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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)
Louis (rdtprog)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.29 | 2632 ratings
METROPOLIS PART 2 - SCENES FROM A MEMORY
Dream Theater
4.29 | 2575 ratings
IMAGES AND WORDS
Dream Theater
4.26 | 1487 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1089 ratings
THE PERFECT ELEMENT - PART 1
Pain Of Salvation
4.23 | 1010 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 948 ratings
OPERATION: MINDCRIME
Queensr che
4.20 | 1138 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.19 | 1017 ratings
OUT OF MYSELF
Riverside
4.18 | 1049 ratings
THE HUMAN EQUATION
Ayreon
4.14 | 1767 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.18 | 343 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.15 | 632 ratings
V - THE NEW MYTHOLOGY SUITE
Symphony X
4.12 | 1880 ratings
AWAKE
Dream Theater
4.18 | 274 ratings
THE FULLNESS OF TIME
Redemption
4.12 | 785 ratings
BE
Pain Of Salvation
4.12 | 652 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.14 | 360 ratings
PERFECT SYMMETRY
Fates Warning
4.14 | 337 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.11 | 510 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.13 | 399 ratings
ROOM V
Shadow Gallery

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

INTELLIGENT DESIGN
Shaolin Death Squad
THE GOD THING
Vanden Plas
THE DIVINE CONSPIRACY
Epica
PRINCIPLES OF TRANSFORMATION
Super String Theory

Latest Progressive Metal Music Reviews


 Live At The Marquee by DREAM THEATER album cover Live, 1993
3.66 | 372 ratings

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Live At The Marquee
Dream Theater Progressive Metal

Review by Modrigue
Prog Reviewer

4 stars Short but good

This album represents for me the first time I heard of DREAM THEATER. Recorded at the Marquee Club in London in 1993, the concert was part of a huge tour following the unexpected success of "Images and Words". (Almost) cleverly thought, the set-list simply consists in 2 emblematic progressive metal titles from their first and second albums, 1 new improvisation and... unfortunately 1 soapy song, "Another Day" or "Surrounded", depending on your version... Choose your sleeping pill. Nevertheless, despite the 45 minutes duration, the quality is present.

The live renditions of "Pull Me Under" and "Metropolis" touch perfection. If you want me to nitpick, I will just mention the very low volume of John Myung's bass solo. A problem of microphone? "Bombay Vindaloo" is an instrumental jam led by John Petrucci, where he displays his virtuosity. This improvisation offers a nice Middle-Eastern-ish mysterious ambiance, although a bit too long. Only appearing on this disc, there exist no other studio or live versions of this track.

However, for the fan, the main interest of this record are undoubtedly "A Fortune In Lies" and "The Killing Hand". Finally, two songs from "When Dream and Day Unite" where James LaBrie replaces Charles Dominici! LaBrie's high- pitched and raging vocals does the justice that these great compositions deserve, making them more aggressive than the originals. His performance, especially on these tracks, is incredible! There is also an alternate opening for "The Killing Hand". Entitled "Another Hand", this enjoyable neo-proggy instrumental was written during the tour to bring a smoother transition to the end of "Another Day".

"Live at the Marquee" is simply THE old-school DREAM THEATER live album to own, as well as a good introduction to the band's first era. After the listen, a hopeless and futile idea germinates in your mind: maybe one day the band will re-record "When Dream and Day Unite" with James LaBrie...

 Awake by DREAM THEATER album cover Studio Album, 1994
4.12 | 1880 ratings

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Awake
Dream Theater Progressive Metal

Review by Modrigue
Prog Reviewer

2 stars When Dream and Technique disunite

After the unexpected success of the enchanting "Images and Words", and especially the hit-single "Pull Me Under", DREAM THEATER were urged by their music label to release a new album, more aggressive, certainly because of the recent grunge explosion. And that's exactly the main issue with "Awake": under pressure, the musicians didn't have the required latitude to fully imagine and develop their compositions. So the tracks are cold, darker, complex, maybe more modern, but without a proper soul. Those expecting the magic and fantasy of their two first albums may be disappointed. No problem with that, every band can - and must - evolve, but this time the virtuosity nearly fails at serving a real cause or crafting a captivating atmosphere. As you understand, I was mostly deceived by this third studio album.

