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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2056 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2116 ratings
METROPOLIS PART 2: SCENES FROM A MEMORY
Dream Theater
4.27 | 1195 ratings
SECOND LIFE SYNDROME
Riverside
4.26 | 911 ratings
THE PERFECT ELEMENT PART 1
Pain Of Salvation
4.22 | 777 ratings
OPERATION: MINDCRIME
Queensr˙che
4.21 | 919 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.21 | 845 ratings
REMEDY LANE
Pain Of Salvation
4.20 | 820 ratings
OUT OF MYSELF
Riverside
4.19 | 904 ratings
THE HUMAN EQUATION
Ayreon
4.13 | 1435 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.11 | 1509 ratings
AWAKE
Dream Theater
4.14 | 529 ratings
V: THE NEW MYTHOLOGY SUITE
Symphony X
4.19 | 228 ratings
THE FULLNESS OF TIME
Redemption
4.12 | 687 ratings
BE
Pain Of Salvation
4.16 | 292 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.11 | 542 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.12 | 297 ratings
PERFECT SYMMETRY
Fates Warning
4.11 | 350 ratings
ROOM V
Shadow Gallery
4.15 | 199 ratings
A SOCIAL GRACE
Psychotic Waltz
4.09 | 449 ratings
LIQUID TENSION EXPERIMENT 2
Liquid Tension Experiment

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

STRONGER THAN HATE
Memories Lab
THE DIVINE CONSPIRACY
Epica
THE GREAT DIVIDE
Ice Age
ABYDOS
Abydos

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Latest Progressive Metal Music Reviews


 A New Gate by ANNON VIN album cover Studio Album, 1996
4.00 | 1 ratings

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A New Gate
Annon Vin Progressive Metal

Review by Ovidiu

— First review of this album —
4 stars Definitelly,this is a masterpiece album and it could be considered a forgotten musical pearl!ANNON VIN managed to release only this album in their short career,but what a damn good album they made!A NEW GATE is heavily influenced by SIEGES EVEN-we can call it ANNON VIN being a copy of the wellknown technical prog metal band-now disbanded unfortunatelly-but,they had a better vocalist than Thomas Herde,the awful vocalist of SIEGES EVEN on the first 2 albums!What we have on this album is a display of technical capacities of this 3 young and ambitious musicians-sometimes we can feel that they try to do a little more of what they are able to do-pushing the technical aspect of this album at an unbelieveble level!The whole audition of the album is a test of will,but ,in the end we can say that this album is almost a masterpiece!Amazing technical chops,twists,change of rhytms-impressive bass lines and an almost scarry versatility of the drummer !The guitarist/vocalist is out of this planet too-he is totally impressive when we think that the guy is in charge vith the vocal duties ,plus the sophisticated guitar work-WOW!!!Hard to say which song is the best one-all the album is a difficult to chew album,and there are necessary many auditions,and to dig deep into it ,to understand the complexity and meanings of such a fantastic album!Very good production,an uninspired cover-but the music is fabulous!4.75 stars for me!
 Nebulae by HEMINA album cover Studio Album, 2014
4.64 | 17 ratings

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Nebulae
Hemina Progressive Metal

Review by Contemptible

5 stars With Nebulae, Hemina build upon and polish the strong foundation of progressive metal that was their debut album Synthetic while progressing their sound in almost every way. The result is a heartfelt and accomplished record that further cements their position as a premier Australian progressive metal band.

Immediately noticeable is the improved production of the album. Every instrument is given room to breathe and the result is a rich, lush and downright pleasurable album to listen to. The rhythm section in particular is a vast improvement, exposing the girth and groove that was hinted at in the band's songwriting and live performances but was let down by the production of the first album.

The improved aural dynamics of the album accompany a diversifying of stylistic influences that fed the songwriting process, most noticeably djent and funk. These styles are blended artfully into the core of the bands signature sound and exemplified in the song 'Lust'. The courting of the djent genre might evoke fear that the band is pandering to a larger audience, but the band easily dispel such fears through the way they have incorporated the rhythmic strength of the genre with the melodic technicality they are known for.

