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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2770 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.28 | 2712 ratings
IMAGES AND WORDS
Dream Theater
4.26 | 1601 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 988 ratings
OPERATION: MINDCRIME
Queensr˙che
4.23 | 1155 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.22 | 1087 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 1210 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.20 | 1091 ratings
OUT OF MYSELF
Riverside
4.19 | 1112 ratings
THE HUMAN EQUATION
Ayreon
4.21 | 365 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.13 | 1857 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.14 | 672 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.14 | 712 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.16 | 365 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.11 | 1976 ratings
AWAKE
Dream Theater
4.15 | 388 ratings
PERFECT SYMMETRY
Fates Warning
4.17 | 290 ratings
THE FULLNESS OF TIME
Redemption
4.11 | 830 ratings
BE
Pain Of Salvation
4.12 | 540 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.13 | 417 ratings
ROOM V
Shadow Gallery

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

THE EDGE
Eternity X
WHEN TIME FADES...
Suspyre
PATHOSRAY
Pathosray
EL LENGUAJE DE LOS ESPIRITUS
Cuesta, Hittar

Latest Progressive Metal Music Reviews


 V by SCALE THE SUMMIT album cover Studio Album, 2015
3.35 | 24 ratings

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V
Scale The Summit Progressive Metal

Review by Mellotron Storm
Prog Reviewer

3 stars SCALE THE SUMMIT are a four piece band out of LA and this is album number five for the group. For some reason I was thinking they were a Post-Rock band simply by their name but no this is all instrumental, complex, melodoic, heavy and pleasant Prog Metal. Two guitarists, a bassist and drummer. I'm not going to say a lot about this one. It felt like every song had something I enjoyed about it but then every track also had something I wasn't that into. Yes each song has contrasts and different themes as they like to change it up a lot. I mostly enjoyed the melodic and pleasant parts although the start of "The Isle Of Mull" with the guitar echoing and intertwining with the other was cool, but like I said they don't stay in one place long. The riffs and heavier sections didn't do much for me and overall as I just feel I have a lot of instrumental Metal I like better than this album. A band well worth checking out though as they've released six albums so far and man these guys can play.
 Long Night's Journey Into Day by REDEMPTION album cover Studio Album, 2018
3.64 | 19 ratings

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Long Night's Journey Into Day
Redemption Progressive Metal

Review by javajeff

3 stars Let me start out by saying that I am a huge Ray Alder fan, and A Pleasant Shade Of Gray is a favorite album of mine that I play regularly. I love Fates Warning, so naturally Redemption has been another progressive metal band to interest me with the Fates Warning connection. Ok, so you decide to replace Ray with someone else. Say, what? I do not understand why this happened, but I cannot take anything away from Tom Englund as he does a fine job on the album. As you would expect from a Redemption album, there is excellent musicianship. Long Night's Journey Into Day is another album with Nick Van Dyk's signature flavor of progressive metal. But it is missing a spark. Let me state my second beef with the album. U2's New Year's Day in the middle of the album. Now, I love the original song by U2, and listened to it a ton the 80s. The Redemption cover is decent, but it should be a bonus track at the very least and placed at the very end album. Do not interrupt your creativity with a cover. I am not a fan of covers to begin with, and I rarely find ones that I like. When bands release deluxe versions of albums where the second disc is a covers disc, I buy the standard version. If I want to hear an album by a band, I will buy that band's album. I am really not into these types of novelties, and I wish bands would stop doing it. Is there some sort of loss of creativity where the need is to leverage other band's stuff? I am finding Long Night's Journey Into Day tough to swallow, and I doubt it will have the longevity that I put into Snowfall On Judgment Day or The Fullness Of Time. I thought The Art Of Loss was an excellent release as well. I will give some more listens to Long Night's Journey Into Day, but when New Year's Day starts, it really is a bizarre addition to this lackluster release.
 Pacifisticuffs by DIABLO SWING ORCHESTRA album cover Studio Album, 2017
4.19 | 78 ratings

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Pacifisticuffs
Diablo Swing Orchestra Progressive Metal

Review by Evolver
Special Collaborator Crossover & JR/F/Canterbury Teams

5 stars One of the finest albums of 2017!!!

