Progarchives, the progressive rock ultimate discography

SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 01/01/2015

Iván Melgar Morey (Iván_Melgar_M)
Scott Tuffnell (AtomicCrimsonRush)
Anton Fritz (SouthSideoftheSky)
H.T. Riekels (bhikkhu)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3645 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3375 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.61 | 2919 ratings
FOXTROT
Genesis
4.43 | 2847 ratings
FRAGILE
Yes
4.41 | 2538 ratings
NURSERY CRYME
Genesis
4.39 | 2094 ratings
MIRAGE
Camel
4.38 | 1808 ratings
MOONMADNESS
Camel
4.39 | 1395 ratings
HYBRIS
Änglagård
4.36 | 2450 ratings
RELAYER
Yes
4.36 | 1037 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2378 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2291 ratings
THE YES ALBUM
Yes
4.28 | 1835 ratings
THE SNOW GOOSE
Camel
4.27 | 2059 ratings
A TRICK OF THE TAIL
Genesis
4.33 | 695 ratings
DEPOIS DO FIM
Bacamarte
4.30 | 924 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.24 | 1638 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.26 | 859 ratings
VILJANS ÖGA
Änglagård
4.25 | 813 ratings
HAMBURGER CONCERTO
Focus
4.21 | 832 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

L'ARBRE-CIMETIÈRE
Maldoror
WELCOME TO THE FREAKROOM
Shadow Circus
THE MOST BEAUTIFUL DAY
Exodus
NOCHE ABIERTA
Cai

Download (Stream) Free Symphonic Prog MP3


Open player in a new window

Download (Stream) Free Symphonic Prog MP3

Latest Symphonic Prog Music Reviews


 The Silent Sun / That's Me by GENESIS album cover Singles/EPs/Fan Club/Promo, 1968
2.56 | 27 ratings

BUY
The Silent Sun / That's Me
Genesis Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Contrary to many people here on PA, I do love Genesis first album. Even more so when I found out they had never played live as a group before (and very little otherwise too). They were special from the very beginning. The Silent Sun was their first single. Legend has it that they wrote this song to please their producer Jonathan King, who was a fan of the Bee Gees, hence the similarities of this track with the Gibb brothers stuff (King denies such story). Whatever the truth, Silent Sun does remind a lot of Bee Gees early stuff, and it is a nice ballad, a good start for such new and inexperienced guys: fine piano intro, good melody line, typical string arrangement of the time. Nothing spectacular, but good for starters.

The thing that surprised me the most on this one was its flip side, That´s Me. Gabriel sings surprisingly confident and makes a dramatic deliver hat gives us a glimpse of his enormous talent. The track itself is also an example of what was very common at the late 60´s, but again they showed competence and guts. I specially liked the short electric guitar solo (Anthony Phillips or a studio guitar player? It does not sound like him). A nice find.

All in all not a bad single for those youngsters. It´s very good to hear their humble beginnings. Who could tell then they would go so far? But it´s easy to perceive they were talented and only had to mature both their musical and songwriting skills. Thank God they did!

 Twilight Alehouse  by GENESIS album cover Singles/EPs/Fan Club/Promo, 1973
4.04 | 61 ratings

BUY
Twilight Alehouse
Genesis Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Another Gabriel-era Genesis rarety. It was never recorded on any of their official albums, although it did get official release as a b-side of the I Know What I like single (UK only, I guess). This original version is slightly different from the one released the box Genesis Archive 1967-1975 (on that boxset it was remixed and had some guitar parts added). It was an old song, and it was part of their live repertoire for years (a live on the studio version is available on youtube as part of their famous TV show in Brussels, Belgium, 1972). Although a much more elaborated song than the other obscure bside like Happy The Man, it is easy to tell why it remained a non lp track: the song does not have a memorable melody line nor the great build up that made others, like The Musical Box, so engaging. At almost eight minutes, it does have some fine parts, with all the right things that made Genesis famous (chiming 12 string guitars, haunting organ bits, nice flute, fairy tale lyrics and so on), but it simply comes up as something unfinished, just a bunch of ideas thrown in without much care for the whole. A good "b side" indeed!

