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GENESIS

Symphonic Prog • United Kingdom


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Genesis biography
Formed in 1967 at Charterhouse School, Godalming, Surrey, UK - Disbanded in 1998 - Shortly reunited in 2007-08


Beloved Symphonic prog rock through to stadium filling rock titans

Any biography of Genesis must recognise that there are distinct periods in the band's history, and that any discussion should recognise that musically and lyrically, the band which filled vast stadia throughout the 1990's was a completely different creature to that which played sweaty student halls filled with spotty young men in the early 1970's.

The original incarnation of the band had its origins in two outfits formed by Peter GABRIEL (vocals & flute), Tony BANKS (keyboards), Michael RUTHERFORD (bass & rhythm guitars), and Anthony PHILLIPS (lead guitars) whilst boarding students at the elite English public school, Charterhouse in the mid-1960's. Outside the confines of an extremely stuffy atmosphere, the world was becoming far more liberated, socially, sexually, politically, and musically, and these bands represented an outlet for young men who, basically, as young men do, wanted some of that.

The two acts coalesced into one, and the students had the novel idea of placing a tape of their music into the hands of Jonathan King whilst he was visiting his alma mater. King was, at this time, a big selling artist and musical impresario, and, consequently, someone who mattered in the rock world.

The tapes were basic, but King took a shine to Gabriel's voice, and recognised a unique sound and talent which, if nurtured, could become huge. He arranged for the band, with drummer Chris Stewart, to record some sessions in London, where the boys experimented with quite complex, orchestral pastiches. Knowing that King was not happy, the band penned Silent Sun, a song which was essentially a Bee Gees tribute single. The brothers Gibb were huge commercially at this time, and King was known to be a huge fan. The resulting album in early 1969 was named "Genesis to Revelation" by King, as representing something brand new and exciting in the musical world. It barely scratched the surface of the commercial music world, and, for many a year after, copies could still be found in the bargain bin section of stores.

Following this, there was, initially, some d...
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GENESIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

GENESIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.54 | 1266 ratings
From Genesis to Revelation
1969
4.14 | 2519 ratings
Trespass
1970
4.42 | 3434 ratings
Nursery Cryme
1971
4.61 | 3899 ratings
Foxtrot
1972
4.65 | 4493 ratings
Selling England by the Pound
1973
4.30 | 3224 ratings
The Lamb Lies Down on Broadway
1974
4.28 | 2825 ratings
A Trick of the Tail
1976
4.11 | 2125 ratings
Wind & Wuthering
1976
3.43 | 1586 ratings
...And Then There Were Three...
1978
3.50 | 1601 ratings
Duke
1980
2.62 | 1384 ratings
Abacab
1981
2.79 | 1386 ratings
Genesis
1983
2.49 | 1415 ratings
Invisible Touch
1986
2.66 | 1277 ratings
We Can't Dance
1991
2.47 | 1094 ratings
Calling All Stations
1997

GENESIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.99 | 1009 ratings
Genesis Live
1973
4.34 | 1038 ratings
Seconds Out
1977
3.48 | 557 ratings
Three Sides Live
1982
2.15 | 384 ratings
Live - The Way We Walk Volume One - The Shorts
1992
2.93 | 393 ratings
Live - The Way We Walk Volume Two - The Longs
1993
3.26 | 354 ratings
Live Over Europe 2007
2007

GENESIS Videos (DVD, Blu-ray, VHS etc)

4.48 | 172 ratings
In Concert 1976
1977
3.14 | 89 ratings
Three Sides Live
1982
3.37 | 69 ratings
The Mama Tour
1985
2.52 | 57 ratings
Visible Touch (VHS)
1987
3.36 | 48 ratings
A History Of Genesis
1991
3.40 | 86 ratings
The Way We Walk (DVD)
2001
3.93 | 57 ratings
The Genesis Songbook
2001
2.94 | 34 ratings
Inside Genesis 1975-1980
2003
3.25 | 112 ratings
Invisible Touch - Live At Wembley (DVD)
2004
3.08 | 84 ratings
The Video Show
2004
3.97 | 97 ratings
Genesis Live Video
2004
2.91 | 41 ratings
Inside Genesis The Gabriel Years 1970-1975
2004
3.11 | 19 ratings
Rock Review - A Critical Retrospective
2005
2.55 | 43 ratings
The Gabriel Era
2006
3.79 | 65 ratings
In London
2007
3.54 | 16 ratings
Up Close And Personal (DVD and book set)
2007
4.16 | 183 ratings
When In Rome
2008
3.33 | 15 ratings
Land of Confusion
2010
2.49 | 39 ratings
Sum Of The Parts
2014

GENESIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.44 | 8 ratings
Presenting Genesis
1974
3.26 | 4 ratings
70's Pop Sound
1974
4.23 | 11 ratings
Genesis Collection Volume One
1975
4.30 | 11 ratings
Genesis Collection Volume Two
1975
2.68 | 57 ratings
Reflection - Rock Theatre
1975
4.09 | 28 ratings
The Best...
1976
2.58 | 18 ratings
Genesis in Concert
1977
3.60 | 7 ratings
The Story Of Genesis
1978
4.22 | 20 ratings
Nursery Cryme / Foxtrot
1979
3.21 | 5 ratings
The Lamb Lies Down On Broadway
1981
3.22 | 4 ratings
Genesis
1981
2.40 | 6 ratings
Genesis
1981
4.67 | 3 ratings
Genesis
1989
1.32 | 6 ratings
The Vertigo Years
1990
2.37 | 35 ratings
Turn It On Again - Best Of 81-83
1991
4.28 | 282 ratings
Archive 1967-1975
1998
2.83 | 28 ratings
The Original Album
1998
2.00 | 6 ratings
The Greatest
1998
2.26 | 116 ratings
Turn It On Again - The Hits
1999
3.00 | 156 ratings
Archive #2 1976-1992
2000
3.20 | 103 ratings
The Platinum Collection
2004
2.03 | 20 ratings
14 From Our Past
2007
3.52 | 103 ratings
Genesis 1983-1998
2007
2.24 | 49 ratings
Turn It On Again The Hits -The Tour Edition
2007
3.94 | 141 ratings
Genesis 1976 - 1982
2007
4.56 | 219 ratings
Genesis 1970 -75
2008
3.83 | 108 ratings
Genesis Live 1973 - 2007
2009
4.42 | 19 ratings
The Movie Box
2009
2.43 | 7 ratings
The Magic Of Time
2013
2.33 | 48 ratings
R-Kive
2014
2.87 | 15 ratings
The Last Domino?
2021

GENESIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.58 | 37 ratings
The Silent Sun / That's Me
1968
2.64 | 31 ratings
A Winter's Tale / One-Eyed Hound
1968
2.78 | 21 ratings
GENESIS
1969
4.11 | 63 ratings
The Knife
1971
4.24 | 26 ratings
Nursery Cryme
1972
3.21 | 64 ratings
Happy The Man
1972
4.06 | 76 ratings
Twilight Alehouse
1973
4.27 | 70 ratings
I Know What I Like (In Your Wardrobe)
1973
4.55 | 41 ratings
Watcher of the Skies
1973
4.00 | 20 ratings
I Know What I Like (In Your Wardrobe) / After The Ordeal
1973
3.71 | 21 ratings
I Know What I Like / More Fool Me
1973
4.29 | 17 ratings
The Lamb Lies Down On Broadway (Promo)
1974
4.14 | 58 ratings
Counting Out Time
1974
4.36 | 69 ratings
The Carpet Crawlers / The Waiting Room
1975
4.21 | 54 ratings
Counting Out Time / Riding The Scree
1975
4.62 | 26 ratings
The Lamb Lies Down On Broadway
1975
3.69 | 29 ratings
I Know What I Like (In Your Wardrobe)
1975
3.94 | 31 ratings
The Carpet Crawl
1975
4.38 | 34 ratings
A Trick of the Tail
1976
3.36 | 31 ratings
Ripples
1976
3.96 | 47 ratings
Entangled
1976
3.34 | 34 ratings
Your Own Special Way
1976
4.58 | 24 ratings
Entangled / Ripples
1976
4.54 | 24 ratings
A Trick Of The Tail / Squonk
1976
4.21 | 19 ratings
A Trick Of The Tail / Carpet Crawl
1976
4.07 | 15 ratings
I Know What I Like (In Your Wardrobe) / Carpet Crawl
1977
2.99 | 161 ratings
Spot the Pigeon
1977
3.23 | 16 ratings
Go West Young Man (In the Motherlode)
1978
3.21 | 58 ratings
Follow You Follow Me
1978
3.95 | 48 ratings
Many Too Many
1978
3.40 | 50 ratings
Duchess/Open Door
1980
2.94 | 49 ratings
Misunderstanding
1980
3.71 | 53 ratings
Turn it on again
1980
2.86 | 40 ratings
No reply at all
1981
2.90 | 62 ratings
Abacab
1981
2.69 | 46 ratings
Keep it dark
1981
2.37 | 46 ratings
3 X 3
1982
3.92 | 18 ratings
The Lady Lies
1982
3.00 | 18 ratings
Paperlate picture 7''
1982
2.90 | 36 ratings
Man On The Corner
1982
2.96 | 9 ratings
Turn It On Again (Live)
1982
4.22 | 9 ratings
I Know What I Like (In Your Wardrobe) / Counting Out Time
1982
3.73 | 11 ratings
Follow You, Follow Me / A Trick Of The Tail
1983
4.17 | 21 ratings
Home By The Sea
1983
4.33 | 35 ratings
Firth Of Fifth
1983
3.04 | 59 ratings
Mama
1983
3.03 | 42 ratings
That's All
1983
2.33 | 45 ratings
Illegal Alien
1983
2.56 | 26 ratings
Taking it all too hard
1984
2.75 | 8 ratings
Tonight, Tonight, Tonight Exclusive Candid Interview
1986
2.40 | 53 ratings
Invisible Touch
1986
2.38 | 41 ratings
Throwing It All Away
1986
2.08 | 43 ratings
In Too Deep
1986
2.61 | 61 ratings
Land of Confusion
1986
3.33 | 39 ratings
Tonight, Tonight, Tonight 12''
1987
3.43 | 28 ratings
Tonight, Tonight Tonight Tonight 7''
1987
3.60 | 43 ratings
No Son Of Mine
1991
1.85 | 13 ratings
We Can't Dance (Special Edition Volkswagen)
1991
2.48 | 21 ratings
Tell Me Why 5'' Cd single
1992
2.56 | 36 ratings
Jesus He Knows Me 5'' CD single
1992
2.49 | 43 ratings
I Can't Dance
1992
2.59 | 37 ratings
Hold On My Heart
1992
2.30 | 22 ratings
Never a Time
1993
2.75 | 21 ratings
Tell me why
1993
3.50 | 10 ratings
...Calling All Stations... Album Sampler...
1997
1.90 | 52 ratings
Congo
1997
2.59 | 38 ratings
Shipwrecked
1997
2.48 | 40 ratings
Not About Us
1998
2.93 | 39 ratings
The Carpet Crawlers 1999 promo CD
1999

GENESIS Reviews


Showing last 10 reviews only
 Genesis by GENESIS album cover Studio Album, 1983
2.79 | 1386 ratings

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Genesis
Genesis Symphonic Prog

Review by Hercules
Prog Reviewer

2 stars An old (very old) friend recently gave me his vinyl collection, which included all the Genesis albums, so I took the opportunity to listen to all those albums after Wind and Wuthering which I don't own. Looking at the reviews on here, I wasn't expecting perfection, but hey - this is Genesis, the band that made a run of 7 albums from Trespass onwards which are all at least very good and, in some cases truly excellent. And 3 of the 5 core members who made most of those albums are still there. And they self-titled it, which you wouldn't think of doing if the album was a turkey, would you? So I didn't expect it to be that bad. Well it is that bad. In fact, it's pretty dreadful. Mama is a nasty discordant mess, with Phil Collins doing his angry shouty style of vocals - indeed he does this on most tracks and it's wearing. That's All is just twee and completely forgettable. The whole second side is just awful: there's not a track which I can remember much about or would bother to listen to again; Illegal Alien may have been a big hit but it's just irritating. The last track is ironic - It's Going To Get Better: well it did indeed; the album ended and that the run out groove is probably the best bit. The drum sound throughout is horrible sounding synthesised The only redeeming features are Home by the Sea and Second Home by the Sea, which give just an inkling as to what Genesis were once capable of, being more extended, more interesting and far more carefully composed than the rest. Those 2 tracks save it from the ignominy of getting the 1 star the rest of the album deserves. That this went multi-platinum and hit no1 on the UK charts when their earlier masterpieces didn't is baffling. Avoid like the plague.
 Genesis Live by GENESIS album cover Live, 1973
3.99 | 1009 ratings

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Genesis Live
Genesis Symphonic Prog

Review by CosmeFulanito

4 stars Great album, recomended to people interested on live albums.

