DOL AMMAD

Well, I am not that surprised about what I hear. Both Dol projects has a cyber science-fiction theme running through them and that is what we get. Cyber goth metal with female vocals and some synths. It is my understanding this is cover versions of some songs. I recognise the classic Amorphis track Black Winter Day whose got the Dol Ammad treatment here. That with synths and female vocals. This is a radical departure from Amorphis version from 1994 or there about. And it is not an improvement on Amorphis version. But it is still the best song here by miles. The rest of the album is, to say at least, radical. The phrase "organic sound" does not apply to this EP.

The quality is not that great. I have mentioned the best song here. The rest is dubious and simply not my cup of tea. Goth Metal with opera vocals and tonnes of synths is not my cup of tea at all. In particular when also techno also dominates the last half of this EP. You have been warned. But I guess some of you will purchase this EP based on my warning too. Each to their own. *smile*.

2 stars

Greek musician Thanasis Lightbridge has created something special and quite original here. He calls it electronica-art-metal. It's as good a description as any to this amalgam of styles in his music.

An excellent fusion of metal, electronica and opera vocals, Thanasis Lightbridge's creation is an over the top, bombastic and dense musical product. It can be pompous and cheesy in parts (though I don't mind and even like it) with the operatic vocals giving a somewhat cliché performance. Adding to this is the art work which I dislike. However the choir of men and women singing are doing a great work giving the wide range of voices and complementing each other very well. They are heard perfectly well over the music and enhance it, even in the loudest and noisiest parts. The electronic side here is a great way to give the music its special edge and characteristic. At one point it even becomes techno music but not for long and I think that the intention here was not to create a metal album with foreign (to metal) elements, but rather a varied album with mixed elements. The marriage of those elements works very well for me.

There are some stellar musical parts in there, melodic and catchy that make me just want to rewind and listen to again. I remember that even in the first listen they stuck in my head and made me want to go back and listen to it again immediately.

One thing though and that is I always feel overwhelmed after listening to this and in need for something lighter and less intense; not to say it's a bad thing, but just to tell you something about the impact of this music and what an experience it can be. Come to think of it, a lot of what I listen to can cause this effect so this albums joins a respectable companionship.

In essence think of an instrumental fast playing metal band with great "riffage" accompanied by a choir of male and female opera singers and an electronica musician. Curious? You should be. Have a listen and see for yourself.

Combining electronic music in many of it's varieties - from trance to new age - with operatic vocals and choirs, and with a musical foundation of metal mixed in most of the time, this band has created a rather unique musical niche.

With some tracks with strong trance flavoring and others sounding kind of like Dimmur Borgir meeting up with Tangerine Dream in an opera, this won't be to everybody's taste. Fans of dramatic and bombastic metal in all it's varieties will undoubtedly enjoy this one though.