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FATES WARNING

Progressive Metal • United States


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Fates Warning biography
Formed in 1982 in Hartford, Connecticut, USA and continue to this date.

FATES WARNING was founded as a heavy metal band, but after a few albums, their progressive tendencies started to emerge. While retaining elements of their metal heritage, their music grew increasingly complex, with much longer tracks and interesting interwoven melodic elements added. They merged their love of YES and RUSH, by combining elements of pure metal, classically inspired crescendos and interludes with jazz fusion like chops. FW has been largely responsible for the infusion of progressive thinking into heavy metal music, unlike its co-founding compatriots of progressive metal, DREAM THEATER. So give yourself the chance to live an emotive experience unlike anything else.

Like KING CRIMSON, the evolution of FATES WARNING can be split into many different period. "Awaken The Guardian" (1986) showed the band's music to be more progressive and complex that first impressions had suggested. The biggest change would see ALDER replacing ARCH on vocals. "No Exit" (1988) was a ground breaking album for the band as they further explore the realms of progressive metal with the 21 minute long "The Ivory Gate of Dreams". This was followed by "Perfect Symmetry" (1989), considered by many to be the band's most Progressive rock-driven release. The compilation, "Chasing Time", is a great place to start. However, 1997's "A Pleasant Shade Of Grey", which consists of a single 40-minute song, is clearly the best place for a Progressive rock fan. The album start off slowly and needs several careful listenings to be fully appreciated. "Still Life" (live album) appeared the next year, and "Disconnected" followed two years later.

While the 1989-1996 era (MATHEOS, ALDER, ARESTI, DIBIASE, ZONDER) established the band as one of the "big-three" of progressive metal, "A Pleasant Shade Of Grey" is considered by many one of the band's finest moments. The same line-up (VERA replacing DIBIASE and ARESTI having left the band) would go on to produce "Still Life", "Disconnected" and "FWX" (in 2004), arguably one of their weakest albums. Nearly ten years later and with band members occupied since in other projects (OSI, ARCH/MATHEOS, REDEMPTION) FATES WARNING would return with "Darkness in a Different Light" (2013) and the critically aclaimed "Theories of Flight" (2016), with ZARZOMBEK joining the band in 2007 and ARESTI returning betweeen 2005-2016. In March 2016 the "Awaken the Guardian" lineup ...
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Theories Of FlightTheories Of Flight
Limited Edition
Inside Out Music 2016
$7.49
$10.17 (used)
Live Over EuropeLive Over Europe
Century Media 2018
$13.98
$18.20 (used)
Darkness in a Different LightDarkness in a Different Light
Inside Out Music 2013
$12.54
$8.40 (used)
Perfect Symmetry (Expanded Edition)Perfect Symmetry (Expanded Edition)
Extra tracks · Remastered
Metal Blade 2008
$15.83
$15.82 (used)
Awaken The Guardian - ReissueAwaken The Guardian - Reissue
CD+DVD · Remastered · Extra tracks
Metal Blade 2005
$10.99
$10.99 (used)
Awaken the Guardian LIVE - 2CD/1DVDAwaken the Guardian LIVE - 2CD/1DVD
Metal Blade 2017
$15.17
$14.99 (used)
Inside Out - Expanded EditionInside Out - Expanded Edition
Extra tracks
Metal Blade 2012
$15.11
$15.10 (used)
Parallels (digi+bonus)Parallels (digi+bonus)
Extra tracks
Metal Blade 2018
$11.79
$7.12 (used)
No Exit - 25th Anniversary EditionNo Exit - 25th Anniversary Edition
Remastered · Extra tracks
Sony Music Canada Inc. 2011
$21.32
Perfect SymmetryPerfect Symmetry
Metal Blade 1994
$9.72
$4.99 (used)
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FATES WARNING discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

