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PAIN OF SALVATION

Progressive Metal • Sweden


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Pain Of Salvation biography
See also:

- Dial
- For All We Know
- The Shadow Theory

Pain of Salvation is widely known as one of the fundamental progressive metal bands from the second generation, which came around the mid 90's, but the fact is that the band is one of the oldest progressive metal bands still active. The band was formed by guitarist, singer and composer Daniel Gildenl÷w and friends in 1984, two years after Fates Warning, Three years after Queensr che and a year before Dream Theater, when Daniel was only 11 years old. At that time, the band was called Reality, but as Daniel got older he realized the band's name needed to changed, despite the band being basically the same. So, in 1991 the band officially changed from Reality to Pain of Salvation. Daniel, over the years, gave various different reasons for the change of name, but the common feature of all those explanations is the fact that the name symbolizes the balance between things of vital significance, such as good and bad, light and dark, life and death.

The band had numerous personnel changes, mostly during the Reality period and the early period of Pain of Salvation up until their second album. Since the release of One Hour by the Concrete Lake the band remained fairly stable, with only two important band member changes: when Kristoffer Gildenl÷w, Daniel's brother, left in 2006 due to being unable to attend to rehearsals because he lived in Denmark, and when Johan Langell, Pain of Salvation's drummer since 1989, left in 2007 in order to focus on his own family.

After having a reasonably stable lineup for some time, Pain of Salvation decided, in 1996, to search for a record deal with some record label, but first recruited the keyboardist Fredrik Hermansson to complete the band's intended sound. During the rest of 1996 they distributed various demo tapes in hope to get signed with any interesting label. In early 1997 the band started recording their debut album in Roasting House, a professional recording studio in Sweden, and in August of the same year Entropia was released in Asia by Avalon, a Japanese record label owned by the Japanese record company...
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Falling HomeFalling Home
Inside Out U.S. 2015
Audio CD$8.87
$6.99 (used)
Remedy LaneRemedy Lane
Inside Out U.S. 2002
Audio CD$10.61
$2.99 (used)
Road Salt OneRoad Salt One
Inside Out U.S. 2010
Audio CD$4.90
$10.45 (used)
Road Salt TwoRoad Salt Two
Inside Out U.S. 2011
Audio CD$10.37
$9.99 (used)
ScarsickScarsick
Inside Out U.S. 2007
Audio CD$8.97
$6.94 (used)
BeBe
Inside Out U.S. 2004
Audio CD$9.34
$3.36 (used)
LinoleumLinoleum
Import
Imports 2009
Audio CD$6.04
$6.01 (used)
The Perfect Element Part 1The Perfect Element Part 1
Inside Out U.S. 2000
Audio CD$7.16
$5.00 (used)
One Hour By The Concrete LakeOne Hour By The Concrete Lake
Inside Out U.S. 1999
Audio CD$7.11
$4.40 (used)
The Second Death of Pain of Salvation (CD)The Second Death of Pain of Salvation (CD)
Inside Out Music 2009
Audio CD$10.95
$8.73 (used)
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PAIN OF SALVATION discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

PAIN OF SALVATION top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.09 | 441 ratings
Entropia
1997
3.97 | 413 ratings
One Hour By The Concrete Lake
1998
4.24 | 1007 ratings
The Perfect Element Part 1
2000
4.23 | 910 ratings
Remedy Lane
2002
4.13 | 725 ratings
Be
2004
3.18 | 489 ratings
Scarsick
2007
3.39 | 390 ratings
Road Salt One
2010
3.56 | 319 ratings
Road Salt Two
2011
3.46 | 49 ratings
Falling Home
2014

PAIN OF SALVATION Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.42 | 250 ratings
12:5
2004
3.95 | 103 ratings
The Second Death Of Pain Of Salvation
2009

PAIN OF SALVATION Videos (DVD, Blu-ray, VHS etc)

4.38 | 178 ratings
Be Live
2005
3.94 | 88 ratings
Ending Themes - On The Two Deaths Of Pain Of Salvation
2009

PAIN OF SALVATION Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

PAIN OF SALVATION Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.40 | 20 ratings
The Painful Chronicles
1999
3.63 | 24 ratings
Ashes
2000
3.31 | 99 ratings
Linoleum
2009

PAIN OF SALVATION Reviews


Showing last 10 reviews only
 12:5 by PAIN OF SALVATION album cover Live, 2004
4.42 | 250 ratings

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12:5
Pain Of Salvation Progressive Metal

Review by VianaProghead

5 stars Review N║ 13

This is my second review of a live album on Progarchives, it's my first review from the band, and it's also the second time I'm going to start reviewing a group, beginning with a live album. The first was 'Welcome Back My Friends To The Show That Never Ends' of Emerson, Lake & Palmer. With '12:05', when I saw the high ratings given to this Pain Of Salvation live album, on this site, and because I love the band, I became very curious about it. So, soon as I could, I ordered to my supplier to buy it. When I got the album, I realized why it was so very well rated on Progarchives.

