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KARFAGEN

Symphonic Prog • Ukraine


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Karfagen picture
Karfagen biography
Founded in Ukraine in 1997

KARFAGEN (meaning Carthago) is a symbol of glory and wisdom, a never-ending journey into the world of the forgotten past and unpredictable future.

KARFAGEN is the brainchild of multi-talented musician and composer, Antony Kalugin. The name was first used in 1997, when Antony formed a band at school. While he was studying at the architectural university a year later, he began to record the first Karfagen compositions in one of the local studios, and a few tracks from this period can be found on the `Key to Perception' compilation from 2009.

In 2005 Antony Kalugin with his assembled musicians went into the studio to record `Continium', the first Karfagen album, which led the band to sign with Unicorn Digital (Canada) the following year. It was highly acclaimed by listeners, which inspired Antony to continue his work and release a second album `The Space Between Us' in early 2007. Later that year he signed with Caerllysi Music (UK).

In order to expand the boundaries of the musical landscape, Antony often collaborated with many different unique musicians. Therefore, in 2011 on the `Lost Symphony' album, Roberto Diaz (Cuba) from ANIMA MUNDI took part as an additional guitarist; in 2013 on `Aleatorica', Tomek Mucha provided electric violin and Sergey Klevenskiy added clarinet, whistles and flutes. In 2014 Mathieu Spaeter appeared as a main guitarist on `Magicians Theatre' as well as Pascal Gutman playing some stick-bass on the `Yuletide' track.

Karfagen is mainly an instrumental band that shows imaginative use of keyboards and guitars, classical and ethnic instruments. Their style can be described as symphonic art-rock with a hint of new-age, folk, jazz-rock and neo-prog in places. Their influences are CAMEL, FOCUS, HAPPY THE MAN, GREENSLADE, THE FLOWER KINGS, UK and KAYAK.

Also inspired by the composers Nikolai Rimsky-Korsakov, Sergei Prokofiev, Edward Grig and Pyotr Chaikovskiy, Antony's compositions are always well-constructed and thoughtful. The sound is enhanced by such instruments as oboe, bassoon, accordion, violin, cello, flutes, saxophone and pipes.

In addition to imaginative music, every Karfagen album cover is picturesque and charismatic in the tradition of the classic progressive rock era.

Antony doesn't stand still. On one hand, the sound of Karfagen is unique and recognisable, but on the other hand, with each consecutive album Antony brings something new and specia...
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KARFAGEN Videos (YouTube and more)


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Buy KARFAGEN Music


Echoes From Within Dragon IslandEchoes From Within Dragon Island
CD-ROM
Caerllysi Music
$21.99
SpektraSpektra
Caerllysi Music 2016
$49.92 (used)
Messages From Afar: First ContactMessages From Afar: First Contact
Caerllysi Music
$19.99
SevenSeven
Caerllysi 2015
$15.93
Magicians TheaterMagicians Theater
JFK 2014
$16.94
$23.78 (used)
ContiniumContinium
Unicorn Digital 2006
$18.05 (used)
Lost SymphonyLost Symphony
Ais 2011
$39.12
The Space Between UsThe Space Between Us
Unicorn Digital Inc. 2007
$24.85 (used)
Magicians Theater by KarfagenMagicians Theater by Karfagen
Justforkicks-Deu
$51.10
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KARFAGEN discography


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KARFAGEN top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.71 | 66 ratings
Continium
2006
3.14 | 62 ratings
The Space Between Us
2007
3.90 | 105 ratings
Solitary Sandpiper Journey
2010
4.01 | 246 ratings
Lost Symphony
2011
3.87 | 117 ratings
Aleatorica
2013
3.81 | 112 ratings
Magician's Theater
2014
3.91 | 131 ratings
7
2015
4.00 | 88 ratings
Spektra
2016
4.00 | 136 ratings
Messages From Afar - First Contact
2017
4.42 | 93 ratings
Echoes from within Dragon Island
2019

KARFAGEN Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

KARFAGEN Videos (DVD, Blu-ray, VHS etc)

