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PAIN OF SALVATION

Progressive Metal • Sweden


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Pain Of Salvation biography
See also:

- Dial
- For All We Know
- The Shadow Theory

Pain of Salvation is widely known as one of the fundamental progressive metal bands from the second generation, which came around the mid 90's, but the fact is that the band is one of the oldest progressive metal bands still active. The band was formed by guitarist, singer and composer Daniel Gildenl÷w and friends in 1984, two years after Fates Warning, Three years after Queensr che and a year before Dream Theater, when Daniel was only 11 years old. At that time, the band was called Reality, but as Daniel got older he realized the band's name needed to changed, despite the band being basically the same. So, in 1991 the band officially changed from Reality to Pain of Salvation. Daniel, over the years, gave various different reasons for the change of name, but the common feature of all those explanations is the fact that the name symbolizes the balance between things of vital significance, such as good and bad, light and dark, life and death.

The band had numerous personnel changes, mostly during the Reality period and the early period of Pain of Salvation up until their second album. Since the release of One Hour by the Concrete Lake the band remained fairly stable, with only two important band member changes: when Kristoffer Gildenl÷w, Daniel's brother, left in 2006 due to being unable to attend to rehearsals because he lived in Denmark, and when Johan Langell, Pain of Salvation's drummer since 1989, left in 2007 in order to focus on his own family.

After having a reasonably stable lineup for some time, Pain of Salvation decided, in 1996, to search for a record deal with some record label, but first recruited the keyboardist Fredrik Hermansson to complete the band's intended sound. During the rest of 1996 they distributed various demo tapes in hope to get signed with any interesting label. In early 1997 the band started recording their debut album in Roasting House, a professional recording studio in Sweden, and in August of the same year Entropia was released in Asia by Avalon, a Japanese record label owned by the Japanese record company...
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Remedy Lane Re:visited (Re:mixed & Re:lived)Remedy Lane Re:visited (Re:mixed & Re:lived)
Inside Out Music 2016
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Road Salt Two: LimitedRoad Salt Two: Limited
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PAIN OF SALVATION discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

PAIN OF SALVATION top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.09 | 459 ratings
Entropia
1997
3.97 | 432 ratings
One Hour By The Concrete Lake
1998
4.23 | 1054 ratings
The Perfect Element Part 1
2000
4.23 | 974 ratings
Remedy Lane
2002
4.13 | 761 ratings
Be
2004
3.19 | 515 ratings
Scarsick
2007
3.34 | 416 ratings
Road Salt One
2010
3.54 | 340 ratings
Road Salt Two
2011
3.31 | 72 ratings
Falling Home
2014

PAIN OF SALVATION Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.42 | 266 ratings
12:5
2004
3.98 | 108 ratings
The Second Death Of Pain Of Salvation
2009
4.50 | 2 ratings
Remedy Lane Re:Lived
2016

PAIN OF SALVATION Videos (DVD, Blu-ray, VHS etc)

4.39 | 185 ratings
Be Live
2005
3.96 | 91 ratings
Ending Themes - On The Two Deaths Of Pain Of Salvation
2009

PAIN OF SALVATION Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

5.00 | 1 ratings
Remedy Lane Re:Visited (Re:Mixed & Re:Lived)
2016

PAIN OF SALVATION Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.40 | 20 ratings
The Painful Chronicles
1999
3.65 | 25 ratings
Ashes
2000
3.32 | 100 ratings
Linoleum
2009
5.00 | 2 ratings
Remedy Lane Re:Mixed
2016

PAIN OF SALVATION Reviews


Showing last 10 reviews only
 Scarsick by PAIN OF SALVATION album cover Studio Album, 2007
3.19 | 515 ratings

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Scarsick
Pain Of Salvation Progressive Metal

Review by VianaProghead

4 stars Review N║ 73

This is my fourth review of a Pain Of Salvation's album. My three previous reviews were their debut live album '12:05' released in 2004, and their third and fourth studio albums 'The Perfect Element Part 1' and 'Remedy Lane' released in 2000 and 2002, respectively. 'Scarsick' is the sixth studio album of Pain Of Salvation and was released in 2007. The line up on the album is Daniel Gildenlow (lead vocals, guitars, bass guitar, banjos and samplers), Fredrik Hermansson (keyboards and samplers), Johan Halgreen (vocals and guitars) and Johan Langell (backing vocals and drums). It's important to note that the bass guitar is played by Daniel Gildenlow and not by Kristoffer Gildenlow as was usual in the band. The bassist left the band in 2006 because his marriage. Daniel asked his brother total dedication to the group, what it meant to live in Sweden, but his home is in the Netherlands, which interrupted his continuity in the band. This was also the last studio album to feature Langell on drums who decided to quit the band to spend more time with his family. It was a very difficult decision of him who was received with surprise by fans and also by the band's members.

