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NIGHTWISH

Progressive Metal • Finland


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Nightwish biography
Finland's NIGHTWISH has founded a medium where pure angelic vocal beauty combines with rugged metal guitars, and where intricate keyboard arrangements team up with driving rhythms, creating a soaring stylistic mix. 2003's symphonic metal shining star Century Child has set the band upon a stunning adventure in crafting a unique and genre-defining sound.

Humbly begun in 1997 as keyboardist Tuomas Holopainen's, guitarist Emppu Vuorinen, and trained operatic vocalist Tarja Turunen's ill received acoustic project, they found balance when they added drummer and percussionist Jukka Nevalainen and opted replace acoustic with electric guitars. Entranced with their new identity, NIGHTWISH was quickly signed to Finland's premier label, Spinefarm. Debut "Angels Fall First" made a huge impression upon the scene thanks to its unique hybrid of sounds and styles, with much of the focus centering on the operatic and enigmatic singing of front woman Tarja. The initial offering was soon followed by the even more progressed and adventurous "Oceanborn", which stayed in the Finnish pop charts for over 30 weeks. At this time, they had three singles in the top 10. This success led to packed shows in Finland, and soon to continental European shows and ensuing success. The overseas reactions and a growing cult-like interest in the United States encouraged Century Media to sort out a licensing agreement securing their next studio output for domestic release, as well as the two back catalogue pieces so they could be appreciated by a wider audience. In 2000 the band released their third effort, "Wishmaster", immediately going platinum at home and selling well over 20,000 units in the U.S. with very little support or notoriety from the industry and promotional outlets.

The year 2002 was one filled with many successful events for the band. NIGHTWISH acquired bassist Marco Hietala (TAROT, SINERGY), who added another dimension to NIGHTWISH's enveloping sound. Marco, in addition to his commanding bass lines, contributes powerful male vocals. The band returned to long time recording home Finnvox Studios (STRATOVARIUS, CHILDREN OF BODOM, SENTENCED) to record drum tracks. They then moved to their hometown of Kitee, Finland to record guitars, bass and keyboards. In March 2002 they returned to Finnvox to record vocals, choirs and percussions, and to mix the album. What came out of these recording sessions is sheer magnificence. From the choral introduction of "Bless the Child," ...
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Endless Forms Most BeautifulEndless Forms Most Beautiful
Nuclear Blast America 2015
Audio CD$9.58
$9.66 (used)
ImaginaerumImaginaerum
Roadrunner Records 2012
Audio CD$13.97
$10.61 (used)
OnceOnce
Extra tracks
Roadrunner Records 2004
Audio CD$7.21
$2.40 (used)
Dark Passion PlayDark Passion Play
Roadrunner Records 2007
Audio CD$7.27
$3.54 (used)
Century ChildCentury Child
Extra tracks · Import
Universal Import 2002
Audio CD$4.99
$9.18 (used)
WishmasterWishmaster
Extra tracks
Spinefarm Records 2008
Audio CD$4.99
$4.34 (used)
OceanbornOceanborn
Extra tracks
Spinefarm Records 2008
Audio CD$4.99
$4.50 (used)
Angels Fall FirstAngels Fall First
Extra tracks
Spinefarm Records 2008
Audio CD$4.99
$4.04 (used)
End Of An Era (Blu-Ray)End Of An Era (Blu-Ray)
Multiple Formats · Blu-ray
Nuclear Blast America 2012
Blu-ray$14.42
$14.41 (used)
Over the Hills & Far AwayOver the Hills & Far Away
Import
Universal I.S. 2007
Audio CD$4.99
$9.56 (used)
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NIGHTWISH shows & tickets


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NIGHTWISH discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

NIGHTWISH top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.73 | 116 ratings
Angels Fall First
1997
4.01 | 209 ratings
Oceanborn
1998
3.47 | 133 ratings
Wishmaster
2000
3.38 | 122 ratings
Century Child
2002
3.63 | 181 ratings
Once
2004
3.86 | 175 ratings
Dark Passion Play
2007
3.80 | 123 ratings
Imaginaerum
2011
3.00 | 11 ratings
Imaginaerum: The Score
2012
3.74 | 113 ratings
Endless Forms Most Beautiful
2015

