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BLIND GUARDIAN

Progressive Metal • Germany


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Blind Guardian biography
BLIND GUARDIAN were founded in the mid 1980s in Krefeld, Germany as an "ordinary" speed/power metal band. Beginning with their third album, "Tales from the Twilight World", they expanded their musical vocabulary and would eventually create their very own style which is still rooted in speed/power metal, but is also very orchestral and epic, with rich arrangements of guitar lines and vocals and an ever-present medieval/folky presence. Lyrically the band - or rather singer Hansi Kürsch who writes most songs and lyrics - always had a faible for fantasy stories ... "Imaginations from the Other Side" for example is - among other things - picking up elements from the King Arthur myth (Merlin, Mordred etc), and their 1998 grand opus "Nightfall in Middle-Earth" is even a concept album based on J.R.R. Tolkien's "Silmarillion". Having said all this it has to be noted that their style is not really similar to that of the genre's "top dogs" - DREAM THEATER, PAIN OF SALVATION or TOOL for example sound nothing like BLIND GUARDIAN. Maybe it's because the usual obvious "prog traits" like frequent time signature changes or exceedingly complex structure are rarely used by BLIND GUARDIAN ... this may make them a little bit difficult to accept by prog "hardliners", but it also makes them a very refreshing diversion for the more adventurous prog fans out there.



Why this artist must be listed in www.progarchives.com :
The band was cleared for addition by the prog metal team. When discussing their prog status it's important to know that they had a prog phase which mainly consists of the albums Imaginations from the Other Side, Nightfall in Middle-Earth and A Night at the Opera.



Discography:
Battalions of Fear (1988)
Follow the Blind (1989)
Tales from the Twilight World (1990)
Somewhere Far Beyond (1992)
Tokyo Tales (1993)
Imaginations from the Other Side (1995)
The Forgotten Tales (1996)
Nightfall in Middle-Earth (1998)
A Night at the Opera (2002)
Live (2003)
A Twist in the Myth (2003)

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Memories of a Time to ComeMemories of a Time to Come
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Nightfall in Middle EarthNightfall in Middle Earth
Remastered · Extra tracks
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Memories of a Time to ComeMemories of a Time to Come
Import
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Twist in the MythTwist in the Myth
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Night at the OperaNight at the Opera
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Nightfall in Middle EarthNightfall in Middle Earth
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Follow the Blind (Reis)Follow the Blind (Reis)
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BLIND GUARDIAN discography of albums and videos


Ordered by release date | Help Progarchives.com to complete the discography and add albums

BLIND GUARDIAN Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.03 | 61 ratings
Battalions of Fear
1988
2.92 | 56 ratings
Follow the Blind
1989
3.28 | 58 ratings
Tales from the Twilight World
1990
3.60 | 79 ratings
Somewhere Far Beyond
1992
3.97 | 117 ratings
Imaginations from the Other Side
1995
3.96 | 172 ratings
Nightfall in Middle-Earth
1998
4.01 | 130 ratings
A Night at the Opera
2002
3.00 | 62 ratings
A Twist in the Myth
2006
3.57 | 73 ratings
At The Edge Of Time
2010

BLIND GUARDIAN Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.56 | 17 ratings
Tokyo Tales
1993
3.48 | 24 ratings
Live
2003

BLIND GUARDIAN Videos (DVD, Blu-ray, VHS etc)

4.33 | 15 ratings
Imaginations Through The Looking Glass
2004

BLIND GUARDIAN Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.54 | 32 ratings
The Forgotten Tales
1996
4.33 | 3 ratings
Memories of a Time to Come
2012

BLIND GUARDIAN Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 7 ratings
A Past and Future Secret
1995
3.38 | 7 ratings
Mr. Sandman
1996
4.29 | 7 ratings
Mirror Mirror
1998
3.35 | 12 ratings
And Then There Was Silence
2001
4.25 | 8 ratings
The Bard's Song (In the Forest)
2003
3.00 | 6 ratings
Fly
2006
3.63 | 8 ratings
Another Stranger Me
2007
2.38 | 7 ratings
A Voice In The Dark
2010