'Scarsick' is the second part of 'Perfect Element Part 1'. It's a conceptual album focused on issues like capitalism, materialism, consumerism, and the entire contemporary society as a whole. It continues the story of the male person (He) from that album. 'Scarsick' deals with many aspects within its context, including topics like frustration, consumer culture, materialism, industrialization, capitalism, commercialization, American Imperialism, conformity, idolization of celebrities, collectivist nature of religion and decline of our Western civilization. Daniel said that the life of (He) is an allegory for all mankind and that in him we can see the problems of our society on a very intimate and personal level. While 'The Perfect Element Part 1' deals with the individual dysfunction in a certain psychological context, 'Scarsick' deals with a sociological sense and explores the relationship between both contexts.

'Scarsick' has ten tracks which are divided in two chapters, side A and side B. However, some tacks are also divided into several parts. The side A: 'His Skin Against This Dirty Floor' has five tracks. The first track 'Scarsick', the second track 'Spitfall' which is divided into five parts: 'Introducing Star', 'Thus Quote The Craving', 'Redefining Vomatorium', 'Man Of The Masses' and 'Yo', the third track 'Cribcaged', the fourth track 'America' and the fifth track 'Disco Queen' which is divided into four parts: 'Tonight I'll Fall', 'A Cheap Sellout Drug', 'A Tighter Groove' and 'My Disco Queen'. The side B: 'Why Can't I Close My Eyes' has also five tracks. The first track 'Kingdom of Loss', the second track 'Mr. Modern Mother Mary', the third track 'Idiocracy', the fourth track 'Flame of the Moth' and the fifth track 'Enter Rain' which is divided into three parts: 'Running', 'Standing' and 'Falling'.

Pain Of Salvation is, in my point of view, a very different and special band. His leader Daniel Gildenlow has a very well concrete plan for the band and he doesn't stray from it, for any reason, even under the pressure of their fans. On the other hand, we can never criticize Pain Of Salvation for not changing their direction, whether we like or not. And, this is what happened with this album, which became one of the most controversial albums, in this site and in the last years.

'Scarsick' became, in my humble opinion, the most misunderstood and underrated album in the recent years. Unfortunately, it joins to 'Tales From Topographic Oceans' of Yes, probably the most underrated masterpiece in the history of the progressive rock music. Sincerely, I can't understand how anyone can give on this site 1 or 2 stars to this album. Personally, this is an album that I can't stop playing, as also happened with our colleague Gatot. 'Scarsick' has probably the best lyrics of all band's albums, and musically, despite being a very progressive and audacious album that explores various musical genres, it keeps its powerful sound with changes by abrupt passages between calm and heavy parts, what always has been one of the traditional images of the group.

Conclusion: Fortunately, in these days, I'm not too much influenced by people's reviews before I listen to an album. 'Scarsick' is, for me, a fantastic album and one of the most mature albums released by the band until today. It's a very complex album, even though it may feel in the beginning that's its simple, shallow and too modern, for no apparent reason. It takes a lot of patience to find everything it has to offer, but sincerely I think that it's worth it. There are a lot of diverse musical influences, unconventional ideas, clever and direct lyrics, and the most important of all, emotion on it. I know that most of you don't like of so diversity on it and that you even can feel in some moments that it just seems not to be the same album. However, I'm still convinced that, all in all, 'Scarsick' is a great album and hopefully, for me, it continues to get better and better with each listen. I would recommend it to everyone who has a truly open mind.

Prog is my Ferrari. Jem Godfrey (Frost*)

 The Perfect Element Part 1 by PAIN OF SALVATION album cover Studio Album, 2000
4.23 | 1054 ratings

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The Perfect Element Part 1
Pain Of Salvation Progressive Metal

Review by VianaProghead

5 stars Review N║ 72

Pain Of Salvation is really a great progressive band in the true meaning of the word. Their sound is characterized by powerful guitar work, great lyrics with strong vocals and their music changes very often between abrupt musical passages, calm and heavy parts. Other main feature of the band is the intense musical experimentation from album to album. Another trademark of the group is that each album is a concept album. The themes addressed in the band's musical works change from album to album and ranging from sex, war, family, religion and environment.