FATES WARNING top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.64 | 143 ratings
Night On Bröcken
1984
3.46 | 184 ratings
The Spectre Within
1985
3.99 | 268 ratings
Awaken The Guardian
1986
3.91 | 238 ratings
No Exit
1988
4.14 | 401 ratings
Perfect Symmetry
1989
4.12 | 370 ratings
Parallels
1991
3.55 | 206 ratings
Inside Out
1994
4.16 | 378 ratings
A Pleasant Shade Of Gray
1997
4.06 | 340 ratings
Disconnected
2000
3.37 | 216 ratings
FWX
2004
3.88 | 289 ratings
Darkness In A Different Light
2013
3.92 | 257 ratings
Theories Of Flight
2016

FATES WARNING Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.31 | 90 ratings
Still Life
1998
3.91 | 15 ratings
Awaken the Guardian Live
2017
4.38 | 12 ratings
Live Over Europe
2018

FATES WARNING Videos (DVD, Blu-ray, VHS etc)

4.82 | 30 ratings
A Pleasant Shade Of Gray - Live (VHS)
1998
4.31 | 13 ratings
Live at the Dynamo
2000
4.19 | 21 ratings
The View From Here
2003
3.78 | 41 ratings
Live In Athens
2005

FATES WARNING Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.23 | 40 ratings
Chasing Time
1995

FATES WARNING Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.83 | 6 ratings
Misfit (Demo)
1984
3.50 | 7 ratings
1984 Demo
1984
3.50 | 6 ratings
Dickie (Demo)
1985
3.94 | 9 ratings
Pale Fire
1994
4.22 | 10 ratings
A Pleasant Shade Of Gray: Part II
1997

FATES WARNING Reviews


Showing last 10 reviews only
 Chasing Time by FATES WARNING album cover Boxset/Compilation, 1995
4.23 | 40 ratings

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Chasing Time
Fates Warning Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Chasing Time" is a compilation album by US progressive/power metal act Fates Warning. The compilation was released through Metal Blade Records in July 1995. Fates Warning were formed under the Misfit monicker in 1982 but changed their name to Fates Warning in 1984. Up until this release they had released seven full-length studio albums. Each of those albums are represented with at least one track on "Chasing Time" (some with more). In addition to the original studio tracks "Chasing Time" also features a two previously unreleased tracks in "At Fates Fingers" and "Circles". The former is an instrumental and re-arranged version of "At Fates Hands" from "Perfect Symmetry (1989)" while the latter was recorded in 1993 but shelved. Some parts of the track would later appear as part of other tracks on "Inside Out (1994)". On a maybe less interesting note "We Only Say Goodbye" from "Parallels (1991)" appears here in a remixed version.

So "Chasing Time" is more or less a best of compilation with a few rarities thrown in to make it a worthwhile purchase for the hardcore fans of the band too. The latter part of the band´s audience need not go out of their way to get "Chasing Time" in my opinion though, as the rarities are only moderately interesting. "Chasing Time" is more a release for the casual listener, who gets an easy way to get into Fates Warning without having to listen to seven full albums of music, and for that purpose the compilation works really well. You get a fairly good idea of the music style on each of the band´s releases. The tracklist is not chronological, which might confuse new listeners, but to my ears the choice to arrange the compilation like that actually works pretty well. You can always argue if the right songs where picked for the tracklist or not, but as it is it´s a pretty good presentation of Fates Warning up until 1995. A 3.5 - 4 star (75%) rating is deserved.

(Originally posted on Metal Music Archives)

 Live Over Europe by FATES WARNING album cover Live, 2018
4.38 | 12 ratings

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Live Over Europe
Fates Warning Progressive Metal

Review by javajeff

5 stars If this ends up being the Fates Warning swan song, it will be a perfect ending full of stellar performances. With several sing along moments with the crowd, I am sure people had a blast at this concert. The sound quality is excellent, and the collection of songs in this juggernaut will keep Fates fans satisfied for years. You get a double album with well over two hours of music, and what is most important about this release is that it contains live tracks from their most recent studio release Theories Of Flight. So you get live releases of Seven Stars, From the Rooftops, and the incredible The Light and Shade of Things. The future of the band is unknown at this time, and Ray Alder has a new album coming this month with Redemption. With Theories Of Flight being so good late in the band's history, it would be great to see them continue on with more studio releases. Anyone new to the band can start here since this can act as a Fates Warning compilation. Then possibly work backwards with Theories Of Flight, Parallels, Perfect Symmetry, and my favorite, A Pleasant Shade of Gray. For Fates Warning fans, this is a must get. Many of the songs reside on some of the best Progressive Metal albums of all time. However, it is hard to give a live album masterpiece status. Consider this rating as where it stands in relation to other live albums.
 Awaken The Guardian by FATES WARNING album cover Studio Album, 1986
3.99 | 268 ratings

