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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes†the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something†easy to understand being that†most of the†classic and/or †pioneer†bands†released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by†Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being†that†their sound†is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's† (more precisely until the release of A Trick of the Tail), when the genre begins to† blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It†is important to remember that even though the creative peak of Symphonic Progressive†ended before the 80's,†we can find†a†second birth†in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because†these†bands†very rarely†played symphonies and was†probably used because the music that influenced the genre was†performed by Symphony Orchestras, but†it is†so†widely accepted†by the Progressive Rock community that†would be absurd and futile for†anybody to†attempt a change after so much time.

IvŠn Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 06/02/16

IvŠn Melgar Morey (IvŠn_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 3944 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3662 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3170 ratings
FOXTROT
Genesis
4.44 | 3101 ratings
FRAGILE
Yes
4.42 | 2763 ratings
NURSERY CRYME
Genesis
4.39 | 2314 ratings
MIRAGE
Camel
4.38 | 1983 ratings
MOONMADNESS
Camel
4.36 | 2676 ratings
RELAYER
Yes
4.38 | 1516 ratings
HYBRIS
ńnglagŚrd
4.35 | 1135 ratings
SI ON AVAIT BESOIN D'UNE CINQUI»ME SAISON
Harmonium
4.29 | 2507 ratings
THE YES ALBUM
Yes
4.29 | 2602 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2012 ratings
THE SNOW GOOSE
Camel
4.27 | 2250 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1022 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.32 | 761 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1834 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 947 ratings
VILJANS ÷GA
ńnglagŚrd
4.25 | 888 ratings
HAMBURGER CONCERTO
Focus
4.22 | 955 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

NOCHE ABIERTA
Cai
BOOK OF HOURS
Willowglass
POLLEN
Pollen
THE MOST BEAUTIFUL DAY
Exodus

Latest Symphonic Prog Music Reviews


 In the Region Of The Summer Stars by ENID, THE album cover Studio Album, 1976
4.00 | 1 ratings

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In the Region Of The Summer Stars
The Enid Symphonic Prog

Review by FragileKings
Prog Reviewer

— First review of this album —
4 stars First let me state that I am reviewing the 2012 remaster of the original 1976 album and not the 80's re-recording.

I am always excited to read about other symphonic rock bands of the 70s and when I read about the Enid in Stephen Lambe's book "Citizens of Hope and Glory: The Story of Progressive Rock" I was eager to give them a listen. After some sneak peeks (or sneaks listens) to samples of songs on Amazon, I ordered the album and I was not disappointed.

Most surprisingly is that while Yes and some other bands were recording rock music in a symphonic vein, the Enid appear to have been recording symphonic music in a rock vein. All tracks except for "The Lovers" (a piano solo) feature symphonic instruments with drums, bass, and electric guitar being just instruments in the symphony and not comprising a rock band that is playing with a symphony. For a debut album, the music is remarkably bold and complex. From the beginning, Robert Godfrey wanted this band to do things differently from other rock bands.

Aside from "The Lovers" which is beautiful but a little dull to me, the album is very enjoyable to listen to from start to finish. I normally have great impatience when listening to a new album as I want to find the songs I like the most and listen to them a lot. However, with "In the Region of the Summer Stars" I had a difficult time whittling down the number of songs to three or four favourites. I can now say that I enjoy "Fool / The Falling Tower", "The Devil", "The Last Judgement", and the title track best, but mention should go to "The Sun" and "Death, the Reaper" which I also enjoy.

This is not an album for everyone and I am surprised that I like it as much as I do. But this is one of those albums that really illustrate just how far progressive rock bands could go even in 1976 when prog is said to have been on its way out of fashion.

