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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 06/02/16

Iván Melgar Morey (Iván_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3909 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3631 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3141 ratings
FOXTROT
Genesis
4.44 | 3069 ratings
FRAGILE
Yes
4.42 | 2739 ratings
NURSERY CRYME
Genesis
4.39 | 2289 ratings
MIRAGE
Camel
4.37 | 1958 ratings
MOONMADNESS
Camel
4.36 | 2647 ratings
RELAYER
Yes
4.38 | 1499 ratings
HYBRIS
Änglagård
4.35 | 1119 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2575 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2482 ratings
THE YES ALBUM
Yes
4.29 | 1989 ratings
THE SNOW GOOSE
Camel
4.27 | 2230 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1010 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.32 | 755 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1815 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 937 ratings
VILJANS ÖGA
Änglagård
4.25 | 878 ratings
HAMBURGER CONCERTO
Focus
4.22 | 943 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

LA MARCHE DES HOMMES
Morse Code
L'ARBRE-CIMETIÈRE
Maldoror
BOOK OF HOURS
Willowglass
HIJOS DEL AGOBIO
Triana

Latest Symphonic Prog Music Reviews


 Real to Reel by STARCASTLE album cover Studio Album, 1978
1.49 | 39 ratings

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Real to Reel
Starcastle Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

1 stars So here we are

In only three years time and over the course of four albums, Starcastle went from Symphonic progressive Rock, through a kind of proto-Neo-Prog, to Crossover Prog, and finally all the way to not-even-Prog-related AOR. While their previous album still retained many progressive elements, the present album leaves us in the territory occupied by the likes of Journey and Boston. But while the latter bands at their best were rather good at what they were doing, Real To Reel is utterly bland and uninspired and sounds completely without identity. You get the feeling while listening to this that they didn't really want to do this at all, and the musical style adopted here fits the band about as well as the clothes they were wearing on the sleezy cover picture!

Starcastle committed "suicide" as a band with this album (or was it "murder" by the record company pressure?). Not until almost 30 years later would there be another Starcastle album released.

Real To Reel is an embarrassment and is best avoided.

 Concert Classics  by STARCASTLE album cover Live, 1999
3.09 | 10 ratings

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Concert Classics
Starcastle Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars Breath and thunder

This live album was recorded just after the release of the band's third studio album Citadel in the late 1970's, but it was released only much later under various alternative titles.

The album contains eight songs all in all, including the very best songs from each of their first three albums: Change In Time from Citadel, Fountains from Fountains Of Light, and the excellent Lady Of The Lake from the self-titled debut. Unfortunately, they also included the two worst songs from Citadel: Can't Think Twice and Could This Be Love. A tip would be to skip these two tracks on a first listen so that you get to the much stronger second half of the album where the better songs are concentrated. Here you will also find Breath And Thunder which is a number that was not included on any of the band's regular studio albums, and is interesting at least for that reason.

A pretty decent live album that in some ways is better than most of the band's studio discs.

 Diamond Song (Deep Is The Light) by STARCASTLE album cover Singles/EPs/Fan Club/Promo, 1977
2.00 | 1 ratings

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Diamond Song (Deep Is The Light)
Starcastle Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

— First review of this album —
2 stars Interesting obscure single from this american band, takin from their second LP, 1977´s Fountains of Light. They were obviously Yes fanatics and their music is pretty much in that vein: vocalist Terry Luttrell sings like Jon Anderson, the bass player tries hard to be Chris Squire and so on. However, this song tends to slip to the AOR side, reflecting what bands like Styx were doing at the time, specially the well constructed chorus. Unfortunately it seems that, unlike Styx, no one paid much attention to them. And although the musicians were very good and the songwriting is decent, the timing was wrong for this kind of prog rock, specially for a band lacking a strong and/or unique personality.

The single has two versions of Diamong Song (Deep Is The Light): an edit one (maybe in hope of some radio play) and the album cut, almost two minutes longer.

Recommended for 70´s symphonic prog rock fans that don´t mind derivative bands.

Rating: 2,5 stars.

 Citadel by STARCASTLE album cover Studio Album, 1977
2.90 | 70 ratings

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Citadel
Starcastle Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

2 stars Change in time

On Citadel, Starcastle feels somehow more at home than they did on the previous Fountains Of Light which to me is best viewed as a transitional album between the Symphonic Prog of the debut and the more Prog related AOR style showcased here. The universally made comparison with Yes is definitely less natural here, and it would be better to compare the music on Citadel with that of other American bands like Saga, FM, and Kansas of the late 70's/early 80's. The downside of sounding less like Yes is that they sound more bland.