4.80 | 11 ratings
Breaking Free Tour Live by AKP (Karfagen / Sunchild)
2017

KARFAGEN Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.97 | 58 ratings
The Key to Perception
2009

KARFAGEN Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.57 | 7 ratings
Seven Gates
2015

KARFAGEN Reviews


Showing last 10 reviews only
 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by Trinity S

5 stars Dragon Island. Amazing artwork that hooks you straight away.. I have huge collection of vinyls and can say to me it's a privilege to hold lovely looking sleeve. Say, 'Octoberon', 'Tales from Topographic Ocean ', 'Trick of the Tale' just to name a few. Honestly now, sometimes I give 'extra points' to the album with great artwork. Remember 'colors' by Eloy - wow. Unfortunately, There are not so many good covers nowadays.. how it's nice to see lovely one - 'hand made'. Overall, art rock starts from a cover that continues the mood of music. Prog lovers like to have real Cd, album, instead of modern pop culture where the 1 song rules, where the idea and meaning of an 'album' is almost vanished. That's why when you hold artwork like this, with fantastically gorgeous booklet and listens to the music it's multiple the effect! ) you dive into this fairytale world, so perfectly created by the author. Of course it's a matter of taste, there can be some pros and cons but particularly this album 'rocks'. It has its highs and pastoral 'lows', it leads you through the world where symphonic grace organically meets classical poetry. And it has delicious sound, not so over compressed like most of the modern bands produce. If you've never heard Karfagen, it's the right album to start with. And then return to 'lost symphony ', 'messages from afar' , 'magician's theater' , they all deserve your attention.
 Lost Symphony by KARFAGEN album cover Studio Album, 2011
4.01 | 246 ratings

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Lost Symphony
Karfagen Symphonic Prog

Review by patrickq

3 stars OK, I have to admit that because Anthony Kalugin is the bandleader here, I expected Lost Symphony to sound like Sunchild. And to some degree, some phases of this album certainly could have fit on Messages from Afar: The Division and Illusion of Time, the Sunchild album which was a followup to a Karfagen album titled Messages From Afar: First Contact. (I'm a little confused!)

But Lost Symphony doesn't really sound like Sunchild, and whereas Sunchild is categorized here as "crossover prog," Karfagen is (undoubtedly correctly) considered "symphonic prog." However, just as Sunchild is really AOR with some progressive elements, on Lost Symphony, Karfagen sounds like 2 Cellos or Trans-Siberian Orchestra: they rock hard at times, but there's a commercial sheen throughout. There are also sections of which sound more like world-music-influenced new age, and others which wouldn't sound out of place on smooth-jazz radio.

All of this is done very well, by the way. The longer songs shift seamlessly among these different styles, and the shorter songs segue from one to the other nicely - - kudos to Kalugin's arranging skills.

The performances are superb. My son just observed that Kalugin solos like Jordan Rudess. I thought maybe Rick Wakeman, But I hear Wakeman everywhere. Anyway, Kalugin is obviously a keyboard virtuoso, and he's also an accomplished composer and arranger (he wrote 55 of the 64 minutes here). He and William Mackie produced Lost Symphony, whose sound is excellent.

In addition to Kalugin, the stars here are guitarist Alexandr Pavlov and flautist Vasya Ivanov, who plays on the Canterbury-tinged section of "Journey Through The Looking Glass" (which sounds like Snow Goose-era Camel to me).

So Lost Symphony is played well, and from a technical standpoint, produced and arranged well. From an artistic point of view, though, I don't have the taste for what I perceive as the commercial aspects of the album.

