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SOLARIS

Symphonic Prog • Hungary


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Solaris biography
The Hungarian formation SOLARIS was originally founded by some school friends in 1980. The band's name was derived from the title of book by SF writer Stanislaw Lem. After they made impression on a talent contest at The Budai Park for a massive crowd (mainly youth) the band was offered an opportunity to make a record. In '80 SOLARIS released their first single entitled "Rock Hullam" (actually this was a split single, SOLARIS got the B-side). The line-up in the early Eighties was Ferenc Raus (drums), Gabor Kisszabop (bass), Csaba Bogdan (guitars) and the remaining schoolfriends Istvan Cziglan (guitars), Attila Kollar (flute) and Robert Erdesz (keyboards). They released the second single "Eden/Counterpoint" in '81. In '84 SOLARIS released their first album "The Martian Chronicles", it sold almost 40.000 copies. In those days progrock was popular in Hungary: OMEGA had crowds of 100.000 spectators! The classical SOLARIS line-up' between '83 and '85 was Attila Kollar, Istvan Cziglan, Robert Erdesz and newcomers Laszlo Gomor (drums) and Tamas Pocs (bass). In '90 the controlled Hungarian record company was finally willing to release early SOLARIS recordings entitled 1990 (a 2-LP). Then the members of SOLARIS went their own way and joined or founded new bands.

In 1995 SOLARIS was invited as the headliner of the Progfest Festival in Los Angeles by Greg Walker, mastermind behind the USA progrock label-mailorder service Syn-Phonic. He succeeded in persuading the band for a reunion concert (recorded on a 2-CD and partly on a video with other progrock bands ARS NOVA and WHITE WILLOW). The band got a standing ovation by a bunch of real "symphomaniacs"! A year later SOLARIS performed on the Rio Art Rock Festival, organized by the Brasilian "proghead" Leonardo Nahoum. On December 27th 1998 guitarplayer Cziglan died of an incurable illness but he can be heard on the surprising new SOLARIS CD entitled "Nostradamus" ('99), perhaps we will hear more from this marvellous progrock band. The Hungarian label Periferic Records released in 2000 "Back to the Roots - Solaris Archive 1" (a great introduction to the band's history but with a bootleg sound) and the solo-albums "Musical Witchcraft" by Kollar Attila (1998) and "Seven Gates of Alhambra" by the late Istvan Cziglan (1999).

On "The Martian Chronicles" SOLARIS creates a very dynamic and compelling progressive mix of classical and rock music. It's build upon sensational interplay between fiery electric guitar, tasteful keyboards and a powerful flute with lots of changing climates, surprising breaks and bombastic outbursts. Although SOLARIS sound rather unique, elements of JETHRO TULL (flute), MANFRED MANN'S EARTH BAND (Minimoog solos with pitchbend) and Jean Michel JARRE (electronic intro in the first part of the titletrack) can be traced. The 2-LP 1990 contains typical SOLARIS songs: dynamic and propulsive with spectacular synth runs, fiery electric gutiar and beautiful flute-play. Remarkable is the spacy keyboard sound in some songs and the obvious classical influences. The tracks from the mid-period (1986) sound rather accessible: a catchy and often funny combination of classic, pop and rock. But the most impressive composition is their magnus opus "Los Angeles 2026" (almost 24 minutes long): lots of changing climates, bombastic synthesizers, exciting interplay, compelling crescendos and halfway a long and alternating pianosolo. The songs on the live 2-CD "Live in Los Angeles" sound even more powerful and exciting than on the studio-LP's and the bonus material is great: Bonus Game (14 minutes) includes lots of solos on guitar, drums and bass and "Beyond" (12 minutes) is a typical exciting SOLARIS track.

"Nostradamus - Book of Prophecies" is a captivating album in the vein of SOLARIS but with fresh ideas and a modern sound. The titletrack contains outstanding sonic paintings: a howling electric guitar, fat Moog Prodigy runs ("Mark Kelly meets MANFRED MANN"), native North-American indian chants and the Aboriginal didgeridoo. The other songs includes elaborate and dynamic compositions with many changing climates, spectacular breaks, splendid solos and sensational interplay. A "killer-comeback" by SOLARIS!