However, there are some titles that caught my attention. "Erotomania" is easily one of DT's most breathtaking instrumentals. The musicianship is unbelievable, and this track features an incalculable number changes and ambiances! Great! My favorite song of the record is the multi-faces "Voices", alternating calm, floating and raging passages with cool sound effects. The middle part is an iced beauty... Concerning the average titles, "Caught in a Web" and "Scarred" reminds me, at times, the vanished magic of the former discs. "Space-Dye Vest" has also touching moments.

The rest of the disc fails at catching my attention and at really transporting me to another world. Furthermore, the somber and modern musical direction of "Awake" does unfortunately not spare us a few moments of soapiness: "Innocence Faded", "The Silent Man", "Lifting Shadows Off A Dream"...

"Awake" is definitely not my DREAM THEATER favorite, but will allow the band to confirm its leadership in the progressive metal sphere. Too long, too complex, too cold, lacking memorable melodies, this opus is an example where the means - the virtuosity of the musicians - is used as an end, and not to an end. Nonetheless, the band members shouldn't be blamed, they were pressurized by their record label, which is in complete opposition to their style of music, requiring to "Take The Time" to give birth to. As a result, internal dissensions will appear within the group, and keyboardist Kevin Moore will left the ship. Therefore, "Awake" marks the end of the first era of DREAM THEATER.

"Awake" still remains a technical demonstration and a mandatory listen for fans. The newcomers won't find it very accessible, although there are a few interesting tracks that shouldn't be missed. Not the DT album to start with.

 Edge of Thorns by SAVATAGE album cover Studio Album, 1993
4.03 | 141 ratings

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Edge of Thorns
Savatage Progressive Metal

Review by Warthur
Prog Reviewer

4 stars On a certain level, Edge of Thorns is doomed to be forever known as the final Savatage album to feature Criss Oliva before his tragic death, so it's just as well that it sees Criss Oliva take a good share of the spotlight - partly as a by- product of Jon Oliva stepping back from being an official member of the lineup. New lead vocalist Zachary Stevens takes up the baton adeptly - the track Conversation Piece, in particular, gives him a moment to really show what he can do on that front - whilst Criss' prominent lead guitar performance makes this album a fitting memorial to his talents.
 In The Passing Light Of Day by PAIN OF SALVATION album cover Studio Album, 2017
4.20 | 67 ratings

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In The Passing Light Of Day
Pain Of Salvation Progressive Metal

Review by Hrvat

5 stars 'In the Passing Light of Day' is an amazing return to form for the legendary Pain of Salvation, a band which I've been a long time fan of but a band with which I've ultimately been disappointed by in their post Be output. What you will find in this now album is probably the most representative work of their discography. It takes bits and pieces of everything they've done, we see the return of the heaviness and syncopated riffing from 'Entropia' and 'One Hour by the Concrete Lake'. We see the return of the beautiful emotional and lush melody of 'The Perfect Element' and 'Remedy Lane'. Yet it still retains much of the rawness of the Road Salt albums, however without the 70s retro hard rock aesthetic and production, this is a very modern sounding release as the band has embraced being a prog metal band once more.

The highlights of the album are without doubt the three epic tracks 'On A Tuesday', 'Full Throttle Tribe' and the title track. The other shorter track are also fantastic as the album feels so cohesive, really capturing what makes a great concept album in a way we haven't heard from the band since Be. This album takes you on an emotional journey, one that is essentially of Daniel Gildenlow coming to terms with his brush with death when he fell victim to a flesh eating bacteria. You hear the anger and the despair throughout, the kinds of powerful emotions that used to be a trademark of the band but went missing on more recent albums.

