SUSPYRE

I would have thought this was a European band if i didn't know differently.They really try to mix things up incorporating a lot of styles into their Prog-Metal.Charlie from BEHOLD THE ARCTOPUS and BLOTTED SCIENCE adds some drum work, while Trisha from AMARAN'S PLIGHT adds some vocals on a couple of tracks. "Possession/The Negative" opens with guitar followed by a full sound.Rough vocals after a minute.Not a fan of his vocal style at all.It's heavier after 3 minutes. "Evolutions" has an orchestral-like start that continues until around 2 1/2 minutes when the vocals arrive. "Lighted Endrhyme" again opens with orchestral sounds then it kicks into an uptempo melody.The tempo and mood continue to change.More orchestration as well. "Maniac Main Point Check" is a top three track for me.It's just an aggressive 2 minutes that's all. "Siren(One Last Breath)", at least i assume it's "Breath" on my cd it says "Breat".Now if it's "Breast" i could see how that would have apocolyptic implications.It opens with choirs as reserved vocals and pastoral setting come in.Great sound before 4 minutes as it picks up with guitar out in front.Sax 6 minutes in then Trisha on vocals a minute later. "Reign" is more of a straight up metal tune except for the sax and orchestration. "Fallen Stars" is a mellow ballad-like tune. "A World With No Measures" kicks in right away.Vocals a minute in.Great track. "The Light Of The Fire" opens in a relaxed but dark way.Reserved vocals before a minute.Heavy guitar before 2 minutes then it kicks in.Growly vocals come and go along with his rough vocals.A Power-Metal flavour to this one. "Apparitions" is a top three track as it hits the ground running.Some spoken words in this one. "Let Freedom Ring(The Heart Of It All)" features heavy drums with keys and synths.Vocals before 1 1/2 minutes as the tempo picks up.A calm after 6 minutes before kicking back in. 75 1/2 minutes is too long in my opinion.Lots to like here but also things that rub me the wrong way.

Hmm part II , but not so very nice this time

Suspyre third album to date from 2008 named When time fades. Well this time they didn't manage to come near as great as the predecesor. First ,the main influences 'till now was Dream Theatewr in places and Symphony X, now on this album main influence is Evergrey, same dark and moody atmosphere on every piece, not bad but nothing special , realy. Second, the compositions are no longer so diverse and in the middle of the album I lose intrest. The musicianship is again very good, but the proble is arrangements, nothing realy awesome like on previous album, even the key passages are less dominant, only for atmosphere, only here and there vague are puted in front. We have here aswell some again the saxophone interludes withe the other instruments, but aswell some violin and even madolin passages, not quite bad, but sometimes I have the impression that the disonant sound of sax is a little to much in front and giving un unintristing combination, the violin parts are good and exactlky as is needed. The musicians did a good job, they've tried to bring something new in this genre, but this time they didn't quite succeded. I don't know but to me this album is usual, nothing special, thay now sound like other hundreds bands from prog metal scene. Not a piece in front, not a piece is realy weak but is lacking in somthing catchy. I will give 3 stars, becaus eof the profesinalism of the band, but in rest nothing realy impressive.I don't think this is their best album, I prefer 10 times more the previous one A great divide. If the next album will sound like this When time fades for sure I will lose intrest in their music, it's a shame because they beggining so good to climb in prog metal scene with the secocond album.

Hmm, very nice

Suspyre is a american prog metal band beggining their carer early this decade. I was quire surprised to see how less reviews this band has and specialy this album. Very impressive second album named A great divide released in summer of 2007. Suspyre are clearly influenced by bands like Symphony X, for the bombastic and symphonic arrangements and by Dream Theater for metal incorporated in their progressive aproach, the result in quite outstanding. I was very impressed by this album, because I also like very much this style of music, this one was a real treat. The musicianship on A great divide is brilliant, top notch arrangements that flows very well from one to another, each piece is a real treat for prog metal listners. On every track I can trace those influenced from bands above, but are so well composed and incorporeted in their sound, that in the end they sound very intristing and quite groundbreaking in their own way. Besides prog metal , here we can hear some jazz-fusion elemets added melting with prog metal arrangements hand in hand. The album has more than an hour of sheer brilancy, from mellow aproach to rougher ones Suspyre never stop amaze me, some unusual instruments for a prog metal band are here aswell like saxophone or pipe, combined with the rest of the instruments the result is original and intristing. Now about musicians, who are very crafted, the drumer Sam Paulicelli is super (no less), the twin guitars did an excellent job, just listen to The Singer (an awesome prog metal piece, that for sure make envious every other well known prog metal band worlwide), brilliant piece, maybe the best from here. The album has everything from mellow and almost acustic tracks like The Spirit , who slow down a little bit the up tempo of the album and change the mood aswell, instrumental ones like the outstanding Galactic Backward Movements (here Suspyre shows their true talent, no weakness here, only top notch musicianship), and the rest are also very ok, fast and furios sometimes with nice shifting moods and change of tempo all the time. The voice fits like a glove here and did a great job, pointing when needed with the clear and powerfull voice of Clay Barton. What to add, Suspyre is an example of true profesionalism these days in prog metal zone, with all that quite unpopular here in PA and elsewhere, and for sure they need to be discovered by a wider auditorium because A great divide worth every second. I will give 4 stars easy, while they are close in sound with Symphony X or Myrath, they are far behind in poularity then these two bands, it's a shame realy, they desearve much more. Recommended, among the top prog metal bands from today. Looking forward to listen to their last album to date from 2008 - When time fades, from what I heared is even better, can't wait.