Citadel is a far cry from the band's excellent self-titled debut. But judged for what it is, it is not that bad. I think it is fair to say that Starcastle was ahead of their time and pointed in the direction that many Prog bands would take in the 80's, streamlining their sound and exploring more commercial pastures.

 Fountains of Light  by STARCASTLE album cover Studio Album, 1977
3.41 | 117 ratings

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Fountains of Light
Starcastle Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

2 stars Welcome to the dawning of the 80's

Starcastle's second album Fountains Of Light is currently their highest rated album here, but I definitely like this one less than their excellent self-titled debut album released the year before this one. Much of the naive charm of the debut is gone and what we have here is much more streamlined. The result is that the album feels overproduced and too polished and cheesy.

The band was already going in a commercial direction here which is nowhere more obvious than in the closer Diamond Song - Deep Is The Light. This song could easily have been by Journey or some other AOR band. As such it was pointing to the future of the band and in some sense of the whole genre. Starcastle was ahead of their time (in the worst possible sense) as they began to develop an 80's sound already in the 70's!

There is still some good music here though, especially in the first half or so of the album. The opening track Fountains is the highlight, but even this one does not measure up to the powerful Lady Of The Lake from the debut.

My advice would be to begin with the debut which is a much better album in my opinion

 Starcastle by STARCASTLE album cover Studio Album, 1976
3.14 | 135 ratings

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Starcastle
Starcastle Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

4 stars "Set sail a crystal ship and you will fly"

It was certainly with some trepidation that I approached Starcastle given how often they are dismissed as doing nothing more than aping the style of Yes. This held me back for a long time from giving this band the fair hearing they deserve. That they are heavily inspired by Yes is undeniable, but that is hardly sufficient grounds for a quick dismissal. There are hundreds of bands following closely in the foot steppes of Genesis, for example, some of which are highly regarded. Ultimately the proof of the pudding is in the eating, and to my ears Starcastle's self-titled debut is actually highly appealing. The musicianship is strong and the result is charming and enjoyable.

I will not belabour the comparison with Yes, but I want to bring up something that is not often mentioned; how often the music found on this album evokes the jazzier Peter Banks-era and also Banks's post-Yes band Flash (whose debut also featured Tony Kaye). The production on the other hand is more in line with later Yes albums like Drama, and in that respect foreshadows Yes's own subsequent development. (Note also the very Keith Emerson-like keyboard solo at 4:18 into Lady Of The Lake.)

It should be remembered that Progressive Rock took off later on the other side of the pond with bands like Kansas and Rush reaching their pinnacles around the time of the release of this album (1976-1977), and Starcastle needs to be understood in relation to this. The American bands were generally not as original as their British and European forerunners, but that doesn't mean they are without merit. Starcastle's debut album should be regarded a classic of American Prog Rock and is much better than the albums of many American bands from around this time.

Excellent album!

 Live: Made In Norway by ÄNGLAGÅRD album cover DVD/Video, 2017
5.00 | 7 ratings

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Live: Made In Norway
Änglagård Symphonic Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

5 stars This is the first official video of the band in filmed in Sandvika, Norway February 21, 2015. The venue is very small probably not more that one hundred people there. So the cameras were very close capturing some really close shots of the musicians. The visuals are restricted to the basic lighting of any small clubs. But the best is the music and the discrete surround sound makes this video a very pleasant experience. I must say that the discovery of their "Hybris" album in 1993 was something special for me and I continued to follow the band even thought they made only 3 albums. In this 2 hours of music, we have a good representation of those albums, all epic songs of vintage 70's prog rock with their own style of symphonic based around the flute, guitars, and keyboards developing the melody with a solid rhythm section. The dark and melancholic atmosphere of their music must have been inspired by their long winter nights in Sweden and explain why bands coming out that country have a similar sound. So, the music here is great as we could expect and seeing this band played in front of a small crowd was like seeing a great band at their debut, but here, the band contrary to some bands that have become more popular and playing in front of larger crowd, are still living out their music of passion only.
 Modern Masquerades by FRUUPP album cover Studio Album, 1975
3.24 | 105 ratings

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Modern Masquerades
Fruupp Symphonic Prog

