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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 02/17/2014

Ivan_Melgar_M (Iván Melgar More
Scott Tuffnell (AtomicCrimsonRush)
Fritz (SouthSideoftheSky)
H.T. Riekels (bhikkhu)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3212 ratings
CLOSE TO THE EDGE
Yes
4.63 | 2953 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.61 | 2553 ratings
FOXTROT
Genesis
4.42 | 2462 ratings
FRAGILE
Yes
4.42 | 2210 ratings
NURSERY CRYME
Genesis
4.41 | 1219 ratings
HYBRIS
Änglagård
4.38 | 1820 ratings
MIRAGE
Camel
4.38 | 1565 ratings
MOONMADNESS
Camel
4.36 | 2145 ratings
RELAYER
Yes
4.39 | 910 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.28 | 2072 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 1978 ratings
THE YES ALBUM
Yes
4.27 | 1803 ratings
A TRICK OF THE TAIL
Genesis
4.27 | 1589 ratings
THE SNOW GOOSE
Camel
4.34 | 607 ratings
DEPOIS DO FIM
Bacamarte
4.31 | 789 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.23 | 1399 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.27 | 730 ratings
VILJANS ÖGA
Änglagård
4.25 | 705 ratings
HAMBURGER CONCERTO
Focus
4.16 | 1653 ratings
TRESPASS
Genesis

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

SAECULA SAECULORUM
Saecula Saeculorum
HIJOS DEL AGOBIO
Triana
L'ARBRE-CIMETIÈRE
Maldoror
NOCHE ABIERTA
Cai

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Latest Symphonic Prog Music Reviews


 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.27 | 216 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by friso
Prog Reviewer

5 stars Solaris - Martian Chronicles (1984)

Released in the age of comminism, with the necessary approval of the Hungarian regime, comes one of the finest progressive rock records of the eighties, Martian Chronicles by Solaris. A combination of spacey electronics, symphonic prog, flute and heavy rock guitar that sounds unique and exciting! Solaris aims for the larger-then-life progsound, bombastic and intense, and succeeds brilliantly! Moreover, all musicians are deeply involved in all the compositions. All tracks are instrumental.The recording sound is great and time doesn't seem to have gotten any grip on it.

On side one the six Martian Chronicles parts form the main attraction of the album, creating an side long epic of melodic space exploration. Sometimes the music reminds me a bit of Camel at its best, but Solaris has a bigger sound and a refreshing lack of Englishness - something one can also find listening to the Polish SBB. Side two is a collection of shorter tracks, some mellow and others spacey and heavy. Overall I must admit I find side one a bit stronger and more connected.

Conclusion. Prog at its best, musicianship at its most intense. Five stars.

PS. Solaris has released 'Martian Chronicles II' in 2014. I'm just listening to it myself and I'm really amazed! It can really use some quality reviews.

 Close To The Edge by YES album cover Studio Album, 1972
4.65 | 3209 ratings

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Close To The Edge
Yes Symphonic Prog

Review by TCat

5 stars I don't know how many years had to go by before I finally considered this the best Yes album let alone one of the best progressive rock albums ever. It has attained that status here at Prog Archives and deservedly so. I am a huge fan of Yes and even that took time to admit, the entry for me being "90125" and "Drama". Those two albums enticed me to really research the band. Now they are one of my favorites even before I started coming to Prog Archives. It does my heart good to know that there is a group of people that know excellent music.

What more can be said of this album that hasn't already been said? I'm not going to write a long review here, but I will tell you that if you are like most people in this world, you will not appreciate this album until you have heard it several times and you suddenly come to the realization that it is in your head, your heart and your soul and you listen and can actually become part of the music. This might take some time, but this is attainable for anyone. This album is perfect and has become the standard for symphonic prog and the pinnacle of progressive rock. The sections in these long compositions are never too long and this album always goes by way too fast. You don't even realize that all the time has passed and you only want to immerse yourself more when it's done. The amazing thing about the tracks on here is that two of them are divided into sections. In most multi-sectional compositions in prog rock, usually the point where each sub-section ends and another begins is quite clear cut. Not so on this album. Each sub-section is not necessarily finished when another one begins, there is a lot of overlap among the sections. In other words, you hear pieces of sections in other sections and so on. This is truly innovation and maybe not exactly the first time it has happened in rock music, but it was never really explored as well as it is here. I know King Crimson had done this before and so had Frank Zappa and others. But never has it had such a nice flow as it does here.