In general I prefer studio albums, instead live albums, in the most of the cases. I've especially two main reasons for that. First, usually the studio works are better recorded and produced than the live. Second, very often, the songs are played alive much in the same way that they were performed on its studio versions. In my opinion, a good live album must have the tunes slightly different and performed with other free creativity, than the original studio versions.

Pain Of Salvation is a Swedish tech/extreme progressive metal band founded in 1991, which is, in my humble opinion, one of the best and most original progressive bands in our days. The name Pain Of Salvation signifies, the meaning of balance, taking the good with the bad. It's also a good expression, in everyday use, when something doesn't go the way you planned.

'12:05' is the debut live album of Pain Of Salvation and was released in 2004. It was recorded from a live concert in the band's hometown of Eskilstuna, in Sweden on 12 May 2003 at 12:05. It's an unplugged live concert, totally performed alive with only acoustic instruments. Personally, I enjoy very much music performed with acoustic instrumentation. A performance like this is much more pure, clear and simple, and usually has more passion and naturality.

After 'Remedy Lane', the group engages in the Swedish assembly of the musical piece 'Jesus Christ Superstar', and were being responsible for implementing those songs. Before they do a new album, the band did acoustic shows in Sweden, presenting new approaches to some of their old songs. From those live performances, it would be born this fantastic debut live album, '12:05'.

The line up on '12:05' is the usual in those days. However, the musical instruments played on the live concert are very different from those who are usually used by the band. So, we have Daniel Gildenlow (lead vocals and acoustic guitar), Fredrik Hermansson (grand piano and harpsichord), Johan Hallgren (lead and backing vocals and acoustic guitar), Kristoffer Gildenlow (backing vocals, acoustic bass and cello) and Johan Langell (backing vocals and drums).

'12:05' has sixteen tracks. It has songs from all the band's studio albums, until that moment, except from their second studio album 'One Hour By The Concrete Lake'. The album is divided into three parts. The first part is Book I: Genesis ' Brickwork Part 1, which is divided into 5 tracks: 'Leaving Entropia T5 A', 'This Heart Of Mine T5', 'Song For The Innocent T5', 'Descend 1' and 'Leaving Entropia T5 B'. The second part is Book II: Genesister, which is divided into 6 tracks: 'Winning A War T5', 'Reconciliation T5', 'Dryad Of The Woods T5', 'Oblivion Ocean T5', 'Undertow T5' and 'Chainsling T5'. The third part is Book III: Genesinister - Brickwork Part 2, which is divided into 5 tracks: 'Ascend 1', 'Ascend 2', 'Second Love', 'Ashes T5' and 'Descend 2'.

The songs aren't simply the original studio versions played with acoustic instruments. Most of the music here was rearranged with the addition of some new parts. It happened because the group didn't want to simply release a normal Pain Of Salvation live album, but do a live performance, taking a more personal and different approach to the old material. Basically, what they wanted to do was to perform a new album with the old material, and they did it very well.

Conclusion: '12:05' is, in my humble opinion, a very tasteful album and a truly masterpiece in terms of live recordings. It's a must have for almost Pain of Salvation fans, especially for those who aren't fanatic metal heads. If you are a mature metal head that doesn't need everything to be hardcore, put your doubts aside and get it. For those who prefer a more traditional approach to the progressive style of music, and have been turned off by the group's more metallic musical approach to date, should also check it out. Finally, if you are a music fan in general, get it, because this is a wonderful album, with emotional music, full of creativity and performed live flawlessly. The final result of '12:05' is a superior acoustic live album, which sounds to a new musical work. Probably, this is the Pain Of Salvation most accessible album, and for those who doesn't know the band yet, I really suggest they begin with this album. This is with any doubt one of my favourite live albums ever, especially in terms of acoustic performances.