NIGHTWISH Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.86 | 14 ratings
From Wishes to Eternity
2001
4.33 | 50 ratings
End Of An Era
2006
2.93 | 18 ratings
Made In Hong Kong (And In Various Other Places)
2009
3.94 | 17 ratings
Showtime, Storytime
2013

NIGHTWISH Videos (DVD, Blu-ray, VHS etc)

4.23 | 17 ratings
From Wish to Eternity - Live
2001
2.57 | 9 ratings
End of Innocence
2003
3.00 | 3 ratings
Nemo
2004
3.00 | 5 ratings
Wish I Had an Angel
2004
4.00 | 3 ratings
Once
2006
3.40 | 5 ratings
Amaranth
2007
3.97 | 29 ratings
End of An Era
2007
2.80 | 5 ratings
Bye Bye Beautiful
2008
4.10 | 10 ratings
Showtime, Storytime
2013

NIGHTWISH Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.50 | 2 ratings
Golden Wishes
2001
3.57 | 5 ratings
1997 - 2001
2001
3.13 | 8 ratings
Tales From The Elvenpath
2004
3.76 | 24 ratings
Highest Hopes - The Best Of Nightwish
2005
2.50 | 2 ratings
Bestwishes
2005
3.00 | 1 ratings
Ballads of the Eclipse
2006
2.50 | 2 ratings
The Sound Of Nightwish Reborn
2008
2.95 | 2 ratings
Walking in the Air - The Greatest Ballads
2011
5.00 | 1 ratings
Endless forms most beautiful TOUR EDITION
2015

NIGHTWISH Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.17 | 3 ratings
Demo
1996
2.91 | 5 ratings
The Carpenter
1997
4.00 | 6 ratings
Sacrament of Wilderness
1998
3.75 | 4 ratings
Passion and the Opera
1998
3.00 | 5 ratings
Walking In The Air
1999
2.94 | 7 ratings
Sleeping Sun (Four Ballads Of The Eclipse)
1999
2.59 | 8 ratings
Deep Silent Complete
2000
3.67 | 3 ratings
The Kinslayer
2000
3.00 | 1 ratings
Wishmastour 2000
2001
3.02 | 26 ratings
Over The Hills And Far Away
2001
3.50 | 7 ratings
Ever Dream
2002
3.73 | 13 ratings
Bless The Child
2002
3.90 | 11 ratings
Nemo
2004
2.68 | 13 ratings
Wish I Had An Angel
2004
3.32 | 7 ratings
Kuolema Tekee Taiteilijan
2005
4.43 | 12 ratings
The Siren
2005
3.71 | 8 ratings
Sleeping Sun
2005
2.00 | 3 ratings
Erämaan viimeinen
2007
1.37 | 8 ratings
Amaranth
2007
1.07 | 7 ratings
Eva
2007
3.17 | 6 ratings
The Islander
2008
2.80 | 5 ratings
Bye Bye Beautiful
2008
1.50 | 2 ratings
Amaranth
2009
3.20 | 5 ratings
The Crow, The Owl And The Dove
2012
4.00 | 2 ratings
Storytime
2012
3.43 | 7 ratings
Elan
2015
0.00 | 0 ratings
Endless Forms Most Beautiful
2015

NIGHTWISH Reviews


Showing last 10 reviews only
 Imaginaerum by NIGHTWISH album cover Studio Album, 2011
3.80 | 123 ratings

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Imaginaerum
Nightwish Progressive Metal

Review by kenethlevine
Special Collaborator Prog-Folk Team

4 stars Every once in a great while a prog metal album earns my attention and eventually affection if not outright obsession. If I was to sketch out a template for an exemplary specimen in this sub genre, it would exclude growls but include male and female vox; be melodramatic and highly visual; juxtapose crunchy riffs with light catchy melodies; and of course include some concession to the folk idiom. It would sound a lot like "Imaginaerium" by NIGHTWISH. Of all these characteristics, it's their ability to transition over the top, even operatic vocals, heavy guitars and symphonic orchestration to tunes reminiscent of childhood nursery rhymes that completely wins me over. This deliberate lapse into nostalgia marks the fulfilment of the concept, and is just plain entertaining as well. It begins with the breathless "Storytime" and is eclipsed by the Celtified "I want my tears back", resuming on the schizophrenic "Rest Calm" and capped on the frenetic "Last Ride of the Day". Along the way are several more even tempered pieces like the languid jazzy "Slow Love Slow", the gorgeous "Turn Loose the Mermaids" and the even more sensitive "The Crow, The Owl and the Dove". At times the feverishness threatens to dampen the forehead, as in "Ghost River" and "Scaretale", but this remains a compelling work of the imagination that has also found a significant following in the prog world and beyond.

