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GENESIS

Symphonic Prog • United Kingdom


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Genesis picture
Genesis biography
Formed in 1967 at Charterhouse School, Godalming, Surrey, UK - Disbanded in 1998 - Shortly reunited in 2007-08


Beloved Symphonic prog rock through to stadium filling rock titans

Any biography of Genesis must recognise that there are distinct periods in the band's history, and that any discussion should recognise that musically and lyrically, the band which filled vast stadia throughout the 1990's was a completely different creature to that which played sweaty student halls filled with spotty young men in the early 1970's.

The original incarnation of the band had its origins in two outfits formed by Peter GABRIEL (vocals & flute), Tony BANKS (keyboards), Michael RUTHERFORD (bass & rhythm guitars), and Anthony PHILLIPS (lead guitars) whilst boarding students at the elite English public school, Charterhouse in the mid-1960's. Outside the confines of an extremely stuffy atmosphere, the world was becoming far more liberated, socially, sexually, politically, and musically, and these bands represented an outlet for young men who, basically, as young men do, wanted some of that.

The two acts coalesced into one, and the students had the novel idea of placing a tape of their music into the hands of Jonathan King whilst he was visiting his alma mater. King was, at this time, a big selling artist and musical impresario, and, consequently, someone who mattered in the rock world.

The tapes were basic, but King took a shine to Gabriel's voice, and recognised a unique sound and talent which, if nurtured, could become huge. He arranged for the band, with drummer Chris Stewart, to record some sessions in London, where the boys experimented with quite complex, orchestral pastiches. Knowing that King was not happy, the band penned Silent Sun, a song which was essentially a Bee Gees tribute single. The brothers Gibb were huge commercially at this time, and King was known to be a huge fan. The resulting album in early 1969 was named "Genesis to Revelation" by King, as representing something brand new and exciting in the musical world. It barely scratched the surface of the commercial music world, and, for many a year after, copies could still be found in the bargain bin section of stores.

Following this, there was, initially, some d...
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GENESIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

GENESIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.55 | 1147 ratings
From Genesis to Revelation
1969
4.15 | 2300 ratings
Trespass
1970
4.42 | 3179 ratings
Nursery Cryme
1971
4.60 | 3625 ratings
Foxtrot
1972
4.64 | 4177 ratings
Selling England by the Pound
1973
4.30 | 2979 ratings
The Lamb Lies Down on Broadway
1974
4.28 | 2599 ratings
A Trick of the Tail
1976
4.11 | 1943 ratings
Wind & Wuthering
1976
3.43 | 1443 ratings
...And Then There Were Three...
1978
3.50 | 1449 ratings
Duke
1980
2.61 | 1254 ratings
Abacab
1981
2.79 | 1250 ratings
Genesis
1983
2.47 | 1277 ratings
Invisible Touch
1986
2.66 | 1162 ratings
We Can't Dance
1991
2.49 | 1012 ratings
Calling All Stations
1997

GENESIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.99 | 934 ratings
Genesis Live
1973
4.33 | 965 ratings
Seconds Out
1977
3.46 | 518 ratings
Three Sides Live
1982
2.13 | 366 ratings
Live - The Way We Walk Volume One - The Shorts
1992
2.90 | 376 ratings
Live - The Way We Walk Volume Two - The Longs
1993
3.25 | 332 ratings
Live Over Europe 2007
2007

GENESIS Videos (DVD, Blu-ray, VHS etc)

4.47 | 163 ratings
In Concert 1976
1977
3.13 | 87 ratings
Three Sides Live
1982
3.40 | 66 ratings
The Mama Tour
1985
2.51 | 56 ratings
Visible Touch (VHS)
1987
3.38 | 47 ratings
A History Of Genesis
1991
3.39 | 82 ratings
The Way We Walk (DVD)
2001
3.95 | 56 ratings
The Genesis Songbook
2001
2.94 | 32 ratings
Inside Genesis 1975-1980
2003
3.25 | 106 ratings
Invisible Touch - Live At Wembley (DVD)
2004
3.07 | 81 ratings
The Video Show
2004
3.96 | 91 ratings
Genesis Live Video
2004
2.89 | 39 ratings
Inside Genesis The Gabriel Years 1970-1975
2004
3.06 | 17 ratings
Rock Review - A Critical Retrospective
2005
2.54 | 42 ratings
The Gabriel Era
2006
3.77 | 60 ratings
In London
2007
3.70 | 14 ratings
Up Close And Personal (DVD and book set)
2007
4.16 | 177 ratings
When In Rome
2008
3.69 | 13 ratings
Land of confusion
2010
2.43 | 39 ratings
Sum Of The Parts
2014

GENESIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.25 | 5 ratings
Presenting Genesis
1974
3.18 | 3 ratings
70's Pop Sound
1974
4.21 | 10 ratings
Genesis Collection Volume One
1975
4.28 | 10 ratings
Genesis Collection Volume Two
1975
2.68 | 57 ratings
Reflection - Rock Theatre
1975
4.08 | 27 ratings
The Best...
1976
2.51 | 16 ratings
Genesis in Concert
1977
3.55 | 4 ratings
The Story Of Genesis
1978
4.18 | 17 ratings
Nursery Cryme / Foxtrot
1979
3.13 | 4 ratings
The Lamb Lies Down On Broadway
1981
3.10 | 2 ratings
Genesis
1981
2.38 | 5 ratings
Genesis
1981
5.00 | 2 ratings
Genesis
1989
1.33 | 5 ratings
The Vertigo Years
1990
2.32 | 31 ratings
Turn It On Again - Best Of 81-83
1991
4.27 | 266 ratings
Archive 1967-1975
1998
2.79 | 25 ratings
The Original Album
1998
3.00 | 5 ratings
The Greatest
1998
2.26 | 113 ratings
Turn It On Again - The Hits
1999
3.00 | 151 ratings
Archive 2 1976 - 1992
2000
3.19 | 97 ratings
The Platinum Collection
2004
2.08 | 21 ratings
14 From Our Past
2007
3.52 | 102 ratings
Genesis 1983-1998
2007
2.21 | 47 ratings
Turn It On Again The Hits -The Tour Edition
2007
3.93 | 136 ratings
Genesis 1976 - 1982
2007
4.53 | 213 ratings
Genesis 1970 -75
2008
3.80 | 104 ratings
Genesis Live 1973 - 2007
2009
4.43 | 14 ratings
The Movie Box
2009
2.50 | 6 ratings
The Magic Of Time
2013
2.22 | 40 ratings
R-Kive
2014

GENESIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.55 | 34 ratings
The Silent Sun / That's Me
1968
2.54 | 26 ratings
A Winter's Tale / One-Eyed Hound
1968
2.62 | 18 ratings
GENESIS
1969
4.11 | 60 ratings
The Knife
1971
4.15 | 22 ratings
Nursery Cryme
1972
3.21 | 62 ratings
Happy The Man
1972
4.06 | 74 ratings
Twilight Alehouse
1973
4.27 | 67 ratings
I Know What I Like (In Your Wardrobe)
1973
4.69 | 36 ratings
Watcher of the Skies
1973
4.10 | 20 ratings
I Know What I Like (In Your Wardrobe) / After The Ordeal
1973
3.74 | 19 ratings
I Know What I Like / More Fool Me
1973
4.33 | 18 ratings
The Lamb Lies Down On Broadway (Promo)
1974
4.20 | 54 ratings
Counting Out Time
1974
4.36 | 65 ratings
The Carpet Crawlers / The Waiting Room
1975
4.24 | 51 ratings
Counting Out Time / Riding The Scree
1975
4.61 | 23 ratings
The Lamb Lies Down On Broadway
1975
3.70 | 27 ratings
I Know What I Like (In Your Wardrobe)
1975
3.94 | 29 ratings
The Carpet Crawl
1975
4.41 | 32 ratings
A Trick of the Tail
1976
3.21 | 28 ratings
Ripples
1976
3.96 | 45 ratings
Entangled
1976
3.30 | 31 ratings
Your Own Special Way
1976
4.52 | 21 ratings
Entangled / Ripples
1976
4.57 | 23 ratings
A Trick Of The Tail / Squonk
1976
4.38 | 16 ratings
A Trick Of The Tail / Carpet Crawl
1976
3.87 | 15 ratings
I Know What I Like (In Your Wardrobe) / Carpet Crawl
1977
2.98 | 151 ratings
Spot the pigeon
1977
3.12 | 14 ratings
Go West Young Man (In the Motherlode)
1978
3.20 | 53 ratings
Follow You Follow Me
1978
3.96 | 45 ratings
Many Too Many
1978
3.38 | 44 ratings
Duchess/Open Door
1980
2.88 | 43 ratings
Misunderstanding
1980
3.71 | 46 ratings
Turn it on again
1980
2.70 | 35 ratings
No reply at all
1981
2.89 | 57 ratings
Abacab
1981
2.63 | 40 ratings
Keep it dark
1981
2.34 | 40 ratings
3 X 3
1982
3.92 | 17 ratings
The Lady Lies
1982
2.80 | 16 ratings
Paperlate picture 7''
1982
2.90 | 32 ratings
Man On The Corner
1982
2.85 | 8 ratings
Turn It On Again (Live)
1982
4.22 | 9 ratings
I Know What I Like (In Your Wardrobe) / Counting Out Time
1982
3.75 | 8 ratings
Follow You, Follow Me / A Trick Of The Tail
1983
4.30 | 18 ratings
Home By The Sea
1983
4.36 | 34 ratings
Firth Of Fifth
1983
3.02 | 53 ratings
Mama
1983
3.00 | 38 ratings
That's All
1983
2.20 | 37 ratings
Illegal Alien
1983
2.62 | 23 ratings
Taking it all too hard
1984
2.14 | 7 ratings
Tonight, Tonight, Tonight Exclusive Candid Interview
1986
2.42 | 47 ratings
Invisible Touch
1986
2.38 | 36 ratings
Throwing It All Away
1986
2.04 | 37 ratings
In Too Deep
1986
2.60 | 56 ratings
Land of Confusion
1986
3.37 | 35 ratings
Tonight, Tonight, Tonight 12''
1987
3.54 | 24 ratings
Tonight, Tonight Tonight Tonight 7''
1987
3.69 | 39 ratings
No Son Of Mine
1991
2.25 | 12 ratings
We Can't Dance (Special Edition Volkswagen)
1991
2.39 | 18 ratings
Tell Me Why 5'' Cd single
1992
2.60 | 31 ratings
Jesus He Knows Me 5'' CD single
1992
2.58 | 38 ratings
I Can't Dance
1992
2.62 | 34 ratings
Hold On My Heart
1992
2.31 | 20 ratings
Never a Time
1993
2.79 | 19 ratings
Tell me why
1993
3.17 | 6 ratings
...Calling All Stations... Album Sampler...
1997
1.87 | 48 ratings
Congo
1997
2.55 | 34 ratings
Shipwrecked
1997
2.46 | 38 ratings
Not About Us
1998
3.25 | 38 ratings
The Carpet Crawlers 1999 5' promo CD
1999

GENESIS Reviews


Showing last 10 reviews only
 Nursery Cryme by GENESIS album cover Studio Album, 1971
4.42 | 3179 ratings

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Nursery Cryme
Genesis Symphonic Prog

Review by Hector Enrique

5 stars In Nursery Crime, Genesisīthird album, Steve Hackett and Phil Collins joined the group with the guitar and the percussion, respectively. With them, the arrangement of the group that made the most iconic disc of Genesis was complete. Hackett and Collinsī incorporation was vital to hone the bandīs musical proposal. The lyrics, at once mythic and fantastical, worked out primarily by the prolific Peter Gabriel, took Genesis to the progressive rock Olympus.

The album initiates with the monumental Musical Box, a fiction of the Victorian England in which Henryīs spirit (an 8- year-old child murdered by 9-year-old Cynthia) returns to haunt his murderer. The song is undoubtedly among the greatest Genesis creations: a 10-minute symphony of diverging rhythms that concludes with an exuberant ending. The album continues with a respite: For Absent Friends, a slow ballad sung by Phil Collins. Nonetheless, Nursery Crime surprises us yet again with the amazing The Return Of The Giant Hogweed, a song about a carnivorous plant that breaks havoc in London.

