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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 01/01/2015

Iván Melgar Morey (Iván_Melgar_M)
Scott Tuffnell (AtomicCrimsonRush)
Anton Fritz (SouthSideoftheSky)
H.T. Riekels (bhikkhu)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3509 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3241 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.61 | 2804 ratings
FOXTROT
Genesis
4.43 | 2728 ratings
FRAGILE
Yes
4.41 | 2439 ratings
NURSERY CRYME
Genesis
4.38 | 2011 ratings
MIRAGE
Camel
4.40 | 1352 ratings
HYBRIS
Änglagård
4.38 | 1729 ratings
MOONMADNESS
Camel
4.36 | 2354 ratings
RELAYER
Yes
4.37 | 1003 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2278 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2189 ratings
THE YES ALBUM
Yes
4.28 | 1755 ratings
THE SNOW GOOSE
Camel
4.27 | 1981 ratings
A TRICK OF THE TAIL
Genesis
4.34 | 667 ratings
DEPOIS DO FIM
Bacamarte
4.30 | 887 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.23 | 1572 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.26 | 823 ratings
VILJANS ÖGA
Änglagård
4.25 | 779 ratings
HAMBURGER CONCERTO
Focus
4.22 | 783 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

SKRYVANIA
Skryvania
SAECULA SAECULORUM
Saecula Saeculorum
GUET-APENS
Ange
NOCHE ABIERTA
Cai

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Latest Symphonic Prog Music Reviews


 The Breaking Of The World by GLASS HAMMER album cover Studio Album, 2015
3.93 | 74 ratings

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The Breaking Of The World
Glass Hammer Symphonic Prog

Review by progarchist

5 stars Leave it to Babb and Schendel to make a truly gorgeous album out of the ACADEMIC work of Tolkien and Lewis, not just out of their fantastic works. Amazing. From the opening note to the closing one, THE BREAKING OF THE WORLD soars. Ever since CHROMONOTREE (itself, a thing of beauty), Glass Hammer has just gotten better and better, more adventurous, and, lyrically, more interesting. Add to Schendel and Babb the others in the band, and you realize that Glass Hammer is as much a movement--a community of true artists--as it is a band. In particular, I challenge anyone in the prog world to find someone better on vocals than Susie Bogdanowicz. She has equals, but not betters. I assume she had some kind of secret voice lessons in heaven at some point in her your life. And, Aaron Raulston, though too little known, is the equal of Peart, Portnoy, and NDV when it comes to the drums. What an astounding group of musicians to come together. While I generally prefer albums that are strictly concepts--such as LEX REX and PERILOUS--THE BREAKING OF THE WORLD is a rare and precious gem in a world torn apart by commercialization, ideologies, and fundamentalisms. Babb and Schendel, as always, are quite humane and quite exceptional. Long live Glass Hammer!
 The Breaking Of The World by GLASS HAMMER album cover Studio Album, 2015
3.93 | 74 ratings

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The Breaking Of The World
Glass Hammer Symphonic Prog

Review by Jackaranda77

5 stars The Breaking Of the World is Progressive Rock at it's finest. It's obvious from the opening of "Mythopoeia," the first track, that the level of musicianship here is world class indeed. Every band member shines throughout, very reminicent of Yes in their heyday, when every instrument was telling a story of it's own yet somehow it all fit together and created something of a symphony. That's what Glass Hammer does here.

The big highlights for me are the absolutely ingenius "Third Floor," a song written about a seductive female elevator voice that the band turns into delving into the soul of the passenger as well as the elevator with that voice. It's at the same time deep and humorous. And throughout, as always, the music is stunning. "Haunted" is another favorite, featuring the beautiful and, in this case, haunting voice of Susie Bogdanowicz. "Nothing Everything" is another favorite, featuring Carl Groves writing and singing. Babylon and North Wind are also very strong tracks. All throughout the music is very proggy. It may take the listener a few times listening to really get into this album, but that is my personal measure of how good an album is. If I get into it quickly, it usually doesn't stick with me as long The ones that take a few listens, and then you really get into it, those are the best in the long run, and The Breaking Of the World fits that decription. All in all a fantastic piece of work.

 From Genesis to Revelation by GENESIS album cover Studio Album, 1969
2.58 | 880 ratings

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From Genesis to Revelation
Genesis Symphonic Prog

Review by VianaProghead

2 stars Review Nº 12

'From Genesis To Revelation' is the debut studio album by Genesis and was released in 1969. It was produced by Jonathan King, who discovered them in 1967 while they were pupils at the Charterhouse School. Despite be their first work, in some Genesis' catalogs, this debut album doesn't appear as part of the official group's discography.