At this point in Yes' career, we have come to the point where the music becomes paintings for the ears to enjoy and for the eyes to imagine instead of the other way around as it is in what we normally consider a painting. The lyrics in the album "Close to the Edge" are not something separate from the instrumentals as they are in most songs. They are all part of the painting or the composition. The instrumentals are not written to support the lyrics or the other way around. Instead, they all work together. In most pop music, you can easily substitute the instrumentals for one song for the lyrics of another, but you can't do that in this music. It all works together. And the result is amazing. This is why it's hard to appreciate this (and always in the best progressive rock) at the first listen. The best progressive rock is not casual listening. You have to invest time and yourself into the music to appreciate it fully.

Anyway, if you haven't heard this, or if you haven't invested the time required to appreciate it yet, then you have some work to do. There is a reason this one stands as the best of the best on Prog Archives. I can't tell you what that is because if I tell you, then I am talking and talking is not music. You have to discover for yourself by listening to the music and not to me rattling on about what makes it so wonderful. So I'll shut up now and leave it up to you to do your own discovery. I didn't get it at first. You probably won't either. I do now. I think you will too. Get to work!

No doubt about it whatsoever. 5 enormous stars.

 Love Beach by EMERSON LAKE & PALMER album cover Studio Album, 1978
2.06 | 465 ratings

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Love Beach
Emerson Lake & Palmer Symphonic Prog

Review by brydon10

3 stars I put off listening to this album for a long time. The cover art is terrible, and the reviews are generally negative. When I finally listened to it, I was pleasantly surprised, there is some good music here.

Tracks 1-5 are pretty poppy and generic, not terrible but not very interesting. Track 6 "Canario" is quite a nice little instrumental transposed from Fantasia Para Un Gentilhombre.

Track 7 "Memoirs Of An Officer And A Gentleman" is a 20 minute suite. This piece is quite good all the way through, I've listened to it multiple times now and it really grows on you. This is the saving grace for the album and in my opinion a hidden ELP gem.

In the end, "Canario" and especially "Memoirs Of An Officer And A Gentleman" make this album a worthwhile listen.

 Flower Power by FLOWER KINGS, THE album cover Studio Album, 1999
3.95 | 372 ratings

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Flower Power
The Flower Kings Symphonic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars 1998 was another busy year for The Flower Kings.Roine Stolt released his second solo album ''Hydrphonia'', while the press was still talking about an emerging monster, writing and producing extremely good music at high rates.For the first time the band was preparing to travel to the States and the compilation ''Scanning the greenhouse'' was released to on Avalon as a taste for what the audience would deal with.The Flower Kings played at the 98' Progfest, but still kept writing music in a prolific way for a fourth release before the end of the millenium.''Flower power'' was released in 1999, the first album of the band to be released in four different countries: Sweden, USA, Germany and Japan.

Needless to say this was another 2-CD effort by The Flower Kings, the rate of producing music by Stolt was reaching shocking levels.This album is apparently known for containing one of the longest prog pieces ever recorded, the 59-min. ''Garden of dreams''.The Flower Kings' sound was always versatile, although fairly grounded in 70's Classic Prog, and this piece sees the band moving away from the strict symphonic orientations of the previous releases.While the music is always melodic, sophisticated and fairly symphonic with evident CAMEL, KAIPA and GENESIS influences, the track's length allowed Stolt to experiment with different styles and deliver as many as moods possible, as a result ''Garden of dreams'' contains certain segments with a strong jazzy flavor, some more Electronic-showered lines and even some surprising bluesy solos, prooving why Stolt is regarded one of the best guitarists in the league.On the other hand there are tons of proggy, complex themes with symphonic keyboard flashes and more striking guitar tunes over sentimental vocals to keep things going for the traditional prog listener.The final feeling is mixed, definitely the musicianship is great and almost flawless, but the display of so many styles hurts the track's consistency and overall value.Seeing this as separate pieces will definitely increase the general listening pleasure.