Erik Neuteboom

UPDATE: Lately some sites like Allmusic and even Prog ones, have been promoting the release of a new album by SOLARIS called "Jelaia", but don't be mistaken, this album was released by a Heavy Metal Bulgarian band.

This sites describe the career of the Hungarian Symphonic band listed in Prog Archives but add the album by the Bulgarian Metal band to the discography, leading to mistakes.

Iván Melgar-Morey

Solaris official website

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Nostradamus-Book Of PropheciesNostradamus-Book Of Prophecies
Import
Studio Kft 1999
Audio CD$19.79
$25.38 (used)
Marsbéli Krónikák II (Martian Chronicles II)Marsbéli Krónikák II (Martian Chronicles II)
Import
Solaris Produkciós Hás
Audio CD$21.09
Martian ChroniclesMartian Chronicles
Import
Periferic 1999
Audio CD$21.39
$20.69 (used)
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SOLARIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

SOLARIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.26 | 238 ratings
Marsbéli Krónikák (The Martian Chronicles)
1984
3.61 | 69 ratings
Solaris 1990
1990
4.16 | 156 ratings
Nostradamus Book Of Prophecies
1999
4.06 | 94 ratings
Martian Chronicles II
2014

SOLARIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.21 | 29 ratings
Live in Los Angeles
1996
3.40 | 19 ratings
Back to the Roots (Official bootleg)
2000
4.33 | 15 ratings
NOAB (official bootleg)
2000
0.00 | 0 ratings
Live Chronicles
2014

SOLARIS Videos (DVD, Blu-ray, VHS etc)

4.38 | 8 ratings
Archive Videos
2006
2.82 | 12 ratings
Nostradamus - Live in Mexico (DVD+CD)
2007
4.75 | 12 ratings
Live In Los Angeles 1995 (Official bootleg)
2010

SOLARIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SOLARIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.33 | 6 ratings
Rockhullam
1980
4.00 | 3 ratings
Ellenpont / Eden
1981

SOLARIS Reviews


Showing last 10 reviews only
 Martian Chronicles II by SOLARIS album cover Studio Album, 2014
4.06 | 94 ratings

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Martian Chronicles II
Solaris Symphonic Prog

Review by Ivan_Melgar_M
Special Collaborator Symphonic Prog Specialist

5 stars After 30 years from their debut this album is an Impossibility in an impossible Universe

It's hard enough for a band to maintain the level after an outstanding first release, but it's almost a suicide to attempt doing a sequel from that album after three decades, despite the difficulties implied SOLARIS dared to release Marsbéli Krónikák II and managed to keep the same level.

Of course is an advantage to maintain almost the same lineup and specially two extraordinaire musicians as Robert Erdesz and Attila Kollar, but to recapture the magic of a masterpiece is a test that SOLARIS passed with the highest grade. So after the praises, let's go to the music.

The album starts with Marsbéli Krónikák II - 1. Tetel, a pompous and brilliant opener with Robert Erdesz creating a magical atmosphere, enhanced by Attila's aggressive flute and the beautiful choirs. The Eastern Europe folksy sound is perfect to capture the mystery involved in the concept, and the guitar solos by Csaba Bogdan (Who was also present in the original record I as guest) are strong enough to capture the interest of the listener with heavy rock riffs.

Marsbéli Krónikák II - 2-6. Tetel, is a 12 minutes epic where the band returns to their roots with that marvelous Eastern European atmosphere, but this time with the voice of Zsuzsa Ullmann and a magnificent violin passage, which blended with an amazing rhythm section traps the listener in the wizardry of this band. In part two Erdesz adds his keyboards to make it more mystifying if this is possible, but a heavy guitar solo by Csaba Bogdan makes us remember this is Progressive ROCK.

