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CIRCA SURVIVE

Crossover Prog • United States


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Circa Survive biography
US act CIRCA SURVIVE was formed in 2004, more or less by chance. Anthony Green, then of California based outfit Saosin, was back in his hometown of Philadelphia when he decided that he really didn't feel like going back again. With that decision made, he started looking around for musicians to form a band based in Philadelphia. He had been jamming a bit with Colin Frangicetto while at home, and he was the first to be recruited into this new venture. Brendan Ekstrom, a former bandmate of Frangicetto from This Day Forward, was next man in. Connections from this band also brought the last two members to finalize the line-up in the shape of Nick Beard and Steve Clifford.

Equal Vision Records were game to this new act in town, and was ready and waiting when Circa Survive had their first EP The Inuit Sessions ready by March 2005. And at the end of April the debut album Juturna was ready as well, a succesfull album that hit the top 150 of the Billboard charts.

A plethora of individual concerts and tours of varying length was in store next for this new act, which kept them busy out 2005 and all through the following year as well. But in 2007 it was time to hit the studio again, and in late May their sophomore effort On Letting Go appeared, a highly succesfull production that made it's debut in the top 30 of the Billboard charts.

Concerts and tours again was the order of the day for Circa Survive, but not as hectic this time around, and in February 2009 they felt it was time to concentrate on writing and planning for their next full length effort. Circa Survive also switched labels around this point, eventually opting for major label Atlantic Records among several interested parties. Blue Sky Noise has been chosen as the title of this forthcoming effort, which is due on April 20th 2010.

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On Letting Go: Deluxe Ten Year EditionOn Letting Go: Deluxe Ten Year Edition
Equal Vision Records 2017
Vinyl$19.78
$15.00 (used)
Blue Sky NoiseBlue Sky Noise
Atlantic 2010
Audio CD$7.69
$2.49 (used)
JuturnaJuturna
Equal Vision Records 2005
Audio CD$8.25
$1.50 (used)
On Letting GoOn Letting Go
Import
Equal Vision Records 2007
Audio CD$7.99
$1.94 (used)
Juturna: Deluxe 10 Year Anniversary EditionJuturna: Deluxe 10 Year Anniversary Edition
Import
Equal Vision Records 2016
Vinyl$20.79
$18.24 (used)
DescensusDescensus
Sumerian Records 2014
Audio CD$5.20
$2.79 (used)
Violent WavesViolent Waves
Circa Survive 2012
Vinyl$59.99
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AppendageAppendage
Atlantic 2011
Audio CD$11.95 (used)
Juturna (Limited Edition Gray/Blue Splatter Colored Vinyl)Juturna (Limited Edition Gray/Blue Splatter Colored Vinyl)
Double LP · Limited Edition
Equal Vision
Vinyl$79.99
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CIRCA SURVIVE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

CIRCA SURVIVE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.72 | 18 ratings
Juturna
2005
3.86 | 22 ratings
On Letting Go
2007
2.89 | 20 ratings
Blue Sky Noise
2010
3.54 | 13 ratings
Violent Waves
2012
3.70 | 10 ratings
Descensus
2014

CIRCA SURVIVE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

CIRCA SURVIVE Videos (DVD, Blu-ray, VHS etc)

CIRCA SURVIVE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

CIRCA SURVIVE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.00 | 5 ratings
The Inuit Sessions
2005
2.90 | 10 ratings
Appendage
2010

CIRCA SURVIVE Reviews


Showing last 10 reviews only
 On Letting Go by CIRCA SURVIVE album cover Studio Album, 2007
3.86 | 22 ratings

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On Letting Go
Circa Survive Crossover Prog

Review by Riuku

5 stars This is a strange album to review. No long songs so that may turn some proggers off. Also, not many would consider Circa Survive a prog band, but it'd be silly to not at least acknowledge their hectic compositions, odd times, surreal atmospheres, and thoughtful lyrics, and an overall new sound to the mix. The songs themselves may not progress much, but they offer a lot. At first, the songs may all sound the same, but with repeated listens, the songs separate and become their own entity, and each one offers a different adventure; however, when the album is played as a whole, it's a series of surreal adventures and it's marvelous. The musicianship is top-notch, creative, and the lyrics are also very thoughtful. The vocals may turn a few people off, but they are definitely unique, adding a touch of surrealism. Lastly, the album may not be a concept album but it definitely has a theme about to it...it sounds as if the album deals with letting go of religion or God or something similar, and the songs are all cohesive. This is definitely a five-star effort.

