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FATES WARNING

Progressive Metal • United States


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Fates Warning biography
FATES WARNING was founded as a heavy metal band, but after a few albums, their progressive tendencies started to emerge. While retaining elements of their metal heritage, their music grew increasingly complex, with much longer tracks and interesting interwoven melodic elements added. They merged their love of YES and RUSH, by combining elements of pure metal, classically inspired crescendos and interludes with jazz fusion like chops. FW has been largely responsible for the infusion of progressive thinking into heavy metal music, unlike its co-founding compatriots of progressive metal, DREAM THEATER. So give yourself the chance to live an emotive experience unlike anything else.

Like KING CRIMSON, the evolution of FATES WARNING can be split into many different period. "Awaken The Guardian" (1986) showed the band's music to be more progressive and complex that first impressions had suggested. "No Exit" (1988) was a ground breaking album for the band as they further explore the realms of progressive metal with the 21 minute long "The Ivory Gate of Dreams". This was followed by "Perfect Symmetry" (1989), considered by many to be the band's most Progressive rock-driven release. The compilation, "Chasing Time", is a great place to start. However, 1998's "A Pleasant Shade Of Grey", which consists of a single 40-minute song, is clearly the best place for a Progressive rock fan. The album start off slowly and needs several careful listenings to be fully appreciated; but then, since part. "Still Life" appeared the next year, and "Disconnected" followed two years later. And now let's wait for their 2003 release.

See also:

- John Arch
- Chinese Firedrill
- OSI

Fates Warning official website

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Awaken the Guardian LIVE - 2CD/1DVDAwaken the Guardian LIVE - 2CD/1DVD
Metal Blade 2017
Audio CD$15.06
$17.36 (used)
Awaken the Guardian LIVE [Blu-ray]Awaken the Guardian LIVE [Blu-ray]
Widescreen
Metal Blade 2017
Blu-ray$12.36
$17.32 (used)
Theories Of FlightTheories Of Flight
Limited Edition
Inside Out Music 2016
Audio CD$13.39
$12.35 (used)
Perfect Symmetry (Expanded Edition)Perfect Symmetry (Expanded Edition)
Extra tracks · Remastered
Metal Blade 2008
Audio CD$10.43
$12.34 (used)
Darkness in a Different LightDarkness in a Different Light
Inside Out Music 2013
Audio CD$12.55
$5.95 (used)
Perfect SymmetryPerfect Symmetry
Metal Blade 1994
Audio CD$7.94
$4.00 (used)
DisconnectedDisconnected
Metal Blade 2000
Audio CD$6.81
$4.85 (used)
Inside Out - Expanded EditionInside Out - Expanded Edition
Extra tracks
Metal Blade 2012
Audio CD$12.67
$8.05 (used)
Spectre WithinSpectre Within
Remastered · Extra tracks
Metal Blade 2002
Audio CD$9.15
$12.27 (used)
Right Now on Ebay (logo)
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Fates Warning -Inside Out[1994](Remastered CD,1998)Progressive Metal USD $15.00 Buy It Now 11h 53m
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FATES WARNING original CD "No exit" 1988 on Roadrunner USD $44.12 Buy It Now 12h 2m
Darkness In A Different Light [2 Discs] by Fates Warning. USD $16.14 Buy It Now 16h 27m
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Parallels [Digipak] [3 Discs] by Fates Warning. USD $20.27 Buy It Now 2 days
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FATES WARNING No Exit 1988 Metal Blade Enigma LP D1 73330 Speed Thrash Vinyl USD $49.99 Buy It Now 3 days
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Fates Warning - Night On Brocken [New Vinyl] UK - Import USD $20.80 Buy It Now 4 days
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Night on Br”cken by Fates Warning (CD, May-1994, Metal Blade) USD $13.00 Buy It Now 4 days
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Engine Superholic CD Fates Warning Armored Saint Agent Steel Seven Witches guys USD $4.99 Buy It Now 5 days
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FATES WARNING discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

