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RIVERSIDE

Progressive Metal • Poland


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Riverside biography
Despite not being the biggest progressive rock powerhouse of Europe, Poland have certainly sprouted great and interesting progressive bands since the heyday of progressive rock, being the biggest examples of that the singer and multi-instrumentalist Czeslaw Niemen and the supergroup SBB. After the fall of the communist regime, during the 90's and 2000's, more bands begun to form and release their material, strengthening the country's own progressive rock scene, such as the neo prog bands Abraxas and Collage, and Riverside is, quite possibly, the biggest and best known band to come out from that scene.

Riverside was formed almost by accident, when two of its members, the guitarist Piotr Grudziński and the drummer Piotr Kozieradzki, listened to Marillion in Kozieradzki's car back in 2001. Both played in heavy metal bands at the time, but had the common interest for progressive rock, so they decided to join with their mutual friend, Jacek Melnicki, who owned a studio, and started to experiment with progressive rock. Mariousz Duda, multi-instrumentalist and vocalist from the band Xanadu, joined the trio later that year for rehearsals and the results and reactions from those meetings were extremely positive. After some more rehearsals, and the completion of some compositions by the band, Mariousz started to take the role as both the band's vocalist and bass player.

In late 2002, about one year after the band's formation, Riverside's was already playing gigs in Warsaw with material that would later be their debut album, Out of Myself, and, after distributing 500 copies of their demos around the town, the band played in a small club in Warsaw by the end of the year.

In 2003, shortly after the recording of Out of Myself, Riverside's founding member and keyboard player Jacek Melnicki decided to leave the band to focus on his own studio, so the rest of the band continued to mix and produce the album, as well as to search for a replacement for Jacek, which would be the band's current keyboardist Michal Lapaj.

