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EXODUS

Symphonic Prog • Poland


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Exodus biography
Probably the best Polish symphonic group. It was founded in 1976. From the beginning, the musicians had concrete, defined musical interests. Their intention was to play rock music strongly influenced by classical music. Some people call them "Polish YES" because of the symphonic sound and high, delicate vocal of Pawel Birula.

They used to play mainly at the Warsaw student club Riviera-Remont where they had a lot of young fans. In the first half of 80-ies EXODUS had a tournee in the USSR and West Germany. They recorded a few TV programs, did many radio recordings and released a few singles that were received very well. But singles don't adequately render the specific character of their music. They had the tendency for creating bigger forms of music and wanted their concerts to become para-theatrical shows.

In 1980 they released the first album "The Most Beautiful Day" here they placed a few shorter lyrical tracks and 20-minute great title suite. In 982 the second album appeared "Supernova". The symphonic rock was in crisis and the musicians directed more into shorter forms however very beautiful and lyrical. The lyrics are very important, so to appreciate the whole album it is necessary to know them.

For international progressive rock audience I especially advise the first record.

SOURCE: http://www.geocities.com/RainForest/7852/poland/exodus.htm

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Buy EXODUS Music


Fabulous DisasterFabulous Disaster
Relativity 1990
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Bonded By BloodBonded By Blood
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Relativity 1989
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Exodus - Original SoundtrackExodus - Original Soundtrack
Remastered · Soundtrack
Buddha 2001
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Explicit Lyrics · Remastered
Relativity 1999
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Nuclear Blast Americ 2010
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Megaforce 2008
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Nuclear Blast 2007
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Shovel Headed Kill MachineShovel Headed Kill Machine
Nuclear Blast America 2005
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Impact Is ImminentImpact Is Imminent
Explicit Lyrics · Limited Edition
Caroline 2008
Audio CD$7.94
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More places to buy EXODUS music online Buy EXODUS & Prog Rock Digital Music online:
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EXODUS shows & tickets


  • Slayer + Exodus + Suicidal Tendencies at Saltair, Magna, UT on 9 May 2014
  • Slayer + Exodus + Suicidal Tendencies at Fillmore Auditorium, Denver on 10 May 2014
  • Slayer + Exodus + Suicidal Tendencies at Shrine Auditorium, Billings, MT on 11 May 2014
  • Slayer + Exodus + Suicidal Tendencies at Uptown Theater, Kansas City on 13 May 2014
  • Slayer + Exodus + Suicidal Tendencies at The Pageant, St Louis on 15 May 2014
  • Slayer + Exodus + Suicidal Tendencies at Eagles Club/The Rave/Eagles Ballroom, Milwaukee on 16 May 2014
  • Rock on the Range on 16 May 2014
  • SLAYER at The Rave on 16 May 2014
  • Antwerp Metal Fest 2014 on 11 Jul 2014
  • Bang Your Head on 11 Jul 2014
  • Fezen 2014 on 31 Jul 2014
  • Heavy Montreal 2014 on 9 Aug 2014

EXODUS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

EXODUS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.98 | 48 ratings
The Most Beautiful Day
1980
3.62 | 27 ratings
Supernova
1981
4.00 | 9 ratings
Nadzieje, niepokoje
2006
2.28 | 9 ratings
Hazard
2006

EXODUS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

EXODUS Videos (DVD, Blu-ray, VHS etc)

3.50 | 2 ratings
A Ray Of Sunshine
2006

EXODUS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 2 ratings
Najpiekniejszy Dzien
2000
3.91 | 11 ratings
The Most Beautiful Dream Anthology 1977-1984
2006

EXODUS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.86 | 7 ratings
Single Collection
1992

EXODUS Reviews


Showing last 10 reviews only
 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

