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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2594 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2658 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.26 | 1506 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1106 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.22 | 1029 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 951 ratings
OPERATION: MINDCRIME
Queensr che
4.21 | 1146 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.19 | 1022 ratings
OUT OF MYSELF
Riverside
4.18 | 1054 ratings
THE HUMAN EQUATION
Ayreon
4.14 | 1780 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.18 | 346 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.15 | 635 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.17 | 342 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.18 | 276 ratings
THE FULLNESS OF TIME
Redemption
4.11 | 1893 ratings
AWAKE
Dream Theater
4.12 | 794 ratings
BE
Pain Of Salvation
4.13 | 657 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.15 | 363 ratings
PERFECT SYMMETRY
Fates Warning
4.12 | 513 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.13 | 400 ratings
ROOM V
Shadow Gallery

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

CODA
Octopus
THE BUTCHER'S BALLROOM
Diablo Swing Orchestra
EL LENGUAJE DE LOS ESPIRITUS
Cuesta, Hittar
THE GREAT DIVIDE
Ice Age

Latest Progressive Metal Music Reviews


 The Holographic Principle by EPICA album cover Studio Album, 2016
4.22 | 32 ratings

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The Holographic Principle
Epica Progressive Metal

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars I can't put my finger on it, but there is definitely something that lifts this 2016 album to a higher plane than the one that came out just two years earlier. The intensity is still at the very high level, but Simone seems to be more in control on this one, as opposed to sometimes being swept away. It is bombastic, it is massively over the top, and the guitars have reined in just ever so slightly, although at times they still race off like bolting horses that have been given their heads. It is an overpowering aural assault on the senses, and I love it. The closest way I can think of describing it is like being at a version of Handel's "Messiah" with full choir and orchestra, but with Slipknot also being involved!

I was playing these two albums back to back the other day, and even without looking I knew when this one had started as there is a definite lift, a step up in just about everything. Symphonic over the top progressive metal just doesn't get any better than this. This is not something that can be played as background music, but rather demands full attention of the listener at all times, as this is all-consuming, and not for the fainthearted. I really do hope that the guys decided to come down to this part of the world for a show one day, as they must be incredible in concert. This is essential, nothing more, nothing less.

 The Quantum Enigma by EPICA album cover Studio Album, 2014
3.81 | 77 ratings

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The Quantum Enigma
Epica Progressive Metal

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars There is one word to describe this 2014 album that rises clearly above all others, "Intensity". The production on this album seems to have brought everything together at the highest volume possible, so much so that the listener is quite drained by all of it. Singer Simone Simons has a quite stunning voice, but to be honest she is sometimes drained out by the choir and also by the rest of the band so that she actually loses some of the impact. This is a real shame, as the album as a whole is an incredible piece of work, much more metallic than the band to which they are most often compared, Nightwish, with the twin guitars locked in and riffing hard. They are also more downtuned and there is the feeling that this a guitar based-band first and foremost, as opposed to keyboard-based. Of course, Epica have a second singer in Mark Jansen who favours death growls as opposed to the 'proper' singing of Marco Hietala, so there is a very different feel between the two acts.

In many ways I actually prefer Epica, as the intensity is palpable: here is a band that are all firing on all cylinders, rushing to the end, taking no prisoners. Sure, I would have preferred to have Simone's vocals higher in the mix, but perhaps I'm being just a little picky? This is a symphonic metal band who concentrate on the latter more than the former, and that's just fine with me.Yes, they slow it down here and there, but it is when they are at full gallop with the band playing hard and the choir singing their hearts out, and Simone striving to rise above it all, that they are at their very best

 Warpaint by VANGOUGH album cover Studio Album, 2017
4.41 | 6 ratings

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Warpaint
Vangough Progressive Metal

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars This is quite an impressing new statement from the Oklahoma based VANGOUGH. Sometimes close to Fates Warning in style, though missing any keyboard input on the other hand. Clay Withrow has an unique singing voice available for sure and adds some doomy guitar riffs here as well. This will be recognized soon when starting with the song Morphine. Also subtle growls, which won't spoil the feel though, when it comes to my taste. While constantly alternating between heavy and atmospheric impressions, this additionally reminds me at the likes of Tool, Pain Of Salvation, Opeth at some point.

So the following Dust confirms at best where the influences are coming from. 'We are the children of machines' ... eh, I do not hope so, a metaphor for sure ... catchy, a nearly charming exemplar is on the run. The Suffering appears as a rather eclectic implementation then. Instruments and vocals are damn variating, for example we are faced with contrasting innocent acoustic and crashing electric guitars. Excellent one! The extended Black Rabbit always makes my day too, just a wonderful exploration into exclusive song writing heights.

