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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2514 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2574 ratings
METROPOLIS PART 2: SCENES FROM A MEMORY
Dream Theater
4.26 | 1442 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1057 ratings
THE PERFECT ELEMENT PART 1
Pain Of Salvation
4.23 | 976 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 930 ratings
OPERATION: MINDCRIME
Queensr˙che
4.19 | 1112 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.19 | 990 ratings
OUT OF MYSELF
Riverside
4.18 | 1026 ratings
THE HUMAN EQUATION
Ayreon
4.14 | 1733 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.19 | 333 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.15 | 619 ratings
V: THE NEW MYTHOLOGY SUITE
Symphony X
4.13 | 1839 ratings
AWAKE
Dream Theater
4.19 | 270 ratings
THE FULLNESS OF TIME
Redemption
4.13 | 762 ratings
BE
Pain Of Salvation
4.12 | 632 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.14 | 351 ratings
PERFECT SYMMETRY
Fates Warning
4.14 | 328 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.13 | 393 ratings
ROOM V
Shadow Gallery
4.12 | 498 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

PRINCIPLES OF TRANSFORMATION
Super String Theory
WAVES OF VISUAL DECAY
Communic
FROM WITHIN
Astra
INTELLIGENT DESIGN
Shaolin Death Squad

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Latest Progressive Metal Music Reviews


 Kocytean by KATATONIA album cover Singles/EPs/Fan Club/Promo, 2014
4.00 | 2 ratings

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Kocytean
Katatonia Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Kocytean" is a compilation EP release by Swedish rock/metal act Katatonia. "Kocytean" was released through Peaceville Records in April 2014 as a special limited edition 12" vinyl (limited to 2.000 copies) as part of the annual records store day. The 6 tracks on the 26:35 minutes long release, have all been featured as either single/EP B-sides or bonus tracks on the last couple of albums by the band (releases from the 2006 - 2012 period). Katatonia have previously released the two compilation albums "Brave Yester Days (2004)" and "The Black Sessions (2005)", which in addition to being "best of" type compilations, also featured B-side single/EP tracks and rare bonus tracks. So Katatonia are generally pretty good at catering for their listeners and making sure that they get the chance to gain access to their more rare material. Being a vinyl only release "Kocytean" is however slightly more exclusive in nature compared to the two above mentioned compilations.

Stylistically the music on "Kocytean" isn´t at all surprising if you are familiar with the 2006 - 2012 period of Katatonia´s discography. The tracks are maybe slightly more quirky in nature than the "regular" album tracks from the same period, but they aren´t odd or experimental in nature as some B-side/bonus tracks sometimes are. The most unusual tracks on "Kocytean" are "Unfurl", which features some electronic trip hop type beats, which reminds me of fellow Swedes in Paatos, and the closing "The Act of Darkening", which is a more acoustic oriented track than what we usually hear from the band. But the music style is overall still dark and depressive rock/metal like Katatonia have played for many years now. There are some heavy parts featured on "Kocytean", especially on "Ashen", but it´s generally not the band´s most heavy release.

"Kocytean" is well produced, and although the six tracks were recorded at different recording sessions, there´s still a stylistic red thread which seamlessly binds the tracks together to a coherent release. While most of the tracks featured on "Kocytean" could easily have been included on the band´s full-length studio albums, I still think the little extra quirks are quite charming, and make most of them stand out a little more than your regular Katatonia track. So upon conclusion "Kocytean" is a great high quality release by Katatonia and a 3.5 - 4 star (75%) rating isn´t out of place.

 Dethroned & Uncrowned by KATATONIA album cover Studio Album, 2013
3.49 | 20 ratings

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Dethroned & Uncrowned
Katatonia Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Dethroned & Uncrowned" is the 10th full-length studio album by Swedish metal act Katatonia. The album is the first Katatonia release to be released through Kscope instead of Peaceville Records, which is the label that has released all their preceeding releases. "Dethroned & Uncrowned" was released in September 2013.

