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Effloresce biography
German five-piece EFFLORESCE has been around for a few years, the current line-up of the band crystallized in 2009. With a stable personell situation catered for they hit the studio and scored the three track EP Shades of Fate the same year.

Following the release of this production EFFLORESCE have been looking for opportunities to hone their craft live, writing new material and planning ahead for their first full length CD.

(Olav M. Björnsen, April 2011)

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Coma GhostsComa Ghosts
PID 2012
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EFFLORESCE discography

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3.85 | 52 ratings
Coma Ghosts

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3.02 | 7 ratings
Shades of Fate


Showing last 10 reviews only
 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by lucas
Special Collaborator Honorary Collaborator

4 stars Effloresce is a german progressive metal band, signed on the young label Generation Prog Records, founded by the enthusiastic bassist of jazz-fusion band Relocator, Michael Schetter.

With 'Coma Ghosts', they sign a quality first album with top-notch production, to be filed somewhere between Dream Theater and The Gathering at the time of 'Mandyllion'.

Most of the tracks are filled with an overwhelming tension, brought by martial or galloping rhythms, obsessing and insisting guitars, the haunting and majestic Hammond of "Spectre Pt.I- Zorya's Dawn", as well as the gravity of Nicki Weber's voice, in a pleading fashion most of the time, yet quite solemn in "Pavement Canvas". The short musical interlude "Undercoat" set apart, there is nonetheless one song ("Swimming through desert") that lands like a UFO in the tormented climate, as the light- weighted music, the pastoral mood with acoustic guitar and the sunny voice of Nicki, are so different from the other tunes. The disturbed guitar that concludes the track ensures nonetheless a return to the desolated world.

Half-angel, half-demon, Nicki Weber sings with a voice that is delicate and repulsive in turn. In this fight of the extremes, the beautiful wins over the ugly, "grunted" chant, which is the (mis)deed of the young woman, is indeed scarce. And, as if this split was not enough to highlight the incredible range of her vocal abilities, Nicki fills us with joy in her flute parts that are more than welcome to temper the tension of the mood ("Spectre Pt.I- Zorya's Dawn" and "Shuteye Wanderer").

In a nutshell, this is a very enjoyable album, in which a dynamic music devoid of any flashiness and with spare and never invasive swirling guitars, back a bewitching voice.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

4 stars Effloresce is an energetic metal band fronted by vocalist Nicki Weber who at times sounds like the female vocalists of Goth bands Nightwish, After Forever and Epica, but also has some moments where she growls. When a woman growls in metal it really is quite startling, reminding me of the Asarte and Kittie growls, quite unsettling but as powerful as male vocalists. Niki also is talented in the musical field playing some scintillating flute and percussion. Her dominating prescence is of course obvious but Effloresce also have some great musicians with guitarist shredder Dave Mola, who also plays Mellotrons adding to the ethereal quality of the music. Sebastian Ott is on bass, Tobi Sub on drums and also Tim Ivanic plays guitars.

"Coma Ghosts" is not extreme in heavy thrashing but mostly has a steady measured tempo with some complex guitar riffs. It opens with the melodic 'Crib' where Niki stays on the crystal clear vocal technique. On 'Spectre Pt. 1: Zorya´s Dawn', a 10:34 shredfest, the guitars begin with intricate fast riffing and then it settles with measured cadence and some nice guitar interplay along with a strong bassline. This has a more progressive feel, with odd rhythm breaks and time sigs that shift in tempo. There are some Gothic resonances at 4:50 with choral voices, and then Niki begins screeching, quite a horrific sound but it darkens the mood well. Later more technical metal riffs crash through and then suddenly the lilting serenity of flute chimes in. There are enough chord progression changes and mood shifts to make this one of the most progressive songs on the album.

The inventiveness continues with 'Pavement Canvas', a 9 minute track with an ominous droning intro, that fades up with rhythmic percussion and guitar phrasing. The wind effects add to the atmosphere and then a chunky guitar riff plunges it into heavy territory. The drums launch in to precision blastbeats and there is a quirky fractured time sig. Eventually Niki's vocals chime in with beautiful resonance and later she reverts to the screechy style. The guitar riff is killer on this track and the lead break cranks along the disjointed tempo.