CD one closes with a typical instrumental Flower Kings piece ''Astral dog'', but CD 2 is the definitely winner here, containing a few full-blown prog epics along with some shorter tracks, where the style of the band becomes instantly recognizable.Compositions with great melodies, decent singing lines and a collection of grandiose textures and complicated twists and turns in the vein of 70's Prog, always flavored by a modern production and sound.Stolt's guitar work remains a highlight and Bodin had already become a hot name among Prog keyboardists.Laid-back electroacoustic instrumentals, covered by pompous symphonic orchestrations and touches of a melodious side, creating monumental and trully enjoyable Progressive Rock.They still find some space for rockin' parts and a bit of a jamming mood among the elaborate arrangements, which is always a good thing in my books, if placed and performed well.Echoes of YES, GENESIS, CAMEL and a maybe even a slight Canterbury/jazzy feel are the guiding lines of ''Flower power'' second part.

Rating comes hard.The very long epic is good, but not always great with often a very loose approach, the second part of the album sees The Flower Kings in a creative orgasm, featuring rich and convincing arrangements.Strongly rcommended to say the least, the best moments of the album belong among the best of 90's Prog as well...3.5 stars.

 Flight by PROUD PEASANT album cover Studio Album, 2014
4.00 | 5 ratings

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Flight
Proud Peasant Symphonic Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars Austin, Texas is rightly revered as the "live music capital of the world" , a panoramic musical scene that has always promoted ideas, innovations and mostly, a place to hone one's craft in a slew of live settings. Xander Rapstine got tired of the saturated pop/rock rut he was mired in , so he moved to build a quintet of like-minded proggers and satisfy his inner urges by molding a lovely debut album , built out of 3 long epics in the fine mold extolled by KC, GG, Genesis and Oldfield. The band started playing live in June 2014, providing audiences with "the soundtrack to sublime dreams . . . and wicked nightmares". Darn, ya all, this is thrillin' stuff, dudes! Guitarist and composer Xander Rapstine leads this merry crew into a world of symphonic prog exuberance, blending classical music, soundtrack score, as well as some Mexican style folklore (mariachi trumpets), with winks at bands like Gryphon, Gentle Giant, Gnidrolog, King Crimson, well, you get the picture! Keyboardist Jay Allen slings a wide variety of analog synths, piano and organ, while bassist Kyle Robarge masters the low end and shoving master drummer David Hobizal along. Various guests provide an eclectic assortment of surplus orchestral ornamentation (tuba, clarinet violin, trumpet, flute, timpani, French horn, cello and trombone). There is also some heavenly choir work that shows up at different times, giving the arrangements even more depth.

An album with only three long and juicy tracks (count 'em!), with the sole intent to mystify, enthrall and invigorate the moribund (I have heard it all before) prog listener. Each track is broken down in sub-sections, in typical suite form. "The Prisoner" (12.28) sets the cocky peasant in motion, a slow burn acoustic guitar intro, laden with various effects but bolstered by some truly dazzling playing. This early melody opens the door (literally) for some solid drum, bass and synthesizer twirls, exuding a slight medieval/baroque groove that would wink at stuff like the Morrigan, Colin Masson, the aforementioned Gryphon or its distant cousin the Enid and a dash of Canterbury. The Hispanic /Mariachi section is utterly and absolutely genial, nattily incorporated without sounding cheesy, something previously only Phil Manzanera did very well, so sombreros are doffed in salute, senores! Rapstine later repeats the rather complex opening guitar theme and proceeds with some incessant crystalline guitar chops that show both intensity and fire, while Hobizal marshals the military snare with precision. A tremendous piece of glittering symphonic prog.

The whopping 19 minute and 34 second epic "Awakenings" is not related to the Robin Williams/Robert de Niro film classic though, in all fairness, there is a similar sense of hidden wonderment in the music, just like with the movie's storyline. Church organ in a bucolic setting suddenly explodes into a maelstrom of stop and go pieces, stretching the extremes from sweet to howling on the turn of a dime, grandiose synthesizer melodies are propelled by some rabid guitar slashes. A gentle flute relaxes the mind with devoted loveliness, spiraling like some rivulets in a stony stream, a perfect segue into quirky guitar mathematics, odd synth noises, a long studious brass section that is unafraid to do a little New Orleans/vaudeville/ragtime (a sense of humor?) and finally, colossal choir work that left me quite dazed and confused by its sheer eloquence. Totally unpredictable, explosive and utterly creative. One word = epic.