 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by Walshy

4 stars The first thing to attract me to this album was the cover art .... I'm a sucker for a great bit of cover art and with this one Antony Kalugin has exelled in his choice of Konstantin Kansky has proved to be the right one and it really completes the package for me ... the limited edition double cd is well worth getting. The music is stunning , in many ways it's classic symphonic Prog ... but it is indeed symphonic in nature with many acoustic instruments accompanying and complementing the usual keyboards. There is definitely some influences from Antony's native Ukraine in the form of some local folk instrumentation and arrangements . Though classic prog in concept and execution, this album is ,by no means derivative... this is a sonic adventure which is quite irresistible. Put on your best headphones, pout yourself something nice and enjoy the 3 long (and one short) pieces of fantastic, accessible, melodic prog from a great group of phenomenal musicians.
 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by ValeriyK

5 stars Who can tell this formula of great art rock opus!? I have asked Antony to reveal the secret of its creation.. how it develops and turns from raw sketches into the bright ambitious statement. I know Antony for some years now and always been his fan , his way and style of composing inspires me. I'm keyboardist as well (own a lot of synths) and can say Anton has cool sound of his keys always ) by the way he did some recordings of my good old Kurzweil k2500 and Roland fantom on his latest recordings . I really appreciate the fact that I can be involved in this process with 'maestro' to share with him my synth arsenal )) has With this album I was blown away by the arrangement and sound- production. Symphonic instruments and moog leads, mellotron and guitars placed perfectly into the musical landscape. And Viktor Sirotin is good on drums - fits album perfect as well! Nice vocals, especially I like a few vocalize sections. I will agree with all positive reviews regarding musical material of the album.. and there was no clear answer from Antony.. Magician?! Hard work?! Inspiration?! I think all components are there. And I'm glad to know him personally, to see and enjoy Anton's talent. Support his team. With 20 albums under different names, Antony without a doubt is a bright figure on the Prog rock Horizon! Ps. I'm not all time musician like Anton, but I do understand how much energy, time and yes, money needed to produce such album. So I'm outraged by those ones who rate this opus with 2 or even 1 star !! If it's not your music- just walk away.
 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by GarfunkelSi

5 stars That causes no surprise that Antony Kalugin makes good symphonic rock albums. This is known. But it is always a matter of surprise how good each of the new ones is. After the "Messages from Afar" dilogy I was quite intrigued about the new Karfagen album. I wondered if Antony manages to make "Tales from within Dragon Island" on his high level of prog rock music creation. And by now I'm really happy that Karfagen tenth album is even better than I expected. It is true that it reveals rather a combination of Karfagen and Sunchild music than the pure Karfagenic sound. However, it collects all the advantages of the two projects sound leaving all the redundant behind.

The key part of the album is the "Dragon Island Suite". Part 1 and 2 is the monolithic structure that shows the best of symphonic rock epics. It can remind you about the "Thick as a brick" or "Tales from topographic oceans" by the similar structure, composition and concept. A lot of musical themes develops during the "Suite" and forms number variations that finish with the classical for the prog-rock epics reprise. Antony is very inventable about the composition, references and reprises, so all the 35 minutes of "Suite" are very intriguing.

The third part of the "Suite" contains even more unpredictable variations that are quite worthwhile to listen, although parts 1 and 2 are much more cohesive than the rest of the album. They divided from the part 3 by the short lyrical track "My Bed is a Boat" that is a great interlude and sounds like a simple melodic song.

Besides the accordion motives that remind about the "Magician's Theater" movements, an album turns back to the "Gnomon" sound. Organ and keyboard solo, interesting rhythmic syncops and similar vocal movements bring us back to this album from 2007. In my oppinion, potencial of the "Gnomon" sound manner wasn't exhausted by "Gnomon" or even by "Tales from within Dragon Island", so I like the idea to develop these sounds and concepts. A variety of transissions between the different themes in the new album (especially comapring with the previous one) also worths mentioning. By the way, it was interesting to find a few motives from the early Karfagen and Sunchild CD's.

The feature that brings the atmosphere to this symphony of sound is the lyrics, written by Robert Louis Stevenson. They are very inspiring and melodious and perfectly fit the mood of the album. The spirit of Romanticism that reflected in the Stevenson's poems fills also the music of the album and corresponds well to the Antony's style.

While there are still space for some compositional improvements and developments, "Tales from within Dragon Island" is the awesome example of monolithic album that deserves to be an unavoidable addition to any good progressive rock collection. It is really coherent and cohesive text that is interesting to explore. Besides, Antony is true to his habit of the optimistic and bright music creation. This makes his album an important exclusion from other novelties of 2019.