This is my third review of a Pain Of Salvation's album. My two previous reviews were about their debut live album '12:05' released in 2004 and their fourth studio album 'Remedy Lane' released in 2002. The line up of the band on 'The Perfect Element Part 1' is the same of the other two previous albums. So, the line up on it is, Daniel Gildenl'w (lead vocals and guitar), Johan Hallgreen (backing vocals and guitar), Fredrik Hermansson (keyboards, Steinway piano and samples), Kristoffer Gildenl'w (backing vocals and bass) and Johan Langell (backing vocals and drums).

'The Perfect Element Part 1' is the third studio album of the band and was released in 2000. As I wrote before and as usual on the band, this is another concept album of the group, this time focused on the forming of the individual personality, particularly on the events that marked our childhood and adolescence and that will shape our personality forever, making us what we are today. The subject is a bit more focused on the social and educational aspects of the forming of the individual person from the adolescence to the adulthood.

'The Perfect Element Part 1' explores many themes within its context. It includes some and very different aspects such as child abuse (sexual and physical), sexuality, tragedy, drug abuse, love, pain, anger, loss (of live and innocence, among other things), shame, regret, despair and inner struggles. All these themes are dealt as a story that explores the live of two fictional persons, one male and one female (known in the lyrics as He and She), which are two broken and dysfunctional persons.

As Daniel Gildenlow explains, 'The Perfect Element Part 1' shouldn't be seen as an autobiography or a true story of the band's elements, despite some parts of the concept and its emotions are clearly influenced by own their lives, but some others parts are there, because they only want to emphasize them. 'The Perfect Element Part 1' is the first part of two planned musical conceptual pieces of music around the childhood and adolescence. Their second part was released in 2007, as their sixth studio album, not under the name of 'The Perfect Element Part 2', but under the title 'Scarsick', which will be the object of my next review of this band, here on Progarchives.

'The Perfect Element Part 1' has twelve tracks and they are all divided into three chapters. The first, the second, the third and the fourth tracks 'Used', 'In The Flesh', 'Ashes' and 'Morning On Earth' respectively, make part of Chapter I: 'As These Two Desolate Worlds Collide'. The fifth, the sixth, the seventh and the eighth tracks 'Idioglossia', 'Her Voices', 'Dedication' and 'King Of Loss' respectively, make part of Chapter II: 'It All Catches Up On You When You Slow Down'. The ninth, the tenth, the eleventh and the twelfth tracks 'Reconciliation', 'Song For The Innocent', 'Falling' and 'The Perfect Element' respectively, make part of Chapter III: 'Far Beyond The Point Of No Return'.

The artwork, concept, lyrics, music and arrangements of the album were made by Daniel Gildenlow except the first half of 'Her Voices' which was made by Daniel Gildenlow and Hermansson, and the 'Once' part, in the middle of the last track 'The Perfect Element', which was made by Daniel Gildenlow and Langell. The string arrangements were made by Daniel Gildenlow and Hermansson.

Conclusion: 'The Perfect Element Part 1' is a superior Pain Of Salvation's studio album, as is usual with all Pain Of Salvation's albums, and it brought originality and diversity to this musical genre, by one of the greatest and most important progressive metal bands from the second generation of this sub-genre. All the songs are absolutely incredible, and even thought that this is a concept album, you can listen to any song as you want and still get the same effect on you, without having to listen to it in its strictly order. As with all Pain Of Salvation albums, I recommend reading the lyrics while you listening to it. It makes your musical experience much deeper. This is really a perfect album. 'The Perfect Element Part 1' is, in my humble opinion, an album at the same quality level of their next studio album 'Remedy Lane'. For me, the only difference between these two albums is strictly a question of personal taste. In my case, it makes that my personal preference goes to 'Remedy Lane'. But as I said before, it's only a matter of taste.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Road Salt One by PAIN OF SALVATION album cover Studio Album, 2010
3.34 | 416 ratings

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Road Salt One
Pain Of Salvation Progressive Metal

Review by Prog Leviathan
Prog Reviewer

2 stars If Scarsick will be remembered as the Pain of Salvation album that Gildenlow and band "jumped the shark," Road Salt must be the album where they give us all the middle finger while backstroking in the tank as we cry out for more of what made them great during the early 2000's.

