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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current team members:
as at 19/4/2020

Scott (Evolver)
Keishiro (DamoXt7942)
Cristi

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.31 | 1663 ratings
CRIME OF THE CENTURY
Supertramp
4.30 | 1580 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.30 | 1381 ratings
OMMADAWN
Oldfield, Mike
4.28 | 2144 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.22 | 1004 ratings
DOOMSDAY AFTERNOON
Phideaux
4.19 | 1792 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 906 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.20 | 850 ratings
SNOWTORCH
Phideaux
4.19 | 1064 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.18 | 856 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 769 ratings
THE UNDERFALL YARD
Big Big Train
4.17 | 465 ratings
HOUNDS OF LOVE
Bush, Kate
4.14 | 561 ratings
~
Iamthemorning
4.12 | 1194 ratings
TUBULAR BELLS
Oldfield, Mike
4.16 | 403 ratings
SPIRIT OF EDEN
Talk Talk
4.25 | 137 ratings
SON
Obiymy Doschu
4.11 | 610 ratings
NIGHT
Gazpacho
4.10 | 844 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.20 | 174 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.27 | 105 ratings
THE EDGES OF TWILIGHT
Tea Party, The

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

CONQUISTA
Alux Nahual
2. (ODCIEń CISZY)
Wozniak, Tadeusz
CORPUS
Talisma
BROKEN CHINA
Wright, Richard

Latest Crossover Prog Music Reviews


 Anamnesis - Letter in a Bottle by SOUNDDIARY album cover Studio Album, 2019
3.71 | 12 ratings

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Anamnesis - Letter in a Bottle
SoundDiary Crossover Prog

Review by bartymj

3 stars Mental strife as a musical concept is pretty much as old as the concept of concept albums. If you can follow that.

For this particular offering, see inspiration from Pink Floyd's "The Wall" and Dream Theater's "Metropolis: Scenes from a Memory Pt2". Two of the big daddies of the theme.

Austrian band SoundDiary here take us through a Five Act journey, each with six tracks, a lengthy list of 30 but probably best to regard this as five roughly 15 minute suites.

The concept is loosely a metaphorical journey from birth to death, intertwined with memories of a past life (Dream Theater anyone?). I often get lost in the complexity and symbolism of concept albums, but the 'glass prison' of track 1 is a recurring theme, and perhaps due to some of the band members singing in a second language, the lyrics are relatively simple so its definitely accessible.

I'm not going to do a detailed breakdown of the plot, its worth listening to without knowing that, but it is pretty much the staple scene-setter, bombshell, truth reveal, hubris, conclusion-but-at-what-cost of many concepts. The musical composition itself is very well put together, guest vocalists complement it very well harmony-wise, but the lyrics themselves are a little bit clunky. Its certainly worth an hour or so to sit down and concentrate on but a fairly middling album for me.

 Alone Together by GUNGFLY album cover Studio Album, 2020
3.89 | 81 ratings

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Alone Together
Gungfly Crossover Prog

Review by prog_traveller!!

4 stars Gunfly is a project from former Beardfish vocalist and keyboard player Rikard Sjöblom and he released five studio albums so far. With On Her Journey To The Sun from 2017 and Friendship from 2018 he really delivered great prog rock. Alone Together is the latest release from Gunfly and it's a great album. Traveler is a first song and it represents the continuance of great over 10 minute prog epics written by Rikard Sjöblom. This song delivers a great modern sounding progressive rock which is mostly dominated by great Hammond and keyboard, great melodic bass and guitars, end of the song brings us a really great instrumental session with elements of blues and classic sound of heavy prog. Happy Somewhere in Between is a really happy sounding song with a fantastic opening riff and if this was a normal world it would be a radio hit all over. Alone Together starts with a fantastic melodic guitar solo and it takes us to a really great prog rocker if you missed Beardfish you will feel the presence of their trademark sound but with a little twist. On the Shoulders of Giants is a grand almost 15 minute song and it sums up the album fantastically with all of the elements that make Rikard Sjöblom's song writing awesome. If you love Beardfish, classic sounding but filled with modern takes prog with great hard rock organ and guitar you are in the right place.
 2023 by MANCO, BARIS album cover Studio Album, 1975
3.97 | 14 ratings

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2023
Baris Manco Crossover Prog