BUY
The Most Beautiful Day
Exodus Symphonic Prog

Review by tszirmay
Special Collaborator Crossover Team

5 stars A hunting we will go, a hunting we will go, I ho a dairy oh, a hunting we will go! After 42 years of prog stalking, you think you can smell a prey from far away but there is always some hidden gem that never lets itself be caught, sometimes highly adept at blending in with the scenery like a chameleon. In many cases, it's behind the former Iron Curtain that one can catch these little beasts, who for decades were in hiding from the Stalinist Music police, as anything with a Fender, Gibson or Moog was considered 'decadent imperialist propaganda' which was only laughable in that the whole 'Western' rock movement was inherently a social upheaval against overt capitalism and blatant materialism. Shows how inane those idiot commissars were! Hungary and Poland were relatively open to Western stylistics (Omega, Lokomotiv GT, SBB and Skaldowie) but Czechoslovakia, Bulgaria, Romania, East Germany and Mother Russia were severely reprimanded by the authorities governing music, where subversive lyrics were particularly targeted and annihilated. It explains why the all-instrumental jazz scene was so huge there, it was the only conduit for artistic dissent. So since 1989, there has been a flood of hitherto unreleased or poorly distributed material that begged for a new day in the free sun.

Exodus actually went to the unreal level of waiting for the People's Republic of Poland to begin its course towards change with the advent of Solidarnosc. 33 years later, I get to hear and purchase this phenomenal symphonic jewel. It's never too late to be impressed and feel cheated out of such pleasure for so long. There is a reason why Exodus are labelled the 'Polish Yes' mostly due to lead vocalist Pawel Birula's soaring Polish language voice and Wakeman copycat Wladislaw Komendarek's flowery keyboard display. The bass guitar is delicious but not as overtly trebly as Squire while the drums lean more towards White than Bruford (Who can drum like Bruford?). The percussor's name is Zbiegnew Fyk (it's not pronounced the way you may think, this is a family site!) and the soaring Howe-ish guitar strains are from Andrzej Puczynski who also plays bass, synths and background vocals. His brother Wojciech handles mostly bass and switches to guitar when prompted. They are all accomplished musicians with a clear and concise style that will appeal greatly to many prog fans. The mood spans the gamut from muscular to spacey, keeping things nicely spiced up and refreshing.

The opener "The Chosen Ones" is a romping anthem-like piece with tinges of Saga-like zeal and lots of bright sonics, weird synths noises and a hustling beat. The slippery electric axe solo is a definite highlight. Almost immediately a feel good sense kicks in, best exemplified by a ravishing melody on the delicious "Stary Noe", jangly guitars, high-pitched chorus and trashing cymbals all conspiring to carve utter beauty (an acoustic guitar solo of the finest pedigree). Birula's voice is simply wonderful and highly playful on the potent "A Golden Beam of Sun", Komendarek's synths carving some lovely patterns amid the exacting rhythmic pulse, while Fuczynski's guitar style will remind one of Bacamarte's Mario Neto. An upbeat, happy and empowering experience. The dreamy "The View from the Hill" offers some interesting synthesized sounds, clanging guitars, pulsating bass patterns and a divine vocal once again. It explodes literally into a deep space groove that inspires intently, an acoustic Genesis style that surprises with a Tony Banks-like synth chorus of grandiose beauty. When the mellotron layers onto the melody, the proverbial goose bumps appear. A fitting prep for the highlight epic track, the 19 minute title track suite, perhaps Polish prog's finest moment on record. Tremendous build-up with stinging guitar bites, sharp synths, booming bass rumbling and hard-hitting drums , Exodus ramp up the angst with a colossal crescendo of epic prog, fast , furious and exalting. Birula does some serious vocal calisthenics, giving his best theatrical inspiration (before Marillion even appeared on the scene), the volume pedal guitar work here is simply outstanding, clearly reminiscent of Steve Howe on "Gates of Delirium", allied with the harpsichord-like sounds in the background. The influence is uncanny but not clonish, just a fine piece of music all together. At the 9 minute mark, the ionospheric voice becomes breathtaking in its simplicity and effect. It evolves into another glorious melody, both fragile and confident, Birula really showcasing a serious vocal talent, allied with some simple choir work. Three minutes later, a basic and clean guitar riff kicks in, escorted by a loopy bass motif and they just both take off into the wild blue yonder, fueled by crazy Moog solo. There is an obvious Deep Purple tinge ("Highway Star"?) for a few minutes and then some Wakemanesque ivory play. A whispered vocal and grandiose coda finale ends this sucker on a very high note, the choir goodbye is just fantastic stuff!

