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CROSSOVER PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/22/2017

kev rowland (Kev)
Evolver (Scott)
tszirmay (Thomas)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.31 | 1454 ratings
CRIME OF THE CENTURY
Supertramp
4.31 | 1217 ratings
OMMADAWN
Oldfield, Mike
4.30 | 1868 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.29 | 1303 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.21 | 1649 ratings
GRACE FOR DROWNING
Wilson, Steven
4.22 | 904 ratings
DOOMSDAY AFTERNOON
Phideaux
4.20 | 790 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.18 | 770 ratings
SNOWTORCH
Phideaux
4.17 | 959 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.17 | 740 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.19 | 507 ratings
~
iamthemorning
4.17 | 688 ratings
THE UNDERFALL YARD
Big Big Train
4.13 | 558 ratings
NIGHT
Gazpacho
4.10 | 1062 ratings
TUBULAR BELLS
Oldfield, Mike
4.13 | 380 ratings
HOUNDS OF LOVE
Bush, Kate
4.34 | 85 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.21 | 156 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.13 | 331 ratings
SPIRIT OF EDEN
Talk Talk
4.20 | 161 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.34 | 77 ratings
SON
Obiymy Doschu

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

BROKEN CHINA
Wright, Richard
ABBANDONO DEL TEMPO E DELLE FORME
J'Accuse..!
CONQUISTA
Alux Nahual
THE LOST ART OF TIME TRAVEL
Presto Ballet

Latest Crossover Prog Music Reviews


 Abducting The Unicorn by PINEAPPLE THIEF album cover Studio Album, 1999
3.43 | 67 ratings

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Abducting The Unicorn
Pineapple Thief Crossover Prog

Review by TCat
Prog Reviewer

3 stars Bruce Soord, the guitarist from the prog band Vulgar Unicorn, started The Pineapple Thief as a side project. On this, the debut album, he is the main instrumentalist and lead singer. The other 2 players seem to be considered session players, though they would be considered regulars by the next album. It seems this band was created to be a little more alternative than progressive, but some of the progressive elements did make it over, thought somewhat slight on this first album. Overall, it's not a bad album. It seems to be well produced and mixed nicely. It is something to be proud of, but I wouldn't consider it a major progressive release. It is pleasant to listen to and has some very interesting harmonies and some inventive passages. I can't say that anything really stands out though, at least after the first few listens. The processed drums don't help out on this album either, it makes the album have a lackluster feel, and that could be the biggest drawback about this album, giving it a feeling of sameness overall, when in actuality, there is quite a bit of change throughout. Once you become more familiar with the songs, you will notice some things do stand out though.

The first track, Private Paradise, on the surface, looks like it could be progressive simply because of the 11 minute time span. However, I do find it lacking in substance. Nothing is really developed much here. It is a mid-tempo song that really does nothing interesting. Yes it is nice to listen to, but there definitely isn't 11 minutes worth of development here and can be a little tiring to listen to for that long. "Drain" however, is a much better song, with more power and better material throughout. This probably would have been a better opener. You also start to notice that Bruce sounds a lot like Billy Corgan from "Smashing Pumpkins" which isn't necessarily a bad thing, but Bruce tends to not have as much passion in his singing, at least on this album. There is a nice guitar break on this second track however, and it stays more interesting. This feeling continues onto the next track "Whatever You Do - Do Nothing", which has some very interesting harmonies and a few nice hooks. The next two tracks keep things interesting enough, with some nice sounds being coaxed out of Bruce's guitar and some great experimentation with processed sounds, but the passion seems to lack a little bit. By the time you get to "Everyone Must Perish", you might start to feel bored as the songs almost seem to melt together in a bit of sameness and a little lack of passion, but when "Judge the Girl" starts, you do start to feel a bit of an upswing in the feel of the music, and things continue to build through this piece where it ends in a heavy swirling of guitars and synths. It then ends a little abruptly and goes into a nice, quasi-psychedelic feel for the introduction of the 18 minute epic "Parted Forever". Bruce continues with a laid back feeling and his quiet vocals join in to match the feeling of the song. But, with the rest of the album considered, by this time you are waiting for something explosive and interesting, so this laid back feeling starts to grow thin. Around the 5:20 minute mark, everything gets a little more tense, which is a welcome change. This goes until about 7 1/2 minute mark, and things back off again. Vocals return after a while, and more mid tempo floating guitar which can feel almost like Porcupine Tree, but again, the processed drums make it feel lacking in passion. The track continues like this for it's duration, with some minor builds and drop offs. It does tend to meander around a bit and you get that overall feeling that this is all you've been listening to from the beginning. It's easy to forget about the standout sections of the album which don't happen often enough.