Marsbéli Krónikák - 7. Tetel caught me by surprise, because after a beautiful acoustic guitar and bass intro they leave their typical Hungarian sound for some sort of Space Rock with clear influence of "A Great Gig in the Sky". Not a copy but obviously inspired by the Floyd.

Hangok A Multbol Tetel ? 1-2. (Voices from the Past), is the only track where the two parts are clearly different, the first one is basically a collection of sounds created by Erdesz upon an hypnotic melody, but in part 2, the band moves towards electronic music with an acoustic guitar that creates a delicious clash of styles, and to make it more complex, Attilla Kollar plays a killer flute. The finale is so pompous and excessive that made me remember with nostalgia the early years of Symphonic Prog.

A Vilag Nelkulunk (The World Without Us) represents one of the best team efforts by SOLARIS, even though the musicians have the chance to show their dexterity in several passages, it's a beautiful melody that flows gently from start to end with a couple of strong sections, specially provided by Bogdan's guitar and Kollars flute in a style that resembles Thijs Van Leer.

In Az Emberbogarak Buszkesege (Pride of Human insect) the band returns to the mood of the original 1984 album with that mystical Hungarian sound with a nice chorus to enhance the effect, but again Bogdan is in charge of some really heavy moments.

Lehetetlen ("Impossible" but translated as "We are Impossibility in an impossible Universe Ray Bradbury") is one of the strongest tracks of the album because of the radical changes from melodic to frenetic, SOLARIS pushes the pedal to the metal and offers us one of the tracks that we progheads love so dearly.

The album is closed by Alien Song, a catchy melody where Erdesz and Kollar feel free to add all the effects that they want crafting a track that works as a tension reliever after a strong album. Some people find it silly, I believe that humor has a place in Prog Rock (Ask Keith Emerson about "The Sheriff" or "Benny the Bouncer") and this track reveals brilliantly and with class this underrated side of music.

To finish this review will only add that I like Marsbéli Krónikák II even more than the band's debut, so I will rate it with 5 solid stars and propose it as the best 2014 album.

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 Martian Chronicles II by SOLARIS album cover Studio Album, 2014
4.06 | 94 ratings

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Martian Chronicles II
Solaris Symphonic Prog

Review by friso
Prog Reviewer

3 stars Solaris - Martian Chronicles II (2014)

Thirty years ago Hungarian eclectic progressive rock band Solaris recorded one of the finest progressive records of the eighties behind the Iron Curtain, Martians Chronicles (1984). The release of the fourth record of the band sees the band combining the 'Nostradamus' and original 'Martian Chronicles' styles in yet another mostly instrumental album - all vocals are without lyrics. The band has a broad pallet of sounds; the standard symphonic progressive rock instrumentation alongside with flute, violins, modern electronic sounds and vocal styles of different origins. One vocal solo even reminds us of Pink Floyd's 'Great Gig in the Sky'. Apparent is also the use of the Hungarian musical influences, which adds to the authenticity of the band its sound. The recording quality is very good, I haven't heard a better production with the major 2014 releases.

The opening tracks of the 'Martian Chronicles' suite are all very well composed and eclectic in nature. The sound is great, the musicianship varied and the integration of the different stylistic elements works fine. After this we get a continuation of style with the two 'Voices of the Past' tracks. Then something strange, yet familiars happens (for frequent listeners of the band that is). The excitement and originality of the opening peaces wears off and a string of increasingly less interesting compositions follows. This has also been the case with the 'Nostradamus' (1999) album and in a lesser way with the debut. The final song 'Alien' is really strange with collections of strange sounds and boring composition. This is a pity, because otherwise this could have been one of the major albums of the year 2014.

Conclusion. Well recorded and well played album by Solaris that will please fans of the symphonic and eclectic genres, but the second half is (yet again) quite weak. Four stars for the first halve, two for the second halve ? which makes up for three.