The vocal performances of the band have also been polished to nigh perfection. The tendency towards the over-use of power metal theatrics from the first album has been reined in and this, along with the absence of death-metal growls that infrequently appeared on their earlier record, creates a sincere and emotive vocal effort and increases the dramatic effect of the occasions that the extremities of the singer's vocal range are utilised. The increased use of female vocals enriches the sound further, drawing comparisons to the likes of Anathema especially during 'Soulmates'.

There is no such thing as a perfect album, and unfortunately this holds true for Nebulae. While overall the record comes across as heartfelt and natural there are a few stylistic choices that detract from this feeling, particularly the vocal delivery for the early verses of 'Lust'. While all the vocals are technically still expertly executed on this song, the vocal styling for these verses is one of the few times it feels as though the band is trying to forcefully incorporate the styling of another genre.

Despite a few (admittedly subjective) disagreements with some of the newer elements of Hemina's songwriting the album remains in my opinion a masterpiece of progressive metal comparable in quality to not only the work of premier Australian acts such as Voyager and Caligula's Horse, but to any international progressive metal band.

4.5/5

 The Seraphic Clockwork by VANDEN PLAS album cover Studio Album, 2010
3.72 | 156 ratings

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The Seraphic Clockwork
Vanden Plas Progressive Metal

Review by Progrussia

4 stars The more conceptual Vanden Plas become, the harder they are to penetrate. More often than not story-driven concept albums tend to consist of shorter songs-chapters. Here, after two deceptively catchy rockers (check out the 3 back-to-back widely different bridges of Frequency) songs average 9 minutes in length and include long instrumental parts. But I think that they managed to stop right at the point beyond which more would have been tough to digest.

Stylistically, this is their most eclectic album. Their brand of Dreamtheatre-esque esoteric but catchy prog metal enriched with more symphonic and classic rock (by way of rumbling organ and some folkish inserts) influences. Andy Kuntz has finally shed his early- days hair metal histrionics and developed into a more serious type of a theatrical singer. Give this a couple of spins at least.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.80 | 61 ratings

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Coma Ghosts
Effloresce Progressive Metal

Review by lucas
Special Collaborator Honorary Collaborator

4 stars Effloresce is a german progressive metal band, signed on the young label Generation Prog Records, founded by the enthusiastic bassist of jazz-fusion band Relocator, Michael Schetter.

With 'Coma Ghosts', they sign a quality first album with top-notch production, to be filed somewhere between Dream Theater and The Gathering at the time of 'Mandyllion'.

Most of the tracks are filled with an overwhelming tension, brought by martial or galloping rhythms, obsessing and insisting guitars, the haunting and majestic Hammond of "Spectre Pt.I- Zorya's Dawn", as well as the gravity of Nicki Weber's voice, in a pleading fashion most of the time, yet quite solemn in "Pavement Canvas". The short musical interlude "Undercoat" set apart, there is nonetheless one song ("Swimming through desert") that lands like a UFO in the tormented climate, as the light- weighted music, the pastoral mood with acoustic guitar and the sunny voice of Nicki, are so different from the other tunes. The disturbed guitar that concludes the track ensures nonetheless a return to the desolated world.

Half-angel, half-demon, Nicki Weber sings with a voice that is delicate and repulsive in turn. In this fight of the extremes, the beautiful wins over the ugly, "grunted" chant, which is the (mis)deed of the young woman, is indeed scarce. And, as if this split was not enough to highlight the incredible range of her vocal abilities, Nicki fills us with joy in her flute parts that are more than welcome to temper the tension of the mood ("Spectre Pt.I- Zorya's Dawn" and "Shuteye Wanderer").

In a nutshell, this is a very enjoyable album, in which a dynamic music devoid of any flashiness and with spare and never invasive swirling guitars, back a bewitching voice.

 Extinct Instinct  by THRESHOLD album cover Studio Album, 1997
3.65 | 101 ratings

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Extinct Instinct
Threshold Progressive Metal

Review by Raccoon

5 stars "Nightmare is coming and I hear the drumming of demons in the night."

