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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2640 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2701 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.26 | 1545 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1130 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.22 | 1056 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 1168 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.21 | 959 ratings
OPERATION: MINDCRIME
Queensr che
4.20 | 1045 ratings
OUT OF MYSELF
Riverside
4.18 | 1075 ratings
THE HUMAN EQUATION
Ayreon
4.14 | 1811 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.19 | 349 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.15 | 647 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.18 | 351 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.18 | 281 ratings
THE FULLNESS OF TIME
Redemption
4.11 | 1921 ratings
AWAKE
Dream Theater
4.13 | 678 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.11 | 808 ratings
BE
Pain Of Salvation
4.14 | 370 ratings
PERFECT SYMMETRY
Fates Warning
4.12 | 524 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.13 | 405 ratings
ROOM V
Shadow Gallery

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

EL LENGUAJE DE LOS ESPIRITUS
Cuesta, Hittar
INTELLIGENT DESIGN
Shaolin Death Squad
LA VOZ DE LOS BOSQUES
Viuda Negra
THE DIVINE CONSPIRACY
Epica

Latest Progressive Metal Music Reviews


 Live At The Marquee by DREAM THEATER album cover Live, 1993
3.66 | 377 ratings

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Live At The Marquee
Dream Theater Progressive Metal

Review by martindavey87

3 stars Hey kids! Remember Kevin Moore?! The guy played on Dream Theater's first three studio albums, buggered off, and has since more-or-less completely cut off all ties to the Dream Theater name, wanting nothing to do with the band. So if you wanted to hear what the progressive metal legends sounded like in their early days, playing live with a certain Mr. Moore, then this is likely to be the only chance you'll ever get.

Released shortly after the bands second album, 'Images and Words', 'Live at the Marquee' is a six-track EP which doesn't really do the group or their previous releases justice. It's a nice addition to the collection of any Dream Theater fan, but since most of their live records would go on to become three-disc sets, this one has become pretty obsolete and unnecessary.

With Dream Theater classics such as 'Metropolis', 'A Fortune in Lies' and 'Pull Me Under', there's no denying the tracks are stellar, and considering vocalist James LaBrie would go on to suffer from ruptured vocal chords which would affect his live performances for years to come, it's nice to hear these songs with the youthful energy that the band had at the time.

Overall this isn't a terrible release, but if you're after a true Dream Theater live experience then you're better off looking for 2004's 'Live at Budokan', 2005's 'Score' or 2000's 'Live Scenes from New York'. It's a nice little EP if you come across it, but not really worth the effort unless you must own everything.

 Parallel Minds by CONCEPTION album cover Studio Album, 1993
3.34 | 61 ratings

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Parallel Minds
Conception Progressive Metal

Review by martindavey87

3 stars 'Parallel Minds', Conceptions second album, vastly improves upon its predecessor. The songwriting seems more confident, with more interesting guitar riffs, a good use of keyboards and vocal melodies that seems more in sync with the music.

Sadly however, despite a few highlights, it's still a rather forgettable record.

Song's like 'Roll the Fire', 'And I Close My Eyes', 'Water Confines' and the title track are all decent enough, but the truth is, this is nothing more than generic progressive/power metal. There's countless other things out there that are so much better and memorable, that I never find myself coming back to this.

It's not a terrible release, and it does have its moments, but ultimately, let's face it, the only reason worth buying this today is if you're a fan of Roy Khan, who's post-Conception career would see him garner worldwide fame with the band Kamelot.

 Hollow Years by DREAM THEATER album cover Singles/EPs/Fan Club/Promo, 1997
3.07 | 61 ratings

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Hollow Years
Dream Theater Progressive Metal

Review by martindavey87

2 stars 'Hollow Years' is an incredible song, and definitely one of Dream Theater's most memorable and catchy ballads, and releasing it as a single/EP is fully justified, however, it's the extra material that leaves this release feeling slightly lacking.

First off, 'Hollow Years'... great song. No need to have the radio edit alongside the album version though. Does anyone ever listen to these edited versions? Didn't think so. 'You or Me', a demo version of 'You Not Me' is a nice touch, but not as polished as the finished track. The main reason I like these kinds of discs is for the b-sides and non-album tracks, in which case here we have 'The Way It Used to Be'. It's an alright song. A bit bland if I'm honest. I can understand why it wasn't included on the 'Falling Into Infinity' album.

And then there's two lives tracks (included on the North Korean EP version of this, anyway). They're "good" I suppose, but not really incentive enough to track this down.

Overall, despite my criticisms, this isn't a bad little release. The musicianship is exceptional, as always, and there's not really anything particularly wrong with any of the songs, it's just not anything worth having unless you're a collector of everything Dream Theater.