Limited edition of the album includes also CD2. Five previously unissued tracks recorded in different years are placed there. "Flying Brooks" and "Winter Rooks" catches the mood of this album very well and fits the sound of "Suite". At the same time, they are much closer to the traditional Karfagen music than the content from CD1. "Incantation"'s have a lot in common with some movements from the "Messages from Afar" and even from the "Seven" and probably were recorded during 2015?2018 period. This songs are not the essential part of the album, yet they are very interesting and quite worth listening, especially if you like Karfagen. I would like to notice the studio live version of "Alight Again", that touched me even more than the original one. "Across the Dark We Steer" also shouldn't be forgotten. This is very atmospheric song with the special mood that can be unnoticed because of his place on CD2. Missing it would be a mistake.

What's left here is to sum up that this album is one of the 2019 highlights and deserves to be marked as the wonderful fragment of the great progressive rock map.

 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by dannypereznec

5 stars Karfagen - "Echoes from within Dragon Island" (2019) Limited Edition (2CDS)

A new edition of the project of Antony Kalugin, Karfagen, is present very early in this 2019, in its two versions: a single CD or the limited edition in double CD. "Echoes from within Dragon Island", is the tenth album of Karfagen, a work more than generous by where you look or listen. It is a work of concept, based on the poetry of Robert Louis Stevenson. The beautiful cover elaborated by: Konstantin Kanskiy, makes the first positive contact with the work. Of course, not everything comes through the eyes, that's true. But when you start to hear it, it hits, bluntly, the suite: "Dragon Island Suite" divided into 3 parts, the first 2 of which total more than 30 minutes and start this magnificent work. After a brief and beautiful acoustic track adorned with subtle winds, "My Bed is a Boat", which is achieving an increasing emotionality, gives way to the third part of the suite, Dragon Island ... to again exceed 15 minutes. The complete suite already gives the plate an absolute magnificence, leaving the listener imperiously trapped. In the company of 18 guest musicians, Antony, we stroll through wonderful and pompous musical moments where keyboards, and wind instruments (French horn, Whistles, Basson ...) combined with cuts with good electric and acoustic guitars plus vocals and choirs, achieving a perfect progressive symphonic combination of great beauty. So far, the entire first CD. After this immense and delicious first musical part and already entering in the second CD (limited edition), a series of instrumental short pieces follow one another, like "Flowing Brooks", with predominance of the wind instruments; "Winter Rooks", another beautiful theme played on nylon guitar in counterpoint with the keys. Further on, there is a new suite divided into 2 parts that total about 14 minutes, the charming "Incarnation", with a memory of Pink Floyd, a pleasant and relaxed trip. Repeat "My Bed is A Boat", this time in its instrumental version. This second section contains the single "Dragon Island", being the first section of the previous disc suite. The film, "Across the Dark We Steer", closing this edition and the work, we find a song recorded live in the studio in 2016, which is "Alight Again", limited version, which appeared on the album "7" of Karfagen (2015). Concluding this comment, do not miss this undoubted Masterpiece, created by the excellent musician, Antony Kalugin. I encourage you to say that "Echoes from Within Dragon Island" will be among the best 5 albums of 2019. Enjoy!!!

Daniel Perez

 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by TCat
Prog Reviewer

5 stars Karfagen, a Symphonic Prog group from Ukraine, has been around making studio albums since 2006, and released their 10th album, "Echoes from Within Dragon Island" in early 2019. The band started out as a project from Antony Kalugin, and he has used several different musicians to support him on his albums through the years, but this time around, he uses 19 musicians to help bring about this album, which is based on the poetry of Robert Louis Stevenson. There are various vocalists and instrumentalists used throughout the album.