 Halloween by PULSAR album cover Studio Album, 1977
3.97 | 142 ratings

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Halloween
Pulsar Symphonic Prog

Review by Matti
Prog Reviewer

5 stars France produced several symphonic prog bands in the 70's, and PULSAR were among the best. Some have called them the French Pink Floyd, and it's pretty poignant if one doesn't take it too literally. The spacey debut (1975) has elements of psychedelia reminiscent of the Saucerful-era Floyd, as well as some electronic music flavours. The instrumentally oriented, wonderfully atmospheric second album The Strands of Future (1976) increased symphonic prog elements and shifted the band's style just a bit closer to Genesis. Thanks to its success, the band were signed to CBS and given the best studio equipment available for the third album Halloween. It has been hailed as one of the masterpieces of European symphonic prog. Undoubtedly the feelings of disappointment that some critics here have felt is due to all the hype they have seen on this album. Revealingly, many ratings (with the review included) are either five or three stars.

The 39-minute album has two side-long parts, both featuring titled movements that follow each other seamlessly. Part One starts with a girl vocalise in the melody of 'Danny Boy', backed with piano only. The longest movement 'Tired Answers' is at first very delicate and slow-tempo instrumental prog with synths, acoustic guitar and flute in the main roles, until the darker, horror-like mood sets in and the intensity grows. The keyboards dominate, reminding more of the Tangerine Dream between '74 - '79 than British bands such as Genesis. The third and fourth movements feature male vocals, sung tenderly in English. The perfectly produced sound is a beautiful combination of the acoustic and the electronic. The mood remains restrained, semi-creepy at best, in a rather mellow and romantic way, and perhaps some listeners would expect more edginess from a horror-themed work.

The second part is equally elegant, starting with a slow tempo delicacy with vocals. The vocals are even more central on the melodic and symph-prog structured second movement 'Dawn Over Darkness'. The flute makes a beautiful appearance. 'Misty Garden of Passion' is a mellow instrumental interlude, followed by a more intense, synth-oriented 'Fear of Frost'. One may think of the most prog-rock albums of Tangerine Dream (Cyclone and Force Majeure). The slow and majestic final movement has ethereal vocals and synths.

When I started this review I didn't know my rating. I've had the CD for four years but haven't listened to it often. Halloween may not be as unforgettable symph prog masterpiece as the certain British classics from Genesis, Yes, Renaissance, Camel, etc., but I can't really spot any faults in it. If you're in a suitable mood -- not expecting more edginess and originality -- you will most likely find a lot to enjoy on this excellently produced and coherent concept album.

 Unfold The Future by FLOWER KINGS, THE album cover Studio Album, 2002
3.88 | 474 ratings

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Unfold The Future
The Flower Kings Symphonic Prog

