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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team are: (15/1/2021)
Karl (bonnek)
Kevin (Necroncommander)
Mike (TCat)
Sebastian (Kempokid)
Cristi
Nick (nick_h_nz)

Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.30 | 3041 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.29 | 2979 ratings
IMAGES AND WORDS
Dream Theater
4.23 | 1768 ratings
SECOND LIFE SYNDROME
Riverside
4.24 | 1135 ratings
OPERATION: MINDCRIME
Queensr che
4.23 | 1213 ratings
REMEDY LANE
Pain Of Salvation
4.23 | 1279 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.21 | 1344 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.19 | 1203 ratings
THE HUMAN EQUATION
Ayreon
4.19 | 1216 ratings
OUT OF MYSELF
Riverside
4.20 | 402 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.14 | 2022 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.13 | 2153 ratings
AWAKE
Dream Theater
4.14 | 785 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.16 | 421 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.14 | 747 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.29 | 113 ratings
THE TOWERS OF AVARICE
Zero Hour
4.13 | 606 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.16 | 313 ratings
THE FULLNESS OF TIME
Redemption
4.14 | 435 ratings
PERFECT SYMMETRY
Fates Warning
4.22 | 159 ratings
PARADOX
Royal Hunt

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

WHEN TIME FADES...
Suspyre
THE EDGE
Eternity X
SELF EXILE
Wastefall
MANIFESTO FOR FUTURISM
Dali's Dilemma

Latest Progressive Metal Music Reviews


 V - The New Mythology Suite by SYMPHONY X album cover Studio Album, 2000
4.14 | 747 ratings

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V - The New Mythology Suite
Symphony X Progressive Metal

Review by The Crow
Prog Reviewer

4 stars As I always say, each group usually has its own personal masterpiece. And V: The New Mythology Suite is Symphony X's one!

Perhaps the fans of the most powerful side of the group do not agree with me, but for my taste on this album the Americans achieved a perfect conjunction between the powerful guitars of Romeo, the great voice of Allen and the large number of symphonic arrangements by Pinnella.

In addition, the return of Jason Rullo was also prodigious, the new bassist Michael LePond deliver as expected and the result is a set of unforgettable songs among which it is difficult to pick one due to the great general quality that these compositions have. After Twilight in Olympus's slight derogation, it was great to see how the band not only managed to return to the quality of The Divine Wings of Tragedy, but even surpassed it!

In summary, V: The New Mythology Suite is an almost flawless album and one of the greatest works of symphonic metal ever made!

Best Tracks: Evolution (one of the best metal riffs ever composed), Communion and the Oracle (wonderful backing vocals and a final apotheosis), Egypt (my favourite song from his discography, with one of the best choruses I have ever heard) and of course Rediscovery, the suite of this album that, as usual, has an excellent quality.

My Rating: ****

 Twilight in Olympus by SYMPHONY X album cover Studio Album, 1998
3.75 | 364 ratings

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Twilight in Olympus
Symphony X Progressive Metal

Review by The Crow
Prog Reviewer

3 stars Twilight in Olympus is a kind of transition album in Symphony X's career! And although this is not necessarily a bad thing, in this case it did translate into a loss of freshness in comparison to the magnificent The Divine Wings of Tragedy.

In addition, it is also the only album in which the drummer Jason Rullo did not participate, being temporarily replaced by the notably less spectacular Thomas Walling. It would also be the last album in which the original bassist Thomas Miller would participate.

This whole situation, as I have noted before, ends up affecting the music leading to some pretty lackluster moments like the copy of the Tubular Bells melody that they did at the beginning of Church of the Machine, mixed with other absolutely brilliant ones like Through the Looking Glass, resulting in a record that, although not bad, it does turn out to be somewhat irregular in repeated listening.

