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NIGHTWISH

Progressive Metal • Finland


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Nightwish biography
Finland's NIGHTWISH has founded a medium where pure angelic vocal beauty combines with rugged metal guitars, and where intricate keyboard arrangements team up with driving rhythms, creating a soaring stylistic mix. 2003's symphonic metal shining star Century Child has set the band upon a stunning adventure in crafting a unique and genre-defining sound.

Humbly begun in 1997 as keyboardist Tuomas Holopainen's, guitarist Emppu Vuorinen, and trained operatic vocalist Tarja Turunen's ill received acoustic project, they found balance when they added drummer and percussionist Jukka Nevalainen and opted replace acoustic with electric guitars. Entranced with their new identity, NIGHTWISH was quickly signed to Finland's premier label, Spinefarm. Debut "Angels Fall First" made a huge impression upon the scene thanks to its unique hybrid of sounds and styles, with much of the focus centering on the operatic and enigmatic singing of front woman Tarja. The initial offering was soon followed by the even more progressed and adventurous "Oceanborn", which stayed in the Finnish pop charts for over 30 weeks. At this time, they had three singles in the top 10. This success led to packed shows in Finland, and soon to continental European shows and ensuing success. The overseas reactions and a growing cult-like interest in the United States encouraged Century Media to sort out a licensing agreement securing their next studio output for domestic release, as well as the two back catalogue pieces so they could be appreciated by a wider audience. In 2000 the band released their third effort, "Wishmaster", immediately going platinum at home and selling well over 20,000 units in the U.S. with very little support or notoriety from the industry and promotional outlets.

The year 2002 was one filled with many successful events for the band. NIGHTWISH acquired bassist Marco Hietala (TAROT, SINERGY), who added another dimension to NIGHTWISH's enveloping sound. Marco, in addition to his commanding bass lines, contributes powerful male vocals. The band returned to long time recording home Finnvox Studios (STRATOVARIUS, CHILDREN OF BODOM, SENTENCED) to record drum tracks. They then moved to their hometown of Kitee, Finland to record guitars, bass and keyboards. In March 2002 they returned to Finnvox to record vocals, choirs and percussions, and to mix the album. What came out of these recording sessions is sheer magnificence. From the choral introduction of "Bless the Child," ...
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Endless Forms Most BeautifulEndless Forms Most Beautiful
Nuclear Blast America 2015
Audio CD$4.80
$6.49 (used)
Vehicle of Spirit (blu-ray)Vehicle of Spirit (blu-ray)
Nuclear Blast America 2017
Audio CD$30.98
OnceOnce
Extra tracks
Roadrunner Records 2004
Audio CD$4.46
$2.47 (used)
ImaginaerumImaginaerum
Roadrunner Records 2012
Audio CD$11.13
$9.71 (used)
OceanbornOceanborn
Extra tracks
Spinefarm Records 2008
Audio CD$5.32
$7.82 (used)
Dark Passion PlayDark Passion Play
Roadrunner Records 2007
Audio CD$5.12
$3.70 (used)
Vehicle of Spirit (dvd)Vehicle of Spirit (dvd)
Nuclear Blast America 2017
Audio CD$27.98
Angels Fall FirstAngels Fall First
Extra tracks
Spinefarm Records 2008
Audio CD$5.05
$7.82 (used)
WishmasterWishmaster
Extra tracks
Spinefarm Records 2008
Audio CD$4.84
$8.17 (used)
Century ChildCentury Child
Extra tracks · Import
Universal Import 2002
Audio CD$5.12
$8.46 (used)
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NIGHTWISH discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

NIGHTWISH top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.63 | 122 ratings
Angels Fall First
1997
4.04 | 218 ratings
Oceanborn
1998
3.47 | 136 ratings
Wishmaster
2000
3.34 | 127 ratings
Century Child
2002
3.63 | 186 ratings
Once
2004
3.86 | 180 ratings
Dark Passion Play
2007
3.78 | 129 ratings
Imaginaerum
2011
3.00 | 12 ratings
Imaginaerum: The Score
2012
3.75 | 114 ratings
Endless Forms Most Beautiful
2015

NIGHTWISH Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.86 | 14 ratings
From Wishes to Eternity
2001
4.33 | 50 ratings
End Of An Era
2006
2.93 | 18 ratings
Made In Hong Kong (And In Various Other Places)
2009
3.95 | 18 ratings
Showtime, Storytime
2013