The album continues with Seven Stone, a demonstration of the mastery of the mellotron by Tony Banks. Despite being a great song, it hasnīt transcended as much as other compositions. After that, both the suicidal Harold The Barrel and the ballad Harlequin are interesting pieces that donīt surpass the 3-minute mark. Further down the album, The Fountain of Salmacis is a fine portrayal of Hermaphroditeīs origin. It is an excellent closure for Nursery Crime, a must- have album in the musical library of all the Genesis admirers and all the progressive rock listeners.

 Selling England by the Pound by GENESIS album cover Studio Album, 1973
4.64 | 4177 ratings

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Selling England by the Pound
Genesis Symphonic Prog

Review by Hector Enrique

5 stars After the release of Foxtrot, Genesis reached a level of both maturity and creativity so high it seemed impossible to keep up with. Nevertheless, the group stood on that album and attained an even higher peak with Selling England By The Pound.

The opening Dancing With The Moonlit Knight?which consists of a biting contemplation about the ever-changing English culture?stands out as one of the best songs of the entire Genesis discography. After that, I Know What I Like (In Your Wardrobe) never loses its composure despite being the first song fitted for the radio. Moreover, the beautiful piano introduction by Tony Banks and the stupendous guitar solo by Steve Hackett both render Firth of Fifth an exceptional masterpiece.

Perhaps the only dissonant bit of the Album is More Fool Me, a ballad sung by Phil Collins and maybe the first symptom of the ensuing Genesis development. Thereupon they attained a magnificent level with the long and dynamic The Battle of Epping Forest, the instrumental After The Ordeal, the 11-minute gem The Cinema Show (made out of Hackett and Bankīs superb craft), and?to seal the album?Aisle of Plenty, another instrumental piece.

Selling England By The Pound is a demonstration of the excellent state of the musicians that made it and one of the best progressive-music discs ever created.

 Foxtrot by GENESIS album cover Studio Album, 1972
4.60 | 3625 ratings

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Foxtrot
Genesis Symphonic Prog

Review by Hector Enrique

5 stars Foxtrot, Genesis' fourth album, is a demonstration of the strength and creativity that the band had achieved by then, maintaining the superlative level of its predecessor Nursery Crime.

The album begins with the enormous Watcher of the Skies and the memorable mellotron with which Tony Banks begins and ends the song, followed by the sad and slow Time Table, and the futuristic interpretation of the stark urban overcrowding in the excellent Get 'em out by Friday.

Moreover, Can-Utility and the Coastliners is a song that consists of a description that goes from the historical to the legendary, inspired by Nug the Great, king of the Scandinavian countries, and conqueror of England (11th century), where Banks' keyboards and Steve Hackett's 12-string guitar especially stand out. Hackett himself exposes his sensitivity to acoustic guitar in the next song, the baroque and beautiful Horizons instrumental, a gem of fewer than 2 minutes.

The album concludes with one of the most representative themes of the progressive genre, the monumental and presumptuous Supper's Ready, one of the iconic songs from the Genesis discography. The epic suite of more than 23 minutes, represents the fight between good and evil, according to the band. Divided into 7 parts, as dissimilar as they are complementary, we find constant changes of rhythms, going through calm and reflective atmospheres, to intense developments, without losing unity at any time. The work of the musicians is impeccable, especially Gabriel's work, which would reach unsuspected dimensions in live performances, combining music and theater.

Foxtrot is undoubtedly one of the capital works of progressive rock.

 Turn It On Again The Hits -The Tour Edition by GENESIS album cover Boxset/Compilation, 2007
2.21 | 47 ratings

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Turn It On Again The Hits -The Tour Edition
Genesis Symphonic Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

2 stars 2007 was not a great year for Genesis and record companies screamed for another album so this is it folks. Another compilation to coincide with the tour at the time. I believe it was sold at concerts but its a shame it has nothing new to offer apart from a remastered rendition of old singles and cuts every Genesis fan should already own. It includes the watered down Carpet Crawlers 1999 version too. Most of these songs have plagued compilations but with 2 CDs this time there's more to offer.

The best...

It includes some great tracks such as Duchess, my favourite, Turn It On Again, No Son Of Mine, Jesus He Knows Me, Follow You Follow Me, A Trick Of The Tail, Counting Out Time, I Know What I Like (In Your Wardrobe) and Happy The Man. That's about the only tracks worth returning to.