Rating: as anything Genesis released in the early days, this is not crap. It is still interesting, specially for Genesis fanatics like me,. But it is still also not really essential in any way., 3 stars.

 Grander Vision by RELAYER album cover Studio Album, 1994
3.18 | 12 ratings

BUY
Grander Vision
Relayer Symphonic Prog

Review by maryes

4 stars Although the first album from North-American band RELAYER "Grander Vision" has the lower quotation between his discography in P A, I consider their more consistent work ! This consideration is intimately linked to the fact of more easy interaction of various musical parts that compounds each track from this album ( fact that I don't feel so easily in their next works). The music is filled by countless influences, as for instance YES, GENESIS, RUSH and some others in small scale. The first track "Anyone" is a theme mainly influenced by RUSH and their more heavy counterpart TILES, the guitar clearly influenced by Alex Lifesson' ( is enough listen RUSH's track "Subdivisions" guitar solo). the track 2 "Grander Vision" is a beautiful symphonic prog tune in YES/GENESIS musical construction and maybe the best track of the album. The Track 3 is a "nervous" ballad , where keyboards mixing Wakeman/Banks and Styx's keyboardist Dennis de Young style with detach. The last track " Wire Mill Scars " is very close by GENESIS, due some vocal parts, but , the guitars sounds again like Lifesson's style. My rate is 4 stars !!!
 Upon Darkened Stains by ANIMA MORTE album cover Studio Album, 2014
3.69 | 27 ratings

BUY
Upon Darkened Stains
Anima Morte Symphonic Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Swedish quartet ANIMA MORTE first appeared on the scene with the album "Face the Sea of Darkness", released three years after the band's formation in 2004. A further two EPs and two more full length albums have been created by this foursome since then. "Upon Darkened Stains" dates back to 2014, and was released through Swedish label Transubstans Records towards the end of the year.

Anima Morte explicitly states that a key inspiration for them are Italian bands such as Goblin and Fabio Frizzi, just as well known for creating music to be used as movie scores as they are in the creation of material to be enjoyed as standalone productions aimed at a music interested audience. And if not on anything else, the manner in which the songs develop on this album has a lot in common with movies, especially the manner in which they will ebb and flow in mood and intensity, often concluding with a more careful epilogue. There are some distinct dynamics at play here that most likely will fascinate those with a strong affection for moving pictures.

The musical side things here are rather firmly situated inside the symphonic part of the progressive rock universe. Layered arrangements featuring mainly vintage sounding keyboards, organ and Mellotron is an ongoing feature, and as mentioned just about always used in a strong ebb and flow context. On some occasions with a fairly seamless flow, the arrangements gradually ascending and descending in intensity, on other occasions building up to a more forceful crescendo and then returning to a more delicate beginning point again, in some cases using sudden shifts for a more poignant dramatic effect to crystallize. The common denominator in just about all songs here is a dark atmosphere, where words like melancholic and mournful are just as appropriate as brooding, haunting and ominous. All depending on intensity. The most intense and dramatic passages will feature dark toned Mellotron effects, vintage keyboards in harmonic resonance, majestic organ surges and dark toned guitar details adding depth and an undercurrent of darkness to an already almost oppressive landscape. But even when the arrangements are light toned and delicate there's something of a ghostly, nervous sheen to the proceedings, and both piano and percussion details are used to good effect to create unnerving moods by way of subtle effects. Even in the rare instances where the guitar is given a more prominent and dominant role the band manage to conjure atmospheres of this nature, as exemplified quite nicely on a track like Isomorphia.

Instrumental progressive rock of the symphonic variety is what Anima Morte provides, but in a manner that will resonate best among those with a taste for the darker side of progressive rock as far as mood and atmosphere is concerned. I guess a certain taste for a band like aforementioned Goblin might be an advantage to be able to enjoy this album, as will an affection for music that more or less closely follow the dynamics of a movie in terms of development. Those who can recognize their taste in music from such a description should know their visiting time when it comes to this band and this album.

