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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

Iván Melgar Morey (Iván_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 4162 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3871 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3366 ratings
FOXTROT
Genesis
4.44 | 3283 ratings
FRAGILE
Yes
4.42 | 2940 ratings
NURSERY CRYME
Genesis
4.40 | 2468 ratings
MIRAGE
Camel
4.38 | 2117 ratings
MOONMADNESS
Camel
4.36 | 2837 ratings
RELAYER
Yes
4.37 | 1606 ratings
HYBRIS
Änglagård
4.35 | 1210 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.30 | 2765 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.30 | 2660 ratings
THE YES ALBUM
Yes
4.30 | 2136 ratings
THE SNOW GOOSE
Camel
4.28 | 2402 ratings
A TRICK OF THE TAIL
Genesis
4.47 | 400 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.31 | 1103 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.31 | 805 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1942 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.26 | 1008 ratings
VILJANS ÖGA
Änglagård
4.25 | 956 ratings
HAMBURGER CONCERTO
Focus

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
LA MARCHE DES HOMMES
Morse Code
SAECULA SAECULORUM
Saecula Saeculorum
BRIDGE ACROSS FOREVER - THE LIMITED EDITION
Transatlantic

Latest Symphonic Prog Music Reviews


 Beacon Of Light by ADVENTURE album cover Studio Album, 2009
3.36 | 28 ratings

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Beacon Of Light
Adventure Symphonic Prog

Review by TenYearsAfter

3 stars 'Dynamic vintage keyboard layered Norwegian Heavy Prog'

Here's a band from Norway, founded in the early Nineties, in 2000 Adventure released their eponymous debut album, then it took nine years to produce this successor entitled Beacon Of Light (2009). And we had to wait another five years for their third album entitled Caught In The Web. This review is about their second album Beacon Of Light.

The 13 compositions on Beacon Of Light are layered with the sound of vintage keyboards: the Hammond organ, Mellotron violin ' and choir section and especially the Minimoog synthesizer. The atmospheres are often heavy and bombastic, with hints of Heavy Prog bands like Uriah Heep, Deep Purple, Ritchie Blackmore's Rainbow and Dutch pride Ayreon. Due to the raw, slightly theatrical male vocals and frequent Minimoog flights also early Rick Wakeman solo comes to my mind.

For me the interesting element in Adventure their music is the contrast between the omni-present Heavy Prog sound (loaded with wah-wah guitar, sumptuous Hammond organ and fat Minimoog flights), the mellow atmospheres (featuring acoustic - and classical guitar, flute, Grand piano and cello) and the slow rhythms with wonderful, very sensitive electric guitar work.

My highlight is the long, varied and compelling title track (Part 2). From the intro with flute and soaring keyboards to a bombastic keyboard sound with fat Minimoog runs and mindblowing Hammond (evoking Jon Lord), majestic choir- Mellotron drops. And in the end a slow rhythm with fiery wah wah guitar and again bombastic keyboards, goose bumps!

In general this Norwegian formation succeeds to generate a lot of excitement with their tasteful arranged compositions, embellished with glorious sounding vintage keyboards and exciting wah-wah drenched guitar play. Especially recommended to Heavy Prog fans.

My rating: 3,5 star.

 Harmonium En Tournée by HARMONIUM album cover Live, 1980
4.22 | 84 ratings

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Harmonium En Tournée
Harmonium Symphonic Prog

Review by Glimpse

4 stars En Tournée has developed a bit of a reputation with it being the only known testament of the legendary Quebec band Harmonium's live prowess. The album itself has a rather odd history, in that it was originally released but quickly withdrawn due to it not being approved by the band. It only recently saw the light of day again in 2002, as a rather reluctant response to the (at the time) recent emergence of bootlegged versions on CD. Even still it's not the easiest album to get a hold of, especially due to it not being available digitally.

The audio quality in this release is absolutely fantastic, and I wouldn't expect any less from a show professionally recorded by Radio-Canada. The show itself only covered the band's 3rd album, L'Heptade an album which I have been quite into at the time of writing this.