Being about one year in the making 'Warpaint' represents a song collection of much thoughtfulness. Really enjoyable. Sorta melodic prog metal stuff I often came back to in recent times. Double tracked guitars are remarkable overall, as if they were a quartet actually. That means, regarding the stage appearance at least, they definitely will need a second guitarist to accomplish their objectives during their next tour, which is still in preparation. Attention, the rabbit is alive and on the run again!

 Warpaint by VANGOUGH album cover Studio Album, 2017
4.41 | 6 ratings

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Warpaint
Vangough Progressive Metal

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars

I can't remember how we first got in touch, but singer/guitarist Clay Withrow and I have been in contact since the time of their stunning debut 'Manikin Parade' some eight years ago, and I have been fortunate enough to hear all their albums, of which this new release is their fifth. The first thing I noticed is that the rabbit is back, having been on the front of their third album 'Kingdom of Ruin', and the EP 'Acoustic Scars' (where he was joined with the raven from the debut). But here he seems to be way more menacing, ready for the battle that is coming as suggested by the album title. Vangough are quite a rarity in the prog field, in that firstly they are a prog metal band without a keyboard player, but also, they are a trio. Now, that's not too uncommon in some ways, as often a trio will double up on instruments in the studio, but while Clay may have put a few guitars on the same track, all we are getting are drums (Kyle Haws), bass (Jeren Martins), guitar and vocals. Before I get into the music I must also comment on the production, which is superb. There is real separation in the music, and songs such as "The Suffering" just blow away the listener with the move from gentle acoustic notes that have been plucked and gently fade to hard riffing. It is also great to be able to clearly hear the bass and drums, and the impact they are having on the song structures. This isn't a wall of mud turned up loud, this is finesse played with skill and care.

They have been cutting their teeth in the live environment, and it comes through on this album as it is easy to imagine all those songs moving well onto a stage. After a raucous performance at the annual ProgPower USA music festival in 2014, they set out on their first North American tour with Pain of Salvation and the following year with Fates Warning. The learnings they have taken from these tours have been invaluable, and (nearly) forgives them the four years it took from 'Between the Madness' to this one. Here we have a prog metal band with technical influences that aren't afraid to shift tack quite abruptly within a song, and to be punishingly heavy when it is required or more quiet and reflective as the mood takes them.

I have been playing this album a lot since I first had the opportunity to hear it, and although I've never been a fan of a rock band fading out a song (as on the aforementioned "The Suffering"), it does lead into the very different "Gravity" which goes from gentle into a Muse-inspired belter so I think I'll forgive them. I gave their debut five stars as I was so incredibly impressed, and now is the time to do the same again. Awesome. Why not pop over to vangough.bandcamp.com/album/warpaint and give it a listen, I know you'll agree.

 The Storm Within by EVERGREY album cover Studio Album, 2016
3.83 | 16 ratings

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The Storm Within
Evergrey Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "The Storm Within" is the 10th full-length studio album by Swedish power metal act Evergrey. The album was released through AFM Records in September 2016. It's the successor to "Hymns for the Broken" from 2014, which by many is considered a comeback album of sorts, because lead vocalist/guitarist Tom Englund reunited with drummer Jonas Ekdahl and guitarist Henrik Danhage after a lineup turmoil in 2010 meant that those two left Evergrey. Apparently the marriage is happy again though because "The Storm Within" features the exact same lineup who recorded "Hymns for the Broken (2014)".

Stylistically the music on "The Storm Within" pretty much continues the anthemic power metal with a melancholic atmosphere, that Evergrey also played on the predecessor. In fact this is unmistakably the sound of Evergrey with Tom Englund's distinct sounding vocals in front, melodic and occasional thrash metal oriented guitar playing (the thrash metal riffs are more an influence rather than a dominant element of the band's sound), supporting keyboards for texture, and a powerful and tight playing rhythm section. The quality of the performances is high throughout. Here I'll have to give a special mention to Henrik Danhage's guitar solos. He is a brilliant guitar player, and his solos on this album definitely help elevate the music to higher levels.

The songwriting is generally top notch professional too. Tracks like "Distance", "In Orbit" (featuring Floor Jansen of Nightwish), and the atmospheric title track (which reminds me quite a lot of Anathema) are among the highlights, but "The Storm Within" is overall a pretty consistent quality release. The only track which doesn't quite reach the high quality of the rest of the material is the saccarine power ballad "The Paradox of the Flame" (a duet power balled with Tom's wife Carina Englund). When Evergrey touch that territory is when they are worst.

