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Royal Hunt biography
Founded in Copenhagen, Denmark in 1989

The name Royal Hunt appeared for the first time in 1989; a brainchild of André Andersen (main songwriter in the band) this outfit was created in order to combine basic values of Classic Rock with progressive, current musical elements. Today, after selling around 1.7 million albums and touring the world numerous times, the band's still going strong. here's the story:

After countless local club tours the band secured their first record deal with Teichiku Records, Japan (Panasonic branch), a management deal with Majestic Entertainment (USA) and a world wide publishing agreement with Warner Chappell.
Debut album - "Land of Broken Hearts" came out in 1991 and sold 35 000 copies in Japan alone; soon it's been out in USA (through Rondell Records), where it created a buzz through a net of college radio stations.
An instrumental piece from the album - "Martial Arts" - was picked as a theme tune by Japanese Wrestling Federation and still is the best selling "sports single" in the country (passed 150 000 copies).

Another tour followed bringing the band to Japan as well, where some unplugged performances created a demand for an "exclusive" release - "The Maxi Single" (1992), which contained 4 unplugged versions of songs from the debut album and two new tracks.

The follow up album - "Clown in the Mirror" - recorded in Denmark and mixed at House Of Music, NY and mastered by legendary George Marino at Sterling, NY - were released in 1993 by the abovementioned labels and - selling beyond 60 000 units - brought the band on the road again, only this time including a two months tour across USA. besides Europe and Japan.

Right after the tour the band's got their first "hit", releasing an EP containing 4 live tracks and a new song - "Far Away" (1995) - which went on top of Japanese rock charts and stayed there for a while, pushing the sells figures up to 70 000 units. a longer promo tour brought the band to the SE Asia and most of the Northern Europe.

Next studio album - "Moving Target" (1995), recorded/mixed at Medley Studio (DK) with Lars Overgaard behind the desk - was the first one to be released world wide (Royal Hunt has finally inked the deal with Long Island Records in Europe) and paved the way to a 72-dates world tour, selling around 120 000 copies.
Various rock publications throughout the world honoured Royal Hunt as "the best live band of the year" as well as "the best album o...
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ROYAL HUNT Videos (YouTube and more)

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Cast in StoneCast in Stone
Northpoint Productions
2016 [Blu-ray]2016 [Blu-ray]
$16.76 (used)
The Devil's DozenThe Devil's Dozen
$6.56 (used)
ROYAL HUNT - 25th Anniversary - Live 2016ROYAL HUNT - 25th Anniversary - Live 2016
Nexus 2017
$26.78 (used)
Heart of the City: Best of 1992 - 1999Heart of the City: Best of 1992 - 1999
Limited Edition
Scarlet Italy 2012
$6.59 (used)
2016 (Deluxe Edition)2016 (Deluxe Edition)
$14.37 (used)
$6.92 (used)
A Life To Die ForA Life To Die For
$12.98 (used)
Show Me How To LiveShow Me How To Live
Frontiers Music Srl 2011
$19.04 (used)
Double Live in JapanDouble Live in Japan
Magna Carta 1999
$14.43 (used)
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ROYAL HUNT discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

ROYAL HUNT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.34 | 46 ratings
Land Of Broken Hearts
3.37 | 45 ratings
Clown In The Mirror
3.99 | 80 ratings
Moving Target
4.21 | 140 ratings
3.49 | 65 ratings
3.83 | 66 ratings
The Mission
3.01 | 47 ratings
3.24 | 52 ratings
Paper Blood
3.72 | 53 ratings
Collision Course - Paradox II
3.54 | 45 ratings
3.66 | 62 ratings
Show Me How To Live
3.77 | 44 ratings
A Life To Die For
3.62 | 34 ratings
Devil's Dozen
3.07 | 15 ratings
Cast In Stone

ROYAL HUNT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.65 | 23 ratings
Live 1996
4.08 | 6 ratings
Paradox - Closing the Chapter
4.06 | 9 ratings
Double Live In Japan
3.88 | 16 ratings
Royal Hunt 2006
4.00 | 3 ratings

ROYAL HUNT Videos (DVD, Blu-ray, VHS etc)

4.78 | 13 ratings
5.00 | 6 ratings
Future's Coming from the Past - Live in Japan 1996/98