 Selling England By The Pound by GENESIS album cover Studio Album, 1973
4.63 | 3375 ratings

BUY
Selling England By The Pound
Genesis Symphonic Prog

Review by Magnum Vaeltaja

4 stars No introduction needs to be made for this album. We all know it's a concept album and it's by Genesis and it's called Selling England by The Pound and 1973 and yadda yadda ya whatever other content you've read from the past thousand reviews this album has. So I'll cut to the chase and get to my rating and my rationale.

This is a flawed album. There's no doubt about it. "Dancing With The Moonlit Knight" and "The Cinema Show" are both very strong tracks, with great instrumental performances, intelligent composition and bounding with energy. "Firth of Fifth" is an undisputed masterpiece of the Genesis catalog, with atmospheric and moving instrumental parts. The other five songs on the album range from good but nothing special in the case of "After The Ordeal" to bland and overly lengthy in the case of "The Battle of Epping Forest". Altogether we find ourselves with about 10 minutes of perfect music, 20 minutes of very good music and 20 minutes of inconsistent music. In spite of the album's flaws, I'll give it four stars; an excellent addition to any prog rock collection, because that's what it is. No prog collection would be complete without "Firth of Fifth" but Selling England is no masterpiece with as much filler as it has. To end with a quatrain: "An injustice to rate it less, an injustice to rate it more, hence my decision to give it stars, a quantity of four".

 Aspirant Sunset by WAKEMAN, RICK album cover Studio Album, 1991
1.88 | 21 ratings

BUY
Aspirant Sunset
Rick Wakeman Symphonic Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars Ten years have passed since I wrote the review of Aspirant Sunrise, which is the first of a trilogy of "Aspirant" albums keyboard wizard Rick Wakeman created in a prolific 1991 year. And now I am writing this review because I am having once again a journey through some of his forgotten albums (at least to me) I own and don't really use to play regularly. As you can imagine,, judging by my nickname, I am a huge fan of Rick Wakeman, I love his solo masterpieces, his work with Yes, his customs, his sense of humor and lots of things, however, it is undeniable he has released several regular albums that are far from being memorable, and I don't mean to be harsh, because I do enjoy this trilogy, but I believe his new age explorations are closer to oblivion than to excitement.

Aspirant Sunset is actually a nice new age album, but we all knew him due to his progressive rock works, so it is normal to find these unexpected releases as boring, different, unattractive. In this album he offers almost an hour of solo music (there are no lyrics, no other musicians, just himself and his keyboards) divided on 10 tracks purely fulfilled by new age sounds and atmospheres. All with a soft sound, peaceful and relaxing, so if you are in need of a moment of introspection and peace, you may play this album, sit comfortable, close your eyes and have a deep breath. It will help.

Besides this "therapeutic" use, I find the album difficult to enjoy on a regular basis, it is like one long song divided in 10 chapters, but the sound is practically the same in each track. If you like new age or need a dose of tranquility, I would recommend this to you, otherwise, don't even try to get it because you might be disappointed.

Anyway? enjoy it!

 Mirage by CAMEL album cover Studio Album, 1974
4.39 | 2094 ratings

BUY
Mirage
Camel Symphonic Prog

Review by VianaProghead

5 stars Review Nº 55

Sincerely, I always considered that Camel is an underrated progressive band among the greatest bands of the 70's. Probably it was mainly due to the Andrew Latimer's voice. Latimer is the main vocalist of the band despite that is true that he never was a true vocalist and that he has a very strong and deep voice. Still, Latimer always knew it, and because of that, many of Camel's songs are mainly instrumentals. This was one of the things that made of Camel a truly unique band in the progressive rock scene. On the other hand, he was never considered one of the greatest guitarists of the 70's, which is, in my humble opinion, very unfair. Probably, he isn't one of the most virtuous guitarists, but he is, for sure, a guitarist who knows very well how to create a unique and unmistakable sound with his guitar. His guitar style is still appreciated by many other guitarists, even in our days, like Mikael Akerfeldt of Opeth.