Review by Zayash

4 stars A fine album but sadly underestimated. The Fruupp became known for outstanding Future Legends, with your sound sharp and consistent, a heavy prog of the best. Without much refinement in the compositions and production in two 'lbuns after future legends the Group also lacked certain lack of versatility, falling in worn and repetitive formulas. Then in the "Modern" the music appears redesigned and with more resources combined with a sound production (Ian Macdonald) more careful and clear. The style is more to Camel with an eclectic and very technical tone. The Heavy almost gives to rustic with more symphonic tone and elegant, with addition of wind instruments like oboe and trumpets. Peter Farrely vocals is very well fitted, with vigorous and organic interpretations (Sheba's Song is an example). 'Gormenghast' is a composition that grace a dedicated and attentive hearing: it is a work of great beauty, very delicate and rich in detail, with a bottom almost melancholy without being depressing. For the radical supporters don't accept heavier groups making cleaner and more complex music this album may not please. However, the mark of previous albums is as a background that allows new experiments and landscapes that only enrich the musical experience. In my opinion, Modern Masquerades is a great job overshadowed by nationality of the band (Ireland) and maybe by the time it was made late (1975). Before you judge, meet! It's worth it!
 Power And Outcome by CAST album cover Studio Album, 2017
4.26 | 23 ratings

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Power And Outcome
Cast Symphonic Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars

The first song "Rules of the Desert" starts the album in such uptempo mood and with a punchy style that I thought it was another band. This song is instrumental and the presence of the violin that will be constant throughout the album add a little touch to the music. The second song "Power and Outcome" bring back the vocals and reassure me that it's still the Cast traditional style. The band is back with his style of symphonic music with piano and classical arrangements. The vocals remind me of some Neo-Prog bands of the 80's and 90's which fortunately is not ruining the talented songwriting. The third track is a beautiful and peaceful ballad. "Start Again" is another instrumental track taking us back to the first song tempo but this time the guitar is taking his spot with the keyboards of Louis Alfonso Vidales. The song shows some impressive instrumental parts where the guitar is left lose in some exquisite solos. "Illusions and Tribulations" is another great track and the best way to enjoy the vocals when the music is quieter. This is a strong album of the band with some Genesis and Kansas influences that will please a bunch of Progressive Rock fans.

 La Mosaïque De La Rêverie by PAGEANT album cover Studio Album, 1986
3.70 | 42 ratings

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La Mosaïque De La Rêverie
Pageant Symphonic Prog

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

4 stars A rock combo PAGEANT can be called as one of Japanese symphonic rock progenitors positively inspired by Genesis and 70s British progressive rock scene. The album "La Mosa'que De La R'verie" was released in 1986 as their debut creation, and it's said long time and much money were needed for the production. Well understood PAGEANT needed much expensive stuff, and this album sounds of another Japanese Fantasia for being launched in 1986. Exposure not simply of Genesis' flavour and view, but apparently of Japanese cultural dramatic "cartoon-ish" texture, can be appreciated.

Their instrumental technique is beyond expression really. For almost all of Japanese in 1980s progressive rock might be symphonic rock, and artists had tried hard to make soundscape decently symphonic we can imagine easily. Hiroko's voices sound not cute nor lovely but sharp-edged and theatrical. No suspicion she should lead this whole combo to enthusiastic sound space. In the current progressive rock scene this music style flooded with mysterious tragic storytelling melody and lyrics is not rare nor innovative but yes, 30 years before! As the frontman Ikko says, "Un Giel De Celluloide" is not fit for such a dramatic narrative touch but anything. Let me emphasize especially the titled track composed / written by Hiroko is full of creativity and original sound points of view. Unforeseeable melodic stream of the story drives the audience crazy thrilling. We should listen to and digest this stuff out without any breath. What a supra-impressive one.

For various reasons above mentioned, this album is impressive even now. One of authenticities in Japanese progressive rock world, we can call ... like the mystic sleeve pic!