This album was my first encounter with Diablo Swing Orchestra and they made quite an impression on me. I have since gone back and listened to most of their albums (and am now about halfway through purchasing hard copies). I understand that many of this band's fans are upset about Annlouice Loegdlund leaving the group, in my opinion, Kristin Evegard is an improvement. Her lyrics are intense and exciting, and her voice is like Kate Bush with an intense amount of attitude, easily moving from kittenish seduction to venomous vixen and back in a blink of an eye.

Musically, DSO somehow manages to weave countless different musical styles together seamlessly. In "Knucklehugs", they go from a standard rock anthem into a rollicking bluegrass romp, with a cello taking the usual fiddle solo. "Superhero Jagganath" (another song where Evegard excels) blends Nordic metal with Hawaiian sounding passages (some sung in an Elvis-inspired twang). "Jigsaw Hustle" starts with a disco riff, but breaks out into crunchy prog-metal riffs. The only song that comes close to a traditional modern swing orchestra sound is "Karma Bonfire", and guess what, they are fantastic at this as well.

My only complaint, however slight, is that I can't understand many of the lyrics, as some of them are drowned out by the delightfully bombastic instrumentation.

I can't imagine anyone who won't be blown away by this album.

 Metamorphosis by HAMNESIA album cover Studio Album, 2018
4.57 | 5 ratings

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Metamorphosis
Hamnesia Progressive Metal

Review by Alezavo9

5 stars This album has been a pleasant discovery. I really appreciated the fact that in 2018, this five young guys gave us proof that there is still good Progressive Metal around. From the first track, "Prologue", is clear the wealth and the variety of the sound which started with the violin and then the electric guitar and the bass are flanked by beautiful effects from the keyboard. "One Step Forward" introduces the brilliant and sweet voice of the vocalist, (that I recall plays the violin in the whole work!). The lyrics have also a great importance in the album, which is a concept. Here the protagonist exposes his trouble and the fears he will face during the chess game, witty metaphor of life and its choices. The third track, " The Black Cave" is one of my favourite song in Metamorphosis. Definitely, is a short song, (less then two minutes), anyway the piano, the armony and the melody of the voice, have a strong impact to the listener, and in my case, gave me powerful emotions. After this brief reflection on himself, in "Desmoterion", (first single of the band), the prog soul gains the upper hand. In this song I loved the bridge between stanza and refrain, and I really liked the versatility in the numerous steps, managed to connect beautifully. The final solo, before the end of the song with the last refrain, is an amazing alternation of the guitar and the keyboard, and shows the skill, the technique, but also the musical taste of these great musicians. And then we arrive at the fifth track, "Nova". Here I feel to get out of balance, and to assert that this is an authentic masterpiece. The song is more accessible and catchy than the others, but it doesn't lose in genius and creativity. Rather the violin motif, the flut component, the whole track, expecially the filled and bright final, is powerful and do not forget easily. Very good also the title track, "Metamorphosis", one of the longest in the opera, and the more experimental and risky but fully successful. All the musicians here gave their best in the recording. In "Fleeting Throne", seventh track of the album, the element which I distinguished is the extraordinary wealth of ideas and the research of sounds from the keyboard player, (without taking anything away from the other components). Very good, indeed, also the folk bridge. "Onirikon", name that give perfectly the sense of the song, is another pearl. The presence of the bass here is essential and once again the voice of the singer arrives straight into our hearts. Direct refrain and masterfully thought. The last song, "Noctudromos" started with a hopeful and positive motif, a guitar harp where the woman starts singing again. The song is long, but with very slow passages, like the piano after the refrain, and then more pushed moments. Particular, the pad in the background during the instrumental part. Overall, a work of exquisite workmanship, and given the young age of the group members, I am convinced that the boys will make their way, It's only the beginning. Hamnesia is the face of prog's future In Italy.