 Secrets of Life by PLATITUDE album cover Studio Album, 2003
3.55 | 5 ratings

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Secrets of Life
Platitude Progressive Metal

Review by martindavey87

3 stars 'Secrets of Life' is the debut album by the relatively unknown Platitude, and can best be described as a "generic power metal album". I don't mean this in a bad way, but there's really not much that can be said about it. It's a solid record, with some great compositions and polished production, and perfectly blends elements from power, progressive and speed metal. There's also some strong neo-classical vibes to some of the songs, which always adds some nice flavour. But overall, there's just nothing groundbreaking or amazing that sets them apart from similar bands.

With two guitarists and a keyboard player in the band, there is plenty of intense melodies and solos, with all three players working together perfectly and with great chemistry to come up with some exciting and complex songs, and Erik "EZ" Blomkvist's vocals fit perfectly with this genre of music.

It may be a "generic" album, but songs such as 'Deception', 'Just One Try', 'Evil Sky' and the title track, make this a worthy addition to a metal fans collection.

 Paradise Lost by SYMPHONY X album cover Studio Album, 2007
3.79 | 476 ratings

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Paradise Lost
Symphony X Progressive Metal

Review by martindavey87

4 stars Heavy: 1. of great weight; difficult to lift. 2. of great density. 3. 'Paradise Lost' by Symphony X.

Symphony X's seventh studio album, 'Paradise Lost', is, simply put, heavy. The majestic sounds of their earlier releases are gone, and the more orchestral feel of their previous two albums have dwindled. Now, in their place, is an all-out assault of the heaviest, beefiest, and arguably some of the most aggressive music you'll ever hear.

The song structures, while still maintaining progressive characteristics, are nowhere near as complex as past efforts, and the keyboards don't have as prominent a role in the songwriting. Much of the music is based around guitarist Michael Romeo's massive riffs and vocalist Russell Allen's intense yet melodic voice, both fitting together so perfectly that it's easy to forget the bands more classically-inspired days.

'Set the World on Fire', 'Serpent's Kiss', 'Paradise Lost' and 'Revelation' are all fantastic-enough reasons to get this album, but then there's what I consider one of the heaviest songs of all time; 'Domination'. The sheer weight of its huge riffs is insane, amazingly produced to really give it the thickness it needs. You really don't know what "heavy" means until you've cranked this song out at full blast!

Overall, this is certainly not Symphony X's best album, but it's a natural change of direction for the band, and one which should help them appeal to a broader metal audience. And you'd sure-as-hell better be a metal fan if you're going to listen to this!

 Poets & Madmen by SAVATAGE album cover Studio Album, 2001
3.91 | 99 ratings

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Poets & Madmen
Savatage Progressive Metal

Review by martindavey87

5 stars I remember this one so well. It was the Summer of 2003, and I was 16 years-old. I randomly picked up 'Handful of Rain', with no prior knowledge of the band Savatage. It was alright. Nothing amazing, but one or two catchy songs that stuck with me. Fast forward a few months and I was Christmas shopping with my sister. Having stumbled across a secondhand music shop, I had to have a quick look, and it was there that I picked up 'Poets and Madmen'.

And from here, Savatage would go on to become one of my all-time favourite bands.

'Poets and Madmen' sees Jon Oliva return to lead vocals, and Chris Caffery picks up the bulk of the guitar work after Al Pitrelli had left to join Megadeth. Though not strictly a rock opera like those the band were famous for doing, there is a loose concept behind the music, based upon real-life photographer Kevin Carter. It's not exactly an easy narrative to follow, though it doesn't disrupt the flow of the album either.

With Savatage slowly taking more and more of a backseat to the Trans-Siberian Orchestra (a Savatage-related band that was having multiplatinum success), it's evident that a lot of the music here was influenced by the aforementioned group. Bigger and more grandiose than ever before, each of the songs here is a true gem in their own right, with each instrument working in complete synergy to produce some of the bands tightest and most cohesive compositions.

Highlights include 'Stay With Me Awhile', 'Commissar', 'There in the Silence', 'Surrender', 'Back to a Reason', and the centerpiece of the album, the ten-minute 'Morphine Child'. Each song really shows a band at the peak of their creativity, with plenty of crushing riffs, beautiful melodies, classical-inspired passages and the vocal counterpoint harmonies that the band had made their own.

A remarkable smorgasbord of every perfected nuance that had ever given this band their own unique sound, it's a shame that Savatage spent the majority of their career in the "underrated" category, because this album is an absolute masterpiece.