Again, this is not a bad record, but it isn't essential for progressive music lovers. With the many albums Pineapple Thief have released over the years, things will get better, but it never really remains consistent either. There are some great moments, and there are some that are just too lackluster. But when they are great, they are really great.

 Ones & Zeros: vol. 0 by 3RDEGREE album cover Studio Album, 2018
4.36 | 38 ratings

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Ones & Zeros: vol. 0
3RDegree Crossover Prog

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars Listening to this, the new and hotly anticipated 3RDegree album, my first thoughts centered around "Connecting": the band, more aggressive than ever, sings of trolls emerging, not in the high fantasy sense you'd expect from most prog but in the contemporary sense of malicious online hordes more fearsome than the forces of Mordor. Mostly, where Vol. 1 was focused on a parodic, Kafkaesque near future Internet of Things, Vol. 0 - appropriately enough for numerically taking a step back - is a record of the present, of our current technological issues, and from here looking forwards. The lyricism becomes dead serious, but the lyrics, concept, and songs still fail to glitch. And even on this very in-the-now release, the band still finds time for "Olympia", an interesting exploration of relationships with artificial intelligence and the group's fascinating idea of a love song.

Of even greater note are the instrumentals. As mentioned earlier, the band comes charging out of the gate; "Re1nstall_0verture" and "Connecting" form a double whammy of some of their hardest edged material yet, proving quite exhilarating as their sound fleshes out. The tracks, especially the aforementioned three and the suite "Click Away!", prove their best yet. The guitars and keys here are used to their maximum potential, weaving vivid electronic soundscapes, beautiful prog-pop, and driving rock. As the binary switches, 3RDegree has gone into overdrive, crafting another winner.

 El Rugido de los Dioses by SCALPELLO, JAIME album cover Studio Album, 2008
3.21 | 5 ratings

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El Rugido de los Dioses
Jaime Scalpello Crossover Prog

Review by TenYearsAfter

3 stars "FIRST REVIEW OF THIS ALBUM"

Jaime Scalpello is the singer from the Chilean Heavy Prog band Entrance, this is his first solo project from 2008. One of his band members is the prolific keyboardist Claudio Momberg: he played in Chilean prog formation Seti, but also contributed on albums from Mexican Aly and Spanish Senogul and, last but not least, Clive Nolan and Caamora!

In the 11 tracks singer Jaime makes impression with his powerful and passionate Spanish vocals, in mellow atmospheres or sumptuous outbursts, his voice is awesome. Another strong element is the way the songs are structured and coloured. We can enjoy wonderful and varied keyboard work from Claudio Momber:, from frequent orchestral sounds to a church organ interlude (in the alternating opener Las Piedras Suspendidas) and tender and cheerful synthesizer flights (nice brass in Creer, like Keith Emerson). But guitar player Javier Sepulveda is also a huge asset on this ablum, he easily switches from fiery soli to sensitive runs (in Creer and La Huella De Oro). The rhythm- section is outstanding, scouting the borders between melodic rock, Heavy Prog and progmetal, often very propulsive.

What an exciting first solo project by Jaime Scalpello and his excellent band, fans of harder-edged prog who are up to Spanish vocals will be pleased with this album. Unfortunately no other solo projects from Jaime Scalpello, 10 years after this release.

My rating: 3,5 star.