Review by Progfan97402
Prog Reviewer

4 stars Baris Manco from Turkey was apparently one of the pioneers of Anatolian rock and apparently a household name. 2023 shows him exploring the world of space rock. Turkish folk influences show up with the occasional use of saz and kanun but mainly rock instruments including a Korg synth and Solina String Ensemble. The singing is in his native Turkish which I can't say what he's singing about although I'm pretty sure it's a concept album, perhaps about the future given the title 2032. I get reminded a bit of Pink Floyd, had they been Turkish. Lots of spacy synths and occasional flute and as mentioned instruments common to the area. The albums does feature a couple of ballads. While the Turkish folk influence is a bit obvious when it surfaces I was surprised to find a bit of Latin American influence in one of the songs but you won't mistake for Santana but retaining that proggy spaciness. The production of the album and the sound quality isn't particularly good the music is wonderful. The Turkish vocals work very well. Well worth getting!
 Someone Here Is Missing by PINEAPPLE THIEF, THE album cover Studio Album, 2010
3.57 | 274 ratings

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Someone Here Is Missing
The Pineapple Thief Crossover Prog

Review by Devolvator

5 stars "Simple-complex". So you can characterize this album in a quick fluent way, which makes the record absolutely unique in its kind. "Someone Here Is Missing (2010)" by The Pineapple Thief consists of many rather biting and deliberately straightforward pieces, barely exceeding 5 minutes. This is the hardest and most controversial (for the mass of fans) disc released by the band. They challenged themselves to break away from the image of the followers of Radiohead and Porcupine Tree, as well as the standards of modern progressive rock. Only here there is much more heaviness and melody than those of the above, this album is simply too unlike the rest of the group's works, among which there are many masterpieces. The recording has "everything and anything": an emotional and high-pitched voice, powerful guitar, acoustic moments, atmospheric keyboards and hard drum programming. In all these aspects, the ensemble is extremely competent and does not "overflow" even once! But the simplicity of tracks, as well as the album itself, is only a seeming phenomenon at first glance. The group managed to achieve the effect of creating a complex unified whole from many pieces of broken mosaic. If you love this group and "dig the genre" then you will get all 50 shades of splendor. The title composition is a kind of connecting - musical and semantic - link of the entire album. In which everything merged together, what is presented separately in each track. The song "The State We're In" could well have served as a single to the album (though the band didn't bother too much about this) and the last song "So We Row" is just some kind of powerful mixture of psychedelics of the 1970s, Brit-pop, nu metal and art rock. A bright and multi-layered conclusion to the original release. The production itself is incredibly clean! I've never heard such an aggressive guitar sound, which sometimes turns into direct distortion, but at the same time it sounds incredibly crystal-clear. This is despite the fact that the group's discs were released exclusively by indie labels. Of particular note is the incredible album cover. Reissued already without the name of the group (as the musicians originally wanted). There is a feeling of something really forgotten, the authors of the idea had to stick around the model with sticky pieces of paper for this. I will say right away that this photo has nothing to do with Hipgnosis, the studio that worked with Pink Floyd. Although the similarities are obvious. So, before you is a mystery album that needs to be listened to very carefully. The reward will not be long in coming, especially since the group is immensely talented. Here they act as conceptual artists.
 Moonmadness (Dance of the Spirit) by ENINE album cover Singles/EPs/Fan Club/Promo, 2020
4.64 | 2 ratings

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Moonmadness (Dance of the Spirit)
Enine Crossover Prog

Review by felonafan

5 stars Today the "trademark release" of Enine is the debut studio full-length album "The Great Silent", released in 2018 by the Moscow label ArtBeat Music. But about two and a half years have passed since the release of this beautiful disc! During this time, the collective has released several singles that "marked" the movement of the ensemble towards world music. Now the musicians began to call their style "shaman prog", and this is no coincidence. "Moonmadness" is a "special case". This single released early this Autumn. The style is different from the "path" that the band has followed in recent years. Perhaps that is why, according to the press release, this single will not be included in the ensemble's upcoming second studio full-length album. In "Moonmadness" world music elements are almost absent, and the space rock/symphonic prog guitar and keyboard interplays dominate. Musical events in the composition change many times, an ending is unexpected, and the feeling of anxiety and mystery remains all the time. Bass, keys (mainly with organ sounding), or electric guitar come to the fore from time to time. Listening to "Moonmadness" is like making a trip to the secret branches of the Cosmos, either in your own soul, or somewhere else. After multiple "listens" this track grows on me. I can add that the composition is almost perfectly recorded and mixed. The single reveals new facets of the talents of Enine's musicians. Highly recommended!
 All The Wars by PINEAPPLE THIEF, THE album cover Studio Album, 2012
3.71 | 191 ratings