The worst...

The Knife (3:17) is butchered down by half it's length and is a tragedy as a result. Congo, come on that's Genesis worse album and nothing from its any good, and then theres the ones that even my wife likes to sing such as I Can't Dance, Invisible Touch, and Illegal Alien.

So overall some assorted good stuff and a whole swag iof dross to wade through. Again it's a collectors piece showcasing just how far removed from greatness Genesis had become.

 Turn It On Again - The Hits by GENESIS album cover Boxset/Compilation, 1999
2.26 | 113 ratings

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Turn It On Again - The Hits
Genesis Symphonic Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

2 stars Ladies and Gentlemen presenting the hits of Genesis with all the prog zapped out of them leaving an empty shell of pop kitsch to grace the music charts and set women's hearts afire. This is quite abysmal with the occasional ray of light with magnificent Turn It On Again with the proggish drum tempo changes and it's followed by the sacharinne sweet sugary syrup of Invisible Touch, and ha ha ha haaaa Mama, Land Of Confusion with nice melody but nothing can save I Can't Dance with that corny tune and meddling dance step.

It gets slightly better with lovely ballads Follow You Follow Me and Hold On My Heart, attracting the female audience to concerts. Abacab (hits edit) is okay and the Gabriel era I Know What I Like (In Your Wardrobe) is a crowd pleaser. No Son Of Mine (hits edit) is definitely a terrific song but I am not keen on Tonight, Tonight, Tonight (single edit), In Too Deep , or Congo (hits edit). Admittedly I'm a fan of Jesus He Knows Me with its catchy hook and lyrics.

This is followed by dreary That's All, Misunderstanding and Throwing It All Away. The version of Carpet Crawlers (1999 Re-recording) is not an improvement and really should stay on Lamb Lies Down on Broadway where it belongs.

So overall it's Genesis for the non prog fan and it is not a pretty picture by any standards. Certainly grab it if you see it in a bargain dollar bin but its a mere decoration for collectors only.

 Turn It On Again - Best Of 81-83 by GENESIS album cover Boxset/Compilation, 1991
2.32 | 31 ratings

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Turn It On Again - Best Of 81-83
Genesis Symphonic Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

2 stars Another Genesis compilation in the Collins era and notable really for having some live tracks rarely seen on a compilation.

From the album "Abacab" (1981) is No Reply At All and Man On The Corner that are fairly decent songs. Also from the "Three Sides Live" (1982) album is Paperlate, Misunderstanding, Follow You, Follow Me and Abacab that are good examples of the quality on this double LP.

From the album "Genesis" (1983) are well known tracks Mama, Home By The Sea, That's All, and these are excellent but we could have been spared the poppy kitsch stench of Illegal Alien. Also Taking It All Too Hard is not much better but they were hits somewhere in the world of pop.

The tracks that held my interest were the other live cuts including Turn It On Again Medley which was recorded at the Spectrum, Philadelphia, in late 1983. It is an intriguing mixture of songs and used as an encore in their 80s live shows.

Firth Of Fifth was recorded at the Nassau Coliseum, Long Island, in late 1981 and is always a great musical experience featuring Daryl Stuermer on lead guitar, a terrific version of great quality well worth checking out.

So this album is a curio collectors piece for Genesis freaks like me and very hard to find these days so keep an eye out for it.

 The Best... by GENESIS album cover Boxset/Compilation, 1976
4.08 | 27 ratings

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The Best...
Genesis Symphonic Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

4 stars A two LP compilation of two of Genesis greatest triumphs can never be a bad thing. Here are the quintessential Nursery Cryme and Foxtrot in all their glory. The highlights are obvious with Watcher of the Skies and the magnum opus Suppers Ready as an indispensable Genesis 23 minute eargasm.

The Musical Box is always a brilliant journey with Gabriel at his best, as well as The Return Of The Giant Hogweed and Seven Stones. The Fountain Of Salmacis is also a wonderful treat, so if you haven't been graced with the Gabriel era Genesis this is a good start.

The cover art and liner arts are of considerable interest along with the fact this is a rarity on vinyl. Definitely worth sitting in a room with this music defining a wall of sound in perhaps the best era of Genesis history with the definitive line up.