FATES WARNING top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.68 | 130 ratings
Night On Bröcken
1984
3.47 | 163 ratings
The Spectre Within
1985
3.98 | 245 ratings
Awaken The Guardian
1986
3.90 | 223 ratings
No Exit
1988
4.14 | 366 ratings
Perfect Symmetry
1989
4.11 | 337 ratings
Parallels
1991
3.56 | 186 ratings
Inside Out
1994
4.19 | 345 ratings
A Pleasant Shade Of Gray
1997
4.08 | 318 ratings
Disconnected
2000
3.36 | 203 ratings
FWX
2004
3.90 | 268 ratings
Darkness In A Different Light
2013
3.96 | 219 ratings
Theories Of Flight
2016

FATES WARNING Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.37 | 79 ratings
Still Life
1998
3.86 | 5 ratings
Awaken the Guardian Live
2017

FATES WARNING Videos (DVD, Blu-ray, VHS etc)

4.36 | 11 ratings
Live at the Dynamo
1998
4.81 | 29 ratings
A Pleasant Shade Of Gray - Live (VHS)
1998
4.26 | 19 ratings
The View From Here
2003
3.76 | 36 ratings
Live In Athens
2005

FATES WARNING Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.32 | 38 ratings
Chasing Time
1995

FATES WARNING Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.83 | 6 ratings
Misfit (Demo)
1984
3.14 | 7 ratings
1984 Demo
1984
3.50 | 6 ratings
Dickie (Demo)
1985
3.78 | 9 ratings
Pale Fire
1994
3.90 | 10 ratings
A Pleasant Shade Of Gray: Part II
1997

FATES WARNING Reviews


Showing last 10 reviews only
 A Pleasant Shade Of Gray by FATES WARNING album cover Studio Album, 1997
4.19 | 345 ratings

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A Pleasant Shade Of Gray
Fates Warning Progressive Metal

Review by VianaProghead
Prog Reviewer

5 stars Review Nº 122

'A Pleasant Shade Of Gray' is the eighth studio album of Fates Warning and was released in 1997. The line up on the album is Ray Alder, Jim Matheos, Joey Vera and Mark Zonder. The album had also the participation of Kevin Moore, Bill Metoyer, Lydia Montagnese, Lindsay Matheos and Terry Brown. This is the first Fates Warning album with Joey Vera. The former Armoured Saint bassist was recruited to substituted their previous former bassist Joe DiBiase.

Fates Warning is perhaps the only progressive metal act that helped develop this genre from the 80's to this time, but they have always been overshadowed by their contemporaries. In the 80's everyone had their attention focused on Queensryche and Crimson Glory, and the 90's saw Dream Theater and Symphony X dominating everything in that area. And, while very few bands have managed to maintain their consistency, always putting out quality material, carving their own little niche in the ever-growing genre, many of them went for the easy way out after scoring one or two major albums. For Fates Warning, on the other hand, it was a slower, but perhaps safer, process of growing and establishing themselves as one of the greatest progressive metal bands of all times. Unfortunately, this is an underrated band.

Matheos is also an underrated musician. His genius is always passed up for some reason. He wrote all the lyrics and composed this entire album on his own. What's more is that he hasn't taken the easy way out laying down some meaningless riffs and solos throughout this album. On the contrary he only plays few solos on the entire album. These solos are slow and minimal but emotionally charged at the highest level possible. Alder does his best vocal performance ever here. He stays comfortably in his own range and delivers the tunes with passion, emotion and conviction. Vera had just joined the band and this was his first stint with the band but he fits in perfectly in Matheos' song craft. Zonder is best known for restraining himself when necessary and always giving the song what it needs.

Finally, we have Moore. His presence on the album makes all the difference. Fates Warning had never used keyboards and piano this effectively before, but for an album like this, no one would have been a better choice. Moore's minimalist playing and the heavy atmosphere that covers the tunes delicately complement the songs very well. He particularly shines on this album. I really think this is the best album with Moore, as a guest, in his post 'Awake' musical career.

About 'A Pleasant Shade Of Gray', Matheos said that the genesis of the album was a departure from their previous two albums. For him, apart from 'Parallels' and 'Inside Out', all their albums have sounded different. 'A Pleasant Shade Of Gray' is really very different from most progressive metal albums of the 90's. There is little to no effort made to make the listener's head spin with unnecessary technical prowess. You don't get dizzy listening to it trying to keep up with various poly-rhythms, countless notes squeezed into a scale played mindlessly fast on the guitar or a singer constantly exerting himself just to remain in his highest range possible. All these aspects have no purpose on this album.