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All The Wars
The Pineapple Thief Crossover Prog

Review by Devolvator

5 stars Album titled "All The Wars" (2012) by The Pineapple Thief, came out not so unambiguous. This is probably because the band was busy touring and the musicians didn't have enough time to write more stuff. The disadvantage of the album, in my opinion, is the excessive "diversity" of the compositions. And the ballad component, alas, is not the strongest side of the Thief. But when it comes to powerful tracks, the band has refined its sound again and added depth to the once raw and deliberately primitivistic sound. The keyboards also became brighter (they were always there, they just seemed to have grown from this album). And of course the vocals of Bruce Soord from this album blossomed with bright colors and still does not fade. He can rightfully be called the new Robert Plant from the neo-progressive scene, with a guitar skill that rivals David Gilmour, only unlike Dave, who has a more raw, grungy approach. In any case, these qualities in one person are a real gift for connoisseurs. There are two tracks to focus on. One such subtle masterpiece is "Someone Pull Me Out", with its airy, flying harmonies and paranoid intro. And of course "Reaching Out" is a 10 minute masterpiece, which is perhaps the best composition of the group. A magnificent thin and soulful voice, coupled with symphonic arrangements, turning into a harsh meditative psychedelic and ending with a powerful hysterical guitar explosion. All of the above is superbly combined and perfectly executed, because in any approach the group is much more competent than its "older brothers". And, as always, a beautiful album cover.
 Hand. Cannot. Erase. by WILSON, STEVEN album cover Studio Album, 2015
4.30 | 1580 ratings

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Hand. Cannot. Erase.
Steven Wilson Crossover Prog

Review by Devolvator

5 stars "The Dark Side Of The Moon" level album. To date, the pinnacle of Steven Wilson's tremendous creative journey. Unfortunately, the last album leaves much to be desired, and the freshest opuses are hardly worthy of any attention at all. Heavy, airy, powerful, energetic, dirty, crystal-clear, rough, melodic, beautiful, scary, splendid, ugly. Probably, any epithets can be balanced in it, despite the fact that this is a dense conceptual canvas. Shake, this is the pinnacle beyond which neither Steve nor neo-progressive in general will ever rise. In terms of scope and beauty, it simply has no competitors. The recording dates back to 2015, and here we are talking about a woman found dead in her own apartment, but not just dead, but forgotten, in front of the TV on. As the booklet says, the story was real. The album rather resembles a person's diaries, his routine experiences, both adolescent and mature. Steve shows himself as a poet of the highest quality and as a conceptual artist, touching on the problems of abandonment and alienation in the modern world. Absorption of a routine that interferes with development and self-improvement. The main line is the author's worries about his unrealized human potential, and the second side is short human memory. The ability of people to forget quickly those who were once near. The voice is in great shape and the lyrics blend perfectly with incredible and non-trivial music. Which is revealed in ALL facets: from heavy metal to airy, almost intangible angelic chants, coupled with a huge palette of musical instruments. From acoustic guitars to hard syncopated metalized drums. Everything is extremely incredible and laconic, and does not contain a single passing note, let alone a composition. What I love Steven Wilson for is his humanity and ability to turn a rather soulless and cold direction into something clear and tangible, while not slipping into the vulgarity of "commonplaces". Isn't this genius? To describe each track, whole notebooks are needed, and it is better to hear everything yourself. But you can dwell on the basic. The leitmotif of the album can be considered "Perfect Life", which is absolutely not like anything at all, but it contains a simple and terrible thought: "Each of us has our own Perfect Life", and we are the creators of our alienation. Towards the end of the song, the chorus of "We Have Got a Perfect Life" grows into a huge number of voices, as if every one of hundreds of people is in this "perfect" state. This is the very creepy "Perfect Imperfect", catching everyone in their chains and forcing them to forget about everything and everyone. First, opera singer Ninet Tayeb testifies in a cold voice about her dead and forgotten sister. And it is no coincidence in the phrase "Hand. Cannot. Erase." after each word a dot - it turns out that life and destiny can be deleted from our consciousness, because each of us has our own perfect life. Well, the composition "Transience", in strength and beauty, is incomparable with anything, except perhaps with the best albums of the 70s. Powerful, tragic, eerie, majestic. This is a whole rock opera in 12 minutes, which reflects a whole universe of ideas and styles. Well, the ending of the album "Happy Returns", Merry Christmas. An unsent letter found near the deceased. However, no matter how I describe this album, all the metaphors pale in comparison with the original source. Better to hear it once. p.s. We have got, we have got a perfect life...
 Dissolution by PINEAPPLE THIEF, THE album cover Studio Album, 2018
3.91 | 250 ratings