Road Salt salt is an unapologetically different sound for this prog metal band, one that is stripped down and simplified in almost every way fans will imagine. Pain of Salvation gets my respect for taking risks, but not my appreciation for creating this languid, unengaging, joyless, and self-indulgent collection of 3-minute songs that are essentially just excuses for Daniel Gildenlow to sing about abuse and sexual dysfunction. After listening several times I don't feel like I have anything to walk away with.

Sonically the production and guitar style gives us a unique tone for the band, and if you listen hard enough you'll hear some interesting guitar textures and rhythms. However, from a song writing perspective this album has nothing for me to enjoy. Some reviewers have commented that this is more of a "classic rock" style album, but one thing classic rock bands do well is have FUN with their music. When has Gildenlow ever written a song that wasn't weighed down with chains of pathos, bitterness, or psychological scars? The lyrical content just doesn't work here, despite what a great singer Gildenlow is. Instrumentally the album is restrained and understated, occasionally breaking in to fits of dynamic aggression, but mostly vamping to the vocal melodies with nary a solo or memorable moment to walk away with. This is classic rock that would never make it on to the radio in any decade.

The result is an album that just isn't enjoyable to listen to. Definitely for serious fans of Gildenlow or those that want to slit their wrists to lyrics like, "I'll touch you where it hurts. And you can touch me. Come on and touch me where it hurts." No thanks.

Songwriting: 2 - Instrumental Performances: 2 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 1

 Remedy Lane by PAIN OF SALVATION album cover Studio Album, 2002
4.23 | 974 ratings

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Remedy Lane
Pain Of Salvation Progressive Metal

Review by VianaProghead

5 stars Review N║ 24

Pain Of Salvation is a Swedish progressive metal group founded in 1991. The lyrics show deep concerns told through elaborate concept albums and the music is just all over the place. In a five minutes song, it's quite common for Pain Of Salvation go to different tempos, time signatures and musical atmospheres, changing from powerful aggressive parts to sweet and gentle melodies.

'Remedy Lane' is their fourth studio album and was released in 2002. It was almost entirely written during a two month period, from August to September 2001 by Daniel Gildenlow, and was recorded in autumn 2001 and released in spring 2002. The album was produced and mastered by Daniel, Anders 'Theo' Theander and Pain Of Salvation, and the Graphic Art and Multimedia was made by Daniel and Entropia Productions.

The line up on the album is Daniel Gildenlow (lead vocals and guitar), Johan Hallgreen (backing vocals and guitar), Fredrik Hermansson (keyboards and synthesizers), Kristoffer Gildenlow (backing vocals, bass guitar and cello), and Johan Langell (backing vocals, drums and percussion).

'Remedy Lane' has thirteen tracks. The concept and the lyrics are all written by Daniel. All the music was also written by him, except 'Rope Ends' which was written by Daniel and Fredrik. The thirteen tracks are divided into an introduction and three chapters. The first track 'Of Two Beginnings' is the opening track and is a kind of an introduction to the album. The second track 'Ending Theme', the third track 'Fandango', the fourth track 'A Trace Of Blood' and the fifth track 'This Heart Of Mine (I Pledge)', makes part of Chapter 1. The sixth track 'Undertow', the seventh track 'Rope Ends', the eighth track 'Chain Sling' and the ninth track 'Dryad Of The Woods', makes part of Chapter 2. The tenth track 'Remedy Lane', the eleventh track 'Waking Every God', the twelfth track 'Second Love' and the thirteenth track 'Beyond The Pale', makes part of Chapter 3.

As Daniel explains, the meaning of the album title 'Remedy Lane', is about an English expression 'Take A Walk Down Memory Lane', which means, to visit your past or going to a nostalgic trip. For him, that is what happened with this concept album, which is the need to reconcile ourselves with the past, to find remedy for our personal crisis.

'Remedy Lane' is a concept album, focusing on the search of a man to discover himself. It's also about love, sex, a crisis in a relationship and the interactions with other people. The story of the concept takes place in Hungary, in different places, where the songs take us. This album is a part autobiographical and a part fictional of a period of Daniel's personal life, and as he said, it's his most Pain Of Salvation personal album.

'Remedy Lane' is a superiorly recorded and released album, what is usual with all Pain Of Salvation albums. It has an excellent conceptual cohesion, which brings originality and diversity to the metal progressive sub-genre and in my humble opinion it represents the band's finest musical creation, until now. Musically, this album really goes all over the place and lives up to its progressive reputation. The song structures are wild and complex in their dissonance and the instruments are performed with technical ease, and the vocals of the singer and guitarist Daniel Gildenlow range from passionate to absolutely insane. The songs themselves are also packed with a good deal of variety and range and portray the stories of the lyrics well and offer something for just about any kind of listener.

