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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes†the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something†easy to understand being that†most of the†classic and/or †pioneer†bands†released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by†Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being†that†their sound†is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's† (more precisely until the release of A Trick of the Tail), when the genre begins to† blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It†is important to remember that even though the creative peak of Symphonic Progressive†ended before the 80's,†we can find†a†second birth†in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because†these†bands†very rarely†played symphonies and was†probably used because the music that influenced the genre was†performed by Symphony Orchestras, but†it is†so†widely accepted†by the Progressive Rock community that†would be absurd and futile for†anybody to†attempt a change after so much time.

IvŠn Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

IvŠn Melgar Morey (IvŠn_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 4396 ratings
CLOSE TO THE EDGE
Yes
4.64 | 4081 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3548 ratings
FOXTROT
Genesis
4.45 | 3478 ratings
FRAGILE
Yes
4.41 | 3106 ratings
NURSERY CRYME
Genesis
4.39 | 2637 ratings
MIRAGE
Camel
4.37 | 3003 ratings
RELAYER
Yes
4.38 | 2246 ratings
MOONMADNESS
Camel
4.37 | 1690 ratings
HYBRIS
ńnglagŚrd
4.35 | 1281 ratings
SI ON AVAIT BESOIN D'UNE CINQUI»ME SAISON
Harmonium
4.30 | 2910 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2824 ratings
THE YES ALBUM
Yes
4.30 | 2261 ratings
THE SNOW GOOSE
Camel
4.42 | 604 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.28 | 2537 ratings
A TRICK OF THE TAIL
Genesis
4.32 | 1192 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.30 | 841 ratings
DEPOIS DO FIM
Bacamarte
4.23 | 2066 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.27 | 1074 ratings
VILJANS ÷GA
ńnglagŚrd
4.36 | 426 ratings
A DROP OF LIGHT
All Traps On Earth

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

WELCOME TO THE FREAKROOM
Shadow Circus
TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
S»VE QUI PEUT
Ange
ENTANGLED
Leitmotiv

Latest Symphonic Prog Music Reviews


 Birds Of Passage by KARFAGEN album cover Studio Album, 2020
4.30 | 56 ratings

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Birds Of Passage
Karfagen Symphonic Prog

Review by Thomas Stith

5 stars Symphonic Art Rock Pioneers Karfagen has released their 11th offering, "Birds of Passage" 01/2020... This album is phenomenal, a true genuine masterpiece by front man Antony Kalugin Keyboard wizard and composer! Here within "Birds of Passage" are 10 truly gifted musicians including Antony Kalugin, who has the ability to select the right musicians to capture the true essence of this extraordinary album. I have every album this musical entity has released and this very album is beyond anything else they have released. There are only four tracks on this album based on the poetry of Henry Wadsworth Longfellow and William Blake... The musical journey this album takes you on is beyond any horizon or galaxy you could ever imagine... The first track, Birds of Passage (part 1) 22:40 is the perfect beginning of this incredible journey which starts off low and slow and emerges with a yearning anticipation that something great is about to happen, and it does! The vocal harmonies brings with it a subtle gentle giant texture that is truly unique to the sound of KARFAGEN, and then all of the sudden you are transported into a YES like atmosphere... The brilliance of the guitar and keyboards are carried through out the tune with an astounding rhythm section, with violins and flutes and nylon stringed guitar... This whole album is tantalized with the full richness of a gorgeous electric guitar a nylon stringed guitar, violins and bassoon, a rich bass and drums.... The second tune, Birds of Passage (part 2) at 21:11... Starts off with a solo nylon string guitar with the keyboards softly emerging in ever so unsuspecting and then the violin and electric guitar greets the pounding of the drums... This is an absolutely beautiful album, with so much richness that it seems almost impossible to imagine it could even exist. There are many twists and turns all along the way with captivating vocals and harmonies, with the atmosphere so inviting... Then track 3, ( 4:34) the first of 2 bonus tunes. " Spring" (Birds delight)... Well this is a delight, Antony's incredible keyboards and vocals with his wonderful backup vocals are just truly beautiful, with this upbeat tune with singing guitar and wonderful texture with that familiar Karfagen touch.. the vocals are truly amazing on this track... And the final track, #4 (5:33) "Sunrise", this may be Karfagen's most beautiful song to date, a beautiful nylon stringed guitar intro with a beautiful flute with some native american flute blended within, creates an unbelievable atmospheric mood that is enhanced by a wonderful chorus... I am covered with goosebumps just typing this as I listen... Antony's incredible keyboards are simply amazing as the song ends... You've got to get this incredible album! Thank you Anthony, you have really done it this time my friend, Thank you so very much for this incredible music! BRAVO!
 Isildurs Bane & Steve Hogarth: Colours Not Found In Nature by ISILDURS BANE album cover Studio Album, 2017
3.75 | 64 ratings