Score 91/100

To say it short and sweet this album is a fine balance between Progressive metal, classic rock and orchestral bombast. I even dare to say that this album is almost as good as "Queensrÿche - Operation mindcrime" If i have to name influences i would say Dream Theater, Helloween and a touch of Nighwish. But don't worry these guys have enough balls to show us all they are far more then just copycats of the mentioned bands. For these guys it doesn't matter if they write short or long tracks. Both concepts are understood and well done!

The album is divided in two different opuses:

Opus II: The alignment of galaxies which lasts for 34:16 minutes

And

Opus III: The origin of a curse which lasts for 36:05 minutes

Both of them are of course made up by several tracks. It's certainly not easy listening music. You better sit down and listen and i would advice to do it with headphones since the beauty of the album can than be heard in full strength.

1. Forever the voices

Sounds like an orchestra warming up and slowly fades into an orchestra playing with choral voices on top of it.

2. The singer

Influences of Dream Theater and Nighwish. Let's say it is a mix between power and progressive metal woven into eachother. Nice twin guitar work and around the 6th minute the bass guitar get's it's space out in the open.

3. The spirit

Starts with accoustic guitar combined with orchestral elements. The vocals remind me of James LaBrie. Mixed into this all is the voice of Ceara Crandal-Johnson who is a guest on the album.

4. Galactic backward movements

A long instrumental track. The track travels between peacefull symphonic music and metal bombast and around the 6th minute a saxophone shows up. And to show even more diversity at the end the eastern music influences show up which fades into French music influences which i could picture myself again walking at the banks of the Seine with my wife which we did about 10 years ago. For me it's the best track on the album.

5. Manipulation in time

A piece influenced by Dream Theater, Helloween and Ayreon. From the opening of the track until the last notes you are being captured by the beauty of the track. Symphonic bombast with classical influences, a guitar solo which could have been done by Gary Moore (think of parisiene walkways) and the power of Helloween with great twin guitar work and not to forget the poundering bass and drum work.

6. Resolution

Orchestral start in which i recognize a bit of Bach changing into acoustic work with in the background rain falling down. I can also hear a bit of Floyd in the track

7. April in the fall

This one and the next are a bit of a miss on the album and the main reason this album gets 91/100 instead of close to the max.from me. It isn't a bad song but after being blasted with briljant stuff before this tracks it falls on the wayside for me. Symphonic power metal in case you wonder with nice keyboard work.

8. Subliminal delussions

As mentioned at track 7 another track which doesn't make it for me although i have to admit i do like the guitar solo's on this track.

9. Bending the violet

Orchestral bombast with a bit of a horror-movie music woven into it. Weird track but it fits in perfectly with the rest of the songs.

10. The piano plays at last

Easy starting progressive metal track influenced by Helloween (Kiske period) with symphonic influences.

11. Alteration of the ivory

Metal with a saxophone. Not always liked by metal lovers but Suspyre knows exactly where to put the instrument and above all where not! Influenced by Ayreon and Helloween the track travels from a small streaming creek into a fast flowing pountain river.

12. Blood and Passion

Hearing a needle being placed on vinyl when the song starts makes me miss the vinyl-period of music carriers. It changes quiickly in a power metal track with near the end a spark of Beethoven's fifth moven into it. A great way to end this album.

