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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes†the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something†easy to understand being that†most of the†classic and/or †pioneer†bands†released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by†Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being†that†their sound†is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's† (more precisely until the release of A Trick of the Tail), when the genre begins to† blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It†is important to remember that even though the creative peak of Symphonic Progressive†ended before the 80's,†we can find†a†second birth†in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because†these†bands†very rarely†played symphonies and was†probably used because the music that influenced the genre was†performed by Symphony Orchestras, but†it is†so†widely accepted†by the Progressive Rock community that†would be absurd and futile for†anybody to†attempt a change after so much time.

IvŠn Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

IvŠn Melgar Morey (IvŠn_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 4104 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3828 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3326 ratings
FOXTROT
Genesis
4.44 | 3237 ratings
FRAGILE
Yes
4.42 | 2898 ratings
NURSERY CRYME
Genesis
4.40 | 2435 ratings
MIRAGE
Camel
4.38 | 2081 ratings
MOONMADNESS
Camel
4.36 | 2796 ratings
RELAYER
Yes
4.38 | 1583 ratings
HYBRIS
ńnglagŚrd
4.35 | 1190 ratings
SI ON AVAIT BESOIN D'UNE CINQUI»ME SAISON
Harmonium
4.29 | 2732 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2619 ratings
THE YES ALBUM
Yes
4.29 | 2104 ratings
THE SNOW GOOSE
Camel
4.27 | 2368 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1076 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.24 | 1910 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.47 | 328 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.31 | 796 ratings
DEPOIS DO FIM
Bacamarte
4.25 | 991 ratings
VILJANS ÷GA
ńnglagŚrd
4.25 | 945 ratings
HAMBURGER CONCERTO
Focus

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
SKRYVANIA
Skryvania
WELCOME TO THE FREAKROOM
Shadow Circus
BRIDGE ACROSS FOREVER - THE LIMITED EDITION
Transatlantic

Latest Symphonic Prog Music Reviews


 The Key to Perception by KARFAGEN album cover Boxset/Compilation, 2009
3.95 | 57 ratings

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The Key to Perception
Karfagen Symphonic Prog

Review by TenYearsAfter

3 stars "FIRST REVIEW OF THIS ALBUM"

Karfagen is a musical project by Antony Kalugin (1981, Ukraine), in 1994 he gathered some friends and created Karfagen, although it was a school band that played mainly their own music. In 1997 Antony entered architectural university (he is an architect by profession) but continued to walk the musical road. And in 1998 he recorded his first album in a studio, looking back it was very raw and unprofessional but Antony was only 17 and what knew hardly anything about mixing and mastering. Until 2001 lots of the vocals were written in Russian, later in 2001 Antony completed his first fully electronic album entitled The Water (new age, ambient, Art-rock). From 2003 until 2006 he composed and recorded lots of new age and enigmatic stuff. This was a commercial step but this gave him an opportunity to be a musician, in late 2005 the first Karfagen album Continium was recorded, it was released on Unicorn Digital (Canada), followed by MANY studio-albums, the latest is Message From Afar - First Contact FROM 2017. But this review is about a double compilation CD, released in 2009, after his first two Karfagen albums.

This 2-CD contains material that spans the time between 1997 and 2007. In the booklet Antony explains "that he likes to scout the boundaries of Art-rock, jazz, ethnic and new age music with Pat Metheny, Focus and Camel as brilliant examples".

The quality of the 37 tracks on the two CD's (both around 80 minutes) alternates between 'nice studio ideas' to good compositions'. The music is very melodic featuring lots of mellow and atmospheric climates in which the keyboards sounds varied: from tender or sparkling Grand piano (strong solo piece in the Emerson-like The Dream Master) or soaring strings to lush violin- and choir-Mellotron, powerful organ and Larry Fast-like synthesizer work. At some moments the songs contain more fluent or swinging rhythms with powerful electric guitar (like the jazz rock inspired The Other Side) and a dynamic rhythm-section. The colouring with the instruments is often wonderfully and ranges from violin or classical guitar to accordion, sitar (in the experimental Masks And Illusions) and flutes. This gives the music a special flavour. My favourites are

the alternating A Winter Tale - Part 1 (wonderful work on keyboards and electric guitar),

Silent Anger (beautiful interplay between Mellotron and acoustic guitar),

Let Go (Floydian guitar, impressive choir-Mellotron sound and fat synthesizer flights),

The Space Between Us (from dreamy with piano and sensitive guitar/synthesizer duel and a fiery guitar solo, accompanied by majestic choir-Mellotron)

and Night Flight Jam (swinging organ and drums and strong solos on violin and electric guitar).

A pleasant 2-CD that will please those progheads who appreciate the work of Antony in Karfagen and other projects (Hoggwash and Sunchild).