First bonus track is the playful "Ponury Pejzaz", armed with a deliriously brilliant vocal and a chorus that will stick in your head forever. Pawel Birula moves from child to adult on the microphone with utter impunity. Imagine a hard lullaby and you will get the musical drift. Then we have an unpretentious ballad "Uspokojenie", straight out of the mid-period Genesis playbook, acoustic guitar carpeting a stunning and operatic vocal, cascading lead guitar lines and basic rhythm foundation. "W Kalendarzu?" puts this remarkable experience to bed, another sensational piece of vocal genius amid clanging rhythmic play, the voice spanning the spectrum, from spry to bold. A very slight hint of Aerosmith's "Dream On" and an Ian Astbury tinge at the end, only makes this reviewer smile as these are clever musicians making attractive symphonic prog.

I cannot recommend this 1980 jewel enough, it caught me by surprise and proved once again that there is immense treasure out there even for the seasoned prog pro I foolishly thought I was. I feel humbled and contented.

5 gorgeous eras

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 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

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The Most Beautiful Day
Exodus Symphonic Prog

Review by ClemofNazareth
Special Collaborator Prog Folk Researcher

4 stars Exodus are another band that I and probably most Westerners don't know much about, mostly because their heyday was spent behind the Iron Curtain. Like so many great Polish and other Eastern bloc bands from that era they had to wait for a freer and more tolerant world for their music to be made widely available. But that's good for us today now that the Wall is gone and these albums have most all been reissued on CD.

This particular album is a delight, with three bonus tracks to boot. I was skeptical of their symphonic prog claims after hearing the opening "Ci wybrani" which sounds a bit more like discordant avant-garde music influenced by the likes of Zappa and maybe Vanilla Fudge. Good music, but not what I was expecting for sure.

Things change dramatically with the opening strands of "Stary Noe", and the rest of the album shows a band quite skilled and comfortable with making the most of their collective skills. The delicate 12-string guitar and brassy percussion blend beautifully with the ranging alto vocals of Pawel Birula and keyboard sounds of Wladyslaw Komendarek. I've no idea what the Polish lyrics are all about but it really doesn't matter as the band delivers a solid composition with more than a little folk influence.

The nest two tracks "Zloty promien slonca" and "Widok Z góry najwyzszej" are more energetic with plenty of electric guitar and at times a pair of synthesizers, while Birula continues to strum along on acoustic guitar and provide lead vocals (though there are at least two other vocalists on both songs).

The original vinyl release closed with the nearly twenty-minute long "Ten najpiekniejszy dzien", a driving epic with enough tempo shifts to make your head spin while delivering complex electric guitar riffs, lush keyboard forays and plenty of heavy organ passages. This one is truly a classic symphonic rock composition and is worthy of inclusion in just about any collection that represents mid- to late seventies symphonic prog rock.

As far as the bonus CD tracks go, "Ponury Pejzaz" and "W Kalendarzu mojego Zycia" are heavier than most of the rest of the album and sound a bit Krautrock-influenced, while "Uspokojenie" qualifies as a rock ballad with just a bit of electric guitar bite to keep things interesting.

I wish I knew more about these guys and will definitely seek out some of their other recordings. As for this one I recommend it highly to both classic symphonic rock fans as well as students of Soviet-era Polish music. Four stars out of five for sure.

peace

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 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

BUY
The Most Beautiful Day
Exodus Symphonic Prog

Review by Mellotron Storm
Prog Reviewer

3 stars It's kind of funny that this Polish band has an English name and the album title does as well, yet they sing in Polish. Go figure. Anyway this is a pretty good Symphonic band who employ lots of synths.

"Ci Wybrani" opens with lots of keyboards then we get a guitar solo before a minute followed by vocals. Not a fan at all of the vocals on this tune. More guitar 3 1/2 minutes in.Thunder and rain end it. "Stary Noe" is much better with the gentle guitar and reserved vocals. Vocal melodies come and go. "Zloty Promien Slonca" is brighter and more uptempo. Synths come to the fore 1 1/2 minutes in. Guitar before 3 minutes.