This album has only five songs, but these songs are some of the best early genesis songs and that's one of the reasons that I enjoyed it. Another reason is the powerful sound of drums and bass (especially bass). Maybe Peter Gabriel's voice is not so great than the studio albums, but it's still good and doesn't ruins the album at all.

My favourite tracks are: "Get 'em Out by Friday", "The Musical Box" and "The Knife". But I recommend listening to the whole album, because it doesn't feel like a waste of time.

I give it four stars ****

 The Lamb Lies Down on Broadway by GENESIS album cover Studio Album, 1974
4.30 | 3224 ratings

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The Lamb Lies Down on Broadway
Genesis Symphonic Prog

Review by WJA-K

5 stars I am a prog fan. Not necessarily a Genesis fan. I respect them a lot, but most records don't connect with me fully. But then there's The Lamb Lies Down On Broadway. According to many, they took it too far with this one. Bloated, full of self-indulgence. But I like this one best. I see this as the best output from the Gabriel era.

Ths concept double album shows a more mature Genesis, certainly in the storytelling. But also in their focused delivery of the songs.

I leave the in-depth reviews to the 100+ people who did it before me. I will focus on more elaborate reviews for the less-reviewed albums. But I wanted to bring forward my appreciation for this classic output from Genesis.

edit: I'm glad my review brought this one from #38 to #36 on the all-time list at the time I wrote it.

 Foxtrot by GENESIS album cover Studio Album, 1972
4.61 | 3899 ratings

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Foxtrot
Genesis Symphonic Prog

Review by ElChanclas

5 stars Foxtrot is the 4th studio album by symphonic progressive rock legends Genesis, and the 2nd to feature what to many would be the classic lineup for the band with Peter Gabriel (lead vocals, flute, oboe, tambourine?), Phil Collins (drums, percussion and backing vocals), Steve Hackett (guitars), Tony Banks (organ, piano, mellotron, backing vocals) and Mike Rutherford (bass guitar, guitars, cello and backing vocals).

Another album so classic and perfect that does not deserves to be reviewed by an amateur like me, but that will not stop me from sharing my extraordinary experience with this band and their early music. Everything here is perfect, there's no other way to put it because everything I like (and feel attracted to) from progressive music is here, every band I like nowadays has grabbed something from this band, from this album. Now I do understand a lot, I can finally see and enjoy the great influence these guys had in everything that came after. The opener Watcher of the Skies is grandiose, rapid, furious but melodic, symphonic and even kind of danceable while Time Table brings different layers of beauty and greatness, both songs accompanied by masterful lyrical content, as the rest of the album.

Get ''em Out by Friday is simply magnificent, the narrative, the impersonation Gabriel does for every character thy participates in the vocals, literally one of the best songs I've heard ever, dramatic but beautiful, storytelling but so realistic at the same time. Perfection.

Can-utility and the Coastliners is classic symphonic prog song and even though is a "mostly" Hackett song is Tony Banks who for me results a the MVP with his different keys layers and imputing that very particular atmospheric sound (kind of spacey at spots) so many times reproduced for so many more modern bands (Anathema, Anekdoten, IQ, The Watch, etc). Perhaps the underdog inside this outstanding group of songs.

Horizons (another Hackett track) serves as instrumental conductor for the unearthly magnificent 7 part suite Supper's Ready. Genesis does in minutes what other bands need a full capacity album to achieve, the story, the beauty, the drama, the anxiety, the happiness, the anger and even musical freedom, all of that is here portrayed in less than 23minutes, the instrumentation and arrangements are five out five stars! I came late to this game and I'm so happy it happened that way, when I'm mature enough (musically speaking) to fully understand and enjoy this masterpiece.