Living Together starts immediately, with some heartfelt guitars before it quiets down so that Anthony can deliver some insanely unique vocals. "Attached means...Identity," is a beautiful part of the song. The guitar continues with its heavy but heartfelt sound. "Your rational mind is insane," sings Anthony, backed up by melodic guitar touches and tasteful drumming. The guitar work throughout is surreal, as it is in this entire album, almost like a modern Steve Hackett. And what's awesome is that while there are two guitarists, it seems as if both lead rather than having one on rhythm...the duties are split equaly and it really works. Especially at the end of the song, with the guitar squealing as Anthony asks, "would you trade your soul for gold?" Beautiful.

The next song picks up quickly (In the Morning and Amazing...) Check out the time signature change to 11/4 early on, and then again right before Anthony screams, "Infinite Silence!" That's magic. The song switches often and especially at the end there is a switch to 6/8 where everything slightly slows down to make a surreal sound.

The next song (The Greatest Lie) continues with similar guitar work, with more emphasis on vocals. There's some prominent bass in the mix. The most standout part would be the vocals..."Nobody's really there...Nobody's real." That hits hard.

We continue with a gem of a song (The Difference Between Poison and Medicine is in the Dose). Read the genius lyrics and check out the insane 3/4 drumming in the intro. The bass backs it up with some surreal thumping notes and the guitar runs circles around you. The chorus seems to switch time to 4/4 but if you pay attention it does not. The chorus is catchy and has great lyrics, and right afterwards, you're attacked by an onslaught of twin guitar, it sounds great. "Accomplishments are transient..." wow. And then the ending is powerful, an overall amazing song.

Next up: Mandala. It has a psychedelic intro before some absolutely insane drumming comes in. The guitar work here is also fun and trippy. The lyrics are also great and easily relatable. Overall, the drums are absolutely tasty on this track, let them carry you away. "Dance with me for I'll be leaving soon..." it seems like the drums are dancing here, check it out.

Travel Hymn offers some of the best vocal work and some mesmerizing guitar lines. The bass is interesting but unfortunately a little low in the mix. "Time starts to slow down!" Is an awesome vocal deliver, and the music seems to slow a little. The arrangements are definitely very orchestral. "Something set us off into the wrong direction, but within this particular space, time goes to waste..."

Semi-Constructive Criticism enters with a resonating guitar chord followed by some immediately hectic Mars Volta-ish jamming. I think there are two time signatures going on here. The interplay between vocals and music is great, especial "tinfoil forest," what great use of imagery in both the music and lyrics! The post-hardcore attitude in this song really takes the best the genre has to offer and makes it completely unique here.

The next song has a bit of a Gabriel-Genesis vibe (Kicking your Crosses Down), just a touch. The lyrics are golden here, and the choruses seem to take on a happier sound, it's marvelous. After the first chorus there is a tiny bit of surreal guitar and bass work and then it continues in the same vein. The part after "And all the voices sound just like you" feature intense drumming and a mood shift on guitars and bass, excellent.

The Title Track begins with some unique lyrics and then continues to offer what this band does best, although there are some really nice psychedelic touches that help make this an awesome journey. The choruses are so sentimental and heartfelt and even a bit disturbing, but it sounds great. "If blood is thicker than water then you'll drown quicker than we intend," is a disturbing lyric (nice internal rhymes) and the music really augments it. The part towards the ending is incredibly heartfelt.

Carry Us Away picks up off of the heartfelt ending and has a post-apocalyptic feel to it. It sounds great and is full or some orchestral guitar work throughout. Amazing interplay. This has a darker feel to it than most of the other songs, really nice.

Close Your Eyes to See is a beautiful title and it delivers. These are perhaps the best lyrics on the album (although each song has something awesome to offer). Full of imagery and provoking thought. The drums add their own little touches but the guitars really have this ethereal sound about, along with the basslines. "If we know each other, then why should it be so hard to make it stop?"

Finally, Your Friends are Gone (a depressing title) begins with a psychedelic 5/4 section and goes through some different sections before a very beautiful depressing ending. The midsection is one of the most ethereal on the album, but the ending gets even better than that in 6/8. Wow.

