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Symphonic Prog • Canada

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Falling Edge biography
Founded in Canada in 2004

Falling Edge had its beginnings in 2004, with original members Kevin Tetreault (drums, vocals), Chris Rupert (guitar, vocals), and Don McClellan (bass, vocals), although we weren't Falling Edge yet.

The next year saw the addition of keyboard player and vocalist Tim Bork, and it wasn't long after that that the idea of committing some of our originals to a CD was tossed around. We began working on the original material in earnest, and recording started late in the summer of 2007. By the following January, a good chunk of Social Engineering was done.

Unfortunately, it was around this time that Don had to leave the band, which left us scrambling for another bass player. This proved much more difficult than we anticipated, and, several months and several bass players later, our inability to secure a bass player became kind of a running joke among the remaining members.

The problem wasn't so much one of finding someone as it was finding someone who could commit to a project of this scope. By the time we located someone who was interested, let them work on the songs for a bit, then rehearsed for several weeks, 2 or 3 months would go by. Multiply this scenario by several different bassists, and it isn't hard to see how completing the album fell way behind schedule.

Because Social Engineering was nearing completion, we decided to finish the recording with Chris on bass and all the vocals (Don originally sang backups). We started recording Not That Far Away since it makes use of the keyboard for bass. That song was about 90% completed when Tim decided to call it quits. Undaunted, we decided to finish the track with Chris on keyboards.

Again, because of differences in tone and style, all of Tim's parts on Not That Far Away had to be scrapped. In the meantime, Jim Walsh had joined the band on bass, and in August 2010, Steve Kubica joined the band on keyboards.

The band's self-titled debut CD was finally released in April 2013.

Bio provided by the band

FALLING EDGE Videos (YouTube and more)

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FALLING EDGE discography

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FALLING EDGE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.36 | 27 ratings
Falling Edge
3.00 | 13 ratings
Convergence at Fossil Falls
2.86 | 7 ratings
2.72 | 9 ratings
Final Dissent (Into Madness?)

FALLING EDGE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

FALLING EDGE Videos (DVD, Blu-ray, VHS etc)

FALLING EDGE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

FALLING EDGE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Dark Matter
3.00 | 1 ratings
You Will Survive


Showing last 10 reviews only
 Final Dissent (Into Madness?) by FALLING EDGE album cover Studio Album, 2022
2.72 | 9 ratings

Final Dissent (Into Madness?)
Falling Edge Symphonic Prog

Review by alainPP

3 stars Falling Edge, born in 2004, often having difficulty recruiting other musicians and therefore logical waiting between their albums means that this group lately lives on a two-man line-up, Rob Kovar on drums and backing vocals, and Chris Rupert on everything else ! 4 years to release this 4th album in a vein more neo than symphonic in my opinion, let's see:

'Arcane Knowledge' heavy intro of dinos from days gone by; nasal voice a la Fish, Aragon, Magic Pie, brief neo- staggered voice; keyboards round out the nervous riff; an electric arpeggio drawing on the Andalusian amplifies this singular association before an explosive, enjoyable guitar finale. 'What Are You Waiting For?' intro 'Flash' by Queen, a powerful riff that seems to come out of the 70's while rising for a dithyrambic instrumental, crystalline synths denoting with the rhythm, an oriental-oriented break and a title full of energy. 'Just One More Wish' for the neo melody par excellence, hushed voice and dark, mysterious instrumentation with a long intimate break starting on jazzy spaces. 'Not Everyone's Cup of Tea' intro reminding me of an air of Ange the famous 'Capt'aine', yes the music is universal; good the melodic title that passes with the voice accentuated on that of Fish, a reminder of the great years of the 80's; a good title that would be great if released during this decade; the solo wants to be vintage 70. 'Whatever Happened to Christmas?' in radio edit, title that passes without too much hook, more on a counter ballad than anything else. 'Final Dissent (Into Madness?)' superb high intro in yessian notes, there we are of course sympho-prog; do you want some synths that flood this beginning of the title; voice over the archangel at once, warm and moving; break in the solemn first third that lasts and shows the extent of their prog intensity; mid-term, vocal feedback and fresh, playful xylophone; it is the 3rd part that will buy this album because we dive into the world of Lewis CARROLL with the sound of GENESIS revisited, moment of madness.

Falling Edge is worth a listen for the vintage vibe and 27-minute title track; a good album of which I love the slightly high voice which unfortunately refers to the 80s of yesterday, which the fans will love, the new ones will be taken aback, the others will not see a big change.