NIGHTWISH Videos (DVD, Blu-ray, VHS etc)

4.23 | 17 ratings
From Wish to Eternity - Live
2001
2.57 | 9 ratings
End of Innocence
2003
3.00 | 3 ratings
Nemo
2004
3.00 | 5 ratings
Wish I Had an Angel
2004
4.00 | 3 ratings
Once
2006
3.40 | 5 ratings
Amaranth
2007
3.97 | 29 ratings
End of An Era
2007
2.80 | 5 ratings
Bye Bye Beautiful
2008
4.10 | 10 ratings
Showtime, Storytime
2013

NIGHTWISH Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.50 | 2 ratings
Golden Wishes
2001
3.57 | 5 ratings
1997 - 2001
2001
3.13 | 8 ratings
Tales From The Elvenpath
2004
3.76 | 24 ratings
Highest Hopes - The Best Of Nightwish
2005
2.50 | 2 ratings
Bestwishes
2005
3.00 | 1 ratings
Ballads of the Eclipse
2006
2.50 | 2 ratings
The Sound Of Nightwish Reborn
2008
2.95 | 2 ratings
Walking in the Air - The Greatest Ballads
2011
5.00 | 1 ratings
Endless forms most beautiful TOUR EDITION
2015

NIGHTWISH Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.15 | 4 ratings
Demo
1996
2.91 | 5 ratings
The Carpenter
1997
4.00 | 6 ratings
Sacrament of Wilderness
1998
3.75 | 4 ratings
Passion and the Opera
1998
3.00 | 5 ratings
Walking In The Air
1999
2.94 | 7 ratings
Sleeping Sun (Four Ballads Of The Eclipse)
1999
2.61 | 9 ratings
Deep Silent Complete
2000
3.67 | 3 ratings
The Kinslayer
2000
3.00 | 1 ratings
Wishmastour 2000
2001
3.02 | 26 ratings
Over The Hills And Far Away
2001
3.50 | 7 ratings
Ever Dream
2002
3.73 | 13 ratings
Bless The Child
2002
3.90 | 11 ratings
Nemo
2004
2.68 | 13 ratings
Wish I Had An Angel
2004
3.32 | 7 ratings
Kuolema Tekee Taiteilijan
2005
4.43 | 12 ratings
The Siren
2005
3.71 | 8 ratings
Sleeping Sun
2005
2.00 | 3 ratings
Erämaan viimeinen
2007
1.37 | 8 ratings
Amaranth
2007
1.07 | 7 ratings
Eva
2007
3.17 | 6 ratings
The Islander
2008
4.00 | 1 ratings
Dark Passion Play Instrumental Version
2008
2.80 | 5 ratings
Bye Bye Beautiful
2008
1.50 | 2 ratings
Amaranth
2009
3.20 | 5 ratings
The Crow, The Owl And The Dove
2012
3.67 | 3 ratings
Storytime
2012
3.43 | 7 ratings
Elan
2015
0.00 | 0 ratings
Endless Forms Most Beautiful
2015

NIGHTWISH Reviews


Showing last 10 reviews only
 Angels Fall First by NIGHTWISH album cover Studio Album, 1997
3.63 | 122 ratings

BUY
Angels Fall First
Nightwish Progressive Metal

Review by Menswear
Prog Reviewer

2 stars Guilty Pleasure #3

Am I turning into a goth teenager with eyeliner and ? I hope not, times are tough when you're a goth, especially in the summer. Fall is here, winter is near and the taste for Nightwish is surely understood when serotonin is getting low. With Angels Fall First, I cannot say I'm not disappointed. This record makes you wonder WHAT happened between this one and Oceanborn?!? Like Genesis to Revelation with Trespass, when Dream and Day Unite with Images and Words or Caress of Steel with 2112, something *clicked* big time in Holopanien's brain between the releases.

Angels Fall First is clearly a try at metal operatic music, not sure if the celtic side should persist. We are here many winks at the Lord of the Rings and Disney movies, even sampling Bakshi's Lord of the Rings movie in Elvenpath. The songs are not as super carefully crafted as Oceanborn, they rather sound corny (like way corny) and less intense.

I'm not saying it's a bad record, just that the songs need more inspiration, but they were on the right track. Major downside: Tuomas singing is somewhat laughable. I couldn't resist chuckling out loud hearing is attempt in Beauty and the Beast or The Carpenter for instance. Wow, this is some truly bad vocals. Honest to god, some of the worst I've heard. Really cringe-worthy.