Best Tracks: In the Dragon's Den (an absolutely killer riff and powerful instrumental interlude) and Through the Looking Glass (the typical epic composition that I like from this group, with an incredible guitar intro and some incredible vocal melodies here and there)

My Rating: ***

 The Divine Wings of Tragedy by SYMPHONY X album cover Studio Album, 1997
4.13 | 606 ratings

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The Divine Wings of Tragedy
Symphony X Progressive Metal

Review by The Crow
Prog Reviewer

4 stars Symphony X's third album definitely established them as the elite of progressive metal!

With Russel Allen fully established as the frontman this band needed, Romeo and company were able to further sharpen their songwriting skills to deliver a series of songs of almost flawless quality.

Production has also been improved to give us even more crisp guitars, and the overall sound sounds somewhat less dated than the group's first two releases. I would also like to highlight the sound of the bass, which is one of the best I have ever heard in a recording of this type.

Best songs: Sea of ​​Lies (one of his best refrains), The Accolade (orchestral, complex and 100% Symphony X) and the suite that gives the album its title, which is a masterpiece of the best symphonic metal.

My Rating: ****

 Anima by ASYMMETRY album cover Studio Album, 2021
4.00 | 1 ratings

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Anima
Asymmetry Progressive Metal

Review by nick_h_nz
Collaborator Prog Metal Team

— First review of this album —
4 stars [Originally published at The Progressive Aspect]

Belarusian band Asymmetry appear to have been around for some time, with several line-up changes along the way. From what I can tell, the only remaining member from the original band is Ruslan Kotowski. Dipping a toe into their back catalogue, possibly the most important line-up change was the addition of Yulia Skvortsova on vocals. And, of course, along with all the line-up changes over the years, the music has changed somewhat, too. All the twists and turns along the way have added up to make Anima a very interesting album. In fact, in a way, the continuous cycle and journey of birth and rebirth of the band seems to be reflected in the songs of this album. The result is an album that is far less monochromatic than earlier releases, with some quite intriguing deviations from the djent style of prog metal that predominates.

The album begins with a short instrumental piece called Anemoia - which is a lovely word describing a sense of nostalgia for a time one has never actually known. The term was coined in 2014 by John Koenig, writer of The Dictionary of Obscure Sorrows, in which Koenig aimed to fill the gaps he perceived in the English language with new names for emotions we recognise but don't have a word for. This is just one example, for me, of how much thought Asymmetry have put into this album, the title of which probably suggests Jung's anima and animus, and the unconscious shadow that makes up the self; but I can't help also thinking it might reflect on the anima of animism, which also addresses the self - but in very different ways. That the band put the word "self" in inverted commas in an early lyric from the first song, Keepers, expresses both the importance and ambiguity of self in terms of the album's concept.

Keepers also provides the first taste of Yulia Skvortsova's vocals, and they are so very striking. I'm generally not one to be taken by vocals, but Skvortsova has such a strong and passionate style that effortlessly sings some rather complicated lyrical ideas. The lyrics are almost closer to prose than poetry, and the fact they can be sung so tunefully and powerfully is quite impressive. They're also sung in English, and with barely a trace of an accent. Skvortsova's vocals provide a really wonderful counterpoint to the aggressive djent styling of the music underneath her soaring and atmospheric presence. To me, Skvortsova's vocals have more of a pop style than metal - and I do not mean that in a dismissive, negative or insulting manner. Rather, I find the contrast they provide one of the greatest attractions. And while I normally prefer to hear vocalists sing in their native language, there is no doubt that I would never have got into the concept of the album, had they not been sung in English.

It is only my interpretation, but the constant allusions to time and memories seems to suggest that the anemoia that began the album is perhaps memories of past lives. The lyrics appear to suggest the idea of Samsara, an eternal wandering of the soul, until one finds one's self in Moksha. Samsara varies in scope depending on tradition and religion, but some hold that all human and non-human anima, such as rainfall, are believed to be constantly changing bodies over time. Samsara and animism go hand in hand with this interpretation. The final lyrics of Luminescent are fitting: "Thousands of years will pass, before anyone will know, what it feels to live your darkest memories, over and over again". As is the title of the following Phoenix ? a universal symbol of rebirth.