 Out To Sea by PERDOMO, FERNANDO album cover Studio Album, 2018
3.42 | 8 ratings

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Out To Sea
Fernando Perdomo Crossover Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

3 stars FERNANDO PERDOMO is a wellknown studio musician from Los Angeles. Recently he appeared on the Dave Kerzner album 'Static' for example, which has made a lasting impression on me. Now here, concerning his first solo album, he pays tribute to diverse prog bands respectively artists, dead and alive both. Well, Fernando certainly is not the first one to undertake such an attempt, however, finally the result matters. Some song titles are directly pointing to the protagonists, others are left open for your examination. Not sure about the deeper sense, while exemplarily the album title track is blatantly referring to Camel (Andy Latimer) I would say.

A big plus well deserved, as he has developed new compositions, not simply remakes. Hereby often enough the particular characteristic playing style will be slightly covered - very nice indeed. And rather astonishing by the way, nearly every instrument is played by himself on this occasion. Although I'm not a friend of such an approach in general, the songs are definitely appealing, this due to his fabulous guitar skills first of all. The extended Dreaming In Stereo Suite may be dedicated to The Flower Kings, where the bonus track Starless is drawing a melancholic reference to anyone other than John Wetton, a proper remembrance. 3.5 stars.

 Soyuz by GAZPACHO album cover Studio Album, 2018
3.84 | 25 ratings

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Soyuz
Gazpacho Crossover Prog

Review by The Rain Man
Prog Reviewer

4 stars "Soyuz" is Norweigian progers Gazpacho's 10th studio album. I have seen quite a lot of different opinions trying explain what their music is like. And I will try to do it here but it is difficult. But what I can say is that it is prog, they are different from the norm and they like to really challenge the listener whose prepared to spend time trying to really unlock their music but at the same time people who don't have the time to get into their stuff can still be rewarded. What I'm saying is their music works on 2 levels and that is one of the things that make this band so special.

The album has a nice opening with "Soyuz one". I love the build up on this track as it begins another facinating Gazpacho journey weaving gently into the album. Then the track has these wonderful heavy then soft moments reminesant of "Even Less" by Porcupine tree but done with the Gazpacho stamp. The second track "Hypomaina" also has a gentle introduction but after that the band throw a bit of a curve ball and go into a terrority I have never really heard Gazpacho go in before. It actually sounds like Radiohead's "The Bends" era. And with "The Bends" being my favourite Radiohead album, this is no bad thing for me at all. This is an excellent track and nice to see a band who after 10 albums are still mixing things up a bit.

The thrid track "Exit suite" acts as a nice break after the heavier "Hypomania". What I like about Gazpacho is really they have 3 musical weapons. The guitar, the keyboard and the violin. Instead of creating say a guitar driven track or a keyboard driven track. They often give each instrument the limelight within each song. For example in "Soyuz one", there is a violin solo outro to the track which is just amazing and something which seems quite rare on a prog record. But again this is just another thing which makes Gazpacho stand out and keeps them interesting. The 4th track "Emperor Bespoke" is a great example of this with some bits focusing on the keyboards, some the guitar then some bits are a mix of both. This is an 8 minute track and is one of my favourites off the album. The soaring vocals on this track just top it off for me.

Then the album takes a bit of a down turn for me with in my opinion the 2 weakest tracks off the album being "Sky burial" and "Fleeting thoughts". The thing I don't like about "Sky burial" in particular is the 2 notes being played on the keyboard over and over again throughout the track. While with "Fleeting thoughts" there is just not enough happening for me in this track. But it was almost like these are the 2 calm tracks before the epic 13 minute centrepiece which is "Soyuz out". This track really just takes my breath away and just shows how good Gazpacho are at constructing long songs while keeping them interesting. The album finishes with "Rappaccini" which is a nice wind down track and a good way of finishing the album.

Overall this is a good album with many magical moments. There are a couple of bits which for me weren't as good but somehow they are positioned into the album in a way that they kind of made the best with what they had. I have heard quite a bit of Gazpacho's back catalogue this year and this one certainly fits into it very well. On the whole it is an album I would go back to try unlock more of the hidden secrets that lay within. And you never know hopefully those thoughts I had about those 2 tracks will just have been fleeting thoughts...

