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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2201 ratings
IMAGES AND WORDS
Dream Theater
4.28 | 2268 ratings
METROPOLIS PART 2: SCENES FROM A MEMORY
Dream Theater
4.27 | 1274 ratings
SECOND LIFE SYNDROME
Riverside
4.24 | 972 ratings
THE PERFECT ELEMENT PART 1
Pain Of Salvation
4.22 | 839 ratings
OPERATION: MINDCRIME
Queensr˙che
4.21 | 985 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.21 | 884 ratings
REMEDY LANE
Pain Of Salvation
4.20 | 947 ratings
THE HUMAN EQUATION
Ayreon
4.19 | 866 ratings
OUT OF MYSELF
Riverside
4.16 | 546 ratings
V: THE NEW MYTHOLOGY SUITE
Symphony X
4.19 | 303 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.13 | 1521 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.20 | 240 ratings
THE FULLNESS OF TIME
Redemption
4.11 | 1607 ratings
AWAKE
Dream Theater
4.13 | 709 ratings
BE
Pain Of Salvation
4.12 | 571 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.14 | 310 ratings
PERFECT SYMMETRY
Fates Warning
4.23 | 130 ratings
MERCY FALLS
Seventh Wonder
4.13 | 361 ratings
ROOM V
Shadow Gallery
4.17 | 203 ratings
A SOCIAL GRACE
Psychotic Waltz

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

WAVES OF VISUAL DECAY
Communic
DARK DECEIVER
Zero Hour
PATHOSRAY
Pathosray
WALKING ON H20
Mind's Eye

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Latest Progressive Metal Music Reviews


 Oceanborn by NIGHTWISH album cover Studio Album, 1998
3.95 | 188 ratings

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Oceanborn
Nightwish Progressive Metal

Review by Terakonin

1 stars Nightwish's breakthrough album Oceanborn is a decent enough album, one that for me has only a few notable tracks, but no really bad ones. Nightwish's dramatic, fantasy-movie-soundtrack sound, flavoured with small amounts of Celtic and Finnish folk, is already evident on their second album and is much of what makes them a unique band.

Stargazers is a strong opener. With powerful keyboard and guitar riffs that fit the full, operatic vocals from Tarja Turunen, it helps truly define symphonic metal. (8/10)

Gethsemane, the following track is just as strong, opening with a chaotic guitar/keyboard interplay that changes into a dark backdrop for the soaring vocals before returning between each verse. A strong, heavy track with many layer, interspersed with softer synth-string sections. (8/10)

I find that you can take or leave the following three tracks - Devil & The Deep Dark Ocean, Sacrament Of Wilderness, and Passion And The Opera. However they are not bad tracks - to me they simply do not stand out. (All around 6/10)

Swanheart is more of a ballad, with a choir and piano. It features a violin solo, as well as a slow guitar solo, and is one of the catchier songs on the album. (8/10)

Moondance also starts softer, with melodic piano, but the piano riff is quickly picked up by the electric guitar. After the track calms down again, sweeping woodwinds take over the melody, helped along by arpeggiated piano chords. It picks up again with electric guitar, becoming a pseudo-jig with a Celtic influence, that helps bring character to the song. (8/10)

The Riddler, The Pharaoh Sails To Orion, Walking In The Air, and Sleeping Sun are, again, tracks that I find you can take or leave (The Pharaoh Sails to Orion is apparently a favourite among fans). Again, I give them around a 6/10, with The Riddler maybe getting a 7.

This is definitely an album worth getting, as the tracks on it that I don't like seem to be a matter of taste rather than quality. Recommended for fans of classical-inspired metal, as well as prog metal in general. 7/10.

 Relocator by RELOCATOR album cover Studio Album, 2010
3.84 | 60 ratings

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Relocator
Relocator Progressive Metal