I love that the next song is titled Thalassa Embrace. Why settle for a simple 'Ocean's Embrace' when you can use the primeval spirit of the sea? What better way to give another sense of the eternity of Samsara than alluding to an ancient myth, and at the same time the sense of anima/animism that gives everything a lifeforce of its own. Thalassa Embrace feels like a turning point in the album, and my favourite songs tend to be those occurring from this point. Everything feels palpably more hopeful and optimistic from here. As per Exile's lyrics, the "time has come, the grand finale is set". The use of more jazzy passages only emphasise this change in outlook and circumstance. I love the jazzy breakdown towards the end of Exile, and the saxophone in Despair is sublime. This song is one that sounds nothing like its title, and rather one about overcoming despair. The whole song soars just as the final lines suggest the protagonist wishes to.

I thought Inception II was probably one of the oldest songs on the album, having been a stand-alone single in 2017 (with The Inception being a similar stand-alone single in 2016), but having looked at the band's YouTube page, it's clear that this album (and concept) have been germinating for some time. Regardless, the lyrics are a perfect description of Moksha, and this is a grand finale indeed. Triumphant, jubilant, final. Except, of course, it's not. The album ends, as it began, with an instrumental - although this is a full-length piece. It's beautifully ethereal - or perhaps I should say Šthereal, for we all end up in the Šther. It ties everything together. Ăther is the breath of life of the anima; Šther is the Akasha ? it is the one, the eternal, the all-pervading, that Moksha releases one into, from the bondage of Samsara; and Ăther is the father of Thalassa, whose embrace led to this point. Again, I can't claim this to be anything other than my interpretation, and it may not be what the band intended at all, but to a certain extent, it is how we as individuals interpret music, rather than any artist's intent, that provides our enjoyment. And Sentimental, for me, is a wonderful coda to a truly impressive and immersive debut album.

 Metropolis Part 2 - Scenes from a Memory by DREAM THEATER album cover Studio Album, 1999
4.30 | 3041 ratings

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Metropolis Part 2 - Scenes from a Memory
Dream Theater Progressive Metal

Review by Gorgut Muncher

5 stars Dream Theater have become one of the most generic bands in the progressive metal world because of how much they've been copied, which is funny and sad at the same time. Here's a thing. I gave Images And Words a five star review because of its historical importance rather than the album itself, because that album doesn't impress me that much (I personally think it's a four star album). It IS an essential record to that genre, and that's a fact. Now, Metropolis Pt. II is an album that shattered all progressive metal standards AND was actually amazing. I like Metropolis Pt. II, although I personally find it to be the only Dream Theater album I truly enjoy. They wank a lot in this album, so much that there's even a moaning section in Home, which lasts for way too long (probably the first time you would want sex to be short)

They cover many things in this album. From momentary rag-times, to Pink Floyd-ish ballads, to technical Iron-Maiden-Inspired guitars... they basically wanted to prove everyone that they can do everything. And this was probably the first (and last) time Dream Theater managed to make technical wanking very fun. It is an essential album within its genre, so I'm giving it five stars.

 Operation: Mindcrime by QUEENSRYCHE album cover Studio Album, 1988
4.24 | 1135 ratings

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Operation: Mindcrime
Queensr che Progressive Metal

Review by Gorgut Muncher

5 stars I have never liked Queensryche that much. I always thought that they weren't too special, they sounded too much like glam metal rather than progressive metal. However, Operation: Mindcrime is probably the only Queensryche album that I like, and I really like it. Apparently, it was a very important album within progressive metal and although I can say that it rips off Pink Floyd's The Wall a little too much, it still packs one hell of a punch! Pink Floyd and Iron Maiden are this album's main influences, and the whole album is a concept album spread over a [&*!#]-ton of tracks. Some of them are one minute long which makes them useless if you're not doing a full listen, and yes: the tracks in this album all work as a single work rather than a track compilation that you can listen separately, an exception would be Suite Sister Mary.

