a ride from the start with loads of dynamics and contrasts. Whereas the first album dealt with the imbalance of power, this one was hugely impacted by the rise of authoritarian regimes, including of course Trump, "Each song represents a facet of our personalities. I believe we all have the potential for good and evil and sometimes the line between holding things together and falling off the proverbial cliff is very thin," Alfredson says.

Each song is very different, and the use of multiple keyboard styles and layers often lead the way, while the impact of the fretless bass is significant. It is a varied album, which has a modern progressive feel, as Alfredson mixes clear vocals, strong melodies, and musicianship in a very pleasant crossover approach which to my ears is a clear step up from the debut. Worth investigating.

 Waiting... by MADRIGAL album cover Studio Album, 1988
3.83 | 14 ratings

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Waiting...
Madrigal Crossover Prog

Review by Mellotron Storm
Prog Reviewer

3 stars 3.5 stars. I've seen at least ten bands with the name MADRIGAL but this one is from Spokane, Washington and they released two studio albums about 10 years apart. They formed in 1977 and this is their debut over 10 years later. Drummer Kevin Dodson is the leader here and only original member left I believe. Some unusual sounds from this one with a lot of guests helping out. Banjo, toy drum set, guitar synth to name a few. Different vocalists and they are all okay. I think of this band as more Eclectic than Crossover but whatever.

Side one is called "Day" and side two "Night". The opener "Sister Happy" reminds me of a cross between GENTE GIANT and GENESIS and it's quite good if not that original sounding. There's really only one track that I'm all in on and that's "Experience". Right from the first listen my thoughts were "This is much better sounding" especially with the upfront guitar to start but the keyboards take over quickly. Guitar comes and goes. Complex stuff here and I like the instrumental break at 3 1/2 minutes. The closer is usually one of the better tracks but it's the worse one here. A Ragtime special and yes the perfect name for that style of music. And no I'm not big on acoustic piano and we get plenty on this album.

This was a tough one to rate because they clearly were very proggy and talented but my ratings reflect the fan in me not the critic. I agree with Bogdan on the 3.5 stars. And I really don't like the cover art(haha).

 Gentle Stream by AMAZING, THE album cover Studio Album, 2011
4.18 | 20 ratings

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Gentle Stream
The Amazing Crossover Prog

Review by Mellotron Storm
Prog Reviewer

4 stars This would be my second favourite album from Sweden's own THE AMAZING featuring guitarist Reine Fiske. I do connect more with 2016's "Ambulance" for that Dream Pop vibe. This one is folky and dreamy too with those warm vocals and Fiske's wondrous guitar leads.

That self titled opener is certainly one of my favourites off this album. Just a beautiful song both instrumentally and vocally. Lots of depth and some organ after 4 minutes when the vocals step aside briefly. A long instrumental break ends it. More organ on the next tune "Flashlight" and the chorus is moving. Thankyou! We even get some guest flute and sax on this one. Fragile vocals on "The Fog" which is folky, "Gone" is excellent especially the guitar and vocals. "Dogs" is a top three again because of the vocals and guitar. This is one I can just drift away to. The closer "When The Colours Change" is one I can relate to here in Canada. Another dreamy tune especially the chorus.

Man I have such a thing for Swedish melancholy, nobody does melancholy like the Swedes.

 Grace for Drowning by WILSON, STEVEN album cover Studio Album, 2011
4.19 | 1839 ratings

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Grace for Drowning
Steven Wilson Crossover Prog

Review by A Crimson Mellotron

4 stars 'Grace for Drowning', the second solo studio album by progressive rock champion Steven Wilson, was released in the autumn of 2011 on the progressive music label Kscope, as a double disc, clocking in at round eighty-three minutes of playtime. This very interesting album comes after Wilson had released his debut solo effort 'Insurgentes' some three years ago, an experimental rock record full of unusual sounds displaying his various eclectic influences, that somehow did not establish an aesthetic far too different from that of Porcupine Tree, who went on to release their final studio album the very next year, thus allowing Wilson to focus entirely on his personal musical desires and ideas.

In all this context, it also has to be mentioned that this album serves as a part of a trilogy that features Opeth's 'Heritage', released in 2011, as well, an album that has been met with mixed emotions, and Storm Corrosion's self-titled released, which is ultimately Wilson and Akerfeldt focusing on their more ethereal and aloof influences, creating a very elevated and picturesque collage of sonic explorations. And then there is 'Grace for Drowning', a record that is quite different from both albums comprising this trilogy of kind. Another important element that could help us decode the sound of this album has to be the fact that Wilson had been working on the early 70s King Crimson albums at that time, and that influence is seriously prevalent throughout the whole 80-minute album.

A very bold, artistic, and extravagant collection of songs and compositions, that sees Steven Wilson venture into the realm of jazz, fusion, and improvisation, with a wink towards the 70s jazz fusion scene, certainly reminding us not only of King Crimson, but also of Soft Machine, Mahavishnu Orchestra, and maybe even Herbie Hancock and Van der Graaf Generator. To make things even more impressive, Wilson is joined by a stellar lineup of musicians from the progressive rock and fusion scenes, some of which include Jordan Rudess, Pat Mastelotto, Theo Travis, Nick Beggs, Dave Kerzner, Marcus Reuter, Trey Gunn, Steve Hackett, and Tony Levin - this really has to be his first grandiose love letter for the music of the 70s that he is so fond of.