'Undercoat' is a short track with an ambient tranquility, swathes of keyboards and ghostly reverberations. The lead guitar soars beautifully over, making this one of the calmest tracks on the album. It is followed by 'Swimming Through Deserts', that opens with more gentle meandering guitars. Niki's voice flows along nicely, angelic and crystal clear, along with some narrative interjections in this ballad. This is the band in a contemplative mood, lilting and with a drifting lullaby feel.

'Shuteye Wanderer' is a 16 and a half minute epic to close the album. Dave Mola throws the anchor down with some fret melting guitar outbreaks; his lead hammers along with a blinding ferocity and fast bass and percussion. It settles after the breakneck opening into a soft tempo with Niki's sweet tones and strong ambient music. The guitars crash through overtaking this atmosphere and more scintillating lead breaks are accompanied by raspy growls. There is a fiery extended instrumental section with choppy rhythms moving from speed metal to crawl and back to peaceful passages. The mood swings are wonderful, maintaining interest throughout. The flute returns and brings things to a pastoral change in the atmosphere. A rumbling roar of thunder cracks the silence and it builds with a portentous vibe, as Niki's gorgeous vocals interject at 9 and a half minutes in. eventually the guitars unleash their fury and the drums move into hyperspeed mode until it all breaks into tranquility and an angelic vocal. This track is a genuine delight, with some of the more innovative structures from the band.

To conclude the album delivers the right dosage of heavy guitar thrash with keyboard ambiance, growls are used in the heavier sections and are quite brutal yet Niki is capable of pure beauty and choses this operatic style for the most part. The guitars are incredible on the album, especially the huge lead solos, and it is all capped off by precision technicality on bass and drums. The result is a great album full of sound and fury signifying prog metal bliss.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by Gallifrey

4 stars Effloresce ? "Coma Ghosts"


47th place album of the year 2012

For some reason, 2012 has been filled with female fronted albums. 13 of my top 50 have a female vocalist. Although technically that number should be 25, there never have been a great abundance in my area of music. This is the only one, however, with unclean vocals done by a female vocalist, which is always interesting, but luckily for me, they are scarce and only really used for good effect.

The opener, "CRIB", has a wonderful opening vocal line and never really loses its energy throughout. Effloresce do a good job to keep their brand of prog metal interesting, without losing too much in solos or breaks in vocals. Vocalist Nicki is also one of the better female vocalists on the list, and really knows how to make a good hook. The growled parts are interesting, and are used in great contrast to the cleans, especially well done in the chorus of "Pavement Canvas".

Recommended for progressive metal fans, particularly Epica, although Effloresce don't have the symphonic aspect.

Originally posted on my facebook page/blog

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars German band EFFLORESCE has been around for a good few years, but it wasn't until 2009 that the band solidified with a stable line-up. They made an initial EP later that year, and in the spring of 2012 their debut album "Coma Ghosts" was released, courtesy of the newly formed German label Generation Prog Records.

"Coma Ghosts" is a rather impressive debut effort by the German band Effloresce. Refined progressive metal of the vintage variety is perhaps something of a foundation, but as the band frequently heads out to gentler and more extreme territories both, the end result is a disc that is fairly innovative and diverse, and merits a check by those who find such a description tantalizing.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by meatball

4 stars When a new band pops-up out of nowhere, it's nothing but an exciting pleasure to the greedy ear. Likewise, I run onto Effloresce, a progressive metal band from Germany. The band members are Dave (guitar, keys), Tim (guitar), Basti (bass), Tobi (drums) and last but not least Nicki on vocals (and not only, I'll explain later on). After their EP release named "Shades of Fade" in 2009, they present us this year their first complete studio album under the title "Coma Ghosts", which is available for some time now, and has managed to shake things up not only in the current prog scene.