Its always interesting to see a live version of an album you've become so familiar with, as you never quite know what to expect. En Tournée provides a rather unique take on L'Heptade, while not as polished as the album itself, the variation presented in the performance is enough to keep anyone familiar with the source material interested. Most songs are faithful to the original recording with some slight variation. For example, the track Le Premier Ciel features a good deal of saxophone work not heard on the album version.

I would have wished that it had covered material from all three of their albums rather than just L'Heptade, but I should be grateful there is even as fantastic a live recording as this available at all. I'm feeling a strong four stars, maybe 4 1/2, it's pretty darn close to perfect and should definitely be owned by anyone who considers them-self a fan of Harmonium's work.

 Chronomonaut by GLASS HAMMER album cover Studio Album, 2018
4.32 | 13 ratings

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Chronomonaut
Glass Hammer Symphonic Prog

Review by OldSchoolProg

4 stars Glass Hammer releases another solid epic with Chronomonaut. Much more melodic and lyrical, the progressive rock elements may remain a bit muted, but the song writing and orchestration is excellent. Added instrumentation, winds and strings, add another layer to their repertoire. Track 4 "The Past is the Past" stands out as a longer more progressive work that I keep going back to. Enjoy the variety of vocals and guest artists, Matthew Parmenter (vocals) and Chris Herin from Discipline is a pleasant surprise. Glass Hammer led Fred Schendel and Steve Babb continue to craft some great stories with music, excellent tone painting, yet they continue to evolve and change, not settling for old formulas. I may be partial to the Cor Cordium and Perilous era, but sometimes you don't need something that heavy musically, the melodic elements are very strong with this release. Buy it, dissect it, enjoy it!
 Chronomonaut by GLASS HAMMER album cover Studio Album, 2018
4.32 | 13 ratings

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Chronomonaut
Glass Hammer Symphonic Prog

Review by javajeff

5 stars This is another excellent release from Glass Hammer, and it is recommended for progressive rock fans. They get an A+ for production and musical direction on Chronomonaut, and this may just be the most ambitious release they have ever done. The sax and horns makes this their jazziest release, with a ton or prog and a sliver of blues. I love the direction that Glass Hammer is taking with this release, and feel they should continue on these lines with more of a jazz-rock vibe like a proggier Chicago. There are no bad tracks on Chronomonaut, and it takes the listener on an eclectic adventure with a ton of variety. "1980 Something" is a standout track that features Susie Bogdanowicz on vocals, and starts with some static to take you back in time to your 1980 LP years. It has some excellent guitar strumming and solos, as well as the excellent performance by Susie. The last track is the 10 minute "Fade Away" with Matthew Parmenter on vocals, which is an amazing ending to Chronomonaut. Overall, there is so much to enjoy here, and I have no issue calling this the best Glass Hammer release on ambition alone. 4.5 stars.
 Hollowscene by BANAAU / HOLLOWSCENE album cover Studio Album, 2018
3.82 | 25 ratings

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Hollowscene
Banaau / Hollowscene Symphonic Prog

Review by TenYearsAfter

3 stars This Italian project was founded in 1990 as Banaau by the duo Andrea Massimo (guitar) and Lino Cicala (keyboards), their work was inspired by literature from T.S. Elliot and E.A.Poe. The following years the band alternated between success and disappointments and finally disbanded. But in 2011 Andrea and Lino reunited and released the EP The Burial in 2015. Then they changed their name into Hollowscene and released the eponymous debut album on the known Italian prog label Black Widow Records in 2018. As a 7-piece formation, including two players on guitar, two on keyboard, a flute player, a drummer and a bass player with bass pedals.

