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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 01/01/2015

Iván Melgar Morey (Iván_Melgar_M)
Scott Tuffnell (AtomicCrimsonRush)
Anton Fritz (SouthSideoftheSky)
H.T. Riekels (bhikkhu)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3743 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3467 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3002 ratings
FOXTROT
Genesis
4.44 | 2921 ratings
FRAGILE
Yes
4.42 | 2613 ratings
NURSERY CRYME
Genesis
4.39 | 2157 ratings
MIRAGE
Camel
4.38 | 1861 ratings
MOONMADNESS
Camel
4.39 | 1434 ratings
HYBRIS
Änglagård
4.36 | 2521 ratings
RELAYER
Yes
4.36 | 1058 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2444 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2352 ratings
THE YES ALBUM
Yes
4.29 | 1886 ratings
THE SNOW GOOSE
Camel
4.27 | 2115 ratings
A TRICK OF THE TAIL
Genesis
4.30 | 959 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.33 | 713 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1702 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 885 ratings
VILJANS ÖGA
Änglagård
4.25 | 833 ratings
HAMBURGER CONCERTO
Focus
4.22 | 862 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

THE MOST BEAUTIFUL DAY
Exodus
ENTANGLED
Leitmotiv
TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
SÈVE QUI PEUT
Ange

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Latest Symphonic Prog Music Reviews


 Eve by KARDA ESTRA album cover Studio Album, 2001
3.91 | 30 ratings

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Eve
Karda Estra Symphonic Prog

Review by poito

1 stars I came to this band attracted by their climbing to the front of Artists in the Progarch web, checked this album that has the highest rating and'nothing. Boring, that says it all. This album lacks interest. The music is dull, with no spirit, dim, good only to go to sleep or for elevators and supermarkets. It does not evoke anything'except to friends, it seems. It is totally uninspiring. I do not understand why this is here. It would better fit as orchestral music and not good anyway, but for sure it does not fit Prog of any subgenre. Skip it, you'll miss nothing.
 Like It Is - Yes at the Mesa Arts Centre by YES album cover Live, 2015
3.59 | 35 ratings

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Like It Is - Yes at the Mesa Arts Centre
Yes Symphonic Prog

Review by Guillermo
Prog Reviewer

3 stars I think that this is the last YES's new official release on which Chris Squire appears. But in fact it was released shortly after his death in June 2015.

It is good to see Squire playing with the band during his last tour with them in 2014. This concert video / CD was recorded in August 2014 in Arizona with the band playing all the songs from two of their most popular and successful albums from the early seventies: "Fragile" (1971) and "Close to the Edge" (1972). From which is considered the "Classic Line-up" of the band which recorded both albums (Squire, Steve Howe, Jon Anderson, Rick Wakeman, Bill Bruford) only Squire and Howe remained by 2014. Alan White replaced Bruford at the very last moment in 1972 for the "Close to the Edge" tour, and with Squire, Howe and White being by 2014 the members of the band which had a lot of years of being playing with the band since 1972 (with Howe being out of the band for several years). Since 2012, the line-up of the band had Squire, Howe and White joined by another "old" member, Geoff Downes, and by new lead singer Jon Davison. They had the idea to tour playing some of their old albums in full. In 2014 they previously played in full in concert their "Close to the Edge", "The Yes Album" and "Going for the One" albums. The songs from the "Going for the One" and "The Yes Album_" albums appear in their live album "Lke It Is - Live at the Bristol Hippodrome" which was released in late 2014.

If their concert in Bristol lacked some power and some good playing by the band as a whole (particularly in the songs from the"Going for the One" album), this concert in Arizona shows the band in a better shape, playing the songs with energy and better, even if the management of some tempos is not very good by the band as a whole. Anyway, the band sounds like they rehearsed better for this Arizona concert, and maybe the songs from the "Fragile" and "Close to the Edge" albums were not as demanding from them as some songs from the "Going for the One" album could have been, on which particularly Downes seemed like having some problems on songs like "Awaken". Or maybe "Fragile" and "Close to the Edge" are among Downes's favourite albums from YES (he and Trevor Horn said that both were fans of the band when they joined the band in 1980 for their "Drama" album).

All the members of the band played very well all the songs from the "Close to the Edge" and "Fragile" albums. Maybe the member who shines more is Jon Davison, showing a very solid voice. His voice is somewhat different to Jon Anderson's, but Davison reaches the original very high notes without apparent problems.

"Siberian Khatru" is really played very well, with Downes playing very well the harpsichord parts. He also plays "Cans and Brahms" in a very similar way as Wakeman played it. But in this song I think that he used some programmed keyboard parts to play it properly. In "South Side of the Sky" he also does a good job with the piano parts and the synthesiser solo at the end of the song. The band also used some pre-recorded vocal parts in "We Have Heaven", and in "The Fish" they also used some pre-recorded bass guitar parts apart from Squire playing his bass guitar on stage, having a lot of fun. In "Heart of the Sunrise" Downes played the song in a very similar way to the original studio recording (something that even Wakeman never did in concert!). In the "Close to the Edge" album title song Downes plays a different but very good organ solo.