Review by Ovidiu

4 stars This is the debut album from one extremelly talented band from the good old Germany-RELOCATOR!It was a huge surprise for me to discover such mature song writting and musicianship for a band that I've never heared about it!!Definitelly,a great musical discovery and something to dig deep in time!What I really like to this band is the fact that the accent is not put on the technical skills,which are already impressive,but it's on the composition and atmosphere!If we try to find a conection between RELOCATOR with LIQUID TENSION EXPERIMENT or PLANET X-that's useless,because the 2 American bands are more focused on the technical sparks and wizardries than on the composition!!RELOCATOR managed to get in work the keyboard wizard DEREK SHERINIAN himself to put his genius print on this wonderful album,ant that's a brilliant achievement !!The use of the violin is another excellent thing,and that makes the album even more spectacular,complete and complex!The timing of the tracks is quite long,2 of them are more then 10 minute and only one is a little longer then 5 minutes,so that's plenty of time to express generous musical ideas in long compositions,with an unique atmosphere and flavour!!There are many igreat ideas in RELOCATOR's music,the listener is invited to a wonderful musical journey,and even being instrumental,the album offers great audio landscapes and images to it's listeners!Wonderful booklet presentation too,with superbe photos!Excellent production aswell and nice sound for this marvelous music,an album of more than 1 hour playing time,but with no weak track or weak moments-that's trully rare!Congratulations for an outstanding album and the promise for more great music in the future,that's for sure-4.5 stars for me!
 The Vibrant Sound of Bliss and Decay by CEA SERIN album cover Studio Album, 2014
3.93 | 5 ratings

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The Vibrant Sound of Bliss and Decay
Cea Serin Progressive Metal

Review by Ovidiu

4 stars Finally!10 years after the blistering debut album,CEA SERIN is back with another release,which proves thet we have to be patient,because sometimes miracles are happening in music too!Definitelly,this amazing come back album is quite unexpected and that's trully fantastic!With the pretentious and suggestive title THE VIBRANT SOUND OF BLISS AND DECAY,our beloved American band is back in business and they are doing this in big style!Definitelly,there are plenty of magical moments on the album,there are moments of pure delightmend and enchantment,old and new CEA SERIN fans will be spoiled to hear again the magic of their beloved band!This unique CEA CERIN sound,with moments of melancholy and deception,then some unbelievble complex musical arrangements-all the ingredients are present on this superbe album!I can consider there is a major improvement compared to the impressive debut album,under all terms-musical concept,performance,complexity and musical ideas-everything is at a superior level!ICE-for example,is one of the most sensitive and melancholic compositions I've ever heared-superbe piano work and great atmosphere!The monster 20 minutes track-WHAT FALLS AWAY-is the culmination of musical inspiration for CEA CERIN-it's an unbelieveble complex and complete composition-all the ingredients of a pure prog metal composition are present!Definitelly,a masterpiece itself!The vocal performance could be a little better,but it fits perfectly well with the musical message of this impressive -that's true!The production is very good too,much better than on the first album,the crystal clear sound of all instruments is impressive too!I like also the art cover-very nice and intelligent too!Overall,a great comeback album,something like a fresh breath in today's complicated prog metal world-and the prove that diamonds are eternal,in music too!4.5 stars for a true great piece of pure art!
 The Black Halo by KAMELOT album cover Studio Album, 2005
4.13 | 255 ratings

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The Black Halo
Kamelot Progressive Metal

Review by Isa
Prog Reviewer

5 stars |A+| Colossal.

Kamelot's seventh release, The Black Halo, remains one of the band's most critically acclaimed and highly reviewed albums, particularly on Progarchives. It also might be considered the transition album connecting the band's more power-metal styled previous works to the more (for lack of a better description up my sleeve) Gothic-themed albums which followed afterward. Released in 2005, it remains considered a modern classic for many prog-metal fans.

It is also a concept-album, specifically a sequel to the previous album Epica, both albums telling through lyrics and music an extraordinarily well-conceived story, which is loosely but highly based on the classic epic story of antiquity: Faust. Many of the lyrics involve the main character, who makes a deal with Mephisto (the devil) often reflecting on the great philosophical questions of any age: is there a supernatural realm, does God exist, what happens after death, etc. There are regular sound effects helping to depict the events being discussed in each track, such as the sound of marching during the first track, March of Mephisto.

Throughout the album, there are killer (and I mean, in terms of metal, truly epic) guitar riffs, solos, keyboard arrangements, bass support, precise and complementary drumming, and best of all, Kahn's soaring, unforgettable classically trained vocals which firmly plant one foot in the dramatic experience of opera and the other in the heavy and powerful force of metal (which, for me as an opera singer, is the best cup of tasty metallic tea I could ever find!). The songwriting is, to my ears and discernment, virtually flawless, with a not-cheesy use of classical music (which I half-jokingly proclaim with my authority as a classical musician!). The production of the album is par-excellence, not being over-produced, unlike so much prog-metal that we hear today, but just right. There are dramatic levels of soft and sorrowful, heavy and powerful, and everything in between. Each track stands alone on its own as unique, while all connect to make one hell of a cohesive musical adventure. One song is sung in an Anglicized version of Latin (Dei Gratia), and another in legit Italian (Interlude II). And honestly, what more could you want from a clean album of sumptuously musical metal?