Prog is my Ferrari. Jem Godfrey (Frost*)

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 Be by PAIN OF SALVATION album cover Studio Album, 2004
4.13 | 725 ratings

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Be
Pain Of Salvation Progressive Metal

Review by floflo79

5 stars "BE" is one of the most ambitious project that I saw in modern rock music. The idea of an album about God, humanity and creation of world is pretty huge. When you see the tracklist of the CD, you are really confused : there's a prologue, then five chapters with latin names. If the idea is great, is the music great too ? Fortunately, yes. "BE" is cleary the best Pain Of Salvation album along with The Perfect Element Pt 1 (Remedy Lane is just behind). The music is as ambitious as the project is huge. There's an orchestra who follow the band, who play a lot of instruments. The music is very complex and less metal than the other albums of the band. It's a pure story that you listen with a huge pleasure.

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 Falling Home by PAIN OF SALVATION album cover Studio Album, 2014
3.46 | 49 ratings

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Falling Home
Pain Of Salvation Progressive Metal

Review by Rune2000
Special Collaborator Prog Metal Team

3 stars A good but not completely satisfying acoustic experience!

It's been a while since I've really enjoyed a Pain Of Salvation release. I feel like the band reached their peak in 2004 when they released their concept album Be and the acoustic live masterpiece 12:5. Since then the band have undergone quite a change of direction which also resulted in a few lineup changes. I found Scarsick to be a disappointment, live album Ending Themes and Linoleum were good but lacked the creativity of their previous efforts and the Road Salt duology was a complete departure in style.

Having said that, I still actively follow the band on the social media and keep a lookout for their live shows. I happened to see the new lineup featuring the very talented guitarist and vocalist Ragnar Zolberg, return of Gustaf Hielm on bass and Daniel Karlsson on keyboards and backing vocals. The show I saw in March 2012 was easily the best Pain Of Salvation live performance out of the many that I've seen with the band over the years. The vocal harmonies were perfect, the instrumental skill was very prominent and the fun factor was definitely in place.

This live experience made me very excited for the new possibilities that the new lineup entailed. I was interested in seeing what Ragnar Zolberg and Daniel Karlsson would achieve in the song writing department, considering that Zolberg seems to be a huge fan of the band's first four records and excels in his performances of classics like Used and Chain Sling. Daniel Karlsson has a distinct keyboard sound that makes his contributions even more prominent than those of Fredrik Hermansson.

You could probably imagine my excitement when I heard that Pain Of Salvation were going to release a new album in 2014. I was slightly less excited when more information had been unveiled about Falling Home and it turned out to be an acoustic re-imagining of the band's material mainly from the last couple of years. But I kept my hopes up and patiently awaited the release date of November 10th.

My first listening session made me experience quite a few mixed emotions. Even though the performances were spot on and the new re-imagining of the compositions were for most part quite exquisite, I still couldn't shake off the thought that this was an inferior follow-up to 12:5. First off, this record was not recorded in front of a live audience thus making this recording feel like a much safer choice than 12:5. Second off, most of the material from Road Salt duology is acoustic to begin with which doesn't make the new versions sound too different from the original counterparts. Finally I have an issue with the cover version of Holy Diver. I'm a big fan of the original recording by Dio and hearing this version made me really offended since Pain Of Salvation turns it into an acoustic reggae track!

Falling Home is a good but not completely satisfying acoustic experience since we all know that Pain Of Salvation can create majestic vocal harmonies in a low key setting. The problem is the choice of material, the decision of recording the record in a studio instead of doing it live and the horrible cover of Holy Diver doesn't exactly make things better, even though the cover of Perfect Day is actually a whole lot better. I'm still waiting for that new record from the band's current lineup that would live up to the legacy of Pain Of Salvation.

***** star songs: Chain Sling (4:08)

**** star songs: Stress (5:32) Linoleum (4:57) To The Shoreline (3:06) 1979 (2:50) Perfect Day (4:51) Flame To The Moth (4:31) Falling Home (3:06)

*** star songs: Mrs. Modern Mother Mary (4:23) Spitfall (6:42)

** star songs: Holy Diver (4:34)

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 The Perfect Element Part 1 by PAIN OF SALVATION album cover Studio Album, 2000
4.24 | 1007 ratings

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The Perfect Element Part 1
Pain Of Salvation Progressive Metal

Review by FragileKings
Prog Reviewer

3 stars An 80's hair metal band gets marinated in progressive rock.

I read a lot of very good reviews about this album and saw it was among the top rated prog metal albums on PA and MMA. Since I had just received Symphony X's "V: The New Mythology Suite", which is another top rated prog metal album on both sites, and I quickly grew to love it, I thought that this album should be among my next prog metal purchases. Honestly though, this one is taking its time to appeal to me.