The "Dragon Island Suite" is the main feature on this album, divided up into 3 parts, each one lasting over 15 minutes. The first track is Part 1. The music starts off very upbeat and sounds like a rock symphony with all types of instruments playing a happy sounding track that has a folk vibe to it with a traditional sounding sea gigue. Vocals start up after a few minutes, with a melody following the lilting feel and harmonies between male and female vocalists. Music is led by most every instrument involved here, keyboards, guitar, violin, xylophone, etc. After 5 minutes, things calm down as the track moves into a slower section before a surprisingly heavy guitar riff and keyboard solo cuts in. In fact, things change as the music continues to sew the main theme to various other sections. It would be difficult to explain everything going on here because it is so dynamic yet cohesive at the same time, but the overall feel is a symphonic-folk sound with both rock and orchestral instruments.

Part 2 continues in the same style, it finds its own theme, based more on progressive rhythms, but keeping with the symphonic style as the first part. The moods, meters and tempos always changing, but in a fluid manner. Remember, the title of the track has "Suite" in it, and the entire song works as a suite with many different song styles knitted together in the same manner as Jethro Tull's "Thick as a Brick", but even more cohesively. Part 2 is more instrumental, but there are vocal sections. The relatively short "My Bed is a Boat" serves as a quick interlude and is an acoustic guitar and a flute playing together. Vocals come in later. This is a simple folk-style pastoral song. After this, Part 3 of the suite begins. The track is once again in the same suite style. Vocals don't come in until after the 7 minute mark. Overall, the entire suite with the interlude lasts about 55 minutes.

"Flowing Brooks" is an instrumental starts immediately with either a French or English Horn that establishes a melody and a more standard rhythm. Just before the 2 minute mark, things get more intense and progressive. Things calm after a while returning to the original feel. "Winter Rooks" is a nice acoustic track with various guitars and a synth. It is a lovely track also remaining instrumental throughout and has some nice effects towards the end.

Next up is a 2 part instrumental called "Incantations". Part 1 begins simple with a soft percussion and keyboards. Atmospheric guitars join in and things start to amp up a little, but it remains quite mellow. At 3 minutes, things definitely get heavier with louder guitars and excellent synth/guitar solos. The music gets much more expressive for a while, then things suddenly brighten up when a flute takes over with a more complex rhythm. After a while, the flute moves to the back and guitars and synth. Part 2 again starts with soft guitars, but moves into a steady beat quite quickly and guitar and synth take turns improvising on a slower andante rhythm. As things continue, we get a more sweeping feel for a while and then the music turns atmospheric in a Floydian kind of way before returning to the thematic element.

There is a reprise of the track "My Bed is a Boat" but in an instrumental version this time that has an even more pastoral feel to it this time. Then there is a single version of an edit from the Dragon Island suite cut down to almost 6 minutes. It mostly takes edits from some of the more upbeat sections of the suite but surprisingly leaves out any vocals. Following this is "Across the Dark We Steer". This track has a darker symphonic feel and remains "orchestral" through the track. Finally, we end with a live studio performance of a song called "Alight Again". It is the first track to have vocals since the last part of the Dragon Island Suite. The song is simple and soft and is quite straightforward, but it is still pleasant.

The obvious main part of the album is the Dragon Island Suite, and everything else is pretty much supplementary, yet there are some great parts in there that make it all worthwhile. The overall album is still an excellent example of Symphonic Prog at it's best, and the folk undertones that are quite apparent through the suite make it even better. I highly recommend this album, mostly for the suite, but while you are here, listen to it all, because it is all quite well done. This album will definitely be a highlight for the year 2019 and I can see it in the running for best album.

 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by ale73

5 stars Every record of Antony Kalugin's bands has got his own peculiarities, altough always in the area of prog: everytime is a kind of surprise. So when I received the parcel I did not know what to expect. I had to wait until the evening to listen to it at home, but as soon as I saw the CD I realized it was something special for different reasons: the cover is wonderful as usual, but this time it was drawn down by the artist Konstantin Kanskiy (off-topic: if you like paintings take a look at his opus). On the front page it is stated "Symphonic art rock suite based on Robert Louis Stevenson's poetry". In the two booklets there is a complete list of the involved musicians: they are eighteen! The instruments are including also violin, flute, French horn, English horn?there were all the possible clues for a new masterpiece.