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Dissolution
The Pineapple Thief Crossover Prog

Review by Devolvator

4 stars Autumn, melancholic. An alarming tendency to soften and simplify compositions is immediately apparent. This album is a kind of "respite" of the group - alas, it has not surpassed its predecessor. This is "Dissolution" by The Pineapple Thief. What can you say about it? The group retained its former incredible melody and spacious, rich sound. The palette has become softer and darker at the same time, the songs are full of melancholy and beauty, but the band members have forgotten about their former power. Gavin Harrison is still in the saddle, but without the same fire, which is depressing. Equally unpleasantly surprising is the absence of epic and complex tracks at the end of the album, which makes the LP a little crude in the conceptual sense of the word. The booklet, alas, is just as unpleasantly simple: 20 pages of black paper with a dry presentation of the texts. These moments drag the record down, but are not fatal for the album. The obvious advantages are the magnificent dark, almost cinematic atmosphere of the music and laconicism: where previously it took 10 or more minutes to achieve the effect, now only 3-4 are used. Gone are the powerful "prog fills", but there are drum-rolls that were absent in the previous albums. Of the obvious diamonds of the record: "Uncovering Your Tracks". Beautiful paranoia, pleasant soft silvery drum sound and vocals that have already become classics of neo-progressive, as well as the guitar. In the middle, the piece explodes with a magnificent solo from Bruce Soord and technical drums, creating a sense of chase, fear and persecution, which soon abates, returning to its former calm course. And the second one is "Try As I Might": a kind of forerunner of the above-described thing and a wonderful beginning of the album (since the first composition is only a semantic background insert). Between them is a quiet autumn "Threatening War", which goes with a barely audible step, with beautiful acoustic guitars. All three tracks form a kind of suite, interestingly combined with each other. But the second part of the album, alas, came out more even and calm, which prompts different thoughts. The stuff is good, but it doesn't add anything new to The Pineapple Thief's rich and multifaceted heritage. Although it cannot be called a tragedy. The album is not the top - but it is one of the best releases.
 Colin Bass & Daniel Biro: Still by BASS, COLIN album cover Studio Album, 2020
4.00 | 1 ratings

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Colin Bass & Daniel Biro: Still
Colin Bass Crossover Prog

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

— First review of this album —
4 stars Finally this album has landed to PA. When I received my crowdfunded copy months ago, I was unsure about adding it to the site, as it's effectively a collaboration between Colin Bass and the South African keyboardist Daniel Biro.But now it's here and I'm happy to review it. They have composed almost half of the album each. There are 11 tracks and the first one has been composed by both. It's a slow intro mainly based on keys. Despite lasting more than 4 minutes I consideer it just an intro to the album.

I would have guessed by the presence of Colin's fretless bass that he was the author of Summer, but it's Biro's stuff. A catchy slow melancholic song, but let's say that the whole album is slow and melancholic, without being depressing.

Still Life 2 is Bass's stuff. One minute of overdubbed bass in a Michael Manring's way (Bass can even do better than Manring, I think)m Which introduces "Old Europe". Another song showing the very good songwriting of Daniel Biro. The first proper song by Bass is "Once Was A Time", and as it can be guessed from the title, is a song about regret and childhood's memories. It's based on a children's photo which is printed in the CD booklet.

Same for the next song by Biro: Faces. There's a photo of a school class in the booklet. It seems that it's the album's concept.

The picture in the page with the lyrics of "The Man Who Never Was" (by Bass) is effectively depressing: an empty burnt room, a broken piano and a poster of a girl tied to a column. From the lyrics I can't understanbd what it's effectively about, but it describes the photo musically. Well, the last four lines describe what can be seen in the photo. So it's possible that they have had the aidea of starting from the photographs and compose songs related to them. I'd like to ask the artists about it. "Still" may refer to a photo shot.

The same applies to "Heaven". It starts speaking about a house close to a river, and the booklet shows a big colonial house in the middle of a forest. From the architecture it may be somewhere in Portugal but also in the Caribbean, who knows.

After the third "Still", Biro breaks the "photo thing: Hands doesn't have a photo related, but the sadness which permeates the album with nostalgy and memories is "still" there. Something about father and son, this time.