Upon its release, in late 2003, Out of Myself had an unexpected success in Poland, and such success led to the album's rerelease in September 2004 by the American record label Laser's Edge, which led to even bigger media coverage and even more praises and attention towards the band. Still on 2004 the band had its first gig outside Poland in the Progpower festival in the Dutch city of Baarlo. The crowd's response was so good th...
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Out of MyselfOut of Myself
Laser's Edge 2004
Audio CD$9.63
$6.99 (used)
Love, Fear and the Time MachineLove, Fear and the Time Machine
Inside Out Music 2015
Audio CD$8.58
$9.70 (used)
Second Life SyndromeSecond Life Syndrome
Inside Out Music 2012
Audio CD$12.85
$8.86 (used)
Rapid Eye MovementRapid Eye Movement
Inside Out Music 2012
Audio CD$12.66
$7.45 (used)
Shrine of New Generation SlavesShrine of New Generation Slaves
Box set
Inside Out Music 2013
Audio CD$12.00
$9.95 (used)
Riverside: Love, Fear and the Time Machine (digibook) [2CD]Riverside: Love, Fear and the Time Machine (digibook) [2CD]
Mystic Production
Audio CD$12.99
Memories In My HeadMemories In My Head
EP
Laser's Edge 2011
Audio CD$6.99
$9.11 (used)
Anno Domini High DefinitionAnno Domini High Definition
Inside Out Music 2012
Audio CD$7.99
$8.49 (used)
Voices in My HeadVoices in My Head
Import
Imports 2010
Audio CD$13.24
$14.31 (used)
Memories in My HeadMemories in My Head
Import
Glassville Records 2011
Audio CD$11.03
$21.40 (used)
Right Now on Ebay (logo)
Alice's Adventures In Wonderland 1957 RIVERSIDE 4LP Box Set CYRIL RITCHARD USD $20.00 [0 bids]
51m 38s
Orquesta Havana Riverside, Rompan El Cuero (Tumbao Cuban Classics) USD $5.00 [0 bids]
1h 4m
Rare Led Zeppelin Traveling Riverside Blues Error Press LP Brazil Tmoq Takrl NR! USD $99.00 [0 bids]
1h 4m
Cobb, Wynn, Austin, Chicago the Living Legends, Riverside 389/390 USD $7.99 Buy It Now 1h 59m
RIVERSIDE - MEMORIES IN MY HEAD CD NEW+ USD $16.03 Buy It Now 2h 27m
Riverside label jazz sampler Lp MODERN Monk-Weston-Blakey-Lowe-Dorham-Drew ~VG+ USD $3.90 Buy It Now 2h 32m
DUKE ELLINGTON & BILLY STRAYHORN ~ GREAT TIMES! RIVERSIDE 475 JAZZ LP NM/NM USD $15.00 Buy It Now 2h 33m
*****CANNONBALL ADDERLEY SEXTET - SAN FRANCISCO REVISITED. RIVERSIDE 1963 ***** USD $14.62 [0 bids]
2h 35m
Wynton Kelly vinyl LP album record Kelly Blue French 68.916 RIVERSIDE 1975 USD $27.70 Buy It Now 2h 55m
Buck Clayton-Goin' To Kansas City-Riverside 353-MONO USD $24.99 Buy It Now 3h
Adelaide Hall - Live at the Riverside Studios from Sophisticated Lady TV OST CD USD $7.48 Buy It Now 3h 35m
The Riverside Ceilidh Band : Horses for Courses CD (1991) Jigs & Reels MINT Folk USD $5.07 Buy It Now 3h 46m
Riverside Modern Jazz Sampler-Various Artists USD $10.00 Buy It Now 4h 14m
ELVIN JONES & COMPANY ELVIN RIVERSIDE SMJ-6192 Japanese Pressing Vinyl LP USD $7.50 [4 bids]
4h 32m
BLUE MITCHELL BIG SIX RIVERSIDE VIJ-4079 Japanese Pressing MONO Vinyl LP USD $15.50 [6 bids]
4h 40m
MILT JACKSON & WES MONTGOMERY~1961 STEREO RIVERSIDE LP~EX/EX~GREAT AUDIO! USD $23.39 [0 bids]
4h 43m
BOBBY TIMMONS TRIO~IN PERSON (LIVE)~1961 STEREO RIVERSIDE LP~GREAT AUDIO! USD $17.54 [0 bids]
4h 45m
33RPM Riverside 146 NORK New Orleans Rhythm Kings Tin Roof Blues Vol. II nice E USD $16.95 Buy It Now 4h 47m
RED GARLAND RED'S GOOD GROOVE RIVERSIDE VIJ-5047 Japanese Pressing Vinyl LP USD $12.50 [6 bids]
4h 50m
DICK MORGAN AT THE SHOWBOAT RIVERSIDE RLP-1183 Japanese Pressing Vinyl LP USD $8.50 [3 bids]
4h 56m
WES MONTGOMERY TRIO SAME RIVERSIDE VIJ-144 Japanese Pressing Vinyl LP USD $6.50 [4 bids]
4h 59m
BARRY HARRIS LISTEN TO BARRY HARRIS SOLO PIANO RIVERSIDE VIJ-5048 Japan LP USD $12.50 [8 bids]
5h
SAM JONES NAT ADDERLEY BLUE MITCHELL THE SOUL SOCIETY LIMITED EDITION RIVERSIDE USD $29.99 [0 bids]
5h
WES MONTGOMERY BOSS GUITAR RIVERSIDE MW 2050 Japanese Pressing Vinyl LP USD $7.00 [6 bids]
5h 2m
Art Blakey & Jazz Messengers - Kyoto LP - Riverside - RS 9493 Stereo VG+ Shrink USD $6.50 [2 bids]
5h 3m
THELONIOUS MONK - MONK IN ACTION RIVERSIDE STEREO USD $40.00 Buy It Now 5h 6m
ROOSEVELT WARDELL TRIO - THE REVELATION RIVERSIDE STEREO USD $50.00 Buy It Now 5h 6m
A HARRY WARREN SHOWCASE KENNY DREW PIANO JUDSON / RIVERSIDE RECORDS USD $40.00 Buy It Now 5h 6m
THELONIOUS MONK QUINTET - 5 BY 5 FIVE BY FIVE ORIGINAL RIVERSIDE MONO USD $80.00 Buy It Now 5h 6m
PHILLY JOE JONES SEXTET BLUES FOR DRACULA ORIGINAL RIVERSIDE PRESSING USD $130.00 Buy It Now 5h 6m
MILT JACKSON SEXTET - INVITATION RIVERSIDE STEREO USD $25.00 Buy It Now 5h 6m
SWEET EMMA & HER DIXIELAND BOYS NEW ORLEANS LIVING LEGENDS ORIGINAL RIVERSIDE USD $30.00 Buy It Now 5h 6m
ODETTA AND THE BLUES ORIGINAL RIVERSIDE PRESSING USD $15.00 Buy It Now 5h 6m
JOHNNY GRIFFIN QUARTET KERRY DANCERS RIVERSIDE VIJ-5052 Japanese Pressing LP USD $6.50 [4 bids]
5h 8m
WYNTON KELLY SEXTET AND TRIO-Kelly Blue, RIVERSIDE VICTOR SMJ-6114 JAPAN , NM USD $23.00 Buy It Now 5h 8m
Bill Evans ?- Live At The Village Vanguard Riverside Records ?- RS-3006 Reissue USD $22.00 Buy It Now 5h 8m
WYNTON KELLY SEXTET AND TRIO KELLY BLUE RIVERSIDE MW 2006 Japanese Pressing LP USD $0.99 [1 bids]
5h 16m
JUNIOR MANCE TRIO JUNIOR'S BLUES RIVERSIDE SMJ-6318 Japanese Pressing PROMO LP USD $9.50 [5 bids]
5h 20m
Earl Fatha Hines A Monday Date 1961 Riverside 398 Jazz 33 rpm Vinyl LP VG+ USD $14.99 Buy It Now 5h 20m
JUNIOR MANCE TRIO AT THE VILLEGE VANGUARD RIVERSIDE SMJ-6306 Japan LP USD $5.50 [5 bids]
5h 29m
DON FRIEDMAN TRIO A DAY IN THE CITY RIVERSIDE SMJ 6311 Japan PROMO LP USD $1.84 [2 bids]
5h 32m
JULIAN PRIESTER - Keep Swingin' ~ RIVERSIDE 316 {dg orig} w/Elvin, Heath - RARE USD $37.99 Buy It Now 5h 33m
CHRISTIAN TRAVELERS down by the riverside / traveling 45 RANDYS gospel funk HEAR USD $4.99 [1 bids]
