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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/22/2017

kev rowland (Kev)
Evolver (Scott)
tszirmay (Thomas)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.32 | 1107 ratings
OMMADAWN
Oldfield, Mike
4.32 | 1349 ratings
CRIME OF THE CENTURY
Supertramp
4.31 | 1713 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.29 | 1150 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.23 | 859 ratings
DOOMSDAY AFTERNOON
Phideaux
4.21 | 1530 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 891 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.20 | 743 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.20 | 481 ratings
~
iamthemorning
4.18 | 742 ratings
SNOWTORCH
Phideaux
4.17 | 681 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 639 ratings
THE UNDERFALL YARD
Big Big Train
4.13 | 700 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.12 | 526 ratings
NIGHT
Gazpacho
4.35 | 82 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.23 | 142 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.08 | 974 ratings
TUBULAR BELLS
Oldfield, Mike
4.13 | 310 ratings
ONES & ZEROS: VOL. 1
3RDegree
4.13 | 308 ratings
SPIRIT OF EDEN
Talk Talk
4.23 | 130 ratings
SHINY EYED BABIES
Bent Knee

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

NARROW-CASTER
3RDegree
VOICE
Capability Brown
PRE-EMPTIVE FALSE RAPTURE
Chrome Hoof
STANDING STONE
Oliver

Latest Crossover Prog Music Reviews


 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.59 | 42 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by poslednijat_colobar
Prog Reviewer

5 stars Return to Ommadawn rearranges Mike Oldfield's top 3 albums with a look to the top 1 spot of its conceptual predecessor

It is just inspiring to witness such a phenomenon with a legendary artist who produced plenty of mediocre albums recent years and now returns with a shining continuation of his sacred trademark after all these years and decades. I think Return to Ommadawn easily assumes the second place in Mike Oldfield's discography with its balanced refinement and grace of the sound and transition between the parts of both compositions. The mature energy and the particoloured harmony stream from the whole album. The Celtic folklore influence is beautifully blended with Mike Oldfield's typical progressive / new age / classic guitar style in an extremely intensively emotional whispering and weeping manner. The flow of the compositions is excellent. Each part interrupts exactly where it should. These are some of the components where Ommadawn II prevails over Ommadawn I. Of course, the rough youthful beauty of the simultaneous combination of all parts' ideas at the end of the first composition of Ommadawn I is unachievable at that age, but the passion here prevails. Personally I can't stop listen to this amazing album. Strongly recommended to all romantic warriors...

One of the best albums of the decade.

Potentially the best crossover prog album of all time.

Expressiveness at top level.

 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.59 | 42 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by franp

4 stars Hey Mike you did it right this time ! This is not a full return to Ommadown actually; reminescences of the Distant Earth songs are lying there obviously. But hey, now for sure you got rid of your 90ies and new millelium errances and deliver pleasure and dream again !

Curiously, the overall tone reminds me of the "Instrumental side" of the little known "The complete" compilation : Arrival, William Tell Overture, In Dulci Jubilo, Portsmouth, Guilty ... Not these songs, but the feeling of the side as a whole...

This feeling has a name : Joy. This album is joyfull. Think joyfuyll the way Mozart wrote in is early years.

From a progressive point of view my only regrets would be a relative lack of dynamics on both sides, and the lack of development of some themes. I cannot give it a full 5 but a solid 4 and believe it ranks among the top five better MO album.

 Total Absence by FATAL FUSION album cover Studio Album, 2016
3.43 | 34 ratings

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Total Absence
Fatal Fusion Crossover Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

2 stars Vintage prog with limitations

It is difficult to categorise Fatal Fusion judging from this disc; vintage prog is probably the most accurate description since the sounds clearly rises from the 70's. From hard rock-infused riffs, to organ and hammond-filled passages, the band clearly show their keeness on keeping to their roots.

