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PROGRESSIVE METAL

A Progressive Rock Sub-genre


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Progressive Metal definition

This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

The Origins:
The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

The Pioneers:
Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

Traditional Progressive Metal
The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

Power-Progressive Metal (American style)
The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

Power-Progressive Metal (European style)
This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

Modern Progressive Metal
The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


--- Definition by Thanos and the Progressive Metal Team, January 2012 ---

The Progressive Metal Team
Karl (bonnek)
Kevin (Necroncommander)
Alex (Rune2000)
Thanos (aapatsos)
Dave (Prog Sothoth)


Progressive Metal Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

4.30 | 2471 ratings
IMAGES AND WORDS
Dream Theater
4.29 | 2533 ratings
METROPOLIS PART 2: SCENES FROM A MEMORY
Dream Theater
4.26 | 1420 ratings
SECOND LIFE SYNDROME
Riverside
4.23 | 1047 ratings
THE PERFECT ELEMENT PART 1
Pain Of Salvation
4.23 | 963 ratings
REMEDY LANE
Pain Of Salvation
4.21 | 918 ratings
OPERATION: MINDCRIME
Queensr˙che
4.19 | 1102 ratings
ANNO DOMINI HIGH DEFINITION
Riverside
4.19 | 974 ratings
OUT OF MYSELF
Riverside
4.18 | 1011 ratings
THE HUMAN EQUATION
Ayreon
4.14 | 1706 ratings
SIX DEGREES OF INNER TURBULENCE
Dream Theater
4.19 | 329 ratings
THE ART OF NAVIGATING BY THE STARS
Sieges Even
4.20 | 264 ratings
THE FULLNESS OF TIME
Redemption
4.15 | 613 ratings
V: THE NEW MYTHOLOGY SUITE
Symphony X
4.13 | 1811 ratings
AWAKE
Dream Theater
4.13 | 752 ratings
BE
Pain Of Salvation
4.12 | 617 ratings
INTO THE ELECTRIC CASTLE
Ayreon
4.15 | 338 ratings
PERFECT SYMMETRY
Fates Warning
4.13 | 386 ratings
ROOM V
Shadow Gallery
4.18 | 210 ratings
INTO THE EVERFLOW
Psychotic Waltz
4.16 | 224 ratings
A SOCIAL GRACE
Psychotic Waltz
4.14 | 322 ratings
A PLEASANT SHADE OF GRAY
Fates Warning
4.24 | 121 ratings
PARADOX
Royal Hunt
4.11 | 494 ratings
THE DIVINE WINGS OF TRAGEDY
Symphony X
4.16 | 207 ratings
TEMPLE OF SHADOWS
Angra
4.17 | 185 ratings
STREETS - A ROCK OPERA
Savatage
4.13 | 313 ratings
PARALLELS
Fates Warning
4.19 | 149 ratings
MERCY FALLS
Seventh Wonder
4.13 | 274 ratings
THE BLACK HALO
Kamelot
4.09 | 499 ratings
LIQUID TENSION EXPERIMENT 2
Liquid Tension Experiment
4.25 | 98 ratings
THE TOWERS OF AVARICE
Zero Hour
4.07 | 854 ratings
SHRINE OF NEW GENERATION SLAVES
Riverside
4.09 | 455 ratings
ENTROPIA
Pain Of Salvation
4.12 | 267 ratings
TYRANNY
Shadow Gallery
4.08 | 470 ratings
LOVE, FEAR AND THE TIME MACHINE
Riverside
4.07 | 507 ratings
THE THEORY OF EVERYTHING
Ayreon
4.14 | 157 ratings
THELI
Therion
4.25 | 80 ratings
RITUAL
Shaman / Shaaman
4.08 | 305 ratings
DISCONNECTED