After a few listening sessions I conclude that Hollowscene makes wonderful music, obviously Seventies Genesis inspired (especially the SEBTP and W&W albums) but also with hints from IQ (bombastic parts with howling electric guitar). The six own very melodic and harmonic compositions (ranging from 5.58 to 13.13) alternate between dreamy with soaring flute, tender piano and warm twanging acoustic guitars and bombastic with flashy synthesizer flights, lots of angelic Mellotron choirs and powerful Hammond organ . This is topped by many moving and sensitive electric guitar soli, often evoking Steve Hackett but also Mike Holmes. The compositions sound very pleasant with a tasteful colouring by guitars, keyboards and flutes.

The final track is the Gentle Giant cover The Moon Is Down (from the 1971 album Acquiring The Taste), Hollowscene has succeeded to give this song a beautiful own flavour, no brass but the emphasis on piano and flute. But now to the vocals: the English is decent but not only in this track but also in the other six compositions his voice lacks power, intensity and passion. As an instrument the vocals don't sound at the level of the other instruments, in a negative way. I wish he had sung in his native language, this would have matched way better with the wonderful and varied symphonic rock on this album.

My rating: 3,5 star.

The first edition of this review was recently published on Dutch prog website Background Magazine.

For more information about other, very interesting Italian prog band O.A.K. (not on PA) their splendid album Giordano Bruno (2018), see my social comment.

 Wild Dogs by CIRKUS album cover Studio Album, 2018
4.64 | 5 ratings

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Wild Dogs
Cirkus Symphonic Prog

Review by Voodoo

5 stars I've already rated the bootleg version of this album. But really, the definitive version is a great improvement for the sound. It's not only a remastered and a remixed.... all the guitars, the bass and the vocals have been rerecorded. Some songs as Dead End have been completely remade with a new structure. There are, as we know, several trends in prog rock. But, in symphonic, old fashion like approach, it's really a must. Near two and a half hours of songs that explore a really wide palette of colors in arrangements. Most of all, the melodies still deep and emotional in a suggestive environment. I still rate it at 5. I do so when I can't stop to listen something over the weeks and periodically come back to it.
 Midas Man by RENAISSANCE album cover Singles/EPs/Fan Club/Promo, 1977
4.00 | 1 ratings

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Midas Man
Renaissance Symphonic Prog

Review by Matti
Prog Reviewer

— First review of this album —
4 stars After a year of no new studio material from Renaissance (only the double album Live at Carnegie Hall came out in 1976), 1977 saw the release of Novella, which I definitely count among the group's finest achievements. Sadly some critics don't agree at all, for example All Music Guide's Bruce Eder rates Novella strangely with two stars only. That beautiful album contains lengthy symphonic epics 'Can You Hear Me?' and 'Touching Once (Is So Hard to Keep)' and three shorter tracks, the whole leaning towards introspective and melancholic feeling which may put some listeners off. This single has two shortest songs from Novella, but they are nevertheless very representative of the album's overall atmosphere. It must be quite rare to have a single with both songs this firmly in minor key.

'Midas Man' sees Annie Haslam in a very central role while the acoustic guitar oriented arrangement is kept rather simple. The deeply melancholic and moving song about greed makes me imagine a Renaissance-era group performing in a Medieval church.

B-side's song 'The Captive Heart' is coloured by classically flavoured, decorative melodies of piano. Haslam's gorgeous voice is again the true star of the song, with excellent vocal harmonies in the chorus. While this song is slightly more light-hearted and brighter than 'Midas Man', also it has a deeply melancholic undertone. It's very understandable that not all Renaissance fans value such minor key intimacy so highly, but I love these songs as much as I love Novella as an album.

 L'Orient d,Ô by ORIENT D'Ô, L' album cover Studio Album, 1978
3.50 | 6 ratings

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L'Orient d,Ô
L' Orient D'Ô Symphonic Prog

Review by Progfan97402
Prog Reviewer

4 stars L'Orient D'ô is one of those bands I never heard of until now, and it's easy to understand as it was only released on vinyl and never reissued. They're yet another one of those Quebecois prog bands that I'm happy to discover. Their sole album appeared at the end of 1978 (I presume, it was recorded in October and November 1978, it could have been released at the start of 1979, but the LP clearly gives a 1978 copyright and there's a possible chance this album was rush released in time for the Christmas season). It was on Capitol Records, which made me wonder if the label was searching to fill in a void left by Morse Code, who by 1978 seemed to have broken up.

