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Progressive Metal • Sweden

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Andromeda biography
It was 1999 when ANDROMEDA officially made their appearance: Johan Reinholdz, guitars, submitted the demo "Welcome to forever" to the record label WAR-music. There was interest from the label so later that year Thomas Lejon, drums, Martin Hedin, keyboards, Johan Reinholdz and bass player Gert Daun started rehearsing the songs for the band's first album.

The band entered the studio in March 2000 to record the album with Daniel Bergstrand as the producer. Lawrence Mackrory was hired to perform the vocals in "EXTENSION OF THE WISH" which was mixed and ready a month later, hitting the record shops in February 2001. In the meanwhile, David Fremberg joined the band as a vocalist in August 2000. The sound of their debut can be described as heavy-intense but at the same time very melodic progressive metal and received significant attention from the press and fans. A tour of Sweden and an appearance at the Progpower festival in the Netherlands in October came to support this release.

The vocals were re-recorded and a re-mixed version including two new tracks was released in France by the label NTS in November 2000. The next step of the band was a French tour with Evergrey in February 2001, while tracks for their upcoming release "II=I" started taking shape. Recordings of the new tracks continued throughout the year with Martin Hedin as the producer and finally the album was completed in August. This time the style can be described as more complex and vocal-oriented.

Fabian Gustavsson, bass, replaced Gert Daun in 2003 and after a world wide release of the album and tours, the band started composing material for "CHIMERA" in the spring of 2004. This time, the approach was towards a heavier, more in-your-face solid rocking sound, creating a new, fresh chapter in ANDROMEDA's history. Martin was again the producer and the album was finally released in the spring of 2006.

The band's first live DVD "PLAYING OFF THE BOARD" was released in April 2007, following the European tour appearances. The band's latest release, "THE IMMUNITY ZONE" was released in fall 2008 to show yet again a new approach of the band's musical galaxy: "dark, brutal, energetic and intelligent"!!! Recommended to fans of melodic progressive metal.

Biography prepared by Aapatsos (Source: Andromeda official website)

ANDROMEDA Videos (YouTube and more)

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Extension of the WishExtension of the Wish
Century Media 2001
$7.99 (used)
Definitive CollectionDefinitive Collection
$11.02 (used)
Repertoire Records 2017
$23.57 (used)
Ii = IIi = I
Inner Wound Recordings 2014
$9.33 (used)
Leave the Light OnLeave the Light On
The Immunity ZoneThe Immunity Zone
CD Baby 2016
$4.49 (used)
Manifest TyrannyManifest Tyranny
Inner Wound 2011
$7.49 (used)
Inner Wound Recordings 2014
$6.99 (used)
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ANDROMEDA discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

ANDROMEDA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.82 | 118 ratings
Extension of the Wish
3.80 | 111 ratings
II = I
3.78 | 72 ratings
Extension of the Wish - The Final Extension
3.60 | 88 ratings
3.15 | 63 ratings
The Immunity Zone
3.49 | 49 ratings
Manifest Tyranny

ANDROMEDA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

ANDROMEDA Videos (DVD, Blu-ray, VHS etc)

4.36 | 22 ratings
Playing Off The Board

ANDROMEDA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

ANDROMEDA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)


Showing last 10 reviews only
 Manifest Tyranny by ANDROMEDA album cover Studio Album, 2011
3.49 | 49 ratings

Manifest Tyranny
Andromeda Progressive Metal

Review by martindavey87

4 stars 'Manifest Tyranny', the fifth album by Swedish progressive metal band Andromeda, once again sees the group pushing themselves to try new things and evolve their sound. Taking a mixture of the all-out riffage displayed in 'The Immunity Zone' and the proggy atmosphere of 'Chimera', this is a band who sounds a lot more mature and "complete" than on previous releases, with the chemistry between them firmly showing in the intensity of the music.

This is also the album where Andromeda succumbed to the dreaded metal cliché that is the politcal album! Lyrically, this isn't much different than any other band who has politically-themed songs, lashing out at corrupt governments that favour the rich, keep secrets from the public and advocate wars. The usual. Musically however, the band are as tight and as coherent as ever.

As always, each member here really demonstrates abilities that puts them at the top of their chosen field. After the more stripped down approach of their previous album, 'The Immunity Zone', guitarist Johan Reinholdz is prepared to rip things up again, shredding to his hearts content with some mind-blowing guitar acrobatics, which are matched note-for-note by keyboardist Martin Hedin. The interplay between these two is phenominal, and puts them right up there with the other top musicians in the genre.