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Awaken The Guardian
Fates Warning Progressive Metal

Review by Crimson Guardian

5 stars "Awaken the Guardian" was a revolutionary record for heavy metal, one of those records that helped to change the way of considering the genre forever, as well as one of the albums that literally started Progressive Metal. Along with the coeval "Rage for Order" of Queensrÿche, but, unlike the latter - who experimented on a hi-tech and futuristic sound, - Awaken the Guardian went deeper, effectively breaking the classic heavy metal form and deflecting it towards the Baroque of progressive. A Baroque intended not as empty pomposity, but as an artistic idea instilled in the music. In 1986, simply no one in metal (apart from the thrasher Watchtower, but in another way, more on the rhythmic deconstruction typical of fusion) sounded like Fates Warning. A heavy/power metal transcended in progressive metal: complex, articulate, difficult, twisted and quite unique. The remains of Maiden (audible in songs like Fata Morgana) are precisely such: reflux, remains, echoes of a classic heavy metal that is, in practice, transcended, exceeded and diverted (see - for example - the emblematic Prelude To Ruin).

Fates Warning had already started their progressive revolution with their previous record, the relevant "The Spectre Within" (1985), in which heavy metal was taken to excess, with songs that formed complex mini-suites composed of numerous time changes and daring vocal lines. However, although it was already an unusual and particular album, it was still too conceived in the classic heavy metal style (halfway between heavy metal and prog metal) and the singer John Arch, although he managed to find his own style, still too much debtor - in some songs - of Bruce Dickinson of Iron Maiden. But it's with "Awaken the Guardian" that the decisive leap takes place, an incredible leap that definitively projects us into the world of progressive metal (the style can be defined as progressive power metal), in the concrete sense of the term: the songs present a twisted and convoluted structure (forming a configuration of "songs in songs"), complicated riffs follow one another over many time changes (on odd time signatures) and intersecting with abstruse, tortuous and imaginative vocal lines (John Arch is halfway between Bruce Dickinson of Iron Maiden and Jon Anderson of Yes, using his voice as a real instrument to create a specific mood), the lyrics are symbolic, allegorical and profound (with the use of figures of speech such as alliteration); but everything manages to flow in a fluid way, a shimmering becoming between arcane and nostalgic, magical and dark , dreamy and melancholic moods. Although the album is not openly a concept, it is almost a thematic concept with the idea of the "Guardian" that goes through (almost) all the songs. The "awakening of the Guardian" would probably mean the strength to continue living despite everything, to face the fears and adversity, both concrete and existential (finding the meaning of being in the world).

Basically, an absolute masterpiece of Progressive Metal and Heavy Metal (as well as US Power metal), a unique and unmissable record that has helped to change the world of metal forever.

 Awaken the Guardian Live by FATES WARNING album cover Live, 2017
3.91 | 15 ratings

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Awaken the Guardian Live
Fates Warning Progressive Metal

Review by Mellotron Storm
Prog Reviewer

4 stars Seems like a long time since I've done so much fist pumping and head-banging while driving my car, talk about distracted driving! FATES WARNING is my favourite Prog-Metal band and John Arch is right at the top as one of my all-time favourite vocalists. To commemorate the 30th anniversary of one of the greatest Prog-Metal albums ever created in "Awaken the Guardian" the band decided to bring back the original lineup and do a couple of shows. One in Germany at the "Keep It True XIX 2016" festival and one in Atlanta at the ProgPower XVII festival. You can get the deluxe version which features both concerts but with pretty much the same set list except for one song switched out, or the double disc that I have of the German show which has the complete "Awaken The Guardian" album played live on disc one and the encores on disc two which feature two tracks from the debut "Night On Brocken" and two from the followup "The Spectre Within".