 Wizard's Eyes by INSIDE THE SOUND album cover Studio Album, 2017
4.25 | 26 ratings

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Wizard's Eyes
Inside The Sound Progressive Metal

Review by Matti
Prog Reviewer

4 stars As this artist is categorized here under progressive metal - and I'm generally very little interested in metal genres -, I'm surprised to enjoy the album as much as I do. Quite likely this will be among my favourite instrumental rock albums of this year. Guitarist Max Velychko has been involved in several bands, but to me his playing was familiar only from the last year's album of MODERN- ROCK ENSEMBLE. The core of Inside The Sound are Velychko (guitars, keyboards, composer) and bassist Dmitri Trifonov (bass, co- composer on two tracks). Drums are shared by two guys, and some tracks feature guests.

This instrumental music full of power. Of course there's the guitar-heavy metal style present on most tracks, but the metal ingredient leaves plenty of room for other nuances too. The spacey keys work excellently together with the roaring guitars that are sonically not restricted to the angry metal sound. Velychko is one hell of a guitarist! My musical associations happen to be Finnish artists: Time Traveller and Low Budget Orchestra are one-man bands centred on heroic guitarism, and Inside The Sound easily beats them both. There's a sense of space rock, comparable to MOONWAGON. And what's best, the music has the vitality of jazz-rock and fusion. And the compositions are pretty progressive too. So, this album can sincerely be recommended to listeners of the mentioned genres.

Every third given rating here is five stars, and I sure sympathize with that. I'm undecided between 4 and 5 stars myself. The production is superb, as well as the playing. There are no weak tracks. Perhaps in the end the high-tempo energy gets a bit too overwhelming on the course of the 53-minute album. But remember, this comment comes from a listener favouring emotional aspect over technical bravado and power in music. [A little detail in the running order feels slightly questionable: with 'Intro' and 'Outro' the whole would have formed a coherent arch, if the relatively calm 'The Cold Spring' would have come somewhere earlier instead of being a "bonus track".]

 Wizard's Eyes by INSIDE THE SOUND album cover Studio Album, 2017
4.25 | 26 ratings

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Wizard's Eyes
Inside The Sound Progressive Metal

Review by TopPoint

5 stars Familiar with the game of guitarist Max Velichko on the projects Sunchild & Carthage. When he found out that he had his own instrumental project, he was very happy and interested. After a short search I found two albums, I was really glad to it. After listening to the first album, I immediately switched to the second one, which has the name "wizard's eyes". The album is uniquely more mature than the first, in music the influences of such styles are heard; jazz, progressive rock and metal, fusion, in places you can hear something from Vedic culture. You can also hear a lot of experiments in music, there are electronic sounds, and the lack of a keyboard player in the group (in the first album he was) is not noticeable, since Max independently played keyboards, skillfully and gracefully. Very pleased with the variety of musical moods, here there is also expression and lyrics and atmosphere and flight, indeed, everyone thinks they will find something of their own, I found. This album is for me the opening this year, now I look forward to continue!
 The Holographic Principle by EPICA album cover Studio Album, 2016
3.96 | 59 ratings

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The Holographic Principle
Epica Progressive Metal

Review by Progrussia

4 stars Epica is one of the more notable bands of the ever-growing operatic female-fronted metal acts. One of Its distinguished characteristics is how the quasi-symphonic elements play not just a supporting background role, but often lead the music as much as the typical metal instrumentation. Another is the beauty-and-the-beast formula, with ethereal acrobatics of Simone Simons and the often symphonic pop melodic inclinations contrasted with the harsh metal riffs and growls. The growls are annoying as always, of course, but I know, I know , it's kind of Epica's schtick it can't be itself without. I've previously said that all Epica sound is the same, and it kind of still is, but what I marvel about is their consistency in proving high quality and catchy material with so many 70-minute-plus albums to their credit.
 The Wake of Magellan by SAVATAGE album cover Studio Album, 1998
3.87 | 133 ratings

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The Wake of Magellan
Savatage Progressive Metal

Review by martindavey87

5 stars After their 1995 concept album 'Dead Winter Dead', which spawned a small radio hit for the band, and the recently- formed Trans-Siberian Orchestra, which also garnered mainstream success, Savatage continue down the route of epic rock operas which would see the band reach new heights of creativity and critical acclaim during the late 90's.

Featuring all the pomp and circumstance that the band had incorporated into their sound since 1994's 'Handful of Rain', and even way before that if I'm being realistic, 'The Wake of Magellan' sees everything come together for Savatage. The story itself doesn't really make much sense to me, but it ties around the fictional story of a sailor who goes out to sea to end his life, only to find new meaning to carry on, and two real-life events involving a journalist who was murdered whilst trying to battle the growing drug trade in 90's Ireland, and of a sea captain who had Romanian stowaways thrown overboard.

How does any of this fit together? I have no idea (and I doubt many people do), but the music itself is compelling and the performances are sincere. That's good enough for me!

Using the same lineup from the previous album, the band have really gelled by this point, and the chemistry is evident. Zak Stevens delivers powerful vocals as always, and founding member Jon Oliva returns to sing for a number of songs, having never sounded better or more confident. His keyboards add a warm depth to the record as well, giving it that orchestral feeling but without all the pomposity of a full orchestra.

