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![]() | Tabula Rasa Import Audio Uk/Zoom (Audio CD 2009) | $4.68 $5.15 (used) |
| Confined in Skin and Bones Deconstruct Records (Audio CD ) | $0.75 (used) | |
| Tabula Rasa Enhanced, EP One Day Savior (Audio CD 2001) | $4.99 $1.48 (used) | |
![]() | The Role of Smith A-F Records (Audio CD 2003) | $6.99 $0.01 (used) |
![]() | Ekkedien Tansii Import Phantom Sound & Vision (Audio CD 2008) | $22.36 $14.74 (used) |
![]() | Tabula Rasa Import Phantom Sound & Vision (Audio CD 2008) | $78.25 $11.24 (used) |
| Perverse Exodus Records (Audio CD 1993) | $1.48 $0.71 (used) | |
| Perverse Landmark Distributor (Audio Cassette 1993) | $3.00 | |
| Tabula Rasa - Self Titled (Audio CD ) | $0.28 (used) | |
| Tabula Rasa (Audio CD 2006) | $16.95 |
![]() 3.49 | 16 ratings Tabula Rasa 1975 |
![]() 2.73 | 14 ratings Ekkedien Tanssi 1976 |
Review by
ZowieZiggy
Prog Reviewer
Of course, the music from these guys is not very complex which means that you shouldn't
expect intricate and long pieces of music. But this work is full of melody, beautiful guitar and sounds very much like the early "Camel" (mainly "Snow Goose" and "Moonmadness"). Some symphonic jazz tints complete the picture during the excellent opener (and probably the best song of the whole) but not only ("Uskollinen").
I miss the fine fluting of their debut though, and the vocal parts are less charming than what they used to be (to say the least). Some might say that this work is at times borderline plagiarism and could almost be considered as a "Camel" one if you would except the vocals (in their native language).
Do take this album for what it is: a romantic and melodic work of symphonic prog with some folk attributes ("Aamukasteen Laiva" or "Rakastaa"). Sit down, relax and enjoy. "Ekkedien Tanssi" is not as good as their debut: some songs towards the end are rather flat: "Kehto", "Babyla Rasa" but the guitar part in the good closing number ("Säästä Mun Pää") is splendid and full of passion.
Both bonus tracks are only valid thanks to the instrumental sections. Three stars.
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Review by
ZowieZiggy
Prog Reviewer
Finland didn't father as many great bands as Sweden but the legendary "Tabula Rasa" is
still worth a listen. Even more: a lot of your attention.If you like some Tullian sounds, this effort might well suit your taste. From the wild opener "Latho" to the melodic "Miks' Ette Vastaa Vanhat Puut" your faithfully is charmed. Fine fluting and melodic vocals (although not understandable for my ear but it doesn't matter) are the attractions of this mellow song.
This album is almost all of symphony and beauty. Sweet compositions, delicate keyboards are the union for "Tuho".
The mix of music featured can be rather disturbing: from wild and rocking during "Gryf" to tranquil and peaceful music à la "Fruupp" indeed (as some of my fellow colleagues did mention during their reviews) during most parts.
I quite like this album, not taking it as a masterpiece into account; because there is a flaw like the popish " Tyhja On Taulu"
Within instants, the band can revert to a much more complex, almost Crimsonian sound. Such is the very good " Nyt Maalaan Elamaa". Wild guitar, delicious flute, severe bass and gorgeous keys. Do you need anything else???
Some folkish sounds are also available while the long " Vuorellaistuja" is being played. Again, vocals are quite moving (even if I don't grab a word). And what to say about these magical and very much "Genesis" oriented musical parts! Great moments of music for sure.
Even if the wah wah guitar feature sounds a bit old fashioned, it is always a pleasure to listen to such a good piece of guitar work. And what to tell about the expressive flute part? This song is for sure the absolute highlight from this release.
Four stars for this beautiful and melodic work.
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Review by
b_olariu
Prog Reviewer
First, i'm totaly agree with erik neuteboom who said that this album is a fine prog effort,
and second this is a beautiful soft rock with good keys and guitars. The first track (i will not
mention the titles, because are hard to write), the album's name is a great opener with
smooth guitarand keys. To me this album really sound symphonic, and is not bad, maybe a
little to mellow. Sometimes sounds like Kaipa, but more vague in contrast with what was
made by prog bands in mid '70. 3 stars, still enjoyble to me, if for you, listen and convince
yourself that is not so bad album after all.
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Review by
Eetu Pellonpää
Special Collaborator Psychedelic Prog Specialist Team
A quite poor and unispired sequel to the medicore self-titled debut of this late 70's Finnish rock band. Their first record can be justly be called as "prog", as it took it influences from early 70's Brittish prog groups, but this stuff is more straightforward, powerless and grey pop rock. The religious-critical and metaphorical lyrics of Mikko Alatalo have here been changed as their antithesis; Simpleminded and noncritical gospel lyrics. Also the fluteplayer has been lost so the soundtextures are here more duller to listen. I wouldn't recommend this album except for those who are really interested of late 70's Finnish music or anything even slightly prog related. A big disappointment.