BLIND GUARDIAN Music Reviews


Showing last 10
 The Forgotten Tales by BLIND GUARDIAN album cover Boxset/Compilation, 1996
3.54 | 32 ratings

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The Forgotten Tales
Blind Guardian Progressive Metal

Review by 1967/ 1976

5 stars A GREAT EXAMPLE OF PROGRESSIVE METAL: In my opinion, "The Forgotten Tales" is a compilation that features 13 songs of which 5 are new versions, 1 is live recording, 2 were from singles, 3 are new songs (they are covers). But this does not mean anything. What is important is the fact that "The Forgotten Tales" is a beautiful masterpiece of Progressive Metal. What is surprising is that the Teutonic Metal (mix of Speed ​​ Metal, Power Metal, Hard Rock, Classic Metal and Symphonic Metal) Blind Guardian is not present here. It may seem strange, but "The Bard Song" sounds like a folk song! "Barbara Ann / Long Tall Sally" sounds like a pure example of Rockabilly. For the rest of this album is amazing in "The Wizars" (Uriah Heep cover) is an extreme example of Power Metal. But it is acoustic and orchestral versions in that this album is a winner. Not so much in "A Past and Future Secret" but in "Bright Eyes" you can feel a magic really impressive. "To France", a Mike Oldfield song, emits vibrations as the original version could not convey. "Theatre of Pain" is another immense pearl.

DEFECTS OF THIS ALBUM: As always criticize the vocals of Hansi Kursch is the least you can do. It must be said that I realized that this is a fault common to the modern Teutonic Metal and Power Metal. There is nothing to do. Another point of criticism (and at the same time value) is the extremely clean recordings: digital technology helps, but at the same time, makes Blind Guardian, a bit 'prissy band. Another flaw in the years that has been associated with bands like Scorpions, just as an example.

ADVANTAGES OF THIS ALBUM: The acoustic version and the orchestral versions are geat. This shows that not serve electric instruments and dose of aggressiveness to play Heavy Metal. Another merit is the fact that this album shows us that often classify a band into a certain genre is wrong. Often the bands that go down in history have been inspired by various genres, and often have moved in real genres, so much so that in a site Prog Blind Guardian are we ever classify as Prog Metal.

IN CONCLUSION: "The Forgotten Tales" probably is one of my preferred Prog Metal albums. But probably "The Forgotten Tales" is one of my preferred Prog albums. "The Forgotten Tales" is an album that vibrates, moves, leaving bewildered. If it were released in 70's could rewrite the history of Progressive and Rock in general.

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 A Night at the Opera by BLIND GUARDIAN album cover Studio Album, 2002
4.01 | 130 ratings

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A Night at the Opera
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

3 stars I guess it's no surprise Blind Guardian named this album after Queen's most critically acclaimed one (though it is a bit presumptuous) - after all, the main difference between this one and its predecessors is the band's deliberate use of decidedly Queen-like vocal harmonies, Queen-like mass overdubs, and a thorough injection of Queen-like pomp rock. To be honest, it doesn't make Blind Guardian's latter-day musical approach any more palatable to me, but I guess if you're really into power metal and really into Queen then it'll probably appeal to you. To be honest, I'd rather just listen to the better tracks off the original Night at the Opera again.

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 Nightfall in Middle-Earth by BLIND GUARDIAN album cover Studio Album, 1998
3.96 | 172 ratings

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Nightfall in Middle-Earth
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

3 stars Blind Guardian's Nightfall In Middle-Earth finds the band moving out of their comfort zone and doing something a little ambitious - a lavish concept album drawing on the narrative of the Silmarillion, the body of myth and legend penned by Tolkien which forms the backstory to The Hobbit and The Lord of the Rings. Whilst many artists find that the concept album format helps add focus and direction to their music, I feel Blind Guardian stumble here.

Firstly, they inject the album with far too many narrative interludes, ruining the flow of the music; secondly, even with the narrative interludes, the plot is extremely hard to follow unless you're already very familiar with the story. In retrospect, they might have had a bit more success if they'd honed things down to focus on a particular story from the Silmarillion rather than trying to take in as much of the whole narrative as they could.

