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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2622 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2685 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.26 | 1529 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1123 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.22 | 1044 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 1158 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.21 | 956 ratings
OPERATION: MINDCRIME
Queensr che
4.20 | 1036 ratings
OUT OF MYSELF
Riverside
4.18 | 1070 ratings
THE HUMAN EQUATION
Ayreon
4.19 | 345 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.13 | 1799 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.18 | 350 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.15 | 644 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.11 | 1909 ratings
AWAKE
Dream Theater
4.13 | 675 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.18 | 279 ratings
THE FULLNESS OF TIME
Redemption
4.11 | 803 ratings
BE
Pain Of Salvation
4.14 | 366 ratings
PERFECT SYMMETRY
Fates Warning
4.12 | 517 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.13 | 404 ratings
ROOM V
Shadow Gallery

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

THE BUTCHER'S BALLROOM
Diablo Swing Orchestra
INTELLIGENT DESIGN
Shaolin Death Squad
WAVES OF VISUAL DECAY
Communic
DELUSIONS
To-Mera

Latest Progressive Metal Music Reviews


 Babel by SOUL SECRET album cover Studio Album, 2017
3.00 | 1 ratings

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Babel
Soul Secret Progressive Metal

Review by kev rowland
Special Collaborator Crossover Prog Team

— First review of this album —
3 stars Soul Secret are an Italian progressive metal band based in Naples who released their debut album "Flowing Portraits" back in 2008, with Mark Basile (DGM) as guest singer. This is the only album of theirs I had heard prior to this, and remember thinking it was an incredibly strong debut. Obviously, I wasn't the only one as it led to them playing with the likes of Pendragon, Vanden Plas and Subsignal. They have been through a few line-up changes since then, and are now back with their fourth album, a concept telling the story of Sam and Adriel who are sent in space to find God, helped by logOS, an on-board computer providing cutting-edge technology to the mission. When they finally find the City Of Gods, they find it empty...

This album is full of strong songs, but I found the concept and spoken links were getting in the way of my enjoyment of the music, and after the first few plays it was getting harder and more difficult to get into the music. That is a real shame, as there are some strong performances on here. The vocals are superb, and there are some djent influences in the music at times, which is certainly a departure from the norm in terms of progressive rock. Possibly it is necessary to see the full release, and I only have a digital download to gauge my opinion on, but for me this just doesn't have the impact and power of the debut, and I expect bands to keep improving, not taking a retrograde step, which is a real shame.

It is light, pleasant, melodic progressive rock with some interesting influences, but not challenging or interesting enough for me to maintain my focus throughout, and the additional elements that have been put in that link that album are superfluous and over the top (although even I must smile when the code word is "Pendragon

 Images And Words by DREAM THEATER album cover Studio Album, 1992
4.29 | 2622 ratings

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Images And Words
Dream Theater Progressive Metal

Review by Luqueasaur

5 stars LET THE LIGHTS SURROUND YOU: 10/10

DREAM THEATER harbor unparalleled potential with spectacular musicians such as Kevin Moore, John Petrucci, and John Myung, whose skills were visible since their debut WHEN DREAMS AND DAY UNITE but uncanny chains were holding them back from releasing their full potential. Finally freed, they translate their potentiality into IMAGES AND WORDS. This record, in particular, is their most accessible, friendly, cheerful and exciting. It's a great introductory tool for metal fans who wishes to embark upon prog. Not to mention its importance to kickstart even harder the prog metal scene, which now reigns supreme.

This album particularly holds a special place in my heart because I was introduced to prog through them and I have fond memories of listening to it. The wonderful amazement it was to first discover prog and a delightful trip I took with one of my most dearest people are two things that come to mind. The excitement and ecstasy of listening to Under a Glass Moon's solo while she slept aside me, after the amazing tour we had... oh, memories.

Their music is highly complex, but in the same time, simplified. It's easy to listen, easy to understand, but upon thorough inspection, a level of intricacy can be found. This, as preliminary material, is efficient. We can't forget, either, the enjoyment it propitiates - their joyful lightheartedness is hard not to get emotionally attached to.

Many of DT's great pieces are here: Under a Glass Moon, with a superb solo by John Petrucci (actually, 'superb' and 'John Petrucci' together makes an oxymoron); Surrounded, with an EVEN MORE superb and also reverberated, soulful solo; Metropolis Pt. 1 which preluded one of prog's most acclaimed albums and features a highly eclectic solo section - including Myung's tapping; Take the Time, the apex of James LaBrie's performance on the album; and the spectacular Pull me Under. Critics like to call it popular but not really that good and I disagree vehemently. It's no different from most other tracks: enjoyable. Deeply.