Fates Warning
4.08 | 264 ratings
SYMPATHETIC RESONANCE
Arch / Matheos
4.10 | 181 ratings
A GENTLEMAN'S HURRICANE
Mind's Eye
4.08 | 241 ratings
CRITICAL MASS
Threshold
4.10 | 146 ratings
VOVIN
Therion
4.06 | 223 ratings
THE GREAT ESCAPE
Seventh Wonder
4.08 | 175 ratings
THE ORIGINS OF RUIN
Redemption
4.11 | 127 ratings
JEREMIAS - FORESHADOW OF FORGOTTEN REALMS
Circle of Illusion
4.09 | 146 ratings
HARVEST MOON
Votum
4.11 | 127 ratings
CALLING THE EARTH TO WITNESS
Darkwater
4.22 | 66 ratings
GRITARÉ
Matraz
4.05 | 232 ratings
NIGHTFALL IN MIDDLE-EARTH
Blind Guardian
4.09 | 142 ratings
CELESTIAL ENTRANCE
Pagan's Mind
4.06 | 181 ratings
HOLY LAND
Angra
4.02 | 370 ratings
MARCH OF PROGRESS
Threshold
4.02 | 300 ratings
RAGE FOR ORDER
Queensr˙che
4.04 | 204 ratings
CHRIST 0
Vanden Plas
4.03 | 219 ratings
BURN THE SUN
Ark
4.11 | 96 ratings
DELUSIONS
To-Mera
4.05 | 160 ratings
IN SEARCH OF TRUTH
Evergrey
4.19 | 64 ratings
MENTAL TORMENTS
Spheric Universe Experience
4.53 | 25 ratings
SONGS FOR INSECTS
Thought Industry
4.29 | 43 ratings
JOURNEY OF A ROUGH DIAMOND
Mind Key
4.01 | 226 ratings
TALES OF THE SANDS
Myrath
4.18 | 60 ratings
INTELLIGENT DESIGN
Shaolin Death Squad
4.08 | 104 ratings
ABYDOS
Abydos
4.11 | 86 ratings
IN YOUR MULTITUDE
Conception
4.01 | 209 ratings
OCEANBORN
Nightwish
4.02 | 173 ratings
QUIET WORLD
Native Construct
4.27 | 42 ratings
BILO 3.0
Micic, David Maxim
4.20 | 53 ratings
JUST THE TWO OF US ME AND THEM
Mindflow
3.97 | 427 ratings
ONE HOUR BY THE CONCRETE LAKE
Pain Of Salvation
4.04 | 132 ratings
EDGE OF THORNS
Savatage
4.02 | 147 ratings
BEYOND DAYLIGHT
Vanden Plas
4.09 | 86 ratings
SANCTUS IGNIS
Adagio
3.97 | 324 ratings
PROMISED LAND
Queensr˙che
4.08 | 89 ratings
SECTION X
Beyond Twilight
4.03 | 133 ratings
A SENSE OF CHANGE
Sieges Even
4.00 | 191 ratings
UTOPIA
Distorted Harmony
4.00 | 158 ratings
THE TIDE, THE THIEF & RIVER'S END
Caligula's Horse
4.15 | 57 ratings
MI KUBBESI
Nekropsi
4.33 | 32 ratings
TO DIMENSION LOGIC
Vauxdvihl
4.25 | 40 ratings
GUIDING LIGHTS
Skyharbor
3.98 | 226 ratings
AWAKEN THE GUARDIAN
Fates Warning
3.94 | 492 ratings
THE ODYSSEY
Symphony X
4.56 | 20 ratings
MODS CARVE THE PIG
Thought Industry
4.00 | 147 ratings
GUTTER BALLET
Savatage
4.12 | 61 ratings
COSMOGENESIS
Gru
4.34 | 30 ratings
HUMAN (THE FACTS)
Fughu
3.96 | 235 ratings
HYPOTHETICAL
Threshold
4.02 | 110 ratings
UNDERWORLD
Adagio
4.00 | 131 ratings
TRANSCENDENCE
Crimson Glory
3.96 | 214 ratings
SYNTHETIC
Hemina
3.97 | 169 ratings
A NIGHT AT THE OPERA
Blind Guardian
3.99 | 126 ratings
FIVE DEADLY VENOMS
Shaolin Death Squad
3.98 | 141 ratings
FOR THE LOVE OF ART AND THE MAKING
Beyond Twilight
3.98 | 142 ratings
HARVEST AORTA
Ephemeral Sun
4.32 | 27 ratings
REACHING PLACES HIGH ABOVE
Persona Grata
3.94 | 218 ratings
SUBSURFACE
Threshold
4.29 | 29 ratings
OMNIEM
Jinetes Negros
4.10 | 54 ratings
5TH SEASON
Dreamscape
3.96 | 146 ratings
BLOOM
Caligula's Horse
3.97 | 127 ratings
EXILE
To-Mera