The good points are many. Daniel Gildenl÷w has a very diverse voice and can sing anything from gruff barks to high screams to smooth and calm to somewhere in between it all. The album tells the story (part 1) of two broken people, He and She, who meet and begin a relationship. That's as far as I got there. I'm afraid the broken people stories don't go far with me. The best one I've heard is Nine Inch Nails' "The Downward Spiral". After that it's difficult to impress me with that kind of story. Still, Gildenl÷w uses his voice to effectively convey the emotions of each part of the story. The music is for the most part not too complex but like "The Wall" (in a way) mostly sticks to relaying the moments in the tale. The tempo stays slow to mid-range and I only noticed one part where a double bass drum comes into play. In this way, this is a pretty mild and tame metal album despite the theme of pain and frustration.

Two other points to mention in favour of the music are the guitar and keyboards. While there are no catchy, bang-your-head metal riffs, the guitarist (be it Gildenl÷w or Johan Hallgren) uses lead playing to create beautiful melody lines and as well there are some delightful licks here and there in the solos, particularly in "Her Voices" lies a favourite of mine. Fredrik Hermanssen is used very well to provide beautiful piano passages, atmospheric synthesizer, and some powerful rhythm synth work that treads into symphonic prog metal at times, most notably in the title track. I always feel that if you're going to have a keyboard player in a metal band then you should let him/her contribute to the overall quality of the music and not just keep the keys in the background for rhythm behind the guitars.

There's some great music on this album and the songs to stand out the most for me are "Ideoglossia", "Her Voices", "King of Loss" and "Reconciliation". These songs are where the overall feel of the album is wonderfully combined with some excellent music that captures the progressive metal quality best or where the music is simply beautiful. The title track offers some great moments too.

However, there are some aspects of the album that still haven't grabbed me. First, this is not really a heavy metal album. There are parts where the guitars are loud and the vocals screaming or full of raw energy but the majority of the songs are pretty lightweight. Even when the music gets heavy and aggressive I find myself thinking that it needs more bass to enrich the sound. It's as if the band wanted to show aggression without wanting to be offensive. The first four songs are easy to get by because they don't really get the album up and running. It's not until "Ideoglassia" that things really turn exciting and even then the song reuses the pseudo-rap of "Used" and reintroduces the chorus of "Ashes". It almost seems that the album is already reprising music before it has hardly gotten started. Thankfully the rest of the song really begins to show off POS's talent. There are also a couple of puzzling spoken lines like "Call your dad" at the end of "Her Voices" and the beginning of "Dedication" (I'm sure he says, "Call your dad") and "Will I ever walk again?" in the title track. If I familiarize myself with the story more it might make more sense to me, but these lines just seem to leap out from the music and I'm like, "Huh?"

For me, a good album should be enjoyable to listen to straight through and as well have a few songs that can be enjoyed on their own. The four songs that I have mentioned here are great stand alone tracks but the rest of the album goes by me without many parts signaling my attention. I agree that this is a great album insofar as the effort and outcome are concerned. But I am not as excited about the whole concept as I am about the music in a few parts.

For anyone who doesn't like really aggressive metal but can appreciate something a little more melodic and easy, this album makes for a nice safe step into progressive metal. I think it's still a good album, but I'd like to hear another POS album that is either a little more technical or a little more varied in pace.

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 Entropia by PAIN OF SALVATION album cover Studio Album, 1997
4.09 | 441 ratings

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Entropia
Pain Of Salvation Progressive Metal

Review by MJAben

4 stars A raw and somewhat choppy debut that is just teeming with creativity. In truth, I think this album is highly underrated and one of the best PoS records to date, second only to The Perfect Element. The album is more rocky, more funky, the vocals are not as developed but less pretentious and less overly sentimental / emotional. Don't get me wrong, Gildenglow still has an extremely emotive voice but the music is less centered on him and showcases the band more than any other record.

Instrumentally this album is unmatched and the bands ability in this record to match complex instrumentals with profound lyrics and thoughtful vocals makes this an extremely deep record. At first listen I put the record aside as 'just a band trying to find themselves', in a way this is true but at the same time, although this doesn't sound like later PoS it certainly isn't carbon cut copies of favourite band, this is an album that has a unique feel to it that I haven't heard in any other record.

Some parts of the album feel out of place, the bass intro to 'People Passing By' and 'Stress' as a whole but there is also creative, masterful, intelligent music on every single track that, perhaps with some more editing and production time would feel more defined but as is remains raw but powerful... There is no fluff in this record.