With such heavy hitters as 'Stay Unaware', 'Preemptive Strike', 'Antidote', 'Survival of the Richest' and 'Chosen by God', as well as the softer 'Go Back to Sleep', Andromeda have released an album that further solidifies them as one of progressive metal's finest bands, and a worthy successor to Dream Theater's throne.

 The Immunity Zone by ANDROMEDA album cover Studio Album, 2008
3.15 | 63 ratings

The Immunity Zone
Andromeda Progressive Metal

Review by martindavey87

3 stars Throughout their careers, most bands go through a stage where they alter their sound. Sometimes it's something drastically huge, and sometimes it's just subtle little changes. It could be a huge improvement or a complete disaster, and it could last for only one album, maybe a couple of years, or possibly even a permanent decision in which there is no turning back.

Which brings us to 'The Immunity Zone', the fourth album by Swedish prog metal group Andromeda. The songs are a lot more stripped down than previous efforts, and there seems to be an overall darker mood throughout. So what's the deal? Are they trying to reach out to a broader audience? Are they experimenting with different ideas? Has guitarist Johan Reinholdz just decided he can't be bothered with endless noodling?

Nobody knows the answer to these questions but the band members themselves, but despite the change in direction, this is still one kickass release. It's probably their weakest effort to date, but it has some truly remarkable songs on it regardless.

'Slaves of the Plethora Season', possibly Andromeda's least ambitious song, is a good representation of the change in sound. It has no solos, no ridiculous time signatures, and terribly cringe-worthy lyrics ("who can get an erection?"), but none-the-less it has some very catchy, heavy riffs, that put most modern metal bands to shame. And that is one thing this album is overflowing with; riffs!!!

As expected with this band, all performances are of the highest standard, so even with the more relaxed playing and stripped down arrangements, these guys still play their hearts out, sounding tighter than ever, and Reinholdz cooling down on the guitar has really helped all the other members shine, in particular, drummer Thomas Lejon, who's an absolute beast behind his kit, truly dominates on this album.

Of course the true centerpiece, and most probably one of Andromeda's greatest compositions, is the 19-minute 'Veil of Illumination'. There are no words that can do justice to describe how insane this song is. Featuring absolutely breath-taking playing, well thought-out lyrics and arguably the craziest instrumental passages ever recorded (check out the middle section of this song right now), this is one of the most insane pieces of music you'll ever hear.

And that's not an exaggeration.

In summary, 'The Immunity Zone' is probably Andromeda's weakest release, yet features some of their strongest songs. It's a bit of a mixed bag when compared to their previous releases, but this by no means make it a bad album. Probably worth the money just for that 19-minute epic, to be fair.

 Chimera by ANDROMEDA album cover Studio Album, 2006
3.60 | 88 ratings

Andromeda Progressive Metal

Review by martindavey87

4 stars Andromeda's third album, 'Chimera', may seem like another typical by-the-book progressive metal release, but upon further listens you can hear that this is a band that still sounds as fresh and exciting as they did on their debut. In a genre where most groups are nonchalantly disregarded as mere "Dream Theater clones", this is proof that Andromeda are in fact an original formula.

Following on from their previous album, with a similar style though possibly a slightly more melodic edge, the band sound tighter and even more refined than ever, and while the quality in songwriting dips here and there, these are, for the most part, some of the bands most impressive compositions.

With epic pieces of work, such as 'Periscope', 'Going Under' and the mind-blowing 'Inner Circle', it's clear that this is a band with a very strong chemistry between themselves, and tracks like 'The Cage of Me' and 'No Guidelines' will please even the most hardcore of metal fans. But, honestly, just check out 'Inner Circle'. Everything about this song is just so refreshing and exciting. It really is a unique little gem.

Another worthy album in the groups discography, this is a band that continue to push themselves and develop new styles and ideas. As much as I'd like to consider them the "next Dream Theater", instead, I prefer to look ahead, as the day will come when we will refer to future prog icons as the "next Andromeda".