Progressive Metal overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

DELUSIONS
To-Mera
CODA
Octopus
THE GOD THING
Vanden Plas
EL LENGUAJE DE LOS ESPIRITUS
Cuesta, Hittar

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Latest Progressive Metal Music Reviews


 Twilight In Olympus by SYMPHONY X album cover Studio Album, 1998
3.75 | 300 ratings

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Twilight In Olympus
Symphony X Progressive Metal

Review by Prog Leviathan
Prog Reviewer

3 stars First, a little bit of context. This is the first review of this album on the archives in close to 5 years; moreover, just as much time has transpired since the release of the band's mega-epic Iconoclast (to which I gave an enthusiastic 5-star review). So there's bound to be a bit of revisionist bias in my feelings, but I'm trying to my best to be objective. With that said...

Twilight in Olympus is a lot of fun. It follows the prog-metal template of the times, thematically and sonically, but is played very well and leaves very little to be critical about. Symphony X is a crazy talented group of musicians, and their take on that prog-metal template is sophisticated. This is not an "every thing and the kitchen sink" metal experience; neither is it a overly thoughtful work of art. Its blend of melodies and metal and nuance sort of sifts its way perfectly into the "good but not essential" rating. It does everything good, but nothing great.

For fans of the band, Twilight in Olympus sounds very much like a slightly more metal take on the same sort of scope we heard in Divine Wings of Tragedy. The band is still growing, still flexing their muscles, and it shows mostly in their song writing, which isn't as sticky as later albums.

For newcomers, Twilight in Olympus is a blend of outstanding metal riffing and faux-symphonic stylings. Symphony X sounds more grandiose in scope than that "other" prog-metal group whose heyday was during the late '90's/early 2000's, thanks mostly to their fantastic lyrics and use of keyboards. Pinnella is a fine player, no doubt; his keys come across as less busy as other prog-metal groups though, in the sense that he's mostly filling space or textures as opposed to jumping into the foreground soloing. He also selects a palette of sounds synthesizing reconnaissance-era organs or harpsichords or whatever (at least that's my take; I'm not a historian of keyed instruments!). This gives the album more of a neo-prog feel. Depending on your outlook, that's pretty cool! You've got crazy metal chugging and bass lines sitting alongside tinkling or symphonic keyboards. Again, I'm sort of middle of the road on this. It works, but doesn't connect with me as much as we'll hear on later works.

In the end, Twilight in Olympus is a perfect example of a 3-star release. Get it and you won't be disappointed, but you probably won't place it at the top of your prog-metal playlist. Great stuff for those having experienced the band's later works, or who like Symphony X's voice, but not the heavier style of those later works.

Songwriting: 3 - Instrumental Performances: 4 - Lyrics/Vocals: 3 - Style/Emotion/Replay: 3

 Spiral of Fear by POVERTY'S NO CRIME album cover Studio Album, 2016
3.21 | 5 ratings

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Spiral of Fear
Poverty's No Crime Progressive Metal

Review by Progrussia

3 stars Here's an underappreciated band I didn't expect to hear from again! 9 years have passed since their last album. Well, they're back. Poverty's No Crime sits on the borderlines of power metal, hard rock and adult-oriented rock, an adult-oriented metal if you will. Spiral of Fear continues Save My Soul's heavier and darker sound, so it is more in line with the predominant style of their prog metal peers such as Vanden Plas or Threshold, but overall, this is Poverty's No Crime by the numbers - crunchy riffs and sing-along choruses mixed with introspective atmospherics. For every song there could be found a parallel from their earlier works - the cool sci-fi instrumental The Fifth Element, of example, is a direct cousin of (an even cooler) Terminal Trip off their best, Chemical Chaos album. Though I could wish for greater variation in sound like their earlier albums, I'm glad they're back.
 The Art Of Loss by REDEMPTION album cover Studio Album, 2016
3.79 | 44 ratings

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The Art Of Loss
Redemption Progressive Metal