 A Trick of the Tail by GENESIS album cover Studio Album, 1976
4.28 | 2599 ratings

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A Trick of the Tail
Genesis Symphonic Prog

Review by Hector Enrique

4 stars After the successful LLDB making up for an absence as notorious as Peter Gabriel, the visible image and dominant presence of Genesis was not easy. Strenuous and sterile auditions saw countless possible replacements pass unsuccessful.

And the answer they were looking for outside was at home. Phil Collins, impeccable in percussion forever, takes on the role of singer and did it well. He is not Gabriel, that is clear, despite his efforts to look like him. But A Trick of the Trail is a very good proposal that continues with the progressive cleanliness. It also adds more accessible and less intricate elements, what doesn't mean that it didn't detract from the final result, supported by those excellent musicians who are Hackett and Banks.

The album began in such a good way, with the bombastic Dance on a Volcano. Followed by the deeply melancholic and perhaps for that reason beautiful Entangled, by Hackett's 12-string guitars and Banks' final mellotron. In my opinion, this is the best Genesis ballad in their discography. The fantasy and powerful Squonk reminds us that the mythological characters are still part of their inspiration. And then, we enjoy Banks' mastery of keyboards with Mad Man Moon and Robbery, Assault, and Battery. The last is also the closest reference to his previous records. Both the extensive ballad Ripples and the surprising pop-twinned song A Trick of The Tail are its least highlights. The album closes with Los Endos, an excellent instrumental execution.

In short terms, A Trick of The Trail is an excellent album in which Genesis began to say goodbye to the more progressive Genesis. They did that respecting its past while continuing looking into the future, what constitutes its greatest merit.

 From Genesis to Revelation by GENESIS album cover Studio Album, 1969
2.55 | 1147 ratings

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From Genesis to Revelation
Genesis Symphonic Prog

Review by OLD PROG

3 stars The genesis debut album is not a bad album. In fact, I really like it. But this is not the point. In some moments (like "Silent Sun" or "In The Wilderness ") there are excellent foundations to start a musical career and develop a style. In general, however, I must admit that I prefer the first albums of Nirvana (the Prog band of that period) or the albums of The Moody Blues. Unripe and naive, "From Genesis To Revelation" is a historical album. But nothing more. And in reality, although you still listen well today, it doesn't leave a mark. "From Genesis To Revelation" is not a psychedelic album. Nor is it a baroque POP album. "From Genesis To Revelation" it's just an album produced by honest traders (this seems to be here) seventeen year olds supported in an exalted way by their professor ((poor Jonathan King ... What are you making me write ...). Yet I like it. Unfortunately, the fact that an album you like is not always synonymous with quality. Unfortunately, I must admit, "From Genesis To Revelation" is an album by a band called Genesis. Who is not even related to that of "Trespass". But after all, they were too young, inexperienced and ingenuous to do better. Anyway... These are also Genesis. Like it or not.
 Genesis Live by GENESIS album cover Live, 1973
3.99 | 934 ratings

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Genesis Live
Genesis Symphonic Prog

Review by Hector Enrique

4 stars Being one of the most representative emblems of progressive rock and with enough study material available and already very well, incidentally by then (it was published until Foxtrot), it is curious that they didnīt find it interesting to publish a double album in alive, and they have been limited to a version of a single disc, as commented at that time by the lack of interest in the United States market.

Genesis Live is a very good job, in which there is no place for further improvisations and where the songs are masterfully executed, following the guidelines of the original albums. Probably, and within the homogeneity of the work, the highest points are Musical Box, sharp and more dynamic than the version of the Nursery Cryme and The Knife, more powerful than in the Trespass.

The sections in which Peter Gabriel explained their meaning before each song were cut out. But definitely the exalted virtuosity of the musicians, especially Tony Banks on keyboards, Steve Hacket on guitars and Gabriel on vocals, confirm that they were in one of their best moments, confirmed months later with the release of their extraordinary Selling England By The Pound.

Genesis Live would have earned many additional points if they had included a few more songs, the Supper's Ready suite for example, one of their capital songs and that was played during that tour.

In short, it is a very good album, but I still feel that it could and should have been more extensive.

Thanks to ProgLucky for the artist addition. and to Lazland (w/ Quinino help) for the last updates

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