Review by Norbert

3 stars Unfold the Future is the seventh studio album by Swedish progressive rock band The Flower Kings. Behind the not exactly beautiful artwork we can find 2 CDs, so this is the third of their 4 double albums. The first disc is about 74 minutes long, the second one is a bit shorter, it clocks at about 67 minutes. This is the debut studio album with The Flower Kings for my fellow Hungarian drummer Zoltán Csörsz, and guest singer Daniel Gildenlöw, mainly known as the mastermind of Pain of Salvation, and the permanent guest musician Hasse Bruniusson, most familiar from Samla Mammas Manna also featured here. The musicanship is excellent as on any album released by The Flower Kings, especially bassist Jonas Reingold and Zoltán Csörsz do an absolutely outsanding job. The problems arise with the compositions, we are talking here about an album which is more than 140 minutes long. So the quantity is huge, but how about the quality? This album is in the usual style of The Flower Kings, so Symphonic Prog mainly influenced by Yes, Genesis, Camel with many jazz rock fusion and some Frank Zappa influence in the mix. For me it is not a big issue if a band is not exactly groundbreaking if they write great music in the vein of their influences, but here I am not very plesed with everything I hear. The opening track is called The Truth will set you free, in stucture is somewhat similar of the legendary title track of Close to the Edge, but it is 31 minutes long, almost as long as a classic prog album like Per Un Amico. It features some Symphonic Prog beauty mainly in the vein of Yes, but also some sugarsweet, cheesy parts, which would not sound out of place at an Eurovision Song Contest. If it was under 20 minutes it could be an excellent piece. If The Truth will set you free is the "Close to the Edge" of this album, Christianopel is the "Waiting Room", but the Supernatural Anaesthetist is does not appear here. The other "jam" called Soul Vortex bores me even more. The purely jazz track The Devil's Dance School performed by Jonas, Zoltán and guest musician Anders Bergcratz on trumpet is other hand really cool. I really like Silent Inferno and the other "Devil's" track, Devil's Playground. This are well written and adventurous pieces, without musically embarassing moments. Devil's playground features for example beautiful Mellotron parts, and some great vocals by Daniel Gildenlöw. On the other hand I could do easily without Monkey business, Rollin' the Dice, Man Overboard, Vox Humana and The Navigator, to name a few. Although I have a soft spot an alternate version of The Navigator called Solitary Shell (It has nothing to do with the Dream Theater track) it has better arrangements, and it is shorter, 2 and a half minutes from this balladesque music is just fine. So mastermind Roine Stolt and his crew certainly have talent to write some wonderful music, but unfortunately focus and restraint are not the keywords of this album. I would rate a well-edited 65-70 minutes long version of Unfold the Future with 5 stars, but I can't rate with more than 3 stars the existing Unfold the Future.
 Nude by CAMEL album cover Studio Album, 1981
3.61 | 659 ratings

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Nude
Camel Symphonic Prog

Review by KolbiterProg

4 stars Nude is a conceptual album, like many in the Progressive Rock scene, but it has to be analyzed by its different aspects, the musical composition, the originality, the depth of the theme. The first time I listened to it, I was fascinated by Andy Latimer's melodies that showed a deep connection with the story that makes up his concept. In the end, it shows us a story with the sensitivity that impresses on the music and the history written in the lyrics. Well, to the subject, Nude tells us the story of a Japanese soldier at the time of the Second World War. The album begins with the experience of living in a country like Japan at that time, calling on the armed forces to fulfill their country and sees in its own flesh the horrors of war on an island in the Pacific. These horrors paralyze him and make him lose his sense, which he recovers perhaps days later. To his surprise, he is alone on a deserted island, he was simply so indispensable, he did not figure or maybe if, like a low in the Japanese army. History takes its turn, he has to stay there and follow the rules that were established, to fulfill his duty, hoping that help will soon arrive to take him with them. This was a real story of that soldier, Hiroo Onoda who spent 30 years on an island, thinking that the war was still going on. It shows the human side of a soldier who, being only one piece on a huge board in that war, was ignored and left to his fate. Musically it is very well done, in my particular taste Drafted and Lies are my favorite, but it really is to listen complete. I liked it a lot as they carry a style of narrating a story with a very good development and in the end the climax and resolution that leave us the message of the album.
 Heaven & Earth by YES album cover Studio Album, 2014
2.38 | 500 ratings

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Heaven & Earth
Yes Symphonic Prog

Review by dosware

3 stars As a hardcore prog and YES fan, I am surprised they released a decidedly non-prog album. I can empathize with the disappointment voiced by many long time fans of Yes- the archetype of Prog. And that's where my criticism ends.

After my initial WTF experience hearing this mostly sedate and decidedly non-prog album, I realized there was something else unique and artistic happening here. I keep listening to this album- not primarily as a prog fan, but as a fan of emotional and complex pop music long gone from the airwaves. YES remain great songwriters, composing amazing hooks with top production- this album puts current popular music to shame. There is not a bad track on this album.

This is Yes's most innovative album since Drama.