Review by Progrussia

4 stars Redemption plays prog metal that is bombastic and emotionally intense. Like Dream Theater without the quirks or stylistic detours of the more adventurous prog metal bands, though they are not beneath pop sensibilities. Redemption's about crunchy riffs, cheesy synths, sing-along choruses and the manly voice of Ray Alder, which distinguishes them among similar bands but with high-pitched vocalists. As the themes of their albums mainly revolve around human psychology, I'd say this is about 90 percent tension and 10 percent release. At Redemption's longest, the 70-minute plus of this stuff may seem a bit overwhelming and monotonous, so the guys spice things up with gazillions of shredding, courtesy of the bandwagon of guest guitarists. In short, Redemption doesn't break new ground, but the Art of Loss is better than This Mortal Coil and is one of their most enjoyable releases.
 Havoc by CIRCUS MAXIMUS album cover Studio Album, 2015
3.09 | 27 ratings

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Havoc
Circus Maximus Progressive Metal

Review by Progrussia

3 stars Circus Maximus continue to evolve, from indulging the glossier aspects of Dream Theater prog metal sound to catering to the more popular sounds of today. On this, modern metal starts to creep into their musical palette with its deep bass grooves and stop-start riffs, and at the same time, more of the melancholic-yet-anthemic power pop that makes them sound sometimes as a heavier version of Coldplay. But unlike, say, their fellow Norwegians Leprous, the glories of old are not forgotten, as the catchy vocals and flashy solos are still prominently featured. Kind of like Architect of Fortune on their last album, they start off with The Weight that combines all of their influences into a neat 6-minute whole, while later going on to explore them in more detail. This would probably be oriented towards the more youthful demographic of prog metal fans.
 Distance by STRUCTURAL DISORDER album cover Studio Album, 2016
4.04 | 6 ratings

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Distance
Structural Disorder Progressive Metal

Review by andyread

4 stars Founded in 2011; debut EP and live shows in 2012; debut concept album (The Edge of Sanity) in 2014; more live gigs supporting the likes of Leprous and Seventh Wonder and then a record deal with Lion Music.

This, the second album from this young Swedish band has been built on solid foundations and it shows in the seven longs tracks on offer. I didn't really get on too well with this band's debut but here the song writing and production is much improved.

In addition to the usual Swedish prog metal ingredients, three things give Structural Disorder a distinct difference. The vocals of Markus Tälth have an usually soft, clean tone. This tone is enhanced by the keyboards and synths being used chiefly for atmosphere. And thirdly Structural Disorder is the band that features an accordian ? not too often, but often enough to make a difference.

An album for those who like their prog metal to be understated.

 :Ktonik: by VOTUM album cover Studio Album, 2016
3.72 | 50 ratings

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:Ktonik:
Votum Progressive Metal

Review by andyread

3 stars This Polish band has crafted two of my favourite albums of the past decade (Harvest Home and the stunning Metafiction).

Sadly they parted ways with their singer a couple of years ago. As he was the chief reason for their appeal, I was worried as to whether I would still connect.

Admirably the band decided not to recruit a copy-cat frontman, and Ktonik signals a very different, modern, down-tuned, heavier direction. This should be treated as a new album from a new band.

Thus existing fans should tread with caution. It has its moments and is a very good album for its style. However I feel that overall Ktonik is an album seeking a new audience.

 Penny For Your Thoughts by ODD LOGIC album cover Studio Album, 2016
4.32 | 9 ratings

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Penny For Your Thoughts
Odd Logic Progressive Metal

Review by andyread

5 stars A truly stunning album for those who like their metal to be truly progressive (and not only metallic). This is album number six from this quartet out of Washington.

One need not ponder how or why they have managed to maintain such a low profile through their 13-year existence, but if there is any justice in the world, Penny For Your Thoughts should take Odd Logic into the prog premier league.

They shuffle elements of rock, metal, jazz, classical and pop into an absorbing avant collection of eccentric songwriting. There is simply too much going on to capture in a mini review.

Just give yourself the time to listen to this album from start to finish, and you'll see why this is an early contender for my Album of The Year 2016.