5h 35m
DON FRIEDMAN TRIO FLASHBACK RIVERSIDE SMJ-6094 Japanese Pressing Vinyl LP USD $1.95 [3 bids]
5h 35m
LUNATIC SOUL 2 (RIVERSIDE, PORCUPINE TREE, PINK FLOYD) 2 x white LP SIGNED !!! USD $99.99 Buy It Now 5h 39m
ELMO HOPE HOPE-FULL RIVERSIDE VIJ-5050 Japanese Pressing Vinyl LP USD $9.30 [3 bids]
5h 41m
North From Riverside USD $5.08 Buy It Now 5h 43m
BILLY RILEY - DOWN BY THE RIVERSIDE 1959 ORIG SUN - ROCKABILLY N/M VINYL USD $16.00 Buy It Now 5h 43m
RIVERSIDE(PORCUPINE TREE, PINK FLOYD,YES) ADHD CDDVD + AUTOGRAPHS DIGIPAK USD $129.99 Buy It Now 5h 45m
KENNY DREW I LOVE JEROME KERN RIVERSIDE SMJ-6316 Japanese Pressing PROMO LP USD $13.50 [10 bids]
5h 47m
BOBBY TIMMONS TRIO BORN TO BE BLUE RIVERSIDE SMJ-6307 Japanese Pressing Vinyl LP USD $11.50 [4 bids]
5h 47m
"Bev Kelley In Person - Recorded Live at The Coffee Gallery" Vinyl LP Riverside USD $6.99 [0 bids]
5h 49m
JUNIOR MANCE BIG CHIEF RIVERSIDE SMJ-6282 Japanese Pressing Vinyl LP USD $1.53 [2 bids]
5h 50m
JUNIOR MANCE TRIO HAPPY TIME RIVERSIDE VIJ-5049 Japanese Pressing Vinyl LP USD $9.30 [3 bids]
5h 52m
Bobby Timmons Trio - "From The Bottom" Vinyl LP Jazz Riverside Records USD $9.99 [0 bids]
6h
Bobby Timmons - "Sweet and Soulful Sounds" Vinyl LP Riverside Records Mono DG USD $9.99 [0 bids]
6h 3m
The Definitive Bill Evans on Riverside and Fantasy USD $5.27 Buy It Now 6h 6m
BENNY GOLSON OTHER SIDE OF RIVERSIDE SMJ-6302 Japanese Pressing Vinyl LP USD $17.50 [9 bids]
6h 8m
WES MONTGOMERY QUINTET FULL HOUSE RIVERSIDE SMJ-6069 Japanese Pressing PROMO LP USD $7.50 [5 bids]
6h 8m
RED GARLAND QUARTET SOLAR RIVERSIDE VIJ-5046 Japanese Pressing OBI Vinyl LP USD $8.50 [3 bids]
6h 10m
WES MONTGOMERY FULL HOUSE RIVERSIDE SMJ-6069 Japanese Pressing OBI Vinyl LP USD $2.35 [2 bids]
6h 17m
JIMMY YANCEY YANCEY'S GETAWAY - RIVERSIDE LP RLP 12-124 USD $20.00 Buy It Now 6h 20m
GERRY MULLIGAN,THELONIOUS MONK MULLIGAN MEETS MONK RIVERSIDE SMJ-6107 Japan LP USD $3.25 [4 bids]
6h 24m
GERRY MULLIGAN MEETS MONK RIVERSIDE SMJ-6107 Japanese Pressing Vinyl LP USD $5.54 [3 bids]
6h 26m
Jimmy Yancey / Yancey's Getaway Piano Solos By 33 rpm Riverside Record LP Jazz USD $25.00 Buy It Now 6h 34m
V.A. - SESSION AT RIVERSIDE LP NEAR MINT USD $5.83 [0 bids]
6h 46m
Charlie Byrd ~ The Guitar Artistry Of ~ 1960 Riverside OLP 93007 ~ STEREO USD $36.53 [0 bids]
7h 13m
VARIOUS RIVERSIDE403 SOUTH SIDE BLUES M- $40.00 USD $40.00 Buy It Now 7h 19m
catatonia - dead from the neck up-live cd,riverside studios/ international arena USD $18.27 [0 bids]
7h 20m
Sylia Saynt 45 Maybe We're Too Young / Down By The Riverside ~ VG+ to VG++ USD $3.50 Buy It Now 7h 26m
SWEET EMMA BARRETT New Orleans Jim Robinson Riverside dg LP Willie Humphrey USD $24.97 Buy It Now 7h 28m
Elmer Snowden Qt.-Harlem Banjo-Rare Original 1960 Jazz LP-Riverside-VG++ HEAR USD $19.99 [0 bids]
7h 43m
SASCHA BURLAND AND MASON ADAMS:IN OUR OWN IMAGE-THE IDIOTS & COMPANY,RIVERSIDE USD $1.45 [0 bids]
7h 53m
Charlie Byrd-Solo Flight-Riverside 498-SOLO GUITAR USD $19.99 Buy It Now 8h 18m
Johnny Hammond Smith - Black Coffee LP - Riverside - RM 442 Mono VG+ USD $6.00 [0 bids]
8h 24m
Johnny Lytle Trio - Got That Feeling LP - Riverside - RLP 9456 VG+ USD $6.00 [0 bids]
8h 28m
Ernie Henry Quartet - "Seven Standards And A Blues" Vinyl LP Jazz Riverside MONO USD $15.50 [6 bids]
8h 28m
In the Alley Johnny Dodds Riverside 12-135 USD $20.00 Buy It Now 8h 31m
TADD DAMERON: The Magic Touch RIVERSIDE OJC vinyl lp STILL SEALED USD $24.50 Buy It Now 8h 32m
CLARK TERRY: Duke wth a Difference RIVERSIDE Ojc SEALED VINYL LP USD $19.50 Buy It Now 8h 33m
LATIN JAZZ LP~Fats Navarro/Tad Dameron - Good Bait (Riverside) USD $9.99 [0 bids]
8h 35m
Billy Riley SUN 313 No Name Girl / Down By The Riverside MEMPHIS ROCKABILLY VG+ USD $7.00 [0 bids]
8h 36m
7" 33 RPM Cannonball Adderley SPONTANEOUS COMBUSTION 1 & 2 Riverside Reel & Mic USD $7.15 Buy It Now 8h 39m
7" 33 RPM Cannonball Adderley HI-FLY PT. 1 & 2 Riverside (Reel & Mic) STEREO USD $7.15 Buy It Now 8h 39m
7" 33RPM Cannonball Adderley THEM DIRTY BLUES 1 & 2 Riverside (Reel & Mic)STEREO USD $7.15 Buy It Now 8h 39m
7" 33 RPM Nat Adderley THAT'S RIGHT! 1 & 2 Riverside (Reel & Mic) STEREO VG/VG++ USD $7.15 Buy It Now 8h 39m
MEADE LUX LEWIS Blues Piano Artistry of NM Riverside Celeste Bounce FATE Hammer USD $12.99 Buy It Now 8h 48m
James P. Johnson the stride Piano/Backwater blues Blue label Riverside 151 Mono USD $26.00 [0 bids]
9h
Charlie Byrd Solo Flight 1st Edition Riverside Jazz LP SEALED Mint Album USD $10.99 [0 bids]
9h 35m
DIXIELAND SAMPLER Mono Riverside LP Sidney Bechet George Lewis Etc USD $7.15 Buy It Now 9h 38m
RIVERSIDE HISTORY OF CLASSIC JAZZ 9&10 NEW YORK STYLE/NEW ORLEANS REVIVAL LP DG USD $14.00 Buy It Now 9h 38m
Thelonious Monk Quartet, Misterioso, Riverside OJC-206 Stereo LP USD $14.00 Buy It Now 9h 40m
Rare JOHN LEE HOOKER YOU'RE LEAVIN' ME,BABY RIVERSIDE RS-3309 CND PRES LP EXC+++ USD $99.99 Buy It Now 9h 50m
Fats Navarro & Tadd Dameron: Good Bait LP Riverside USD $13.99 Buy It Now 10h 11m
RARE RIVERSIDE JAZZ CANNONBALL ADDERLEY KNOW WHAT I MEAN ORIGINAL MONO RLP 433 USD $199.99 Buy It Now 10h 13m
Wes Montgomery MARCH 6, 1925-JUNE15, 1968 RIVERSIDE LP USD $16.99 Buy It Now 10h 21m
Bobby Timmons Trio From The Bottom LP Riverside RS 3053 Sam Jones Jimmy Cobb USD $9.99 Buy It Now 10h 27m
CANNONBALL ADDERLEY And the Poll Winners LP Riverside Deep Groove Wes Montgomery USD $9.99 [0 bids]
10h 32m
Thelonious Monk - The Unique LP - Riverside - RLP 12-209 Mono DG USD $7.50 [3 bids]
10h 34m
JAMES CLAY DAVID FATHEAD NEWMAN Sound of Wide Open Spaces LP Riverside Mono DG USD $9.99 [0 bids]
10h 41m
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RIVERSIDE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