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 Once by NIGHTWISH album cover Studio Album, 2004
3.63 | 181 ratings

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Once
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

3 stars Nightwish, the Finnish band that uses a hard-riffing combination of power metal, opera, and stage musical delivers a solid but not outstanding release with Once.

Nightwish is that kind of band that sort of takes a special person to really love, mostly because they combine not one... but two power metal gimmicks: female-led vocals, and use of symphony to support the aggressive guitar- driven riffing. The result is a lush, sweeping, romantic, heavy metal, and incomparably cheesy experience. Once pulls this off better than a lot of other bands that use these two gimmicks, but doesn't do so without a few yawns in the mix.

First off, the good stuff: the musicianship on this album is first rate, and the symphony inclusions are actually quite smart. Unlike some metal bands which sort of just have the violins provide a counter-melody for the guitar players, Nightwish finds very creative and organic ways to make use of the full symphonic experience. The result is an exciting and very full sounding experience. At times, it really does feel more like the guitar and drums are accompanying the symphony. This gives the best parts of Once a feeling of gravitas that is unique and a lot of fun. There aren't much in the way of stand-out instrumental soloing, but the result of the compositions is strong and sweeps you up.

The writing is very hit and miss though. A few standout tracks like the massive opener, Dark Chest of Wonders, the highly nuanced and evocative Creek Mary's Blood, and the cinematic spectacle of Ghost Love Score are the clear standouts. The other tracks are largely forgettable, though their powerful melodies and moments are fun while they last. A few songs feel directionless when taken as a whole, or make easy choices and become more standard, 4-minute head bangers.

Finally, let's talk about the vocals. This is the last Nightwish album to feature vocalist Tarja Turunen. Read the reviews above and you'll see adjectives like "angelic," "beautiful," or "elegant," used to describe her voice. In my opinion, this is fanboy gushing. Her voice is demure and largely inflectionless, especially during the powerful moments. I'd take a less classically trained singer who could at least emote genuinely any time. Her voice is a unique part of the album that gives it a nice charm, but is definitely not a selling point, nor are the eye-rolling lyrics she sings. The male backing vocals, which are gruff and aggressive, are more appealing. Vocals are the second gimmick that just doesn't work for me here.

So even with a few marks against it, Nightwish's Once remains a worthy purchase for fans of power metal, and especially those seeking something especially theatrical and artsy. This isn't the place to begin listening to Nightwish though, I recommend the band's following two albums for that, which feature more interesting songs and better female vocals.

Songwriting: 3 - Instrumental Performances: 4 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 4

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 Oceanborn by NIGHTWISH album cover Studio Album, 1998
4.01 | 209 ratings

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Oceanborn
Nightwish Progressive Metal

Review by Quinino
Collaborator Errors & Omissions Team

5 stars My ALL-TIME Greatest #13

After being so many years in a relative (big) ignorance of what was going on in the musical scene, my discovering PA sometime ago was like entering a treasure cave; by chance alone, one of the first bright riches to entice my attention was this curiosity of a band called Nightwish.
It crosses my mind that maybe I got then a bit dazzled by the sudden discovery, but justice be made, up until this day I keep on feeling great pleasure listening to most of their music, and in particular some of it is on this record.

Global Appraisal

Nightwish sound metal and/but melodic, powerful and grandiose, but above it all hovers the soprano lyrical voice of this phenomenon by the name of Tarja; with Tuomas operatic inspired keyboards it's what most characterizes this album, and as well all in this 1st phase until Tarja left.
In my personal db I rate with max five of the tracks and the others with no less than 4, but the main reason for my 'All-Time' choice is that WOW factor which hasn't faded with time.