"Widok Z Gory Najwyzszej" opens with what sounds like theremin or else very spacey synths. Gentle guitar joins in around a minute then vocals. Those spacey synths come and go throughout on this mellow track. "Ten Najpiekniejszy Dzien" is the over 19 minute side long closing suite. It opens with guitar and synths. It's building as drums join in. Vocals after 2 1/2 minutes. It settles with synths before 6 1/2 minutes. Vocals are back before 9 minutes. It picks up with guitar around 14 minutes. Spacey synths a minute later as it settles again. Reserved vocals after 16 minutes. Vocal melodies before 18 1/2 minutes.

I really like the second track through to the fourth song but the opening tune and to some extent the closing track aren't quite up to par. Still a good album that is close to four stars. 3.5 stars for now.

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 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

BUY
The Most Beautiful Day
Exodus Symphonic Prog

Review by Gatot
Special Collaborator Honorary Collaborator

4 stars Do not get confused this Polish band with san Francisco-based thrash metal band with Metallica' Kirk Hammet. This one is a symphonic prog band established in 1976. They used to play mainly at the Warsaw student club Riviera-Remont where they had a lot of young fans. In the first half of 80-ies Exodus had a tournee in the USSR and West Germany. They recorded a few TV programs, did many radio recordings and released a few singles that were received very well. But singles don't adequately render the specific character of their music. They had the tendency for creating bigger forms of music and wanted their concerts to become para-theatrical shows.

In 1980 they released the first album "The Most Beautiful Day" where they placed a few shorter lyrical tracks and 20-minute great title suite. So, Exodus came out into picture around the same time with Marillion, IQ, Pallas and pendragon. At that time no one claimed a music like neo-progressive even though this album reminds me so (with more symphonic prog, actually).

The main attraction of this album is its Polish language being used as lyrics. It makes the music much joyful compared with if the music is in English. The first track "Ci wybrani" (4:42) serves like a hard rock music with raw drumming sounds. But the next track changes to a bit like "I Believe in Father Christmas" of ELP, especially on the way acoustic guitar is used nicely here. "Zloty promien slonca" (5:15)with its long sustain multi-layered keyboards makes a nice symphonic prog music. "Widok Z góry najwyzszej" (5:45) explores Hackettian guitar with keyboard solo. The music flows mellow with keyboard and nice melody while guitar fills dominate the rhythm section. The attention is probably on the epic "Ten najpiekniejszy dzien" which consumes 19:20 minutes of duration. This epic makes this album truly an excellent one with its energy, dynamics and multi-structure of the composition. You might find the music in a similar vein with Steve Hackett's early works like "Please Don't Touch" or "Voyage of The Acolyte" with some flavors of Genesis. Even though influences from other bands are unavoidable, but the composition is really excellent. There are many music breaks in symphonic style using long sustain keyboard work.

Overall, I conclude that this is an excellent addition to any prog music collection. Polish rules! Keep on proggin' .brothers!!

Peace on earth and mercy mild - GW (i-Rock! Music Community)

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 Hazard by EXODUS album cover Studio Album, 2006
2.28 | 9 ratings

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Hazard
Exodus Symphonic Prog

Review by Tedeward

2 stars Well, in the eighties Exodus left prog rock and went into new romantic. Too bad, in my opinion. The band abandoned his syphonic style and long compositions for usual three, four minutes songs. Bad, bad, bad, i'll say.

For fiveteen track only two are good - Intro and A to planeta. It contains remains of old prog-symphonic style showed for example at The Most Beautiful Day. And rest... Is simply weak, or for fans of synth pop. Well, I'm not, so I didn't like it at all. Only Anioł stróż was over the rest.

Lyris are pretty good on Hazard, but music is awful (exept two first track). Well, maybe good that band splited two years afrter recording Hazard in 1983. They didn't have opportunity to get more worst... 1,5 stars.

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 Nadzieje, niepokoje by EXODUS album cover Studio Album, 2006
4.00 | 9 ratings

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Nadzieje, niepokoje
Exodus Symphonic Prog

Review by Tedeward

4 stars Nadzieje, niepokoje is one of the first recordings made by polish band Exodus. Album recorded in 1977 must have been waiting nearly twenty years to be published. It contains six regular tracks and one bonus live recording.

It is a good album, in my opinion. The best are two first tracks - little suites Nadzieje, niepokoje and Oda do nadziei. Then comes the middle of album, which is a little weaker. Pieśń na drogę, Wspinaczka and Powiedz mi Różo are quite good songs, yet not as good as the rest of album. Buta at the end we got growth in form of instrumental track Gonitwa myśli and it's live version.