There is a mutiltude of elements and styles in their, otherwise stuck-to-the-roots, crossover prog. There are bombastic, epic intros (The Gates of Ishtar), heavy rock fantasy-driven tunes (Shadow of the King), fusionesque and uptempo melodies (Astral Flight), nostalgic low tempo tracks in the vein of Blood Ceremony (Forgotten One, The Emperor's Letter) and long epics guided by the giants of the 70's such as Pink Floyd and Genesis (Endless Ocean Blue and Total Absence). Hammond and organ dominate the sound of the album while the guitars and drums generate a more demo-like feeling, and it is unclear if this was intended or is a production limitation. Although it does stand out, it does somehow blend with the atmosphere.

Hints of Deep Purple and (more) of Wishbone Ash, some fantasy Neo-prog sounds in the vein of Marillion and a heavy rock Sabbathy mood are the strongest characteristics of Total Absence, which suffers from a major flaw: the vocals appear distinctly ''in-front'' and harsh - not out of tune but out of shape, they could put you off from enjoying this album. Perhaps this is why I find the instrumental track as the highlight of this album. Not that the rest of the music is overtly impressive: yes, the players are skilled but the tunes lack inspiration and innovation, charting on a well-trodden path. Had it not been for the vocals, I might have given this a few more chances, but as it stands it is very difficult to go back, other than spinning the enjoyable Astral Flight. Fans of vintage prog might find more to like than I did.

2.5

 The Mountain of Fate by OBERON album cover Studio Album, 2016
4.00 | 3 ratings

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The Mountain of Fate
Oberon Crossover Prog

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars "Visions for people who still want to dream, and listen..."

That quote is from their web page. Oberon is the performance duo of Yuri Crescenzio and Alberto Baretta of Padua, Italy, two young guys with big creative dreams. You can hear it through and through on this delightful debut album, a conceptual work rooted in Greek mythology but seeking to comment on modern dysfunctions as well. The guys are lovers of many classic bands and have sought to create a retro-sound work that provides new adventures for other fans of those days. Prog snobs, bless their hearts, may look down their noses at bands they call "derivative" but I could care less whether a band is seeking to be "progressive." I'm a music fan first.

I was cracking a smile almost from the git-go over what was coming at me. I love it when I hear this kind of pure musical excitement from a band. They are all-over-the-map in the best way, drawing from sounds as divergent as medieval folk, stoner psych-rock, and dark symphonic. I hear bits of Jacula, Spiral, Akron, Hero, Spettri, Fiaba, as well as many vintage RPI bands who would incorporate heavy with acoustic. The production is somewhat primitive sounding but as I mentioned they were going for a 70s underground vibe here I believe, so it works just fine. No gloss is needed for this kind of adventure.

Between the hard rock sections of doomy, at times Sabbath-ey sounding drums and guitar, there are these wonderful breaks where you just drift away to acoustic guitar interludes. The other secret weapon are the spirited vocals of Elena Dainese, bringing some female energy for a nice variation of the sound palette. Her only mistake is singing in English -- it really should be some kind of international artistic crime whenever Italian bands use English. To possess the world's most beautiful language but not use it. Tragic. Nevertheless, the album succeeds anyway. My favorite element here is the fantastic, trippy keyboard parts, providing such rich atmosphere and taking the sound well beyond hard rock. The tracks can be mysterious and classically tinged one moment and driving riffage the next, then off into a dreamy break. The last track is a 9-minute, 4-part suite which will please any fan of heavy keyboard embellished art-rock.

While there is always room for improvement I have to say I was truly charmed by Oberon. These days, I find I appreciate these kinds of passionate homemade projects over the sprawling and stuffy 80 minute, super refined, over-produced monsters. Instead of it being a chore to get through, this album is a joy. In the HamelinProg blog Yuri speaks about his pride in the finished work, where two young men punched through their dream without allowing the inevitable obstacles stand in their way. I can hear their heart beating throughout this work.

I wish them the best on their next album coming in 2017. Kudos to Salus Art for the enchanting album cover.

 Wintergatan by WINTERGATAN album cover Studio Album, 2013
4.92 | 3 ratings

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Wintergatan
Wintergatan Crossover Prog

Review by Kingsnake

5 stars Finally Wintergaten made it into the Progarchives.

This band is really something special. They experiment with all kinds of (sometimes selfmade) instruments, using typewriters as drummachines etc.