The original line up of Genesis consisted of Peter Gabriel, Anthony Phillips, Tony Banks and Mike Rutherford, without any drummer. When their demo tapes caught the attention of King, with the addition of Chris Stewart on drums a schoolmate of them, they recorded their first single 'The Silent Sun'. 'From Genesis To Revelation' was issued several months later, in the same year.

'From Genesis To Revelation' has thirteen tracks. All songs were written by Gabriel, Phillips, Banks and Rutherford. The first track 'Where The Sour Turns To Sweet' is a very interesting song and, in my humble opinion, is one of the best and one of the few really good songs on the album. We can even say that this song has the seeds of what will be the future of their musical sound. The second track 'In The Beginning' isn't really a bad track. It's a nice rock song with some interesting musical parts. However, the sound quality of the song is a little bit poor and the developing of the song isn't particularly brilliant. The third track 'Fireside Song' represents also, in my humble opinion, one of the best musical moments on the album. It's a very beautiful song, very pleasant and nice to listen to. I particularly like the piano parts and the acoustic passages. Even the orchestra sounds beautifully on the song. The fourth track 'The Serpent' starts quiet and very well, with its bass line, good drumming and beautiful acoustic parts. However, it sounds too much to the 60's and makes me remember strongly The Beatles and The Doors. It's not a bad song but I can't see anything special on it. The fifth track 'Am I Very Wrong?' is one of the highlights of the album. It's a very good song with beautiful musical passages. The piano parts are great and very pretty to listen to, and they can move with me. This song has also one of the best vocal performances on the album and shows the real skills of Gabriel as a singer. The sixth track 'In The Wilderness' represents also, for me, another highlight on the album. This is a very beautiful song with excellent orchestration. The strings parts and the piano solo are very nice and bring to the song a very special touch. It's also a song with a brilliant vocal performance by Gabriel. The seventh track 'The Conqueror' is a song that opens with a guitar repeating the main theme of 'In The Wilderness'. It has some nice acoustic and piano parts but the harmony isn't particularly brilliant. In reality, this is a weak song, a little bit repetitive, and with nothing special on it. The eighth track 'In Hiding' is another weak song. Unfortunately, it has the same problems of the most of the songs on the album. It's also a repetitive song and where the theme doesn't develop very well. The Gabriel's voice sounds nice, but the rest of the song doesn't deserve more attention. The ninth track 'One Day' is fortunately better than 'The Conqueror' and 'The Hiding', are. This is a very nice song where all the musical instruments are performed nicely, and especially the piano and the bass parts are very good. The tenth track 'Window' is unfortunately another non memorable song. It has some interesting musical parts like the acoustic and piano parts, which are very pleasant to listen to, but only that is interesting. The rest of the song isn't also particularly brilliant. The eleventh track 'In Limbo' is another perfectly vulgar song, without any musical idea and that sounds too much to the 60's. It's another song with anything special on it. This is probably my less favourite song on the album. The twelfth track 'Silent Sun', as I wrote above, was released as the debut single of the band. So, we can say that it represents the beginning of all. Musically, we can say that it's a fusion between folk and pop rock with the heavy use of orchestral strings. Personally, I must confess that I like particularly of this song and it represents, for me, another highlight on the album. The thirteenth track 'A Place To Call My Own' is a very short track. It isn't also, in my humble opinion, a brilliant song. However, it has very nice performances by Gabriel and Banks, which shows their real musical talents.

Conclusion: I'm a big Genesis fan, and for me, Genesis is one of the best progressive bands ever, and is also my favourite progressive band too. Despite, 'From Genesis To Revelation' have some real very good songs like 'Where The Sour Turns Sweet', 'Fireside Song', 'Am I Very Wrong?', 'In The Wilderness', 'One Day' and 'Silent Sun', the album is in general very weak. The problem of this album is that it sounds like more an album of the 60's, and its music has more in common with the Moody Blues and the early Bee Gees, than the future sound of Genesis as a progressive group, especially if we compare it with their second studio album 'Trespass', released only one year later. So, despite this debut be not properly a bad album, it has nothing to do with the great and influential prog band as Genesis are.

Prog is my Ferrari. Jem Godfrey (Frost*)

 I Heard You Listening by ECHOLYN album cover Studio Album, 2015
3.80 | 99 ratings

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I Heard You Listening
Echolyn Symphonic Prog

Review by duclos

4 stars Just when I expected Echolyn to take a well deserved victory lap of live dates after their 2012 self-titled masterpiece they just...well...kept on writing and recording. Seven years in the making, that album hangs like a shadow over this new one which took a brisk three. I've been listening to the wonderfully recorded album in it's 24bit/96kHz version for months now and it's a beautiful album that really shows Echolyn really not caring to live up to it's prog-laden roots but just to writing great, interesting, heartfelt songs. This will hurt them in the accumulation of prog accolades but Echolyn are past that. What you get now is the amazing groove laid down by Paul Ramsey with his partner Tom falling right into place beside him, the more and more warm and tasty keyboard stylings of Chris Buzby and the dual lead vocalists Brett Kull and Ray Weston emoting gorgeously throughout.