Finally I managed to listen to it and the first idea was confirmed. The record consists of three long suites ("Dragon Island" pt.1, pt.2, pt.3) and a short track called "My bed is a boat". Every suite is composed by different parts. As soon as I played the button "start" I felt the music was majestic, with a very epic mood. It describes in a very realistic way the story it is intended to tell; it is like to be immersed in a world apart. It does not make sense to speak of every single track, because the whole record is like a stream that overwhelms you, and I think this is the characteristic line of many prog concept masterpieces...

If I have to describe the music I would say that it is very folkish, and in a delicious way. Obviously there is a lot of intricacy, perfectly balanced by the great musicianship of everyone of the artist. All the folk instruments are masterfully driven by the wonderful Antony's keyboards patterns. I am also a big fan of Karfagen guitarist: I think he can choose the right tone for every situation with a great ability, alternating delicate sounds, Sabbath-esque riffs and whatever in the middle. All the record is so heterogeneous that it reminds me of some Italian prog rock opera from the '70s!

In conclusion I would suggest to buy the limited edition with a second CD. It includes eight songs and at least one gem called "Alight again".

 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by Thomas Stith

5 stars Karfagen X, Echoes from within Dragon Island 2019. A wonderful new concept album based on Robert Louis Stevenson's poetry... This package is a 4 track compilation with 3 epic Dragon Island suites and a beautiful interlude nestled in between the second and third Dragon Island suites entitled "My Bed is a Boat"... This symphonic art rock masterpiece is highlighted with 19 highly gifted musicians and plethora of instruments... this is a brilliant musical journey through the mind of musical genius Antony Kalugin... Karfagen, a Ukrainian band is the subject behind brain child Antony Kalugin's keyboard wizardry and musical intellectual complexities, which all began in 1997... As a young child Antony was introduce to Pink Floyd's Animals by his father and this was the beginning of his musical journey, In addition to this wonderful album for a limited time, you can purchase the limited edition which includes a bonus cd that has 7 additional tracks and a live studio track of their song "Alight again" from their album "7"... I highly recommend this outstanding performance of one of Prog-Rocks best an innovative bands ...
 Echoes from within Dragon Island by KARFAGEN album cover Studio Album, 2019
4.42 | 93 ratings

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Echoes from within Dragon Island
Karfagen Symphonic Prog

Review by MalenaRoss

5 stars I can say it's a brave album - proper symphonic rock statement. It's beauty is hidden in its atmosphere.. it's not a collection of songs, it is an epic or rock suite with its story line, mood, so well crafted sound. It hooks you right from the first bars, first notes - symphony of light fills your life with joy! It's a mixture of vivid melodies and virtuosity of musicians. Real pleasure to hear bassoon and English Horn in rock music. And of course knob accordion! All 3 parts of a "story" are the highlights of the album - it's a journey into the world of a child dreams and imagination, based on a poetry of a great man - Robert Louis Stevenson. But I did enjoy the 2nd cd as well - first 4 tracks are more traditional Karfagen pieces - Flowing Brooks- with it's nice alto sax theme , was recorded during Messages from Afar: first contact album. And Winter Brooks was recorded during Lost Symphony- Aleatorica sessions. Antony also wrote, that incantation part 1-2 were outtakes from "7" sessions. So nice to here this material anyway. Across the Dark We Steer - was performed by Antony in 2013 in Belgium on the fest as the curtains opening - intro theme. Alight Again- studio version sounds powerful, it has longer synth solo in the middle and more Pink Floyd ballad taste - I like it. "Brave" solid album has an outstanding artwork- what a gem for PROG rock fans! I have a poster from Yes Fly from Here Japan edition album, it's in my room, so I can say that Konstantin Kanskiy work looks fab as well and this limited edition of the album has this sort of poster! Fro A to Z , solid album- music, Robert Louis Stevenson poetry, artwork. 5 stars indeed.
Thanks to chopper for the artist addition. and to Quinino for the last updates

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