Angels Fall First? More like Angels Fall Flat.

 Oceanborn by NIGHTWISH album cover Studio Album, 1998
4.04 | 218 ratings

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Oceanborn
Nightwish Progressive Metal

Review by Menswear
Prog Reviewer

5 stars Guilty pleasure #2

Before they became such an 'image' band, Nightwish delivered a very solid staple with Oceanborn. Before the fights, before the egos, before the image took over the music, Oceanborn is THE overlooked album of the last 15 years in progressive metal. When they got to Century Child, they became a money-making band, leaving some of the art and selling out more. Shame.

Oceanborn is truly well crafted: catchy and yet honest neo-classical keys (Tuomas), stellar classical singing (Tarja) and Emppu is actually shredding in many places, before becoming an almost only rhythmic player. Everything here is in it's place, not too over the top, not too commercial.

A real, potent, applied effort with a band that seemed boiling with ideas at the times. Eclipsed by Metropolis II in '98 (seems like an eternity), it's THE album that don't feel like listening to the same song over and over again, THE album with the most thoughful melodies and frankly a general feel of cohesion...not just an image.

Straight out of Castlevania, a perfect blend of fog, dusk and lightning but with taste.

 Century Child by NIGHTWISH album cover Studio Album, 2002
3.34 | 127 ratings

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Century Child
Nightwish Progressive Metal

Review by Menswear
Prog Reviewer

3 stars Guilty pleasure #1

Now that the trend is gone, I can appreciate this record without all the hype. Yes, the metal opera fashion is almost gone, peaking in the early 2000's, introducing the genre to legions of teenage girls with fat eyeliner, broken hearts and black hoodies. And I do feel guilty because the trend is so passé, but also because it's so over-the-top...please don't judge me. You like it too.

But Nightwish is doing it so well, why resisting?

Nightwish is indeed a beacon in this repertoire. They've survived many trials that would've killed more than one band: change of singers, change of bass players, change of managing, ego wars, inner fights, lack of communication for long periods and finally the tense mechanics of 4 guys and only 1 woman. That is a heavy sheet of problems, but they seemed to pull out quite well, as long as Holopainen keep the songs fresh and inspired (which seemed to lack in recent delivery).

Anyway, Century Child is a powerful meal of astonishing vocals by Tarja, crunchy guitars (more up front), me-so-sad lyrics and catchy hooks done in a refined but modest way. Give those ideas to Dream Theater for instance and you'll get a much more complex cookie. They are not the best players around (indeed the limitations are obvious), but it's nonetheless a pleasant experience, cheesy and corny at times I must admit. Snatch off stars for lack of complexity, redundancy...and steampunk costumes (*snickers*)

Not as good as Oceanborn (their most honest effort) but look for Beauty of the Beast, the title song and the Lloyd Webber cover all done with panache.

 Century Child by NIGHTWISH album cover Studio Album, 2002
3.34 | 127 ratings

BUY
Century Child
Nightwish Progressive Metal

Review by Tarcisio Moura
Prog Reviewer

3 stars Nightwish´s fourth studio album was the first to introduce their current bassist/second vocalist Marco Hietala (ex Synergy and Tarot). It is also their less inspired and less satisfying album so far. After the extraordinaire success of their masterpiece Oceanborn (1998) and a very fine follow up (Wishmaster from 2000), it seems the pressure was to much and the band seemed to be treading water. Surely the demands for live shows all over the world and the expectations for an equally good third album was a bit too much, Fortunately, the group´s next work (2004´s Once) would prove to be one of their very best and would put things back on track. But at the time it seems that the band was running out of ideas, both musically and lyrically.

No that Century Child is a bad album. Not at all. It has some nice tracks all around and the performances are very professional. It is just that everybody was expecting something outstanding and clearly this one was not. I see it now as a transitional album, It was no t only the first CD to feature Hietala as bassist and his heavy, raw vocals interventions were a perfect match to counterbalance Tarja Tarunen´s clean, operatic voice, but also it was the first time the band used real strings on five tracks. Until then, for budget reasons, they had to rely on synthesizers for orchestrations. The results were promising. They would be better if the songs were stronger, but again the Follow up Once would prove they were on the right path. However, the musical press in general was not in a forgiving mood at the time and Century Child was heavily criticized when it came out. A bit unfair, I´d say, but the sales were good, proving the band already had a very loyal following.