The album is strong with a nice even keel of quality throughout. In light of the many tracks that came out separately after the 2012 album (only at Bandcamp) you get the impression that if those are "not good enough" for an album or even that they just didn't fit somewhere that the band have a really high threshold for what makes it onto an album-what's worth working on to completion and to commit to a collection of songs to be called an Echolyn album. So the meticulousness shown on I HEARD YOU LISTENING is well appreciated. The energy on "Warjazz" and the cool soul on the verses of "Carried Home" stand out the most for me as the rest of the album is just solid HIGH-standard issue Echolyn. All the pitch slide harmonies and other patented Echolynisms are there.

If you read the "making of" on their website or have heard interviews lately, it's inspiring how much they really love what they do and have such strong friendships that inform the music they make. The attention to detail make this album worth having in your collection and it's a welcome addition to their canon of music.

 Drama by YES album cover Studio Album, 1980
3.76 | 1294 ratings

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Drama
Yes Symphonic Prog

Review by steelyhead

3 stars Not as bad as everybody told me

Forget the group You knew, this is a new band and on board we only have the semigod Chris Squire (just try to listen Tempus Fugit without drooling all over). New sounds on the keyboards thanks to our friend Geoff Downes.

This is a different CD, and surely You will miss the clear voice of You know who but this is not as bad as advertised, the songs had a way to your heart if You are listening closely but I am only giving three stars because I can't stand The "camera, camera" song. Too banal.

On the other hand, thanks God Marillion came along to save us all on those bleak years.

 Yesterdays by YES album cover Boxset/Compilation, 1975
3.09 | 188 ratings

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Yesterdays
Yes Symphonic Prog

Review by Magnum Vaeltaja

1 stars This compilation is not one with much meat on its bones for the vast majority of listeners. Apart from the opening track "America", which is an incredible prog cover of a Simon and Garfunkel tune that features some of Steve Howe's best heavy riffing on record, all of the tracks come from the band's first two albums. These two albums, "Yes" and "Time And A Word", are both far different from the catalog that most Yes listeners are familiar with, consisting largely of jazz rock and psychedelic music as opposed to the symphonic and progressive music that they're best known for. Steve Howe and Rick Wakeman are also nowhere to be found, instead having the guitar and keyboard parts played by Peter Banks and Tony Kaye, respectively. Given the availability of 7 of the disc's 8 tracks on the first two albums, there isn't much point in going out and buying "Yesterdays" unless you want to hear "America" or are a fan of the Roger Dean album cover and wish to keep it on your shelf as wall art.

Having said that, "America" is also available on the Yes compilations "The Best of Yes" and the exhaustive "In A Word" so unless you're a very big fan of Roger Dean's art, just get the music off of other releases.

 Talk by YES album cover Studio Album, 1994
3.05 | 734 ratings

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Talk
Yes Symphonic Prog

Review by Magnum Vaeltaja

4 stars This is without a doubt the finest Yes studio album to come since the 70's and is Trevor Rabin's musical triumph. While we all wish that the Close To The Edge line-up could have stuck around for 40 years making incredibly new progressive odysseys year after year, we all know that that'll never happen. So after two decades of inner tensions and changing musical climates, Yes creates with "Talk" a new, more accessible breed of prog that works on a much more human level while still staying true to the original spiritual nature of the group's early work. Is it as good as Close To The Edge or Relayer? Not really. But is it great music? Of course!

"The Calling" opens the album strong; Jon Anderson is in fine form, the lyrics invoke a wonderful sense of wanderlust, Rabin and Kaye offer great trade-off solos and the production (courtesy of Mr. Rabin) is some of the best I've heard since Boston's debut. Wow! What a start. Afterwards comes "I Am Waiting", a strong progressive song that transitions between quiet, mellow sections and thundering, emotive sections with guitar playing that's mildly reminiscent of Jeff Beck. "Real Love" and "State of Play" take the band into more of a heavy prog/metal territory but they both keep a certain degree of playful Jon Anderson energy. "Walls" is an upbeat, radio-friendly pop rock song that will undoubtedly irritate the most die-hard 70's Yes fans. It's not a terrible song, however, and will likely appeal to anyone who enjoyed Boston's debut album; there are some striking similarities in playing style and timbre.

The masterpiece of the album is its ending suite, "The Endless Dream". It not only features a return to symphonic elements and very strong instrumental cohesion by the group, but it is singlehandedly the most emotionally powerful Yes song I've ever heard, from any era. The lyrics are touching, insightful, encouraging and Trevor's compositional skills amplify their cathartic nature. The finished product is a 16 minute journey through the heart and soul of all humans struggling that fittingly mirrors the shifting political climates of Rabin's homeland South Africa at the time; the album was released only a month before the election that brought in Nelson Mandela as leader and brought an end to Apartheid.