It also needs to be pointed out the role of Ragnar Zolberg who joined the band after Road Salt 1 and 2, who co wrote much of the new album with Daniel Gildenlow, giving Gildenlow a significant writing partner which he hasn't had since the early days with Daniel Magdic. His presence has really breathed new life into the band. His vocals are also a fantastic addition, really complementing the vocals of Gildenlow.

Overall this album has really blown me away and has reinvigorated my love for Pain of Salvation. This really is a new dawn for the band and now I cannot wait for what the future holds.

 In The Passing Light Of Day by PAIN OF SALVATION album cover Studio Album, 2017
4.20 | 67 ratings

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In The Passing Light Of Day
Pain Of Salvation Progressive Metal

Review by JJLehto
Prog Reviewer

4 stars A return to their heavier, darker days but not really their old sound.

In the days before this album released I heard tons of talk about a return to the band's old days. After drifting for years with a variety of different styles, from the uber dense, grandiose "BE" to the bluesy 70s rock flavored Road Salt 1 & 2 and in between the anti American/hip hop culture rage fueled prog metal piece "Scarsick", "In The Passing Light of Day" was supposedly a return to their glory days.

While there is no doubt this album is a return to their heavy, darker days, (though I'd say Scarsick was certainly heavy and the Road Salts were not exactly light hearted affairs) it really is nothing like their first 4 albums. "In The Passing Light of Day" is a lot more straightforward, dare I say less progressive, than Entropia to Remedy Lane era Pain of Salvation. There's some of their classic syncopation, off tempo playing and heavy/light blend but this album is absolutely less explosive, innovative and zany than their classic era. While very heavy, it's not as "intense" as older albums, there are almost no solos, gone are the textured walls of music that stop, and sometimes turn, on a dime. The riffing and melodies are fairly straightforward and the drumming is solid but not anything to write home about. All that said, is the album bad? Not at all.

It may just take some getting used to. Daniel's vocals are brilliant as always, and the lyrics are somber and reflective, undoubtedly stemming from his brush with death from a flesh eating bacteria. Indeed, death and hospitalization are prominent on this album. The songs are mellow and moderately simple, but with enough heaviness throughout to prevent staleness. It's like a blend of Road Salt and their classic era, with the profanity tinged, punchy "Reasons" reminiscent of Scarsick. Call this album a summation of the band's career. It may take some time, and I feel like it still is fully sinking in for me, but this is a powerful, moving album. Some standouts are "On a Tuesday", "Full Throttle Tribe" and "Reasons". The 15 minute, mellow yet moving title track takes you on a slowly building journey to finish the album, which concludes with the sound of breathing in a hospital.

Daniel has gone through a harrowing experience, and clearly it had a major impact on him and provided him ample room to ponder. "In The Passing Light of Day" feels more like a musical telling of this experience, the most powerful one we know: dealing with death. THREE AND A HALF STARS (bump four stars)

 Polaris by TESSERACT album cover Studio Album, 2015
3.55 | 46 ratings

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Polaris
TesseracT Progressive Metal

Review by javajeff

4 stars I just picked this up after a long time due to the average reviews and mediocre sentiment. I had Altered State, and thought it was a really good album, but this DJent style is not my favorite to begin with. However, music is all about moods, and sometimes I really crave music like this. The quality of musicianship from Tesseract is evident from the start. They are a very talented group with a very unique sound. They seem to mix atmospheric sounds with heavy funk in the forefront of the DJent movement. Polaris is actually much better than I expected, and mine was bundled with the Errai EP for a total of 13 tracks. It may not be as good as Alterted State, but it is definitely different and deserving more of an evaluation on its own merits. It is an enjoyable listen, and features the original singer from the One era. If you enjoy DJent, Progressive Metal, or Tesseract, there is so much good music here to enjoy. They are so different from other Progressive Metal groups that it is easy to have them in a rotation for much needed variety.
 In The Passing Light Of Day by PAIN OF SALVATION album cover Studio Album, 2017
4.20 | 67 ratings