Although nowadays I find some fine moments on this album, it is still their weakest effort up to this date. Overall the songs sound like a rehash of their previous ones and there are few moments when the band really click: the ten minute suite, Beauty And The Beast, that closes the album, is the strongest cut musically, although that that theme was already worked by songwriter/keyboardist Tuomas Holopainen on the bands debut album, Angels Fall First (1997). The decision to record for the first time a cover song (Andrew Lloyd Weber´s classic The Phantom Of The Opera) only enhanced the idea the band was short of original ideas. Besides, Austrian band Dreams of Sanity had already done a much stronger version of the same song just a couple of years before.

But as we say of the great, innovative groups that are around, even their least convincing product is better than a lot of other´s finest. And this is surely the case. it is a minor work but it is still good. Not a good starting point for a newbie, but surely stands well side by side of Nightwish´s greater stuff.

Rating: 3 stars. Good, but not essential.

 Imaginaerum by NIGHTWISH album cover Studio Album, 2011
3.78 | 129 ratings

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Imaginaerum
Nightwish Progressive Metal

Review by kenethlevine
Special Collaborator Prog-Folk Team

4 stars Every once in a great while a prog metal album earns my attention and eventually affection if not outright obsession. If I was to sketch out a template for an exemplary specimen in this sub genre, it would exclude growls but include male and female vox; be melodramatic and highly visual; juxtapose crunchy riffs with light catchy melodies; and of course include some concession to the folk idiom. It would sound a lot like "Imaginaerum" by NIGHTWISH. Of all these characteristics, it's their ability to transition over the top, even operatic vocals, heavy guitars and symphonic orchestration to tunes reminiscent of childhood nursery rhymes that completely wins me over. This deliberate lapse into nostalgia marks the fulfilment of the concept, and is just plain entertaining as well. It begins with the breathless "Storytime" and is eclipsed by the Celtified "I want my tears back", resuming on the schizophrenic "Rest Calm" and capped on the frenetic "Last Ride of the Day". Along the way are several more even tempered pieces like the languid jazzy "Slow Love Slow", the gorgeous "Turn Loose the Mermaids" and the even more sensitive "The Crow, The Owl and the Dove". At times the feverishness threatens to dampen the forehead, as in "Ghost River" and "Scaretale", but this remains a compelling work of the imagination that has also found a significant following in the prog world and beyond.

 Once by NIGHTWISH album cover Studio Album, 2004
3.63 | 186 ratings

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Once
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

3 stars Nightwish, the Finnish band that uses a hard-riffing combination of power metal, opera, and stage musical delivers a solid but not outstanding release with Once.

Nightwish is that kind of band that sort of takes a special person to really love, mostly because they combine not one... but two power metal gimmicks: female-led vocals, and use of symphony to support the aggressive guitar- driven riffing. The result is a lush, sweeping, romantic, heavy metal, and incomparably cheesy experience. Once pulls this off better than a lot of other bands that use these two gimmicks, but doesn't do so without a few yawns in the mix.

First off, the good stuff: the musicianship on this album is first rate, and the symphony inclusions are actually quite smart. Unlike some metal bands which sort of just have the violins provide a counter-melody for the guitar players, Nightwish finds very creative and organic ways to make use of the full symphonic experience. The result is an exciting and very full sounding experience. At times, it really does feel more like the guitar and drums are accompanying the symphony. This gives the best parts of Once a feeling of gravitas that is unique and a lot of fun. There aren't much in the way of stand-out instrumental soloing, but the result of the compositions is strong and sweeps you up.

The writing is very hit and miss though. A few standout tracks like the massive opener, Dark Chest of Wonders, the highly nuanced and evocative Creek Mary's Blood, and the cinematic spectacle of Ghost Love Score are the clear standouts. The other tracks are largely forgettable, though their powerful melodies and moments are fun while they last. A few songs feel directionless when taken as a whole, or make easy choices and become more standard, 4-minute head bangers.

Finally, let's talk about the vocals. This is the last Nightwish album to feature vocalist Tarja Turunen. Read the reviews above and you'll see adjectives like "angelic," "beautiful," or "elegant," used to describe her voice. In my opinion, this is fanboy gushing. Her voice is demure and largely inflectionless, especially during the powerful moments. I'd take a less classically trained singer who could at least emote genuinely any time. Her voice is a unique part of the album that gives it a nice charm, but is definitely not a selling point, nor are the eye-rolling lyrics she sings. The male backing vocals, which are gruff and aggressive, are more appealing. Vocals are the second gimmick that just doesn't work for me here.