Progressive Metal and I have a complicated relationship. I loved the classic Prog Metal groups (DT, Riverside, Symphony X), but other bands I'd only touch after years passed.

Yeah, it's that kind of relationship. So, I gave up! Stopped following the genre. Then? I saw For The Journey on New Releases, I went on a whim. Whenever I think I've discovered all the LEGENDARY bands, a few days pass and I end up finding another. This is the case with: Threshold.

Listening to Ashes from March of Progress first, I smiled maniacally. I knew This WAS something to write home about!! And so, my favorite album from Threshold Extinct Instinct rose from the grave.

After the disappointing Psychedelicatessen, they made up for their first loss. Taking a three-year hiatus, Threshold delivered this hour-long monster. Heavier than its predecessor (and much less silly?), this album devours your soul, rocks out, drinks a little too much, and pukes you back up.

"Exposed" kicks off with serious drums and an even serious-er guitar. Guitar solo, raunchy keyboards, and kicking your a**. The voice of Damian Wilson may be the BEST in Metal. Yep, a bold statement. Exposed drives 100 miles, rocks hard, only slowing down after the 6:25 time limit is up.

"Somatography" rings Wounded Land with its narrative. Till? 1 and a half minutes in, chunky guitars. High vocals of Damian coordinated with that same riff throughout. You can predict which direction the song's going, but in now way is that bad. It goes in the direction you want.

"Eat The Unicorn" is Threshold's best song. Yep, it's comparatively as epic as Relayer: A war of guitars, tough lyrics, only occasionally taking a break?an instrumental passage. These breaks, especially later (just look at the header's lyrics!! ^) are when the song shines. Then, shines brighter than originally imagined: "Unicorn so wild and free, balm my eyes, carry me home!" Followed up by wild guitars, perhaps topping the best-of Symphony X. The background vocals are reprised front-and-center in the conclusion. Subtle, brilliant.

"Forever" is the first 'ballad-y' song in Extinct? How many of you readers turned away from my review after reading that..? Guess what, it's not a bad ballad! Glistening chimes and Damian's powerful voice lead you on every word. No sign of cheese here!!

"Virtual Isolation" echoes through each ear. The bulk builds, heavy track. A 100 pounds of metal riffs dig into your brain. Then the vocals of Damian reach the clouds. You could almost see him. It continues, octane raising ever-so slightly. Begins like any other track, though it leads to something wonderful.

"The Whispering" is lyric-based. Catchy chorus, and STILL real heavy! That takes skill. Still, no smell of cheese. Oh, and that chorus: "IF THEY SAID GO, WOULD YOU GO?" A mellow guitar suite, nearly lulling you to sleep after that brutal guitar ear-rape. You hear all ranges of Damian, from sweet to ungodly dark. Hail Damian.

"Lake of Despond" is right up there with "Unicorn" for epics on this. Keyboards are prominent and power, for nearly the first time. The echoing guitars suck you in to their world, until the all-powerful voice of Damian guides you through hell. "This is not a lethal wait, but it can BE a sort of decep-tion!" Not only is the chorus catchy-as-hell, (get the pun?!?) it also leads to? Can you guess..? Another great ballad! So begins:

"Clear," another showcase for Damian's talents, brightening up the mood. This song's comfort-food. A laxative from all the s*** the previous songs hit you with.

"Life Flow" chimes with a gong. What's a better way to start..? This leads to another soaring chorus, belting keyboards (credit to you, Richard West), ending with Mark Heaney's drums.

Part of the Chaos gives me a 'desert' vibe. The tempo, chorus, and riffs all shift throughout. If you want a prog song, there you are. 'Nuff said.

Overall, a LONG, but rewarding album. I had a hard time going through the full hour the first time I listened. Then you realize: You're constantly thinking of those choruses. Damian's godly voice. Karl Groom's chunky guitars. Richard West giving the music just the right dose of melody and light-heartedness that this rough diamond needs, and Mark Heaney's constant hard-hitting drums. You've got yourself a Metal Masterpiece. Remains as my favorite Threshold album. You can already guess I can listen to the full 77 minutes now? JUST LISTEN TO IT!!!