 Tales Of Mystery And Imagination by PARSONS PROJECT, THE ALAN album cover Studio Album, 1976
4.03 | 618 ratings

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Tales Of Mystery And Imagination
The Alan Parsons Project Crossover Prog

Review by WFV

4 stars For me, this is an album I have to be in the right mood to access properly. The overblown arrangements on some of the tracks can unnerve my senses and kill my mood.

That said, in the right mood, this album can blow me away. I can see how this is the favorite of some and loathsome in the eyes of others.

I've come to appreciate the style I call poprog, and this album belongs at the top of that list. I'm not very familiar anymore with anything but the outline of the most famous Poe stories, but this production is obviously lovingly detailed and functions as a great concept album for the initiated and the neophyte. Highlights for me include the first two tracks and Dr. Tarr on side A, and Pavane on the flip. Dr. Tarr is a great poprog single and points the way to Parsons best, most accessible work in the poprog realm.

I'm lucky to have the 3CD 40th anniversary edition that adds skeleton tracks and unreleased tracks to the first disc, as well as a short radio spot with orson welles and a seperate interview with Parsons and Woolfson. I'm not so into Woolfson's songwriting processes on Disc II, but disc III with all the tracks in their initial phases is sublime.

 Planet P by PLANET P PROJECT album cover Studio Album, 1983
3.93 | 16 ratings

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Planet P
Planet P Project Crossover Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars Tony Carey was California born and best known for his stint as the first keyboard player for Ritchie Blackmore's Rainbow in the late 70s having appeared on the second album "Rising" as well as many live recordings that followed ("On Stage," "Live In Germany" etc ). Although he only joined Ritchie for a short time, it was enough to get him noticed and after he parted ways he moved from the US and relocated in Germany to concentrate on a solo career as well as get the full spectrum experience effect of learning how to produce albums which led him to co-ownership of his own studio with German producer Peter Hauke. During these years Carey was quite prolific and wrote many tracks that didn't fit in with the style of his solo albums therefore he and Hauke created a second project called PLANET P that would add on the PROJECT moniker later and become PLANET P PROJECT. The new group was decidedly science-fiction themed that was based in Pink Floydian space rock and the band which consisted mostly of session musicians would last two albums before scrapping the PROJECT in favor of Carey's more successful solo career as he scored two hits off of his album "Some Tough City."

The debut album simply titled PLANET P came out in 1983 after Carey scored a record deal with Geffen and so the Carey / Hauke team created a mix of various styles and found a minor hit with "Why Me?" on a fledgling MTV that combined a bouncy Police influenced reggae rock syncopation with synth-laden rock and catchy new wave pop hooks augmented by a heavy guitar backing. The video enjoyed heavy rotation and got the band noticed fairly quickly and they followed up with the more laid back almost downtempo single "Static. While "Why Me?," a single that took a David Bowie "Space Oddity" stance about isolation in outer space was more of a rocker, the album itself is more of a chilled out experience with all of side one existing somewhere between downtempo, AOR and catchy pop rock. The second side takes a more energized approach and mixes Floydian space rock with Human League styled synthpop as well as hints of melodic touches from various 70s acts like Rod Stewart, Supertramp and probably most genetically related in style to 80s Alan Parsons Project. The bonus track "Ruby" appeared on CDs and cassettes only.

While the band has ties with progressive rock most notably the Pink Floyd type of space rock compositions with the Gilmour / Waters guitar workouts, the music for the most part is cleverly constructed pop with heavy use of synthesizers that utilize catchy counterpoints for the maximum earworm effect, however some of the riffs do have slightly proggy elements which pop up interspersed throughout the mix. The album garnered enough support for the record company to release a second more ambitious album called "Pink World," but relations soon broke down after Geffen's dissatisfaction with the sophomore album and Carey's decision to pursue his solo career left PLANET P PROJECT a scrapped one until he revived it 21 years later. While i wish there were more heavy tracks like "Why Me?" which is by far the best track on the album, i have to admit that this one grew on me after i allowed the chilled out majority of the album to sink in. While the sci-fi themed storyline is laughable, the neatly crafted pop hooks are irresistible and Carey's vocal performances are quite pleasant. This is somewhat of a lost 80s artifact but one that shouldn't be buried in the time capsule for all eternity.