As a whole, this live album and DVD is very good, showing the band playing and singing very well and having a lot of fun. Something which is not the same in their concert video and CD from Bristol. So, being this Arizona live recording the last official release from the band with Squire playing during his last tour with the band, it is good to see the band playing very well and the audience also having a good time. The recording and mixing of the sound and the quality of the images of the video are also very good.

A 3.5 stars rating for this album from me.

As everybody knows by now, YES still is playing on tour in 2016, but with Billy Sherwood replacing the late Chris Squire since their 2015 tour.

 Here It Is by TRILOGY album cover Studio Album, 1979
3.62 | 25 ratings

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Here It Is
Trilogy Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars An one off german group of the late 70´s. Strongly influenced by Emerson, Lake & Palmer and Triumvirat, plus a little from Genesis too. This quintet had two keyboards players, plus guitar, bass and drums. However, the guitar parts are hardly ever heard, except for a few short solos on a couple of tunes and a nice acoustic overlay on the first track. All the tracks are instrumentals. It was released by the small independent label Cain in late 1979. It sank without trace, which is no real surprise: It was no time for prog music, much less an instrumental LP. It was later released in the CD format by Musea.

I found the music here a bit derivative and not exactly too exciting, but good anyway. Lots of fine analog keys (no cheesy and plastic 80´s synth stuff here, thank god!). The rhythm section is very competent. Nice melodies overall, with no bad tunes nor great highs either. If you´re a fan of the aforementioned bands and don´t mind the lack of originality, chances are you´re gonna like Here It Is very much. It is really a pity they had no chance to record a follow up, since the potential for greater things is quite clear.

Rating>: 3 stars. Good, but definitely non essential

 Trespass by GENESIS album cover Studio Album, 1970
4.16 | 1918 ratings

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Trespass
Genesis Symphonic Prog

Review by Magnum Vaeltaja

5 stars In their Gabriel-Banks-Rutherford-Hackett-Collins heyday, Genesis produced some incredible music, including some veritable masterpieces. However, despite all of the great material that came out from this line-up, they never released a true masterpiece album; each one, even my favourite, Nursery Cryme, had its flaws here or there. But without Hackett or Collins, while Genesis was still in its incubation phase so to speak, they somehow, and I'm sure you could attribute it to either youthful energy or beginner's luck, managed to pull off a perfect album. So while 1970's "Trespass" may not necessarily rise to the same absolute peaks as some of the band's later material, the album provides such a cohesive, intertwined pastoral journey that it is absolutely essential for any prog collector.

While this album is usually brushed aside as just folky, or just soft, with The Knife waking you up at the end, there really is much more subtlety and finesse to the whole experience, and it really gives a good diversity of moods. Take "Looking For Someone", for example. Peter Gabriel is obviously Peter Gabriel here, with his eccentric lyrics and melodramatic delivery giving a hazy, haunting opening. And what really makes this track, as well as the others on "Trespass", stand out in the Genesis catalog is the fact that, although Gabriel takes many poetic liberties in his libretto, the lyrics aren't quite as overblown as on "Foxtrot" or "The Lamb"; the sentiments still feel genuinely human.

Anyhow, after "Looking For Someone" erupts to a climax, the album does generally settle down in terms of intensity, though the energy is still prominent. As I said, the album is very consistent throughout and there are no serious standout tracks between "White Mountain" and "The Knife"; they're all quite excellent. Some particular moments do shine through, of course, but I'll leave those to you, the listener, to pick out.

With all of the mystery and enchantment of the British highland countryside that we see on the cover, "Trespass" takes the listener into territory seldom crossed, a genuinely breathtaking, human, but still magical, view of the often caricatured medieval imagery that prog dabbles in. 5 stars.

 Keys to Ascension by YES album cover Live, 1996
4.09 | 434 ratings

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Keys to Ascension
Yes Symphonic Prog

Review by Modrigue
Prog Reviewer

3 stars Keys to Yes

3.5 stars

This double live/studio album was my first encounter with YES and also a very good choice to discover their enchanting world. After their FM period during the 80's, the musical direction taken by the band could not last anymore during the explosion of grunge, hip-hop and techno explosion of the first half of the 90's. Thus Jon Anderson decided then to reform the 70's classical line-up (with Alan White instead of Bill Bruford) and to go back to the progressive successful format that made them famous.