Mind-blowing arrangements, masterful songwriting, pretentious lyrics, and grandiose musicianship on several occasions - these are some of the aspects that this record possesses, alongside the strongly emotive atmosphere that Wilson always manages to create through his music, this record contains very avant-garde numbers like the instrumental 'Sectarian', the bombastic 'Remainder the Black Dog', the ethereal 'Track One', and the big 23-minute fusion suite 'Raider II', certainly of the best achievements for progressive rock in the decade of the 2010s, some very strong songs that still have that touch of Porcupine Tree, and yet sound nothing like the then-extinct band, including 'Deform to Form a Star', 'Postcard', 'Index', and 'Like Dust I Have Cleared From My Eye'.

Excellent from front to back, this is one of the top albums not only in Steven Wilson's catalogue but also of 21st century progressive music, with the British multi-instrumentalist showcasing his seamless ability to shift styles with each new record to some quite impressive results.

 The Slip by NINE INCH NAILS album cover Studio Album, 2008
3.19 | 61 ratings

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The Slip
Nine Inch Nails Crossover Prog

Review by progtime1234567

4 stars The Slip is, in my opinion at least, is one of the best Nine Inch Nails albums. It combines the best of the 90's era, with the more progressive and conceptual elements from the albums With Teeth and Year Zero.

Trent Reznor combined Industrial metal, Industrial rock, electronic music, and electro - industrial on this record to create a diverse sound, but at the same time, the sound is pretty constant, in a good way. The album doesn't ever get boring, mainly because it balances the softer and heavier parts almost perfectly. For instance, the song Lights in the Sky is one of the lightest and most grim Nine Inch Nails songs. Its heavier counterpart, 1,000,00, is one of the heavier songs in the bands catalogue.

Listen to this after you hear Pretty Hate Machine, The Downward Spiral, and The Fragile. Once you hear The Slip, there's a chance that it will put a smile on your face.

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
22 Norway
3 United Kingdom
3 United States
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
A2RK United Kingdom
AARDVARK United Kingdom
AARDVARK' Finland
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACCION ROCK BAND Spain
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKACIS United States
AKENATHON Argentina
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS Italy
ALIAS EYE Germany
ALL IMAGES BLAZING Japan
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALPHAJORGE Brazil
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMARTIA France
AMAZING MACHINE Norway
THE AMAZING Sweden
AMBERFIELD Germany
AMBIGRAM Italy
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
THE ANCHORESS United Kingdom
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APE AMPLITUDE Germany
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUA TALK Turkey
AQUACADIA United States
AQUILA United Kingdom
THE ARBORIST United States
ARC OF LIFE United States
ARCA PROGJET Italy
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASHES IN SAPPHIRE Venezuela
ASIDE BESIDE France
ASIMÉTRICA Mexico
ASSUAGE United States
ASTRAL BAZAAR Finland
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
ATRAVAN Iran
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AVOCADO MOON EXPERIMENT Italy
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BABAL United Kingdom
BACKHAND Venezuela
BACKWARD RUNNERS Poland
BAD DREAMS Argentina
BADWATER FIRE COMPANY United States
JOE BAILEY United Kingdom
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
BALEIA Brazil
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDIC DEPTHS United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
BARON MUNCHAUSEN Multi-National
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BEND THE FUTURE France
BENJAMIN'S KITE Canada
RAY BENNETT United Kingdom
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BIG SLEEP United Kingdom
BIRZER BANDANA United Kingdom
KENNY BISSETT United States
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
THE BLACK LIGHT United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLACK STRAT BAND Greece
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BOMBER GOGGLES United States
STEVE BONINO United States
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
TOM BRISLIN United States
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIČRE France
BROKEN PARACHUTE United Kingdom
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
BRUTEUS United States
ANDERS BUAAS Norway
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
BURNTFIELD Multi-National
ALAIN BURO Belgium
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
C SIDES United Kingdom
CAIRO United Kingdom
CALIFORNIA GUITAR TRIO United States
CALIGONAUT Norway
CAMELION France
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI France
CAREWORN United Kingdom
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
LAURA CASALE United States
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELESTIAL BURST France
CELL15 United States
CELLULOID WINTER United States
CHALIS United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASING THE MONSOON United Kingdom
CHASM Norway
RANI CHATOORGOON Canada
CHAYAN United Kingdom
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA SURVIVE United States
CIRCA: United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
WOJCIECH CIURAJ Poland
CLARION Italy
STEVE CLARK Australia
STEWART CLARK United Kingdom
THE AARON CLIFT EXPERIMENT United States
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
COATSWORTH-HAY United States
STEVE COCHRANE Canada
CODICE C Italy
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
COLOURATURA United States
COMA ROSSI India
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC PUPPETS United Kingdom
THE COSMIC REMEDY Multi-National
COSMIC SINGULARITY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY DUMBSAINT United States
CRAZY WORLD Finland
CRÉPUSCULE Germany
CRIMINAL CATERPILLAR Canada
CRIMSON STARS EYES Italy
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CRYSTALWOOD United States
CUAC! Spain
ROSALIE CUNNINGHAM United Kingdom
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYNOSURA Switzerland
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAMANEK United Kingdom
DAPHNE Italy
DARK LIGHT India
DARWIN United Kingdom
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
FRANCIS DÉCAMPS France
DEEP FEELING United Kingdom
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DEGEN HERB MROSZCZOK SCHLEICHER Germany
DELIRIO SONORO Italy
DELIRIUM Mexico
DELTA SLEEP United Kingdom
DELUSION SQUARED France
DEMIAN CLAV France
JOE DENINZON United States
DESTROY ALL PLANETS United States
A DEVIL'S DIN Canada
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