"The Storm Within" features a powerful, detailed, and well sounding production, which suits the music perfectly and upon conclusion it's another quality release by Evergrey. There's not much development of sound, and I could have done with a few more tempo changes as most of the tracks don't leave mid-pace, but on a whole it's still a very professional and well sounding release, and a 3.5 - 4 star (75%) rating isn't all wrong.

 In The Passing Light Of Day by PAIN OF SALVATION album cover Studio Album, 2017
3.99 | 164 ratings

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In The Passing Light Of Day
Pain Of Salvation Progressive Metal

Review by Corcoranw687

5 stars There is no way to give out less than 5 stars here. This is the latest album from a musician who has always worn his heart and influences on his sleeve, but the only band you can be reminded of is Pain of Salvation. This album has it all; balls-out prog metal like "Full Throttle Tribe", a fun vocal-focused single in "Reasons" which stays in your head for days, and the emotional heavyweights you can always expect from Daniel Gildenlow. We get some very sexual lyrics in "Tongue of God" and during the super cool "Meaningless" which is the song I'd recommend you check out first. My favourite is opener "On A Tuesday", the spoken and sung verses caught me off guard at first before I was introduced to the big chorus. The album was inspired partly by Daniel's battle with flesh eating bacteria, feeling helpless in a hospital bed, and his wife watching him suffer and the impact it had on her. Like much of his music, this is a very personal album from an incredible musician that begs to be heard at least once no matter what you like. This album reminds me of Remedy Lane more than their others albums, but like each new Pain of Salvation album it's a completely new beast, and in my opinion their best album yet.
 Prison of Desire by AFTER FOREVER album cover Studio Album, 2000
3.36 | 33 ratings

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Prison of Desire
After Forever Progressive Metal

Review by ramien

5 stars In the first place, my interest in this band came as a sort of "spin-off" of listening to Nightwish, after hearing their last album: "Endless forms most beautiful". They introduced a new vocalist here: Floor Jansen (at least on studio albums, she had already collaborated with them on a live album and almost a whole tour!!!), and the result was very good. So I started to investigate about her, and found that she had been at least in two bands before: ReVamp and this one, After Forever. So I started to listen to After Forever discography (it's all on Spotify, if you want to hear it) a year or so, and now I'm relistening them, with a careful atention. First said, this review is about the version that appears in this page, the original tracklist, and not the "Extended Sessions", which, IMHO is full of unnecesary fillings that add nothing to the whole (if that would be the case, I would give it no more than three stars). This is not prog metal in the classic sense (they would do something near to it years later, on their homonimous disc), but it's more precisely defined as an stilized, and sometimes complex, goth metal (so, if you don't like goth at all, you may disagree with my rating). In a whole, the album is great, and it has a beautiful atmosphere that was lost on subsequent albums. The vocals of Floor are very beautiful, with a range even more impressive that the one she use with Nightwish. The growls of Mark, even if not perfect, add a strong and gladly received contrast, and set the textures of the melodies (in fact, in the few songs he doesn't sing, it seems like something is missing), something he will absolutely fail to do on the next album (Decipher). The only reason I have been doubtful about 4 or 5 stars, is because I really don't get why "The embrace that smothers" should be seen as a single theme. In fact, apart from "Mea Culpa" and "Leaden Legacy" (the former serving as an intro to the latter), I don't seem to find something that really binds them. I tried making a playlist, and playing them together, one after the other, but it just doesn't work at all. But, if you play the whole album, and forget this, it seems to me just perfect. So I would go for the 5 stars.
 Brave Murder Day by KATATONIA album cover Studio Album, 1996
3.68 | 25 ratings

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Brave Murder Day
Katatonia Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Another decent death-doom release from Katatonia, Brave Murder Day is notably mostly for the extended suite formed by the title triptych of Brave, Murder, and Day; beyond that, it's more competent and entertaining death-doom material, and whilst I'm not so hot on the direction they took after this, it was probably the right call to shift direction at this point. The material here is not quite as fresh as the debut, and there's a sense towards the end of the album that Katatonia have done more or less all they can do in this particular vein and needed to look to new musical horizons if they were to find new inspiration.
 Memories Progression by NORDREAM / NO.R.DREAM album cover Studio Album, 2000
3.05 | 2 ratings

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Memories Progression
Nordream / No.r.Dream Progressive Metal