Overall, this album works so well due everyone's cohesive effort. The biggest problem is definitely the bass, it's too low on the mix and it's doing some really nice things. But besides that, the album is surreal and maybe I'm crazy but it reminds me of early Genesis, it's great. The lyrics are easy to relate to and ultimately, the music is very enjoyable...a great album. What's awesome is the songs work individually and even better as a whole.

 On Letting Go by CIRCA SURVIVE album cover Studio Album, 2007
3.86 | 22 ratings

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On Letting Go
Circa Survive Crossover Prog

Review by Venusfly91

3 stars During the time this was released, I've listened to a lot of bands that have are considered post hardcore, especially the one band that lead vocalist Anthony Green used to front and it was mostly that kind of music I've listened to on end. Several years later after expanding my tastes to jazz, metal, folk, prog, etc. most of these types of bands no longer did much for me because they were almost identical and they never really did stand out much, however there are few to this day I still listen to, and this one is one of those albums I still enjoy listening to sometimes. Why?

Both guitarists Colin Frangicetto and Brendan Ekstrom work perfectly with one playing a melodic, shoegaze-like wall of sound and the other playing melodies influenced by heavy noise resulting in an almost dream like atmosphere. Even the melodies have more substance than the typical post hardcore band and manages not to be over used and dull, especially when they play in clean. A really good example of this is in the fast paced "In The Morning and Amazing". I would even put it up to par with Thrice's Teppei Teranishi's playing. Very unique approach of melody and atmosphere that I would like to hear more often.

However, the first four songs are really the peak of this album, afterwards, the music becomes dull and while Steve Clifford isn't a bad drummer, he tries to be technical and just doesn't work that well, especially in the decent song "Kicking Down Your Crosses".

A very well idea on paper that wasn't executed very well, however, the first four songs here are quite impressive compared to what is in this genre nowadays.

6/10

 Blue Sky Noise by CIRCA SURVIVE album cover Studio Album, 2010
2.89 | 20 ratings

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Blue Sky Noise
Circa Survive Crossover Prog

Review by Marty McFly
Special Collaborator Errors and Omissions Team

2 stars I abandoned concept of "genre of my liking" some time ago, so I can't say that I don't like this kind of music. Nah, the closest would probably be "The Dear Hunter" with performance similar to emo, only done in Prog way (variable, interesting, full of twists, yet melody hooks). Here, screaming and melody remains, but not much more. And I think that this kind of music works with you only if you like this kind of music. Otherwise, it's ranging from listenable and annoying with some interesting points. It's quite long album, 49 minutes + 16 minutes of bonuses (if you have release with them).

2(+), consider that 1)I have heard a lot of music like Circa Survive is making here (genre popular these days), 2)There's not much Prog in this music, if there is something 3)it's quite repetitive. No from me on this one.

 Blue Sky Noise by CIRCA SURVIVE album cover Studio Album, 2010
2.89 | 20 ratings

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Blue Sky Noise
Circa Survive Crossover Prog

Review by Laurelles

4 stars I'll be perfectly honest. Circa are not a prog band. They are a true-to-god Indie rock band. Whilst I would not usually even contemplate listening to Indie, Circa have always been one of the bands to grab my attention. This was propelled even further with this effort, a great display of spangly production and great guitar work. At times, they sound like Coheed and Cambria, at other times they sound like Fall of Troy. Particular highlights are "Get Out", "The Longest Mile" and "Glass Arrows", not to mention the brilliant "Frozen Creek", easily Circas best song to date. The few flaws in it are the fact that the songs are generally more pop-orientated than on On Letting Go or Juturna. This isn't always a bad thing, but occassionally it does fall on it's face a bit. On the whole, a great album which will please the fans a lot.
 Blue Sky Noise by CIRCA SURVIVE album cover Studio Album, 2010
2.89 | 20 ratings

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Blue Sky Noise
Circa Survive Crossover Prog

Review by iheartjaco

1 stars I want to begin by saying that I have deep respect for Anthony Green's work in Circa, as well as with The Sound of Animals Fighting, Zolof the Rock and Roll Destroyer, Good Old War, etc. Steve Clifford and Nick Beard have laid down some of the most badass rhythm section work to date. I adore Juturna and On Letting Go, Circa's two former full-lengths.