Just one more thing! I'll leave you with the Daniel's main reason to like or dislike of Pain Of Salvation, particularly of this album. And I'm going to cite him: 'If you are looking for a band that sounds just like your favourite band, just forget about us. If you are looking for a band that will make you forget about your favourite band, we are there, just walk down Remedy Lane and you will never be the same'.

Conclusion: I met Pain Of Salvation by Progarchives, and 'Remedy Lane' was my first encounter with their music. I read that the group had an excellent reputation, but the real truth is that I wasn't really prepared for listen something like this, an incredible and beautiful album. Although, being not a specialist on progressive metal, one of my favourite bands is Dream Theater, I oddly missed the Pain Of Salvation phenomenon until now and I do regret it, sincerely. As you can see, 'Remedy Lane' is a very special album for me, because is so unique, so pure and so authentic. So, for those who don't met yet Pain Of Salvation, and after reading the Daniel's citation and be still interested on the band, I suggest begin with this masterpiece, despite their live album '12:05', be certainly more accessible. Surely this is an album that appeals to fans of Dream Theater and Opeth, or to everyone with a taste for something new and different.

Prog is my Ferrari. Jem Godfrey (Frost*)

 12:5 by PAIN OF SALVATION album cover Live, 2004
4.42 | 266 ratings

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12:5
Pain Of Salvation Progressive Metal

Review by VianaProghead

5 stars Review N║ 13

This is my second review of a live album on Progarchives, it's my first review from the band, and it's also the second time I'm going to start reviewing a group, beginning with a live album. The first was 'Welcome Back My Friends To The Show That Never Ends' of Emerson, Lake & Palmer. With '12:05', when I saw the high ratings given to this Pain Of Salvation live album, on this site, and because I love the band, I became very curious about it. So, soon as I could, I ordered to my supplier to buy it. When I got the album, I realized why it was so very well rated on Progarchives.

In general I prefer studio albums, instead live albums, in the most of the cases. I've especially two main reasons for that. First, usually the studio works are better recorded and produced than the live. Second, very often, the songs are played alive much in the same way that they were performed on its studio versions. In my opinion, a good live album must have the tunes slightly different and performed with other free creativity, than the original studio versions.

Pain Of Salvation is a Swedish tech/extreme progressive metal band founded in 1991, which is, in my humble opinion, one of the best and most original progressive bands in our days. The name Pain Of Salvation signifies, the meaning of balance, taking the good with the bad. It's also a good expression, in everyday use, when something doesn't go the way you planned.

'12:05' is the debut live album of Pain Of Salvation and was released in 2004. It was recorded from a live concert in the band's hometown of Eskilstuna, in Sweden on 12 May 2003 at 12:05. It's an unplugged live concert, totally performed alive with only acoustic instruments. Personally, I enjoy very much music performed with acoustic instrumentation. A performance like this is much more pure, clear and simple, and usually has more passion and naturality.

After 'Remedy Lane', the group engages in the Swedish assembly of the musical piece 'Jesus Christ Superstar', and were being responsible for implementing those songs. Before they do a new album, the band did acoustic shows in Sweden, presenting new approaches to some of their old songs. From those live performances, it would be born this fantastic debut live album, '12:05'.

The line up on '12:05' is the usual in those days. However, the musical instruments played on the live concert are very different from those who are usually used by the band. So, we have Daniel Gildenlow (lead vocals and acoustic guitar), Fredrik Hermansson (grand piano and harpsichord), Johan Hallgren (lead and backing vocals and acoustic guitar), Kristoffer Gildenlow (backing vocals, acoustic bass and cello) and Johan Langell (backing vocals and drums).

'12:05' has sixteen tracks. It has songs from all the band's studio albums, until that moment, except from their second studio album 'One Hour By The Concrete Lake'. The album is divided into three parts. The first part is Book I: Genesis ' Brickwork Part 1, which is divided into 5 tracks: 'Leaving Entropia T5 A', 'This Heart Of Mine T5', 'Song For The Innocent T5', 'Descend 1' and 'Leaving Entropia T5 B'. The second part is Book II: Genesister, which is divided into 6 tracks: 'Winning A War T5', 'Reconciliation T5', 'Dryad Of The Woods T5', 'Oblivion Ocean T5', 'Undertow T5' and 'Chainsling T5'. The third part is Book III: Genesinister - Brickwork Part 2, which is divided into 5 tracks: 'Ascend 1', 'Ascend 2', 'Second Love', 'Ashes T5' and 'Descend 2'.