'A Pleasant Shade Of Gray' is presented as a whole, parted in 12 songs. Or, if you want, you can call it a conceptual album. Fates Warning explores a darker side of the progressive rock music. The lyrics are great and the tone of the music fits the concept perfectly. Each part flows into others quite well. The pace of the album is slow and the entire album is very moody due to its extreme progressive nature. The main feeling all over this album is the 'gray-ness'. Reading the lyrics, you could be intrigued by the statement of what really is the concept of 'pleasant'? And what is this about this 'shade of gray'? I really think that the 'opposition of the contraries, gray and pleasant' is solved, in the end of the album. Emptiness, confusion and desolation, are things which lead us to a sort of desperation. But, finally, 'face to face we'll awake/ to see another day' is a kind of thing that gives us a new hope. It's like a nightmare, which finally ends. Moreover, this sensation is clarified by the clock ring in the end of the album. It's like in the beginning of the album of Dream Theater, 'Awake'. The final result is that the mood these guys managed to create is really wonderful.

Conclusion: If 'Inside Out' was a kind of continuation of 'Parallels', in musical style, 'A Pleasant Shade Of Gray' is something new compared to its predecessors. No, not fundamentally new, but still the changes are substantial, in my humble opinion. This album is a must listen for any truly fan of progressive metal, or simply any music fan who enjoys contemplating real music. 'A Pleasant Shade Of Gray' is a unique album by a unique band. The listener must simply keep in mind that it's not meant as a catchy sing along or as background music. Sometimes I wonder why this band is so underrated. It's really a shame. Everybody who likes this genre should check this band out. This album could be a very good introduction to this great band. For me, this is one of the jewels of the progressive metal discography. I even dare to say that this album is a classic in the progressive metal field. I know this isn't consensual, but it's what I think.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Awaken the Guardian Live by FATES WARNING album cover Live, 2017
3.86 | 5 ratings

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Awaken the Guardian Live
Fates Warning Progressive Metal

Review by javajeff

4 stars It is 2016, and Fate Warning has another amazing studio album with Ray Alder: Theories Of Flight. Jim Matheos and the band are firing on all cylinders, so what do they do next? They tour with their original lead vocalist John Arch to perform their stellar Awaken the Guardian album in its entirety. This is a real taste of what could have been. The Arch / Matheos Sympathetic Resonance from 2011 is practically a Fates Warning album, Jim Matheos also has Redemption, and bands are more like projects these days. I think that John Arch and Ray Alder are both amazing progressive metal vocalists, and both Sympathetic Resonance and A Pleasant Shade Of Gray are two of my all time favorite albums that I listen to often. With all that being said, Awaken the Guardian Live is a huge treat. You get two concerts with this album. The first is Keep It True XIX took place at Lauda-Königshofen, Germany, and the second is ProgPower XVII that took place at Atlanta, GA. Both have excellent sound quality, which is likely better than what could have been recorded in 1986 when Awaken the Guardian was released. John's vocals are excellent, and the musicianship is stellar as usual. This live album is a great way to hear a fresh take on Awaken the Guardian, and can act as an excellent introduction to the band.
 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. This is the second album in a row that FATES WARNING has had the same lineup of Matheos, Aresti, Vera, Adler and Jarzombek. And this album also follows the same path as the previous album "Darkness In A Different Light" from 3 years earlier only I feel this one tops it. We get plenty of heaviness and I even thought of IRON MAIDEN a few times. The rating wasn't easy as I feel this album reaches highs that I haven't heard from them since their "Disconnected" record although unlike that album there are some not so great moments although they are few. Also I think it's a step below that ARCH/ MATHEOS album. Still I'm really impressed with this album and the performances of each member as a 4.5 star rating would suggest.