But if you are expecting something on par with Circa's former work, you won't buy this album.

Compare these lyrics from "Stop the Car" off Juturna:

"Spinning lights, don't be scared, You have given so much more. Spinning lights, take me there, He has risen, pull me under. Don't stop talking to me, I haven't been listening."

with "Imaginary Enemy:"

"You're so careless, careless. How did you get so ungrateful? You treat me like I'm a disease and it's been killing me."

As you can see, the lyrics have downgraded tremendously, and this trend continues with every other element of the band. I'll work from the bottom up. Steve Clifford's drumming on Juturna is fantastic; on OLG, god-like. He opens solo on "The Difference Between Medicine and Poison..." and that groove alone stands to prove his prowess as a drummer. Compare that, or any other groove on OLG, to Blue Sky Noise, and you will find a poorly simplified, poorly recorded sound that doesn't belong.

Being a bass player, I have always been envious of Nick Beard's style and sound. That stops with Blue Sky Noise. When Beard is audible, he does not groove. He sounds crunchy and disconnected, overlooked. Colin Frangicetto and Brendan Eckstrom, Circa's twin guitarists, seemed more interested in making up crummy build-ups than focusing on their tone and playing. They don't sound like they've developed as musicians.

Of course, Green's singing is respectable as always. He has the kind of powerful, unique voice that can cut through lame instrumentals. Unfortunately, his vocals are dumbed down and over-mastered. Gone are the subtle harmonies and counter-melodies of his former work. He sounds like he's trying too hard.

And that is another common thread of BSN. This sounds like a hastily mastered, poorly written album by a new band trying to get their sound out, not like established musicians with a dedicated fan base that are broadening their horizon.

If you took any band that had two strong albums on a respectable indie label like Equal Vision, and gave them a massive contract with Atlantic, change would be expected. If you were to take said band and give them the opportunity to work with people like David Bottrill and Rich Costey, a year devoted to writing alone, and a massive major label contract, you would expect a great album. Mainstream? Yes. Easier on the ears than their former work? Yes. The shoddy, inebriating, poppy-bull[&*!#]-schlep that is Blue Sky Noise?

No.

 Blue Sky Noise by CIRCA SURVIVE album cover Studio Album, 2010
2.89 | 20 ratings

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Blue Sky Noise
Circa Survive Crossover Prog

Review by OceanTree

4 stars I didn't know what to expect from this album with their first single "Get out" which is a badass piece of work opening to a new style keeping their signature melodies but with tighter guitar parts. The first listens of the album left me unsatisfied but I can't stop myself listening to it. I received it one week ago and I listened to it at least one time a day. The album is more energetic and less melancholic than its predecessors. This is great because they show us what they are capable to do. The rhythm section is upgraded here whilst still working hard on the melodies. They reached the perfect balance of melodies and rhythm. They still have the sad emotional lyrics but with more aggressiveness in the music.

Long time fans will still recognize what they fell in love with but with more crisp, energy and aggressiveness.

 On Letting Go by CIRCA SURVIVE album cover Studio Album, 2007
3.86 | 22 ratings

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On Letting Go
Circa Survive Crossover Prog

Review by OceanTree

4 stars I never thought of circa survive as a prog band but they have none the less a beautiful and creative sound. It's a genre that have been explored before but with a different perspective. Some sort of punkish indie band with sleazier guitar riffs with often some delay effect in them. It's very melodic, having different instrument tracks to make one whole riff not just all guitars and bass playing practically the same thing. I hear a different part every time I listen to the album. Plus the singer has a high pitch voice that can't be mistaken with another. The atmosphere is very emotional and seems to expand so much it makes some sort of wall of sound comparable to some post-rock bands. Having all that they are still able to make catchy tunes and melodies and that's what is wonderful about them.

The first track "Living Together" is a great opening to the album since it demonstrates what they are all about. Some parts are energetic and distorted and others more clean and calm. You can hear the different tracks I was talking about above.

Most of the tracks stand on their own having that special thing but some of them just pass by but are still really good. The first songs are the best and gets you hooked to the music and you let yourself go flowing through the last songs which are the ones that are less "hooking". That's why I only gave the album 4 stars.

Thanks to windhawk for the artist addition.

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