Finally, when it gets right down to it the music on this album is much the same as on any other Blind Guardian album from this period in their career - cheesy power metal with stirring vocal harmonies are the order of the day and there really aren't that many surprises. In short, what you get here is an alright Blind Guardian album bogged down by the band's attempt to add narrative structure.

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 Imaginations from the Other Side by BLIND GUARDIAN album cover Studio Album, 1995
3.97 | 117 ratings

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Imaginations from the Other Side
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

3 stars Blind Guardian's Imaginations From the Other Side is a forceful power metal album of the sort we've all come to expect from Blind Guardian... and that, in a way, is part of the reason why I feel it's a rather middling release from them. The performances are decent enough, but they and the songwriting are all more or less exactly along the lines we expect from power metal these days. The end product is clearly a highly polished one - but it's polished to the point of sounding sterile and artificial to my ears, an exercise in setting out a blueprint for Dragonforce and a horde of other super-fast power metal bands in the coming years as opposed to a creation of something genuine and sincere.

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 At The Edge Of Time by BLIND GUARDIAN album cover Studio Album, 2010
3.57 | 73 ratings

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At The Edge Of Time
Blind Guardian Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "At The Edge Of Time" is the 9th full-length studio album by German power metal act Blind Guardian. The album was released through Nuclear Blast Records in July 2010. The album is the first album release by Blind Guardian since "A Twist in the Myth (2006)".

"Sacred Worlds" opens the album in symphonic style and almost recalls the orchestral grandur and semi-progressive nature of the music on "A Night at the Opera (2002)" (and actually closes the album in a similar symphonic style with "Wheel of Time"), but the band have more things up their sleeve. "At The Edge Of Time" is actually quite the varied album with both epic symphonic tracks, faster paced speed/power metal tracks and folky tracks. In other words all the best from the Blind Guardian songwriting formula. Compared to "A Twist in the Myth", "At The Edge Of Time" features less hard rock elements and more of a metal sound. They occassionally visit their more raw early- to mid- nineties speed/power metal style albeit in a more polished, less raw and more epic and symphonic sounding format and itīs nice to hear that they havenīt forgotten how to play harder edged music yet.

"At The Edge Of Time" is a well produced affair even though I could have wished for at less dry and sterile drum production. The musicianship is of course impeccable and the songwriting clever. Personally I was slightly disappointed by "A Twist in the Myth" and I welcome the return to a more metal oriented sound on "At The Edge Of Time". I guess there are little here that will surprise anyone but itīs still a greatly enjoyable and high quality release deserving a 3.5 - 4 star (75%) rating.

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 Somewhere Far Beyond by BLIND GUARDIAN album cover Studio Album, 1992
3.60 | 79 ratings

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Somewhere Far Beyond
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Somewhere far beyond takes the approach of Tales From the Twilight World, diversifies the sound a little, and continues down the usual Blind Guardian path of endearingly dorky fantasy fiction references wrapped in power metal riffs. This time around, the band sound more confident than ever - perhaps at points verging on the pretentious, but power metal is one of those genres which benefits from time to time from a little bit of megalomania - and the inclusion of some elements of folk metal makes it a bit less homogeneous than previous albums from the group. On the whole, the early 1990s was a very exciting time to be a Blind Guardian fan, thanks precisely to albums like this.

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 Tales from the Twilight World by BLIND GUARDIAN album cover Studio Album, 1990
3.28 | 58 ratings

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Tales from the Twilight World
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Tales From the Twilight World catches Blind Guardian in the midst of their transformation from a power metal-flavoured hybrid of speed and thrash metal to masters of purebred power metal. With lyrical subjects drawn from a range of genre fiction touchstones, the album is the band's most confident of their first three, and whilst the album may be unabashedly dorky at points (such as at the chorus of Tommyknockers), it's almost impossible not to get into the spirit of things, particularly when the band play such a tight and exciting set. Not for all tastes by any means, but power metal fans will find a lot to love here.