And now, a curious story about Camel and "Mirage". Camel was involved in some controversy with the American brand of Camel cigarettes. We can clearly see the similarities between the album cover of "Mirage" and a pack of Camel cigarettes. As the peak period of the advertisement of the brand cigarettes, that had a picture of a camel smoking, coincided with the peak period of the release of "Mirage", the album was boycotted by some anti- smokers.

"Mirage" is the Camel's second studio album and was released in 1974. It became as one of the group's most acclaimed albums. "Mirage" is probably the album that best illustrates the main features of the band, already mentioned by me above, which are undoubtedly, quality, simplicity and beauty. This is the album where Camel begins to develop their own distinctive sound with some intricate rhythms and the wonderful and unpredictable instrumental exchanges made by the two mainly songwriters of the band Latimer and Peter Bardens.

"Mirage" has five tracks. The first track "Freefall" written by Bardens is almost an instrumental song largely dominated by the Latimer's guitar and with nice musical moments performed by Bardens' keyboards, very well supported by an inventive bass and a dynamic drumming work. This song is influenced by diverse styles of music and the melody is excellent. The second track "Supertwister", also written by Bardens, is the nice and most peaceful song on the album. It's a great instrumental track partially dominated by a great flute work of Latimer. With this song, Latimer proved that he is a great flute player too. The third track "Nimrodel/The Procession/The White Rider" written by Latimer is one of the two multi-part epic songs on the album. This song is based on the book "The Lord Of The Rings" written by J. R. R. Tolkien. This is one of the best songs on the album with its frequent time changes and musical soundscapes, which carries the theme to an exceptional symphonic climax by the band. The fourth track "Earthrise" written by Latimer and Bardens is a very nice instrumental track with a frenetic middle section with Latimer's guitar and Bardens' keyboards. It's the second instrumental track of the album and it's probably one of the best and finest instrumentals ever made by them. The fifth track "Lady Fantasy" is divided into three parts: "Encounter", "Smiles For You" and "Lady Fantasy". It's the only track written by all band members and represents the other multi-part epic song of the album. Usually, this is the most celebrated song on this album and one of the most famous songs released by Camel. This track contains one of the most progressive songs made by them and is a very good example why Camel is one of the best and most respected bands in the progressive rock universe. Here we can clearly see how Camel has influenced Akerfeldt.

Conclusion: In my humble opinion, "Mirage" is with "The Snow Goose" and "Moonmadness" the three greatest masterpieces from the group. But, despite I choose in the first place "Moonmadness" followed by "The Snow Goose", I consider "Mirage" the most simple, pure, naïve and unpretentious of all Camel's studio albums. It might be even its best work. Every moment of every song on "Mirage" is to be treasured and every musical note is perfectly placed. The album is composed of two epics, but the seamless track flow, unifying theme, and harmonious sound, all make the album feel like a real masterpiece. The album showcases an uncanny ability for melody, in which the songs with no lyrics or words to them will have you creating stories in your own mind to fit the real mood. "Mirage" is an essential progressive rock classic album. With also the releases of "The Lamb Lies Down On Broadway" of Genesis, "Relayer" of Yes, "Red" of King Crimson and "The Power And The Glory" of Gentle Giant, only to mention some of the most important progressive musical releases in 1974, this was undoubtedly an amazing year for the progressive rock music. With "Mirage", Camel becomes one of the greatest and most respected progressive rock groups. If you really like of good progressive music and you don't have this album yet, do yourself a favour and get "Mirage" as soon as possible.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Waters of Change  by BEGGARS OPERA album cover Studio Album, 1971
3.60 | 146 ratings

BUY
Waters of Change
Beggars Opera Symphonic Prog

Review by Atavachron
Special Collaborator Honorary Collaborator

4 stars Like entering a great and ancient abbey, the second long-player from the legendary Scots is an intriguing, sometimes haunting collection of treasures and despite (or perhaps with the help of) Martin Griffiths' melodramatic moaning, gives us one of the most heartfelt and fully textured records in progressive rock's early history. As though almost literally plucked from time, Waters of Change has soul, man, and porously exudes the brown, peaty atmosphere of a crumbling but vital Scottish estate complete with graveyard, thick fog, and the ghosts of the restless. It is one of a kind.