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Isildurs Bane & Steve Hogarth: Colours Not Found In Nature
Isildurs Bane Symphonic Prog

Review by friso
Prog Reviewer

4 stars One would think that a project of the Swedish chamber-symphonic rock band Isildurs Bane with Marillion's frontman Steve Hogarth would get more attention in progressive circles. The music offered here deserves our full attention. I myself was drawn to this album because I loved the Isildurs Bane with Peter Hammill project 'In Amazonia' and learned to appriciate Steve Hogarth's vocals whilst recently listening to Marillion's 'F.E.A.R.' LP.

On this album the sound of Isildurs Bane is a mix of chamber music (great variety in wind and string instruments), world music (especially those violins), adult rock and symphonic rock. Some moments cast that acoustic beauty of Sigur Ros at their finest, whilst other moments remind us of the less electric compositions of Marillion in recent years. The arrangements are all filled with great musical detail, suprising sounds and original combinations of instruments. Steve Hogarth has written lyrics that enable him to perform in his most story-telling fashion, which suits the imaganitive music very well. His vocals stand out as particularly honest and 'in the room'. The result is a very listenable, yet complex album with a very adult feel to it. The songs are well-written; I guess they could have been performed with significantly less rich instrumentations without loosing their potency. My only complaint is that most songs tap in that same artistic / sensitive / emotional atmosphere. The final song 'Incandescent' brings a significant change in moods that could have been introduces earlier on in my opinion. Still a great high-quality album though!

I would recommend 'Colours Not Found in Nature' to all listeners with a slightly wider defenition of progressive music. This could even be an interesting record for music fans in general.

 Nostradamus 2.0 - Returnity by SOLARIS album cover Studio Album, 2019
4.20 | 46 ratings

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Nostradamus 2.0 - Returnity
Solaris Symphonic Prog

Review by kitar01

5 stars If you already know the masterpiece (yes, masterpiece) Nostradamus Book of Secrets you will find here the same melodies, the same compositional vein, the same listening pleasure. How many times do we find boring prog albums? Here virtuosity is at home, the exaltation passes from song to song, and from musical phrase to phrase within the same song, always new ideas continuously! And always keeping on the variation of a melodic background vein. Fantastic. 5 stars. Between the two Nostradamus Book of Secrets remains superior in the degree of emotional involvement that it is capable of arousing: his melodies for me remain unmatched and it is one of the prog records that I love most of all, this 2.0 Returnity despite being on the same style is slightly lower. But always a great album. 5 stars.
 ...And Then There Were Three... by GENESIS album cover Studio Album, 1978
3.44 | 1415 ratings

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...And Then There Were Three...
Genesis Symphonic Prog

Review by Sidscrat

3 stars Until they released Duke, I was always behind on the album releases and I never heard them in order. W&W was the first album I ever heard in 1978 and I was instantly amazed and prog rock became my staple and Genesis was The Band. I went back and heard the catalog and that love grew. Apocalypse in 9/8 was epic since I am an instrumentalist at heart. Collins said that after Gabriel's departure he suggested the band become an instrumental unit and I would have been fine with that.