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by friso
Prog Reviewer

5 stars Solaris - Martian Chronicles (1984)

Released in the age of comminism, with the necessary approval of the Hungarian regime, comes one of the finest progressive rock records of the eighties, Martian Chronicles by Solaris. A combination of spacey electronics, symphonic prog, flute and heavy rock guitar that sounds unique and exciting! Solaris aims for the larger-then-life progsound, bombastic and intense, and succeeds brilliantly! Moreover, all musicians are deeply involved in all the compositions. All tracks are instrumental.The recording sound is great and time doesn't seem to have gotten any grip on it.

On side one the six Martian Chronicles parts form the main attraction of the album, creating an side long epic of melodic space exploration. Sometimes the music reminds me a bit of Camel at its best, but Solaris has a bigger sound and a refreshing lack of Englishness - something one can also find listening to the Polish SBB. Side two is a collection of shorter tracks, some mellow and others spacey and heavy. Overall I must admit I find side one a bit stronger and more connected.

Conclusion. Prog at its best, musicianship at its most intense. Five stars.

PS. Solaris has released 'Martian Chronicles II' in 2014. I'm just listening to it myself and I'm really amazed! It can really use some quality reviews.

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars SOLARIS is a Hungarian symphonic prog band that just LOOOOVES sci-fi novels. Their name comes from the novel written by Stanisław Lem and the title of their debut album MARSBÉLI KRÓNIKÁK (THE MARTIAN CHRONICLES) comes from the famous book by Ray Bradbury. The music is almost all instrumental save an electronic vocal intro that isn't Martian at all but actually highly weirded out Hungarian. The theme of the album is supposed to highlight the plot of the novel where humans flee a trashed Earth and colonize Mars (OK not as creative as Kobaia but still pretty cool.) The band formed in Budapest in 1980 and went through many lineups before releasing this album. This is a strange album in the world of prog for it virtually has no strange time signatures and its focus is squarely on melodic development that sounds like a strange progressive form of 80s synth pop in a way. Although there are scant Eastern European sounds making their way into the mix I have to say that the sounds of the flute, guitar and keyboards make me think more of an album done by a band of the Andes such as Los Jaivas if they had upped their symphonic sound and made it a bit more aggressive.

Much of this album is highly exciting as track by track the unfolding melodies and dancing rhythms pulsate to simulate the colonizing theme and it works for the most part but for me it's the slow tracks that keep this from being a true masterpiece of all time. Those are the ones that make me think more of Peru or Bolivia than Mars. Mars after all has the connotation of being the alter persona of male aggressiveness and this music can cry out more of a feminine Venus at times. There are also times when this seriously reminds me of new agers like Yanni or Kitaro which also doesn't lend itself to the whole Mars thing. I find myself really enjoying much of this album but the slow parts let me down a bit and I feel a disconnect from the intended theme. On my 1995 CD edition with two bonus tracks it is the second of those "The Yellow Circle" that really feels like it was made for this album. It cranks up the guitar and percussion unlike on any other tracks on this album. Overall I dig this album but I feel it should have a bit more percussive oompf to the whole thing. As i'm writing this review it has been announced that the band is releasing a sequel to THE MARTIAN CHRONICLES which will be released in this here year 2014. I hope it kicks some serious Martian butt!

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by sinslice

5 stars Another priceless gem from the eighties.

1984 was dominated by Metallica with their 'Ride The Lightning', 'Powerslave' by Iron Maiden, Prince, The Smiths, Echo & The Bunnymen, Springsteen and Lloyd Cole, among others. Most importantly, from the progressive side, were two works superlative, the fantastic Marillion 's Scripts, and this intense, mature and fluent 'Martian Chronicles'. Little known at the time, and it was becoming an essential work of the decade.

Almost entirely instrumental, high percentages of keyboards, flute significant contributions, as well as guitars. Drums and bass make great cooperation when required. What enhances above all are the great melodies, intelligently interpreted. The sound is good, but not excellent, and is influenced by the era.

Later, Solaris produced some acceptable jobs, like Attila Kollar. However, it would never reach the magnificence of this.

4,5 stars.

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by GruvanDahlman
Prog Reviewer

4 stars From way down in Eastern Europe comes one of the most atmospheric, enchanting and captivating prog albums ever recorded in the 80's. Solaris album "Marsbeli kronikak" is a mostly intrumental piece of music, with only occasional vocals adding spice.