So even with a few marks against it, Nightwish's Once remains a worthy purchase for fans of power metal, and especially those seeking something especially theatrical and artsy. This isn't the place to begin listening to Nightwish though, I recommend the band's following two albums for that, which feature more interesting songs and better female vocals.

Songwriting: 3 - Instrumental Performances: 4 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 4

 Oceanborn by NIGHTWISH album cover Studio Album, 1998
4.04 | 218 ratings

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Oceanborn
Nightwish Progressive Metal

Review by Quinino
Collaborator Errors & Omissions Team

5 stars My ALL-TIME Greatest #13

After being so many years in a relative (big) ignorance of what was going on in the musical scene, my discovering PA sometime ago was like entering a treasure cave; by chance alone, one of the first bright riches to entice my attention was this curiosity of a band called Nightwish.
It crosses my mind that maybe I got then a bit dazzled by the sudden discovery, but justice be made, up until this day I keep on feeling great pleasure listening to most of their music, and in particular some of it is on this record.

Global Appraisal

Nightwish sound metal and/but melodic, powerful and grandiose, but above it all hovers the soprano lyrical voice of this phenomenon by the name of Tarja; with Tuomas operatic inspired keyboards it's what most characterizes this album, and as well all in this 1st phase until Tarja left.
In my personal db I rate with max five of the tracks and the others with no less than 4, but the main reason for my 'All-Time' choice is that WOW factor which hasn't faded with time.

Goodies

The above mentioned vocals and keys, surely, that make this one-of-a-kind band so appealing to me. Compositionwise have to be praised the beautiful melodies of the two outstanding ballads that close the album.

 Imaginaerum by NIGHTWISH album cover Studio Album, 2011
3.78 | 129 ratings

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Imaginaerum
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

4 stars Nightwish does a great job blending hard-hitting guitar riffs, entertaining compositions, choral arrangements, and symphonic instrumentation into a solid and approachable metal package. Imaginaerum is many things, and maybe tries to achieve too much during its running time, but pulls it off stylishly and memorably. It's all good, occasionally great, and sometimes excellent. Most appealing of all is the fact this group is doing something unique within a genre dominated by guitar-led soloists and men who sound like women.

The album opens with the winding of a music box which grows to an ever more lush and dynamic overture. It evokes sort of a sweeping orchestral feel that captures the imagination. And then the chugging begins. We're brought into the first real song "Storytime," an upbeat, energetic and riff-fueled rocker that has trombones blasting out hits alongside the drumming, and violins accompanying the female vocals, and epic walls of choir sound. There's a bit of cheese in there, but the overall effect is very enjoyable, and Nightwish does an outstanding job of giving the orchestra and choir something to do besides just support the band. In fact, I don't recall a single guitar or keyboard solo throughout the entire album. Heresy!

As things continue we're given moments of hard and heavy metal, folksy balladry, epic percussive moments, and emotive vocals. There is a lot of variety to be found here, a nice welcome compared to the typical prog metal fare. Here's a few examples:

"Slow, Love, Slow" is a mellow and lush ballad that has has a jazz-club feel, with brushed drum work and trumpets blowing away in the background. What a surprise, considering that the track before had harsh, throaty guitar riffing.

"Scaretale" is one of the better metal songs. It has a bouncy and stylish tone that makes it feel like something from an early Tim Burton film. It's heavy, quirky, and filled with hooks. Yeah it's a little silly, but the combination of vocalists and styles works well.

"Arabesque" is probably one of the standout tracks. It's an instrumental with an eastern flair that builds and builds and builds to a massive percussion finale that completely grabs hold of you.

"Turn Loose the Mermaids" begins with thoughtful balladry with acoustic flutes and piano that accompany the vocals... and then all the sudden we shift into the drums, violins, and trumpet fanfare of a spaghetti western. No I'm not kidding, and yes it is as fun as it sounds.

In being objective its safe to say that Imaginaerum will appeal to some more than others, but if you're interest in heavy music fronted by a first-rate female vocalist, or are a prog metal fan interested in something that stands out uniquely in a sea of Dream Theater soundalikes, this album comes highly recommended.