My rating: 3,5 star.

 In the Region Of The Summer Stars by ENID, THE album cover Studio Album, 1976
3.90 | 21 ratings

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In the Region Of The Summer Stars
The Enid Symphonic Prog

Review by Warthur
Prog Reviewer

4 stars This is an album which inspires a lot of "Ifs" from me. If it had just been released a few years earlier... if the Enid and their mastermind Robert John Godfrey hadn't had such a turbulent career... if they hadn't been forced to re-record the album for CD reissue for ridiculous legal reasons... if any of these factors had been different, I wonder whether we'd regard the Enid as one of the top-flight prog bands of the 1970s. They might have had a shot, since they are one of a select group of bands - such as Genesis, Yes, King Crimson, or Gentle Giant - who could say that they carved out a style in the 1970s which was uniquely their own and could be instantly recognised as such.

Quite simply, no other band quite managed to bring together a combination of classical music techniques and styles, high-calibre technical proficiency and musicianship, and emotional breadth and depth as the Enid - and it's the emotional aspects of the music which are given priority. From the playfulness of the Fool, to the fear evoked by The Last Judgement or Death, to the warmth of The Lovers and The Sun, the compositions never fail to evoke an incredible depth of feeling that other bands of the time sometimes struggle to convey - and all without saying a word.

I highly recommend seeking out the original version of the album - I first heard the rerecording, which left me cold, but the original opened my eyes to what the Enid could do. Supposedly, Godfrey intends to do another rerecording, as part of a project to produce final, definitive editions of all the Enid albums; I'd be interested to hear how that turns out, though for now I will enjoy the 1975 version, vinyl hiss and all.

 A Vulgar Display Of Prog by MOONGARDEN album cover Studio Album, 2009
3.56 | 95 ratings

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A Vulgar Display Of Prog
Moongarden Symphonic Prog

Review by TenYearsAfter

3 stars Moongarden has turned into a very interesting progrock band since their debut album entitled Moonsadness from 1994, although this album (2009) is only their eight studio-album in 20 years (their latest is Voyeur from 2014). In 2010 I attended a Moongarden gig in The Netherlands (they were support-act for Beardfish), one of the first Italian prog bands I ever witnessed on stage. And they made a lot of fans that evening, also due to their charismatic singer.

On A Vulgar Display Of Prog (65 minutes, 8 songs) Moongarden invites us again on an interesting and captivating musical journey, these guys play progressive rock in the true meaning of the word. The one moment it's bombastic Seventies symphonic rock (in the vein of 76-77 Genesis) with lush Mellotron and a powerful guitar sound or mellow with dreamy vocals and ambient keyboards (Demetrio And Magdalena). The other moment we can enjoy an 'Eighties Queen synthesizer sound' (Mdma) or a heavy guitar wall with rap-like vocals (Compression), what a stunning variety! And I am absolutely delighted about the interplay between the guitars and keyboards: goose bumps in Aesthetic Surgery (howling guitar with choir-Mellotron), Wordz & Badge (exciting duel between aggressive guitar riffs and choir- Mellotron) and Demetrio And Magdalena (again howling guitar with bombastic choir-Mellotron). At some moments Moongarden also sounds mellow and warm with a strong emotional undertone like in Aesthetic Surgery featuring a tender piano and melancholical vocals ("I am an artist, not God"). Those vocals are an important part of Moongarden their distinctive sound with a lot of emotion and expression, a pretty unique voice in the progrock of the last two decades.

Although this music is not always my cup of tea, I am impressed, 15 years after their debut album Moongarden Moongarden were still alive and progging!

My rating: 3,5 star.

 Hocus Pocus 2 by FOCUS album cover Singles/EPs/Fan Club/Promo, 1972
2.14 | 2 ratings

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Hocus Pocus 2
Focus Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

2 stars The Punk version

Hocus Pocus 2 is a different version of Hocus Pocus. This version was never included on any album, but was released as a single in some territories with House of the King on the B-side. In America, Hocus Pocus 2 was released as the B-side to Hocus Pocus (the single edit of the "normal" version).

The "sequel" starts out quite differently with just drums and bass, before the familiar guitar riff enters. It is played faster than the original version, and comes off a bit rawer; Punkish almost.

A bit of a curiosity, this rare version may be interesting for hard core fans and collectors. But the novelty wears off quickly, and it certainly does not stand up to comparisons with the original Hocus Pocus.

 Tommy / Focus II by FOCUS album cover Singles/EPs/Fan Club/Promo, 1972
2.10 | 2 ratings

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Tommy / Focus II
Focus Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

2 stars Introduced by Pupilla

Tommy (Introduced by Pupilla) is an excerpt from Eruption, which occupies the second side of the Moving Waves album. It is not an obvious choice for a single, but it was so released coupled with Focus II from the same album. The latter is an excellent number, but the former does not really benefit from being taken out of its context and presented in this form. For a big Focus fan like me, it is interesting to hear the edited version. But once the curiosity has been settled, there is not much enduring value in this snippet from Eruption, making it for fans and collectors only.