The opening trio of songs is quite enough to make any prog fan happy. These are truly ambitious and well crafted pieces of music, capturing the essence of the bleak 80's and the apocalyptic, sometimes truly terrifying, threat of nuclear war. The contents of the remaining album are of extremely high quality, making "Marsbeli kronikak" a joy to listen to.

The music could be described as symphonic with hard rock edges. While there are enough keyboards and symphonic soundscapes to make any prog fan insane from pleasure, the guitar provides a great hard rock feel to it, making the music diverse and always interesting. It is a sort of symphonic, space rock close to Eloy (of the 80's) and even some of Hawkwind's contemporary output.

Conclusion: "Marsbeli kronikak" is one of the most prime examples of symphonic prog of the 80's but could well be one of the highlights of all time. It has a retro feel to it, yet the music is firmly rooted in the 1980's. It is a pleasure, a delight and an experience of great worth. Do give it a chance and be amazed at what these guys produced 30 years ago. From the opening, creepy sound of childlike voices to the majestic, pompous sound of keyboard orientated prog, "Marsbeli kronikak" delivers in spades. Gloriuos.

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by Mr. Mustard

4 stars The 80's was a tough period for prog and good music in general. But in the middle of this decade comes the symphonic extravaganza of Solaris' The Martian Chronicles. Though rather obscure, the musical merit in this album speaks for itself. These guys play with the same symphonic prowess that Genesis and Yes did before them by flawlessly interweaving flute, synth, and all of the other instruments into an enjoyable mass of melodies.

This album is practically drenched in synth, as was the custom for many albums in the 80's. Some may not find it to their liking, but being one of my favorite instruments it's a welcome addition.

I won't analyze the album on a track by track basis as I believe most of the songs employ the same overall sound and technique as the last. In general, the songs are usually up-tempo with a plethora of interesting melodies played by a variety of instruments. No vocals are present, but in my opinion that just rids of a diversion to the wonderful music.

Perhaps the only flaw with this album is that there aren't any real standout tracks, and there is a slight lack of variety. I will also note it may have not aged well, but that's just a minor point. Overall, this is simply a wonderful 80's prog album and is great addition to any symphonic prog collection.

8/10

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 Nostradamus Book Of Prophecies  by SOLARIS album cover Studio Album, 1999
4.16 | 156 ratings

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Nostradamus Book Of Prophecies
Solaris Symphonic Prog

Review by Gatot
Special Collaborator Honorary Collaborator

4 stars It's a wonderful gem - great composition!

This album by Solaris has been with me for quite a very long time and I keep enjoying it very much and finally I realize that I have not put any writing about this. The band Solaris itself is not something that I am familiar with even though I knew the name sometime ago from prog friend right here in Jakarta. Specific to this album I can comment that it's really an excellent symphonic prog music album that any of you who like early prog would likely love this one even though this is not something like Genesis or Yes but it's something different that you never imagine before. Yes there is some elements of space music as well as fusion but it's more than that. I think, the most critical thing about this album is its novelty in creating unique experience to the listeners where the music flows beautifully from start to the point where you are listening to.

Let's look at the epic first three track that are titled 'Book Of Prophecies' (20:35), I can see myself being brought forward by the music from start until now when I reach third minute of the third track. I do not realize that the band has dragged me into the 17th minute of the epic without notice. Why? Because its segments have been composed wonderfully by the band that finally the listeners are not aware that they have been with the music for more than 15 minutes unnoticed! So, what do they specifically do with the music they produce? Well, it's basically comprising of combined efforts by all instruments used here including flute as well as vocals that play as choirs. It's actually an instrumental track as there is no lyrical verse. For me personally I really enjoy the changes in tempo, mood as well as the use of flute as melody in some segments plus the beautiful rhythm section.