New member Virginia Scott's 'tron grinds open 'Time Machine' and everything knits together like that of a group who'd been together for many years, melodic, uptempo and taking from the best of British rock, folk and Pop. Brief 'Lament' hands us off to initially blah 'I've No Idea' which holds some nice surprises from Alan Park's keys and a delicate arrangement. A mistuned acoustic provides the base for range-striding 'Nimbus', not a completely necessary cut but adds some extra color before romantic and quite well-done 'Festival' with its baroque tonalities and tight group playing reminding of Jethro Tull circa 1970. Bach rocks on 'Silver Peacock', an organ showcase for Park with plenty of delightfully strange and acid-drenched imagery from Griffiths and good development by the band. Aptly named 'Impromptu' was probably nice in 1971, not so much now but its tailed by 'The Fox' as it follows a reluctant participant in pursuit of wild game.

I don't think of this six-piece as symphonic though psychoclassical elements are abundant; they kinda invented their own category. Further, Waters of Change is forty-two minutes with only about thirty minutes of worthy stuff so I wouldn't blame a listener for feeling flat upon hearing this one. But that thirty minutes is among the most flavorful and rich the vintage Prog era had to offer. Beggars Opera were not virtuosos. They were not geniuses or innovators or in great demand. But they yielded some of the most savory, toothsome recordings in what was an increasingly technical rock field and Waters of Change has only improved with age. At least most of it has.

 Happy The Man  by GENESIS album cover Singles/EPs/Fan Club/Promo, 1972
3.17 | 49 ratings

BUY
Happy The Man
Genesis Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars It´s very good to find those obscure tracks that were not released on albums by those artists you like. It can be filler stuff (and, in this case, it is), but it´s a joy to hear something from the Gabriel-era Genesis that I haven´t heard of after all these years. Ok, they were available in Brazil since Archive 1967-1975 was released in my country. Which didn´t mean that much since this 4 CD box set was way to expensive to buy for years. So, to the song: it´s a simple, acoustic track, with Gabriel and Collins singing together the funny lyrics. Some nice flute and 12 string guitars. Not par with their material before (Nursery Cryme), nor with their next (Foxtrot). Still a very good track for a b side. An interesting change of pace, between such elaborated material.

Not really essential, but good enough. Specially for early Genesis fanatics like me. 3 stars.

 Three Sides Live by GENESIS album cover DVD/Video, 1982
3.11 | 64 ratings

BUY
Three Sides Live
Genesis Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars I recently got this VHS from a friend, who had transferred it to DVD format. Its an interesting recording made during their Abacab tour (1981/82). But don´t be fooled by the title, since the track selection is not exactly the same as its namesake live album of the time. There are several tracks in common of course, but some are not complete and/or not shown during the concert: as it was fashion of the time, it looked more like a video clip, with bits being the soundtrack for sound checks, band members of stage, technicians tuning instruments and so on. Even radio interviews can be seen between songs (and sometimes, during the song). It really spoils what could have been a nice view of their concerts of that period.

Overall sound is good, but not excellent. The highlight is, definitely, In the Cage (Medley - Cinema Show - Slippermen), mot surprisingly the longest number, where they show how good they once were as songwriters and how they still could handle such complex material with ease. Of course all the performances are spotless, tight and strong, demonstrating quite well why the live line up of Collins/Banks/Rutherford/Stuermer/Thompson lasted until the very end.

If you like late 70´s/early 80´s Genesis,this is really something you should check out. Like others have said before, it would be very nice to have the full concert available in DVD, preferably including a few extra songs, with those backstage scenes and radio interviews thrown in as a separately bonus material in another part of the menu. That would have make it at least a four star video and an excellent addition to any prog rock music collection. As it is, however, it´s good, but non-essential.