Most of the songs are short and have a swedish folk-influence. Sometimes they use accordeon to give a it folkish feel. Some songs sound more like synthpop. But all songs are instrumental so it's never really pop. They use different and difficult rhythms and tempo changes throughout the songs to make it sound really progressive.

Apart from the shorter songs, the band created a real progessive epic, clocking at almost 15 minutes, wich starts beaufitful and serene an ends with a heavy distorted guitar and thunderous drums. In this song the listener goes through all kinds of moods and tempos but always the band maintain real nice melodies.

The band members are really gifted and skillful but they never lose themselves in narcisistic soloiing. This album is the brightest and most complete progressive rock album I have heard in decades. It sounds fresh, playfull, warm and sympathetic. This album can be played on repeat, over and over again.

Really recommended to anyone, anywhere, anytime.

 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.59 | 42 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by andreol263

5 stars From Mike discography i've listened to Tubular Bells, Hergest Ridge and Ommadawn, from these three albums my favorite has to be Ommadawn really, so beautifully made, has a incredible natural feel to it, one of my favorite albums for sure, but when i see the score and reviews from later albums i can feel that if i listen to any of these i'm gonna be dissapointed, after seeing the documentary from Mr.Oldfield i was more sad than before, because i know how a genius this man is and he can do extraordinary music like it's early years, and here is it, Return to Ommadawn, 42 years after Ommadawn...He made it again? made another beautiful extraordinare album? or just made a mediocre new-age album like these albums from these last years?

From the flute and glockenspiel in the beggining of Return To Ommadawn, Part 1 i was already happy, happy to know that the feel from 42 years ago returned, and i was right!

Return to Ommadawn, Part 1: recovered the feeling from the 70s, of grandiose and natural music, it really feel like a continuation, like anything between these years have not existed, from the flute to the voices in the middle of the composition, remembering the listener of Ommadawn even more, from the extremely diverse instruments played by this only genius mind, the mandolin, the guitar, the glockenspiel, so beautiful!!

Return to Ommadawn, Part 2: it has to be my favorite track, because of the acoustic guitar work, remembering of Hergest Ridge, and finally, my favorite part but short, the 'On Horseback' recall at the final, just finished one of the best albums i've heard and that i can't stop listening(i just listened it 8 times non-stop, hell, i'm listening it right now!). Yes people, the genius the multi-instrumentalist genius is back, and on a level that top even the proper Tubular Bells and Ommadawn!!

 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.59 | 42 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by Nogbad_The_Bad
Special Collaborator RIO/Avant/Zeuhl Team

5 stars I have been waiting for this album for so long, only two listens in but its a real return to form for Mike Oldfield. Two long pieces wholly played by Mike and a return to primarily acoustic instruments. Lots of pastoral and Celtic feel. There are occasional references back to the previous masterpiece, Ommadawn, but this is essentially a completely new work in the style on the classic Hergest Ridge to Incantations period. Also nice to see a return of bouzouki, mandolin, harp and glockenspiel, though it is primarily a guitar & bass album heavily featuring his definitive tone. This may be my favorite album by him since Amarok. It ebbs and flows, has peaks and valleys, it a beautiful album. Highly recommended for anyone who is a fan of his classic period.
 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.59 | 42 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by Replayer

4 stars The long-awaited sequel to Ommadawn (even though Mike previously stated Amarok was a sort of Ommadawn II) is finally released. This is the first album consisting of side-long tracks (can the term still be used when albums aren't released on vinyl anymore?) Mike released since 1978's Incantations and I'm glad to see hasn't lost his touch.

As expected, the album continues with Ommadawn's Celtic influences and reuses a lot of its instrumentation, such as penny whistles, African drums, Bodhran, glockenspiel, mandolin and climactic guitar solos.

In contrast to Ommadawn, where he had plenty of collaborators (notably, The Chieftains' Paddy Moloney on uilleann pipes, the South African Jabula drummers, Terry Oldfield on panpipes, Clodagh Simonds, Bridget St John and Sally Oldfield on vocals), Mike played all the instruments this time around, except for some vocal excerpts from Ommadawn.

The themes are shorter and sparser this time around. The music is much more uplifting and lacking the original's mysteriousness. Sonically, this is a safe album, not treading any new significant ground, which is the reason I am withholding the fifth star. Despite this, I think it lives up to the name of successor to Ommadawn.