I think that's why I like this record more than all PoS records (including The Perfect Element, though I think TPE is a stronger album), it's raw, it's pure, this album is not catering to fans or trying desperately hard to sound like Pain of Salvation. This album didn't set out to out-do any previous album and wow us with how profound and perfect the band can sound, on the contrary this album just seeks to show us some creative and intelligent music, unlike any we have heard before (perhaps... Not quite like any heard since).

The imperfections in the music and the vocals are, in many ways, what sets this album apart from its successors and makes it feel so genuine and brilliant in its own way. It's not perfect but it's wholly original and in a genre that seems to reward bands for sounding a heck of a lot like Dream Theater that means a lot.

4/5 stars.

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 Remedy Lane by PAIN OF SALVATION album cover Studio Album, 2002
4.23 | 910 ratings

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Remedy Lane
Pain Of Salvation Progressive Metal

Review by GruvanDahlman
Prog Reviewer

3 stars Having read about this album I was really excited when I put it on for the first time. It did not sound the way I had imagined but that's alright. Prog albums rarely do. Isn't that the whole idea of prog, not sounding like anything you'd expect? Well, turned out to be a hard one to review. Really it is. I am no stranger to heavy metal, I was sort of raised on it. It is not that. It is rather the fact that Gildenl÷w is extremely talented, obviously, but I do not agree with his musical vision wholeheartedly.

I will say this, the music found on Remedy lane really is a real concoction of styles. It is though Gildenl÷w has gathered together everything (or nearly) from the commercial side of hard rock to the more extreme, almost death-y, metal. That is a feat and as such I applaud him. But do I think it is a success? Well, maybe not in my book and maybe not to the full extent intended. I cannot embrace the album as muych as I'd like to. The ambition and talent is unquestioned but I am simply not that enchanted. And in that lies the difficulty.

There are tracks I really enjoy. The trio of "Rope ends", "Chain sling" and "Dryad of the woods" are very enjoyable indeed. The folky side of "Dryad..." is quite beautiful and "Rope ends" is certainly a multifacetetted piece of music, well worth exploring.

I do not suggest that the other tracks aren't enjoyable, as a whole or in bits, but there are elements I disagree with. There is a side of this album that makes me uneasy and not in a good way. It is hard to describe but I hear elements of music I quiver about, like contemporary pop-metal of sorts. Since I cannot digest those bits I find it hard to love this album. It is a good album, a brilliant one if I was to clear the plate from all those elements I find hard to swallow.

All in all, Remedy lane is a good album. Full of talent and intent. It just don't agree with me. Sorry.

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 Remedy Lane by PAIN OF SALVATION album cover Studio Album, 2002
4.23 | 910 ratings

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Remedy Lane
Pain Of Salvation Progressive Metal

Review by jcarchia

4 stars I see several reviews basically saying that this piece of work isn't nearly as good as their other offerings. The issue is that P of S has set the bar pretty high. If you listen to this album and don't feel like a good amount of time and effort was put in writing and composing then maybe I'm deaf because most of the tunes are very well layered. Maybe I am basing this on the degenerative quality of most music these days, but "Remedy Lane" seems pretty polished to me and any progressive music fan should be pretty proud to have this album in their collection.

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 12:5 by PAIN OF SALVATION album cover Live, 2004
4.42 | 250 ratings

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12:5
Pain Of Salvation Progressive Metal

Review by kev rowland
Special Collaborator Honorary Collaborator

4 stars There is quite an unusual concept behind this album. Band leader Daniel Gildenl÷w was asked if Pain Of Salvation were interested in recording a special radio show for Swedish radio. This resulted in this acoustic album being recorded in front of 80 invited guests, and with no extra instrumentation added if you were there that night this is what you would have heard. The album is divided into three books, as is usual with POS, as there is an underlying story (titled "Brickworks) but most of the songs have previously been available on their studio albums. The difference now of course is back then they were powering prog metal and now this is in an acoustic setting.

The band comprises Daniel Gildenl÷w (vocals and guitar), Johan Hallgren (guitar and vocals), Johan Langell (drums and vocals), Kristoffer Gildenl÷w (bass and vocals) and Fredrik Hermansson (keyboards). While the band is playing acoustically there is never any doubt that this is a rock band. On "Winning The War" there is the feeling that the passion is just going to take over the band. There may be no amps involved, but they seem intent on killing those acoustic guitars. It shows how well the songs are structured in that they can easily be switched from full on prog metallic mayhem to this environment.