Songwriting: 4 - Instrumental Performances: 3 - Lyrics/Vocals: 3 - Style/Emotion/Replay: 4

 Dark Passion Play by NIGHTWISH album cover Studio Album, 2007
3.86 | 180 ratings

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Dark Passion Play
Nightwish Progressive Metal

Review by Prog Leviathan
Prog Reviewer

4 stars Dark Passion Play is artistic power metal in the first degree, bursting at the seams with sweeping compositions, massive guitar riffs, orchestral flair, and a bit of camp. It'll delight prog-metal lovers and repulse everyone else... what more can you ask for!

The album opens with "Poet and the Pendulum", a 13-minute epic that pretty much defines the band's sound and takes you on a theatrical journey which throws together numerous tempo and mood changes, as well as a variety of vocalists and instrumentation. It's a huge song with irresistible hooks, riffs, and emotional bits; a killer track.

Nightwish is known in part for its feminine vocals, distinguishing it from other prog metal bands and providing a host of new textures and sounds to explore. Anette Olzon does a wonderful job throughout, though I don't think her voice is as beautiful or as prominent a component as some other reviewers. Because so much of her singing uses long sustains, it actually comes off as sounding bland. However, when paired against gruff, traditional metal vocals of Hietala - and especially when sung over the outstanding instrumentals, the overall effect is very enjoyable; more so than many other female-fronted metal bands out there. If you like metal, but are turned off by metal grunts and growls, you'll be pleased by Nightwish's combination of singers.

The orchestra is also well-implemented, providing emphasis, textures, and sometimes taking the spotlight to create drama and scope to the songs. As if the powerful guitar and bass weren't enough! The excellent drumming by Nevalainen completes the fully metal crushing that Nighwish accomplishes. However, one thing I appreciate a lot about Nightwish's songwriting is that they don't set the dial to 11 and leave it there. There is a lot of acoustic moments, and even some folksy diversions to keep the effect fresh and exciting. "The Islander" is the standout showcase of this style, a sea-shanty style song that does an amazing job of evoking the misty shores of Ireland with its celtic feel.

So, if you're into prog metal, and can stomach more than a bit of excess, you'll find a ton to like with Dark Passion Play.

Songwriting: 4 - Instrumental Performances: 4 - Lyrics/Vocals: 4 - Style/Emotion/Replay: 5

 End of Innocence by NIGHTWISH album cover DVD/Video, 2003
2.57 | 9 ratings

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End of Innocence
Nightwish Progressive Metal

Review by Matti
Prog Reviewer

2 stars My review is the second one for this documentary DVD, and quite the opposite to T. Moura's very kind - though not toothless - approach. I feel I terribly wasted nearly three hours of my life - no, less, because I really couldn't avoid using x16 speed here and there. Anyone knowing my music taste would ask why I chose to watch a Metal band documentary in the first place. I do have a (very tiny) interest towards NIGHTWISH's music, and I think I wasn't very wrong to hope for a better film.

It was on an artistic level of seedy bonus materials one usually finds on concert DVD's, where they are naturally shorter, just a little extra to please fans. Imagine over two hours of that. A messy salad of these ingredients: the retrospective talk by frontman Tuomas Holopainen and drummer Jukka Nevalainen - this stuff, filmed on a dim summer cottage, is more or less the main substance, cut into little pieces amidst everything else - ; silly backstage footage that confirmed my each and every prejudice of Heavy/Metal world's ridiculous rituals; low-quality concert clips; amateurish footage from tours all over the world; awkward inside jokes; and... well, that's basically all. Many a time someone says to the camera something like "This must not come into the DVD". Right. Nightwish had at this point released four albums, and was indeed too young and unmatured band to make so lengthy documentary about!

Anyway, I felt sympathy for Tuomas and his feelings. In the summer and autumn of 2001 he felt like having enough of it all, the heavy touring, too busy studio schedules, the alienating effect of success etc, and made a decision of breaking the band. After spending some time off in the majestic Northern Finnish landscapes he came to his senses. He confesses how he regrets his cowardice of not sacking the original bassist face to face. Apart from Tuomas's seriousness on his retrospective confessions (and Jukka's), everyone on this film is seen only from the phoney and brainless angle of show biz. The operatic soprano Tarja Turunen, who was later notoriously sacked by a public letter, seems quite a nice bandmate among wild Heavy Metal guys. And prettier at least.

There are plenty of extras too, but I don't consider them so interesting either. Two music videos, a photo gallery, MTV Brazil interview, a low-quality concert footage from Norway and Germany's Summer Breeze Festival 2002. I could rate this with one star on my personal reception, but for a die-hard fan this is undoubtedly a more precious look inside the band's early stages.

Thanks to [email protected] for the artist addition.

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