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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

Iván Melgar Morey (Iván_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.67 | 4699 ratings
CLOSE TO THE EDGE
Yes
4.64 | 4357 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.61 | 3787 ratings
FOXTROT
Genesis
4.45 | 3739 ratings
FRAGILE
Yes
4.42 | 3326 ratings
NURSERY CRYME
Genesis
4.40 | 2844 ratings
MIRAGE
Camel
4.39 | 2427 ratings
MOONMADNESS
Camel
4.37 | 3225 ratings
RELAYER
Yes
4.37 | 1782 ratings
HYBRIS
Änglagård
4.31 | 3123 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.30 | 3049 ratings
THE YES ALBUM
Yes
4.30 | 2420 ratings
THE SNOW GOOSE
Camel
4.28 | 2727 ratings
A TRICK OF THE TAIL
Genesis
4.37 | 759 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.31 | 1295 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.30 | 887 ratings
DEPOIS DO FIM
Bacamarte
4.23 | 2206 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 1127 ratings
VILJANS ÖGA
Änglagård
4.25 | 1070 ratings
HAMBURGER CONCERTO
Focus
4.22 | 1211 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

THE MOST BEAUTIFUL DAY
Exodus
LA MARCHE DES HOMMES
Morse Code
ENTANGLED
Leitmotiv
ET APRÈS
Memoriance

Latest Symphonic Prog Music Reviews


 Djenné by XII ALFONSO album cover Studio Album, 2016
3.53 | 20 ratings

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Djenné
XII Alfonso Symphonic Prog

Review by bertolino

4 stars Just bought this one today, as it was the last one missing in my collection. I'll make this review short and sweet, mainly for keeping the memory of this "one of a kind" album alive on the level of activity on this site.

The preceding review by PlanetRodentia2 says it all. XII Alfonso classic prog credentials are quite evident as their body of work is concerned. So, one having a superficial listen on this one may think that Djenné is devoid of that "prog principle". This would be a gross error. Yes nothing can be furthest of prog than African music and rythms. And that's why exactly this record is oh! so proggy! The whole concept is sort of revolutionary for occidetal ears accustomed to certain musical choices. A courageous option and one which will test the openess of many a prog afficionado. At the end a very rewarding listen.

 Chameleon Shapeshifter by KALUGIN, ANTONY album cover Studio Album, 2021
4.52 | 17 ratings

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Chameleon Shapeshifter
Antony Kalugin Symphonic Prog

Review by Drmick1971

5 stars Antony Kalugin's new album 'Chameleon Shapeshifter' has arrived. It seems too long since the last album which shows how much I desire more music from Antony. Following his previous two solo albums 'Marshmallow Moondust' and 'Stella Gardener'. This album completes his trilogy.

Unlike the first two albums where Antony played all instruments, this time he has brought in some favourite musicians including Max Velychko on guitars, the beauty of Elena Kushiy's flute and Oleg Prokhorov's grounded bass playing. Of course we can't forget Olga Rostovska's angelic vocals.

The first track 'Chameleon' is the epic of the album at more than 19 minutes which contains layers of synth with moments of classical piano. This track is well named as it shifts and twists. It is perfectly fractured as is suggested by Igor Sokolskly's cover art for the album. Varied music genres and time changes ensues to keep you guessing what is around the corner. This is a great opener showcasing Antony's magic as a musician and composer.

'Shapeshifter' is the next track starting with an elegant acoustic guitar followed quickly with the electric guitar. Max again brings his fluid tone to the fore mixed with Antony's keyboards and Yan Vedaman's emotional saxaphone playing. Another track with welcome changes and corners.

'Exceptional Chamel Ballard' the third track has a movie soundtrack like beginning. It is a musical feast with the byplay between Antony and Max, each telling their own chapter of the same story again with soothing moments of saxaphone. A high energy ending with Max letting loose backed with vocal chanting.