"The Precipice" clocks in at 13.20 and performs its closing duties better than a Texas Ranger relief pitcher, knocking down the side with heat, guile and heart. The band gets a stormier attitude going, not content to mellow out but quite to the contrary, kick it up a notch! Drummer David Hobizal shows off some clever beats throughout, helping the raunchy guitar express itself convincingly. Flute, choir and electric piano deliver some contrast, rolling along like progressive tumbleweed. Bright and yet full of bravado! This has to be one of the most impressive debut album in the symphonic category in quite a while. The bombastic finale will settle any doubts one may have, as its sheer grandiose brilliance that parallels Steve Hackett's finale on "Shadow of the Hierophant". Yeah, I know, Wow!

A majestic ride, a 'thrillin' hot diggetty-dog' debut from Austin, Texas! Ya gotta love it! Best US release in a long time.

4.5 gratified farmers

 Close To The Edge by YES album cover Studio Album, 1972
4.65 | 3209 ratings

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Close To The Edge
Yes Symphonic Prog

Review by ster

5 stars CTTE to me was created during a perfect storm. The lineup of Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire, Bill Bruford and let us not forget Eddy Offord was now fully comprised of virtuosos at the most creative time of their careers at the most creative period in rock music history. This line up had just produced two amazing albums in The Yes Album and Fragile. The latter always felt more like an EP or a set up to CTTE with its emphasis on solo material showing off the talents of each member separately. Both of those records hinted that something great was coming and Yes delivered on that promise.

Close to The Edge is when it all came together. The sound, playing, songwriting, production, creativity and the intangibles that make the whole much more than the sum of its parts. Brash and subtle. Loud and dissonant. Soft and tuneful. The ensemble playing is perfect here. Nobody fighting for space like on subsequent albums. The songs themselves are served rather than being a vehicle for show-offness. Yes would never achieve the perfect balance of CTTE again.

The best prog album of all time? It gets my vote.

 Pazzo Fanfano di Musica by PAZZO FANFANO DI MUSICA album cover Studio Album, 1989
4.63 | 29 ratings

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Pazzo Fanfano di Musica
Pazzo Fanfano Di Musica Symphonic Prog

Review by Pieromcdo

5 stars 7000em rating on this web site I have all that music and much more This is a master piece of symphonic prog with classical influence with style like banco This is a amazing find Thanks to progarchive for it . This was compose and release in 89 wen disco was the music sad timing the web got it back to Us Thank god This was hard to get ! I reorder this 6 or 7 times payd over $100. for it I enjoy every penny of it ( looking for music mcdo@bell.net ) Very tutching album very theatral ambience Just love the al cd
 Legendes by HECENIA album cover Studio Album, 1989
3.96 | 35 ratings

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Legendes
Hecenia Symphonic Prog

Review by Atavachron
Special Collaborator Honorary Collaborator

4 stars This highly competent four-piece takes a page right out of the symph playbook and centers around keyboardist/drum programmer Thierry Brandet, though frankly the standout here is guitar player Daniel Trutet who bleeds a sweet string. Thoroughly French in character and with an inescapable but, in this case, welcome Genesism, Legendes is a good-sounding set of very high quality material without that overproduced late '80s flash.

The instrumental title is killer heavy symph with plenty of everything; Trutet's pointed lines, Brandet's almost Wakeman-like juggling of Korgs, Moogs and Mirages and some pretty handy electronic drumming; bassist Pierre-Yves Chiron right in the pocket. 'Le Passage' meanders a bit at over twelve minutes but this band does the majestic thing so well that we'll wait-- and it pays off with clever arranging, changes, and a spiffy carousel ride at the end. These guys worked hard on this thing and it shows. 'Le Grimoire' picks up where cut two left off and is packed with marvelous altered textures and tempos, 'La Vieille Femme et la Chandelle' slower but works up nicely.

At first glance, Hecenia is merely another latecomer to the prog party with nothing new to say and an annoying preoccupation with Tony Banks, and perhaps they are. But unlike the typical Gallophile's reissue from Musea, this is one kick-ass band.