Goodies

The above mentioned vocals and keys, surely, that make this one-of-a-kind band so appealing to me. Compositionwise have to be praised the beautiful melodies of the two outstanding ballads that close the album.

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 Imaginaerum by NIGHTWISH album cover Studio Album, 2011
3.80 | 123 ratings

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Imaginaerum
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

4 stars Nightwish does a great job blending hard-hitting guitar riffs, entertaining compositions, choral arrangements, and symphonic instrumentation into a solid and approachable metal package. Imaginaerum is many things, and maybe tries to achieve too much during its running time, but pulls it off stylishly and memorably. It's all good, occasionally great, and sometimes excellent. Most appealing of all is the fact this group is doing something unique within a genre dominated by guitar-led soloists and men who sound like women.

The album opens with the winding of a music box which grows to an ever more lush and dynamic overture. It evokes sort of a sweeping orchestral feel that captures the imagination. And then the chugging begins. We're brought into the first real song "Storytime," an upbeat, energetic and riff-fueled rocker that has trombones blasting out hits alongside the drumming, and violins accompanying the female vocals, and epic walls of choir sound. There's a bit of cheese in there, but the overall effect is very enjoyable, and Nightwish does an outstanding job of giving the orchestra and choir something to do besides just support the band. In fact, I don't recall a single guitar or keyboard solo throughout the entire album. Heresy!

As things continue we're given moments of hard and heavy metal, folksy balladry, epic percussive moments, and emotive vocals. There is a lot of variety to be found here, a nice welcome compared to the typical prog metal fare. Here's a few examples:

"Slow, Love, Slow" is a mellow and lush ballad that has has a jazz-club feel, with brushed drum work and trumpets blowing away in the background. What a surprise, considering that the track before had harsh, throaty guitar riffing.

"Scaretale" is one of the better metal songs. It has a bouncy and stylish tone that makes it feel like something from an early Tim Burton film. It's heavy, quirky, and filled with hooks. Yeah it's a little silly, but the combination of vocalists and styles works well.

"Arabesque" is probably one of the standout tracks. It's an instrumental with an eastern flair that builds and builds and builds to a massive percussion finale that completely grabs hold of you.

"Turn Loose the Mermaids" begins with thoughtful balladry with acoustic flutes and piano that accompany the vocals... and then all the sudden we shift into the drums, violins, and trumpet fanfare of a spaghetti western. No I'm not kidding, and yes it is as fun as it sounds.

In being objective its safe to say that Imaginaerum will appeal to some more than others, but if you're interest in heavy music fronted by a first-rate female vocalist, or are a prog metal fan interested in something that stands out uniquely in a sea of Dream Theater soundalikes, this album comes highly recommended.

Songwriting: 4 - Instrumental Performances: 3 - Lyrics/Vocals: 3 - Style/Emotion/Replay: 4

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 Dark Passion Play by NIGHTWISH album cover Studio Album, 2007
3.86 | 175 ratings

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Dark Passion Play
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

4 stars Dark Passion Play is artistic power metal in the first degree, bursting at the seams with sweeping compositions, massive guitar riffs, orchestral flair, and a bit of camp. It'll delight prog-metal lovers and repulse everyone else... what more can you ask for!

The album opens with "Poet and the Pendulum", a 13-minute epic that pretty much defines the band's sound and takes you on a theatrical journey which throws together numerous tempo and mood changes, as well as a variety of vocalists and instrumentation. It's a huge song with irresistible hooks, riffs, and emotional bits; a killer track.

Nightwish is known in part for its feminine vocals, distinguishing it from other prog metal bands and providing a host of new textures and sounds to explore. Anette Olzon does a wonderful job throughout, though I don't think her voice is as beautiful or as prominent a component as some other reviewers. Because so much of her singing uses long sustains, it actually comes off as sounding bland. However, when paired against gruff, traditional metal vocals of Hietala - and especially when sung over the outstanding instrumentals, the overall effect is very enjoyable; more so than many other female-fronted metal bands out there. If you like metal, but are turned off by metal grunts and growls, you'll be pleased by Nightwish's combination of singers.