RIVERSIDE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.19 | 980 ratings
Out Of Myself
2003
4.26 | 1427 ratings
Second Life Syndrome
2005
3.77 | 734 ratings
Rapid Eye Movement
2007
4.20 | 1106 ratings
Anno Domini High Definition
2009
4.07 | 859 ratings
Shrine of New Generation Slaves
2013
4.07 | 483 ratings
Love, Fear And The Time Machine
2015

RIVERSIDE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.09 | 148 ratings
Reality Dream
2008

RIVERSIDE Videos (DVD, Blu-ray, VHS etc)

4.13 | 117 ratings
Reality Dream
2009

RIVERSIDE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.74 | 59 ratings
Reality Dream Trilogy (6CD)
2011

RIVERSIDE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.34 | 41 ratings
Riverside
2003
3.68 | 41 ratings
Loose Heart
2003
3.62 | 189 ratings
Voices In My Head
2005
2.63 | 65 ratings
Conceiving You
2005
3.75 | 99 ratings
02 Panic Room
2007
3.53 | 65 ratings
Schizophrenic Prayer
2008
4.13 | 8 ratings
Reality Dream Tour 2008
2008
4.00 | 9 ratings
Forgotten Land
2011
4.04 | 253 ratings
Memories In My Head
2011
3.54 | 64 ratings
Celebrity Touch
2012

RIVERSIDE Reviews


Showing last 10 reviews only
 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Love, Fear and the Time Machine" is the 6th full-length studio album by Polish progressive rock act Riverside. The album was released through InsideOut Music in September 2015. It's the successor to "Shrine of New Generation Slaves" from 2013. Riverside slowly evolved over the years from a progressive rock act with some metal leanings to a more fully progressive metal oriented act on their 4th full-length studio album "Anno Domini High Definition (2009)". On "Shrine of New Generation Slaves (2013)" they moved away from the metal influences again though, and that development continues on "Love, Fear and the Time Machine"...

...it's actually their least metal tinged album up until now. There are still some relatively hard rocking sections featured on the album, and even a couple of sections which borders metal, but "Love, Fear and the Time Machine" is generally a very mellow and pleasant sounding release. Artists like Porcupine Tree and Gazpacho often come to mind, but by now Riverside have found their own sound within the world of slightly melancholic and atmospheric progressive rock. Mariusz Duda has a pleasant voice, which helps convey the message of the material well, but the band are generally well playing and deliver their parts with both passion and conviction. Interesting rhythms, melodic guitar/keyboards, and an organic sounding bass, are just some of the features which make up Riverside's sound.

The material on the 10 track, 60:38 minutes long album is well written and quite catchy. While all tracks feature vers/chorus sections, which are easy to hum/sing along to, the tracks contain more than just that. The track structures always go beyond the basic vers/chorus structure, and while I wouldn't characterize the material as complex, it's still relatively adventurous. Add to that a warm and well sounding production, which suits the material perfectly, and we have yet another high quality Riverside release on our hands. A 4 star (80%) rating is deserved.