I first met Effloresce through their song "Swimming Through Deserts", which serves an Opeth-ish feeling (something between "Blackwater Park" and "Deliverance"), that grabs your attention instantly. Being a freshman, concerning their music, I started to believe that they belong to that music "style", but I was proven pleasantly wrong. The album conveys an incredible dynamic throughout it's duration, that is framed by their band-influences like Opeth as mentioned before, as well as Dream Theater representing the progressive scene. Simultaneously it adopts elements from the Symphonic Metal genre, reminding us bands similar to Epica. But let's get back to Nicki (as promised above), who besides her wonderful and powerful vocals has a little surprise for all those who are willing to give "Coma Ghosts" a hearing-chance: her growls, that make you... raise an eyebrow! Simple, as possible, they give a unique touch to the music result, without lasting more than someone can bear (if anyone has such problems whatsoever).

All 6 songs, consisting the album, prove that the band worked hard on the instrumentation, leaving aside unnecessary solos and extreme music blabber. The production, which was supervised by a legend of Swedish metal, Dan Swanö, is also excellent, pointing out the necessary elements of every song, creating a very solid result. Trying to pick one composition out the album, I face a bizarre dilemma as the introductory piece, "Crib", as well as the one that follows, "Spectre Pt.1: Zorya's Dawn", which is my favorite one, give you the appropriate push to get psyched and look forward to hearing the songs to come. The intro from "Pavement Canvas" is also breathtaking, as it builds itself up slowly until the appearance of the sticked-to-my-mind-from-the-first-hearing riff that is just what the audience need in a live performance. "Undercoat" plays an introductory role to "Swimming through Deserts", with guitars that remind the ones from Porcupine Tree and Opeth. For the album's closure there is the 16-minute "Shuteye Wanderer", which functions as a recap for the whole album. Fast prog/metal riffs along with beautiful music passages and nicely done solos (especially the part with the flute, performed by Nicki), soft vocals and growls are the best way to summarize and present what Effloresce is all about.

If someone wonders how Opeth would sound like with Anneke Van Giersbergen or Simone Simons on vocals, well this album is exactly the answer, but of course inside the unique prisma of Effloresce's musical perception. Concluding, the only thing I would like to wish for this wonderful start to be only the beginning...

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by Hprog

4 stars In this day and era, with so many bands and different fusion of styles going on, it's really difficult to be surprised by up-and-coming bands. What can they possibly bring to the table? Well, I'm glad I have found Effloresce.

This German band, comprised of a female vocalist/flautist, two guitars, bass and drums (with some atmospheric keyboards here and there on the recording), is not inventing anything new, but rather playing prog metal their own way. The music is complex enough, with several interesting guitar chords and acoustic passages, to attract those fans of intricacy, yet the compositions and arrangements have a flowing feel to it, which makes the listener go through each passage and nuance of every song in a very smooth, somewhat controlled way.

Their first official CD, 'Coma Ghosts', released in February 2012, is the follow-up to their EP 'Shades of Fate' (2009) and, honestly, for a first album, it already sounds very mature. The CD opens with the eerie 'Crib', a track where you can feel the entire energy of the band and Nicki Weber's passionate singing, letting you feel what she wishes to express through the lyrics. As second track we have 'Spectre Pt. I: Zorya's Dawn', a 10-minute epic (with Roman number in its title and all) which perfectly summarizes what Effloresce is about: there's space for headbanging, but also for attentive listening. Nicki surprises with her change of voice, from soft, melodic, to growling. Those who are not fans of growls should not be afraid, for she doesn't abuse this resource, and rather uses it to emphasize certain parts of the songs. 'Pavement Canvas' follows, with more alternations between soft and growling vocals, and well-built guitar solos. The only short track on the album is number 4, 'Undercoat', a guitar-driven instrumental which brings a little oasis among the album's heaviness. Following on this melodic vein, 'Swimming through Deserts' is a soft, yet never boring song, which prepares the listener for what I consider their best track, the 16-minute 'Shuteye Wanderer'.