 Supernatural Highways by ROCKET SCIENTISTS album cover Singles/EPs/Fan Club/Promo, 2014
4.10 | 21 ratings

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Supernatural Highways
Rocket Scientists Symphonic Prog

Review by genbanks

5 stars When I read for the first time about this new work of the Rocket Scientists, I thought that the title of the 'lbum was so nice, just ask myself 'which kind of music could be with that title?', seems to fit perfectly with the band's concept'and just was by this way, and well'just a masterpiece, unless for me. The main thing is an instrumental epic of 26 minutes, (Traveler on the Supernatural Highways) that past so fast that you would want more and more. The theme it is not tracked in the CD, but has seven parts, well defined in the booklet. I will describe part by part. The fact is that if you (as I guess) did not make never a trip on a Supernatural Highway, this music is the opportunity to do it! First part (6:38 minutes) starts with a bass synthesizer motive, and over this, since the very beginning, the epic feeling is there, the melody and the rhythm section are typical Norlander and sound great. I just imagine the travelers or the traveler on this trip, what they see at the sides of the highway, or what they perceive on the horizon... The melody repeats on this first part but evolving over itself, just amazing. On the second part (3.44 minuttes), the epic sensation seems to increase as the melody take another round but with a different approach, and the overall track becomes more dynamic' the trip seems to be more adventure now, a true epic trip. Suddenly seems to take a breath and flows into a peaceful section on the part three (1.26 minutes), which gets over an amazing rhythm section, with a beautiful synthesizer melody, until everything seems to stop. But just starts again, now with an almost romantic piano motive, great for Norlander! (Part 4 2:14 minutes) Since then the piece starts to flow to something more rhytmycal, less symphonic and more eclectic. That's Part 5 (3:19 minutes). I can see Don Schiff work here, with his distinctive stick sound. What happens? The trip gets into something darker maybe or less enjoyable? As if something is altering the travelers'and this sensation persists into the Part 6 (1:52 minutes) too, but now with a more intense job of the synths and guitar. Finally the trip seems to pass this moment and slowly returns to the epic context (Part 7 6:53 minutes), but now with the electric guitar there. But the epic feeling becomes more ethereous now till the end, and I can imagine myself seeing the travelers disappear on the far distance, into the clouds, maybe to another dimension? Just Wow! The second track, is a little gem for me, a great cover. Reading the booklet, Norlander says that Marc McCrite, the guitarist and singer of the band was always a fan of John Barry, the soundtracks maker of James Bond series. The guys get into a cover of 'On her majesty's secrets service' from the same title movie, an instrumental piece with true winds! Trumpets and trombones'and the result is stunning again. Just an EP, but sounds great, personally I love this album, is progrock from A to Z. Not virtuous, but atmospheric and epic. Highly recommended.
 Yondo by KARDA ESTRA album cover Singles/EPs/Fan Club/Promo, 2015
5.00 | 2 ratings

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Yondo
Karda Estra Symphonic Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Yondo' is one of those rare things, namely it is a digital single, and it's also free! Taken from the 'Time & Stars' album, Richard released it as a freebie Halloween special back in 2015 and never took it down so it's still available on Bandcamp for the bargain price of zero, nada, zip! Inspired by the weird story 'The Abominations Of Yondo' by Clark Ashton Smith', it features Richard Wileman (guitars, bass, keyboards, samples, percussion, effects) and Amy Fry (clarinet), and is a perfect example of why I love his music so much. It is deep, it is dramatic, cinematic, modern, dramatic and thought-provoking. If for some strange reason, you don't already own any Karda Estra albums then grab this five-minute-long piece of musical oddity and mastery. It's free!
 Works Vol. 2 by EMERSON LAKE & PALMER album cover Studio Album, 1977
2.39 | 554 ratings

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Works Vol. 2
Emerson Lake & Palmer Symphonic Prog