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 Shrine of New Generation Slaves by RIVERSIDE album cover Studio Album, 2013
4.07 | 859 ratings

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Shrine of New Generation Slaves
Riverside Progressive Metal

Review by Prog Leviathan
Prog Reviewer

4 stars Riverside continues to distinguish itself as one of the most consistent and complete prog-metal bands of the last decade and beyond with Shrine to a New Generation of Slaves . This album uses the band's palette of dark, moody, bottom-heavy, and many textured sounds to create excellently crafted songs and a mature listening experience.

The thing Riverside does exceptionally well is reach inside the listener to touch emotional nerves that many bands strive for, but never quite arrive at. Duda's vocals are key to this; they're masculine, gently accented, and in this album, often sung in his more mellow tone. He's emotional without being contrived, and his thoughtful phrasing adds a high level of polish.

The aggressive moments of Shrine to a New Generation of Slaves are mostly instrumental, carried by Duda's huge bass lines and walls of keyboards by Lapaj. Unlike many bands in the genre, guitars are somewhat understated and melodic. Grudzinksi doesn't have any shredding guitar solos or moments that tie the listener up in knots (such as Petrucci or others); instead, he adds to the riffing or hooks or melodies as needed. This restraint may be the secret sauce that helps give Riverside a unique sound when compared to other prog-metal groups. Like Tool, it's the experience that is important, not the individual moments of a single instrumentalist.

Shrine to a New Generation of Slaves is a top-shelf prog-metal release, and worthy addition to the band's library. It's easy to approach and enjoy. For me, their debut is sets the milestone that hasn't yet been met, but with a band that is so consistently good, it's only a matter of time. Why not 5 stars? For me, the subject matter doesn't hit home. Lyrically this album is basically an indictment of pop-culture, which seems to be a required theme for modern prog bands. I don't disagree but it feels like an easy target and the result doesn't take me on much of a journey. That's a quibble for sure though; this is a great album!

Note the limited edition features a second disk with 20 minutes of moody instrumentals with a cool electronic vibe. Very cool bonus!

Songwriting: 4 - Instrumental Performances: 4 - Lyrics/Vocals: 4 - Style/Emotion/Replay: 4

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by Mellotron Storm
Prog Reviewer

5 stars You won't hear me complaining about the direction RIVERSIDE is going musically these days. It seems to me they are following in Steven Wilson's footsteps with these melodic, more mainstreamed songs. But they are amazing songs! The lyrics and music on this album have moved me many times over the last couple of weeks. So we get an hour of meaningful music bringing to mind THE CURE, Steven Wilson and ANATHEMA.

It's impossible to pick my top three songs here but I could do a top six. "Lost(Why Should Be Frightened Of A Hat?)" is a top six. The organ floats as the bass and vocals join in. It stays laid back until just before 2 1/2 minutes when it kicks into gear. Some nice sounding guitar a minute later, along with the chunky bass. "Come, follow me, we'll go down where the river flows". So uplifting! "Under The Pillow" opens with picked guitar and atmosphere as reserved vocals join in. I like the spacey synths and prominent bass before 1 1/2 minutes. Nice guitar/ organ section after 4 minutes. "How long can you hold your breath under the pillow". "#Addicted" is my favourite tune. There's an eighties vibe here, especially THE CURE. "So hashtag me and go cause i'm addicted to your love." Just some killer bass work along with those incredible vocals that are so pure. I like the almost one minute closing section of acoustic guitar and melancholic synths that don't even seem like it's the same song, but man it works so well. "Caterpillar And The Barbed Wire" is a top six. This sounds so good early on with those vocals, bass and atmosphere. A classy guitar solo before 4 minutes, and I love the final minute of this song. "Saturate Me" another top six. A fairly powerful start to this one with the organ and guitar standing out. Riffs come and go then we get a change after 2 minutes as it calms right down with electronics and spacey vocals. "I don't want to feel like i'm no one anymore, in my invisible "oh" life". So good! "Afloat" is sad with reflective vocals and picked guitar. It reminds me of the "Judgement" era of ANATHEMA. Some atmosphere a minute in and the organ floats in as well. Melancholic lyrics to this one as well. "Discard Your Fear" is a top six. I like how this builds and it reminds me of THE SMITHS early on. The vocals are higher pitched than usual. Love the bass and spacey synths. It turns so uplifting 2 1/2 minutes in as well as at 4 minutes and 6 minutes. Nice! It's heavy with some ripping guitar 5 minutes in. "Towards The Blue Horizon" is the final top six. Acoustic guitar melodies to start as releaxed vocals join in. The lyrics are so good, so moving. This is a song about missing a past love. "We just lived our lives". It turns intense before 3 1/2 minutes and we get some MAIDEN-like lead guitar 4 minutes in followed by organ then riffs. There's a beautiful section 6 minutes in. "I just miss those days wish I could be strong when darkness comes". "Time Travelers" is a song about regret and it opens with strummed guitar and vocals. This one is my least favourite but it's still quite good. "Found(The Unexpected Flaw Of Searching)" really reminds me of Wilson's "Perfect Life" on the chorus at least. This one is very emotional and probably deserves to be in my top six but then this simply shows how solid this album is. It's so moving the way it starts and it turns fuller after a minutes. "Oooh, it's a lovely life". I also like the line "In my yearning for daylight I find you in my soul."

This was a huge surprise after reading about how mainstream it was, but this is simply great music no matter how you look at it.