The songs aren't simply the original studio versions played with acoustic instruments. Most of the music here was rearranged with the addition of some new parts. It happened because the group didn't want to simply release a normal Pain Of Salvation live album, but do a live performance, taking a more personal and different approach to the old material. Basically, what they wanted to do was to perform a new album with the old material, and they did it very well.

Conclusion: '12:05' is, in my humble opinion, a very tasteful album and a truly masterpiece in terms of live recordings. It's a must have for almost Pain of Salvation fans, especially for those who aren't fanatic metal heads. If you are a mature metal head that doesn't need everything to be hardcore, put your doubts aside and get it. For those who prefer a more traditional approach to the progressive style of music, and have been turned off by the group's more metallic musical approach to date, should also check it out. Finally, if you are a music fan in general, get it, because this is a wonderful album, with emotional music, full of creativity and performed live flawlessly. The final result of '12:05' is a superior acoustic live album, which sounds to a new musical work. Probably, this is the Pain Of Salvation most accessible album, and for those who doesn't know the band yet, I really suggest they begin with this album. This is with any doubt one of my favourite live albums ever, especially in terms of acoustic performances.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Be by PAIN OF SALVATION album cover Studio Album, 2004
4.13 | 761 ratings

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Be
Pain Of Salvation Progressive Metal

Review by floflo79

5 stars "BE" is one of the most ambitious project that I saw in modern rock music. The idea of an album about God, humanity and creation of world is pretty huge. When you see the tracklist of the CD, you are really confused : there's a prologue, then five chapters with latin names. If the idea is great, is the music great too ? Fortunately, yes. "BE" is cleary the best Pain Of Salvation album along with The Perfect Element Pt 1 (Remedy Lane is just behind). The music is as ambitious as the project is huge. There's an orchestra who follow the band, who play a lot of instruments. The music is very complex and less metal than the other albums of the band. It's a pure story that you listen with a huge pleasure.
 Falling Home by PAIN OF SALVATION album cover Studio Album, 2014
3.31 | 72 ratings

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Falling Home
Pain Of Salvation Progressive Metal

Review by Rune2000
Special Collaborator Prog Metal Team

3 stars A good but not completely satisfying acoustic experience!

It's been a while since I've really enjoyed a Pain Of Salvation release. I feel like the band reached their peak in 2004 when they released their concept album Be and the acoustic live masterpiece 12:5. Since then the band have undergone quite a change of direction which also resulted in a few lineup changes. I found Scarsick to be a disappointment, live album Ending Themes and Linoleum were good but lacked the creativity of their previous efforts and the Road Salt duology was a complete departure in style.

Having said that, I still actively follow the band on the social media and keep a lookout for their live shows. I happened to see the new lineup featuring the very talented guitarist and vocalist Ragnar Zolberg, return of Gustaf Hielm on bass and Daniel Karlsson on keyboards and backing vocals. The show I saw in March 2012 was easily the best Pain Of Salvation live performance out of the many that I've seen with the band over the years. The vocal harmonies were perfect, the instrumental skill was very prominent and the fun factor was definitely in place.

This live experience made me very excited for the new possibilities that the new lineup entailed. I was interested in seeing what Ragnar Zolberg and Daniel Karlsson would achieve in the song writing department, considering that Zolberg seems to be a huge fan of the band's first four records and excels in his performances of classics like Used and Chain Sling. Daniel Karlsson has a distinct keyboard sound that makes his contributions even more prominent than those of Fredrik Hermansson.

You could probably imagine my excitement when I heard that Pain Of Salvation were going to release a new album in 2014. I was slightly less excited when more information had been unveiled about Falling Home and it turned out to be an acoustic re-imagining of the band's material mainly from the last couple of years. But I kept my hopes up and patiently awaited the release date of November 10th.

My first listening session made me experience quite a few mixed emotions. Even though the performances were spot on and the new re-imagining of the compositions were for most part quite exquisite, I still couldn't shake off the thought that this was an inferior follow-up to 12:5. First off, this record was not recorded in front of a live audience thus making this recording feel like a much safer choice than 12:5. Second off, most of the material from Road Salt duology is acoustic to begin with which doesn't make the new versions sound too different from the original counterparts. Finally I have an issue with the cover version of Holy Diver. I'm a big fan of the original recording by Dio and hearing this version made me really offended since Pain Of Salvation turns it into an acoustic reggae track!