 Notes From The Past  by KAIPA album cover Studio Album, 2002
3.78 | 157 ratings

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Notes From The Past
Kaipa Symphonic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars In 1979 Stolt left Kaipa due to musical differences with the rest of the band.Which were these differences remained to be seen in the next album ''Haender'' (1980 with Max Ahman on guitar) and later on ''Nattdjurstid'' (1982, with Pelle Anderson on drums in the place of Ingemar Bergman), Kaipa now played an uninteresting blend of Pop and Rock.The band then was put on ice with Hans Lundin releasing some solo albums in the 80's, while Roine Stolt revamped his career in the 90's as a solo artist and founder of The Flower Kings.In 2000 Lundin and Stolt decided to recollect the ashes of Kaipa and reformed the band with Ritual's Patrik Lundström on vocals, The Flower Kings' bassist Jonas Reingold and drummer Morgan Agren.With the help of female singer Aleena and with each member recording its parts individually ''Notes from the past'' was a triumphant 2002 comeback for the Swedish legends on InsideOut.

With a strong return to their progressive roots and soundwise revisiting the echoes they established themselves back in the second half of the 70's, Kaipa proposed an elaborate Symphonic Rock with long tracks, interesting melodies, flawless instrumental executions and melodramatic, sentimental lyrics, which should have been a pure pleasure back in the day.With Lundin dusting out his Mellotron and Hammond organ and adding the synthesizer in his armour and Stolt already in full shape due to his stint with THE FLOWER KINGS, the album is a trully enjoyable listening of retro-styled Prog Rock, featuring mellow Mellotron waves and more dominant organ passages, surrounded by a talented Stolt and his always emotional guitar playing.Of course some of these stylings were already borrowed by Stolt some years back, when he was musically reborn through THE FLOWER KINGS and Kaipa now sound a bit similar to the new legends of Prog Rock.Lundstrom's vocals are not bad at all, they are just too sweet for surrounding Kaipa's epic music style and lush, symphonic orchestrations, but the combination of his voice with the impressive musicianship, the symphonic underlines and the sometimes complex time signatures works well for most of the time.The production is superb, nothing with the old dusty sound of the 70's, and a correct step for the band, which tried to succesfully blend the old and modern days of Prog Rock.Some of the melodies are simply stunning and the arrangements are mostly great, retaining some colors from Swedish Folklore in the electric tunes.

The first of a mass of second-era Kaipa albums.Nice Symphonic Rock with old-school vibes, plenty of Mellotron and organ and some grandiose yet melodious musicianship.Strongly recommended...3.5 stars.

 Sattyg by KAIPA album cover Studio Album, 2014
3.86 | 48 ratings

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Sattyg
Kaipa Symphonic Prog

Review by Andis

4 stars It takes me about one minut into the first song before I realise this is going to be a great album. Kaipa keeps making great progressive rock, with a sound based in the 70s but with all the modern hallmarks. The music is in the same vein as previous Kaipa albums with lots of folk music, some small jazzy parts but mostly with melodic progressive rock. If you have bought a Kaipa album for the last ten years you know what you're in for. The musicians involved are nothing but excellent, Hans Lundin is a great keyboardplayer but also the contributions from Per Nilsson (guitars), Morgan Ågren (drums) and Jonas Reingold (bass) are of high quality.

Both of the two singers keep delivering, I specially like Alleena Gibsons voice, she can give a song that special extra that lifts it from good to great.

I find the album to be very guitaroriented, not heavy, but the melodic leads are mostly played with the guitar leading the song. Hans Lundins keyboards aren't as prolific on this album, but I do suspect he's using keyboard sounds that are close to the guitar sound or violin, sometimes it's hard to hear. I would have wished for a bit more keyboardoriented album.

If I were to critizise something it would be that some songs can seem to be a bit long, some would have benefited from being shortened a minute or two. I am sure the idea were not to make them longer just for the sake of it but a bit more fokus would have given a better result. Also, the cover art looks almost like the two albums before. Minor critizism.

Not as strong as Kaipas best (IMHO) album "In the wake of evolution" from 2010 but still really good. Very recommended!

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BRIMSTONE United States
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
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