 Beyond Daylight  by VANDEN PLAS album cover Studio Album, 2002
3.98 | 136 ratings

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Beyond Daylight
Vanden Plas Progressive Metal

Review by Progrussia

4 stars Vanden Plas is one of the more established bands of the European power symphonic prog school, that pays a premium on melody and atmosphere rather than just technicality. Their feature is that combine heavy, loud guitars with softer vocal. I know that doesn't paint a very flattering picture - like a less adventurous Dream Theater - but Vanden Plas know their riffs, intriguing synth lines and melodies. Beyond Daylight is a step up for them in this respect, all while avoiding excessive musical cheese found in their later works. Aside a couple of weaker tracks, this album is loaded with "hits" (well, in a prog sense of the word). They sure know how to set up a song. Check out the playful classical intro to Nigthwalker, mysterious keys at the beginning of Cold Wind an Phoenix, or the dreamy start to End of All Days. Cheerful and fast this music isn't. But what follows is a solid 60 minutes of headbanging, sing-alongs and lighter-lighting moments.
 Johannes Kastaja by CMX album cover Singles/EPs/Fan Club/Promo, 1987
2.00 | 1 ratings

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Johannes Kastaja
CMX Progressive Metal

Review by Matti
Collaborator Neo-Prog Team

— First review of this album —
2 stars The Finnish band CMX have actually never made music you would immediately recognize as Progressive Metal. Usually they rock hard & loud even with some Metal flavour, and some albums are more or less progressive, that's all. Hardly any other subgenre here would be more precise, if not Prog Related. As their most popular, especially in the mid-90's, they have made quite accessible rock - even pop with softer elements - emphasizing on poetic lyrics of bassist-vocalist A. W. Yrjänä. Some of the most dedicated fans are starry-eyed, female university students studying Finnish literature; this theory is backed by my personal relationship history and a TV programme on literature, in which Yrjänä, active also as a book author, was interviewed by such persons whose admiration really shone from their eyes. I wonder if those academic girls enjoy THIS music...

This is how they started as young men locating in Northern Finland: raw, fast hardcore punk with very brief and burst-like songs. Guitar, bass and drums being the only instruments. This is so over the top that it becomes sort of amusing and humorous to listen to at least once, even if you normally hate punk. You can do it yourself in YouTube. I couldn't find the three tracks with English titles. I didn't even know they have done something in English too. The biting sound could be considerd as a more hardcore follower to the earlier Finnish cult band Hassisen Kone.

The earliest CMX releases, such as this very first one, were EP's that have become very rare. The CD called Kolmikärki Gold (2002) contains the longplay Kolmikärki (1989), this EP and another EP Raivo (1989).

 Chain Reaction by DISTORTED HARMONY album cover Studio Album, 2014
4.22 | 23 ratings

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Chain Reaction
Distorted Harmony Progressive Metal

Review by uribreitman

4 stars After listening to this album 48 times on my iPod (yes, iTunes counts every listen), I conclude that this is one of my favorite albums of 2014. Great prog-metal, with great melodic sense, excellent arrangements and a spectacular musical production.

This is even better than 2012's "Utopia", which was the best prog-metal album ever produced in Israel anyway. Songs are tight, mature and muscular. Guitar work by Guy Landau deserves all the accolades, with tasteful licks and careful attention to detail. Drum work by Yogev Gabai is very creative, focused on clever syncopation and surprising passages.

Yoav Efron, band leader, has managed to remain in the background, not forcing himself on the songs, producing only the most essential keyboard solos. Frontman Misha Suchinin's vocals are impressive and sensitive - the exact opposite to most prog-metal vocalists. Misha never overkills the vocal lines, always human and dynamic.

The centerpiece is "Misguided" (#3), and tracks like "Methylene Blue" remind me of Porcupine Tree. All tracks, maybe except the short acoustic "As You Go" are perfect, with the 2nd track "Children of Red" remind me of Dream Theater's "Six Degrees" period.