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In The Passing Light Of Day
Pain Of Salvation Progressive Metal

Review by Deadwing

5 stars I've listenned a few times to In The Passing Light Of Day and it's a very different album from Pain of Salvation. It feels somewhat Road Salt albums meeting their old stuff. The mixing (with a very dry mix, especially the drums) remembers me a lot Road Salt, but then you have these heavy guitar riffs returning with a darker approach. The albums focus a lot on these riffs without many keyboards or guitar solos (except the excellent long one on Angles of Broken Things), also with some more darker (still catchy) chorus, so you can see that it certainly doesn't sound like their previous stuff, though you'll feel that it is Pain of Salvation. Meaningless is the most accessible track and also the one that remembers more the classic era, very relaxing to listen.

Anyway, the tracks overall are quite solid and I don't think there is any weak song. I wish, however, that On a Tuesday had less breakes (which somewhat remembered me Opeth) and the title track wouldn't take too long to the band play together. Regardless, I've loved the riffing on most tracks and the structure felt cohesive. It's a really dense approach, but It's my favorite release except for Remedy Lane (IMO, their masterpiece).

4,5/5 - If you're into heavy stuff you should definetly listen to it.

 In The Passing Light Of Day by PAIN OF SALVATION album cover Studio Album, 2017
4.20 | 67 ratings

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In The Passing Light Of Day
Pain Of Salvation Progressive Metal

Review by ProgShine
Collaborator Errors & Omissions Team

3 stars After 6 years without releasing new material (because of Daniel Gildenl÷w's health problems) the Swedish group Pain Of Salvation release a brand new album with In the Passing Light of Day.

Although I was never a huge fan of the band, I always followed what they were doing and I always tried to listen to the records they were releasing. I also consider BE (2004) to be a fantastic piece of music.

In the Passing Light of Day mostly deals with the near death experience of band's leader Daniel Gildenl÷w when a few years back he had a serious skin cancer. Because of this In the Passing Light of Day is a darker record. Not that the previous albums of the group were not, but the theme used in the lyrics makes things a bit darker this time around. Daniel used the bed of a hospital as a central point for the subject of the album and the lyrics speak of the conflicts of a person who faces the possibility of death.

The album needs attention and is very dense, maybe that's why it has not 'dawned' on me yet, but in the first few spins the only thing I've got after that is that it is a good record, but it isn't any masterpiece. The album in general doesn't feel very cohesive. And all this density has been tied in almost 72 minutes of music, which makes sitting through the entire album quite a complicated experience.

In the Passing Light of Day has much heavier moments than the previous albums of the band. Pain Of Salvation always had a heavy sound, but I get the impression that this time the heavier elements are more present. But at the same time, the band gets closer and closer to 'Post Prog' of the modern bands, inserting many electronic moments and very Pop sounds between very heavy parts and all the 'weirdness' natural to them.

However, a fact makes me not want to go and listen the album again and again more than the other I mentioned, In the Passing Light of Day has one of the most horrible drums sounds I've heard in recent years. This is common with new bands that doesn~t have a big budget to record their albums, but big bands like Pain Of Salvation? What happened here?!?

 Train of Thought Instrumental Demos 2003 by DREAM THEATER album cover Singles/EPs/Fan Club/Promo, 2009
2.84 | 28 ratings

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Train of Thought Instrumental Demos 2003
Dream Theater Progressive Metal

Review by martindavey87

2 stars What we have here is the perfect example of why the official bootlegs line was created in the first place. Average demos of an amazing album. Mike Portnoy's OCD of recording and documenting everything and hey, people will pay money for it, why not release it?!