Falling Home is a good but not completely satisfying acoustic experience since we all know that Pain Of Salvation can create majestic vocal harmonies in a low key setting. The problem is the choice of material, the decision of recording the record in a studio instead of doing it live and the horrible cover of Holy Diver doesn't exactly make things better, even though the cover of Perfect Day is actually a whole lot better. I'm still waiting for that new record from the band's current lineup that would live up to the legacy of Pain Of Salvation.

***** star songs: Chain Sling (4:08)

**** star songs: Stress (5:32) Linoleum (4:57) To The Shoreline (3:06) 1979 (2:50) Perfect Day (4:51) Flame To The Moth (4:31) Falling Home (3:06)

*** star songs: Mrs. Modern Mother Mary (4:23) Spitfall (6:42)

** star songs: Holy Diver (4:34)

 The Perfect Element Part 1 by PAIN OF SALVATION album cover Studio Album, 2000
4.23 | 1054 ratings

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The Perfect Element Part 1
Pain Of Salvation Progressive Metal

Review by FragileKings
Prog Reviewer

3 stars An 80's hair metal band gets marinated in progressive rock.

I read a lot of very good reviews about this album and saw it was among the top rated prog metal albums on PA and MMA. Since I had just received Symphony X's "V: The New Mythology Suite", which is another top rated prog metal album on both sites, and I quickly grew to love it, I thought that this album should be among my next prog metal purchases. Honestly though, this one is taking its time to appeal to me.

The good points are many. Daniel Gildenl÷w has a very diverse voice and can sing anything from gruff barks to high screams to smooth and calm to somewhere in between it all. The album tells the story (part 1) of two broken people, He and She, who meet and begin a relationship. That's as far as I got there. I'm afraid the broken people stories don't go far with me. The best one I've heard is Nine Inch Nails' "The Downward Spiral". After that it's difficult to impress me with that kind of story. Still, Gildenl÷w uses his voice to effectively convey the emotions of each part of the story. The music is for the most part not too complex but like "The Wall" (in a way) mostly sticks to relaying the moments in the tale. The tempo stays slow to mid-range and I only noticed one part where a double bass drum comes into play. In this way, this is a pretty mild and tame metal album despite the theme of pain and frustration.

Two other points to mention in favour of the music are the guitar and keyboards. While there are no catchy, bang-your-head metal riffs, the guitarist (be it Gildenl÷w or Johan Hallgren) uses lead playing to create beautiful melody lines and as well there are some delightful licks here and there in the solos, particularly in "Her Voices" lies a favourite of mine. Fredrik Hermanssen is used very well to provide beautiful piano passages, atmospheric synthesizer, and some powerful rhythm synth work that treads into symphonic prog metal at times, most notably in the title track. I always feel that if you're going to have a keyboard player in a metal band then you should let him/her contribute to the overall quality of the music and not just keep the keys in the background for rhythm behind the guitars.

There's some great music on this album and the songs to stand out the most for me are "Ideoglossia", "Her Voices", "King of Loss" and "Reconciliation". These songs are where the overall feel of the album is wonderfully combined with some excellent music that captures the progressive metal quality best or where the music is simply beautiful. The title track offers some great moments too.

However, there are some aspects of the album that still haven't grabbed me. First, this is not really a heavy metal album. There are parts where the guitars are loud and the vocals screaming or full of raw energy but the majority of the songs are pretty lightweight. Even when the music gets heavy and aggressive I find myself thinking that it needs more bass to enrich the sound. It's as if the band wanted to show aggression without wanting to be offensive. The first four songs are easy to get by because they don't really get the album up and running. It's not until "Ideoglassia" that things really turn exciting and even then the song reuses the pseudo-rap of "Used" and reintroduces the chorus of "Ashes". It almost seems that the album is already reprising music before it has hardly gotten started. Thankfully the rest of the song really begins to show off POS's talent. There are also a couple of puzzling spoken lines like "Call your dad" at the end of "Her Voices" and the beginning of "Dedication" (I'm sure he says, "Call your dad") and "Will I ever walk again?" in the title track. If I familiarize myself with the story more it might make more sense to me, but these lines just seem to leap out from the music and I'm like, "Huh?"