'Turns to Me', 'Morning Sun', 'Another Way', 'Paragons of Innocence' and 'The Hourglass' are all highlights that this fantastic album has to offer, with the true gem being the title track, 'The Wake of Magellan'. It's a big, epic piece, with an absolutely mind-blowing finale which sees the band utilize the vocal harmony counterpoint which they had used more and more over the last few releases, but perfected here.

A truly underrated gem when it comes to concept albums, capturing the very essence and atmosphere of a journey out to sea, 'The Wake of Magellan' is an absolute epic from start to finish.

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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALARION Netherlands
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART AGAINST AGONY Germany
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTIFICIAL LANGUAGE United States
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATAR─XIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AVELION Italy
AMADEUS AWAD'S EON Lebanon
AWAITING DAWN Germany
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRANCH ARTERIAL Australia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHARLY SAHONA France
CHIASMA United States
CHINESE BEARD Finland
A CHINESE FIREDRILL United States
CHROME SHIFT Denmark
CIRCLE OF ILLUSION Austria
CIRCLES Germany
CIRCUS MAXIMUS Norway
CIRRHA NIVA Netherlands
CLANDESTINE United States
CLOAKWHEEL United States
CLOCKWORK United States
CLOSED FOR TONIGHT Canada
CLOUDSCAPE Sweden
CMX Finland
MARCEL COENEN Netherlands
COLLIDING PARALLELS Canada
COLONIZE United States
COLOURBLIND Malta
COMMA Turkey
COMMUNIC Norway
COMPUTER MIND Netherlands
CONCEPTION Norway
CONCRETE PROPHET United States
CONDITION RED Sweden
CONSCIENCE France
CONSORTIUM PROJECT Netherlands
CONTINUUM France
CORELIA United States
COSMICS United States
COSMOSQUAD United States
COUNTDOWN France
CREATION'S END United States
CRIMFALL Finland
CRIMSON GLORY United States
CRISES Germany
CRUZ D MALTA Mexico
CRYSTAL LAKE / LOGIC MESS Poland
CUEROCK Germany
HITTAR CUESTA Ecuador
CYDEMIND Canada
CYMORYL France
CYNTHESIS United States
DAEDALUS Italy
DALI'S DILEMMA United States
DAMN THE MACHINE United States
THE DAMNATION PROJECT Greece
DANTE Germany
DARK NOVA Greece
DARKSTAR Germany
DARKWATER Sweden
ALEK DARSON Serbia
DAY SIX Netherlands
DAYS OF ASHES Sweden
THE DEADSTATION. United States
DEATH ORGAN Sweden
DECADENCE Russia
DEELY Poland
DEGREE ABSOLUTE United States
DEIMOS Russia
DELTA Chile
STEVEN DEMARTINI United States
DENDURA United States
DEPTH BEYOND ONE'S Finland
DESPITE BEHAVIOR France
DEVENTTER Brazil
DEVIL'S SLINGSHOT United States
DGM Italy
DIABLO SWING ORCHESTRA Sweden
DIABOLOS IN MUSICA Norway
DIANETICS (GENETICS) Australia
DIANOYA Poland
DIGITAL RUIN United States
DIMENSION Mexico
DIMENSION ACT Norway
DIMENSION X United States
DIMENSION34 Sweden
DISMAL Italy
DISSONA United States
DISTORTED HARMONY Israel
DIVINE REGALE United States
DIVINE RUINS United States
DIVINITY DESTROYED United States
DIVISION BY ZERO Poland
DOL AMMAD Greece
DOL THEETA Greece
DOMINICI United States
DORA THE DESTROYER United States
DORIAN OPERA Germany
DREAM THEATER United States
DREAMLORE United States
DREAMLOST France
DREAMS OF SANITY Austria
DREAMSCAPE Germany
DREYELANDS Hungary
DROPSHARD Italy
GLEN DROVER Canada
THE DUST CONNECTION Netherlands
DYNAHEAD Brazil
DYNAMIC LIGHTS Italy
EARLY CROSS Japan
EARTH'S YELLOW SUN Canada
EARTHBOUND PAPAS Japan
EARTHSIDE United States
ECHOES Venezuela
ECHOES OF ETERNITY United States
ECHOLAPSE United States
EDGEND Israel
EFFLORESCE Germany
EGO EIMI Russia
ELDRITCH Italy
THE ELEMENT United States
ELEVEN STRINGS Brazil
ELEVENTH OCEAN Argentina
ELVARON France
EMERALD EDGE Germany
EMISFERI PARALLELI Italy
EMPHASIS Estonia
EMPTY TREMOR Italy
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