All in all Nadzieje, niepokoje is a good piece of progressive music. Too bad it wasn't released in 1977, it could be one of those better albums of socialist Europe.

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 Supernova by EXODUS album cover Studio Album, 1981
3.62 | 27 ratings

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Supernova
Exodus Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars I was a bit disappointed when I hear d Exodus second album. the symphonic aspect of their work is minimal here. It seems like even in Poland at the time prog rock was not a big deal, at least as far as recording companies and radio stations were concerned. That may explains the shorter, more radio friendly songs. They are not bad at all, really. All are nice and have the Exodus trademark somewhere. But really, after the promising that their debut was, this one pales. It ios no wonder there was not a third efford after all.

Good album, importante for its history and has nice stuff in it. However, I´ll recommend you get their first record if you want to hear their symphonic side. 2.5 stars.

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 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

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The Most Beautiful Day
Exodus Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars If you´re thinkking that Poland´s prog scene started with Collage or something similar, think again. In the late 70´s Polland had at least one already stabilished prog act that matched most western bands in terms of technique, originality and songwriting. Before there was a hint of glasnost these polish guys were making music that mixed prog elements with their polish folk roots. The music is symphonic alright, but quite unique also. Hard to label. All songs were sung in polish despite the english LP title. Production was not the best, but adequate considering the times and technological gaps. Best track is the wonderful suite Ten najpiekniejszy dzien.

A very fine obscure pearl, that progheads should check out.

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 The Most Beautiful Day by EXODUS album cover Studio Album, 1980
3.98 | 48 ratings

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The Most Beautiful Day
Exodus Symphonic Prog

Review by apps79
Special Collaborator Neo Prog Team

4 stars Between 1977 and 1979 Exodus entered a very prolific period, full of live dates, while the group participated in different music events, scanning the whole Polish land.Towards the end of the decade they even wrote music for ballet shows.In March 1980 Exodus entered the studios of Polskie Nagrania and record what was to become the band's first official full-length release, the highly acclaimed ''The Most Beautiful Day''.

Excellent Progressive Rock with huge symphonic tendencies is the style on this album, not really representative of the country's sound, but definitely this effort belongs among the best Symphonic Rock releases around the time.The first side of the LP contains four mid-length tracks with evident GENESIS influences, mostly on the acoustic and synth parts.The arrangements are somewhere between a dreamy and a spacey atmosphere with strong use of keyboards, excellent and warm Polish vocals, dicreet use of guitars and lovely acoustic textures, while the sound has a beautiful, symphonic nature.The second side contains the sidelong 19-min. eponymous opus, divided in four movements.This is another example of great Symphonic Rock with some great interplays on the instrumental parts, nice breaks between pleasant and darker soundscapes and tremendous keyboard parts by Komendarek, this time including a few amazing organ and harsichord moves.The GENESIS influence is still apparent, even the guitar work of Andrzej Puczyński has a welcome HACKETT-ish touch, while the last movement offers a fantastic, grandiose atmosphere full of intricate melodies and bombastic keyboards.

The CD reissue of Metal Mind offers four bonus tracks, recorded in February 1980 at Polskie Radio Warszawa.They follow a similar style with the original album, dramatic, slightly spacey Symphonic Rock with acoustic guitars and synths in the forefront.

One of the most overlooked pearls of Symphonic Rock, recorded in a hard period for Progressive Rock.The album is full of delicate, elaborate arrangements and deserves certainly a wider fame among Prog fans.Highly recommended.

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 Najpiekniejszy Dzien  by EXODUS album cover Boxset/Compilation, 2000
4.00 | 2 ratings

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Najpiekniejszy Dzien
Exodus Symphonic Prog

Review by Prog-jester
Prog Reviewer

4 stars EXODUS' compilation contains mostly best tracks from their career like "Ten Najpiękniejszy Dzień" epic, "Jeszse Czekam" ballad and many others.I recommend for beginners to start with it - you have more than an hour of greatly written Polish Art Rock edging Hard-Rock and even Space Rock sometimes. Highly recommended to European Prog collectors and for those who about to discover Classics of Polish Prog.EXODUS is a Must here along with SBB!

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