The group consisted of keyboardist Lorraine Blanchard, vocalist Serge Fréchette (he's also credited to sax, but I didn' notice any), guitarist Gaétan Laurendeau, bassist Serge Martineau, and drummer Marc Prud'homme. Lorraine Blanchard is one of the rare examples of female keyboardists in prog, the photo of her reminds me of Tina Louise's role as Ginger Grant in Gilligan's Island, but not a redhead and with that late '70s/early '80s hairdo. Anyways, the music isn't too terribly different from the French school of prog like Ange and Atoll, along with Quebecers Morse Code. Serge Fréchette has a bit of an operatic voice so his vocals may not be to everyone's liking, but I got used to it, but the album itself is very good, and I really dig Lorraine Blanchard's keyboard playing, really nicely done. Highlights for me include "Amoureusement Vôtre", "Démon de Ville", "L'Orient D'ô" and "Si la Vie Vous Intéresse". "L'Orient D'ô" has a bit of a Middle Eastern influence in the music, while 'Démon de Ville" starts off reminding me a bit of Pollen (when they're trying to imitate Gentle Giant). It sounds like "Madame Rivard" regards Quebec, as Quebec keeps getting referred to in the part with what sounds like a game show host. Don't know what he's on about not knowing the French language. The LP does come with printed lyrics but not for the "game show host" part.

It's also no surprise this was their only album, given they arrived a bit too late to make much of an impression. While Maneige continued into the early '80s, most of the major prog bands of Quebec had pretty much called it a day.

This album actually grew on me quite a bit. Certainly it's not a mindblowing album that every proghead must hear. After all it's on the mellow side of prog, so nothing that really rocks out. But it's nice to hear.

 La Máquina De Hacer Pájaros by MÁQUINA DE HACER PÁJAROS, LA album cover Studio Album, 1976
3.99 | 128 ratings

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La Máquina De Hacer Pájaros
La Máquina De Hacer Pájaros Symphonic Prog

Review by TenYearsAfter

4 stars Charly Garcia is a known name in the Argentine prog, I stumbled upon his name when I got a few albums from Sui Generis to review for a Dutch progrock magazine. I highly recommend their CD Pequenas Anecdotes Sobre Las Instituciones from 1973, unique, very varied prog with a typical Latin-American touch and loaded with strong ideas and shifting moods: the one moment the atmosphere is mellow with twanging acoustic guitars, flute, violin or Grand piano, the other moment it is blues with mouth organ or sumptuous symphonic rock with Moog synthesizer flights or beautiful strings. After Sui Generis disbanded Charly Garcia founded La Maquina De Hacer Pajaros, with this band he released two albums, La Maquina De Hacer Pajaros (1976) and Peliculas (1977). This review is about their eponymous debut album, more symphonic rock than the second effort (with the emphasis more on latin and soul).

The cover of their first album contains funny cartoons, far away from the Roger Dean, Hipgnosis and Mark Wilkinson album covers! Charly Garcia is not only the prime mover and composer but also a multi-instrumentalist: he plays piano, synthesizers, Fender piano, clavinet, acoustic guitar and he does the lead vocals. A nice element is the presence of a second keyboard player, Carlos Cutaia on organ, Mellotron, piano and an array of vintage synthesizers. The music is very melodic, harmonic and varied with lots of different atmospheres and shifting moods. The one moment it is Sixties inspired or rock, the other moment classical, jazzrock or symphonic rock. The songs are embellished with outstanding soli (from fiery guitar to spectacular synthesizer) but without the infamous 'self-indulgence tendency'. And the interplay is amazing, this is excellent latin-American progressive rock, alternating between a wide range of styles, and featuring that unsurpassed distinctive cheerful Latin-American climate.