All in all, a very catchy album, worthy of your precious time, with amazing progressive metal workouts - "Chain Reacion" focuses on the songs, not the players egos. This is not an empty showcase of virtuousity, but a real electric storm made by five world-class musicians. I enjoyed it so much, and glad to still have it on my mp3 player. The 50th listen is very close :-)

 Chronicles Of The Immortals, Pt. I: Netherworld by VANDEN PLAS album cover Studio Album, 2014
3.48 | 78 ratings

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Chronicles Of The Immortals, Pt. I: Netherworld
Vanden Plas Progressive Metal

Review by Progrussia

3 stars On their latest offering, Vanden Plas continue with their European prog power style with symphonic and gothic touches, with maybe an added layer of gothic cheese in form of some female vocals, choirs and wimpy tragic ballads. This moves them closer to Kamelot territory, which comes, I think, at the expense of certain intelligence present in their music. Prog-wise, even though this is a two-part concept album, it's a step down from their previous effort, Seraphic Clockwork.

The second, and first proper track, The Dark Knight, showcases the best that the band has to offer - great, driving opening riff, nice contrast between heavier and softer passages, anthemic choruses. It goes on basically in the same vein, interspersed with filler ballads. And even though Vanden Plas' riffs and melodies would put 99 percent of power bands to shame, towards the end you get a feeling of sameness. Let's hope the second part has more interesting stuff to offer besides some head banging and air guitar.

 The Last Sunset by CONCEPTION album cover Studio Album, 1991
3.51 | 45 ratings

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The Last Sunset
Conception Progressive Metal

Review by arcane-beautiful

3 stars I won't lie. I am a bit of a Kamelot fan. How could you not love them. Roy Khan is very much one of the sexiest metal singers alive (I'm relying more on the timbre of his voice, rather than actual appearance...as a gay man, he is alright looking). When I first got into the band I was shocked to know that he was not the bands original vocalist and that before he even joined the band he was in a full blooded progressive metal band from Norway called Conception. I was even more joyous to find a copy of their first album in a second hand shop. Win win nostalgic situation.

One of the most interesting parts of the bands sound is the interesting mixture of metal and now and then flamenco guitar moments which spruce up. Mostly the band do have a pretty standard prog metal meets power metal sound. Sound wise the band pretty much have it down, but because this is a first album, you can't expect perfection.

One of the biggest problems with this album would have to be the production. Everything on this album sounds very weak and very quiet. The guitar sound especially. The riffs on this album are pretty cool, but the production just makes it sound very weak. The vocals are mixed very badly too, with Khans voice being rather quiet. It really should be against the law to have as little focus put on Roy Khans voice, cause it is very unique, even if he does sound like a pre pubescent teen on this album (which he probably was at this point).

The opening track "Building A Force" is a pretty great opener with one of the best chorus on the album. Killer riffs and some nice vocals from Khan too.

"War Of Hate" is probably one of the most heavy songs on the album. Having some rather groove metal influenced riffs the band show off their heavier sound. Sadly the production doesn't bode well with the heavy sound of this track.

One of my favorite tracks on the album would have to be "Fairy's Dance." Having some folk influences, the song's lyrics also tell of a rather comical fantasy inspired tale. Some nice guitar work throughout too.

The title track is probably one of the most interesting moments on the album. Showing off the bands more gentler side, Khans vocals are pretty stellar, with him singing some of the highest notes I've ever heard him sing.

The final track "Among The Gods" is the longest composition on the album. The first half is rather interesting, with a lot of interesting tempo changes throughout. The ending is pretty much an extended instrumental section and I believe it overstays its welcome. Bit too long, but still pretty interesting.

In conclusion, for a debut this album is alright. The passion and material is pretty much there, but you can tell this is very much a band trying to find its feet. The band would go on to do better things, both as Conception and other projects which followed.

6.6/10

Genres: Progressive Metal, Power Metal, Speed Metal, Heavy Metal, Progressive Rock

Country of origin: Norway

Year of release: 1993

Data cached

Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATARÄXIA Spain
ATHEM United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AWAX France
AXIAL LEAD Romania
AXIOM United States
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
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