ALPHA III

The title track shows his chops, but not much else. It is almost like a group of solos, melded into one piece.

"Dogmas" has a very nice operatic vocal by Vera L. Pressagno Brescia, but his choice of synthesizer effect is questionable to say the least. It's straight out of Rush's "Tom Sawyer."

"Zeus" is a mellow piece, and does nothing to hold your interest.

"Mystical" is a very cheesy ballad, made even cheesier by his accent (this one is in English).

"The Mystery of Logos," holds a bit of redemption. It's dark, almost Zeuhl-like quality, is interesting. This one is worth a listen, but probably wouldn't return to the stereo very often.

"The Gates" is an attempt at a Wakeman/Emerson style piece. It's not horrible, but not that gripping either.

"Medieval Moment" is just what the title says. It works, and is executed well enough. However, it pales in comparison to the masters he is trying to emulate.

In conclusion, there is some fine keyboard work here, but there is a need for some good composition. He would be better off playing with a band. I will give him some more points for experimentation, an thus keeps it from a one star rating. If you are seeking out keyboard technique, you may want to check this out. Otherwise, there is not much to recommend here.

H.T. Riekels

- The music is a mix between EMERSON, LAKE & PALMER, Mike OLDFIELD and VANGELIS with influences from the 70's and New Age. "The Aleph" is written as a lengthy piece with each separate part connected to the others. But the track I like the most is the bonus track "Eternal Circle" which is a very beautiful piece.

- Rock Symphony has re-released many progressive masterpieces, but this album isn't worth a re-release in my opinion, but maybe it will attract some fans of Mike OLDFIELD and VANGELIS.