 II = I by ANDROMEDA album cover Studio Album, 2003
3.80 | 111 ratings

II = I
Andromeda Progressive Metal

Review by martindavey87

4 stars You know a band has its work cut out for them when their first album is considered a masterpiece (in my eyes, anyway). With their debut, 'Extension of the Wish' being one of my all-time favourite records, Andromeda sure have their backs against the wall. And while 'II = I' (that's, "two is one"), doesn't quite match the quality of its predecessor, it more than stands on its own two feet as a worthy follow-up.

One of the main differences between the two albums is that with 'II = I' everyone collaborated together and shared writing credits, as opposed to the previous record which was written entirely by guitarist Johan Reinholdz. It shows a band that has bonded and formed a great chemistry amongst themselves, with the results being a more polished and well-rounded release.

As is always the case with progressive metal groups, the musicianship is impeccable, with each member being a true master of their respective instrument. How these guys are not the successor to Dream Theater's throne will baffle me until my dying days.

Unfortunately, there are a few fairly dull and lackluster moments, which prevent this release from achieving the same five-star rating as 'Extension...'. Songs like 'Mirages', 'Reaching Deep Within' and the title track are some of Andromeda's finest, and a great representation of what this genre has to offer. Sadly, the last few tracks seem to fall flat at times. They're not terrible, but it definitely sounds like all the best ideas were used up earlier.

Don't be deterred, however, as this is still a great album, and while it may not be as good as its predecessor, this certainly should not be seen as a step back for a band that are still evolving and developing.

 Extension of the Wish  by ANDROMEDA album cover Studio Album, 2001
3.82 | 118 ratings

Extension of the Wish
Andromeda Progressive Metal

Review by martindavey87

5 stars We all have those bands that we're huge fans of, yet no one else has ever heard of them. Or perhaps they have, but they're just not as passionate about them as you are. Maybe they like the odd song, or mildly enjoy their discography, but wouldn't go as far as to consider them a favourite of theirs.

Allow me to introduce you to "that band" of mine.

Stumbling across Andromeda online, I purchased this almost immediately after hearing and falling in love with the title track, 'Extension of the Wish'. I couldn't believe how stellar this, their debut album, was. Being a huge fan of progressive metal, theirs was the perfect sound. Atmospheric with a spacey vibe, and full of the usual over-the-top virtuoso performances that you'd expect of the genre. How are this band not more well-known?!

Written by guitarist Johann Reinholdz (who was only 21 at the time... jeez...), 'Extension of the Wish' is full of guitar and keyboard acrobatics that put most other bands to shame. The drumming is absolutely insane, yet Thomas Lejon never misses a beat, and singer David Fremberg's powerful voice is full of passion and raw energy.

Opening track 'The Words Unspoken' is one of the best prog metal songs I've ever heard, and instrumental 'Chameleon Carnival' is an absolute joy to listen to, showing off Reinholdz's vast knowledge of guitar scales and fret- board mastery. Then there's songs like 'Crescendo of Thoughts', 'Star Shooter Supreme', 'Arch Angel', bonus track 'Journey of Polyspheric Experience' and of course, the title piece itself, 'Extension of the Wish'. There is not a dull moment on this incredible album and it's an absolute travesty that not many people know this band exists.

Without a doubt Andromeda are one of my all-time favourite bands, and this, their debut release, is exactly why. It may seem ludicrous to think a band can get a five-star rating with their first outing, but damn, 'Extension of the Wish' really is that good! If you're into prog metal, do yourself a favour and get this album now.

 Manifest Tyranny by ANDROMEDA album cover Studio Album, 2011
3.49 | 49 ratings

Manifest Tyranny
Andromeda Progressive Metal

Review by Ovidiu

4 stars Finally,the new album of the Sweds has been released at the end of 2011 year!I was really curious and inpatient to see how the things are going after the mediocre THE IMMUNITY ZONE album,which was not at all bad 100 %,it was just uninspired!Well,in 2011 ,things are much better,way better than on the previous album!New label behind,new attitude and a slightly new musical direction too... a new face for ANDROMEDA!Of course,the technical aspect is very strong,but not so astonishing like in the past.This album is,definitelly,the most mature so far,loaded with excellent,diverse and catchy compositions!It's not at all an easy listening this album-no way-definitelly there are necessary several auditions to fully understand the message of MANIFEST TYRANNY!The political involvement of the guys is very well represented on the album,with some very direct and precise lyrics-and-in the music,with some voices of Obama or Bush with some memorable quotations and speeches for this political leaders!Musically speaking,the album has everything what a modern prog metal album should have in 2011!Crunchy guitars,insane drumming and majestic keyboard parts-but the voice of David is really fantastic on this album!This guy is definitelly spectacular and delivers passioned and intense pvocal performances here!Pretty good production-but,in my opinion-a little weaker than on the previous albums?!?!In my opinion-MANIFEST TYRANNY-is one of the best prog metal albums in 2011,and I can say that ANDROMEDA is one of the surest values of Europe in this pretentious genre!4.5 STARS,and all my respect for this amazing musicians!
 Manifest Tyranny by ANDROMEDA album cover Studio Album, 2011
3.49 | 49 ratings