 Re|Flection by PROJECT: PATCHWORK album cover Studio Album, 2018
4.00 | 10 ratings

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Re|Flection
Project: Patchwork Crossover Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars Project: Patchwork is a studio project that has been put together by two German musicians, Gerd Albers and Peter Koll, along with the odd friend. This is the second album, and this time they have used less personnel than on the debut, so only 22 additional players and singers this time round. I noted that this had been recorded by Marek Arnold, Martin Schnella and Peter Koll, and given that the first two are bandmates in a few different outfits, it is not surprising that we have a polished outcome (Marek also mixed the album). A quick glance through the names involved and I spotted John Mitchell (on the road with Arena as I write this) and Melanie Mau, who most recently has been involved with Martin and Marek on the Art Rock Project ('Stay' is still my single favourite song of the year to date).

With so many different musicians and voices it is often hard to provide an album that doesn't come across as a hotchpotch of styles, let alone a patchwork, but somehow this has been pulled together into something that is incredibly melodic. I have been fortunate to hear most of Marek's work recently, and I can hear that he has had a major part to play in the arrangements and the way that the album has come out in the end. This is a polished piece of work that fans of Flaming Row and Seven Steps to the Green Door will be looking out for. There is a strong piano base at times, with good keyboards and guitars which allow the singers to be full of confidence. Listening to this has made me realise that I am yet to write a review for the debut, and that I really need to set to and give it some serious listening, as after hearing this I want to find out more. Melodic progressive rock with strong guitars and great vocals, this is a delight.

 This by VALDEZ album cover Studio Album, 2017
3.90 | 15 ratings

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This
Valdez Crossover Prog

Review by thesmokingman

4 stars If there is one word that perfectly and terribly applies to this album, it would be "contentious". Its negative connotation applies to all the prog purists who hold staunch feelings that prog must contain odd time signatures, dissonance, and long winding passages of technical noodliness -- none of which will be found on this album. On the other hand, contention is more a sign of progress than anything else and in this era of increasing contrivition, doing something unexpected is always a good thing.

The members of Valdez have all proven their chops in previous prog outfits and while they are able to play circles around many other musicians, they choose to show their prowess in their restraint. What you will find on this album are carefully crafted melodies delivered in earnest over lush musical arrangements, performed with just the right amount of verve to keep it flowing. There is lots of space to breathe, evocative harmony, and poetry galore, devoid of the overt pompous bombast that turns beauty to gaud.

This is an excellent crossover album for any lover of meticulously crafted prog-pop tinged music. Solid 4-stars.

 Anthropocene by DELUSION SQUARED album cover Studio Album, 2018
3.88 | 23 ratings

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Anthropocene
Delusion Squared Crossover Prog

Review by The Jester

3 stars If I want to be honest, I must say that I had no idea about this band 'till a week ago. Then I saw their album climbing at the Prog Archive's album charts and I became curious to learn more about them.

I can't compare this album with any of their previous works, because I don't know them, but I must say that I'm pleased with this first 'touch'. Their style is rather melodic and soft, the vocals are very good, (they sing in English), their compositions are very interesting, and the overall outcome is satisfying to say the least. Their music consists of soft melodies, beautiful guitar passages and solos and some keyboards that adding a sci-fi feeling to the album.

I feel that I should listen to this album a few more times in order to be able to appreciate it better, but as I wrote, I'm already pleased with it. My Rating: 3.5 stars

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
THE ANCHORESS United Kingdom
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUA TALK Turkey
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASIMÉTRICA Mexico
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BAD DREAMS Argentina
BADWATER FIRE COMPANY United States
JOE BAILEY United Kingdom
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
BALEIA Brazil
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BIRZER BANDANA United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
THE BLACK LIGHT United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BOMBER GOGGLES United States
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
TOM BRISLIN United States
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
ALAIN BURO Belgium
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
C SIDES United Kingdom
CAIRO United Kingdom
CALIFORNIA GUITAR TRIO United States
CAMELION France
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
CAREWORN United Kingdom
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
LAURA CASALE United States
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELL15 United States
CELLULOID WINTER United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
RANI CHATOORGOON Canada
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
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