The electric guitar and bass are much more prevalent, though Mike also plays plenty of acoustic instruments, such as guitars, acoustic bass, Celtic harp, mandolin, ukulele and banjo. Interestingly, this is the first Oldfield album to feature the Mellotron (I think those are Mellotron strings around the 8 and 15 minute marks). Several of the bass riffs remind me of the Master of Ceremonies section in Tubular Bells, though I didn't hear yet another variation on the Tubular Bells introductory theme, thankfully.

The melodies are a bit more saccharine this time around, reminding me of Voyager (at one point halfway through Part 2 I thought I recognized the Song of the Sun theme), but without the new age synths. One guitar solo reminded me my favorite Amarok guitar solo around the 6 minute mark, but sadly there were no cathartic moments such as the guitar solos ending Part 1 and Part 2 of the original. Still, I'm glad to see the musicianship is still excellent and that Mike still has an ear for memorable themes.

I haven't heard the albums Oldfield released between Guitars and Music of the Spheres, but I can wholeheartedly state that this is his best album I've heard since The Songs of Distant Earth. Return to Ommadawn may not be very adventurous, but it still is a masterfully played instrumental album in the vein of Oldfield's 70's compositions. A few years ago, I honestly didn't think Mike would ever return to long-form instrumental compositions and this will prove to be real treat for his devoted fans.

 Mantelpiece by OSSICLES album cover Studio Album, 2012
3.90 | 21 ratings

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Mantelpiece
Ossicles Crossover Prog

Review by Warthur
Prog Reviewer

3 stars The Veland cousins' debut album under the Ossicles name sees them mashing up vintage prog keyboards and compositional approaches with modern electronic wizardry. With influences ranging from jazz-rock to trance, it's a bit of a wild mix, and there's points where it feels a bit like a slightly incoherent demonstration piece, revealing their capability to play well without necessarily hanging together as a cohesive artistic statement. Fun stuff, and impressively executed for a two-man hobbyist band, but whilst they might display it proudly on their mantelpiece, it's not a masterpiece by a long shot. Stream it on bandcamp before spending money, is my advice.
 Incantations by OLDFIELD, MIKE album cover Studio Album, 1978
3.92 | 375 ratings

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Incantations
Mike Oldfield Crossover Prog

Review by Warthur
Prog Reviewer

4 stars Structurally speaking, this one is Mike Oldfield's Tales From Topographic Oceans, being as it is a double album of just four side-long pieces. And like Tales From Topographic Oceans, it's a divisive one, with people who had been won over by his single album-length compositions put off just as others embraced it.

To be honest, I think the running time is the major issue here - any album clocking in over 70 minutes is going to find keeping the listener's attention a challenge at times, and the material here is repetitive enough that I don't often find it as rewarding to listen to the whole thing in one sitting compared to Tubular Bells or Ommadawn. However, taken as individual tracks, the various parts of this whole are as good as ever. My advice: take it slowly, chew it over carefully, and give yourself a chance to digest it properly, and you'll get the best out of this one.

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
CAREWORN United Kingdom
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
STEVE CLARK Australia
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC REMEDY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYNOSURA Switzerland
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DELIRIO SONORO Italy
DELIRIUM Mexico
DELUSION SQUARED France
DEMIAN CLAV France
JOE DENINZON United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
DIN WITHIN United States
DIRECT DIVIDE United States
DIRTY PROJECTORS United States
DISCONNECT United States
DISSONATI United States
DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
PASCAL VAN DEN DOOL Netherlands
DOPING HORNETS Canada
GEOFFREY DOWNES United Kingdom
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
DRY RIVER Spain
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
EATLIZ Israel
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRUM United States
ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
ENTRANSIENT United States
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ESFERA Portugal
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EXOVEX United States
EYEVORY Germany
FACE THE DAY Czech Republic
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
ALI FERGUSON United Kingdom
FEROZ Mexico
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
HEATHER FINDLAY United Kingdom
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAUD LOGIC United States
FLICKER United Kingdom
FLOOD United Kingdom
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