'House On The Hill' is the surprise track for me on this album. Starting out with a haunting trepidation. Then a beauty and brightness comes in with uplifting synths and vocals. Midway a lovely section with acoustic guitar and flute that truly lifts me followed by inspirational electric guitar. Stunning playing by all.

'Wonderous Glory' is introduced by a gentle wavering of keyboards backed by a laid back electric guitar in turn with sax. Each taking their part with more graceful singing by Olga. This is an even, gentle and flowing track.

The final track 'Key' is a ballad with a strong message. To find the key to all aspects of our lives. The final stanza of this song sums up the message beautifully, 'Key to the universe Everything sweet Everything worthwhile A life complete' 'Key' completes the album on a perfect and positive note.

I am starting to run out of adjectives to describe Antony's work. You can only mention beauty, exciting and passionate so many times. However if I have to be repetitive in my descriptions to truthfully tell how I feel, then so be it. This is a beautiful, exciting and passionate release. It is rich in sound and message. It has masterful musicianship lead by the Master himself. Mr Antony Kalugin.

 Chameleon Shapeshifter by KALUGIN, ANTONY album cover Studio Album, 2021
4.52 | 17 ratings

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Chameleon Shapeshifter
Antony Kalugin Symphonic Prog

Review by ProgDrivenFar

5 stars This album is another masterpiece from Antony Kalugin. All the tracks are made perfectly and show a immense creative talent. It's truly amazing how Antony could create something this incredible. From start to finish the album keeps you interested and impressed. You could tell that Antony truly loves what he does with this album. So far this is my favorite album of 2021. I would highly recommend this album to anyone who enjoys Symphonic Prog or any of Antonys other solo albums or bands. You will be extremely pleased and blown away by what you hear! Must listen album of 2021
 NMB: Innocence & Danger by MORSE, NEAL album cover Studio Album, 2021
4.09 | 80 ratings

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NMB: Innocence & Danger
Neal Morse Symphonic Prog

Review by AlanB

4 stars Innocence and Danger is quite a varied selection of songs, some poppy, some with prog elements, and a couple of full- blown prog epics. Lots of great melodies, as you always get with Neal Morse, and really good vocal harmonies. Stylistically there is more than a hint of the Beatles, Pink Floyd, Yes and other great bands of the past.

There are 10 songs here spread across two CDs. The first CD consists of eight "short" songs between three and eight minutes long. Of these, my personal favourites would be the beautiful Not Afraid Part 1, the Pink Floyd - like The Way It Had To Be, and a very clever progressive version of Bridge Over Troubled Water. The one song I would skip would be Emergence, I just find it a little boring, although as an introduction to Not Afraid Part 1 it does fit in.

On to CD2, and we have two magnificent long songs clocking in at 20 minutes and 30 minutes. Not Afraid Part 2 is the most immediately accessible, but the more I listen to Beyond The Years the more I like it. There is a five minute section halfway through the song, involving Hammond organ and a guitar solo, which is absolutely brilliant and for me is the high spot of the album. Eric Gillette in fact has some wonderful solo spots, Bridge Over Troubled Water is another one that springs to mind.

Finally, for those who are put off by the preachiness of some of Neal Morse's lyrics, you won't be troubled here. There are clearly spiritual references in some songs, but nothing blatantly Christian if that's something that bothers you.

 Trilogy by EMERSON LAKE & PALMER album cover Studio Album, 1972
4.14 | 1692 ratings

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Trilogy
Emerson Lake & Palmer Symphonic Prog

Review by A Crimson Mellotron

4 stars 1972 saw Emerson, Lake & Palmer release their third proper studio album, named 'Trilogy', issued on the Island label and produced, as usual, by the band's own Greg Lake. In the year of 'Foxtrot', 'Close to the Edge', 'Thick as A Brick' and 'Octopus', and after releasing two pretty successful and impressive albums in the face of the self-titled debut and 'Tarkus', it seems fair to assess that 'Trilogy' is not a step up, to put it that way. However, any negative connotations such a statement could usher should be quickly abandoned, as this album continues the flamboyant and all-over-the-place stylistic that ELP was going after, and is certainly an excellent example of early prog rock.