 A Dream in Static by EARTHSIDE album cover Studio Album, 2015
4.10 | 41 ratings

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A Dream in Static
Earthside Progressive Metal

Review by uribreitman

4 stars Highly recommended masterwork of modern progressive metal, with touches of classic prog, post-rock and electronica. The production is immaculate, fully absorbing and deeply satisfying. The centerpiece here is "Mob Mentality" (#2), which amounts to one of the most impressive combinations of orchestra and rock band. The use of different vocalists is also very rewarding, and makes the listening experience even more interesting. The compositions are deep and thought-provoking, the lyrics brooding and philosophical, and the vocal performance (especially from Lajon Witherspoon) is exemplary. I rate "A Dream in Static" as one of the best prog albums of 2015, and also one of the best concept albums in recent years. It's very accessible yet dynamic and exciting. One big music trip which starts in hell and ends in heaven. People who say prog is dead don't know what they're talking about - this album proves what 99% of the world is missing.
 Totem by PERVY PERKIN album cover Studio Album, 2016
3.82 | 19 ratings

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Totem
Pervy Perkin Progressive Metal

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars Here's another chapter in this Spain band that have hit us with a double album for their first release. It's very difficult to describe what kind of Progressive Metal we have here. There is good dose of insanity in their sound because there is a lot of ideas in their music. We could find a lot of experimentation outside the world of Progressive Metal; odd time signatures, unusual instruments, choir, growls, etc. The songs are separated by four interludes pieces with special effects ; robotic voices, radio/TV show sounds etc. The song "I Believe" has a choir part that could be the next "Another Brick and the Wall". The muddy production of the music make me think that i am listening to a low budget Spaghetti western album that want to tell a long story with plenty of ingredients that we don't normally associate with Progressive Metal like funk and drum & bass. Some Jazz and a bit of Symphonic Prog rock can be found also throughout the album. If you want hear a simple melody with simple time signatures, you will be disturb by the music here, but if you want to be challenge by a Progressive Metal that is going out of his comfort zone, you will love it. Overall, i didn't enjoy every turn and twist of their music, but i am pleased enough to give them a positive rating despite the production quality that has nothing to do with the major bands.
 European Journey by THRESHOLD album cover Live, 2015
3.42 | 7 ratings

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European Journey
Threshold Progressive Metal

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars A lost opportunity

When I first heard that Damian Wilson had returned to Threshold I was very pleased as he is by far my favourite Threshold vocalist. Given that Wilson is back in the band I expected them to perform a set list packed with songs from the band's early days, particularly from the two first Wilson-fronted albums Extinct Instinct and Wounded Land. As it turns out, however, this expectation could hardly be more wrong. With the sole exception of Part Of The chaos (taken from my favourite Threshold album Extinct Instinct) the whole first decade of the band's history is sadly completely ignored here!

Instead there is a very heavy emphasis on their most recent albums to date with no less than nine out of the total 15 songs coming from their two most recent albums: 2014's For The Journey and 2012's March Of Progress. Two songs each are further taken from the two albums before that: 2007's Dead Reckoning and 2004's Subsurface. While it is certainly interesting to hear Wilson tackle some of the songs that were originally sung by the late Andrew "Mac" McDermott, I think it is a shame that they chose to overlook their early material. In my opinion, the band's first four albums are also their best. Of their more recent songs only Pilot In The Sky Of Dreams is really excellent.

In sum, European Journey is something of a lost opportunity to create a really good live record, and there are other live albums by the band that are better than this one; foremost among them being Critical Energy, which has a much more interesting set list.

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Progressive Metal bands/artists list