Manifest Tyranny
Andromeda Progressive Metal

Review by J-Man
Prog Reviewer

3 stars Sweden is known for its massive progressive metal scene, and one of the bigger names in this scene is Andromeda. In spite of this, Manifest Tyranny (their fifth full-length album) is my first acquaintance with their music, so I can't (yet) compare this with their earlier efforts. What we have here is a fairly unique brand of melodic progressive metal that, while still borrowing heavily from bands like Dream Theater, Pain of Salvation, and Evergrey, sounds pretty original. Manifest Tyranny is an impressive modern prog metal release, and while I can't say it's a shining success from every angle, there are enough positive traits to outweigh any detriments.

Musically, I'd say that Manifest Tyranny is best described as melodic progressive metal, but with a more raw and heavy edge. While still quite complex, there are lots of crushing guitar riffs throughout the album, and the raw production further exemplifies the heavy edge that Andromeda favors on this release. While far from revolutionary, Manifest Tyranny does not sound like any other band; Andromeda has their own sound, and deserves to be applauded for this. The lyrics dealing with political stigma, corruption in government, and war are also pretty interesting, and I love the way the band is able to incorporate this relevant message into their songs using voiceovers and sound samples. My biggest gripe with Manifest Tyranny is that there aren't a whole lot of great tracks, and even though the whole album is good, it seldom reaches a level of excellence. I'd say "Asylum" and "Go Back to Sleep" are both great tracks, but the rest of Manifest Tyranny seldom exceeds the 'average' mark. A few more impressive compositions would've really done the album wonders - after all, the musicians playing the songs are extremely precise throughout the full 64 minute duration.

Even though I wish Manifest Tyranny were a bit shorter and had a few more great songs, this is still a fairly easy recommendation for modern prog metal enthusiasts. If you're in search of original and lyrically relevant progressive metal with top-notch musicianship and classy melodies, you're bound to be impressed by what Andromeda offers on this observation. 3.5 stars are deserved, and I can safely say that I'll be checking out more albums from these Swedish lads in the future.

 Manifest Tyranny by ANDROMEDA album cover Studio Album, 2011
3.49 | 49 ratings

Manifest Tyranny
Andromeda Progressive Metal

Review by Daggor

1 stars Gonna be real honest here, the first thing I asked upon listening to Andromeda's latest release "Manifest Tyranny" was, "Is this supposed to be good?". Being what I would call a lifelong heavy metal fan (So long as we can start my "life" in high school when I started listen to music at all), I've had to really get used to some downright awful lyrics. What has always been a saving grace is that usually I can move past them and really focus in on great riffs and great music. First of all though, Andromeda seems completely unaware that they sound like immature kids, and they are SO loud about it. The "Concept" of this album can't just be filed away and ignored. Because: The entire thing is overloaded with "Voice overdubs". Seriously, these things suck. I wasn't that big of a fan when DT used them in "The Great Debate", and so Andromeda decided to base an entire album around them doesn't make me warm and fuzzy either.

Even outside of that though, there's nothing of any value. Calling this "Progressive" is akin to taking a worthless Indie-Rock band and calling them "Alternative" because there's else to do with them. I guess they use a lot of keyboards, and there is a surplus of? odd rhythms? I can't say enough for how bad this concept is. I get that maybe you feel like some super cool social warrior by blaring around all these voice clips, but the whole thing sounds awful. There's really nothing positive I can say about this album other than a few good riffs, and some occasional parts that are mediocre enough to not make me want to immediately hit skip, but these are short lived. If you feel really compelled to understand the experience of listening to "Manifest Tyranny", grab some demos from a second rate prog metal band and play them over conspiracy theory videos on Youtube.