If I had to choose only one Effloresce song to listen to, this would be it. It's the kind of complex song that drives you through a fulfilling listening experience without ever making you think of the time. With growls mostly at the beginning, the song goes through several passages, from very heavy to beautifully acoustic, with the flute perfectly complimenting the guitars, all leading through a burst of emotion in the last minutes. The CD ends, having clocked at 54 minutes and one is left with an urge for a bit more.

Considering the many positive reviews the band has received for this first effort so far, one can only hope that there will be indeed more to come. The bar has been set high after a very good debut, but the talent is there, and I'm sure we'll hear more from Effloresce and they'll become a well-established name in the prog metal scene.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by VanVanVan
Prog Reviewer

4 stars With many of the big names in progressive metal moving away from (or at least taking a break from) their classic styles, it's nice to hear a newer band that can pull off the genre so convincingly. Opeth is definitely the closest comparison to Effloresce's sound, but with a female vocalist and a greater focus on vocal harmony, the group brings plenty that's fresh and original as well. Furthermore, Coma Ghosts is packed with variety: from crunching riffs to psychedelic atmospheres to melodic solos, there's nary a dull or repetitive moment to be found on the entire album.

'Crib' begins the album with some classic sounding synths before introducing some heavy, almost martial guitar riffs that lead into the introduction of some very powerful female vocals. All the while, of course, the guitar riffs keep on chugging away, providing an excellent heavy background for the strong melodies in the vocals and occasional lead guitar lines. The group shows some Opeth influence with the inclusion of a softer, more atmospheric part in the middle of the track that features ethereal synths and guitars as well as some minimal percussion. Intensity builds back up, however, towards the end of the track, with the same martial riffs from the opening growing louder and louder before a very Dream Theater-esque guitar solo bursts forth. The song closes out with a reprise of the first vocal motif before finishing off with more of those nice, crunchy riffs.

The proggily named 'Spectre Part I: Zorya's Dawn' comes next, and at 10 minutes, it's a doozy. Another excellent riff kicks off the track before the track launches into a killer guitar solo that's again very reminiscent (to my ears, at least) of Opeth. After the solo concludes there's a softer, less distorted guitar part which leads into another great vocal melody. I really have to commend the singer; her vocals range from tender emoting to strident belting and all of the various styles are pulled off with equal aplomb. Adding to the sonic palette is the introduction of growled vocals at about the five minute mark. I understand that not everyone is a fan of this vocal style, but I've always thought that it can give the music a bit of extra punch if used correctly, and that is certainly the case here. Regardless, the growls are used only briefly, and the band shows a remarkable amount of compositional sophistication in transitioning back to a more melodic, atmospheric style. The track closes with a vocal reprise of the track's central motif before ending with a dramatic thunderclap effect.

'Pavement Canvas' begins with another lighter section, featuring some almost jazzy guitar, bass and percussion that play off each other very well in an instrumental introductory section. At about a minute and a half in, a heavier instrumentation takes over, with distorted guitars laying down some crushing riffs that are soon augmented by frenetic percussion and vocals soon after that. 'Pavement Canvas' features some of my favorite vocal moments on the album, with excellent clean melodies and growls that sound even rawer and more brutal than on the previous track. Again, I can hear definite similarities to older Opeth material, but the decidedly different vocal tone and occasionally minimalistic and jazzy atmospheres keep the song from ever sounding like a clone.

'Undercoat,' the shortest track on the album, starts off with some very cool, spacey sounds that provide a nice moment of respite after the particularly intense previous track. Delicate, wavering keyboards and a psychedelic, melodic guitar solo round out the sound of the brief instrumental track and 'Undercoat' ends up being a nice interlude in this intense album.

'Swimming Through Deserts' begins with a very psychedelic sound, and has some of the strongest stylistic similarities to Opeth yet, though this hearkens more to that band's softer material. Excellent atmospheres are the crux of the sound here, with clean, strummed guitar and excellent, understated use of electric as well. 'Swimming Through Deserts' is a great song showing that the band is far from a one track pony-if this song is any indication, Effloresce can do breezy and dreamy as well as they can do brutal and intense.