Two more important highlights that anyone who wants to listen to IMAGE AND WORDS must know: the first is that the songs are generally divided into introduction, verse and chorus, an absurdly long but ultimately pinnacling solo (I'm telling you: these guys KNEW their best stuff was the soloing and they really put their soul into it), verse and chorus again and short outro; the second, is that James LaBrie's vocals - highly criticized, most of the times deserved - fits stupendously. If it was any other, any more or less qualified vocalist, it just wouldn't be the same.

This "review" was mostly a heartfelt praise of one of my favorite and dearest albums of all time, there isn't much new stuff to say about the album which has almost three hundred reviews. If you didn't listen to it yet, damn dude, just do it.

 Out Of Myself by RIVERSIDE album cover Studio Album, 2003
4.20 | 1036 ratings

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Out Of Myself
Riverside Progressive Metal

Review by Insin

5 stars Riverside really isn't all of that special. They're more or less a standard prog rock band that isn't doing anything very new for the genre, let alone are they progressive in the true sense of the word. Let's face it, they basically sound like Porcupine Tree, which raises the question of why they're even considered a metal band. I would agree with one of the previous reviewers in saying that about 20% of Out of Myself is actually metal.

In spite of this lack of metal-ness, or even all of that much advancement of progressive music, Riverside manages to craft a spectacularly beautiful debut, an album that despite following the general prog rock formula, has a few quirks and factors that set it apart and then set it above the heap of similar releases.

It's difficult to pinpoint exactly what elevates Out of Myself so, but it has a unique atmosphere, brought about by the flowing background soundscapes of the keyboards and aided by the reverb-drenched production. This isn't the type of atmosphere present in, say, Agalloch or classic Darkthrone, that'll make you want to go out to the forest, but it creates an entire second set of music, an ambient song that flows behind the main music. It makes Riverside's sound so much fuller, deeper, and transcendental, a definite point of differentiation and superiority.

The guitar leads are magical, gorgeous and also steeped in reverb. These are played clean and like most of the album, not in a metal style. Throughout Out of Myself, the solos are moments where the guitar seems to break loose into the forefront, not just as an obligatory solo section from another prog band but as something that in fact adds to the music. All of the leads are great without being overused, and a few specific instances come to mind ? the riff at four minutes into Reality Dream Part 1 is the prettiest moment of the album and maybe of any song I've heard. The beginning of The Curtain Falls, where the careful soloing of the guitar coupled with the dreamy ambience of the keyboards produces a strong image of a peaceful pool or stream dappled by sunlight. RIP Piotr Grudzinski.

Riverside doesn't stick to only one type of song, either, providing for a good amount of diversity that still does not deviate from their established sound. The Same River is the true highlight of the album, the opening epic that reaches twelve minutes. It gives a good sense of what Out of Myself is all about, and it builds and flows, well, like a river. Mariusz's vocals come in a long way into the track. He can get shriek and angry when he wants to or when the song demands it, but here he sings simple and beautiful lines. I Believe and In Two Minds are the two acoustic ballads of the album, exemplifying the same tender singing and lyricism, but the other ballad that ends the album, OK, takes a darker and jazzier turn. The Reality Dream sequence is more or less what one would expect of prog instrumentals, and the shorter rock songs also hold up, the title track catchy, Loose Heart sweeping and vast, and both desperate.

Out of Myself is a great prog rock album. Although it emulates the sound of many past greats and isn't really original or truly innovative, they make the formula their own and damn near perfect it. Keeping with a variety of song types and the elements of atmosphere, and some truly gorgeous guitar work, Riverside makes their music beautiful.

 Centrica by CENTRICA album cover Studio Album, 2008
3.02 | 4 ratings

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Centrica
Centrica Progressive Metal

Review by b_olariu
Prog Reviewer

3 stars One of the most obscure and little known intrumental prog metal/fusion band from Italy is for sure Centrica. One album saw the light in 2008 self titles issued at Musea records in 2008. To me this album was a nice surprise, if you like LTE, Cosmics, Planet X, etc, this is a fairly solid release. The musicianship is excellent, the pieces are all instrumental and are with dynamic parts, powerful guitar solos and inspired keyboards. The drumer is a well known one in this field Dario Cicioni from italian prog metal band Twinspirits or Genius among others. Again unfairly overlooked released in this scene, that needed far more exposure, this type of instrumental fusion prog metal I can listen every day every hour, not a boring moment, all is great and I like it from start to finish. The dueling between gitar and keyboards are inspired and damn well played. The opening track centrica experinece is an 8 min pure delight . Nice simple art work. 3.5 stars

 Looking for Myself by SANDSTONE album cover Studio Album, 2006
3.27 | 9 ratings

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Looking for Myself
Sandstone Progressive Metal

Review by b_olariu
Prog Reviewer

3 stars 3.5 stars for sure

Strong and diverse debut by this prog metal band named Sandstone from Poland. Only one album released by this unknown band in 2006 named Looking for myself. Long compositions, with some very nice keyboards passages, the guitar aswell is more then ok, imagine a combination of their country fellows Riverside with aswell almost neo prog parts, in the end is sounding like a metalized neo prog. The title track is the highlight for me, clocking around 15 min and is excellent, nice atmosphere, nice vocals and all is top, the rest of the pices are good. Unknown prog metal band, definetly talented musicins , I don't know why they don't recive much more rave ratings or reviews, this albums surly desearves more. 3.5 stars easy.