The album is not as such a new studio release with original material but rather a semi-acoustic version of their last studio album "Dead End Kings (2012)". The two albums feature the exact same tracklist. While the basic vocal melodies and track structures are the same, the arrangements of the tracks are very different on the two albums. Almost all distorted guitars and heavy drumming are removed from "Dethroned & Uncrowned" and instead acoustic guitars and soft orchestral backdrops are the order of the day. Apparently this is how the band initially imagined "Dead End Kings (2012)", but they changed their mind along the way.

The more subtle and mellow arrangements of the tracks work well for the most part. Tracks like "The Parting", "The One You Are Looking for Is Not Here" (which features Silje Wergeland from The Gathering on guest vocals), "Hypnone", "Buildings", and "Ambitions" are some of the tracks where the new arrangements work pretty well, but there are some of the other tracks, which didn´t stand out on "Dead End Kings (2012)" either, that don´t work as well. Not because of the arrangements but it simply becomes even more apparent in these more stripped down arrangements, that the vocal melodies just aren´t that memorable on those tracks. It´s a bit more disguised in the more busy and heavy arrangements on "Dead End Kings (2012)", but here the naked truth is revealed.

The melancholic and paatos filled vocals by Jonas Renkse are as always one of the highlights when listening to a Katatonia release but the new arrangements of the tracks genereally work well too. In that respect Katatonia pull it off with great skill and conviction. The album features an organic and well sounding production and "Dethroned & Uncrowned" is overall a very pleasant, atmospheric, and melancholic release by Katatonia. As an experiment it works well, but I could have wished they would have chosen to write a whole new set of songs and arrange them in this way instead of re-arranging existing tracks. A project like that would probably have been slightly more interesting. Still a 3.5 star (70%) rating is fully deserved.

 Dead End Kings by KATATONIA album cover Studio Album, 2012
4.17 | 22 ratings

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Dead End Kings
Katatonia Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Dead End Kings" is the 9th full-length studio album by Swedish metal act Katatonia. The album was released through Peaceville Records in August 2012. Since the release of "Night Is the New Day (2009)", there have been a few lineup changes as Fredrik Norrman (guitars) and Matthias Norrman (bass) have left the band. "Dead End Kings" was therefore recorded as a trio with Anders Nyström handling bass, keyboards, guitars, programming and backing vocals, Jonas Renkse handling lead vocals, programming, guitars, keyboards and drums, and Daniel Liljekvist handling drums and percussion. The album also features a guest vocal performance by Silje Wergeland (The Gathering) on the track "The One You Are Looking for Is Not Here".

The music on the album pretty much continues where "Night Is the New Day (2009)" left off. Which means a dark, melancholic, and emotional type of rock/metal that has Katatonia written all over it. While Jonas Renkse possesses a relatively "regular" voice, the paatos filled/emotional delivery of his vocals has always been something special. Here is a man who bleeds melancholy and who is able to greatly impact the listener with his singing. You have to be in the mood for it though, as he sometimes borders the pathetic. The instrumental side of the music features a lot of dark/light effects and dynamics between heavy loud parts and mellower more quiet parts. As such nothing new when it comes to Katatonia. It´s a sound they have fine tuned and developed upon since "Viva Emptiness (2003)". Keyboards/synths take a prominent role on some tracks and the music also features tight rhythms and both heavy chugging riffs and dynamic clean guitar work.

To my ears tracks like "The Parting", "The One You Are Looking for Is Not Here", "Hypnone", "Buildings", and "Dead Letters" are some of the highlights, but "Dead End Kings" is quality wise a consistent album. It´s also very well produced, featuring a clear, detailed, and powerful sounding production, which suits the material perfectly. While "Dead End Kings" is undeniably yet another high quality release by Katatonia, I do feel it´s time that the band try something radically new. "Dead End Kings" is a great album but it´s also a very "safe" album, and I´m missing a bit of an edge or maybe a more adventurous spirit to set the album apart from the last couple of albums by the band. Isolated seen "Dead End Kings" fully deserves a 4 star (80%) rating though.