They stay fairly true to the original songs and if you know the album "Awaken The Guardian" then you will experience that same dirty, muddy and heavy sound that fans heard back in 1986. John would leave after this album and eventually audition for DREAM THEATER who had just lost their original singer. John would later appear on stage with FATES WARNING in 1994 then disappear from sight. That is until a call from FATES WARNING lead guitarist Jim Matheos asking John if he'd be interested in singing for a new project he was putting together called OSI. Hard to imagine Arch singing with that band but anyway he declined but his interest in singing became renewed and he contacted Jim about doing some recording. Mike Portnoy wanted in and add Joey Vera(FATES WARNING) on bass and we were blessed in 2003 with a John Arch solo album called "A Twist Of Fate". And it's a 5 star monster in my opinion. By the way Arch and Portnoy were friends before DREAM THEATER was even a band.

Arch would later join Jim again for that ARCH/ MATHEOS album that kicked some serious ass. I have to say that Arch simply blows me away with his vocal melodies or wordless melodies whatever you want to call them. He's part Cheyenne and I don't know if that's part of it but I love when he does that. It's a big reason why THE PINEAPPLE THEIF's "Your Wilderness" was so amazingly good because Bruce decided to add a lot of vocal melodies. I won't bore everyone with a track by track review since I've reviewed all of these songs at some point in the past. The two that stand head and shoulders above the rest off of "Awaken The Guardian" are "Guardian" and "Prelude To Ruin" and yes that's where all my carrying on took place usually while driving my car(haha). I love that they included four songs from the first two albums for the encore even though both of those recordings are only 3 star works in my opinion. "Damnation" is absolutely stunning and one of my favourites from them. It's all good though as Arch, Matheos, Aresti, DiBiasi and Zimmerman put on one heck of a show. Congrats guys! What a performance! The album cover is gorgeous as well as they change it up a little from the original.

 Inside Out by FATES WARNING album cover Studio Album, 1994
3.55 | 206 ratings

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Inside Out
Fates Warning Progressive Metal

Review by VianaProghead
Prog Reviewer

4 stars Review Nº 141

When progressive rock appeared during the early of the 70's, it contained elements of hard rock, but few bands crossed the line into heavy metal. This all changed during the 80's, when bands such as Queensryche, Dream Theater, Crimson Glory, Watchtower and Fates Warning merged their love for Yes and Rush and with a great admiration for Iron Maiden and Judas Priest. These bands were responsible for creating, developing and popularizing the progressive metal genre.

This Fates Warning's 1994 release continues the style of their previous studio album 'Parallels', which made the group more known to audience all over, getting radio plays and appearing as their most commercially successful album to date. With 'Inside Out' they tried to continue this road, but the album never achieved the same attention as its predecessor had. It combines the heaviness of traditional heavy metal bands such as Iron Maiden with some lush, heavy rock melodies and a constant flow of progressive ideas. 'Inside Out' displays the band's mid-period style. It's often linked to their classic 'Parallels' album. Even Matheos sustained that idea in an interview. He said that all Fates Warning albums are somehow different and that 'Inside Out' is the only who followed the same steps of 'Parallels'.

'Inside Out' is the seventh studio album of Fates Warning and was released in 1994. The line up on the album is Ray Alder (vocals), Jim Matheos (guitar), Frank Aresti (guitar), Joe DiBiase (bass) and Mark Zonder (drums and percussion).