'Shuteye Wanderer,' however, swings back hard in the other direction. With growls and heavy riffing appearing in the first minute, the track goes for broke with a 16.5 minute running time and a full-on, epic prog metal sound. For about the first 2 minutes the track features a very heavy sound, displaying instrumental prowess before stripping down the sound to introduce vocals. The singing is understated and nuanced, with great use of harmony as well as melody. After this softer section, the heavy riffs come back, and growled and clean vocals switch off for a little while to great effect. What follows after is one of the most surprisingly effective sections on the entire album; a soft, melodic instrumental interlude of sorts featuring a wonderful flute part that manages to integrate itself perfectly into the heaviness of the rest of the track. Vocals return for a brief moment after this before the track launches into another excellent instrumental section, with a killer guitar solo and more satisfyingly crunchy riffing. The final third of the track features another softer section with delicate, harmonized vocals as well as a final reprise of one of the earlier vocal melodies, this time recast over much heavier music. It's a great way to give the song some closure, and by the time the track's last guitar solo fades out I'd venture a guess that most prog-metal fans will find themselves more than satisfied.

Overall, then, Coma Ghosts is an excellent album. While those who couldn't find the classic sound they were looking for on Opeth's 'Heritage' might find what they're looking for here, writing this band off as a simple Opeth clone would be a foolish mistake. Effloresce show an impressive degree of sophistication on this, their first full length album, and I heavily suspect that the prog community will be hearing a lot more from this band in the future. An excellent debut and hopefully an album that will be followed by many more releases.


 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by dtguitarfan

4 stars One of the first things I thought as I listened to this album was "these guys sound like...Fates Warning mixed with, that's not it...not at all...." I was immediately struck by this sense of familiarity, and yet I could not put my finger on particular influences. This is a good thing. Another impression I had during the first song was that I felt like I was in a movie ? a very dramatic one. The whole album was not like this, however, but the band played with changing syncopated rhythm patterns, thunderous drums, and driving guitar rhythms throughout. They even have a jazzier side that they demonstrate in Swimming Through Desserts. The album ends with a great 16 minute epic that is worth the cost of the album alone. This is an excellent choice for any fan or female-fronted metal, and I can say that this is an excellent addition to my collection that I will come back to again and again.
 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by Conor Fynes
Prog Reviewer

4 stars 'Coma Ghosts' - Effloresce (8/10)

Some months ago, I was introduced to Effloresce through their first- and at the time only- release, an EP that instantly screamed a fusion of the most trademarked elements of both Dream Theater and Opeth. While I was impressed with Effloresce's musical ability and even some of their songwriting chops, I ultimately felt that the band had fallen short in terms of creating a lasting musical experience, thanks in no small part due to the derivative nature of their sound. As female-fronted bands in metal go, Effloresce were certainly one of the better acts I had had the pleasure of hearing, but I wondered if they would ultimately go down in history as 'that Opeth band with the female vocalist'. 'Coma Ghosts' is now their start in the world of full-length recordings, an hour of progressive metal which has seen some much-desired improvement in the areas where I thought the band could use some work. Although their influences are still evident, I can say that Effloresce has broken out of the Opeth-worship pit that I feared would swallow them, and in doing so, have created one of the strongest prog metal albums to come out lately.

At least one thing I mentioned when reviewing the EP still stands: while I have generally seen the female-fronted metal band to be a format that favours bands who sacrifice instrumental integrity in order to make their vocalist the centre of attention, Effloresce has always been a band that enjoys a well-rounded contribution from all musicians. Vocalist Nicki Weber's voice plays a central role in Effloresce's music, but a sense of instrumental complexity sets this band apart from the legions of cookie-cutter symphonic metal bands that have stigmatized the female-fronted approach. Not only that, but Weber's incredibly melodic voice works very well for the music that Effloresce does. Although the riffs and thunderous drum work seems to take a hint from the European melodic death world, Weber's higher pitched, near-operatic delivery soars over without ever pushing the instruments into the background. This may be in part due to the legendary Dan Swano's expert mixing of the album, but Effloresce have cleverly avoided falling into some of the ruts I may have once suspected for them.