Review by Progfan97402

3 stars I was never much a fan of Works Vol. 1. That was maybe not a total trainwreck, but it clearly demonstrated ELP's fall from grace. I mean their egos must have been so big that they only bothered to perform together on exactly two songs: on side four, with each of the other sides focusing on solo material from each member. So it ends up a truly messy album, with too much messing about to make it worthwhile (and while I'm at it, I found the Beatles White Album vastly overrated, it too suffered with way too much messing about, but at least it had a lot of great classics, but bogged gown by a bunch of sappy McCartney stuff, and even Harrison's "Piggies" is easily the most insipid thing he did in the Beatles). So I compared Works Vol, 1 to the White Album, only worse (and ironically sporting a black cover). It didn't help that Keith Emerson decided to put the Moog and Hammond organ aside for this monster Yamaha GX-1 (the three keyboard predecessor to the CS series). So I didn't expect much out of Vol. 2 (truly, their "white album" as it sported a white cover). I was a bit surprised. Hardly a masterpiece, but this time just one disc to sit through, and luckily nothing as barf inducing as "Closer to Believing". "Tiger in a Spotlight", "Brain Salad Surgery", and even Greg Lake's Christmas favorite "I Believe in Father Christmas" are actually quite good, as well as "When The Apple Blossoms Bloom In The Windmills of Your Mind I'll Be Your Valentine". At least the nonsense on this album is Emereson messing about with ragtimes, including Scott Joplin's "Maple Leaf Rag". OK, so he's that skilled on piano to pull off ragtime, but it's best not wasted on an ELP record. Again, Emerson is still in love with that monster GX-1 at the expense of the Hammond organ and Moog, so if you didn't like what he did with it, you won't like it here. While hardly a masterpiece, I am in the minority that I enjoyed this one better than the first (usually Vol. 2 is regarded as inferior). So three stars (definitely nothing more) it is.
 Classic Yes by YES album cover Boxset/Compilation, 1981
3.80 | 167 ratings

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Classic Yes
Yes Symphonic Prog

Review by Lupton

4 stars I have mixed feelings about this album.Given that the intention presumably was to lure the casual fan, not including the studio version of Roundabout seems to me a huge mistake given that that track is arguably their defining moment. To me it is like leaving off "Stairway To Heaven" off a Led Zeppelin best-of.With a bit of tweaking, "Classic Yes" could have been a definitive compilation. Replace the inferior live versions of "Roundabout" and "Seen all Good People" and replace "Long Distance Roundabout/Fish" with "Going For The One" and I think this would have made this a 5 star album. As it is, "Classic Yes" is still an excellent overview of the band's unique brand of Progressive Rock and unlike later compilations, does not try to cover too much ground. Of course the album is worth owning for wonderful cover art by Roger Dean alone.
 Fanfare For The Common Man  by EMERSON LAKE & PALMER album cover Singles/EPs/Fan Club/Promo, 1977
2.94 | 16 ratings

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Fanfare For The Common Man
Emerson Lake & Palmer Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

1 stars Fanfare for brain salad

An edited version of Fanfare For The Common Man from the album Works Vol. 1 was released on this single in the same year as the album. The single version is reduced from almost 10 minutes in length to just under three minutes and ends with a rather lame fade-out just before the "noodling" begins. While it could be argued that the original version is a tad too long, this single version is surely too short.

The tune is possibly ELP's biggest "hit" and of course went on to become a live favourite and has been included on countless compilations and live albums over the years. It is however not a personal favourite of mine.

The b-side here is Brain Salad Surgery, a track that originally appeared on a special single given away for free with the magazine New Musical Express in 1973 to promote the then current album of the same name (that does not contain the song). The track appeared here for the first time on a commercial release but would later be included also on Works Vol. 2 and is now widely available as a bonus track on several of the CD reissues of the album Brain Salad Surgery.

The song itself is rather good, but it is a weird choice as a b-side for Fanfare For The Common Man given that the two songs are some four years apart.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANDERSON/STOLT Multi-National
ANGE France
ANGIPATCH France
ńNGLAGŇRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APH…LANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRň United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOS… CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
…TERNIT… Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FL‹GHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRŃGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
G.A.L.F. Brazil
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MIL NIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJ÷RN JOHANSSON Sweden
JORDSJō Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
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