ROYAL HUNT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 4 ratings
The First 4 Chapters... And More
2.80 | 5 ratings
Heart of the City
1.36 | 5 ratings
20th Anniversary - Special Edition (3CD+DVD)

ROYAL HUNT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 5 ratings
The Maxi EP
3.75 | 4 ratings
Far Away
3.80 | 5 ratings
Message to God
3.46 | 9 ratings
3.68 | 19 ratings
The Watchers
4.00 | 5 ratings
Hard Rain's Coming


Showing last 10 reviews only
 Paradox by ROYAL HUNT album cover Studio Album, 1997
4.21 | 140 ratings

Royal Hunt Progressive Metal

Review by Menswear
Prog Reviewer

5 stars Magna Carta madness continues!

Thru the catalog, it's always a joy to discover something fresh, like a new band. Because of some obscure fate, I never heard of Royal Hunt before. Hold on, there's some impressive facts here: how many albums did they sell? Almost 2 millions?! And the keyboardist claims to have Royal Familiy descendance?! I wasn't sure if I had to laugh or be impressed. Well, the music got me impressed!

The concept of a religion arriving in a foreign and shatter the universe of the poor Primitives is great. The little speeches the First Nations (after River of Pain) saying they will go to their villages and hurt their people is still relevant. It's mind blowing on how history's repeating over and over again.

Setting aside the clever concept, the execution is superior. I mean, if you want to make decent metal, you have to walk the walk with your instrument. And they do. Oh boy, they do! What strikes me the most is the blue blood keyboard player's chops, they're all over the place with satisfying orchestration and mouth watering solos. Also I cannot pass the opportunity to praise the capacities of D.C. Cooper as a singer. He's the man. He's the Ubermensch...and he needs a shirt. Please, give this poor beggar a few coins to buy a t-shirt or something.

I'm frankly happy to have found such a cast of entertaining performers. The album is not 'aggressive' (although sporting the metal tag) but abound in catchy melodies that sticks in your head for days. It's an extremely catchy record filled to the brim and why it's not a classic is beyond me. In 1997, I was knee-deep into Britpop, no wonder this badboy slipped my attention. I also should've dig deeper to find this gem instead of trying to like Falling Into Infinity, the snooze fest Dream Theater gave us during that period.

Give this record a chance, it's just too good. Now that's what I call a majestic album!!

 Paradox by ROYAL HUNT album cover Studio Album, 1997
4.21 | 140 ratings

Royal Hunt Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Royal Hunt's paradox finds the prog metal pioneers on fine form, with the band at points capturing the stateliness and majesty of the most refined classical music in a metal context. Their house style of prog metal is based less on technicality than the likes of Dream Theater, and includes some power metal influences here and there, but somehow they avoid taking things in a cheesy direction but maintain an appropriately rich and evocative tone for the deep subject matter they attempt to tackle. Keyboardist Andre Andersen is the star player, with an orchestral touch to his keyboards which really brings the album's sound together.
 1996 by ROYAL HUNT album cover DVD/Video, 1996
4.78 | 13 ratings

Royal Hunt Progressive Metal

Review by Tarcisio Moura
Prog Reviewer

5 stars Oh my, I remember buying this VHS at the end of 1997, right after I got to know this fantastic multinational band. It had around three hours of running time: the entire 2 hour concert, plus backstage scenes, interviews, the video for Wasted Time, the making up of that video and other touring shots. It was recorded during their Moving Target tour and features most of the songs from that album, plus a lot of earlier stuff More than anything else this video shows that the band was very fortunate to have chosen american singer D. C. Cooper to replace the original danish frontman Henrik Brockman. Because if Brockman was very good, then Cooper was simply brilliant. Not only he had a better, more versatile voice, but he was also a great stage performer, helding the audience at the palm of his hand throughout the show.

Certainly the rest of the band was not far behind. Indeed I was really amazed not only by their incredible skill and professionalism, but also for their energy and moving around. And, for the icing on the cake, the two backing singers provide for Cooper many terrific three part harmony singing that really set them apart (no, it was not country-ish, but very unique). Put it together with a strong set list and you have one of the best live performances Iīve seen in my life. Although Cooper was really a newcomer, it is very clear that the band was cooking by the time they recorded this concert. So it is not surprising that they recorded their best album ever, Paradox, right after this tour (unfortunately without drummer Kenneth Olsen, who quit before the recordings started). I really enjoyed Andre Andersen figure surrounded by keyboards in a pose that is striking similar to that one of Rick Wakeman. But sound-wise Andersen has a unique style of songwriting and playing.