The live part simply compiles one of the best tracks from their 70's studio records, except "Time and a Word" and "Relayer". There are two curious choices though. The first one is the average "Onward" from "Tormato" (why not "Don't Kill The Whale"?), the weakest YES' album of the seventies. The second is the extended 10 minutes cover version of SIMON & GARFUNKEL's "America". Original, groovy and charming, but a little out of place. The studio version was initially released as a single in 1972 and can now be found in the remastered 2003 Elektra edition of "Fragile". Overall, the live renditions are pretty good.

The studio part consists in two compositions from 1995-1996. "Be The One" is simply one of YES' best songs of the 90's! A melancholic and catchy fantasy prog track that rocks! The 19 minutes suite "That, That is" has a few good moments, however unfortunately does not overall present the same interest. These two tracks are now compiled in the "Keystudio" album, released in 2001.

Better than Volume II, "Keys to Ascension I" is one of the best YES' live albums. Furthermore, the cover art is very nice. Recommended to the band's fans and ideal for newcomers to discover their magical music!

 The Lamplighter by ANIMA MUNDI album cover Studio Album, 2013
3.84 | 119 ratings

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The Lamplighter
Anima Mundi Symphonic Prog

Review by poito

5 stars I was curious about what this Cuban symphonic prog band would release after the excellent THE WAY. This Lamplighter is a concept album, less pretentious, less bombastic than former works, but it is a major work; in my view the most accomplished by the band so far, and more digestible too. Most tracks are 3-6 min long, a good timing to digest the hyper-complex music by Roberto Diaz and company, in which one rarely finds a musical motif or a variation that repeats twice. In this album, the new singer Farrath is much better suited for prog music than former insipid Sosa. He sings borrowing from the different vocals of early King Crimson, Wetton, Lake, etc, but never below them, always in site, deep and filling. Keybords and guitar are great, and the drums, finally the band has enrolled a drummer JM Govin who knows what prog requires. In a way the band completed the right combination of components to develop their musical ideas. It is now full grown, maybe it took a bit too long, but it was worth the waiting. The entire album is a tribute to 70's King Crimson, but with own character in the composition. The album is a masterpiece of symphonic prog, music for the more demanding prog fans, they found the formula to express their traditional exuberant creativity in the right tempo without stressing the listener, as it used to happen in some of their earlier works. You'll find some prog gems here, like the longest track Endless Star, a three part instrumental that is pure delight. It may take a few turns before one can enjoy fully the thousand ideas contained in this release, unless you are a fan of the Rey Carmesí
 Tormato by YES album cover Studio Album, 1978
2.96 | 1260 ratings

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Tormato
Yes Symphonic Prog

Review by Modrigue
Prog Reviewer

2 stars Strange cover art, strange title and no more long suites. Is this the end of YES as we know it? Looks like it... One of the torment of this album are Rick Wakeman's keyboards, much too present and dated. Steve Howe's guitar interventions remain quite rare. To be honest, the guitar dominated songs seem to be the best passages here. However, more important, the compositions are pompous without providing the enchantment and evasion of the previous records.

The opener "Future Times / Rejoice" is a good illustration of the synthesizers problem of "Tormato". A little irritating, this song is barely listenable and hard to follow. On the contrary, "Don't Kill The Whale" is the best track of the disc. Essentially guitar-driven, this groovy melancholic rock contains beautiful Howe and Wakeman soli. Lifely and nice. Back to boredom with the baroque "Madrigal", which could have been included on an annoying solo album of Rick Wakeman. In contrast, the most surprising moment is the punchy "Release, Release", an energetic hard blues-rock! YES' response to the punk explosion? Maybe, however it does not necessarily result in a good song...

"Arriving UFO" sounds cheesy with its falsely futuristic sonorities, whereas "Circus Of Heaven" and "Onward" are more delicate, but unfortunately rather average. Nonetheless, the second half of the record is saved by the other good track, "On The Silent Wings Of Freedom". Also guitar dominated, this ender is sort of a cool spacey jazz/rock improvisation, the YES way.

"Tormato" is clearly YES' weakest studio release of the 70's. The magic and the ambition that could be found on "Relayer", "Close to the Edge" and even "Going for the One" is now gone. The music does not transport you to Roger Dean's world enough this time. Listen to "Don't Kill The Whale" and "On The Silent Wings Of Freedom" though.

After the first recording sessions of the next album, "Drama", Jon Anderson and Rick Wakeman will left the band, and another decade will begin...

 Drama by YES album cover Studio Album, 1980
3.76 | 1386 ratings

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Drama
Yes Symphonic Prog

Review by uvero3

3 stars

Before you listen to "Drama", it is important that you lower your expectations: this is a good album, but DO NOT expect a "Yes" album. There can't be "Yes" without Jon Anderson. For those who love "Yes" as much as I do, remember this when approaching this album.

Half the songs ("Machine Messiah", "Into the Lens", "Tempus Fugit") are great and are fun, but they're no masterpieces, with the possible exception of the first one (depending on your standarts). The others are entertaining at best - fortunately, those are exactly the shorter ones.