 Falling Edge by FALLING EDGE album cover Studio Album, 2013
3.36 | 27 ratings

Falling Edge
Falling Edge Symphonic Prog

Review by ScorchedFirth

2 stars (5/10)

"Falling Edge" is the first release by the Canadian band of the same name. Their sound is based in the symphonic prog bands of the 70s, but with aspects of other bands like IQ and Pink Floyd as well. The album is full of lush keyboards with plenty of vintage sounds and long clean guitar parts. There should be some appeal to Neo-Prog and Space Rock fans. The guitarist (Chris Rupert) in particular, has clearly been listening to the likes of Howe, Hackett and Gilmour as well as Holmes, Latimer and Chandler.

Falling Edge seem to be happy taking their time to build up the musical pieces on the album, with three of the five songs around the 15 minute mark to leave room for extended development. "Social Engineering" is the first of these, and opens the album with that familiar melodic guitar over synth sound we all know so well. This is my favourite song of the album. It has good dynamic range, often flowing into quieter passages and building back up, a good range of sounds, such as the main guitar theme being replayed by harpsichord, and a good overall melodic feel to it. There is a weird howe-like guitar excursion near the end, before the song suddenly launches into a more exciting climax ending on a final reprise of the main theme. Confusingly, there's about a minute of extra music tacked on to the end that should probably have been its own song

This is followed by another of the epics, "Crippled By Fear", which is structurally quite similar to the first song, though this time instrumental. The whole piece flows quite nicely, starting with acoustic guitar with some ethereal keys, and maintaining a sort of uneasy sound that evokes a bit of tension. It eventually moves through some bouncy synth and guitar solos that can also turn in mood quite easily. Again we get a good strong main theme that resurfaces throughout the song, and the guitar solos are quite impressive. They can be quite fast at times, sometimes reminding me of the more melodic moments of John Petrucci's solo album "Suspended Animation".

The next two pieces are the shorter more straightforward songs of the album. "Not That Far Away" is a nice mostly acoustic basic piece, with a bit of a tribal feel to it. It is quite laid back and subdued; pleasant without venturing too far from its core sound. It gives me a bit of a similar feeling to ELP's "From The Beginning". "Next Time Around" is mostly the same, a pretty and delicate little symphonic piece. It's maybe a bit more poppy than "Not That Far Away" (especially with the chorus/vocal harmonies).

The album ends with "I, Awake", and I have to admit that I'm not so keen on this one. There is a good Neo-Progressive start, followed by some emphatic Hammond organ, which leads into some emotive solo piano that slowly fades. All good. But then out of nowhere almost an entirely new piece starts, and the rest of the song is just this repetitive simple music, with easily the weakest vocals of the album, that just sort of meanders its way to the end. It's a shame that's the final impression the album leaves, and not the soaring melodies from the first two songs.

"Falling Edge" is a decent and mostly enjoyable album, but with little to differentiate it from many similar releases. The vocals certainly don't have the range for some of the songs, and can sound strained when stretched too far. They aren't used a lot though, or heavily relied upon. Most of the album is instrumental, and an excellent vehicle for melodic synth/guitar soloing. Overall the album is good for lying back relaxing, but not much beyond that. I do like it, even if the quality does drop off with every track. I expect most people will find the majority of the music here enjoyable though, and there are some good symphonic prog moments to hear.

 Falling Edge by FALLING EDGE album cover Studio Album, 2013
3.36 | 27 ratings

Falling Edge
Falling Edge Symphonic Prog

Review by Gooner
Prog Reviewer

4 stars An excellent debut record by this symphonic prog rock quartet out of Chatham-Kent, Ontario, Canada known as FALLING EDGE. Guitarist and vocalist Chris Rupert had put out a few solo records of acoustic and classical instrumental guitar pieces in the `80s and `90s. This is his foray into the progressive rock genre and the results are very impressive. Primarily symphonic in the writing department, one can also detect some space rock a la ELOY. Also, a symphonic sound not unlike the Dutch band FINCH, but less busy. Perhaps the better parts of John Williams`s SKY project would apply to this release. The album opens up with the epic `Social Engineering`` which provides the listenner with many dips, valleys and recurring themes. Some great angular guitar at the beginning of the track with a Steve Howe approach and a Chris Poland tone. A great way to start an album to tell the Progressive Rock World you have arrived. Thinking this album couldn't possiblly match the opener, it is followed up with the band instrumental/wordless vocal "Crippled By Fear". This is worth the price of the album alone and invokes the band CAMEL. "Not That Far Away" is an acoustic vocal and percussion piece between Chris Rupert and drummer Kevin Tetreault. A nice piece of music, but not in the progressive vein as the aforementioned. The next track "Next Time Around" is 7 minutes in length and reminds me of Italian band ACQUA FRAGILE(without the accented vocals). The final track "I, Awake" is reminiscent of Nathan Mahl and a bit of IQ and probably the only track with a Neo Prog approach. 14 minutes in length and a great conclusion to a debut album. Falling Edge is a fine debut production that every fan of Symphonic Prog should hear in the year 2013 and beyond.
Thanks to Ivan_Melgar_M for the artist addition. and to Quinino for the last updates

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