'Inside Out' has ten tracks. All tracks were composed by Matheos, except 'The Strand' composed by Aresti and Matheos and 'Down To The Wire' composed by Alder and Matheos. The first track 'Outside Looking It' involves sad, sailing melodies and a similar rhythmic mechanism to the verse of the previous album's opener. It's a solid track with enough variety in the drumming and riffs to please. The second track 'Pale Fire' is another of those single worthy tracks very similar to 'Through Different Eyes' from 'Perfect Symmetry'. Lyrically, 'Pale Fire' is quite a success, for the chorus evokes a pretty powerful image that haunts long beyond the closure of the music. The pretty mesmerizing words and maybe an unintentional soliloquy show maybe the band's direction in the future, in the 90's. The third track 'The Strand' creates an almost folkish platitude through in its sombre, bluesy rock verse. But I like the bouncing bass rhythm and it builds to another great chorus part, which simply rages into existence like many of the better moments of 'Perfect Symmetry'. The fourth track 'Shelter Me' feels very similar to 'Pale Fire', but it lacks to it the staying power of that track and the title and chorus feel perhaps a little too accessible. Anyway, the music is pleasing enough for my ears. The fifth track 'Island In The Stream' is a big rock ballad that has much in common with 'The Road Goes On Forever' from 'Parallels'. It's immersive and pretty for its acoustics, piano and atmosphere. It starts out perfectly calm and relaxing, and progresses beautifully into a chillingly heavy latter half of the song. It has a perfect performance of Alder, he sings with a lot of passion, the guitars are breathtaking and tug at your heart and the keyboards add a final perfect atmosphere. The sixth track 'Down To The Wire' develops through the verse, though the chorus reminds me of a more rocked out spin on 'We Only Say Goodbye' of 'Parallels'. The seventh track 'Face The Fear' is an awesome track with great passages throughout of the song and is especially emotional. It begins with a flow of shining melodies that transform into a pretty complex pattern, with acoustic cleans and a beautiful melody under Alder's vocals. The chorus is likewise interesting. The eighth track 'Inward Bound' is a brief, bluesy atmospheric instrumental. It's almost a linking track between the previous and the following track. The ninth track 'Monument' is the best track on the latter half of the album, cautiously escalating into an insanely catchy hook after 2:00, which rekindles the atmosphere of 'Perfect Symmetry'. It's a classic that seems to be a crowd favourite for their live shows. It's the heaviest and progressive song on the album. The tenth track 'Afterglow' is a nice closing for the album. It's a brooding acoustic piece laden in slim electric melodies and an eerie narrative, interspersed with happier bits and a quiet momentum.

Conclusion: Basically, this is another solid release by Fates Warning. Overall, it's not Fates Warning best album but there are a bunch of tracks which could easily hold their own in a 'Best Off...' collection from the band. But, the fact that it's one of the less celebrated Fates Warning albums only underscores the band's enduring legacy. It's maybe the less complex album of their progressive career but it still is a great work. There are too many songs here I just can't do without. Fates Warning here invested on a heavily and accessible sound. So, I'll end my review by saying that this is an album that falls between the progressive and the mainstream rock category. For some it's confusing but for others it can be interesting for the very same reason. But, if one thing we can't deny, is that 'Inside Out' is a professional and mature work from a very strong and important progressive rock/metal band. This album comes highly recommended.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Parallels by FATES WARNING album cover Studio Album, 1991
4.12 | 370 ratings

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Parallels
Fates Warning Progressive Metal

Review by VianaProghead
Prog Reviewer

5 stars Review Nº 140

"Parallels" is the sixth studio album of Fates Warning and was released in 1991. The line up on the album is Ray Alder (lead vocals), Jim Matheos (guitar), Frank Aresti (guitar), Joe DiBiase (bass) and Mark Zonder (drums and percussion). The album had also the participation of James Labrie (backing vocals) and John Bailey (computer sequencing).

Fates Warning is probably the earliest example of the merging of the Progressive musical approaches of bands such as Rush and the heavy metal genre as pioneered by some other bands. They have had sort of an unofficial rivalry with another pioneering band of the progressive metal genre, Queensryche. However and according to the critics, their music is actually about as comparable as night and day. While the Seattle based quintet was mixing keyboards in and delving into political concepts, this group of musicians from Connecticut dealt mostly with mystical themes. Anyway, this album is somehow a bit of a departure from that approach in favor of a more philosophical approach.