It's easy to tell that drummer Mike Portnoy and guitarist John Petrucci were producing this, as they're most certainly louder than everything else. In particular, poor Jordan Rudess' keyboards are barely audible. Still, I guess I'd be clutching at straws if I said it's an interesting look at the development of a Dream Theater album.

Different arrangements, sloppy guitar solos (blasphemy!), a few mistakes from Jordan Rudess (impossible!)... It's not that this is a bad release, it's just that you really shouldn't own something like this unless you're a die-hard Dream Theater fan. Otherwise, just get the actual 'Train of Thought' release... duh!

And 'Train of Thought' is a damn brilliant album! So yeah... get that instead!

 When Dream And Day Unite by DREAM THEATER album cover Studio Album, 1989
3.21 | 1145 ratings

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When Dream And Day Unite
Dream Theater Progressive Metal

Review by martindavey87

4 stars Quietly unleashed upon the world in 1989 to approximately no fanfare, radio airplay or any kind of recognition, 'When Dream and Day Unite', the debut album of progressive metal band Dream Theater, was the birth of a legend that approximately nobody saw coming.

It's a debut that has garnered mixed reactions since its release, despite the bands later successes. Personally, I think this is an incredible effort with some fantastic compositions, especially for such a young band. The band clearly know who their influences are, and hold no gripes against showing it, as there are definitely similarities here to bands such as Iron Maiden, Queensryche and most notably, Rush.

Vocalist Charlie Dominici, making his only appearance on a studio album, has always been a common complaint of fans. His pop-inspired singing grating to some, I think his voice has a very majestic tone to it that perfectly fits the raw sound of this album, especially when accompanied by Kevin Moore's 80's sounding keyboards. As for the others, guitarist John Petrucci, drummer Mike Portnoy and John Myung are all serious musicians (having met at the prestigious Berklee College of Music in Boston), who are only just starting their incredible journeys to becoming some of the most revered and respected musicians in the world.

Another strong point of this album of "young" musicians is the lyrics, which contain some of the most random and yet, well thought-out passages I've ever heard. Especially on the track 'Only a Matter of Time'. Other gems worth checking out are 'A Fortune in Lies', 'The Killing Hand' and 'Light Fuse and Get Away'.

An incredible debut. Not as polished as 'Images and Words' and lacking the production values of 'Scenes from a Memory', but strip away any faults and there are some truly great songs here.

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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATAR─XIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AMADEUS AWAD'S EON Lebanon
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHARLY SAHONA France
CHIASMA United States
CHINESE BEARD Finland
A CHINESE FIREDRILL United States
CHROME SHIFT Denmark
CIRCLE OF ILLUSION Austria
CIRCLES Germany
CIRCUS MAXIMUS Norway
CIRRHA NIVA Netherlands
CLANDESTINE United States
CLOAKWHEEL United States
CLOCKWORK United States
CLOSED FOR TONIGHT Canada
CLOUDSCAPE Sweden
CMX Finland
MARCEL COENEN Netherlands
COLLIDING PARALLELS Canada
COLONIZE United States
COLOURBLIND Malta
COMMA Turkey
COMMUNIC Norway
CONCEPTION Norway
CONCRETE PROPHET United States
CONDITION RED Sweden
CONSCIENCE France
CONSORTIUM PROJECT Netherlands
CONTINUUM France
CORELIA United States
COSMICS United States
COSMOSQUAD United States
COUNTDOWN France
CREATION'S END United States
CRIMFALL Finland
CRIMSON GLORY United States
CRISES Germany
CRUZ D MALTA Mexico
CRYSTAL LAKE / LOGIC MESS Poland
CUEROCK Germany
HITTAR CUESTA Ecuador
CYMORYL France
CYNTHESIS United States
DAEDALUS Italy
DALI'S DILEMMA United States
DAMN THE MACHINE United States
THE DAMNATION PROJECT Greece
DANTE Germany
DARK NOVA Greece
DARKSTAR Germany
DARKWATER Sweden
ALEK DARSON Serbia
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