The songwriting and arrangement on 'Coma Ghosts' is nothing short of ambitious. Effloresce are still something of a disciple of the prog-death powerhouses Opeth, but their music feels valid and relevant to the current metal scene. From more mellowed-out jazz tunesmanship ('Swimming Through Deserts') or death metal intensity ('Pavement Canvas') or even that welcome prog metal archetype, the 16 minute epic, Effloresce root themselves very firmly within the 'prog metal' school. Given the aging prog metal canon in 2012, some of the risks that Effloresce take feel superfluous, such as having a 'Part 1' to the second track 'Spectre' and implying a sequel in the next album. Where Effloresce strikes gold however is in their tasteful melange of bands that proggers will instantly identify, but using those disparate elements in order to create something that feels relatively fresh. An excellent album, and it's a pleasure to see the potential I first heard in Effloresce to blossom like this.

 Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
3.85 | 52 ratings

Coma Ghosts
Effloresce Progressive Metal

Review by talha

3 stars Effloresce is a band from Germany, that has one EP out for years. Then they signed with Dan Swanö, the Swedish metal legend, to mix their debut album, that is Coma Ghosts.

My expectations for this album weren't that big, I expected some rehearsed ideas from Dream Theater and Opeth. To my surprise, the album doesn't yell at you Dream Theater and Opeth(Well, sometimes it yells Opeth). I find the guitars very similar to the Opeth-style and tones, that's kind of scary. They're very good though, I just wish they don't remind me Opeth so much sometimes. Actually the drums feel pretty similar to Opeth's early recordings such as "Still Life" too, but it has longer sentences and bridges here and there that remind me a bit of Portnoy when he was in Dream Theater. The lovely vocals are their strongest element to bring orginality to the overall experience. I feel good about the growls, as they're not used every now and then. But more importantly, for me, the most beautiful moments of the album lie on her flute. I wish there were flute in every song actually. They are metal, so it doesn't feel like a Jethro Tull rip-off when the music is lead by flute. I believe this kind of differences will bring a more original plate to the table. The rhythm instrument on "Pavement Canvas" is pretty cool too. But I believe the flutes are the strongest instrument of the whole journey. The keyboards on the very beginning of the song "Crib" is another nice factor to make it more prog. "Undercoat" is such an Opeth bridge. "Swimming Through Deserts" bring the Opeth song "Harvest" to the mind. It's pretty sad that these two are in a row so the listener is easily reminded of Opeth. For me the most beautiful moment on the whole album is the lovely flute bridge on the last song, starting on the 7th minute. The 16 minute epic song "Shuteye Wanderer" is my personal favourite.

The production is much more ahead of their EP, and that is a great factor. Each instrument can be heard easily. The compositions and the lyrics work together just fine. My biggest complaint on the album is the lack of original ideas. The way to overcome this is to listen to a lot of different music. There are a lot of styles of prog and jazz. Every music style has some to add to music of any band. Listening is the key for every musician to go beyond his/herself (as Steven Wilson teaches). The most of the prog metal bands need so much to overcome the repetitiveness. To come back to the situation with Effloresce, it's not that bad. They make some neat music. The interesting thing for me is, why they avoid their nation's very inspiring artistic peak, called Krautrock? Hope the band members don't think Krautrock as just the hippie stuff. I hope they'll be a big thing at least in the German music industry. And Germany sure needs another band to be popular around the world than Rammstein(I'm kind of a hater of that band). I'm not in the position to say that Effloresce's music is just rehearsed ideas from some other prog metal bands. But Opeth is obviously a big inspiration for them. I strongly believe that they make their music with every part of their love and they try to bring their personalities in the music. But in my humble opinion, they will need a wider pallette of inspiration in the very near future.

I wish good luck with Effloresce's musical journey, as they've just begun. If nothing goes wrong with the financial situation and if the passion of the band members never ends, I think we have a chance to witness a new Europe band to become popular around the world. This is a solid debut from a band that should have to say much more. I think they should never be afraid of experimenting and discovering new styles, and the door of artistic success will be opened wide for them.

Thanks to windhawk for the artist addition.

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