The single version of Tommy later appeared on the compilation Hocus Pocus: Best of Focus.

 Hocus Pocus / Janis by FOCUS album cover Singles/EPs/Fan Club/Promo, 1971
3.28 | 10 ratings

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Hocus Pocus / Janis
Focus Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars Sometimes less is more

An edited version of Hocus Pocus was released as a single to support the band's second album, Moving Waves (originally called Focus II). While the album version is almost seven minutes long, the single version is just over three minutes in length. Normally, I despise single edits, as they tend to butcher a great song, and in almost all cases it goes horribly wrong. Hocus Pocus is a rare exception, and I think that nothing of value is lost in this shorter version of the song. To the contrary, I actually think that the longer album version is overlong and repeats itself too many times, making this edited single version preferable over the album version.

The B-side here is Janis, a lovely instrumental taken from the Moving Waves album. The two sides of this single showcase two different sides of Focus very well, making it a very good advertisement for the band and for the Moving Waves album in particular.

A worthy single

 House of the King by FOCUS album cover Singles/EPs/Fan Club/Promo, 1970
3.00 | 2 ratings

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House of the King
Focus Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars A classic!

Penned by Jan Akkerman and clocking in at under three minutes, the instrumental House of the King was released as a single in 1970 and became a surprise hit for the band. The melody is driven by Thijs van Leer's wonderful flute.

The tune was not originally inlcuded on any album, but was later added on to some editions of the band's debut album, and again a few years later to Focus 3. The track has also been included on many compilations.

The B-side on this single was Black Beauty, taken from the debut album Focus Plays Focus (later renamed In and Out of Focus). But different versions of the single have other B-sides, and House of the King has itself appeared as the B-side on other singles by the band.

There can be no doubt that progressive Rock is an album genre, but there are some cases where a tune stands equally well (or even better) on its own as in the context of other songs, and House of the King is one of those cases.

 Cirkus by SINKADUS album cover Studio Album, 1999
4.13 | 106 ratings

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Cirkus
Sinkadus Symphonic Prog

Review by Warthur
Prog Reviewer

5 stars I overlooked this album for a great number of years. Part of this was because, like many listeners, I couldn't help but note the very, very great debt that Sinkadus owed Anglagard when it came to the sound of their debut album, Aurum Nostrum, and the soundalike approach caused me to overlook some of the better qualities of that album, which has only grown on me after a great many listens. Surely the followup would be much the same, I assumed - or, failing that, a fumbling attempt to update their sound.

I could not have been more wrong. On Cirkus, Sinkadus truly come into their own sound - still rooted in 1970s prog, still with an approach not dissimilar to that of Anglagard or Landberk, but with a particular mood and atmosphere and aesthetic that is all their own. There's a haunting, foreboding quality to much of the material here, and a certain broadening of the prog influences they take on board; there's some segments, for instance, which genuinely wouldn't be out of place playing on the soundtrack of some forgotten 1970s giallo movie out of Italy.

Whilst the melancholy of Aurum Nostrum overlaps somewhat with the melancholy that Anglagard or Landberk have managed to capture in some of their own releases, nothing from that Swedish prog scene is quite as spine-chilling as the dread-inducing material here - not even the Morte Macabre supergroup project which covered all those Italian prog horror soundtrack classics from back in the day.

Come back, Sinkadus: all is forgiven. Whilst their debut may have had a mixed reception (perhaps with some small justification), Cirkus is an outright overlooked classic which doesn't deserve to languish in obscurity - nor do Sinkadus deserve to do the same. As I understand it, they've never formally announced a breakup, so perhaps we can hold out hope that one day this haunted circus will come back to down...

 Echolyn by ECHOLYN album cover Studio Album, 2012
4.05 | 513 ratings

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Echolyn
Echolyn Symphonic Prog

Review by Luqueasaur

2 stars As tasty as distilled water and as interesting as a drying wall: 5/10

(okay, it's not that bad. BLOMLJUD is that bad, not this.)

When it comes to ECHOLYN's second eponymous album, you can't dismiss the band's warm and catchy melodies, but you can certainly dismiss the safe and uninteresting arrangements. I don't know about you, but I like experimentalism in my morning bowl of milk and crunchy prog rock. But, ECHOLYN... lads, where's the boldness? The uncategorizable sounds, the unexplored melodies, and arrangements that make prog, progressive? Where? That's my first issue with this album.