Highlights? The blistering rendition of Stranded, the symphonic progressiveness of 1348 and the powerful and inspired performance for Epilogue comes in mind as the best moments in an excellent show. The three songs played in the acoustic set are also a plus, the band proving they could make Age gone Wild sound much more superior than any other version they had made of this tune. Even a lesser song like Time shines after they provide a new vocal intro. There are some solo moments, but they are all short ones and unbelievably, the weaker is Jacob Kjaerīs guitar solo (not a bad one, though). Bass and drums solos are linked together in a very nice duel that is really more interesting than those boring ones we have all seen too much.

In recent years Iīve seen this concert appear as a DVD bootleg, unfortunately without all the extras. I really hope they will release a complete, remastered, version of this outstanding release. It showed the world one of the most original and interesting bands to surface in the 1990s. Their mixture of melodic hard rock, symphonic prog and traditional heavy metal, plus those vocal harmonies is something never heard of, even if their music is quite accessible. Royal Hunt is really one of a kind

Rating: something between 4.5 and 5 stars. Highly recommended!

 A Life To Die For by ROYAL HUNT album cover Studio Album, 2013
3.77 | 44 ratings

A Life To Die For
Royal Hunt Progressive Metal

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Danish band ROYAL HUNT have been a going concern for more than a quarter of a century, and as such merits a description as a veteran band at this point. They have twelve studio albums to their name, with a thirteenth just about to hit the market. "A Life to Die For" is their twelfth studio album, and was released through Italian label Frontier Music in 2013.

Royal Hunt is a band that have always been described as residing somewhere within the metal spectrum, with power metal, progressive metal and symphonic metal the most common descriptions given. The albums I've come across earlier have, arguably, been of a more progressive metal vein, but in the case of this 2013 production I'd say that the greater majority of the compositions have the strongest ties to the symphonic metal genre, with power metal as the main undercurrent.

As one would expect from a veteran act, this is a production that is well made and well produced, the technical aspects of this album have a high standard with impeccable quality. While perhaps not all that important, these aspects of a production does elevate the material quite a bit, the difference between a poor and a pleasant or a pleasant and a good end listener experience can often be tracked down to this, even if mix and production will always be coating and gloss that adds a final sheen. In this case these are important aspects of the album though, and not only due to the quality of the compositions as such, but due to the richly layered arrangements employed throughout that demands a detailed attention to mix and balance.

The material here basically revolved around digital orchestration and lead vocals. Royal Hunt have a strong lead vocalist in D. C. Cooper, and they make sure that his qualities are emphasized throughout. The rich orchestration courtesy of keyboardist André Andersen is still the main dominating trait though, his keyboard arrangements a key aspect of all compositions throughout.

The songs actually appears to revolve a bit too much around the vocals and keyboards as I experience it though, as the bass, drums and guitars are toned down quite a bit and with little room for other instrument details to add subtler details or depth to the songs as they unfold. Combined with a smooth production and a certain tendency to singalong chorus sections with more of an AOR orientation the end result is, at least for me, just too smooth for me at times. Pleasant and well made, but lacking that slight edge that elevates the total experience to a higher place. Details and depth are the key words I guess, as well as a lack of marked contrasts.

But when the blend does get a few additional details added in, the end result does become all the more striking. The dramatic impact surges that is a mainstay feature on opening track Hell Comes Down From Heaven a good example of that, as are the richer orchestrated movements and stronger emphasis on quirkier instrument details on concluding and title track A Life to Die For. Both of those creations represent the 2013 edition of Royal Hunt at their best in my opinion, and should be regarded as the signal tracks on this CD as far as I'm concerned.

At the end of the day I find "A Life to Die For" to be a somewhat uneven production, always smooth and elegant, but for my personal taste somewhat lacking in the details and sophistication department for this album to come across as a vital and vibrant production. Those with a taste for progressive rock and metal exclusively may want to approach this one with a bit of caution due to that, but if you have a strong affection for symphonic metal, and a particular taste for well produced, orchestration dominated specimens of that kind in particular, then this CD can be regarded as a fairly safe purchase option for your musical needs.