On a personal note, this album has, over the last 9 years or so, become my top desert- island album of heavy metal, even though I've admittedly grown less fond of this genre of with the passing of years. I adore, even savor, almost every second of this album, especially Kahn's voice, who remains my favorite singer in rock music to this day, especially for his work on this album. While his departure from the band was certainly a sad even for fans, I'm happy for him and support his decision to focus more on the things that are of even greater importance in life, particularly such things as faith and family.

For me anyway, one of the greatest, most powerful, most moving albums in heavy metal history. A full blown unapologetic and epic masterpiece.

 Remember It by FRAMEPICTURES album cover Studio Album, 2010
3.59 | 21 ratings

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Remember It
FramePictures Progressive Metal

Review by b_olariu
Prog Reviewer

3 stars Framepictures is for sure one of the most intresting prog bands I've ever come across from Portugal. They were formed around 2004 and so far they releasing one album in 2010 named Remember it. What they play is prog metal all the way with waving keyboards and nice guitar chops, they remind me a lot of Dream Theater, in their most glorious days, the '90s, so for me a good album even the originality lacks. I like this kind of prog metal, with long elaborated passages, nice shifting moods from mellower ones to more angry, they for sure know to handle the instruments. A good vocalist on top and Remember it is a winner release to my ears. Pieces like opening . Memories Faded Away, Call for me or the ending longest one clocking around 26 min are pure joy to listen, at least for me, great musicinaship, and very nice passages all over. So, 3 stars for this one , in places for sure 3.5 but no more then that, a good one from start to finish but far from masterpieces staus. Deefinetly I think worth investigated if you like this kind of prog. Nice art work.

 Little Brother Is Watching by BUMBLEFOOT album cover Studio Album, 2015
3.00 | 5 ratings

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Little Brother Is Watching
Bumblefoot Progressive Metal

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars After the release of the 2005 album "Normal," BUMBLEFOOT replaced Buckethead as the new guitarist in Guns N Roses 3.0 and catapulting him into the gaze of a much larger audience than his little known solo albums ever did. Since then he has only released one solo album, "Abnormal" in 2008 and then it seems he packed up his solo career and put it on the shelf with the exception of some digitally released cover singles in 2011 ranging from "Goodbye Yellow Brick Road" from Elton John, "Strawberry Fields Forever" from The Beatles and even the "Pink Panther Theme." But these were just novelties, not real BUMBLEFOOT music.

As a fan of one of the most talented guitarists of modern times i was excited to hear that finally after 7 long years a new solo album would finally hit the market. Wow! Surely with 7 years of time to write and produce an album, it must surely be the best one of his career, right? Well, not exactly. If you are expecting any of the sheer genius guitar shredding and progressive fortitude polishing every track into a masterpiece put together in totally inventive ways, then go to the album 9-11 and before because this is no return to such heights like "Guitars Suck" or "Chopin Fantasie." In fact LITTLE BROTHER IS WATCHING basically continues where "Abnormal" left off with BUMBLEFOOT focusing more on catchy alternative rock tracks that wouldn't sound out of place placed next to Muse, Green Day or the Foo Fighters showcasing his vocal abilities and classic rock songwriting much more than his guitar wizardry, however some short and sweet solos do find their way into the mix but even these seem recycled.

What we basically have here is BUMBLEFOOT on automatic pilot. This album sounds very much like the previous two and not breaking any new ground. As always there is a propensity for extremely catchy melodies with witty lyrics still in play and his talents as a producer shine through as well, however this is a mixed bag songwise for me. There are some strong tracks such as the opener "Clots," the clever title track about the people, "LITTLE BROTHER," having taken control by keeping all eyes on the government, the circus music rocker "Cuterebra" and the theremin background alternating with a rowdy rocker "Women Rule The World." Some ok ones like the three movement "Argentina," "Don't Know Who To Pray To Anymore," tracks like "Higher" where he does his best Freddie Mercury, and some weak tracks like "Livin' The Dream," "Sleepwalking" and "Never Again."