 Saw You Drown by KATATONIA album cover Singles/EPs/Fan Club/Promo, 1998
3.04 | 4 ratings

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Saw You Drown
Katatonia Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Saw You Drown" is an EP release by Swedish metal act Katatonia. The EP was released through Avantgarde Music in January 1998 and precedes the release of the full-length studio album "Discouraged Ones" which was released in April 1998. The two releases share the two tracks "Saw You Drown" and "Nerve". In addition to those two mentioned tracks, the "Saw You Drown" EP features two tracks in "Quiet World" and "Scarlet Heavens", which at the time of it´s release were exclusive to this EP. The two tracks have since become available as bonus tracks on reissues of "Discouraged Ones" and on the "Brave Yester Days (2004)" compilation. The "Saw You Drown" EP is today a rare find as the EP upon release was limited to 1500 hand-numbered copies on CD and 1000 hand-numbered copies on vinyl. It hasn´t been re-released in this form since.

The years 1997 - 1999 was a transition period for Katatonia, who on their first two albums, "Dance of December Souls (1993)" and Brave "Murder Day (1996)", had played doom/death metal with predominantly growling vocals. This EP exclusively features clean vocals and was probably quite the surprise for most fans of the band. The music has taken on a depressive goth rock sound too, while still retaining a heavy doomy element. "Scarlet Heavens" is a full on goth rock track though, comparable to the style of acts like The Sisters of Mercy and Fields of the Nephilim. To my surprise "Scarlet Heavens" was recorded as early as 1994. The remaining three tracks were recorded in 1997 and share a more similar sound. Both "Saw You Drown" and "Nerve" are quality tracks but as usual with Katatonia, their B-sides or EP only tracks are more than worth a listen too and "Quiet World" is no exception. There´s a slight progressive twist to the track which also features a dark and mysterious Twin Peaks type atmosphere. Jonas Renkse´s vocals are subdued (except on "Scarlet Heavens" where he takes on an Andrew Eldritch goth rock croon), sad, and delivered with the right amount of emotionless shoegazing to fit the depressive mood of the music. He would develop his vocal techniques and skills a lot on subsequent album releases, and at times his performance here appears a bit immature, but still greatly enjoyable to my ears.

In it´s original form "Saw You Drown" is definitely a worthy purchase, but if you already have the reissue of "Discouraged Ones", which features all four tracks from the EP, "Saw You Drown" does become more of a collector´s item. A 3.5 star (70%) rating is warranted.

 Dance of December Souls by KATATONIA album cover Studio Album, 1993
3.16 | 13 ratings

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Dance of December Souls
Katatonia Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Dance of December Souls" is the debut full-length studio album by Swedish doom/death metal act Katatonia. The album was originally released through No Fashion Records in December 1993 but has seen several reissues since. "Dance of December Souls" was recorded at Dan Swanö´s Unisound Studios and produced by Dan Swanö and Katatonia. Swanö also plays keyboards on the album.

The music on the album is doom/death metal with a blackened edge. The latter musical influence is mostly heard in the vocals which are sometimes snarling raspy type vocals rather than deep growling vocals. The album features a dark and doom laden atmosphere which suits the predominantly slow and heavy tracks well. The use of gloomy lead guitar parts and atmospheric keyboards add another defining dimension to the music.

The album features five "regular" doom/death metal tracks which are between 6 and (just shy of) 14 minutes long and three shorter intro/outro/interludes. There isn´t much variation between tracks, and that´s the major issue with the album. But on the other hand Katatonia had a unique sound already this early on, and that deserves praise. Despite the slightly one- dimensional nature of the music, the album is entertaining all the way through the 53:31 minutes long playing time.