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by tszirmay
Special Collaborator Crossover Team

4 stars The Incident: So here is Steve Wilson sitting in a boardroom (a bored room?), informing his esteemed Porcupine Tree colleagues that time has come to 'erase the hand' and 'move on' (just like 'she' did), putting the mercurial band on hold, for who knows how long . Bassist Colin Edwin just smirks and smiles like he always does, the perennial Mr.Chill, while Richard Barbieri mumbles an 'Alright then!' and moves to Japan. Drummer extraordinaire Gavin Harrison turns Crimson and the King barely shrugs as he never has experienced unemployment anyway. 'My perfect life would be to go solo and do my own thing, lads but not to worry, I found the right band to continue our style. These Polish dudes Riverside have always copied us, well, they are free to do so now'. Wilson leaves the room with 'Bonnie the Cat', 'Even Less' irritated than when he had ordered a 'Lightbulb Sun', earlier in the day. Oh well'..

Mariusz Duda is no dummy, savvy enough to know that chess is quite popular in Central and Eastern Europe, so every move has a counter move, no? 'Don't Hate Me' he is heard humming smartly, he will play his tune regardless, being a Lunatic Soul. After a deluge of soft albums followed by hard ones, looks like Riverside has gone 'Hatesong' with their latest offering 'Love, Fear and the Time Machine', a sideway sashay that will please some fans and enrage others. The harsh guitar metal onslaught is nowhere to be heard, the growling silliness is completely erased and the mood is way more melodic (read: accessible) than ever before. The songs are also way shorter, more succinct and to the point, the instrumental fat trimmed off completely. Disappointing? Not really and let me explain why. The melodies are magnificent and the delivery is simply first class. It must be said that this sounds more like Duda's solo work (Lunatic Soul) at times but with a little less contemplation and way more approachability. Also it's perhaps more feminine and less masculine than , say 'Anno Domini', for sure. There is very little doubt that a gemstone song like 'Time Travellers' could and should be a hit by any existing standard, armed as it is with the deadliest of melodies. The heartfelt chorus is utterly genial and the entire experience is one of classic prog perfection. 'Let's go back to the world that was 30 years ago and let's believe this is our time' repeated often enough to be seared into the brain, a pastoral and jazzy backdrop, gently rippling organ rolling in the grooves. Timeless indeed.

Funny that the first song is entitled 'Lost' and the final one, 'Found', definitely proof of their detail-oriented shrewdness, a band that has reached maturity. 'Lost' is a vaporous lullaby, swirls of mood that again wink at Porcupine Tree's 'Lazarus' when the following lyric parallels the latter ( 'Come, follow me down where the river flows'), a coincidence ? No, just an 'Incident'! One is a valley, the other a river, how quaint'.The guitar solo is wavy, bright and suave, a simple glide down the neck and thrills galore.

The brooding 'Under the Pillow' opens the proceedings with a convincing rant that offers clanging guitar and Mariusz' defiantly soft voice, a sinewy atmosphere that sounds closer to old REM or the Church, slashed by a buzzing axe furrow and an insistent chorus that repeats the title. Yeah, 'watching too much daytime TV' can kill you indeed! This also has a definite PTree stylistic feel, mostly due to the voice that does sound quite similar to Mr. Wilson's. A churning Hammond blast gives this a lovely sheen what with Duda's thick bass scouring the lower ledge with authority. Great song, must be said. Another winner is '#Addicted' , pumped along with a bopping bassline that only serves to elevate the thrilling melody, a musical universe where fragility and despair coalesce, throwing in some harsher guitar notes, relentless drumming and Duda's seductive croon ruling the waves. Great song again.

The mysteriously muted 'Caterpillar and the Barbed Wire' begins generously minimalistic with bass and voice leading the charge, later joined by binary drum fills and a rattling guitar adornment. The organ does provide some brooding melancholy, a perfect foil for the otherwise gloomy trust lyrics. The restrained and crystalline axe solo is simple and yet effective. The finale is suitably grandiose and aggressive but more like insistent then say, noisy. Great stuff, really.

The pieces that are closest to classic Riverside are the longer ones like the moody 'Saturate Me' and the cyclically vaporous 'Towards the Blue Horizons', both extremely evocative with a sizeable amount of instrumental preponderance, giving guitarist Grudzinski and ivory man Lapaj (who truly shines throughout this release) room to roam and 'dream on'. These will please the fans without any hesitation, a cool duo of stalwart music that hits the spot. Both are killer!

The big surprise is the thrilling 'Discard Your Fear' , a lament that fits more into the Steve Wilson mode, bopping bass leading the charge, massive mood changes (Lapaj again) and convincing delivery by all. At times brooding, greasy and urban, they aggress nicely towards a Killing Joke 'Love like Blood' riff before going 'Insurgentes'. The axe rages loudly and resonates wildly, a very impressive display by Mr Grudzinski, indeed! Duda's fragile vocals are intuitive and breathless. Amazing!

The finale is 'Found' and it succeeds as a glorious wave goodbye, until the next time, whichever the Riverside wind may blow. The mood is climactic, 'Oooh It's a lovely life'' pointing towards some future bliss. Some hard-core fans will be disappointed but I say just raise the volume to louder, as the production and sound is clearly top notch and let the caress begin.

4.5 polished Poles

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by FabioAudisio

4 stars I think this album means they've returned to their roots, where melody succeeded over powerchords and heavy riffs. I actually like this album a lot, although I have to admit it had to grow on me for a while. The opener LOST and the last track FOUND belong to eachother and I really like those songs a lot. DISCARD YOUR FEAR sounds a lot like a Porcupine Tree song to me, but it's done very nice. The only bad track on the album is AFLOAT, which is dull and boring. All in all good songs and a lot to enjoy on this record. I hope they continue following this musical road.