 O3 A Trilogy Part 3 by DOMINICI album cover Studio Album, 2008
3.35 | 61 ratings

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O3 A Trilogy Part 3
Dominici Progressive Metal

Review by martindavey87

4 stars Dominici is back to finish what would be a daunting undertaking for the most accomplished of bands, with this, the third and final part of his 'O3' trilogy. And I sure hope you enjoyed the previous installment if you're listening to this, because this takes everything that was great with its predecessor and jacks it up with enough steroids to get a lifetime ban from playing sports! (Huh?)

Picking up where 'Part 2' left off, 'O3: A Trilogy Part 3' is practically identical in every way. The production sounds the same, the music sounds the same (although it's certainly a lot heavier and more intense this time around), the vocals and lyrical content for the most part is all the same, this really is just a continuation of the trilogy.

And it's a damn good one, at that.

Bringing a close to Dominici's trilogy, the storyline itself is somewhat over-the-top and almost convoluted. It makes sense, but it certainly takes a lot of twists and turns that steer it completely off-path from where the story started. Not that that's really a criticism or anything, as the music itself is still fantastic and will definitely please fans of the genre. A true highlight of this album is the guitar work of Brian Maillard (who?). This guy has some incredible chops and holds the distinction of playing some of the heaviest riffs known to man. 'King of Terror', 'Liquid Lightning', 'Hell on Earth' and 'Revelation' are relentlessly heavy assaults on the listeners senses, and a sure treat for fans of heavy music, progressive or not.

With songwriting and musicianship that seems a lot more polished, tighter and consistent than before, this is, in my opinion, the best chapter of the trilogy, and brings to a close a fine collection of albums that belongs in every progressive metal fans collection.

 03 A Trilogy Part 2 by DOMINICI album cover Studio Album, 2007
3.67 | 85 ratings

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03 A Trilogy Part 2
Dominici Progressive Metal

Review by martindavey87

4 stars After performing live with Dream Theater in 2004 on the 15th anniversary of 'When Dream and Day Unite' (the album in which he provided vocals), Charlie Dominici, the bands original vocalist, felt inspired enough to make a return to music. Sadly for fans, his initial rebirth didn't have anything to do with the genre which he helped pioneer in the late 80's, with 'O3: A Trilogy Part 1' favoring the acoustic guitar-laden singer-songwriter style over progressive metal.

Barely anyone paid any attention to it. But that's okay, because the second part of the trilogy is here to rectify that.

'O3: A Trilogy Part 2' is all-out balls-to-the-wall progressive metal, and takes the singer right back to the genre with which he is most well known. Full of some absolutely bone-crushing riffs, intricate song structures and the over-the- top musical passages associated with this style of music, Dominici's return/debut (as in, the man himself and the band respectively), successfully manages to make up for the shaky start this trilogy got off on.

With songs like 'Greed, the Evil Seed', 'Nowhere to Hide', 'The Calling' and 'The Cop', Dominici is a band who sound like, and will appeal to fans of... you guessed it... Dream Theater! Amazing vocals and top musicianship make this an album every progressive metal fan should look out for.

 Where Life Was Beautiful by DANTE album cover Live, 2017
4.00 | 1 ratings

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Where Life Was Beautiful
Dante Progressive Metal

Review by Ovidiu

— First review of this album —
4 stars Magnificent LIVE prog metal album from one of the best German bands!It's trully sensational under all aspects ,and shows the magic of this pretentious musical genre,which gets new expressions when it's performed live!Great quality of the band performance indeed and super high quality of the footage on the DVD!Slowly,slowly DANTE managed to build a good image of the band in the last years,they seem to find their identity and the compositions are more and more mature and elaborated!The whole pack is amazing -a gorgeous triple digipack album,with 2 audio cd's and the DVD ,I repeat,everything looks stunning!Definitelly,this albums shows the unbelieveble technical capacities of the band,but also their skills to be very emotional live and tho transmit to the audience their unique message!4.5 stars without any hesitation and a sincere bravo to the guys!
 The Wake of Magellan by SAVATAGE album cover Studio Album, 1998
3.83 | 131 ratings