 Pacifisticuffs by DIABLO SWING ORCHESTRA album cover Studio Album, 2017
4.19 | 78 ratings

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Pacifisticuffs
Diablo Swing Orchestra Progressive Metal

Review by HarmonyDissonan

5 stars THIS HAS BEEN ONE OF MY FAVORITE ALBUMS THAT I'VE PICKED UP IN THE LAST COUPLE OF YEARS, EASILY!

And I've got a fairly substantial collection! So what is this album like? It would be too simple to describe it as Klezmer! That wouldn't do it justice! I would say it's got a Klezmer feel to a lot of the music within it, but there's so much more! I love the Brass, the keyboards and drums, the bass-the growling bass (my personal favorite portion of this many faceted album!) The male and female and 'grandpa' vocalists! The production value is outstanding! Although most of the music is very intricate, the quality production allows everything to be heard simultaneously. I also love the way the tempos are altered quite regularly within most of the individual tracks. It's a fun album! It's a very positive romp through a hodge-podge of stomping bliss! They intermingle seamlessly swing, jazz, classical and a touch of funk and some slight touches of down-home country bluegrass! Now if you're looking for something amazingly psychotic and to me truly inspired than look no farther, this is the album for you! It's mostly fairly hard driven, multi-personality laden music with a generous helping of brass! I love it, as well as the lyrics. Here's a taste from the opening song: Knucklehugs (Arm Yourselves With Love): ARM YOURSELVES BROTHERS AND SISTERS, ARM YOURSELVES WITH LOVE, STAND UP STRAIGHT, WALK TALL AND PROUD, TRANSCEND AND THEN RISE ABOVE. Personally I can't recommend this album enough, I just love it!

Take care and enjoy God's gift of music!

 The Making of Falling Into Infinity by DREAM THEATER album cover Singles/EPs/Fan Club/Promo, 2009
2.27 | 31 ratings

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The Making of Falling Into Infinity
Dream Theater Progressive Metal

Review by martindavey87

1 stars Dream Theater's Official Bootlegs series has always been a nice touch for collectors, whether it's demos, live recordings, compilations, or reissues of previous fan club CD's (which is actually what this one is), they're usually pretty cool little nuggets of joy for die-hard fans of the band.

And occasionally, there's utter nonsense like this.

'The Making of Falling Into Infinity' is completely and utterly pointless. Not containing any full tracks, the entire album is nothing more than snippets of songs. Guitar riffs, the odd vocal harmony, someone working out a part or someone saying something. It might be interesting for some tech nerd who wants to look into the process of writing and recording an album, but without any commentary or narrative, this CD really is unlistenable.

I can understand with demos that at least it's interesting to listen to how songs were originally intended to sound and how they've evolved to become the finished product, but this is completely useless and doesn't even show us that. Die-hard fans who must own everything will probably resent having to purchase this, and I'd know, because I'm one of them.

 Legendary Tales by RHAPSODY (OF FIRE) album cover Studio Album, 1997
3.72 | 122 ratings

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Legendary Tales
Rhapsody (of Fire) Progressive Metal

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars Known as the pioneers of fusing power and symphonic metal into epic fantastical journeys, Luca Turilli and Alex Staropoli created their progressive neoclassical driven band all the way back in 1993 in Trieste, Italy under the moniker Thundercross before finally changing it to the more familiar RHAPSODY, only then to be altered once again to RHAPSODY OF FIRE in 2006 due to trademark issues. Really? It took someone ten years to figure out they didn't deserve the name? Geez.