"From The Rooftops" opens with drums and atmosphere as soaring guitar leads join the relaxed sound. Ray's reserved vocals arrive before 1 minute then some more of that melancholic soaring guitar. A change after 2 minutes as we get crushed with heaviness as Ray spits out the lyrics. I like the section starting 3 1/2 minutes in as we get an IRON MAIDEN-like sound including the vocals. Ripping guitar after 5 1/2 minutes as they kick more ass. "Seven Stars" starts off sounding pretty amazing instrumentally, it's heavy with guitar over top. The vocals join in as it settles back some. A classic FATES WARNING chorus here as I'm singing along with Adler. There's a nice guitar solo 3 minutes in.

"SOS" opens with guitar grinding away as emotional vocals join in then it kicks in hard. Riffs galore at times and this would sound awesome live, a barn-burner. An atmospheric calm arrives 2 minutes in as Ray returns with those emotional vocals. "The Light And Shade Of Things" is dark and laid back with atmosphere as soft vocals arrive. It's building some 1 1/2 minutes in but not much until we get hit with a wall of sound 3 minutes in. Oh my! The chorus before 4 minutes is heavy and catchy with vocals. It's pretty intense after the chorus as Ray sings with anger. The chorus returns then we get a heavy bass/ drum section then it settles with relaxed guitar expressions. The chorus is back then they kick it hard again 8 1/2 minutes in before it settles to end it.

"White Flag" is a top three for me. A heavy intro as passionate vocals join in. What a kick-ass tune! How uplifting is this after 2 minutes as it settles back a little. So much emotion for me. A killer instrumental section arrives after 3 minutes. "Like Stars Our Eyes Have Seen" is another top three. An all out assault from Jarzombek on his kit as Adler joins in with attitude. It doesn't change much on the chorus other than Ray's vocals aren't as mean sounding. It's not nearly as heavy 2 1/2 minutes in but that doesn't last for long. Intense is the word 3 1/2 minutes in.

"The Ghost Of Home" is my favourite song on here. Samples of different spoken words and sounds last for about a minute then it all stops as vocals and intricate guitar take over. it kicks in hard bringing MAIDEN to mind before 2 1/2 minutes. Vocals before 4 1/2 minutes as it lightens. Love Vera's bass lines here, so upfront. I also like when Adler cries "Home again! Home again!" then it settles some after 6 minutes. It's so uplifting after 7 1/2 minutes then it ends with a heavy duty section. "Theories Of Flight" is the interesting closer bringing to mind the "Disconnected" album with all the atmosphere. Samples to start in that atmosphere before some guest female spoken words arrive and she will come and go with them as she tells the story. The tempo picks up before 2 minutes in this instrumental section then a calm follows. More spoken female words then the intricate guitar returns. The guitar cries out 3 minutes in then more spoken female words and intricate guitar. This is just outside of my top three.

Just an excellent Prog-Metal album and I think I'd rank it fourth or so when it comes to their studio albums, not counting that ARCH/ MATHEOS recording of course even if that seems like a legit FATES WARNING album.

 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

5 stars "Theories Of Flight" is the 12th full-length studio album by US progressive metal act Fates Warning. The album was released through InsideOut Records in July 2016. It´s the successor to "Darkness In A Different Light" from 2013 and the second album after their 9 year long recording break since "FWX (2004)". "Theories Of Flight" features the exact same lineup who recorded "Darkness In A Different Light (2013)": Ray Alder (vocals), Jim Matheos (guitars), Frank Aresti (guitars, although only a couple of leads), Joey Vera (bass), and Bobby Jarzombek (drums).

Stylistically "Theories Of Flight" is pretty much a continuation of the progressive metal style on "Darkness In A Different Light (2013)". It´s generally a bit more melodic and to my ears also slightly more memorable, but the overall concept is similar to the predecessor. Heavy intriguing guitar riffs and rhythms, melodic solos, beautiful acoustic/clean guitar work, and Ray Alder´s strong emotive vocals in front (often featuring harmony and choir vocals).