Bands/Artists Country
5R6 Ukraine
7 MONTHS United States
7DAYS Sweden
AAXSKFG Italy
ABANDONED STARS United Kingdom
ABERRANT VASCULAR Finland
ABODEAN SKYE United Kingdom
ABSOLACE United Arab Emirates
ABSTRAKT Poland
ABYDOS Germany
ACCOMPLICE United States
ACHING BEAUTY France
ACID RAIN Argentina
ACID RAIN Serbia
ACID RAIN Spain
ACUTE MIND Poland
AD ASTRA United States
ADAGIO France
ADRAMELCH Italy
AEBSENCE Hungary
AEOLUS Netherlands
AEON ZEN United Kingdom
AETHERIUS United States
AFFECTOR Multi-National
AFTER FOREVER Netherlands
AGE OF NEMESIS Hungary
AGHARTA Netherlands
AGNOSIA Greece
AGNOST DEI Russia
AGORA Mexico
AINA Netherlands
AKASHIC Brazil
AKRIBI Sweden
ALCHEMY ROOM Italy
ALCHEMY X United States
ALETHEIAN United States
ALHMA MATER Spain
ALITHEIA United States
ALKEMYST France
ALKIMYA France
ALL TOO HUMAN United States
ALOGIA Serbia
ALPHA GALATES Canada
ALPHA ZENTRADI United States
ALTERED SYMMETRY Colombia
ALTONA Turkey
ALTURA United States
ALY Mexico
AMARAN'S PLIGHT United States
AMARYLLIS Poland
AMASEFFER Israel
AMAZE KNIGHT Italy
AMERICAN HOLLOW United States
ANACHRONOS Chile
ANACRUSIS United States
ANASAZI France
ANAXES Brazil
ANCIENT CREATION United States
ANCIENT CURSE Germany
ANDRAGONIA Brazil
ANDROMEDA Sweden
ANGRA Brazil
ANGUISH Germany
ANIMA TEMPO Mexico
ANIMATIONS Poland
ANNON VIN Germany
ANOMALY Netherlands
ANOTHER LIFE Sweden
ANSATA Brazil
ANTALGIA Spain
ANTHRIEL Finland
ANTHROPIA France
ANUBIS GATE Denmark
ANURYZM United Arab Emirates
ANVISION Poland
FARAZ ANWAR Pakistan
APHELION Italy
APPEARANCE OF NOTHING Switzerland
ARABESQUE Netherlands
ARASHK Iran
ARCH / MATHEOS United States
JOHN ARCH United States
ARCHETYPE United States
ALEX ARGENTO Italy
ARITY United States
ARK Norway
ARKHE' Italy
ART OF ILLUSION Poland
ART OF SIMPLICITY Greece
ARTENSION Multi-National
ARTILECT United States
ASCENSION THEORY United States
ASHENT Italy
ASHLER Ecuador
ASMODEUS Czech Republic
ASPERA / ABOVE SYMMETRY Norway
ASSIGNMENT Germany
ASTARTE SYRIACA Italy
ASTRA Italy
ASTRAL DIVE Italy
ATARÄXIA Spain
ATHEM United States
ATLAS CONCEPT United States
ATMA Canada
ATMOSFEAR Germany
ATOMIC CLOCK United States
ATOMIXYNERGY Italy
AUDIO INSIGHT United States
AUDITORY IMAGERY United States
AURA Italy
THE AURORA PROJECT Netherlands
AUSPEX France
AUTOMATA Chile
AUTUMN HOUR United States
AVALON Germany
AMADEUS AWAD'S EON Lebanon
AWAX France
AXIAL LEAD Romania
AXIOM United States
SITHU AYE United Kingdom
AYREON Netherlands
AZAZELLO Russia
AZTEC JADE United States
AZURE AGONY Italy
BAD SALAD Brazil
AGAH BAHARI Iran
BALANCE OF POWER United Kingdom
THE BARSTOOL PHILOSOPHERS Netherlands
DANIEL BAUTISTA Spain
BEHIND THE CURTAIN Denmark
BELLA & PUTANA Chile
IVAN BERTOLLA Australia
BETWEEN 11 Canada
BEYOND THE BRIDGE Germany
BEYOND THE LABYRINTH Belgium
BEYOND TWILIGHT Denmark
BLACK JESTER Italy
THE BLACK MAGES Japan
BLACK SYMPHONY United States
BLACKKOUT United States
BLANK FOREST Italy
BLIND GUARDIAN Germany
BLIND ILLUSION United States
BLUE GILLESPIE United Kingdom
BOOK OF REFLECTIONS Sweden
BOZZIO & SHEEHAN United States
BRAIN HEART INFUSION Italy
THE BRAINWASH MACHINE Colombia
BRAVE United States
BRAVE THE VERTIGO United States
BROADMOOR Denmark
BROKEN MELODY Italy
CHRIS BROOKS Australia
JT BRUCE United States
BUMBLEFOOT United States
BURNING CIRCLE Serbia
BUSHWHACK United States
BYOSSO Japan
CALIGULA'S HORSE Australia
CAPRICIA Israel
CARAVELLUS Brazil
CARVING COLOURS Spain
CATHARSIS United States
CAVEAT Canada
CEA SERIN United States
CENTAURUS United States
CENTRICA Italy
CENTURY SCREAM France
CHAOS VENTURE Italy
CHARLY SAHONA France
CHIASMA United States
CHINESE BEARD Finland
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