 A Life To Die For by ROYAL HUNT album cover Studio Album, 2013
3.77 | 44 ratings

A Life To Die For
Royal Hunt Progressive Metal

Review by J-Man
Prog Reviewer

3 stars DC Cooper's return to Royal Hunt for the release of 2011's Show Me How to Live reignited interest in this Danish progressive metal band for many listeners, and with 2013's A Life to Die For, that interest is likely to remain ignited. Royal Hunt's twelfth album doesn't deviate much from their established blend of neo-classical power metal, melodic hard rock, and progressive metal, but the songwriting here is strong enough to make for a solid listen from start to finish.

Although the title track and "Hell Comes Down From Heaven" easily stand out as highlights (I've always found that Royal Hunt's best compositions tend to be their longest), the rest of A Life to Die For is well-written and well-played. Keyboardist André Andersen's detailed symphonic arrangements are quite impressive, and DC Cooper's vocal performance demonstrates why he is such a fan favorite when it comes to melodic progressive metal.

Royal Hunt's bombastic and symphonic approach to progressive metal doesn't usually connect with me on the same level that bands like Fates Warning and Dream Theater do, but there's no doubt that these Danes are really good at playing the music that they play. Fans of Royal Hunt will definitely want to check out A Life to Die For, and this isn't a bad place for newcomers to start their journey either.

 Show Me How To Live by ROYAL HUNT album cover Studio Album, 2011
3.66 | 62 ratings

Show Me How To Live
Royal Hunt Progressive Metal

Review by Progrussia

4 stars I was so surprised by appearance of Royal Hunt in the Progarchives "hot list" (it, after all, is a retro metal band, and the worst kind of retro - cheesy 80s style), so decided to chip in. Havent got my hands on the new one yet, this is about the one from 2011.

Royal Hunt play highly orchestrated (the band leader, and only constant presence, is the keyboardist) power metal, with a couple of concept albums and epics that warrants its inclusion here. Actually it's amazing they are still around and haven't lost creative spark. Now, they do release weak albums for time to time, making think that they will be forever relegated now to the nostalgic tour circuit, but then BOOM! another album that is so strong. Show Me How To Live is one of such redeeming albums. Save for the title song maybe, it's not really prog, but just so energetic and infectious that you should jump up and start air-guitaring immediately, even though its more about the synths and vocals than the guitars. You'd think that for a cheesy metal band the concluding track titled Angel's Gone would be a wimpy ballad. Nope. Another boisterous rocker.

 Paradox by ROYAL HUNT album cover Studio Album, 1997
4.21 | 140 ratings

Royal Hunt Progressive Metal

Review by progbethyname


As I listened to Royal Hunt's Paradox album I found myself shaking my head in disbelief due to just how incredible the storyline is and how the storyline was expressed musically. Royal Hunt have created an album that has a fusing of many different genres of prog rock, and it should be noted that Paradox is not just progressive Metal album strictly. I found myself hearing traces of folk/Art Rock, Neo and even some Crossover prog in this album. Paradox really is a wonderful blend of musical styles, but it does take to being more of a progressive Metal album than anything else. It's just nice to have  and hear the variety though. ;)

As for the concept of Paradox's storyline a lot of it is open to one's own interpretation, but here is what I gathered from it myself. 

A deeply religious man, who is 30 years of age has just killed a King of great ruling in his country and has escaped and seeked refuge in an old church on very dark and rainy night (this adds to the atmosphere) to escape further judgment and punishment for his crimes. Turns out, The King was a very bad ruler and was a man who was deeply oppressing the people of where this man (the Kingslayer) lived, which I think is 18th century England. Meanwhile The Kingslayer, who can't live with the guilt feels that he has mortally sinned and seeks answers and forgiveness from god due him killing the King of his country. 

What I found most fascinating is by how The Kingslayer goes through a whole ontological argument with God by justifying his actions at first (Silent Scream, Tearing down the World) and then later succumbing full tilt to the guilt and punishment he thinks he'll receive ( Time Will Tell, It's Over, Long Way Home.) All in all, it's a very clear story that examines the pitfalls of religion and the philosophical paradox where by can violence be a justifiable action to protect the one's you love while restoring peace and order for the greater good of humanity under the eyes of God? And will their still be a place in God's kingdom of Heaven if one does take another's life?  A Paradox indeed. ;) Religion can really twist up an individual if you ask me. 'Judas, come take me now!' as were the final words of our protagonist in this story. 