Nowadays, when a band releases such a record, we often say it is 'more of the same', usually dismissing it as something non-progressive. Others, nevertheless, do not take sonic similarities between albums as a negative trace, but rather as a sign of a band honing their craft and developing further their own identity. In the case of 'Trilogy', I tend to be more inclined towards the latter case.

From the get-go the listener is bombarded by the keyboard wizardry of Keith Emerson on 'The Endless Enigma, Part 1', a three-part composition that is quite choral and cerebral, while maintaining the lush luster of the previous material by the band; one of the better presentations of ELP. 'From the Beginning' is a gorgeous acoustic piece by Lake, one of the most well-known songs from the power trio; the rest of side one is quite good, as well, with 'Hoedown' becoming a live staple in the years to follow.

Side two is no worse, with just three songs, where we could say the band displays their more adventurous side, with the title track - a great, great song, 'Living Sin', something more different from the band, and one of their 'heavier' songs, and finally 'Abaddon's Bolero', a listening experience only for the most patient, but nevertheless a very recognizable prog rock instrumental.

'Trilogy' might not have the suspense of 'Take a Pebble' or 'Knife-Edge', or the over the top grandiosity of the seven-part 'Tarkus', but it has a charming character of its own, topped by the very excellent performance of each band member, and especially the beautiful singing of Lake, all of which make it a very good addition to anyone's collection of progressive rock.

 Stern Meissen - Taufrisch by STERN-COMBO MEISSEN (STERN MEISSEN) album cover Studio Album, 1985
1.15 | 13 ratings

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Stern Meissen - Taufrisch
Stern-Combo Meissen (Stern Meissen) Symphonic Prog

Review by Harry Bosch

1 stars "Taufrisch" has nothing to do with the early works of Stern Combo Meißen, no symphonic prog anywhere. Instead, bad zeitgeist pop-junk of the forgettable kind. One of the best examples why so many music listeners hate the 80s. Lousy songwriting that desperately wants to attach itself to the Neue Deutsche Welle, a sound like from a padded cell, pappy drums, flat guitars, that howl out terrible stereotypes. Sometimes creepy vocals to lyrics that a sixth-grader would have been better off hiding in the drawer. Even a children's choir can't save the "Harlekin". Pure Horror - or almost the worst music in the world.
 Love Beach by EMERSON LAKE & PALMER album cover Studio Album, 1978
2.09 | 719 ratings

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Love Beach
Emerson Lake & Palmer Symphonic Prog

Review by Antonio Giacomin

3 stars "Love Beach"

Wow, wow, my strong disagreement for the rating this album achieved here! Let´s talk about its reasons

1 ? On the bad side.

Ok, there are songs here that, if sprawled throghout the album would justify a one star rating (would be my first one star review). On the first side of the LP, the first five songs (maybe with "For You" being a little bit better and listeaneble), matches this assessment. Today, I normally skip them.

2 ? On the good side.

Well, it is undeniable that the band performed an excellent version of Joaquim Rodrigo´s "Canario". This was recognized in many reviews here, including low rate ones, and as a consequence we see the first song that elevates album´s quality.

But "Canario" is just a four minutes song, there is a lot more in need to improve "Love Beach". It can be perfectly found in epic "Memoirs Of An Officer And A Gentleman", which occupies the whole side 2 of the LP, but only good reviews recognize this as a good song, and I do include myself in this group. Nice melodies, instrumental interludes; all those good things that makes us appreciate progressive rock are relatively easy to be found there. It is not a "Supper´s Ready" or "Tarkus", but there is absolutely no reason to spoil it.

These two songs gives me a reason to visit frequently "Love Beach", even not being a fan of the band. Then, as a conclusion, 3 stars with no hesitation.