The musicianship leaves a bit to be desired though, which unfortunately is made further clear because of the sound production. The drum sound and especially how they are played sound a bit amaturish and awkward to my ears. It´s obvious why it was one of the best decisions of Katatonia´s career to relieve Jonas Renkse from his drumming duties to fully concentrate on his singing. The weak bass sound should also be mentioned as a slight sound production issue.

"Dance of December Souls" is widely considered a "classic" doom/death metal album, and considering it was released in 1993 I understand why that is. Especially their atmospheric and blackened take on the genre was something new and a bit different from the their contemporaries (artists like Paradise Lost, Anathema, and My Dying Bride). A 3.5 star (70%) rating is deserved.

 Paradox by ROYAL HUNT album cover Studio Album, 1997
4.22 | 124 ratings

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Paradox
Royal Hunt Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Royal Hunt's paradox finds the prog metal pioneers on fine form, with the band at points capturing the stateliness and majesty of the most refined classical music in a metal context. Their house style of prog metal is based less on technicality than the likes of Dream Theater, and includes some power metal influences here and there, but somehow they avoid taking things in a cheesy direction but maintain an appropriately rich and evocative tone for the deep subject matter they attempt to tackle. Keyboardist Andre Andersen is the star player, with an orchestral touch to his keyboards which really brings the album's sound together.
 The Great Cold Distance by KATATONIA album cover Studio Album, 2006
4.41 | 18 ratings

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The Great Cold Distance
Katatonia Progressive Metal

Review by Rodrigo Andrade7

4 stars Here it is, KATATONIA is finally on PA. This swedish progressive metal band has been producing fantastic music for more than 10 years now, it was since "Viva Emptiness" that I completly fell in love for their work and I saw how promising this band would be on the future, I wasn't wrong. This band kept getting better and better with their newer records. I always liked "The Great Cold Distance" and I'm reviewing it first because I think its a decent starting point for anyone that wants to get into this band,leave the first albums alone, I recommend either this one or "Viva Emptiness" first and then keep listening to the newer ones. "The Great Cold Distance" has some of their most powerful songs, all of them are extremely moody, so you can really expect a album that will stay somewhat in your mind. All the songs are heavy, pretty heavy in fact, and they have a slow tone to it, but they also alternate to very fast and good guitar riffs once in a while. All the songs are also short, so although it has 12 tracks, the album feels a bit fast, which is something I like if a album has this kind of structure, otherwise it becomes too boring. If you never heard Katatonia before, please keep in mind that this is a very dark and heavy band, lyrics are very obscure at times and the music always is threatning and agressive, they are without a doubt a very very unique and interesting band to listen to, they have managed to build their path very well along these years with a very notable progressive evolution on each album they have released. I want to highlight the songs: "Leaders" a good start to this album, "Soil's song" is powerful, "My Twin" is slow and strong , "consternation" is agressive and "July" is catchy. "The Great Cold Distance" is an excellent addition in a modern progressive collection.
 The Fall of Hearts by KATATONIA album cover Studio Album, 2016
4.04 | 30 ratings

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The Fall of Hearts
Katatonia Progressive Metal

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Swedish band KATATONIA has been a staple of the metal circuit for almost 30 years, closing in fast on a dozen studio albums to their name in addition to numerous live albums, singles and EPs. A firmly and well established band, and without a doubt a household name in many circles. "The Fall of Hearts" is their most recent studio production, and was released in the spring of 2016 through UK label Peaceville Records.

While Katatonia mainly appears to be regarded as an alternative metal band, at least from what I can see, it would appear that they have taken a few steps away from that specific field come 2016. This is an album where sophisticated compositions and arrangements dominate, numerous details have been applied as dominant, supportive and subtle effects, and the album as a whole is much more of a head music than a headbanging experience, a deep and at times rather complex affair rather than one that deliver on more of a surface level. An album that have taken a lot of time and effort to create, and one that warrants the listener to spend time and some effort to get into. Progressive metal is the name of the game here, at least as I experience this production.