 Selling England by the Pound by GENESIS album cover Studio Album, 1973
4.65 | 4493 ratings

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Selling England by the Pound
Genesis Symphonic Prog

Review by ElChanclas

5 stars SEBTP is the 5th studio album by British #proglegends Genesis and the 3rd to feature what to most fans would be their classic lineup of #petergabriel (vocals, flute, etc); #stevehackett (guitars); #tonybanks (piano, Mellotron, etc); #mikerutherford (bass, guitars) and #philcollins (drums, percussion & vocals). I was born in 77 so my first Genesis reference is way after Gabriel & Hackett left the band, circa #invisibletouch, and I quite enjoyed it, never loved it but there were a few tracks of the mid and late eighties that had a lot of radio airplay and are well preserved in my memory. This is the first Gabriel era album that I really have given time to and feel comfortable recommending to non Genesis fans or those who like me only know the Collins era.

I won't be writing a review per se on this opportunity because who am I to do so? This 1973 album is a novelty form me and has me already melted, I can't imagine what fans from back in the day feel about this album and eta of the band.

The whole album is incredibly fantastic, top to bottom perfection, not a second wasted or overused and its a brilliant settlement from this highly talented bunch of musicians, of #musiclegends

As a side note I will say that The Battle of Epping Forest is my new favorite prog song of any sub genre, it made me understand where a lot of the music I love and bands I follow comes from, and it is an overwhelming pleasure! If you know it play it again, if you don't go and take a listen, satisfaction guaranteed!

 The Lamb Lies Down on Broadway by GENESIS album cover Studio Album, 1974
4.30 | 3224 ratings

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The Lamb Lies Down on Broadway
Genesis Symphonic Prog

Review by Progexile

3 stars First - 2 salient points. One - I love Gabriel era Genesis, 2 - I believe that most studio double albums contain some padding that diminishes album quality. Two key exceptions to the double album rule are Tommy and Quadrophenia by the Who, among a few others.

Having loved Genesis's 3 previous studio efforts I was excited when I bought this on vinyl on the day of its release. On first play I was left a bit cold but felt I needed to give it a few plays, as with most Genesis stuff, to appreciate its subtleties. Dozens of plays later and I still don't get it.

Fine, there are few good pieces (Fly on a Windshield, In the Cage, Carpet Crawlers, Riding the Scree..) but the majority of tracks still give me the feeling of padding out to make a double album out of a decent single album.

It's not that there weren't songs on previous albums that didn't strike a chord with me (e.g You Know What I Like on SEBTP) but the previous albums gave me a feeling that pretty much every track was a worthy listen. I'm afraid I find it difficult to sit all through a play of The Lamb as so many tracks don't match up to the quality of earlier stuff.

Instead I find myself selecting a few tracks from the whole though I do also play some of the padding from time to time, still without "getting it".

I agree with the ratings given to their previous output but this is only a mere 3 stars for me. Thankfully, their next 3 efforts made a good recovery, especially "WaW" before their prog decline started.

 The Lamb Lies Down on Broadway by GENESIS album cover Studio Album, 1974
4.30 | 3224 ratings

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The Lamb Lies Down on Broadway
Genesis Symphonic Prog

Review by Mr. Gentle Giant

2 stars Disc 1 is good, Disc 2 is horrible

I went into this album with high expectations since the positive amount of feedback it has been given on this site, needless to say i am very disappointed with this album

First of all its 95 mins long, where half of that is boring, rambling and pointless

The album starts off very strong with (probably) the best song on the album, 'The Lamb Lies Down On Broadway', a Genesis classic with a very catchy hook and it is a great album opener. Nothing notable happens until 'In The Cage' which in my opinion is another great track, a song that truly defines progressive rock. Back in NYC and Carpet Crawlers are also solid tracks from the 1st disc.

Disc 2 is an absolute sleep-fest. Every track is incredibly forgettable and i have no clue what is happening in the story anymore. Easily the 2 worst sides from the 'classic' Peter Gabriel era Genesis albums (Trespass - The Lamb). I love Genesis and I adore albums like 'Nursery Cryme', 'Foxtrot' and 'Selling England by the Pound' but I just can't get myself to enjoy all 95 minutes of this mess.

Don't get me wrong, disc 1 is good with some classic Genesis tracks but disc 2 is one of progressive rock's lowest points. This album should never be compared to any of Genesis's works that came before this because that is all miles better. Even Giant for a Day is better for god's sake.

In conclusion, this is one of the most overrated double albums of all time and i don't see at all why people like this, maybe i just don't get it at all.