I want to make it clear that you are likely to enjoy this album even if, like me, you're mostly only moved by the very classics (you can say I'm a perfectionist). Just remember - if you're a "Yes" lover like me, then consider this album to be made by the band "Drama" and NOT "Yes". If you don't know "Yes" well enough yet, it is ESSENTIAL that you give their "golden era" (1969-1977 or 1971-1974, depending on the person you're asking) albums a listening through and through (I suggest starting with Close to the Edge, Fragile, and The Yes Album - that is, their albums in 1971-1972). Enjoy :)

 Motions Of Desire  by MAGIC PIE album cover Studio Album, 2005
3.82 | 242 ratings

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Motions Of Desire
Magic Pie Symphonic Prog

Review by Neu!mann
Prog Reviewer

3 stars For anyone old enough to recall Progressive Rock's Golden Age, the opening moments of Magic Pie's year 2005 debut album will trigger a thrilling sense of déjà vu, like a time machine transplanted from the early 21st century to the summer of 1974.

'Change' is the name of that initial piece of the Pie: an epic twenty-minute slice of textbook Prog moods and emotions, obviously intended as the band's signature track, and rightfully so. But at a certain point along the roller coaster it becomes hard to avoid the suspicion that the song's title is a little misleading, and that every headlong 'change' in musical speed, style and direction is actually more contrived than natural.

The explicit aim of the new band was 'to create progressive textures in the spirit of the '70s' (quoting the CD notes), which would seem to offer an invitation to rehash the old, ongoing Progressive vs. Prog debate. In this instance the Magic Piemakers followed their mandate to the letter (more so than to the spirit), and with a concentrated focus bordering on tunnel vision.

That's the good news. The downside is that despite all the vintage Prog embellishments ' rapid cycle time signatures; florid soloing; hyperbolic melodicism ' there's a conservatism to their method at odds with their stated ideals. Unlike the band's pioneering role models, these guys aren't young kids trying to 'change' the world (there's that word again) through a revolutionary bridging of musical and cultural barriers. As seen in the portrait inside the CD booklet, this is a capable group of seasoned professionals, following a retrograde creative impulse: Mainstream Prog, in other words, which ought to be an oxymoron but too often isn't.

None of which diminishes the album's cosmetic pleasures, which are considerable. Ignoring the sometimes heavy-handed Neo Prog schmaltz of the title track (thankfully the shortest song here), and some occasional cod-reggae riffing in 'Full Circle Poetry', you'll find a surplus of upbeat instrumental showmanship, presented with real skill, if not much subtlety.

But the group never succeeds in translating the homage into a style of their own. Hardly surprising, given their true source of inspiration: not the original progressive trailblazers from the 1970s, but modern copycat acts like THE FLOWER KINGS and SPOCK'S BEARD. You might never guess, from their Anglo-Symphonic sound and fluent English lyrics, that Magic Pie actually hail from northern Scandinavia.

The bottom line is 75-minutes of second-hand Prog Rock mimicry, twice removed from its musical taproot. But the silver lining, to listeners of a certain age, is that a false memory can sometimes shine almost as bright as the real thing.

 Movements by SECOND MOVEMENT album cover Studio Album, 1981
3.17 | 3 ratings

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Movements
Second Movement Symphonic Prog

Review by maryes

3 stars SECOND MOVEMENT "Movements" second album from this German band on the contrary that I have said about the first album "Blind Man's Mirror" , indicates in clear way strong influences of 2 others German bands of opposites styles , the ELOY'S space prog and the BIRTHCONTROL most really progressive moments in 2 albuns: "Plastic People" and "Backdoor Possibilities" and in a few moments they also use the heavy-prog vein of this second mentioned band. . The first track "Don't Shoot The Animals" besides be similar in musical passages and rhythm, presents vocal's timbre in the mood of Bernd Noske ( lead vocalist of BIRTHCONTROL).The second track "Musician's Dream" is a ELOY track and a type of "prelude" for the third track "Musician's Fight"another Eloy inspiration... where the detach moment is an "dialogue" between bass and electric guitar ( a passage which starts about 2 min 33 sec until 3 min 13 sec ). Track 4 "No Sir" is a BIRTHCONTROL inspiration , mixing the progressive style of "Platic People" and the heavy face of BIRTHCONTROL. The track 5 "Movements" have a little bit of both bands and the final passage remember some latin music influences. The track 6 "Birds Destiny" is again a ELOY track with a vigorous rhythm section. Finally closing the album "It's You" and his repetitive beat and pulsating bass guitar, another BIRTHCONTROL reminiscence and in my opinion the most weak track of whole album. In spite the fact of at this time the band lets clear strong influences, unlike of the first album, I liked more this one. However I also give only 3 stars !!!
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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
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