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANDERSON/STOLT Multi-National
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOGAION Romania
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
LÁQUESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
PÄR LINDH AND BJÖRN JOHANSSON Sweden
PÄR LINDH PROJECT Sweden
LITTLE TRAGEDIES Russia
CAILYN LLOYD United States
THE LOAD United States
LOCH NESS Brazil
LORD FLIMNAP Israel
M-OPUS Ireland
DUNCAN MACKAY United Kingdom
MADAME CLAUS Argentina
MADISON DYKE Germany
MAGDALENA Japan
MAGIC PIE Norway
MAGIC SPELL Switzerland
NICK MAGNUS United Kingdom
MAGRATHEA United Kingdom
MAHOUJIN Japan
MAINHORSE Switzerland
MALDOROR France
MANDALABAND United Kingdom
MANDRAKE Japan
MANGROVE Netherlands
MANTICORE Sweden
MANTRA Spain
LA MÁQUINA DE HACER PÁJAROS Argentina
MARCO Mexico
MARYGOLD Italy
MASQUE PREMIERE United States
MAZE OF TIME Sweden
MEDINA AZAHARA Spain
MELVIN'S NOSEHAIR Netherlands
MEMORIANCE France
JACQUES MENACHE Mexico
MERLIN Germany
METABOLISME France
MEZQUITA Spain
MIA Argentina
MIDAS Japan
MIKLAGÅRD Sweden
MIKROMIDAS Norway
MILKWEED Canada
MARIO MILLO Australia
DAVID MINASIAN United States
MIND SKY United States
MINOTAURUS Germany
MIRROR Netherlands
MIZUKAGAMI Japan
MONA LISA France
MONOLITH United States
MOON SAFARI Sweden
MOONGARDEN Italy
MORGAN United Kingdom
MORILD Norway
MORSE CODE Canada
NEAL MORSE United States
TIM MORSE United States
MOSAIK Sweden
MOTH VELLUM United States
MUGEN Japan
JESÚS MUÑOZ FERNÁNDEZ Spain
NAUTILUS Switzerland
IAN NEAL United Kingdom
NEGASPHERE Japan
NESSIE Belgium
NETHERWORLD United States
NEUSCHWANSTEIN Germany
NEVERNESS Spain
THE NEW GROVE PROJECT Sweden
NEXUS Argentina
THE NICE United Kingdom
NOSTRADAMUS Hungary
NOTTURNO CONCERTANTE Italy
NOVALIS Germany
NOVELA Japan
OAKSENHAM Armenia
OCEAN Germany
OCTOPUS (NOR) Norway
ODYSSICE Netherlands
OMNIA Argentina
ONE Argentina
ONIRIS France
OPUS Yugoslavia
ORION France
OUTER LIMITS Japan
PABLO EL ENTERRADOR Argentina
PAGEANT Japan
PALE ACUTE MOON Japan
PANTA RHEI Hungary
PARAGONE United States
PARTHENON Venezuela
PATCHWORK CACOPHONY United Kingdom
PAZZO FANFANO DI MUSICA Japan
PELL MELL Germany
PENTACLE France
OTA PETRINA Czech Republic
PETRUS CASTRUS Portugal
ANTHONY PHILLIPS United Kingdom
PHYLTER Belgium
PI2 Spain
PICTORIAL WAND Norway
PIG FARM ON THE MOON Venezuela
THE PINK MICE Germany
MICHAEL PINNELLA United States
POÇOS & NUVENS Brazil
POLLEN Canada
PRE United States
PRISMA Netherlands
PROGRESSION BY FAILURE France
PROJECT (ALSO KNOWN AS PPRY) Finland
PROTO-KAW United States
PROUD PEASANT United States
PULSAR France
PUPPET SHOW United States
PYTHAGORAS Netherlands
QUANTUM Brazil
QUATERNA REQUIEM (WIERMANN & VOGEL) Brazil
QUILL United States
R-U KAISER Chile
RAIN United Kingdom
RAINBOW THEATRE Australia
RAISON DE PLUS France
RAK Switzerland
REALM/ STEVE VAIL United States
RECORDANDO O VALE DAS MAÇÃS Brazil
REFUGEE United Kingdom
RELAYER United States
RENAISSANCE United Kingdom
RING OF MYTH United States
ROCKAPHONICA Argentina
ROCKET SCIENTISTS United States
RAIMUNDO RODULFO Venezuela
KURT RONGEY United States
ANTON ROOLAART United States
JAIME ROSAS Chile
ANDREW ROUSSAK Russia
ROUSSEAU Germany
RUMBLIN' ORCHESTRA Hungary
RUMPLE STILTZKEN COMUNE Switzerland
SAECULA SAECULORUM Brazil
SAENA Mexico
SAGRADO CORAÇÃO DA TERRA Brazil
SALMON Netherlands
SANDROSE France
GUSTAVO SANTHIAGO Brazil
SCARAMOUCHE Germany
SCHICKE FUHRS & FROHLING Germany
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