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars What has quickly become the most divisive album in Riverside's catalogue, 2015's `Love, Fear and the Time Machine' sees the Polish band take a big side-step away from their usual metal/heavier style to move their music in a far more streamlined, accessible direction than ever before. It shares similarities to the recent Anathema albums, Steve Hogarth's Marillion era and Steve Wilson's solo works, and in some spots almost comes across as a solo album for main-man Mariusz Duda. Needless to say, some of their metal fans are already throwing around terms like `sell-out'! But despite being less complex and placing more importance on actual tunes over instrumental show-boating, there is still much to instantly identify the band as Riverside here. Duda's voice is still full of emotion and his thick upfront bass is dominating and given many opportunities to stand out, with Piotr Kozieradski's drumming furious and busy, Piotr Grudzinki's guitars vibrant and varied, and Michal Lapaj's synths, piano and Hammond organ plentiful. Even though some pieces do push the five minute mark, you can mostly forget lengthy, more expected prog-rock workouts this time around ' the song, vocals and lovely group harmonies are what's most important, with the more progressive instrumental parts mostly restricted to short bursts in the middle of tracks, or perhaps an extended intro or outro here and there.

Looking at a few highlights, chiming guitars, gently whirring synths and a hopeful, reflective chorus welcome the listener on opener `Lost', surely destined to be a rallying favourite for fans when performed live. Plentiful synths and guitar soloing livens up `Under the Pillow', the fragile and melancholic `Afloat' could have fit easily on a recent Anathema album (lovely restrained Hammond throughout that one too), and both `Time Travellers' and album closer `Found' are warm sheltering ballads that could easily have the kind of crossover success that Steven Wilson has enjoyed.

But there's a couple of tracks that prove to be very special that take the album higher. `The Caterpillar and the Barbed Wire' and `Saturate Me' will definitely appeal most to longtime Riverside fans, allowing more opportunity for longer instrumental sections with great interplay between all the musicians, whilst bringing back some of ethereal guitars runs and heavier grunt (and the sparse and lonely repeated refrain of `I don't want to feel like I'm no-one anymore' on the latter is very confronting). Same too for the mysterious verses behind slinking electronic loops and bouncing relentless bass of `Discard your Fear' lifted by a reassuring chorus. The longest track here at just over eight minutes, `Towards the Blue Horizon' brings plenty of light and shade by alternating between dreamy, Hogarth-era Marillion vocal purrs with bursts of heavier intensity and darker groaning drones full of tense brooding unease.

Big respect also goes to the shamelessly up-tempo radio-friendly `#Addicted', a sad commentary on those addicted to social media, with a tune kissed by the gods of great pop music. Driven by Duda's murmuring chunky bass line, his sweetly crooned chorus and careful falsetto vocal would have probably made Eighties romantic synth group A-Ha an absolute fortune back in that day, and he even sounds like their lead singer in a few spots ' yes really, get on Youtube now!

It's refreshing to see the band try a different approach, and many other bands would be envious of how well-written and performed the tunes on offer here are and how slick the production is. But as good as the album always sounds on the surface, stripping back on a lot of the elements that their existing fanbase appreciated about them has also made Riverside a little less interesting here in a few spots, and while many moments are initially instantly exciting from the first spin, repeated plays, despite some distracting and slick vocal arrangements and easy-to-enjoy tunes, reveals not as much in the way of depth to keep the listener coming back, something that all their previous albums offered. Seeing as `Love, Fear and the Time Machine' has already become their biggest seller to date chart-wise in several countries, it's definitely proven to be a valid move for the band, and they should be proud of the achievement. But hopefully this strong crossover album helps them get their foot in the door to a wider audience that some of the above mentioned artists have achieved, that they can then use to really impress with a more wholly challenging and complex album in the future.

Three stars as a progressive rock album, but add an extra star if you're happy with simply a damn fine rock album.

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by BobVanguard

5 stars I've enjoyed Riverside for quite some time now. They've been right on the edge of being in with my favorite bands. Each album has been worthy of several plays, and I would go back to them on occasion. But now. Now that has changed. With this album, LOVE, FEAR AND THE TIME MACHINE, they have moved into my inner circle. Each song is really, really good.

They've created a heavy prog sound that revolves around the amazing talent of Mariusz Duda. It's his amazingly melodic vocals that are the centerpiece of the music and most of the songs are driven by his bass guitar. This is no ordinary bassist - he plays that thing like a concert violinist. The guitar of Piotr Grudziński remind me of DAVID GILMOUR in that it is high on expression and emotion. The drums of Piotr Kozieradzki are precise and not cumbersome and the keys provided by Michał Łapaj create the atmosphere behind it all.

Duda said that he allowed himself to be influenced b the 80s for this album, and it shows - this album is what some bands like TEARS FOR FEARS, THE CURE, and PETER GABRIEL might have sounded like in the wake of the influence of PORCUPINE TREE, OPETH, and DREAM THEATER. But they most remind me of 80s PINK FLOYD. And that, ladies and gentlemen, is the highest praise of all.

And the lyrics. For a person who admits that English is not his fluent language (Riverside is from Poland), these songs pack an amazing punch emotionally. Duda puts his feelings out there and I'm glad for it. Five Stars.

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by crashandridemusic

4 stars Before the album was released, the only information I heard was universal: this album is soft. Allow me stand besides those critics and confirm that, yes, 'Love, Fear, and the Time Machine' is indeed softer. With each listen of the album, though, I started to not only understand why the band chose this direction, but began to appreciate their decision. Their last album 'Shrine of New Generation Slaves' was my least favorite album of theirs, considering the overly dark nature of the album. Although the sound was an homage to classic progressive rock techniques used by bands like Yes and Genesis, the album was very depressing, dark for the sake of being dark. Instead being a fan of their first three albums (classified as the 'Reality Dream Trilogy'), I particularly enjoyed the lighter approach to a darker theme in those albums. The softer synth and acoustic guitar in 'I Believe,' the Pink Floydian nature of 'Second Life Syndrome,' and the beautiful guitar arrangements in 'Ultimate Trip'; I've been waiting for another album like this. I believe 'Love, Fear, and the Time Machine' perfectly cures that itch.