When in 1991 Fates Warning created "Parallels", we can say they created one of their best, most important and coherent albums. Their sound keeps evolving through time, providing the progressive metal field with unique and astonishing moments. "Parallels" is, in my humble opinion, a great place to start with Fates Warning, especially if you've never heard them before. I feel that "Parallels" marks their perfect transition from their old school roots to their more atmospheric experimental progressive phase. This album lies somewhere in between with guitarist Matheos focusing his attention and power on more concise songs, developed melodies and mapped out compositions.

"Parallels" has eight tracks. All tracks were written by Matheos. The first track "Leave The Past Behind" is a very Rush like piece, with sparkling acoustics that slowly build into a steady, captivating bass and the mechanical guitar chords of the prior album. The chorus is fairly obvious, but certainly a winner if you are a fan of "Perfect Symmetry". It's an effective opening track and very comfortable too. The second track "Life In Still Water" seems anything but still, as the volley of lush chords and Zonder's electronic drum fills splash about the surface. The latter half of the verse is great, for the ringing guitars that sear over the shaking bass, and it builds to an appropriate chorus climax. The third track "Eye To Eye" forges a resonant intro with more of the brazen acoustics and calm but hooky metal rhythm ensues, a precursor to the tranquil lament of the verse. Again, the chorus feels predictable and subdued, and there is simply nothing else here of note except a very safe lead. The fourth track "The Eleventh Hour" is the lengthiest track on the album and arguably one of the best. The curtains part for a lurid dreamscape of sombre, shining cleans and effects, while Alder embarks on a journey of escalating isolation. Just before the 3:00, the hard chords arrive and herald an epic stream of melody. But the best moment of the song is beyond 6:00, with an excellent guitar pattern that plays off the central rhythm. The fifth track "Point Of View" represents a familiar pattern with the melodic, urgent chords over the potent, but understated rock beat. It's a decent tune, and in particular I enjoy Alder's performance in the chorus, an edgy banshee keening its message through a still night. The sixth track "We Only Say Goodbye" is another excellent track and it's almost embarrassing to say it because it sounds a bit pop. It's a super calming and catchy song. It seems to be a song made to some sort of massive US radio presence. I can almost picture that all Fates Warning fans being sick to death of hearing it on every classic rock radio station in their region. However, it remains a great track. The seventh track "Don't Follow Me" puts us back on the path to the band's previous album, with a huge, forward melody recalling "Through Different Eyes" or "Static Acts", parting for another of the band's safe, moody verses before a decent chorus and great spry lead guitar. The eighth track "The Road Goes Forever" concludes the album with an opening that is filled with guitar fills produced from two guitars plus voice line. It's the wonderful combination of guitar sounds that helps enrich this song. This is almost a track in the feel of a power ballad. It's a great ending for the album.

Conclusion: "Parallels" is an album highly accessible to fans of metal outside of progressive circles. Some fans of progressive metal might be a bit disappointed with this one, but it has a lot of the same strengths that "Perfect Symmetry" has, just in a set of songs with simpler structures and less odd time references. This is where people no longer ignored the fact that an album could be both progressive and melodic at the same time. "Parallels" is a good album to get into Fates Warning. If you like this, you'll love their 1994 release "Inside Out" as well. If you, however, want something heavier, all you need is to go backwards and pick up "Perfect Symmetry". That should give you some idea of this amazing band's growth and metamorphosis. Then you can concentrate on their earlier 80's releases and late 90's greatest masterpiece, "A Pleasant Shade Of Gray". Anyway, there are no bad albums of Fates Warning, really.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Perfect Symmetry by FATES WARNING album cover Studio Album, 1989
4.14 | 401 ratings

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Perfect Symmetry
Fates Warning Progressive Metal

Review by VianaProghead
Prog Reviewer

5 stars Review Nº 139

'Perfect Symmetry' is the fifth studio album of Fates Warning and was released in 1989. The line up on the album is Ray Alder (lead and backing vocals), Jim Matheos (guitar), Frank Aresti (backing vocals and guitar), Joe DiBiase (bass) and Mark Zonder (drums). The album had also the participation of Kevin Moore (keyboars) and Faith Fraeoli (violin).