 Works Vol. 2 by EMERSON LAKE & PALMER album cover Studio Album, 1977
2.44 | 666 ratings

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Works Vol. 2
Emerson Lake & Palmer Symphonic Prog

Review by Antonio Giacomin

2 stars "Works Vol II"

"Outtakes, oatcakes and fruitcakes". What a nice and appropriate way of describing this album Mr. ExithelLeming chose !

This is an easy album to assess, no difficulty for me in scoring it at two stars, for fans only. As I am not exactly a Emerson,Lake&Palmer fan; listening to it won´t be a very common practice here at home. On the other side of this position, I do perform A LOT of visits for the Rick Wakeman´s 2 stars album, because in this case I am a big fan of his work.

What we have here in "Works Vol 2" ? First of all, take a look in other reviews (Mr Lemming for example), in order to understand the origins of this album. Having done this, you will have no problem in understanding why there is not a lot to expect here (leftovers from other albuns, etc?). Now, let me point out what are my thoughts about it First of all, this album called my attention because of a song named "Tiger In a Spotlight", which is the opener. The problem is that I heard a live version on "In Concert", and I have to agree again with Mr. Lemming that version is MUCH better, it has an energy that does not appear in "Works Vol 2". Even so, for me this is the best song in the album.

What about other songs ? First of all, it is good to see the band visiting lots of different and old styles. If this is a good initiative, where does this album exactly fails ? Well, it happens because there are lots of uninspired compositions here put all together. Many songs are even appreciable, "Watching Over You", for instance. But you EXPECT the next one to be better, and it does not happen. That´s what exists in YES´s "Heaven&Earth", some very good numbers makes the reason for your returning to that album. In the end there is nothing that really hooks you here, no reason to justify a wish you turning to it.

That´s it, folks. If you like "Tiger In A Spotlight", I recommend you go to "In Concert". This one is for fans only.

 Works Vol. 1 by EMERSON LAKE & PALMER album cover Studio Album, 1977
2.94 | 809 ratings

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Works Vol. 1
Emerson Lake & Palmer Symphonic Prog

Review by Antonio Giacomin

3 stars "Works Vol I"

First things to say here is that I agree with overall rating, it is a three stars album. On the other hand, I mus comment that? oh, what a BEAST of album!

Best part to be heard here are Greg Lake´s songs. "Ces´t La Vie" and "Closer to The Believing" reaches conditions to be considered masterpieces; and his other ballads here are at least very appreciable. The fourth side of this double LP is excellent as well, "Fanfarre For A Common Man" and "Pirates". Probably, if you consider this a single LP, with sides 2 and 4, ratings here would be divided mainly between 4 and 5 stars.

So, what gets the album down ? Ok, sides 1 and 3. In Carl Palmer songs there is a lot of experiments, instrumental interludes, EXCCELLENT musicianship but I guess there is a lack of melodies that prevents me from really appreciating them. In side 1, the famous Keith Emerson´s Piano Concerto N 1, what happens is that I don´t understand it. What I mean is that I have a lot of difficulties related to classical music. Does this concert pairs a Mozart or Beethoven piano concert ? And does it really matters ?

Some of the times I have the desire of studying music profoundly. I guess and expect it would help me a lot to hear and appreciate classical music. Maybe in this hypothetical future Keith Emerson´s Piano Concerto would be better understood and the rating here could be elevated. I know, this is a beast of band, this is a beast of album. But until there, 3 stars

 Close to the Edge by YES album cover Studio Album, 1972
4.67 | 4699 ratings

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Close to the Edge
Yes Symphonic Prog

Review by Maw The Void

5 stars Yes - Close To The Edge

What are you even supposed to say? This is Close To The F*cking Edge! It's a landmark of symphonic prog and music. It's a phenomenal album with three tracks, all of them classics of rock. The title track is the best Yes song, And You And I is an amazing track with a great build-up. Siberian Khatru is one hell of a rocker and my favorite Yes song ever.