Review by b_olariu
Prog Reviewer

3 stars Nordream, this obscure and totaly unknown to larger public prog metal band, coming from Moscow - Russia, born around 1998 and releasing only one album in 2000 named Memorioes progression. Well, not much is known about this band, the music offered here is close to DT, the instrumental sections are quite good, specially the keyboards provided by female keybordist Julia Chistyakova. As many bands from east Europe and aswell from Russia, the band suffer from not so good production and overall sound, I met this type of sound on countless bands from my country, with thin sound and low production. Anyway the music is most of the time ok, no really lows here abut aswell no highlights. The voice is almost mediocre and drag the album little low as a whole. All in all, I don't think this band will have many listners, but if you are a prog metal fan as I am I think worth a spin. Very nice art work and booklet. 3 stars, good but far from great

 For Funeral To Come by KATATONIA album cover Singles/EPs/Fan Club/Promo, 1995
3.92 | 5 ratings

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For Funeral To Come
Katatonia Progressive Metal

Review by Warthur
Prog Reviewer

4 stars This is an EP that Katatonia put out to tide over their fans who were eagerly awaiting the followup to their debut, Dance of December Souls. It isn't quite as interesting as the material on that album - it's a clutch of competently done death-doom pieces that don't quite have the gravitas of the December Souls material - so putting this out as an EP was probably the right call. Dan Swan÷ of Edge of Sanity guests once again, though he only provides the engineering rather than making the sort of keyboard contributions which he spiced up December Souls with. On the whole fun, but not one I would give top priority to.
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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART AGAINST AGONY Germany
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATAR─XIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AMADEUS AWAD'S EON Lebanon
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHARLY SAHONA France
CHIASMA United States
CHINESE BEARD Finland
A CHINESE FIREDRILL United States
CHROME SHIFT Denmark
CIRCLE OF ILLUSION Austria
CIRCLES Germany
CIRCUS MAXIMUS Norway
CIRRHA NIVA Netherlands
CLANDESTINE United States
CLOAKWHEEL United States
CLOCKWORK United States
CLOSED FOR TONIGHT Canada
CLOUDSCAPE Sweden
CMX Finland
MARCEL COENEN Netherlands
COLLIDING PARALLELS Canada
COLONIZE United States
COLOURBLIND Malta
COMMA Turkey
COMMUNIC Norway
CONCEPTION Norway
CONCRETE PROPHET United States
CONDITION RED Sweden
CONSCIENCE France
CONSORTIUM PROJECT Netherlands
CONTINUUM France
CORELIA United States
COSMICS United States
COSMOSQUAD United States
COUNTDOWN France
CREATION'S END United States
CRIMFALL Finland
CRIMSON GLORY United States
CRISES Germany
CRUZ D MALTA Mexico
CRYSTAL LAKE / LOGIC MESS Poland
CUEROCK Germany
HITTAR CUESTA Ecuador
CYMORYL France
CYNTHESIS United States
DAEDALUS Italy
DALI'S DILEMMA United States
DAMN THE MACHINE United States
THE DAMNATION PROJECT Greece
DANTE Germany
DARK NOVA Greece
DARKSTAR Germany
DARKWATER Sweden
ALEK DARSON Serbia
DAY SIX Netherlands
DAYS OF ASHES Sweden
THE DEADSTATION. United States
DEATH ORGAN Sweden
DECADENCE Russia
DEELY Poland
DEGREE ABSOLUTE United States
DEIMOS Russia
DELTA Chile
DENDURA United States
DEPTH BEYOND ONE'S Finland
DESPITE BEHAVIOR France
DEVENTTER Brazil
DEVIL'S SLINGSHOT United States
DGM Italy
DIABLO SWING ORCHESTRA Sweden
DIABOLOS IN MUSICA Norway
DIANETICS (GENETICS) Australia
DIANOYA Poland
DIGITAL RUIN United States
DIMENSION Mexico
DIMENSION ACT Norway
DIMENSION X United States
DIMENSION34 Sweden
DISMAL Italy
DISSONA United States
DISTORTED HARMONY Israel
DIVINE REGALE United States
DIVINE RUINS United States
DIVINITY DESTROYED United States
DIVISION BY ZERO Poland
DOL AMMAD Greece
DOL THEETA Greece
DOMINICI United States
DORA THE DESTROYER United States
DORIAN OPERA Germany
DREAM THEATER United States
DREAMLORE United States
DREAMLOST France
DREAMS OF SANITY Austria
DREAMSCAPE Germany
DREYELANDS Hungary
DROPSHARD Italy
GLEN DROVER Canada
THE DUST CONNECTION Netherlands
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