The orchestra is also well-implemented, providing emphasis, textures, and sometimes taking the spotlight to create drama and scope to the songs. As if the powerful guitar and bass weren't enough! The excellent drumming by Nevalainen completes the fully metal crushing that Nighwish accomplishes. However, one thing I appreciate a lot about Nightwish's songwriting is that they don't set the dial to 11 and leave it there. There is a lot of acoustic moments, and even some folksy diversions to keep the effect fresh and exciting. "The Islander" is the standout showcase of this style, a sea-shanty style song that does an amazing job of evoking the misty shores of Ireland with its celtic feel.

So, if you're into prog metal, and can stomach more than a bit of excess, you'll find a ton to like with Dark Passion Play.

Songwriting: 4 - Instrumental Performances: 4 - Lyrics/Vocals: 4 - Style/Emotion/Replay: 5

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 End of Innocence by NIGHTWISH album cover DVD/Video, 2003
2.57 | 9 ratings

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End of Innocence
Nightwish Progressive Metal

Review by Matti
Collaborator Neo-Prog Team

2 stars My review is the second one for this documentary DVD, and quite the opposite to T. Moura's very kind - though not toothless - approach. I feel I terribly wasted nearly three hours of my life - no, less, because I really couldn't avoid using x16 speed here and there. Anyone knowing my music taste would ask why I chose to watch a Metal band documentary in the first place. I do have a (very tiny) interest towards NIGHTWISH's music, and I think I wasn't very wrong to hope for a better film.

It was on an artistic level of seedy bonus materials one usually finds on concert DVD's, where they are naturally shorter, just a little extra to please fans. Imagine over two hours of that. A messy salad of these ingredients: the retrospective talk by frontman Tuomas Holopainen and drummer Jukka Nevalainen - this stuff, filmed on a dim summer cottage, is more or less the main substance, cut into little pieces amidst everything else - ; silly backstage footage that confirmed my each and every prejudice of Heavy/Metal world's ridiculous rituals; low-quality concert clips; amateurish footage from tours all over the world; awkward inside jokes; and... well, that's basically all. Many a time someone says to the camera something like "This must not come into the DVD". Right. Nightwish had at this point released four albums, and was indeed too young and unmatured band to make so lengthy documentary about!

Anyway, I felt sympathy for Tuomas and his feelings. In the summer and autumn of 2001 he felt like having enough of it all, the heavy touring, too busy studio schedules, the alienating effect of success etc, and made a decision of breaking the band. After spending some time off in the majestic Northern Finnish landscapes he came to his senses. He confesses how he regrets his cowardice of not sacking the original bassist face to face. Apart from Tuomas's seriousness on his retrospective confessions (and Jukka's), everyone on this film is seen only from the phoney and brainless angle of show biz. The operatic soprano Tarja Turunen, who was later notoriously sacked by a public letter, seems quite a nice bandmate among wild Heavy Metal guys. And prettier at least.

There are plenty of extras too, but I don't consider them so interesting either. Two music videos, a photo gallery, MTV Brazil interview, a low-quality concert footage from Norway and Germany's Summer Breeze Festival 2002. I could rate this with one star on my personal reception, but for a die-hard fan this is undoubtedly a more precious look inside the band's early stages.

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 Endless Forms Most Beautiful by NIGHTWISH album cover Studio Album, 2015
3.74 | 113 ratings

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Endless Forms Most Beautiful
Nightwish Progressive Metal

Review by watcherofthesky

5 stars The first album with Floor Jansen ex after Forever. I listen an album solid, powerful, amazing production, melodic, heavier, excellent balance, an inspired Toumas, and an amazing Floor, the new Queen of Prog Metal. Much better than it's predecesores. My favourites songs: Weak Fantasy, Shudder Before.., Endless Forms.., Yours is an Empty Hope and the Epic The Greatest Show On Earth. Without Tarja, the sound maybe became less gothic but with Floor is more Prog. My Favourite Nightwish album, very recomended to fans of Metal Symphonic, Prog Metal, but if you are Tarja fan to die you maybe will be disappointed.