A more refined sound, Riverside's newest album is softer and more approachable. Take the opening track 'Lost (Why Should I Be Frightened By A Hat?),' which is arguably one of my favorite tracks on the album. The delicate synths by Michal Lapaj are spotlighted in this song, an especially catchy tune that follows Mariusz Duda on vocals. The complementary notes in the chorus ('Come / Follow me / We'll go down where the river flows') is absolutely beautiful, and perfectly sets up the rest of the album.

Speaking of the delicateness of the album, 'Love, Fear, and the Time Machine' also contains some of the most uplifting subject matter in their discography. The second song 'Under the Pillow' is an urge to get out of bed and do something, while 'Found (The Unexpected Flaw of Searching)' shines a light on self-reflection. But it wouldn't be Riverside without some downer moments, especially '#Addicted' and their commentary on contemporary life, and 'Towards the Blue Horizon' with the loss of a friend. The themes touch upon all aspects of life, and are the most relatable than on any album they've released.

As for the instrumentals themselves, Piotr Grudzinski on the guitar takes more of a backseat on this album than any other. As he is spotlighted in previous Riverside albums (especially the 'Reality Dream Trilogy'), the guitar arrangements don't seem to stand out as much to me. Don't get me wrong, each song contains that Riverside-esque rhythm and the slower but artsy lead solos. But overall, I feel Grudzinski is delegated to rhythm guitar most of the album, letting others in the band shine. It's undeniable that Duda is spotlighted the most in this album, considering his vocals and bass guitar are more present in this album than any other. I feel the bass grooves are louder than any other instrument, whether I'm listening through headphones or through speakers. Duda's higher register voice matches wonderfully with the lighter nature of the album, and is a great opposite to the deep bass he provides. Lapaj's presence seems greater on this album than prior albums, with all the classic sounding keyboards and synthesizers. I thoroughly enjoyed the contemporary approach to modern progressive rock that has been happening lately, and consider 'Love, Fear, and the Time Machine' another great addition.

Riverside has outdone themselves with 'Love, Fear, and the Time Machine,' being one of my favorite albums they've released since their original trilogy. With a more approachable sound, fans of most types of progressive rock should enjoy this record as well.

Taken from Crash And Ride Music

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by AndreaW

3 stars What happened to Riverside? You can only assume a clever change in managment that suggested a mo a more pop-driven approach over the heavy metal influences. Do it like Wilson! He visited and left meta metal and goes for pop. And do look at HIS figures of sales!

Artistically, this is not really a disaster. It is also not very good. I was of course pleased by the me melodies, and that does mean something obviously and should not be washed away. But I felt so ma manipulated by them. I could name their influences for each part on the spot, not least there is a-ha to to be written all over the album. And yes, that is pleasant to hear. And no, I do not think that a-ha are cr crap. But just taking and combining traits from past bands cleverly to please the listener with what he al already knows into a cozy warm feeling that he now likes complicated music (on the cover it says Ri Riverside, not a-ha or Travis) is not what I would call an artistic vision of value.

So: Yes, it is a nice record. But: No, it is not groundbreaking, special, worth having or outstanding at all. Progressive elevator music at worst, autumn evening background for a good book at best. 2.5 points

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 Love, Fear And The Time Machine by RIVERSIDE album cover Studio Album, 2015
4.07 | 483 ratings

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Love, Fear And The Time Machine
Riverside Progressive Metal

Review by Insin

4 stars Riverside is supposed to be a progressive metal band. On their latest effort, they are definitely not metal, and even the many of the prog elements have also prominently decreased. It's hard to call any Riverside release purely metal, while contrarily they've always undisputedly been a prog band. Love, Fear, and The Time Machine generally has a stripped back, mellow sound, following the trend set by their previous album, Shrine of New Generation Slaves, though less based in prog. So does this mark the beginning of the end? Are the metallic aspects the first to go, then the prog?

It's always nice when a band continues to evolve their sound while remaining fairly consistent in quality.

LFatTM has two distinct categories into which its songs fall: the prog rock songs are more often found near the beginning, and the ballads are clustered near the end. During the first half, even though this is the heavier end of the LFatTM spectrum, distortion and hard-edged riffs are rare. While these tracks do go into prog-style instrumental breaks, they lack intensity and remain rather laid-back, like everything else about the album. The second half is even more relaxed, with ballads Afloat, Time Travellers, Found, and Towards the Blue Horizon (though the latter still picks up in the middle).

Drums and electric guitars are minimized on these soft songs, with a surprisingly low usage of acoustics as well. Though keyboards stay mainly in the background, they fill a lot of space, used for flourishes. With a retro, seventies sound to them, and sometimes a traditional piano, this does the trick for Riverside. Mauriusz's voice is essentially the album's focal point. He does not get angry (no yelps and screams of early albums are present), instead singing clearly and as beautifully as usual so that you can admire his lyrics about, well, the album title. Numerous bands, by this time in their career, revisit the same lyrical themes time and time again, almost as if it's automatic, but Riverside manages to keep it fresh and it definitely sounds like they're putting plenty of thought into what they sing. Is this metal? No. Is this prog? Yes, though to a lesser extent than their previous albums. Most importantly, is it good? Yes. With its more peaceful, simpler style, it allows Riverside to show off other skills; instead of ten-minute epics, they give us enjoyable, emotion-oriented ballads that focus more on lyrics and vocals. Love, Fear, and the Time Machine isn't a drastic change from Shine of New Generation Slaves, but there are notable differences. It's not Riverside's best, but it's worth owning for fans, or at the very least listening to once or twice.

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