The album feautures 8 tracks and a full playing time of 52:17 minutes. Both "The Light and Shade of Things" and "The Ghosts of Home" are around 10 minutes long, but the remaining tracks feature more regular lengths (from 4 to 6 minutes). The material is very well written and the combination of relatively straight forward and catchy tracks like "Seven Stars", "SOS", and "Like Stars Our Eyes Have Seen", and the longer more complex tracks like the two above mentioned, and album opener "From the Rooftops", works really well. Now that I´ve mentioned almost every track featured on the album, I can just as well mention the remaining two. "White Flag" is a powerful track with a commanding vocal delivery by Alder and the title track, which is the album closer, is an atmospheric instrumental, which ends the album in great style.

It´s overall a very dynamic and adventurous album. One moment it´s melodic and beatiful and the next a bit darker and heavy. The trademark sophisticated Fates Warning groove, which features a lot of off-beat rhythm patterns and chord strokes, is also present and accounted for. The musicianship is on a high level on all posts. Alder is as mentioned an incredibly skilled and distinct sounding vocals, who can sing both emotive mellow parts and louder more aggressive ones (for the style), with equal passion and conviction, the rhythm section play varied and powerful, and the guitars both play melodic and heavy. The guitar solos deserve a special mention. They are played with a lot of attention to tone and feeling, and they are also pretty varied.

"Theories Of Flight" features a warm, clear, and powerful sounding production, which suits the material perfectly, and I actually have a very hard time coming up with any issues regarding the album. To my ears it´s their best release in years, which is especially due to the increased focus on melody and accessibility that Fates Warning have here. A focal point which has not affected how heavy and powerful the music is, and that´s usually a hard balance to strike. A 5 star (100%) rating is deserved.

Note: There´s a limited edition 2CD/2LP version available, which features 6 bonus tracks. Acoustic versions of the band´s own compositions "Firefly", "Seven Stars", and "Another Perfect Day", and acoustic covers of "Pray Your Gods" by Toad The Wet Sprocket, "Adela" by Joaquin Rodrigo (with Alder singing Spanish language lyrics), and "Rain" by Uriah Heep. While acoustic renditions of existing non-acoustic material aren´t always the greatest idea, Fates Warning pull if off with ease. Beautiful acoustic guitar arrangements and a Ray Alder in vocal top form, ensure that these bonus tracks are well worth purchasing the limited edition for. I especially enjoyed "Firefly", "Another Perfect Day", and "Rain", but the remaining tracks are also of high quality.

 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by Timdano

5 stars This stunning of an entry, this far into their career? (and never mind that each member is close to 50-years-old or older)

I'm shocked and more than pleasantly surprised.

Ray Alder's vocal work here is impeccable- just slightly more mature than albums 20+ years ago but trust me, he brings home the goods here.

And that doesn't mean that every other band member here is not coming to the plate in full form - they are.

Above all, like I've found with this year's output from favorite prog-metallers - Haken - the songwriting here is flawless. No filler, no cheese-ball nonsense; just stunningly listenable, memorable melodies and song structures (thank you, Jim Matheos!). I'm picking up a slight OSI strain to some of the songs, too; e.g. check out the closing 30 seconds or so of "Like Stars Our Eyes Have Seen."

And as opposed 2016's silly, Sound of Music-esque inane, painful, unlistenable drivel album (which prog metal band am I referring to?) what you'll find here is simply good music.

Five unabashed stars.

 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by Einwahn

4 stars All those of us who love Prog Metal owe so much to this pioneering band, and to see them (a) playing with such power after so many years, and (b) topping the Prog Archives charts is just great. 'Theories of Flight' continues in the same relatively conservative style as the previous 'Darkness in a Different Light'. Both albums are straightforward guitar burns, ToF I think having an even faster average tempo. These are superb musicians and it is hard to see how any metal fan would not enjoy ToF. For myself, Fates Warning peaked artistically in the millennium-period albums with the extra dimension of Kevin Moore's keyboard contributions (i.e. 'Gray' and 'Disconnected'). There isn't quite enough flair in ToF for the fifth star, but this is an album that is going to get a lot of time in my audio systems.

Verdict: a superb band and a superb album.