This is very interesting prog to discover for the adventurous proghead.

 The Cross by LITTLE TRAGEDIES album cover Studio Album, 2008
3.83 | 37 ratings

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The Cross
Little Tragedies Symphonic Prog

Review by TenYearsAfter

4 stars My review # 250.

'Awesome musicians, exciting prog, from Russia'

The Russian progrock formation Little Tragedies was founded in 1994 by composer Gennady Ilyin, a graduate of the St. Petersburg Conservatory. Between 1995 and 2014 the band has released 13 studio-album, the first 3 as a trio featuring Gennady Ilyin on keyboards, Yuri Skripkin on drums and Oleg Babynin on bass. Since their next effort entitled Return from 2005 Little Tragedies turned into a five piece formation, including a guitar ' and saxophone player. I follow this outstanding band for more than a decade and I am impressed how they have matured, and how they keep on delivering quality albums. After my reviews about their two excellent 2009 albums The Paris Symphony and The Magic Shop I would like to go back one more year in time, this review is about their CD # 9 entitled Cross. I am delighted about the great tension between the bombastic and mellow songs, the inventive arrangements and the excellent work on keyboards and guitar, these musicians succeed to keep my attention this entire album!

1. Cross (8.34): This CD (running time 62 minutes) starts with the long titletrack, what an exciting experience: ultra- bombastic atmospheres with sensational synthesizer flights, flowing guitarwork, powerful Hammond waves, a very propulsive and dynamic rhythm-section and awesome interplay.

2. Autumn (4:57): After a warm classical guitar intro, the climate turns into mellow featuring soaring Hammond organ, soft synthesizer runs and almost whispering Russian vocals, what a contrast with the first song!

3. Lakes (4:13): A dreamy atmosphere with wonderful interplay between keyboards and sensitive electric guitar, halfway a break with a bass solo (accompanied by tender piano) and in the end pleasant work on the clarinet.

4. Old Abbey (7:32): A very varied composition: an intro with delicate interplay between harpsichord and synthesizers, then a slow rhtyhm that turns into bombastic with exciting synthesizer flights and finally a dreamy climate with acoustic guitar, warm vocals and moving guitar runs.

5. Portrait of a Man (3:46): The flamenco guitar intro strongly evokes Spanish Caravan by The Doors to me, then a mellow atmosphere that is beautifully coloured by clarinet, vocals and howling electric guitar.

6. Tanets (4:28): A cheerful song that reminds me of Seventies Mike Oldfield with a wide range of instruments, including a swirling Hammond organ solo.

7. The Voice of Silence (19:10): This epic composition delivers lots of spectacular bombastic parts with dazzling synthesizer runs, ELP inspired Hammond work and exciting interplay between guitar and keyboards. Very subtle is the blend of flamenco rhythm guitar in some parts, it gives a special flavour to the music.

8. Eagle (6:42): After a spacey intro, we can enjoy wonderful interplay between piano and Hammond organ, topped by moving electric guitar. What a tension in the music and what a contrast with the bombastic part of this stunning Russian progrock formation!

9. Hippopotamus (2:48) : Again great interplay between guitar and keyboards, along a pleasant intro with clarinet and vocals. The final part features a spectacular synthesizer solo, what a virtuoso!

This is a top notch progrock formation that started as a kind of 'ELP meets Ayreon', but gradually Little Tragedies developped a more varied and elaborate sound, highly recommended!

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON / STOLT Multi-National
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ARS PRO VITA Brazil
ART IN AMERICA United States
ASA DE LUZ Brazil
XAVIER ASALI Mexico
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU / HOLLOWSCENE Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
CARAVELA ESCARLATE Brazil
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CÓDICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
G.A.L.F. Brazil
GALASPHERE 347 Multi-National
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GÒTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
IRON DUKE Denmark
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
JORDSJØ Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
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