 Trespass by GENESIS album cover Studio Album, 1970
4.14 | 2519 ratings

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Trespass
Genesis Symphonic Prog

Review by Lupton

4 stars "Some of You are going to die"

After their inauspicious "what we did in the holidays" debut Genesis got serious with their follow up.This is effectively the first "real" Genesis album.They had not really found their sound yet or at very least they were experimenting with different styles and instrumentations.The opening track "Looking For Someone" is almost like a soul number especially with Gabriel's vocals.It is actually a really good song with plenty of instrumental development with what would shortly become a typical dramatic conclusion."Visions Of Angels" is really just a pop-rock number which could easily have come off the debut although the instrumentation is a lot fuller I suspect on this album that had it appeared earlier. "Stagnation" is the first story-songs a style Genesis would continue to develop whereby the actual composition as well as instrumentation would continually change so the end would be very different from the beginning.In this case the song starts as a paired twelve string led melody and ends with a full band sound- lots of grandiose pianos and flutes added to the mix.Although they had not fully developed their sound at this stage it is still a highly sophisticated brew. The best known track by far and one which they continued to play even as late as the Duke tour ten years later is "The Knife".For an album largely consisting of gentle pastoral sounds this song really is astonishingly heavy with big fat hammond organ chords and a driving rhythm. Again the band were still trying out different sounds and this track was inspired by the Nice.A real classic slice of Heavy Prog rock but a style they never really returned to. The production is actually quite excellent and I suspect some fans might even prefer the sound to the following "Nursery Cryme" with its attendant weirdness.I think the electric guitar playing in particular on the opening and closing tracks is more conventional sounding compared to the more elaborate and experimental sounds Steve Hackett conjured up on subsequent albums.In Fact the whole album has a live-in-the-studio feel to it (probably because it was effectively recorded that way) which is part of its charm.

Although this album will ever vie for top place on my list of favourite Genesis albums it definitely is a minor Classic

4stars

 A Trick of the Tail by GENESIS album cover Studio Album, 1976
4.28 | 2825 ratings

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A Trick of the Tail
Genesis Symphonic Prog

Review by WJA-K

4 stars A convincing display of a band that was deemed beheaded after the departure of Gabriel. This album only has highlights. A solid listen from start to finish.

Dance on a Volcano - This is a superb way to show Genesis is still capable of making great music. A great opener of the album. 8.5/10

Entangled - A beautiful tune with great use of the mellotron too. 8.5/10

Squonk - This is a great and entertaining track. I love the bass and drums on this one most. 9/10

Mad Man Moon - Another mellow mellotron heavy track. Nice with a fantastic piano instrumental in the middle. 8.5/10

Robbery, Assault and Battery - Great prog track with great vocals from Phil Collins. I like his singing for Genesis. It's less annoying to me than the sharpness of Gabriel (who I tremendously respect). 8.5/10

Ripples - I do like this one a lot. A great tune and beautifully performed. 8.5/10

A Trick of the Tail - A rather straightforward pop tune. But I like it. 8.5/10

Los Endos - A solid closer to a solid album. That never disappoints. 9/10

This is an easy 4-star album for me.

 Nursery Cryme by GENESIS album cover Studio Album, 1971
4.42 | 3434 ratings

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Nursery Cryme
Genesis Symphonic Prog

Review by Lupton

5 stars With the introduction of Steve Hackett and Phil Collins, Genesis made their first true Classic.I used to think Nursery Cryme was merely a dry run for Foxtrot but in retrospect it stands its own ground.Personally I was neve completely sold on "The Musical Box"but "The Fountain Of Salmacis" is an absolute killer of a track and possibly the best track on the album.Here, Tony Banks shows what he can do with the keyboards.Tasteful and dramatic with out the empty bombast of some of his peers."The Return of the Giant Hogweed" is the other epic on the album.Steve Hackett really shines on this track especially the "Dance of the Giant Hogweed" section at the end.The other tracks are excellent as well especially "Seven Stones" wit its gorgeous mellotron led instrumental outro.So overall not as immaculately produced or as sophisticated as its follow up -Foxtrot, this is a truly great album.

Five stars

Thanks to ProgLucky for the artist addition. and to Lazland (w/ Quinino help) for the last updates

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