Bass closes the album with the last "Still". The short lyrics are about death: "From the liquid plasma grave...deny the signs of the end of the days".

A sad album. A sadness that hides a little touch of newage. Excellently played but very essential: mainly bass and keys, with vocals and little more.

It's perfect for this season, on a sofa with a drink in a rainy locked down day.

 Unstuck in Time by MILLER, RICK album cover Studio Album, 2020
3.72 | 11 ratings

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Unstuck in Time
Rick Miller Crossover Prog

Review by alainPP

3 stars Rick Miller is a prolific musician who has been on a series of releases since 2000 when he debuted in 84 with the release of his first album. If I tell you Pink Floyd, Alan Parsons Project, Moody Blues or Genesis you will quickly understand where it will take you for this 15th opus, in atmospheric progressive rock, dark, melancholic, melodic progressive rock; Rick is the first to say that there is little room for jazz fusion, hey that's gonna change me! or for the energetic metal-prog sounds. Also note that this is his second album in 2020 with a track with a targeted reference to covid and you will understand that he actually has more time to compose. Let's go to this melodic monolithic universe.

"The Plague" begins on an ersatz made in the sauce of the day of the PINK FLOYD era Gilmour and "a momentary", Gregorian break, elastic atmosphere and prog drawers that follow interspersed with his suave voice. "State of Emergency" same vein with a higher tone, then similar melodic line. "Covid Concerto" on a synthetic intro that reminds me of The Cars, well in the mood of the 80's! Snubbing your nose at this virus that is spoiling our lives a bit? Compo in the tradition of an Alan Parsons instrumental. "Fateful Apparitions" on a much more complex track, ambient, intimate, dark, scary, Pink Floyd or psychedelic RPWL, interesting because it breaks the lineage of the tracks a bit. "La Causa" to a flamenco, dancing, airy and dynamic tune that awakens your old bones and brightens our ears. "Lost Continuum" and the intro that bathes you in the Moody Blues, even more on the first King Crimson, a flute, bordering on Arabizing the violin, more aerial, almost religious end on distant mantras. "In Sync with the System" starts there on Barclay James Harvest, more sung and rhythmic track, it's calm, the 80's synth break shows a bit here. "Broken Clocks" on a very short track in the same vein without the breaks that maybe go better! "Unstuck in Time" and the flagship title with drawers to start from here and there, a beautiful title but still with an air of déjŕ-vu and Barry's solos which raise in emotion. Rick Miller released an album in line with the second to last, which sounded a bit like the one before; it's good and you will find all the ingredients that once made people tick; but perhaps too much has happened here by dint of putting on a diaper as beautiful as it is, you may find the repetition a little too obvious. That's good but yes there is a but, it's a nice facsimile of his previous albums without much innovation here. Too bad for someone who follows him, pleasant surprise for someone who does not yet know

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
22 Norway
3 United Kingdom
3 United States
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
A2RK United Kingdom
AARDVARK United Kingdom
AARDVARK' Finland
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACCION ROCK BAND Spain
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKENATHON Argentina
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALPHAJORGE Brazil
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMBERFIELD Germany
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
THE ANCHORESS United Kingdom
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APE AMPLITUDE Germany
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUA TALK Turkey
AQUACADIA United States
AQUILA United Kingdom
THE ARBORIST United States
ARCA PROGJET Italy
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASIMÉTRICA Mexico
ASSUAGE United States
ASTRAL BAZAAR Finland
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BABAL United Kingdom
BACKHAND Venezuela
BACKWARD RUNNERS Poland
BAD DREAMS Argentina
BADWATER FIRE COMPANY United States
JOE BAILEY United Kingdom
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
BALEIA Brazil
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDIC DEPTHS United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
BARON MUNCHAUSEN Multi-National
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BEND THE FUTURE France
BENJAMIN'S KITE Canada
RAY BENNETT United Kingdom
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BIG SLEEP United Kingdom
BIRZER BANDANA United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
THE BLACK LIGHT United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BOMBER GOGGLES United States
STEVE BONINO United States
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
TOM BRISLIN United States
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIČRE France
BROKEN PARACHUTE United Kingdom
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
BRUTEUS United States
ANDERS BUAAS Norway
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
BURNTFIELD Multi-National
ALAIN BURO Belgium
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
C SIDES United Kingdom
CAIRO United Kingdom
CALIFORNIA GUITAR TRIO United States
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