Data cached

Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH & FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
KAIPA Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
LÁQUESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
PÄR LINDH AND BJÖRN JOHANSSON Sweden
PÄR LINDH PROJECT Sweden
LITTLE TRAGEDIES Russia
CAILYN LLOYD United States
THE LOAD United States
LOCH NESS Brazil
LORD FLIMNAP Israel
M-OPUS Ireland
DUNCAN MACKAY United Kingdom
MADAME CLAUS Argentina
MADISON DYKE Germany
MAGDALENA Japan
MAGIC PIE Norway
NICK MAGNUS United Kingdom
MAGRATHEA United Kingdom
MAHOUJIN Japan
MAINHORSE Switzerland
MALDOROR France
MANDALABAND United Kingdom
MANDRAKE Japan
MANGROVE Netherlands
MANTICORE Sweden
MANTRA Spain
LA MÁQUINA DE HACER PÁJAROS Argentina
MARCO Mexico
MARYGOLD Italy
MASQUE PREMIERE United States
MAZE OF TIME Sweden
MEDINA AZAHARA Spain
MELVIN'S NOSEHAIR Netherlands
MEMORIANCE France
JACQUES MENACHE Mexico
MERLIN Germany
METABOLISME France
MEZQUITA Spain
MIA Argentina
MIDAS Japan
MIKLAGÅRD Sweden
MIKROMIDAS Norway
MILKWEED Canada
MARIO MILLO Australia
DAVID MINASIAN United States
MIND SKY United States
MINOTAURUS Germany
MIRROR Netherlands
MIZUKAGAMI Japan
MONA LISA France
MONOLITH United States
MOON SAFARI Sweden
MOONGARDEN Italy
MORGAN United Kingdom
MORILD Norway
MORSE CODE Canada
NEAL MORSE United States
TIM MORSE United States
MOSAIK Sweden
MOTH VELLUM United States
MUGEN Japan
JESÚS MUÑOZ FERNÁNDEZ Spain
NAUTILUS Switzerland
IAN NEAL United Kingdom
NEGASPHERE Japan
NESSIE Belgium
NETHERWORLD United States
NEUSCHWANSTEIN Germany
NEVERNESS Spain
THE NEW GROVE PROJECT Sweden
NEXUS Argentina
THE NICE United Kingdom
NOSTRADAMUS Hungary
NOTTURNO CONCERTANTE Italy
NOVALIS Germany
NOVELA Japan
OAKSENHAM Armenia
OCEAN Germany
OCTOPUS (NOR) Norway
ODYSSICE Netherlands
OMNIA Argentina
ONE Argentina
ONIRIS France
OPUS Yugoslavia
ORION France
OUTER LIMITS Japan
PABLO Argentina
PAGEANT Japan
PALE ACUTE MOON Japan
PANTA RHEI Hungary
PARAGONE United States
PARTHENON Venezuela
PATCHWORK CACOPHONY United Kingdom
PAZZO FANFANO DI MUSICA Japan
PELL MELL Germany
PENTACLE France
OTA PETRINA Czech Republic
PETRUS CASTRUS Portugal
ANTHONY PHILLIPS United Kingdom
PHYLTER Belgium
PI2 Spain
PICTORIAL WAND Norway
PIG FARM ON THE MOON Venezuela
THE PINK MICE Germany
MICHAEL PINNELLA United States
POÇOS & NUVENS Brazil
POLLEN Canada
PRE United States
PRISMA Netherlands
PROGRESSION BY FAILURE France
PROJECT (ALSO KNOWN AS PPRY) Finland
PROTO-KAW United States
PROUD PEASANT United States
PULSAR France
PUPPET SHOW United States
PYTHAGORAS Netherlands
QUANTUM Brazil
QUATERNA REQUIEM (WIERMANN & VOGEL) Brazil
QUILL United States
R-U KAISER Chile