A fascinating album, which while obviously of more interest to fans of the band, will also have appeal to those coming to them for the first time. Just don't expect any of their other albums to sound quite like this.

Originally appeared in Feedback #78, April 2004

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 Road Salt One by PAIN OF SALVATION album cover Studio Album, 2010
3.39 | 390 ratings

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Road Salt One
Pain Of Salvation Progressive Metal

Review by bloodnarfer

3 stars New refreshing (if unexpected) direction

Pain of Salvation have never been ones to stagnate, and this album lives up to its name. It is dirty. Instruments and tones blend together in a almost live feel to the music. I love it. You don't have a separate frequency spectrum for each instrument, it all meddles together and the effect gives you a geniune feeling that most modern music misses out on. Daniel's vocals are at his finest and most natural here and he sounds great. Its impossible not to sing along and realize how intricate and soulful his singing is. Here we have a heavy influence from 70's hard rock and blues and the effect is a welcome meshing with the dark style of POS. The Road Salt saga are the last albums recorded with long time members Johan and Fredrik. (On guitar and keys respectively.)

The album opens powerfully with No Way, which has a very classic hard rock sound. The subtle and very organic drumming sounds great, and the new member Leo holds up. The song enters lighter, melodic parts which thrust you back into the fury of this song. It can really be said that this song is all about frustration and confusion. (Why can't I get the girl if she likes me better? Is it possible that you have something that I don't?) And the song conveys it well. The retro-sounding breakdown at the end of the song is great as bluesy guitar solo falls into a drum solo. It rocks!

The next highlight is Sisters, which impresses as the best song on the album. This song conveys thoughts of inevitibility and lack of self control. We see POS doing something totally different here with a soft, emotional, ballad-like song, a very gradual build and a powerful payoff. The piano and melody is slow, thoughtful, and haunting. Daniel's visceral vocals really pull this song together. I promise you will feel something listening to this.

Darkness of Mine sneaks up on you, which is very fitting. This song is all about mood and tension. First we have ominous long guitar tones and delicate, pained vocals. Listening carefully, the guitarist moves his hands back and forth across the frets making a dark laughing-like sound. Neat! Before you know it the heavy section slides in to brutalize you for just one iteration before slinking back into the darkness. A really well constructed and interesting song.

Where it Hurts is a really dreary and dramatic song which could be a bit over the top but still remains cool. Everytime the heavy drums come in it thrills. Also, there is a really cool jam section in the middle of the song as Leo again shows his chops. The end guitar solo is nearly ruined by Daniel going overboard screaming "touch me where it hurts" but its still manages to pull through.

On the other hand, I found Curiosity and Innocence to be somewhat uninteresting even if they fit into a more traditional Pain of Salvation sound. Sleeping Under the Stars is kind of awkward and misfitting but tolerable.

I love what POS has done on this album, and it is a great and refreshing contribution. Not their best work by any means. Good, but non-essential.

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 Remedy Lane by PAIN OF SALVATION album cover Studio Album, 2002
4.23 | 910 ratings

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Remedy Lane
Pain Of Salvation Progressive Metal

Review by kev rowland
Special Collaborator Honorary Collaborator

4 stars This is the fourth album by Swedish prog metallers Pain Of Salvation and although it is again a concept album, it is not a follow-up to 'The Perfect Element Part 1'. The band has decided not to work on a sequel just yet, although that is in place for the future. POS have been working with the usual suspects in the past, having toured with both Threshold and Arena while band leader Danny Gildenl÷w also found himself playing with Transatlantic. They have also confirmed dates with Dream Theater in the near future. Danny describes the album himself as follows "If you're looking for a band that sounds like your favourite group, forget about us. But if you happen to be looking for a band that lets you forget your favourite group, take a few walks down Remedy Lane and you'll find that you're not the same person that you were before".

The album is about failed relationships and the role of a person's past when entering into a relationship. At times the music is very heavy, at others very light, but there is a constant tension between the two, so that the listener is never quite sure what is going to happen next. The vocals also take on an important aspect as they move between rock screams and almost spoken passages, while at all times maintaining a certain menace.

While there are no really long tracks (closer "Beyond The Pale" is the longest at less than ten minutes), the proghead cannot feel hard done by as there is plenty of complexity and intricacy to get their head into. Again an intriguing album from Pain Of Salvation that may be too heavy for the proghead while being too complex for those into metal, but it is rewarding for those who follow the path to the end.

Originally appeared in Feedback #67, Apr 02

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