To conclude: this album is a fine balance between Progressive metal, classic rock and orchestral bombast. And yes i said that in the first paragraph too. If you have the time and the money grab this album, you won't be sorry if you do. If you don't have the money start saving up because it belongs in every progressive metal lover's collection.

US band Suspyre is really finding their own way and style on this third album.

Combining elements from many types of music seems to be a specialty of these guys, and although they have a solid foundation in prog metal as a style there's a lot more to this release than just ordinary prog metal.

Highly classical influenced symphonic segments is a key addition to their sounds, most often with a distinct orchestrated sound rather than the standard multilayered synths. Jazzy moments and sax solos are a natural element of the sound on this CD too, even a violin solo unless my ears deceived me. All of this elements in mostly quirky, technical guitar dominated compositions where dissonant and decomposing riff patterns are found just as often as regular prog metal chops. Good vocals further enhance the listening experience.

The general atmosphere of this album is rather grim and dark though - this is not a CD suitable for depressed people - but it's a strong release nonetheless, and one of few prog metal releases I've come across with a unique and distinct sound that can't be mistaken for anyone else. Highly recommended of course.

2.5 stars really...and I'm getting a little bit tired listening and reviewing albums of bands that remind me of other original ones...SUSPYRE are such a kind of band...From the very first listen SYMPHONY X comes to mind but this isn't a good copy at all...The album stars really strong with a couple of good tracks but as it unfolds is getting really weak...Also some RHAPSODY OF FIRE neo-classical arrangements are obvious but the comparison between the two bands is unfair...Needless to say anything about ''The Battle of Gloria'',haven't heard such a cheesy ballad by a prog band for a long time...I'm not impressed by SUSPYRE'S debut at all,hopefully their second release is a lot better...If you're looking for true prog metal try PAIN OF SALVATION or RIVERSIDE instead...This one is only for SYMPHONY X freaks who can't get enough of that sound!

The Silvery Image is the debut album from American progressive metal band Suspyre. I´ve had this album for a couple of years but never really gave it a chance. I´ve listened to it a lot over the last couple of weeks though to make this review. The album was released in 2005.

The music is progressive metal but there are lots of power metal tendencies in the arrangements which means that Suspyre´s sound is closer to classic symphonic heavy metal than to the Dream Theater school of progressive metal. The album starts with a synth orchestral intro which reminds me of Rhapsody and then into the first song Father of Hate which is pretty fast and energetic. The song melodies and the way Clay Barton sings sometimes reminds me of finnish power metal band Sonata Arctica but Suspyre is not as sophisticated IMO. Synth is a big part of Suspyre´s sound on The Silvery Image and I must admit that the heavy use of synth does kill the energy after a while. The music simply becomes too trivial. The Breath of Gloria is a bit different though as it is a semi ballad song with sax. It´s a bit too cheesy if you ask me.

The musicianship is good. There is no denying that these musicians can play their instruments. Singer Clay Barton is a classic high pitched heavy metal singer who sometimes reminds me of good old Michael Kiske from Helloween. Clay Barton is very skilled, but he doesn´t stand out from other singers in progressive metal.

The production is massive and you´re not left much room to breathe. Full on symphonic progressive metal attack.

The cover artwork gives the music away. A perfect suit for Suspyre´s sound.

As such this is a good progressive metal album. High quality compositions, great musicanship and a good production. Suspyre fail to capture my attention for long though and their music does become a bit generic after a while. I can only hope for a more personal touch to their music on future releases. The 3 stars are well deserved though as The Silvery Image is a quality product.

It's a bloody shame that with all the metal fans on this forum this album has only one (1) review upto now! (This is #2) This is a great, innovative (as much as that is possible) metal album but within the classical confinement of the genre. Anybody loving Symphony X of the period Divine Wings of Tragedy, or Dream Theater of their Scenes period, and loves the use of lots of symphonic themes within the context of metal, should give this a try. I cannot spot any weak parts on this album, although The Singer, the incredible instrumental Galactic Backward Movements and Manipulation in Time (not by accident the longest tracks...since for me they could make any track 10 minutes without boring me) are my favorites.

A very nice release from a band that really works hard at being if not groundbreaking then at least a destroyer of musical boundaries.

With a main basis in prog metal, they combine that music with classical, jazz/fusion and adds some elements of thrash to the mix as well; creating long songs with seamless movements in style, pace and sound - and fleshing out this release with some brilliant shorter mood pieces.

Influences from others can be heard, but the band is not derivative; more like original - or at least truly imaginative.

And they make their somewhat unique style of music accessible as well. Clearly worthwhile checking out this one!