In a career spanning more than 25 years, many critics will dispute that Fates Warning has been one of the most influential progressive metal bands. Some of them would even go further. Their ability never to allow their music to stagnate, constantly evolving by embracing innovative additions to their sound, makes them, perhaps, the most influential band in the genre. It was because of them and some other bands that progressive metal genre appeared and it was because of 'Perfect Symmetry' that the band's more modern progressive direction was established.

Fates Warning's 'Perfect Symmetry' is a truly historic album and one of genre defining recording in progressive metal. Which is also true is that up until the late 80's, a term as 'progressive metal' didn't even exist. It could be easily argued that 'Perfect Symmetry' and Voivod's 'Nothingface', both released in 1989, are the first albums that marked the birth of really heavy, crushing metal elements blended with progressive music. We can even say that Crimson Glory with 'Transcendence' and Queensryche with 'Operation: Mindcrime' have did it in the previous year, in 1988. But the most important of all is that the music of Fates Warning is metal with serious progressive overtones. From a historical context, 'Perfect Symmetry' ranks right on top of the list as one of the most influential progressive metal albums ever.

'Perfect Symmetry' has eight tracks. The first track 'Part Of The Machine' written by Matheos is the opener of the album and is very much in the band's early style. It's a heavy metal song with a clear progressive bent. The central melody is subtle and rather dominated by the main riff. Repeated listens can unravel the great complexity of all arrangements all over the track. The second track 'Through Different Eyes' written by Matheos was chosen as the single. It has a lovely bluesy guitar opening and represents a new departure for the group with the melodic rock riff and catchy chorus. Alder moves away from the screaming, angry, high pitch he utilised previously. This track would be right at home on 'Parallels'. The third track 'Static Acts' written by Aresti is a kind of a transition track, where the older styling of the first song, and the melodic rock influences of the second are combined. With the advantage of retrospect and the enhanced sound, there is a real power and intent shown by the offbeat drumming, superb melodies and some of the best riffs the band has ever created. The fourth track 'A World Apart' written by Aresti takes the transition a stage further, into a totally new sound for the group. This represents a work in progress. This is the first sense of the more introspective progressive mood that would appear later on their eighth studio album 'A Pleasant Shade Of Gray'. The fifth track 'At Fates Hands' written by Matheos, Aresti and DiBiase provides one of the most beautiful, poetic moments from the band's discography, with the acoustic guitar, violin, exposed voice and heavy use of the snare in the opening of the song. The heavier extended instrumental section and a return to the initial refrain later in the song are really excellent. Again very much the style that dominates in 'A Pleasant Shade Of Gray'. The sixth track 'The Arena' written by Aresti represents a return to the older style of music of the group and is as welcome as seeing an old friend and a nice dose of power. Alder also returns to the higher octaves. The clear melodic guitar work makes this track an effective metal anthem in live sets. The seventh track 'Chasing Time' written by Matheos isn't a million miles away from the style of their recent album, 'FWX'. Alder's emotive voice dominates this ballad where the acoustic guitar and for the second time a violin carry the delicate melody. The eighth track 'Nothing Left To Say' written by Matheos is as the cover and title suggests, there's a consistent theme of modern technology and fear of conformity and individual isolation. You have to wait until 'A Pleasant Shade Of Gray' until the band truly masters the art of matching musical mood with lyrical expression, but on the whole it's already very well executed here. This is really a great track.

Conclusion: 'Perfect Symmetry' represents quite an interesting change of the musical direction for the band. It's a very key album in the evolution of progressive metal and essential to anyone who is interested in finding out the roots of this ever changing genre. I also usually recommend this for starters, after 'Parallels' and 'A Pleasant Shade Of Gray', of course. This album when looked at as a piece of progressive metal has it all. It's got catchy hook laden metal in 'Through Different Eyes', it's got two breathtaking prog epics in 'At Fates Hands' and 'Nothing Left To Say', aggression in 'Static Acts' and balladry in 'Chasing Time'. If you are at all interested in the progressive metal sub genre or if you want to hear a mature, intelligent heavy progressive metal album I suggest you get out and listen to this now. You really need this album as an addition to your progressive path. 'Perfect Symmetry' is the right album for you.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Disconnected by FATES WARNING album cover Studio Album, 2000
4.06 | 340 ratings

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Disconnected
Fates Warning Progressive Metal

Review by martindavey87

4 stars Well, 'A Pleasant Shade of Gray' appears to have been a hit with fans, so why not continue in that direction? With the single guitar/keyboard approach that incorporates more ambience, as well as a beefier production that gives the band a heavier sound, 'Disconnected' picks up right where its predecessor left off.