For me, a good album should be enjoyable to listen to straight through and as well have a few songs that can be enjoyed on their own. The four songs that I have mentioned here are great stand alone tracks but the rest of the album goes by me without many parts signaling my attention. I agree that this is a great album insofar as the effort and outcome are concerned. But I am not as excited about the whole concept as I am about the music in a few parts.

For anyone who doesn't like really aggressive metal but can appreciate something a little more melodic and easy, this album makes for a nice safe step into progressive metal. I think it's still a good album, but I'd like to hear another POS album that is either a little more technical or a little more varied in pace.

 Entropia by PAIN OF SALVATION album cover Studio Album, 1997
4.09 | 459 ratings

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Entropia
Pain Of Salvation Progressive Metal

Review by MJAben

4 stars A raw and somewhat choppy debut that is just teeming with creativity. In truth, I think this album is highly underrated and one of the best PoS records to date, second only to The Perfect Element. The album is more rocky, more funky, the vocals are not as developed but less pretentious and less overly sentimental / emotional. Don't get me wrong, Gildenglow still has an extremely emotive voice but the music is less centered on him and showcases the band more than any other record.

Instrumentally this album is unmatched and the bands ability in this record to match complex instrumentals with profound lyrics and thoughtful vocals makes this an extremely deep record. At first listen I put the record aside as 'just a band trying to find themselves', in a way this is true but at the same time, although this doesn't sound like later PoS it certainly isn't carbon cut copies of favourite band, this is an album that has a unique feel to it that I haven't heard in any other record.

Some parts of the album feel out of place, the bass intro to 'People Passing By' and 'Stress' as a whole but there is also creative, masterful, intelligent music on every single track that, perhaps with some more editing and production time would feel more defined but as is remains raw but powerful... There is no fluff in this record.

I think that's why I like this record more than all PoS records (including The Perfect Element, though I think TPE is a stronger album), it's raw, it's pure, this album is not catering to fans or trying desperately hard to sound like Pain of Salvation. This album didn't set out to out-do any previous album and wow us with how profound and perfect the band can sound, on the contrary this album just seeks to show us some creative and intelligent music, unlike any we have heard before (perhaps... Not quite like any heard since).

The imperfections in the music and the vocals are, in many ways, what sets this album apart from its successors and makes it feel so genuine and brilliant in its own way. It's not perfect but it's wholly original and in a genre that seems to reward bands for sounding a heck of a lot like Dream Theater that means a lot.

4/5 stars.

 Remedy Lane by PAIN OF SALVATION album cover Studio Album, 2002
4.23 | 974 ratings

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Remedy Lane
Pain Of Salvation Progressive Metal

Review by GruvanDahlman
Prog Reviewer

3 stars Having read about this album I was really excited when I put it on for the first time. It did not sound the way I had imagined but that's alright. Prog albums rarely do. Isn't that the whole idea of prog, not sounding like anything you'd expect? Well, turned out to be a hard one to review. Really it is. I am no stranger to heavy metal, I was sort of raised on it. It is not that. It is rather the fact that Gildenl÷w is extremely talented, obviously, but I do not agree with his musical vision wholeheartedly.

I will say this, the music found on Remedy lane really is a real concoction of styles. It is though Gildenl÷w has gathered together everything (or nearly) from the commercial side of hard rock to the more extreme, almost death-y, metal. That is a feat and as such I applaud him. But do I think it is a success? Well, maybe not in my book and maybe not to the full extent intended. I cannot embrace the album as muych as I'd like to. The ambition and talent is unquestioned but I am simply not that enchanted. And in that lies the difficulty.

There are tracks I really enjoy. The trio of "Rope ends", "Chain sling" and "Dryad of the woods" are very enjoyable indeed. The folky side of "Dryad..." is quite beautiful and "Rope ends" is certainly a multifacetetted piece of music, well worth exploring.

I do not suggest that the other tracks aren't enjoyable, as a whole or in bits, but there are elements I disagree with. There is a side of this album that makes me uneasy and not in a good way. It is hard to describe but I hear elements of music I quiver about, like contemporary pop-metal of sorts. Since I cannot digest those bits I find it hard to love this album. It is a good album, a brilliant one if I was to clear the plate from all those elements I find hard to swallow.

All in all, Remedy lane is a good album. Full of talent and intent. It just don't agree with me. Sorry.

Thanks to ProgLucky for the artist addition. and to NotAProghead for the last updates

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