Furthermore, speaking from a musical point of view on The Paradox album I must say, that it is just as every bit as brilliant and compelling as the concept (storyline itself.) I absolutely love D.C Cooper's vocals and keyboards, especially on the track 'Silent Scream' where vocally you can just feel the emotion of D.C's Kingslayer character hauling off on God with such disdain and remorse all at the same time! A lovely point of entry to showcase D.C Cooper's incredible vocal abilities where he does remind me so much of the likes of Ian Anderson (Jethro Tull) and Mathias Blad (Falconer) vocal styles/abilities. A very incredible combination if you ask me. Not to mention, Andre Andersen's keyboards are very versatile by how they sound like old and new styles of the Neo Prog genre and this is largely portrayed on tracks, Time Will Tell and Silent Scream. There is even some flute/mellotron notes as well. Very lovely for the listener. Also, I adore the bass playing by Steen Mogensen on River of Pain. The Bass just thumps so beautifully in your ear with a groove like feel to it. As for the Guitar it is a shared duty from creator/song Writer/Keyboardist Andre Anderson who is by far the leader of the group, and Jacob Kjaer. The Guitar work is sensational from both these players. You get killer riffs, epic solos and some soft acoustic guitar playing as well. It's an absolute treat and the solo on Time Will Tell at around the 2:50min mark is absolutely fantastic including the Keyboard/Synth solo that follows it up by Andersen. Lastly, the drums are very much in vein of a typical Prog Metal style by Allan Sorensen, where by playing fast, furious and very technical are the main proponents of style. Not much new there for me, but sounds awesome none the less!

Ergo, what I can say with all my heart is that Paradox is a masterpiece of an album. It makes you think based on the merits of its incredible storyline, and of course the musicianship is incredibly strong where by it poses itself to be a very accessible listen based on the catchy, radio friendly choruses and the wisps of soft-melodic keyboards and guitars as well on some songs.   To me, Paradox is an album that has absolutely everything and it is very well composed and written by Mr. Andersen himself. It even has some deeply melodic Choir orchestrations and strings added to some of the songs. Why ask for more? Backing vocals and strings in Prog Metal excite me very much and it is not commonly done. 

 It is also worth mentioning that the Paradox album comes with an onslaught of bonus tracks as well, which are utterly brilliant. You get to hear superb Radio Edit versions of Time Will Tell, Message To God and my favourite Silent Scream. And thats not all, your ears will be delighted with a very accessible and catchy version of the Awakening called 'Martial Arts' which the 1:49min track literally does Kung-foo kicks in your ears due to the blinding speed it's played at. Its just a fun and simple instrumental. Also, the Most Radio friendly song,'Restless' (3:20min) which actually fits into the storyline of the Paradox album! Restless is a song that sounds very much like an 80's pop song, but I actually really love it. Love when Cooper sings the lyrics 'who will remember me whhhheeeen I aaaam gone!' beautiful stuff and I love the Crossover Prog style they bring with this particular song. 

In Conclusion, I cannot think of a better album to recommend to someone who really is searching for versatilely and diversity in a progressive metal album, which I as said does carry an onslaught of other Prog genres as well. Paradox easily fits the Masterpiece rating entitlement and I will be giving this album many more listens for many more years to come. I can only hope Paradox LI will be just as good, but that will be a tough feat to top. 

5 very progacious devil horns out 5. Easily.  

 20th Anniversary - Special Edition (3CD+DVD) by ROYAL HUNT album cover Boxset/Compilation, 2012
1.36 | 5 ratings

20th Anniversary - Special Edition (3CD+DVD)
Royal Hunt Progressive Metal

Review by irregardlessly

1 stars I'll try to keep this short. I love Royal Hunt. They are one of my favorite bands. While not overly prog, I just love their neoclassical sound. This collection was a disappointment for me.

SONG SELECTION: Not stellar, but OK.

SOUND EDITING: OK this is bad. It sounds like if you just took the playlist of different songs from different albums on Itunes and burned to a CD. Since the songs on their original albums often ran over into their neighbors, the song changes are very abrupt. Very poorly done. The songs needed to be faded out, cut at different places, cross faded, or SOMETHING.

BONUS CD: Interesting and worthwhile if you are a completionist.

DVD: For me this is forgettable. I believe all of the videos on here are available elsewhere in more complete form.