It seems odd for a progressive metal album to be considered "stripped down", but that's exactly what we have here. With the songwriting being the main focus, and not the performances of individuals, there is some solid music that lacks a lot of the shredding musical virtuosity associated with the genre. And it's a refreshing change.

That's not to say these guys are slouches! Guitarist Jim Matheos can write some very interesting guitar riffs, and drummer Mark Zonder is an absolute beast. Neither man afraid to stray away from standard 4/4 time signatures and go completely bonkers in some places, yet with riffs that don't come anywhere near to being too flashy or overbearing. When you include eerily compelling keyboard work by Kevin Moore (yes, THE Kevin Moore), it makes for an all-round solid package by one of prog metals pioneers.

Songs like 'One', 'So', 'Pieces of Me' and the absolute gem of the album, the 16-minute 'Still Remains', make this an essential progressive metal release, especially for fans who are growing weary of excessive soloing and musical indulgence.

 Inside Out by FATES WARNING album cover Studio Album, 1994
3.55 | 206 ratings

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Inside Out
Fates Warning Progressive Metal

Review by martindavey87

4 stars The follow-up to the highly successful 'Parallels', 'Inside Out' is almost identical in sound and style to its predecessor, so much so that it is often regarded as "Parallels Part 2", though I find it is an unfair assumption as this album does contain material of some merit, even going as far as to say it's some of the bands tightest and most consistent songwriting.

Musically, this album follows on where 'Parallels' left off, which a strong emphasis on duel-guitar melodies that allow both players to shine, Mark Zonder's incredible drumming that adds so much flavor to the music, without dominating or taking too much spotlight, and Ray Alder's vocals which truly peaked here, especially in terms of range and capability.

The production is neat and tidy, with no musician being given preference. It does a good job of being a metal album, while also emphasizing the melody of the band.

With songs like 'Outside Looking In', 'Monument', 'Pale Fire', 'The Strand' and 'Face the Fear', it's clear that 'Inside Out' is an underrated classic, which is often overshadowed by the strengths of what came before. It's got some of the bands strongest material and is definitely a worthy addition to the collections of metal and prog fans.

 Parallels by FATES WARNING album cover Studio Album, 1991
4.12 | 370 ratings

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Parallels
Fates Warning Progressive Metal

Review by martindavey87

4 stars 1991's 'Parallels', which was my introduction to Fates Warning, is a continuation of where the band had been going with previous album 'Perfect Symmetry'. The power metal influences of their early days were long gone, replaced by a more technical and methodical approach, and with more emphasis on melody than speed.

I was fairly new to progressive metal when I came across Fates Warning, a band who were influential in the genres early days. Being a fan of bands like Dream Theater and Symphony X, I assumed the key element was technical virtuosity (and a keyboard player!). So it was a change of pace when I first stumbled across this album.

While the musical acrobatics won't impress as much as the aforementioned groups, it's the bands commitment to strong songwriting that carries them. In particular, Jim Matheos and Frank Aresti's guitar playing is impressive, especially when using distorted and clean sounds simultaneously. 'Eye to Eye'. 'Point of View', 'Life in Still Water' and 'The Eleventh Hour' are all examples of this bands solid chemistry, with plenty of tasty guitar riffs, interesting harmonies and powerful vocals all on display.

'Parallels' is a great album, and a good starting point for newcomers to the band. Heavy enough to appeal to metal fans, melodic enough to appeal to rock fans, and ambitious enough to interest prog fans, it's an easily accessible album that can be enjoyed by everyone.

Thanks to ProgLucky for the artist addition. and to aapatsos for the last updates

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