The music is disorganized. It severely lacks any riffs or cohesiveness of songs. The entire album is dragged down by a mass of voiceovers that provide no musical value, and only serve to make the songs more bland. The whole thing is just messy and difficult to listen to. I wouldn't recommend this to fans of any genre, because even though music is a personal statement, it has to be a personal statement through some form of enjoyable melody, otherwise you might as well write an essay. Maybe Andromeda wants to get politically active, but they've got a lot of maturing to do before people take that aspect seriously.

~Dagg (

 Manifest Tyranny by ANDROMEDA album cover Studio Album, 2011
3.49 | 49 ratings

Manifest Tyranny
Andromeda Progressive Metal

Review by Time Signature

4 stars This release is, as far as I remember, my first acquaintance with Swedish prog metallers Andromeda, so I do not have their earlier releases as a point of reference or a point of comparison.

In any case, I think that "Manifest Tyranny" is a pretty good album which is rich in variation and full of different impressions, but, still, there is a sense of consistency and coherence throughout the album (which is definitely a great strength, sine the album seems to be a concept album, criticizing American foreign politics). Going from semi-thrashy passages over quirky and technical ones to very mellow and melodic ones, generously sprinkling their music with layers of piano parts, electronica elements and plenty of references to classic prog rock, Andromeda invites the listener home for a buffet which will definitely leave even the most insatiable listener feeling satisfied.

The musicianship and production are top notch, and, while Andromeda wear their influences on their sleeves (I detect inspiration from early and more recent Dream Theater, 70s prog rock, recent Iron Maiden, late 90s and early 00s Fates Warning as well as [on the lyrical side] Queensr˙che), Andromeda's brand of progressive metal on this release strikes me as being quite original. While it does contain technical and quirky elements as well as dynamic song structures and spacey things, it never becomes inaccessible.

Andromeda's "Manifest Tyranny" is an original and lyrically relevant progressive metal release which does not disappoint.

(review originally posted at

 Extension of the Wish  by ANDROMEDA album cover Studio Album, 2001
3.82 | 118 ratings

Extension of the Wish
Andromeda Progressive Metal

Review by Aspiring hope

4 stars Andromeda's debut brings us a great addition to the classic prog-metal ranks, an already over-populated and, at desperate times, uninspiring sub-genre. The first chance I had to listen to it was upon discovering the band right here on PA, taking a huge liking for the album's title-track. Even though it occured to me there were suspicious links to Dream Theater, I felt there was more than a DT clone in it sound.

And right I was, as the remainder of te album sounds nothing at all like the prog-metal icons. It is indeed filled with technical prowess, brought forth by Johan Reinholdz guitar work at the front of the mix, as well as diverse intrumental sections, branding the prog-metal formula throughout. Unspoken Words opens the album with a pretty straight-forward and ear-friendly example of such blueprint - one which might take a turn for the flaw, when taken to the extreme lenghts of Starshooter Supreme. Still a lot of fun, though.

Albeit, there is also a great display of time-signature acrobatics that comes across as challenging and interesting rather than cloying, notably In The Deepest Of Waters and Chameleon Carnival - a fast-paced intrumental tune of much appropriate name. These are more adequate to exemplify the less obvious influence of the remaining members: although Johan Reinholdz is the main songwriter and highlighted musician, there is also a powerful rhythmic powerhouse delivered from Thomas Lejon's drumming, one that is both detailed and complex, as well as powerful and loud, in a combination not always within the grasp of the average metal drummer (prog or otherwise). Gert Daun brings in a solid backing of this rhythmic madness on the bass, though flawed (if it should even be so) by his place in the mix. Martin Hedin provides the agile backing of guitar, much to the like of DT's duo, but also employing a distinct contribution to the refreshing tone.

The counterpart of this diverse array of metal styles is heard in the melodious spirit, driven by a greatly inspired guitar, artfully maintaining the balance between technique and emotion. These interesting elements are found mainly in the title-track and Arch Angel, where Lawrence Mackrory's otherwise displaced vocal leads are suited beautifully in their more atmopheric expression. Truly a shame these weren't fitted as strongly or consistently thoughout the rest of the album.

At the end of the record, a most interesting addition to any prog-metal fan, but perhaps not as exciting if this isn't really your cup of tea.

Thanks to ProgLucky for the artist addition. and to aapatsos for the last updates

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