I'll be fair, there are stances where prog isn't necessarily what I described as an ideal prog rock accompaniment to morning milk bowls. Epitaph, pretty much all of STEVEN WILSON's solo work, ECHOLYN itself are good examples of that deviation of the norm... and none of them ring a bell to me. Truth be told, my enmity towards ECHOLYN lies mostly on a level of personal taste rather than an "objective" (if such term is even applicable to music) lackluster concept or performance by the band. Come to think of it, I am hostile towards Crossover Prog in general, and this album is the prime definition, or at least in my mind the paramount example of such ProgArchives-created genre, so no wonder this characteristic is my second issue regarding the record.

With that in mind, I can sum up my whole concept very shortly: I like energetic, lively, fluid music. Dynamic rhythm, innovation, unforeseen ideas are all important to me. Crossover Prog hardly fits those criteria (when it does, like in the track Headright, I take off my hat). So I end up not liking it. ECHOLYN sounds like it. I end up not liking it. La Fin.

If you like music that sounds like Crossover Prog, ignore me and give it this a go. If it ain't your thing, though? Avoid this. Go check SUFFOCATING THE BLOOM and observe, drowning in an amalgam of shock and gloom, how ECHOLYN totally nails GENTLE GIANT-esque creativity... and fifteen years later, seems to completely forget how to do so.

 Tales From Topographic Oceans by YES album cover Studio Album, 1973
3.89 | 2228 ratings

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Tales From Topographic Oceans
Yes Symphonic Prog

Review by Eric_T

4 stars A couple of months ago MOJO magazine published an article on "critically-loathed albums which people love" and invited the readers to write in with their choices. I chose this album.

One of the most annoying "truisms" in rock journalism is that Prog was bloated and self-indulgent and needed to be blown away by the "refreshing" simplicity of Punk. This album is often cited as a major reason why Punk needed to exist. However many of the better Punk/New Wave musicians disagreed with this type of thinking and were big Yes fans. One such was Keith Levene of PIL, who were as adventurous in their sphere as Yes were in theirs. Prog and Punk share a spirit of experimentation and ambition.

This is Yes at their most extreme, pushing all the boundaries. In particular it is an excellent showpiece for Steve Howe's guitar playing, especially on Side Three. Wakeman does not have so many solo slots as on previous Yes albums, taking more of a background textural role (maybe that's why he's never been fond of the album). Chris Squire sounds great throughout and provides a lot of the muscle. The musical themes are strong and memorable, and each side maintains its momentum throughout.

Flaws ? Some of the passages are extended that minute or so too long. The lyrics are hardly Elvis Costello (but are appropriate in context). And there isn't any music here which quite reaches the peaks of "Starship Trooper", "Roundabout", or side one of "Close To The Edge".

In summary this is a highly-adventurous album full of marvellous themes and playing. If it does occasionally over- reach itself then that's far better than the sort of mediocre two-chord thrashes which the majority of Punk acts churned out.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON / STOLT Multi-National
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANGE France
ANGIPATCH France
ńNGLAGŇRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APH…LANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ARS PRO VITA Brazil
ART IN AMERICA United States
ASA DE LUZ Brazil
XAVIER ASALI Mexico
ASIA MINOR Turkey
ASTRň United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
CARAVELA ESCARLATE Brazil
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOS… CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
C”DICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
…TERNIT… Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FL‹GHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRŃGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
G.A.L.F. Brazil
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
G“TIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MIL NIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
IRON DUKE Denmark
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJ÷RN JOHANSSON Sweden
JORDSJō Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOGAION Romania
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
L'ORIENT D'‘ Canada
LADY LAKE Netherlands
LANVALL Austria
LŃQUESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
PńR LINDH AND BJ÷RN JOHANSSON Sweden
PńR LINDH PROJECT Sweden
LITTLE TRAGEDIES Russia
CAILYN LLOYD United States
THE LOAD United States
LOCH NESS Brazil
LORD FLIMNAP Israel
M-OPUS Ireland
DUNCAN MACKAY United Kingdom
MADAME CLAUS Argentina
MADISON DYKE Germany
MAGDALENA Japan
MAGIC PIE Norway
MAGIC SPELL Switzerland
NICK MAGNUS United Kingdom
MAGRATHEA United Kingdom
MAHOUJIN Japan
MAINHORSE Switzerland
MALDOROR France
MANDALABAND United Kingdom
MANDRAKE Japan
MANGROVE Netherlands
MANTICORE Sweden
MANTRA Spain
LA MŃQUINA DE HACER PŃJAROS Argentina
MARCO Mexico
MARYGOLD Italy
MASQUE PREMIERE United States
MAZE OF TIME Sweden
MEDINA AZAHARA Spain
MELVIN'S NOSEHAIR Netherlands
MEMORIANCE France
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