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Review by
Eetu Pellonpää
Special Collaborator Psychedelic Prog Specialist Team
This mid-70's Finnish prog release might be a nice record to check out for those listeners,
who like URIAH HEEP, JETHRO TULL and don't mind lyrics sung in Finnish. The band was
signed to Love Records, and thus got good changes at local prog markets. The texts are
quite good passionate writings of Mikko Alatalo, who has had a succesful popular music
career (not referring to my own tastes with this claim). The melancholic ballad "Gryf" is my
favorite track of this record and of the band. It's guitar player Heikki Silvennoinen is a
really talented musician, and he has worked as a professional musician and as actor after
his commitment to this group.
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Review by progressive
Weak 4. Folky pop, and prog. I really like the sound of Tabula Rasa, even the vocals - or i don't hate them too much. Lyrics are one thing that makes this band strong. Although I'm not religious. Maybe TR allows me to think it not religious, but more protestive. It is delightning to hear about naked proto-people, in Finnish. Happy but mellow atmosphere at the same time, made of constant strong melodies and rhytms, turbulent. However, I wish some progressivity more, but still am proud of the clearness. Sometimes this album fails to catch you, but the good pieces ARE worth listening,they are masterpieces in a strange way. Reminds me of Camel's short songs, but I think these are more compact, with good structure and purpose - poppy.(I'm not declining Camel).
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Review by tozercg
JUKKA LEPPILAMPI, the lead singer of TABLA RASA is still very much alive and kicking in
the music world. I have enjoyed his company on numerous occasions at an annual arts
seminar near Utrecht in Holland. His last English language album was NAKED & QUIET in
the late nineties , but he has recorded more recently in Finnish. He has recently been a
proponent of what he calls VOICE MUSIC - something akin to the music of Native
American Indians. He also does a blistering version of Leonard Cohen's If It Be Your
Will. He's written a number of film & TV soundtracks - a man of many talents.Once met - never forgotten
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Review by
erik neuteboom
Prog Reviewer
I was a bit shocked by the low ratings from other reviewers, in my opinion this album is a
fine progrock effort. It sounds more symphonic, due to the wider range of keyboards. The
titletrack features more refined and flowing guitarwork, only the song "Kehto" delivers wah-
wah drenched guitar play. I was delighted by the organ - and guitar duets like
in "Uskollinen" and "Omantunnon rukuos". On this CD the hints are more from Camel, this is
most obvious on the final composition "Saastu mun paa" featuring a wonderful and
compelling guitar solo. By the way, I forget to mention that Jarno Sinisalo plays not only
piano but also Urut, String-kone and Syntetisaattori ... , say no more!As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.
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Review by
erik neuteboom
Prog Reviewer
In the Nineties the Japanese label Spring Song Corporation released a lot of fine progrock
bands under the name of the European Rock Series, from Step Ahead and England to Il
Balletto Di Bronzo and Earth & Fire. This debut-album is from Tabula Rasa, a band that was
rooted in Finland, known as 'The Land Of The Thousand Lakes And The Million Mosquitos'!
Most of the songs are raw, mainly due to the fiery guitarplay play from Heikki Silvennoinen.
Another strong element is the flute play like in "Gryf" and Vuorellaistuja". More mellow
are "Tubo" (dreamy vocals and delicate pinao) and "Prinssi" (sensitive piano and electric
guitar). In fact the music from Tabula Rasa is very melodic, often culminating in pleasant
guitar - and flute duets, evoking Jethro Tull and Camel.As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.
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Review by
Matti
Prog Reviewer
After the tasty debut (one of my favourite Finnish prog albums) Tabula Rasa did only this
album which is clearly weaker. In some songs it even sounds like completely other,
mediocre soft-rock band with nothing of the Camel-type beauty or the sensitive mystic feel
that you heard in 'Gryph' and other highlights of the debut. Not much of any 'progness'
either. The flutist is gone but the uninspired feel is bigger than that alone would suggest.
Lyrics are mostly flat, for example 'Omantunnon rukous' (= Prayer of Conscience) could be
done by an untalented gospel pop group. And some instrumentals go nowhere.It's been many years when I listened to this completely, so I may remember it as worse than it actually is, but only for two songs I can now give some praise. 'Aamukasteen laiva' (= Ship of Morning Dew) sounds as fresh as the poetic title. It's the only track where the arrangement is innovative and delighful, and also the minimalistic lyrics - only few lines repeated and varied a little - work well in it. And 'Rakastaa' (= To Love) is a melancholic ballad, nothing special but pleasant. Probably the whole album could serve as sufficient low-key pop for background, but no proggers even in Finland need to know it. A pity...
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