Between his constant touring schedule with GNR and his new band Art Of Anarchy with former Stone Temple Pilots vocalist Scott Weiland diverting his creative juices, it is apparent that at this point in his career a solo album is a mere footnote on his resume and not his main passion as was the case in the past. Still though this has some very strong tracks, some good ones and only a few totally turkeys, but this is BUMBLEFOOT who had me spoiled for several albums in a row with musical genius. Nothing on this one even comes close to those days. If you like nice catchy alternative rock tracks that are radio friendly verging on art punk at times then you may like this but if you are looking for any hints of progressive guitar wizardry then sit this one out. LITTLE BROTHER MAY BE WATCHING but perhaps not listening because this is faaaaaar from his best.

 Dominion by KAMELOT album cover Studio Album, 1997
2.90 | 37 ratings

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Dominion
Kamelot Progressive Metal

Review by Pastmaster

4 stars 'Dominion' is the second studio album by symphonic/power metal band Kamelot. Unlike most people, I think that this is a much stronger album then their debut. While their debut had it's shining moments, it felt a little too much like Queensryche at times. Not that that's a bad thing, I love Queensryche, but the best songs were the more unique tracks. For me, 'Dominion' shows a natural progression from debut to sophomore effort, having an overall stronger and more unique sound.

The album starts out with a symphonic prelude 'Ascension', which I find to be a great opener for the album and a great transition into the next track 'Heaven'. 'Heaven' immediately begins with double bass and a really fast bass-line. I love the solo and how the crunching guitar plays under the solo. The next song 'Rise Again' begins with an industrial feel having pulsating drums/electronics with the occasional guitar slash. The song does of course go into power metal, but surprisingly keeps the industrial sounds. Vanderbilt's vocals also fit really well with both the power and industrial styles. Definitely one of my favorites. Another one of my favorites comes right after, the powerful 'One Day I'll Win'. After the symphonic intro passes, the melodic guitar comes in with Vanderbilt's powerful vocals. While the song does remain the same most throughout, I never tire of the powerful stomp of the entire song.

The song 'Creation' begins with very beautiful bass work before the guitar comes in. Also about two minutes through, acoustics come in that remind me a bit of Opeth's softer songs. While not my favorite on the album, I find it to be a pretty interesting song on the album. Another favorite is the song after, 'Sin'. Beginning softly, the crunching guitar soon comes in. This song has many transitions from soft to heavy, and after the 2nd transition the song changes with some groove metal guitar.

This is the final album to feature original vocalist Mark Vanderbilt, and would be replaced with the great Roy Khan. While I do think Roy Khan is the better vocalist, and his vocals would contribute greatly to masterpieces such as 'Epica' and 'The Black Halo', Mark Vanderbilt does give a great performance on this album. Vanderbilt's vocals seem more raw then Khan's, and musically this album a bit rawer and much less polished. He still does sound like Geoff Tate at times here, but I think the rawness this time around gives his vocals his own sound.

Overall, a big step up from the debut, and I highly recommend this album to any fans of symphonic/power metal.

4.5 rounded down to 4

 Retribution by NIGHTINGALE album cover Studio Album, 2014
3.95 | 18 ratings

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Retribution
Nightingale Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Retribution" is the 7th full-length studio album by Swedish progressive rock/metal act Nightingale. The album was released through InsideOut Music in November 2014 and is the successor to "White Darkness" from 2007. 7 years is a pretty long recording break, but the lineup who recorded the last album is still intact. Nightingale has now had a stable lineup since 2000. Dan Swanö (vocals, guitars, keyboards) has as usual been busy with other projects in the years between "White Darkness" and "Retribution". Among other things Witherscape, Demiurg, and his job as a producer.

The long break hasn´t affected the fact that "Retribution" sounds unmistakably like Nightingale. It´s not as such a continuation of the sound on "White Darkness (2007)" though, but more an album which includes a wide varity of the good elements from most of their past releases. The music is still semi-progressive rock/metal with elements from both 70s hard/progressive rock, 80s rock/heavy metal, and a strong dose of keyboards in the neo- progressive vein (Marillion, Pallas, IQ...etc.). The neo-progressive keyboards were actually toned down quite a bit on "White Darkness (2007)" in favor of a more hard rocking organ heavy sound, but they make a return on "Retribution", which is generally more neo-progressive oriented than 70s hard rock influenced. The latter influence is still occasionally strong on "Retribution" too though. Dan Swanö has also changed his vocal approach a bit on "Retribution" and generally sounds less raw and delivers more clean singing than he did on the predecessor.

As always the musicianship is on a high level. Swanö has a distinct sounding voice and a strong and convincing delivery and the rest of the guys in the band (which includes Dan´s older brother Dag Swanö on bass, guitars, and keyboards) also perform their parts with great skill. I especially noticed drummer Tom Björn´s contributions this time around and found his performance quite enjoyable.