PACKAGING: This is the real shame. I feel like this was put forward as a Special Edition / Premium product. The outer packaging is a long box like a DVD would come in. When you open that up you get one lousy insert card with a few pictures on it. There is no info about the band, the songs, the source albums, the band, etc. If this was really a 20 year retrospective they could have done a lot more with the "pack ins".

 Show Me How To Live by ROYAL HUNT album cover Studio Album, 2011
3.66 | 62 ratings

Show Me How To Live
Royal Hunt Progressive Metal

Review by Tarcisio Moura
Prog Reviewer

4 stars The most intriguing aspect of this album is the fact that singer D C Cooper is back to the band that had launched his career. And, coincidence or not, Royal Hunt never had the been the same since he left. Nor was he capable of doing something as remarkable, solo or with his many side projects. So it was a bit natural that one day or another theyīd try to do something together again. And thatīs the dilema I was facing. Should I get the album and find if the magic was still there? Or should I forget it all and keep the good memories I had of this great band in the 90īs, avoiding the chance of a big disappointment? In the end I decided to take my chances into getting the new CD.

And it was worth it!! I donīt know if it was Cooperīs presence, or Andre Andersenīs renewed inspiration for great, bombastic and melodic tunes (maybe a combination fo the two), but Show Me Hot to Live is their best album since the masterpiece Paradox. Itīs absolute unbelievable how D Cīs vocals fit into the music like a glove. Itīs a pity that this reunion did not include other members of the classic line up (bar drummer Allan Sorensen, whoīs been with them since Paradox). But youīll hardly notice: new guitarrist Jonas Larsen is a brilliant musician and his style is quite close to that of Jacob Kjaer. And all the groupīs trademarks are there: Andersenīs symphonic keyboards, the great chorus reinforced by female backing vocals, the inspired guitar solos and the terrific rhythm section. Above all, of course, D C Cooper shows why he is one of the best all around singers of the world. He has lost none of his vocal prowness.

However, nothing would have worked so good without a good dose of great songs to match. And Andersen does deliver the goods: there is not a single bad moment in the whole CD. Only excellent, powerful and well arranged tunes that show the band in great shape. Ok, of course there is nothing really new or groundbreaking here. And the new stuff is not as fantastic as the Paradox, but I guess that would be asking for too much. The fact that the band, after all this time was capable of releasing such astonishing, convincing stuff is a feat on itself. I wish more bands could do that.

Production is top notch and the performances are spotless. There are no real highlights on this album, itīs all excellent, but I think the title track and Half Past Loneliness are excellent examples of classic RH tunes for future compilations.

Final rating: 4,5 stars. Highly recommended!

 Paradox - Closing the Chapter by ROYAL HUNT album cover Live, 1998
4.08 | 6 ratings

Paradox - Closing the Chapter
Royal Hunt Progressive Metal

Review by Tarcisio Moura
Prog Reviewer

4 stars This is a very strange record. It seems to be released only to fulfill some contractual obligations, since singer D C Cooper was leaving the band at the time and it looked unlike that any new product from Royal Hunt was coming out soon. Well, thatīs my theory because I cannot see why they would release a live album composed solely of tunes from their Paradox album. It is ok that Paradox is without any doubt their best - and most progressive - work to date. But why not include a few classic tracks like Epilogue or Last Goodbye just to make it more atractive to fans? Itīs a mystery.

However, tracklist choices apart, this is a fine live record that shows the classic line up at their peak. The recording sound is just perfect and the production is crystal clear. And that can be a little annoying too: it sounds too much like the studio counterpart, even if, at parts, a few tunes do gain a little extra energy in the live format. And I must say they never have such collection of excellent songs to match. Paradox was surely their most inspiring moment and they deliver the goods with passion and precision on stage. Just listen to Andre Andersenīs unique orchestral keyboards delivery, Jacob Kajerīs inspired guitar solos and Steen Mogensenpīs elegant, classical, bass lines. But above it all, itīs D C Cooper amazing vocals that shines all through the CD, proving he is one of the best singers around.

So good indeed I canīt geve this album less than 4 stars due to their brilliant perfomance and the high quality of the their material, even if it could and would be better if they cared enough for the fans to add a few extra songs to make it a little different. Still...Royal Hunt was at the time one of the most original and interesting bands to be labeled as prog metal. A great show.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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