There's not a whole lot of typical antics to this album however, and it does cover a wee bit more ground than many other bands placed inside this context. There's plenty of room for delicate, melancholic passages for instance, where plucked guitar details, floating keyboard textures and mournful Mellotron complements the melodic and naturally melancholic voice of lead vocalist Renkse in an alluring and compelling manner. There's room for full length songs exploring such landscapes as a matter of fact, mellow and dampened excursions but with just enough of an edge and occasional subtler bite to build and maintain tension. Such arrangements also contrast the band's more dramatic and metal oriented side, as the compositions defined by this latter aspect more often than not will be an ebb and flow type of song that wanders back and forth between the gentle and elegant to the harder hitting and vibrant. As far as comparisons go, the metal side of Katatonia is to my ears much closer to the likes of Pain of Salvation than it is to traditional references such as Dream Theater or Fates Warning on this occasion, and unless the associations I get are extremely flawed today I do think there are some subtle trace elements of grunge hovering somewhere as well.

In addition there's room for occasional moments with more of a Floydian feel to them, and on a few occasions the nervous, vibrant elegance of swirling post-rock style guitars are used to good effect as well. In addition there are some subtle percussion and guitar details here and there that, for me at least, appears to have something of a folky vibe to them. There's quite a bit of diversity at play here in other words, and all the elements used and visited one way or another fits perfectly into the landscapes as well.

Those who tend to be fascinated by the melancholic side of progressive rock and progressive metal should take note of this CD, if they haven't done so already. For those not already well aware of this band, I'd suggest that those who find a band like Porcupine Tree to be just as enjoyable as Pain of Salvation are the ones who should be first in line to give this CD a spin, especially those among them who find the overall moods and atmospheres explored by the former of these to be generally alluring.

 Theories of Flight by FATES WARNING album cover Studio Album, 2016
4.17 | 98 ratings

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Theories of Flight
Fates Warning Progressive Metal

Review by Einwahn

4 stars All those of us who love Prog Metal owe so much to this pioneering band, and to see them (a) playing with such power after so many years, and (b) topping the Prog Archives charts is just great. 'Theories of Flight' continues in the same relatively conservative style as the previous 'Darkness in a Different Light'. Both albums are straightforward guitar burns, ToF I think having an even faster average tempo. These are superb musicians and it is hard to see how any metal fan would not enjoy ToF. For myself, Fates Warning peaked artistically in the millennium-period albums with the extra dimension of Kevin Moore's keyboard contributions (i.e. 'Gray' and 'Disconnected'). There isn't quite enough flair in ToF for the fifth star, but this is an album that is going to get a lot of time in my audio systems.

Verdict: a superb band and a superb album.

 Full Circle - Live at Center Stage by PAGAN'S MIND album cover DVD/Video, 2015
3.00 | 1 ratings

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Full Circle - Live at Center Stage
Pagan's Mind Progressive Metal

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

— First review of this album —
3 stars This DVD and tour may not have happened because the father of guitar player Jorn Viggo was terminally sick, but he wished himself that the band and his son goes on. He passed away one year later. In this show, the band played the complete "Celestial Entrance" album in the first set. The music is very similar to Dream Theater leaning towards the Power Metal style. The voice of Nils K' Rue is almost a copy of Geoff Tate of Queensryche, which means a little irritating. It seems that every time he was stepping off the stage, it was a relief for my ears because I felt that throughout this show, the instrumental parts were the strongest moments. I am thinking of "Back to The Magic of Childhood suite" and the Dream Theater "a lot like", but brilliant "Full Circle". "Hallo Spaceboys" was another highlight because it was not the usual band's style. In fact, it's a song composed by Brian Eno and David Bowie! The Blu-Ray package has no extras but the full concert on 2 audio CDS and 1 video Blu-Ray. 3.5 stars
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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATARÄXIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AMADEUS AWAD'S EON Lebanon
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
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