The material on the 10 track, 44:36 minutes long album is generally well written and both instantly catchy and memorable in the long run, with strong melodies, and great harmonies. For the most part it´s pretty straight forward vers/chorus structured, but the band often take excursions outside that safe formula to maintain the listener´s attention. And with great success I might add.

Upon conclusion "Retribution" is just the comeback album I had hoped it would be (after 7 years I think comeback is a valid word to use about the album). To my ears Nightingale was always strongest when playing neo-progressive oriented music rather than their more hard rock oriented ditto, and it´s great to hear them embrace that sound again. The album is packed in a clean, professional, and well sounding production too, which further helps the music shine. So all in all "Retribution" is another high quality release by Nightingale and a 4 star (80%) rating is deserved.

 Recognition by SEVENTH DIMENSION album cover Studio Album, 2015
3.38 | 7 ratings

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Recognition
Seventh Dimension Progressive Metal

Review by Progrussia

3 stars I've taken a liking to this young band. They work hard. Two 75-minute albums in 3 years. I've read them described as "prog metal for the masses" on a Russian site, and thought well that's not fair. Derivative of the Dream Theater/Symphony X self-indulgent neoclassical/power/melodic/gothic metal mix, sure, but the songwriting is there (including a surprisingly coherent 45-minite suite already on their first album), and even fresh in its back to the classics, fanboy kind of sense.

What we have here on Recognition is more of the same, 8-10 minute songs, maybe a bit rougher in places, but pretty similar sound to Circle of Life. If you must choose, I'd pick the first one for its catchier melodies, but in reality both could satisfy your Dream Theater-wannabe hunger.

 Jeremias - Foreshadow of Forgotten Realms by CIRCLE OF ILLUSION album cover Studio Album, 2013
4.06 | 120 ratings

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Jeremias - Foreshadow of Forgotten Realms
Circle of Illusion Progressive Metal

Review by Ovidiu

5 stars FABULOUS...FANTASTIC...SENSATIONAL!!!!It's impossible to start my review about this stunning album without usiong this adjectives ,because this masterpiece is simply unbelieveble !I didn't had such a great musical revelation since the killer TOWERS OF AVARICE by ZERO HOUR or THE EDGE by ETERNITY X-two albums that I simply adore!This one-JEREMIAS by the Austrian band CIRCLE OF ILLUSION is,by far,one of the most amazing debut albums in the history of progressive music!!!Definitelly-CIRCLE OF ILLUSION -is the best export musical act from Austria since...FALCO..or...EDENBRIDGE!!!The level of musicianship is unbelievebly high,the arrangements are beyond amazing and all this is the brain fruit of a heavanly talented musician named GERALD PETER-a true genius,musical genius!The timing of the album is impressive too-79.59...so 80 minutes of pure magic,a very strong musical rock opera,with all the ingredients that make this type of album,a true masterpiece-with great voices-both male and female voices-,marvelous keyboard and piano interventions,killer guitar solos,crunchy guitar riffs and intelligent long instrumental passages!!!!The clever mix of many different musical styles-from disco to power metal,from jazz to world music ,from vodevil to reggae-from prog metal to r'n'b music,passing by great piano interludes,but everything dressed in metal clothes ,long tracks performed by some wonderful vocalists -all this intelligent combination is made by Mr Gerald Peter ,which managed to combine everything into a monumental album that will shock by it's complexity and rich musical message!Talking about the aspect of the cd ,the impressive presentation is pushing us to say -WOW again!A stunning beautiful booklet with great drawings and a great look under all aspects ,it's simply outstanding,wonderful,gorgeous!!I cannot forget-I repeat this-that JEREMIAS is the debut album of this Austrian band,so I cannot imagine or guess...what will be the next step,because it seems to be so hard to make better than on this album?!?!CIRCLE OF ILLUSION has an andless potential and I feel that we'll be spoiled in the future with other great musical jewels like this one!A sincere BRAVO to the ambitious GENERATION PROG RECORDS from Germany,which grab the golden fish with this band,and invested in them with a serious,strong,professional sand well done promotion,well deserved by an unique band like CIRCLE OF ILLUSION!So,this is,definitelly,a rock opera for the XXI-st century,and shows that prog metal is a musical territory with no boundaries,or musical limits!!!5 stars without any hesitation!MILESTONE ALBUM-100 % MASTERPIECE!!
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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
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