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 Endless Forms Most Beautiful by NIGHTWISH album cover Studio Album, 2015
3.74 | 113 ratings

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Endless Forms Most Beautiful
Nightwish Progressive Metal

Review by M27Barney

5 stars Just Like "Room V" by Shadow Gallery and "Scenes from a Memory" by Dream Theater this CD has introduced me to a new progressive metal band. And just like those two CD's I mentioned ? it has had a massive impact on me. I haven't heard any of the back catalogue ? so it should be fun sampling some of those in the next 12 months. Anyway, this CD ? almost certainly a must get CD because it is a lengthy concept, a full 78 minutes and I feel that it keeps its focus all the way through. I must admit to being pleased ? that finally a band has had the guts to base their concept on the theory of evolution! The epic is named after Richard Dawkins (Evolutionary Professor, who graduated from and lectured at Oxford University) book "The Greatest Show on Earth" ? and they even have Mr Dawkins Narrating on the CD (excellent touch I feel). I really like the vocals by Floor Jansen, the compositions are tight and the musicianship is good also.

This band sound like a cross between Shadow Gallery and Ayreon to me!

I love the mellotron, and general keyboards and the ambience at the end is Awesome!

I have to give this five stars for its audacity and great delivery, it might even get some faith-heads delving into some of mankind's better books (Like the "Extended Phenotype" by Mr Dawkins or "On the Origin of Species" ? one of the most important books ever written) ? forget the bible ? it's utter nonsense ? and get into Finnish Prog-Metal. PEACE.

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 Endless Forms Most Beautiful by NIGHTWISH album cover Studio Album, 2015
3.74 | 113 ratings

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Endless Forms Most Beautiful
Nightwish Progressive Metal

Review by javajeff

5 stars The first studio album with Floor Jansen is excellent. Other than her apparent beauty, she is a humble and classy gal in live performances that make her easy to appreciate as a person. She really gets to show off her voice in soft ballads and rocking metal, and she fits this band perfectly. While I appreciate the previous singers, this lineup may have just produced their best album to date. Endless Forms Most Beautiful has the classic Nightwish sound with epic tracks and hard hitting metal. If you like to have at least one long track on a favorite prog album, there is good news because "The Greatest Show On Earth" clocks in at 24 minutes. This album is a must buy for Nightwish fans and everyone else that likes metal and progressive music.

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 Walking in the Air - The Greatest Ballads by NIGHTWISH album cover Boxset/Compilation, 2011
2.95 | 2 ratings

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Walking in the Air - The Greatest Ballads
Nightwish Progressive Metal

Review by Matti
Collaborator Neo-Prog Team

3 stars I almost feel ashamed of being so positively surprised by this compilation, or the band in general. NIGHTWISH is a hugely popular Finnish Prog Metal band, led by keyboardist-composer Tuomas Holopainen (now current for his concept album "The Life and Times of Scrooge") and employing already a third female vocalist. The notoriously sacked original soprano Tarja Turunen is now doing a solo career. The 15 songs on this CD are all done with Tarja, representing the albums Angels Fall First (1997), Oceanborn (1998), Wishmaster (2000) and Century Child (2002) by 2-4 songs each, plus a couple of smaller releases.

So, why ashamed? And why it took so long before I had a closer look at this band (long time ago I had borrowed their album, no idea which one, without getting interested)? Partly it's about prejudices for both the Metal genre and the popularity. You know, "Not my thing!" But perhaps a compilation of ballads was needed; two days ago I borrowed also Once (2004) of which I enjoy a few tracks while the more metallic tracks left me cold, as expected.

I bet many of these songs have been heavily played on radio - mostly on channels that I don't listen to - such as the title track originating from the Snowman animation, 'Sleeping Sun', one of their earliest and biggest hits, and... Actually, apart from these two, all were new songs to me. There may be a tiny element of kitch around here and there, but I do like this music. Of the terms ballad and Metal, the former is perhaps more defining for this selection, and I admit I have always liked a certain type of Hard Rock / Heavy ballad (by Scorpions, Deep Purple, Black Sabbath, etc), so after all it comes as no big surprise that I have some pleasure out of this compilation. Tarja is a gorgeous vocalist, and the band sound is fine. The Metal element is present but it's not stubbornly dominant, as it could be in the drumming for example.

A good, VERY good set of excellently produced melodic and symphonically flavoured Metal ballads. No more, no less.

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Thanks to M@X for the artist addition.

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