Riding in the wake of power metal bands like Helloween, Running Wild and Blind Guardian, RHAPSODY was all about fantastical voyages into the world of mythical creatures, wily wizards and the eternal battle of good and evil and their debut album LEGENDARY TALES the band began the lengthy and never-ending epic journey into their high fantasy musical world of "The Emerald Sword Saga" which spanned over five albums ending with "Power Of The Dragonflame."

Fantasy and mythology are nothing new in metal of course and traverses throughout the entire metal universe with bands like Summoning devoting their entire subject matter to Tolkien inspired themes. RHAPSODY took a similar approach only changing things around a bit to create their own mystical folklore that finds the similar Middle Earth approach between the battle of good and evil in a glorious bravado.

The album takes the frenetic energy infused riffing of power metal and applies rich symphonic and emotionally dense segments that include flutes, recorders, harpsichord, violins, cello, mandolin and a rich eight piece choir (tagged as the Choir Of Immortals) along with the expected metal instrumentation of guitar, bass, drums and classic operatic over-the-top vocals. The sheer scope of the journey is performed with technical wizardry and easily takes the listener to the epic lands far away from the reality we experience in the here and now.

Yeah, power metal can be a bit cheesy at times but when it's done right, it is grand and intense. The problem usually arises in that the band in question doesn't quite have the chops to pull off their visions. RHAPSODY is chock full of virtuosic talent focused on Luca Turilli's speed-drenched guitar wizardry, Alex Staropoli's keyboard gymnastics and excellently constructed compositions that focus on all aspects of the music without any particular style or genre stealing the show. These guys have mastered the art of musical foreplay and climax like few others in the metal world yet deliver all the metal goods in ample doses.

While the metal riffs are primarily based on 80s Manowar taken to more ambitious extremes, the neoclassical solos reminisce of Yngwie Malmsteen's classically charged shred wankery. The keyboards on the other hand exist in a neo-Baroque universe that compliment the guitar segments but often find moments of expressing unadulterated J.S.Bach glory. Mountains of melody emerge through carefully constructed flute and recorders while choirs caress the soundscape with harmonic bliss.

RHAPSODY's debut LEGENDARY TALES truly took metal's most virtuosic and ambitious aspects to new heights with outstanding musical performances within perfectly drawn out journeys that fleshed out emotional depth with a stellar performance by vocalist Fabio Lione whose vocal range shatters glass when on fire and yet carries a perfectly calm demeanor when poetic prose is in order. It's no wonder RHAPSODY has been so successful starting from this not so humble beginning. All the elements have already gelled with the band's vision having been crystal clear by mapping out a complete five part saga for their debut.

The excellent performances are even more stellar with the superb production job from Gate-Studios in Wolfsburg, German with Sascha Paeth of Heaven's Gate and Angra fame at the helm. This is a stunningly rich collection of ten outstanding tracks that contain no samples or synthesizers. All instruments heard are the real deal. While i am blown away by LEGENDARY TALES it falters only in the more tightly composed epics that follow but consistency has been one of RHAPSODY (OF FIRE)'s strengths and this debut is certainly no exception.

 New World Sympathy & Feed the Machine by SLYDE, THE album cover Boxset/Compilation, 2013
4.00 | 1 ratings

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New World Sympathy & Feed the Machine
The Slyde Progressive Metal

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
4 stars Canadian band SLYDE was formed back in 2009, and has released a number of EPs since they started. They also have two full-length albums to their name, one album that collected their initial EP with some material that was released in 2010, and now "New World Sympathy & Feed the Machine", a collection of their EPs from 2012 and 2011 respectively, which was released on CD in 2013.

Slyde explores a type of progressive rock that appears to be inspired by bands just as much connected to alternative rock as to progressive rock as such, with bands like The Mars Volta, Coheed And Cambria and Muse as likely sources of inspiration. Slyde's take on this type of music is accessible, energetic and melodic, with singalong qualities and a feeling that the potential audience for this band is a well-sized one. An album easy to recommend to those who enjoy accessible music that blends alternative rock and progressive rock in a high energy, melodic package, and I suspect that fans of bands like Muse and Coheed And Cambria in particular should enjoy this album.