My favorite period will always be the Hackett years. He is a very unique guitarist and his work was essential to the band. It was sad when his contributions were not better received. Songs from Please Don't Touch were offered up which Genesis would have been great at but ended up released in sync with ATTWT. Had Steve stayed the next Genesis offering would have been different and probably would have further refined the 4 piece.

By the time I heard ATTWT, I had been ready for the next awesome entry of rich prog and lengthy instrumentals. But to no avail. I feel it was a mistake for Genesis not to hire a new lead guitarist to replace Hackett (Daryl Stuermer would have been great). I have long admired Mike's talent on bass and have considered him one of the all time best and he is great of a 12 string as rhythm but as a lead he is sorely lacking.

All that being said I was disappointed in this album but like all Genesis fans I looked for the gems and there are some for sure. The opening Down & Out is explosive and thick and that started the first song they did where the bass line pounded out 1 note. Abacab and Behind The Lines later followed this line on bass pedals. D&O was a great way to start the album. I did like most of the songs in some way. Snowblind I thought was intense and unique.

Side 2 started with Motherlode which reminded me of In A Mouse's Night to a degree instrumentally. The best prog track on the album for me was Burning Rope. I was surprised by Mike's solo that it was fairly decent and when Banks keys come crashi8ng in at the end it is a bit of a hair raiser.

When Follow You comes on, it is reminiscent of the end of W&W Afterglow. I knew then that we could be seeing the band start eyeing a pop transition but like so many, I had hope it would never happen.

While I was disappointed in the album, I think part of it had to do with Steve being gone and his departure shows in the music. But overall it was a decent entry for them dropping to 3 members. Sadly this album is the beginning of the end of Genesis for me.

 Duke by GENESIS album cover Studio Album, 1980
3.50 | 1421 ratings

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Duke
Genesis Symphonic Prog

Review by Sidscrat

2 stars Genesis has been my all-time favorite band since I first heard W&W in 1978. The Hackett years are the best with Foxtrot being my favorite. I am an instrumentalist at heart and after hearing Apocalypse In 9/8 I was addicted to them. For me, ATTWT was the beginning of the end of Genesis as they had been. It was an okay album but lacked so much. When Duke came out I was hopeful they would include something far deeper. They did BUT wow! It is drenched in pop which is like 5" fingernails ripping down a chalkboard at 30 below zero for me. Non-Genesis tracks abound.

The opening track is lackluster instrumentation at best. Turn It on is a repetitive time eater that just seems like bad filler. The love songs just kill it for me. Collins was the one who after Gabriel left wanted to turn the band into an instrumental act and here he became the pop icon of the 80's! I did like the beginning of Duchess & the song itself is good as Collin's voice blended well. There was some hope with Man Of Our Times & Cul-De-Sac but I had lost most of my hope until?. Duke's Travels. That was a nuclear explosion of old Genesis instrumental genius. Banks was at his best and Collin's drums are explosive along with Rutherford's tight bass. Mike is a fantastic bassist but not a lead guitarist so Banks' sound ends up dominant on that album.

That track and Duke's End truly marked the end of "My" Genesis. I have the 3-man albums that followed including Stations and while there are a few tracks here and there that are acceptable it is obvious they no longer had much of an interest in turning out solid progressive work.

 Birds Of Passage by KARFAGEN album cover Studio Album, 2020
4.30 | 56 ratings

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Birds Of Passage
Karfagen Symphonic Prog

Review by ale73

4 stars When you deal with a new album by Antony Kalugin and his bands you never know what to expect. His music is often multiform and rich of many facets.

But this time there are no big surprise, as he chose to follow a linear path and continue what he began with "Echoes from within dragon island" only one year ago. And his choice pays very well, as "Birds of passage" is really great music. Like for the previous album, the core is consisting of long suites, two of them in this case. They are named with the title of the album itself. Each one is more than 20 minute long, but they flow fluently thanks to their complexity, variety and catchiness: I would say that one of the main qualities of Antony is the capability of writing melodies you can sing in a shower even in the most complex song, and it makes of him a great prog composer.