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 Follow the Blind by BLIND GUARDIAN album cover Studio Album, 1989
2.92 | 56 ratings

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Follow the Blind
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Blind Guardian's second album continues in much the same vein as the first, with a guest appearance from Helloween veteran Kai Hansen underlining their position at the heart of the European power metal and speed metal scenes. Still thrashier and angrier than the sound they'd develop later in their career, the band prove the diverse range of their abilities by rounding the album off with a cover of NWOBHM standard Don't Break the Circle (originally by Demon) as well as showing their sense of humour with a thrashed-up cover of the surf rock classic Barbara Ann. On balance, there isn't a whole lot of musical development shown over the debut album, but aside from that this is another enjoyable disc.

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 Battalions of Fear by BLIND GUARDIAN album cover Studio Album, 1988
3.03 | 61 ratings

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Battalions of Fear
Blind Guardian Progressive Metal

Review by Warthur
Prog Reviewer

4 stars Blind Guardian's debut album may not be the most original thing they've ever released, the group still grasping towards their distinctive style, but shadows of the symphonic-influenced power metal powerhouse they would eventually become can be glimpsed here and there, and the band bring to the material they have here an energy and enthusiasm which is genuinely infectious. Maybe it is the case that the most classically-tinged track on here is a bonus track (Gandalf's Rebirth), but the thrash and speed-influenced material that makes up the rest of the album represents a more aggressive side of the band that would often be eclipsed later in their career, but which to me is no less compelling than their classic power metal style.

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 Nightfall in Middle-Earth by BLIND GUARDIAN album cover Studio Album, 1998
3.96 | 172 ratings

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Nightfall in Middle-Earth
Blind Guardian Progressive Metal

Review by Isa
Prog Reviewer

3 stars |C| One of the better cheesy power-folk metal albums out there.

The power-folk metal genre is more often then not an inevitable ball of cheese, for any band. Now don't get me wrong, I have no prejudice against the style. There are bands that pull it off effectively and convincingly, Wintersun being a perfect example, in my opinion. However, this output falls more within the cheese-ball arena, and there are far too many mediocre bands that sound almost exactly like this. However, even with that in consideration, there's some quality work in this album. Certainly an album in the spirit of Tolkien's work is one to check out.

From what I can tell from this work, Blind Guardian is generally more artistic and skilled at their craft than most of their power-folk counterparts. I really like the diverse and effective use of non-rock instruments, especially in the folk sections of the album, and some of the heavier power-metal sections as well. The overall composition has a good sense of detail. What's more there are a lot of good riffs, melodies, sound-effects, etc., and a decent coherent lyrical concept that helps the album hold its own in. I'm sure a read of the Silmarillion and how the lyrics are musically conveyed would be a fascinating study. There are some solid tracks on here as well, Eldar (that pianist has some chops!) and Blood Tears are my favorites, and A Dark Passage was a great ending song.

Quality of craft is certainly less often the case in the all-out power-metal sections of fast rhythm-guitar strumming, fast sweeping scale runs, stereotypical cutting guitar tone, and double-bass madness that sound exactly like every other power-metal band out there (Nom the Wise a perfect example). I also really dislike the vocalist, he has little to no subtly in his singing, even in the soft folk sections. He's either a growling orc or a nasally over-forced minstrel, and as Prog-Leviathan pointed out, you can pretty much hear him switch between the two like an on-off button. And his vocal track could've used some reverberation, it sounds a bit awkward sometimes as naked as it is. Sometimes the effects are used just to be there and add to the cheesiness, as in Noldor (Death Winter Reigns).

Basically this is an artistic album of (literally) Tolkien-ish power-folk metal, which ranges from convincing and great work to painfully unconvincing and mediocre (sometimes downright boring) composition. Some tracks are great, some are cheesy, some are boring. That sums up this album. If you're into the power-folk scene, this album is pretty much essential. Otherwise, there are thousands of albums that would be more worth your time. Get this if you're an avid Tolkien fan, I suppose.

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