 Jekyll And Hyde by REVERSAL SYMMETRY album cover Studio Album, 2018
4.00 | 1 ratings

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Jekyll And Hyde
Reversal Symmetry Progressive Metal

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

— First review of this album —
4 stars 'Jekyll And Hyde' ... eh, is there anybody out there who will question, that this is pointing to a concept album in waiting position? Anyway, Rock Progressivo Opera may be a proper label for this one, at least concerning some parts. REVERSAL SYMMETRY is another outfit from Italy recently arriving with a full load of new hot songs which are heavy art rock and metal bordering. Stevenson's novell has been utilized as a thematical template often enough in the past, and this won't be the last time for sure. A reason to complain? 'The Evil Inside' ... much dramaturgy given means a lot, and finally, when the related music is able to convince?

The band is hailing from Rome, born from the ashes of Layra, concretely speaking of three members surviving, vocalist Moreno Sangermano representing Henry Jekyll and Edward Hyde on this occasion, as well as Fabio Vitale (guitars) and Matteo Ferretti (keyboards). According to the story the album is composed of two substantially different discs: the white and the dark side. Staying for other characters and partially featuring a distinct opera style three additional vocalists are aboard too. REVERSAL SYMMETRY are immediately starting with the highlight Henry's Mirror - ah! this exceptional symbiosis of Sangermano's emotional voice and Vitale's melancholic guitar occasionally gives me the shivers, yeah, really!

This is partially slipping into AOR furthermore, but they are back to track in due time with the dramatic Eternal Void. Showing some symphonic impulse the extended Henry's Choice then closes the first partition. I would say when entering the dark stage with the excellent The Smell Of Rain this is even more pleasing overall when it comes to the compositional aspect. The Anomalies suite then is offering quite differing moods from charming to vehemence, even provided with some tolerable growls. A 90 minute lasting well made rock opera, would be interesting to follow this live on the stage. As their performances are in fact characterized by a remarkable theatrical component, through costumes, choreography, and video projections. Recommended to those of you who are grounded in narrative heavy rock.

 Message From Eternity by VIRTUAL SYMMETRY album cover Studio Album, 2016
3.21 | 10 ratings

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Message From Eternity
Virtual Symmetry Progressive Metal

Review by b_olariu
Prog Reviewer

3 stars Virtual Symmetry , a little known italian prog metal band with the debut released in 2016 named Mesage from eternity, really caught my attention, this is well played and composed prog metal, with blistering musicianship, and highly technical arrangements, but keeping the melodic lines aswell. The band has as invited guest the famous Jordan Rudess from Dream Theater fame on Program Error (We Are The Virus), excellent tune with sets the standard for entire album. The music is clearly influenced by masters Dream Theater and maybe in places similer with another great italian prog metal band Empty Tremor, but Virtual Symmetry really pull some intresting passages that every prog metal fan will love. All pieces stands as great, the ending 23 minute title track Message From Eternity is another worthy track, musicianship simply smokes and the rhythm section done a solid job. All in all this is definetly a good debut that worth to be investigated, I like it from start to finish. Even influences are obvious, the band really made an intresting little prog metal release. 3.5 stars for sure.

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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFASIA Italy
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNESIS Australia
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALARION Netherlands
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALEVAS Japan
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
ARCH ECHO United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART AGAINST AGONY Germany
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTIFICIAL LANGUAGE United States
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATARÄXIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AVELION Italy
AVIATIONS United States
AMADEUS AWAD'S EON Lebanon
AWAITING DAWN Germany
AWAX France
AXIAL LEAD Romania
AXIOM United States
AXIOS United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
LA BOTTEGA DEL TEMPO A VAPORE Italy
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRANCH ARTERIAL Australia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAMBRIAN Netherlands
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
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