There are two more songs to complete the album: "Spring" is a shorter piece based on a William Blake poem; "Sunrise" is an instrumental that I am fond of, with its elegiac, peaceful atmosphere, backed by a lovely flute.

In the end, I would say this new work is a shining piece of symphonic prog, characterised by an extraordinary intensity and positive vibes. As always Antony is sorrounded by skilled musicians, that are able to make the most of his compositions. A mention to the production as well: the sound is clear in each single part and the intricate interactions by instrumentation and voice are perfectly audible throughout the whole work. And again as always, the package and the cover art are very nice in every detail.

 Don't Panic by IZZ album cover Studio Album, 2019
4.01 | 168 ratings

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Don't Panic
Izz Symphonic Prog

Review by friso
Prog Reviewer

3 stars This album by the American group IZZ has risen to the top of 2019's charts, which is easy to understand. That is, if you are a YES fan.

To me that represents playing lots of notes without creating any potent harmonies or melodies that have a story to tell. Like, for instance, the frantic opening of 'Close to the Edge'. To others these intricate noodling progressions might represent progressive rock at its best. The YES influences are almost everywhere, even influencing the vocals harmonies (the band has multiple singers) that are often quite flat as a result. The lyrics are given a dominant place in the music and having read them (on the lyrical sheet of the vinyl) I must admit I can't quite make up what they are even supposed to mean. As if they refer to some 'inside' knowlegde, for instance with the significance of the number '42' - which also is the title of the eighteen minute centerpiece. The acoustic piece 'Six String Theory' has a nice ring to it, but I fail to see how it fits in with this otherwise fully electric album.

Having said this, there are also some Gentle Giant influences on display, which I like. Furthermore, the killer instrumental track 'Moment of Inertia' on side two ought to impress listeners of all progressive traditions. The track sounds nothing like the others and sees the band building up nice amounts of energy. The final song 'Age of the Stars' sounds like a continuation and conclusion of the epic ('42') of the album. The 'Don't panic, don't panic' vocals are a rather dull ending section and the album finished abruptly.

The production of this album sounds a bit flat, but that might also be because of a rather poor vinyl pressing (which I noticed happening before with a Major Parkinson vinyl). Perhaps cd / digital sound better. I was thinking about rating this two stars, but the album was saved by the ten minutes of 'Moment of Inertia' - which I do like.

 Nattfiolen by JORDSJō album cover Studio Album, 2019
4.07 | 173 ratings

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Nattfiolen
JordsjÝ Symphonic Prog

Review by friso
Prog Reviewer

5 stars Take the most mystical moments of Camel's 'Mirage' album, add some of that artistic/authentic PFM songwriting, a bit of Robert Fripp's clean jazz-guitar tone, some haunting flutes in the minor-6 vibe, and finally some moody nordic folk singing and you'll know what to expact from this release of the Norwegian group Jordsjo. To my knowlegde this is the most imaginative and honest sounding retro-prog effort ever made. It captures that moments of seventies prog where the atmospheric power and instrumental story telling was at its most potent. The amount of musical ideas offered on this fourty minute record is quite high, yet the band keeps their medium long compositions meaningful and descriptive of distinct atmospheres. The very skilled musicians of Jordsjo have an amazing interplay - the way vocals, flutes, jazz-guitar (love that tone!) and organ/mellotron change lead feels almost like a dance. Moreover, the band has an amazing timing for when to introduce an new theme. A final compliment for the mix on this record. 'Nattfiolen' has THAT sound. That warm, mysterious, lively and almost unhumanly perfect sound. The gatefold sleeve of the vinyl edition is beatifully designed and adds to the listening experience.

In my opinion this album should not only be consideres a top 3 record of 2019 (with 'Resistance' and 'Amazonia'), but also among the best retro-prog efforts of the 21th century. Much more lively and grasping than - for instance - Anglagard or Wobbler.