"Talk" is an underrated gem in the Yes discography and more than redeems their 80's output. A 4 star album, if not just for "The Endless Dream" alone.

 The Oblivion Particle by SPOCK'S BEARD album cover Studio Album, 2015
4.13 | 58 ratings

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The Oblivion Particle
Spock's Beard Symphonic Prog

Review by robbob

5 stars For my delight...as far the best SB album.

There is a renewal of fantastic symphonic prog rock (that even with Neal Morse was not so inspired) And Ted Leonard in vocals¡¡¡¡?? The (nowadays) best prog rock voice(in my opinion) How will Ted Leonard go to the live shows with Enchant, Transatlantic and SB? Not enough time.

Now a fantastic team ...that have created a fantastic work ..

Very elaborated songs ..so well played....

Love a Better Way To Fly...and To Be Free Again...but mostly the average of songs in a very high level.

So with highs and lows in their history ....this one is a very good surprise.

For me 4,5 to 5 stars...but let us motivate this musicians ...5 then

 Mirage by CAMEL album cover Studio Album, 1974
4.38 | 2011 ratings

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Mirage
Camel Symphonic Prog

Review by Magnum Vaeltaja

5 stars To describe Camel's sound is difficult to do as their sound is quite unique and one that other less prominent bands tend to be compared to. However, I'll give it a shot. Imagine a symphonic group with a stellar keyboardist, a rock- solid rhythm section and a profoundly soulful guitarist in the ranks of Steve Hackett or David Gilmour who doubles as a virtuoso flautist. Now imagine that these four are masters of not only creating vivid, mellow instrumental sonic palettes but can also write fantasy poetry comparable to that of David Byron. And on top of that, they can even turn on a dime and rock out like Mark II Deep Purple or Uriah Heep if they feel the need. Sound too good to be true? Then take their second album, "Mirage", for example.

"Freefall" opens the album with a rocker that shows off guitarist Andrew Latimer's rock skills while still retaining a complex, symphonic power and bassist Doug Ferguson and drummer Andy Ward show their competency through frequent time changes. 5 star track. "Supertwister" shows off Latimer's heavenly flute abilities with brevity; clocking in at just over 3 minutes, this instrumental is pure listening bliss and creates mellow, emotional musical landscapes that you wish would stretch on for even longer. 5 star track. The first of the album's two epics, "Nimrodel", shows off the group's finest ballad writing form with more passionate instrumental passages, beautiful woodwind arrangements and breathtaking imagery. 5 star track. "Earthrise" continues the band's instrumental capabilities with a mix of brutal, unrelenting uptempo rock guitar and spacey keyboard atmospheres. 5 star track. And the best is saved for last; "Lady Fantasy" finishes the album with even more of everything you've just heard but delivered in a fresh, creative way. The band's rock prowess counteracts mellow, lyrical instrumental passages abruptly yet naturally and Andrew Latimer once again steals the show while not leaving the rest of the band in his wake. 5 star track.

In short, this is an album that has justly found its way into the PA top 20 and is very deserving of its spot there. If you enjoy any of the qualities I've just described, give it a listen; you'll fall in love right away.

 The Oblivion Particle by SPOCK'S BEARD album cover Studio Album, 2015
4.13 | 58 ratings

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The Oblivion Particle
Spock's Beard Symphonic Prog

Review by rdtprog
Special Collaborator Heavy Prog Team

4 stars I wasn't sure if the band was going in the right direction after Neal Morse departure. But things has improved lately with the band's music. And this new CD is another good example of that improvement. "Tides of Time" show some of the Spock's Beard style we are used to hear highlighted with the unique Ryo Okumoto keyboards sound, the voice of Ted Leonard evoke Steve Walsh as the music. "Minion" with his original intro that will be repeated a few times brings influences from Enchant."Bennett Built a Time Machine" show the beautiful vocals of drummer Jimmy Keegan and we are treated with the most impressive instrumental passage this far and very different from what we are used from the band."Get Out While You Can" is a weak track and dispensable. In the song"A Better Way to Fly" the vocals harmonies are very impressive and all the musicians are delivering some very dynamic playing that takes us back to some of the great bands of the 70's. "The Center Life" brings some symphonic passages with a progressive rock turnaround in the middle before getting back to the main chorus. The final song "Disappear" brings another mood to the whole album with David Ragsdale of Kansas. We also have another rip- off from the book of Gentle Giant, but the song is brilliant! This is not a perfect album, but we have some of the most original songs from the band this far which is refreshing for those who were looking for something new.
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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH & FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
KAIPA Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
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