I would personally give this album a four star rating, but trying to be as objective as possible and considering the importance of the album within its genre, I will give it five stars.

 A Secret to Hide by POVERTY'S NO CRIME album cover Studio Album, 2021
4.08 | 4 ratings

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A Secret to Hide
Poverty's No Crime Progressive Metal

Review by Progrussia

4 stars The pandemic has seen a resurgence of some of the bands that were active up to the late 2000s but faded away as time and tastes went by. Despite the break, Poverty's No Crime stay true to the mid-tempo, melodic sound, focusing on teamwork rather than individual flash, with an earnest, regular-guy vocals. There is an abundance of lead guitar lines, but those are always supported by strong band backing. In fact, if you strip them down, the songs would make a fine camp-fire sing-a-along. The loud but somewhat flat wall-of-sound production is similar to their 2016 comeback, Spiral of Fear. If the average track lenght may seem the longest since their One in a Million days, well, it's not because of excessive complexity, but due to the tendency to stretch the songs to the very point when more would make you press the "next" button. There is only so much even of a great melody that the listener can absorb. You may call this boring, but I guess it suits my middle-aged temperament just fine.
 Behind by SUPERIOR album cover Studio Album, 1996
3.97 | 27 ratings

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Behind
Superior Progressive Metal

Review by Prog123

4 stars "Behind" is the debut album by the Germans Superior, a really interesting band that, like many others of the period, ended up being signed to LMP, the label of R. Limb Schnoor (former manager of Helloween, so much for understand us). The Superior are described as similar to Dream Theater but have a more aggressive sound and the songs are all mid tempo (if not ballads) that focus more on the atmosphere than on the technique (which is also present and not negligible). I honestly can't describe this album song by song. This is due to the production and the mixing that make everything slightly mellow (although, in reality this becomes a virtue here) bringing out the heaviness of the guitars. All on a Hard Rock style that veers towards Power Metal and Doom Metal. The scores of the keyboards are really interesting, as they increase the neoclassical part (otherwise absent) and make the whole thing heavier (even colored, if you pass me the term, because the songs are sometimes very obscure... The sound of the guitars and the production help, in this sense). The singing is good, even if a technical singing is not required and for this reason Michael Tangermann's proof is convincing.

Too bad that after two more albums (which I don't know) Superior broke up because "Behind" is a great debut album (and because I read good reviews of the other two albums). And, in conclusion, if you love European Prog Metal "Behind" is a recommended purchase.

 Images and Words by DREAM THEATER album cover Studio Album, 1992
4.29 | 2979 ratings

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Images and Words
Dream Theater Progressive Metal

Review by Gorgut Muncher

5 stars You can hate this polemic band as much as you want, but to each with their own: Images And Words is an album that defined progressive metal the same way that Operation Mindcrime did. So yeah it's essential, at least within progressive metal. Although I must say that the more time passes, the more generic this sounds (mostly because many more bands copy it), and that's its biggest weakness! Still, let's do some quick mentions about the album's tracks.

Pull Me Under is the most overrated track, pretty much. Another Day is another single type of track with a sax solo. Take The Time has lyrics written from each Dream Theater member, which is interesting. Surrounded is a very up-beat ballad with a nice bridge. Metropolis Pt. I became so popular that Dream Theater released an entire album as its continuation, it's a very technical song and the wanky side of Dream Theater. Under A Glass Moon has John Petrucci's first great guitar solo. Wait For Sleep is a nice and short track that works as the first part of Learning To Live. Learning To Live is a pretty good song, but one of their least interesting epics.

So, yeah, essential for prog metal, but that's it.

 The Damnation Game by SYMPHONY X album cover Studio Album, 1995
3.33 | 259 ratings

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The Damnation Game
Symphony X Progressive Metal

Review by The Crow
Prog Reviewer

3 stars The Dammation Game marked the debut of the most classic line-up of Symphony X!