In fact when the track moves into the fourth 'The Duel' (7:20), I am not aware of it. This track offers great flute-work as well as stunning guitar solo combined with vintage organ work. It's so nice! It then flows nicely to the fifth 'The Lion's Empire' (6:40) through a nice combination of flute and guitar fills. The mood then changes to something rocking with flute as filler, followed by nice Rickenbaker bass solo - even though quite short.

'Wings Of The Phoenix' (5:08) starts off with bass guitar followed with flute and then keyboard work. Flute and guitar take the lead in bringing the melody of the music. I love 'Ship Of Darkness' (5:46) as it demonstrates great drum works around the music accompanied with rocking flute-work. Oh man ... I used to play this track loudly as I love the drum work.

Overall, this is a very close to perfect album by Solaris. I really enjoy the music from start to end and I think most of you who love prog music would really enjoy this album. It's really excellent!!! Keep on proggin' ...!

Peace on earth and mercy mild - GW

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by Frankie Flowers

4 stars Marsbéli Krónikák is a great, all-instrumental symphonic prog album inspired by Ray Bradbury's The Martian Chronicles. It came out against the odds: it was recorded in the eighties in Hungary, which was still a communist country at the time, so it's a miracle an album like this was allowed to be released and made available there.

Solaris often gets compared to Camel. I can catch some similarities, especially from the flute work, although the guitar is much heavier and the keyboard work is pretty much to Robert's own style, with some classical overtones and plenty of mysterious, spacey creations to keep up the mood of the theme. The keys are all analog, but be aware, it's in the early '80s style, rather than '70s, so you won't find tons of Moog, Hammond, Mellotron, etc, with the exception of some Tangerine Dream style synths at the beginning of the album.

The music here has quite an extraoridinary concoction. It kicks off with the side length title track which is divided in to several parts and includes many different themes and great ideas. Parts two to five are particularly spectacular. Part one is also quite charming, starting with some funny sounding voices which are presumably sounds of martians speaking Hungarian. The second half of the album consists of shorter, often heavier pieces, like "M'Ars Poetica", "Apokalypse", and "Undefeatable". Plus the CD reissue contains two bonus cuts, "Orchideák Bolygóya" and "A Sárga Kör", the latter an interesting, highly percussive rock with a strong ethnic beat (in Hungarian style of course!) to it.

As everyone knows, the 1980s was a very prog unfriendly decade, but you won't be disappointed by the technical quality of these artists and their instruments. Well worth getting in your collection.

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 Marsbéli Krónikák (The Martian Chronicles) by SOLARIS album cover Studio Album, 1984
4.26 | 238 ratings

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Marsbéli Krónikák (The Martian Chronicles)
Solaris Symphonic Prog

Review by Atavachron
Special Collaborator Honorary Collaborator

4 stars Make sure to get a thorough physical and stock up on the Tang before you get pulled into this deep space nebula and its nods to Grainer/Derbyshire, Tangerine Dream, Goblin, and Vangelis circa Cosmos but still with enough hard rock to form an edge. Not exactly Spacerock, Electronic or Symph per se, this is closer to the death knells undoubtedly played between flameout rounds at Carousel for the impatient crowd. Solaris' The Martian Chronicles is absolutely unashamed astro-rock spectacle, and that's pretty cool if derivative and impure.

The nearly vocal-less set is a continuous sprawl of oft-changing but always focused numbers that are both simple and developed, and you don't have to be an electronic rock fan to enjoy it thanks to Istvan Cziglan's fine neoclassical guitars and the well-suited drums of Laszlo Gomor. The title cuts bop the galaxy, Rob Erdesz's concert hall pianos taking up the empty space over the gargling foam of the band's synths. 'Ha felszáll a köd' is when Solaris may begin to remind of anyone from Tull to Eloy to Saga, but this is more an incidental byproduct of the music than direct influence. 'Apokalipszis' is a solid bit o' prog that covers all the bases beautifully with the wailing squeal of hardcore synths and driving rhythms, great heavy metal bluster on 'Solaris' and a return to the black matter of 'Orchideak' with overtones of Goblin and John Carpenter. Nice. I paid ten bucks for this and it was well worth it.

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