 The Princess Of Kingdom Gone by MUGEN album cover Studio Album, 1988
3.33 | 17 ratings

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The Princess Of Kingdom Gone
Mugen Symphonic Prog

Review by Warthur
Prog Reviewer

4 stars Mugen's third and final album follows much the same musical approach as their first - offering a blend of delicate symphonic-flavoured prog with the sort of melancholic, melodic pop-classical soundtrack stuff which Western audiences might recognise as being the sort of music a lot of anime soundtracks are built on.

As I said in my review of the debut, you could see this sort of stylistic blend as the same sort of experiment as the development of neo-prog in the UK, since both involve combining earlier prog sounds with more popular modern genres and using a 1980s aesthetic with the keyboards. On the whole, it's delightful music to daydream to in the background - heck, perhaps that's what the ladies on the cover are doing.

 Recuerdos De Mi Tierra by MEZQUITA album cover Studio Album, 1979
4.06 | 130 ratings

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Recuerdos De Mi Tierra
Mezquita Symphonic Prog

Review by Warthur
Prog Reviewer

4 stars Mezquita were part of the Andalusian rock wave which arose in Spain during the late 1970s. Testing the limits of official restrictions on artistic expression in the late days of the Franco regime, the Andalusian rock groups would seize the opportunity arising from the end of the Francoist era and the restoration of democratic freedoms to really take their art forwards.

Mezquita's debut album finds them drinking deeply of their new freedoms. The band had chugged along under the Franco years as the psych-influenced unit Expresi'n, but the renaming here fits their new sound - for Mezquita is Spanish for "Mosque", and the album celebrates the rich heritage of cultural mingling between different religious faiths which was a strong feature of much Spanish history (and an aspect that the hardline Catholic Franco regime was disinclined to honour).

As you might expect, then, there's a certain note of Arabic music influencing proceedings here, particularly that of North Africa, as well as a blend of progressive rock (I smell hints of Relayer-era Yes, especially in the keyboard work), flamenco, and jazz fusion. (The blending of traditional Spanish music and jazz-rock puts me in mind at points of early Return to Forever.) It's a real melting pot of musical influences to reflect the melting pot of Spanish history, which is presumably precisely the band's intention, and the end result is an excellent blend.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
35 TAPES Norway
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALL TRAPS ON EARTH Sweden
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON - BRUFORD - WAKEMAN - HOWE United Kingdom
ANDERSON / STOLT Multi-National
ANGE France
ANGIPATCH France
ńNGLAGŇRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APH…LANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ARS PRO VITA Brazil
ART IN AMERICA United States
ASA DE LUZ Brazil
XAVIER ASALI Mexico
ASIA MINOR Turkey
ASTRň United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU / HOLLOWSCENE Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BILL BRESSLER United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
CARAVELA ESCARLATE Brazil
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOS… CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLEARLIGHT France
CODA Netherlands
C”DICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS AND CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
CZYSZY Poland
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIEMEL Argentina
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
…TERNIT… Canada
ETHOS United States
EVERFRIEND United States
EX-LIBRIS Canada
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
JAROD FEDELE United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FL‹GHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRŃGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP United Kingdom
FUSONIC Netherlands
G.A.L.F. Brazil
GALASPHERE 347 Multi-National
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
G“TIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HOT FLASH United States
HYACINTUS Argentina
I.C.U. Germany
III MIL NIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INDIGO Germany
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
IRON DUKE Denmark
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJ÷RN JOHANSSON Sweden
JORDSJō Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOGAION Romania
KORNMO Norway
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
LŃQUESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEGACY PILOTS Germany
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
PńR LINDH AND BJ÷RN JOHANSSON Sweden
PńR LINDH PROJECT Sweden
LITTLE TRAGEDIES Russia
CAILYN LLOYD United States
THE LOAD United States
LOCH NESS Brazil
LORD FLIMNAP Israel
M-OPUS Ireland
DUNCAN MACKAY United Kingdom
MADAME CLAUS Argentina
MADISON DYKE Germany
MAGDALENA Japan
MAGIC PIE Norway
MAGIC SPELL Switzerland
NICK MAGNUS United Kingdom
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