And of course, with the incorporation of Russell Allen the group gained exponentially in strength and quality. His voice has the perfect quality and tessitura for a group of these characteristics, far surpassing the previous frontman.

In addition, compared to their debut, the compositions are much more coherent and focused, resulting in a more attractive sound suitable for the general public, which would make them great and successful on successive albums.

Best Tracks: The Edge of Forever (long and complex), Whispers (incredible instrumental interlude) and the A Winter's Dream suite, specially the second part.

My Rating: ***

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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACOLYTE Australia
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADHARA France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AEONS United Kingdom
AETHERIUS United States
AFASIA Italy
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNESIS Australia
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALARION Netherlands
ALCHEMY ROOM Italy
ALCHEMY X United States
RAY ALDER United States
ALETHEIAN United States
ALEVAS Japan
REESE ALEXANDER United States
ALFA PROG Italy
ALHENA Poland
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL THINGS FALLEN Sweden
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTESIA France
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANABASIS United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
JONATHAN ANDERSON United States
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATE Poland
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER APPROACH Switzerland
ANOTHER LIFE Sweden
ANOTHER WORLD Switzerland
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANTI CLOCK TOWER Germany
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVIL THERAPY Italy
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
ARCH ECHO United States
JOHN ARCH United States
ARCHETYPE United States
ARECIBO Netherlands
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKAZA United States
ARKENTYPE Norway
ARKHE' Italy
ART AGAINST AGONY Germany
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTEM ILLUSIO Switzerland
ARTENSION Multi-National
ARTIFICIAL LANGUAGE United States
ARTIFICIAL SILENCE United States
ARTIKON Bulgaria
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASPIC El Salvador
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ASYMMETRY Multi-National
AT NIGHT I FLY Hungary
ATAR─XIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AURYN Argentina
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AVANDRA Puerto Rico
AVELION Italy
AVIATIONS United States
AMADEUS AWAD'S EON Lebanon
AWAITING DAWN Germany
AWAX France
AXIAL LEAD Romania
AXIOM United States
AXIOS United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
THE BIPOLAR DISORDER PROJECT Romania
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK PAINTED MOON Italy
BLACK PEAKS United Kingdom
BLACK SYMPHONY United States
BLACKBIRCH Italy
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
LA BOTTEGA DEL TEMPO A VAPORE Italy
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRANCH ARTERIAL Australia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CAELI CONCEPT France
CALIGULA'S HORSE Australia
CAMBRIAN Netherlands
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CASTAWAY Slovakia
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRE PIECE United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHAOSBAY Germany
CHIASMA United States
CHINESE BEARD Finland
A CHINESE FIREDRILL United States
CHROMATIC POINT Macedonia
CHROME SHIFT Denmark
CICONIA Spain
THE CILIKIS Australia
CIRCADIAN PULSE Australia
CIRCLE OF ILLUSION Austria
CIRCLES Germany
CIRCUS MAXIMUS Norway
CIRRHA NIVA Netherlands
CLANDESTINE United States
CLOAKWHEEL United States
CLOCKWORK United States
CLOSED FOR TONIGHT Canada
CLOUD THEORY Turkey
CLOUDSCAPE Sweden
CMX Finland
COEN Singapore
MARCEL COENEN Netherlands
COLLIDING PARALLELS Canada
COLONIZE United States
COLOURBLIND Malta
COMMA Turkey
COMMUNIC Norway
COMPASS United Kingdom
COMPUTER MIND Netherlands
CONCEPTION Norway
CONCRETE PROPHET United States
CONDITION RED Sweden
CONSCIENCE France
CONSORTIUM PROJECT Netherlands
CONTINUUM France
CORELIA United States
COSMIC RAIN Switzerland
COSMICS United States
COSMOSQUAD United States
COUNTDOWN France
CREATION'S END United States
CRIMFALL Finland
CRIMSON GLORY United States
CRISES Germany
THE CRITICAL FAILURE Italy
CRITICAL POINT Mexico
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