The whole album is essential to the genre and it's undoubtedly an important piece to an prog rock collection. Five stars without even thinking, truly an absolute masterpiece.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
35 TAPES Norway
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGENTS OF MERCY Sweden
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALL TRAPS ON EARTH Sweden
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
AMUZEUM United States
ANABIS Germany
ANCIENT VISION United States
ANDERSON - BRUFORD - WAKEMAN - HOWE United Kingdom
ANDERSON / STOLT Multi-National
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ARS PRO VITA Brazil
ART IN AMERICA United States
ARTNAT Portugal
ASA DE LUZ Brazil
XAVIER ASALI Mexico
ASIA MINOR France
ASTRË United States
ASTURCÓN Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU / HOLLOWSCENE Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK & PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BÉRIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLÅKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
LARS BOUTRUP'S MUSIC FOR KEYBOARDS Denmark
BOX OF SHAMANS United States
BILL BRESSLER United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFÉÏNE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
CARAVELA ESCARLATE Brazil
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLEARLIGHT France
THE CLIVEDEN SET United States
CODA Netherlands
CÓDICE Mexico
COLLEGIUM MUSICUM Slovakia
COTÓ EN PÈL Spain
COUSINS AND CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
CZYSZY Poland
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Ukraine
DIAPASÃO Brazil
DISCIPLINE United States
DOCMEC Switzerland
DOGMA Brazil
DORACOR Italy
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIEMEL Argentina
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPÍRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-LIBRIS Canada
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
JAROD FEDELE United States
FICCIÓN Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRAGILE Germany
FRIGHT PIG United States
FROMAGE Japan
FRUUPP United Kingdom
FUSONIC Netherlands
G.A.L.F. Brazil
GALASPHERE 347 Multi-National
GALIÉ Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GÒTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
MARIANO HAYON Argentina
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Sweden
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HOT FLASH United States
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INDIGO Germany
INFINITOME United States
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
IRON DUKE Denmark
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
JORDSJØ Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
ANTONY KALUGIN Ukraine
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KDB3 United States
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOGAION Romania
KORNMO Norway
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
LÁQUESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEGACY PILOTS Germany
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
PÄR LINDH AND BJÖRN JOHANSSON Sweden
PÄR LINDH PROJECT Sweden
LITTLE TRAGEDIES Russia
CAILYN LLOYD United States
THE LOAD United States
LOCH NESS Brazil
LORD FLIMNAP Israel
LUNAR CLOCK Netherlands
M-OPUS Ireland
DUNCAN MACKAY United Kingdom
MADAME CLAUS Argentina
MADISON DYKE Germany
MAGDALENA Japan
MAGIC PIE Norway
MAGIC SPELL Switzerland
NICK MAGNUS United Kingdom
MAGRATHEA United Kingdom
MAHOUJIN Japan
MAINHORSE Switzerland
MALDOROR France
MANDALABAND United Kingdom
MANDRAKE Japan
MANGROVE Netherlands
BRUNO MANSINI Brazil
MANTICORE Sweden
MANTRA Spain
LA MÁQUINA DE HACER PÁJAROS Argentina
MARCO Mexico
MARYGOLD Italy
MASQUE PREMIERE United States
MAZE OF TIME Sweden
MEDINA AZAHARA Spain
MELVIN'S NOSEHAIR Netherlands
MEMORIANCE France
JACQUES MENACHE Mexico
MERLIN Germany
METABOLISME France
MEZQUITA Spain
MIA Argentina
MIDAS Japan
MIKLAGÅRD Sweden
MIKROMIDAS Norway
MILKWEED Canada
MARIO MILLO Australia
DAVID MINASIAN United States
MIND SKY United States
MINOTAURUS Germany
MINUS TWO Germany
MIRROR Netherlands
MISTER ROBOT Russia
MIZUKAGAMI Japan
MONA LISA France
MONOLITH United States
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