 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by Progrussia

4 stars Fates Warning is a rare prog metal band without the musical cheese. The word to describe their music is... certainly not harsh. Bleak? No, serious would be the word. Even the albums have such scientifically-inclined names as Theories of Flight or Darkness in a Different Light. Fates are famous for incorporating complex riffing and drumming patterns in a concise pop song length. Theories continue with the thick guitar sound of Darkness, but there's an effort to make the music sound more commercial, with the prog power metal-like shifts between softer and harder parts, hooks galore and guitar solos, bringing the band closer to the sound of such more commercially successful outfits as Dream Theater, Symphony X and even Iron Maiden.
 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by DeepPurplePL

5 stars Music tablet slowly dissolving in my ears and Dream Theater's nightmare.

That is a very good album and it seems that FW have musically still 'something to say'. I was not impressed by the album teaser available on tube and I think I will avoid listening to 30 seconds excerpts taken out of context in future. I was not impressed after listening to the album once. But I took time and "Theories of Flight" are growing every day. The real Killer is "The Light and Shade of Things" the best over 10 minute long piece since "Child in Time". The main strength of FW (apart from obvious technical skills) is ability to compose music. These guys are nor in their 20's anymore but they are musically young at heart and this album is the best source of evidence. They are not 'speeding', no showing off, every element has its place in this beautiful musical puzzle. I also adore last track that reminds me Kevin Moore's Chroma Key. What an atmosphere, what a climate. I wish there was 40 minutes of music like that even if it would not be classic FW. All other tracks are very good, but 'Like Stars Our Eyes Have Seen' and 'The Ghosts of Home' excel. That is a pity this band is a little bit underrated. I said that many times before that Fates Warning is King Crimson of prog metal genre and I sustain that opinion. Why Dream Theater nightmare? Because DT are speeding last 15 years but create little music. Thank you FW and see you (again) on tour. Bless ya.

 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by javajeff

5 stars With 12 studio albums, what do you expect from a band often described as pioneers of Progressive Metal? Jim Matheos can do no wrong as he continues to innovate while keeping the core Fates Warning sound. These guys are great musicians, and Theories of Flight sounds like seasoned veterans at work. Ray Alder's vocals sounds terrific, and he performs with a tremendous amount of emotion. I thought he sounded great on the Redemption album The Art of Loss earlier this year as well. The rhythm section of Joey Vera on bass and Bobby Jarzombek on drums deserve kudos since they sound perfect. The sound quality is excellent, and this release just flat out rocks! Like all Fates Warning albums, this one is so addicting it just begs to be listened to. I enjoy every track, and it flows like something I have listened to for a decade. If you are a fan of Fates Warning, Progressive Rock, or Progressive metal then this is an excellent addition to your collection.
 Theories Of Flight by FATES WARNING album cover Studio Album, 2016
3.96 | 219 ratings

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Theories Of Flight
Fates Warning Progressive Metal

Review by ArtuomNechuev

5 stars Another Outrageous Album.

Although I've been listening to Fates Warning just a bit less than a year, great adoration and respect have appeared in my mind and soul. Obviously, the band led by it's eternal mastermind Jim Matheos shows the real progress in their music and attitude to its composition and performance. And the situation has carried on through the whole career. None of their albums I can name bad (even Night On Brocken and FWX). So Theories of Flight is no exception. It is a mystery to me how Jim Matheos manages incorporate contemporary elements, develop musically and lyrically, but preserve his own style and old spirit. The songs on the album (written mostly by Jim Matheos) are elaborated even more thoroughly than on the previous album and include interesting structures and multiple tempo and time changes. There a lot of heavy and intricate riffs with the use of counterpoint like in White Flag, beautiful flying melodies like in the title song, enough mellow places with clean and acoustic guitars like in The Light and Shape of Things, catchy choruses like in Seven Stars, clever and sincere lyrics in every song. Vocal delivery by Ray Alder is both highly emotional and powerful as always. Solos by guest guitarist Mike Abdow and long-time previous Fates Warning member Frank Aresti represent a great blend of melody and technical skills and fit perfectly in the songs. Boby Jarzombek weaves an incredible wave with his quite professional and sophisticated drumming which expands songs significantly. And of course Joey Vera delivers some prominent and well-fitting bass lines. The general expression from the album - excellent. Four and a half stars.

Thanks to ProgLucky for the artist addition. and to E&O Team for the last updates

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