RAIN United Kingdom
RAINBOW THEATRE Australia
RAISON DE PLUS France
RAK Switzerland
REALM/ STEVE VAIL United States
RECORDANDO O VALE DAS MAÇÃS Brazil
REFUGEE United Kingdom
RELAYER United States
RENAISSANCE United Kingdom
RING OF MYTH United States
ROCKAPHONICA Argentina
ROCKET SCIENTISTS United States
RAIMUNDO RODULFO Venezuela
KURT RONGEY United States
ANTON ROOLAART United States
JAIME ROSAS Chile
ANDREW ROUSSAK Russia
ROUSSEAU Germany
RUMBLIN' ORCHESTRA Hungary
RUMPLE STILTZKEN COMUNE Switzerland
SAECULA SAECULORUM Brazil
SAENA Mexico
SAGRADO CORACAO DA TERRA Brazil
SALMON Netherlands
SANDROSE France
SCARAMOUCHE Germany
SCHICKE FUHRS & FROHLING Germany
SEBASTIAN HARDIE Australia
SECOND MOVEMENT Germany
SENSITIVE TO LIGHT France
SEVEN REIZH France
SHADES OF DAWN Germany
SHADOW CIRCUS United States
SHARKMOVE Indonesia
SHINGETSU Japan
SHYLOCK France
SICHER Switzerland
SILVER LINING France
SIMON SAYS Sweden
SINKADUS Sweden
SIRIUS Germany
SIXTY-NINE Germany
SKRYVANIA France
SOCIAL TENSION Japan
SOLARIS Hungary
SOULENGINE Italy
SPHINX Multi-National
SPIN XXI Brazil
SPOCK'S BEARD United States
CHRIS SQUIRE United Kingdom
STARCASTLE United States
STENCIL FOREST United States
STERN-COMBO MEISSEN (STERN MEISSEN) Germany
ROINE STOLT Sweden
STONEHENGE France
SUBLIMINAL Argentina
SUPERNOVA Argentina
SURPRISE United States
SWEDISH FAMILY Sweden
SYNOPSIS France
T-TAURI Netherlands
TABULA RASA Finland
TABULA SMARAGDINA Hungary
TAI PHONG France
TANTRA Portugal
TARANTULA Spain
TARKUS Brazil
TAURUS Chile
TAURUS (NETHERLANDS) Netherlands
TEMPUS FUGIT Brazil
O TERÇO Brazil
TERPANDRE France
TERU'S SYMPHONIA Japan
TESIS ARSIS Brazil
THETA Japan
THIRTEEN OF EVERYTHING United States
TIBET Germany
ARMANDO TIRELLI Uruguay
TISARIS Brazil
TOCCATA Mexico
TOMPOX Hungary
TRACE Netherlands
TRANSATLANTIC Multi-National
TRAUMHAUS Germany
TREM DO FUTURO Brazil
TRESPASS Germany
TRESPASS Israel
TRIANA Spain
TRILOGY Germany
TRION Netherlands
TRITONUS Germany
TRIUMVIRAT Germany
ÜNDER LINDEN Argentina
UNIFAUN Sweden
URBAN TRAPEZE Spain
MARIÁN VARGA Slovakia
VERMILION SANDS Japan
VERSAILLES France
VERTICAL ALIGNMENT United States
VESANIA Brazil
VIA LUMINI Brazil
VIA OBSCURA Germany
THE VOYAGER France
RICK WAKEMAN United Kingdom
WALLENSTEIN Germany
WALLY United Kingdom
WANIYETULA Germany
WELCOME Switzerland
WHITE WILLOW Norway
WILLIAM GRAY Argentina
WILLOWGLASS United Kingdom
WINDCHASE Australia
WOBBLER Norway
X RELIGION Uzbekistan
XII ALFONSO France
XNA United States
YES United Kingdom
YESTERDAYS Romania
ZARAGON Denmark
ZEBULON Germany
ZEN ROCK AND ROLL United States
ZOMBY WOOF Germany
ZOUNDWORKS Netherlands
ZYCLOPE Spain

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.22 seconds