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The Wake of Magellan
Savatage Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Savatage's return to narrative concept albums on Dead Winter Dead was strong enough to prompt another concept - this time, a suicidal sailor taking his boat out to the deep ocean, only to find new reason to live. This time around, they dial up the progressive aspects of their music, creating the most prog metal thing they'd put out for quite some time. It's not super-proggy by any means - don't be fooled by the nod to Dream Theater in the liner notes - but Jon Oliva lets himself get more indulgent with his keyboard work and song structures, yielding an enjoyable light-prog metal experience.
 Immortal by PYRAMAZE album cover Studio Album, 2008
3.53 | 20 ratings

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Immortal
Pyramaze Progressive Metal

Review by Warthur
Prog Reviewer

4 stars The third Pyramaze album finds Matt Barlow of Iced Earth stepping in to tackle lead vocals on a one-time-only deal, his style being well-suited to this more aggressive and punchy take on Pyramaze's prog-tinged power metal style. (In fact, there's points on here where things start resembling the most power metal-flavoured moments of Symphony X's early work.) It's still Dungeons & Dragons fantasy metal through and through - there's even one song, Caramon's Poem, based on the Dragonlance series of D&D tie-in novels - so don't expect anything especially grim or serious. At the same time, I find it an enjoyable consolidation over Legend of the Bone Carver.
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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART AGAINST AGONY Germany
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTIFICIAL LANGUAGE United States
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATAR─XIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AVELION Italy
AMADEUS AWAD'S EON Lebanon
AWAITING DAWN Germany
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRANCH ARTERIAL Australia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHARLY SAHONA France
CHIASMA United States
CHINESE BEARD Finland
A CHINESE FIREDRILL United States
CHROME SHIFT Denmark
CIRCLE OF ILLUSION Austria
CIRCLES Germany
CIRCUS MAXIMUS Norway
CIRRHA NIVA Netherlands
CLANDESTINE United States
CLOAKWHEEL United States
CLOCKWORK United States
CLOSED FOR TONIGHT Canada
CLOUDSCAPE Sweden
CMX Finland
MARCEL COENEN Netherlands
COLLIDING PARALLELS Canada
COLONIZE United States
COLOURBLIND Malta
COMMA Turkey
COMMUNIC Norway
CONCEPTION Norway
CONCRETE PROPHET United States
CONDITION RED Sweden
CONSCIENCE France
CONSORTIUM PROJECT Netherlands
CONTINUUM France
CORELIA United States
COSMICS United States
COSMOSQUAD United States
COUNTDOWN France
CREATION'S END United States
CRIMFALL Finland
CRIMSON GLORY United States
CRISES Germany
CRUZ D MALTA Mexico
CRYSTAL LAKE / LOGIC MESS Poland
CUEROCK Germany
HITTAR CUESTA Ecuador
CYDEMIND Canada
CYMORYL France
CYNTHESIS United States
DAEDALUS Italy
DALI'S DILEMMA United States
DAMN THE MACHINE United States
THE DAMNATION PROJECT Greece
DANTE Germany
DARK NOVA Greece
DARKSTAR Germany
DARKWATER Sweden
ALEK DARSON Serbia
DAY SIX Netherlands
DAYS OF ASHES Sweden
THE DEADSTATION. United States
DEATH ORGAN Sweden
DECADENCE Russia
DEELY Poland
DEGREE ABSOLUTE United States
DEIMOS Russia
DELTA Chile
DENDURA United States
DEPTH BEYOND ONE'S Finland
DESPITE BEHAVIOR France
DEVENTTER Brazil
DEVIL'S SLINGSHOT United States
DGM Italy
DIABLO SWING ORCHESTRA Sweden
DIABOLOS IN MUSICA Norway
DIANETICS (GENETICS) Australia
DIANOYA Poland
DIGITAL RUIN United States
DIMENSION Mexico
DIMENSION ACT Norway
DIMENSION X United States
DIMENSION34 Sweden
DISMAL Italy
DISSONA United States
DISTORTED HARMONY Israel
DIVINE REGALE United States
DIVINE RUINS United States
DIVINITY DESTROYED United States
DIVISION BY ZERO Poland
DOL AMMAD Greece
DOL THEETA Greece
DOMINICI United States
DORA THE DESTROYER United States
DORIAN OPERA Germany
DREAM THEATER United States
DREAMLORE United States
DREAMLOST France
DREAMS OF SANITY Austria
DREAMSCAPE Germany
DREYELANDS Hungary
DROPSHARD Italy
GLEN DROVER Canada
THE DUST CONNECTION Netherlands
DYNAHEAD Brazil
DYNAMIC LIGHTS Italy
EARLY CROSS Japan
EARTH'S YELLOW SUN Canada
EARTHBOUND PAPAS Japan
EARTHSIDE United States
ECHOES Venezuela
ECHOES OF ETERNITY United States
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