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JEREMY

Crossover Prog • United States


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Jeremy biography
JEREMY is a one-man band, and his vocal-less mix of vintage progressive instruments layered to create a wash of melodic sonic textures is quite tasty, and evokes the best of CAMEL, Steve HACKETT, or other mellower prog gems. After two eclectic recordings between rock, pop, Californian melodic rock and Progressive rock, JEREMY changes the style and plays here a refined Progressive influenced by Anthony PHILLIPS and a bit in the same way as JETHRO TULL or GRYPHON.

Regarded by many as a symphonic/progressive rock masterpiece, "Pilgrim's Journey" will appeal to fans Anthology PHILLIPS, Steve HACKETT, Mike OLDFIELD and GANDALF.

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JEREMY shows & tickets


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JEREMY discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

JEREMY top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
Alive
1983
3.00 | 1 ratings
Dreams Come True
1993
3.84 | 9 ratings
Pilgrim's Journey
1995
3.32 | 9 ratings
Celestial City
1997
2.95 | 3 ratings
Salt The Planet
1999
1.18 | 2 ratings
Kingdom Come
2002
1.00 | 2 ratings
Fruit Tree
2003
3.00 | 4 ratings
The Pearl of Great Price (with Progressor)
2005
4.82 | 3 ratings
New Day Rising
2007
3.90 | 2 ratings
Yesterday, Today and Forever
2007
3.90 | 2 ratings
Rays of Hope
2007
4.00 | 2 ratings
Pop Explosion
2008
3.00 | 1 ratings
Glow in the Dark
2008
3.42 | 5 ratings
Mystery and Illusion
2008
4.00 | 1 ratings
Guitar Heaven
2011
3.55 | 13 ratings
From the Dust to the Stars
2012
4.00 | 1 ratings
Love Explosion
2012
3.00 | 2 ratings
The Solar King
2013
3.96 | 7 ratings
Searching for the Son
2013

JEREMY Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

JEREMY Videos (DVD, Blu-ray, VHS etc)

JEREMY Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

JEREMY Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

JEREMY Reviews


Showing last 10 reviews only
 Searching for the Son by JEREMY album cover Studio Album, 2013
3.96 | 7 ratings

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Searching for the Son
Jeremy Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Multinational project JEREMY & PROGRESSOR is a collaboration between US composer and musician Jeremy Morris, a highly productive and prolific artist who has somewhere around 50 albums to his name, and Uzbekistan composer and musician Vitaly Menshikov, arguably best known for being the driving force of this very website, but also a musician who has a handful of releases to his name in bands and collaborations. Following "The Pearl of Great Price" from 2005, "Searching for the Son" is the second collaborative effort Jeremy and Vitaly have made together. Just like its predecessor, it was also released through the Russian label MALS Records.

Jeremy & Progressor is a collaboration that has a lot to offer to progressive rock fans with a fairly broad taste of music made in the genre, and especially those who have a general fascination for music of this kind with an emphasis on both the symphonic and the psychedelic oriented parts of the art rock genre. There is a need, or perhaps a prerequisite, to be the kind of person who does want to invest a fair bit of time to get under the skin of a production to be truly able to enjoy this disc, but if you are such a person and you have a taste in music as described I suspect you'll conclude that "Searching for the Son" is a production worth spending time on, even if not at once.

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 Searching for the Son by JEREMY album cover Studio Album, 2013
3.96 | 7 ratings

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Searching for the Son
Jeremy Crossover Prog

Review by kev rowland
Special Collaborator Crossover Team

4 stars The last time that Jeremy Morris released an album with Progressor (Vitaly Menshikov) was back in 2005 when they joined forces for 'The Pearl of Great Price', so it has taken them a while to get back together, but given Jeremy's recording output probably that isn't too surprising. They both provide different instrumentation, while Jeremy provides the vocals, but there are also a few other musicians involved, notably John 'Rabbit' Bundrick. I was playing his superb 'Moccasin Warrior II' album just the other day, so it was interesting to find him on here. I was asked to provide a much more detailed review on this album, something that I very rarely undertake just due to the amount of music I listen to and the time I have to write about it, but given that Jeremy and I have known each other for some twenty years why not? In fact, I finally got all my cassettes out the other day, and still have 'Green', 'Soul Saver' and 'Dreams Come True' from all those years ago! One never knows quite what to expect from Jeremy in terms of what style will be in place on each release, but this is mostly songs with vocals, Christian lyrics, and a musical style that is reminiscent of the last Sixties.

Searching for the Son (8:07) Gentle bubbling keyboards lead way into a solid dose of psychedelic progressive pop, as the chords become more strident and the full band comes in. Dreamy, atmospheric and evocative, the addition of saxophone onto this track definitely gives it even more power and emphasis while the slightly strained guitar also brings back memories of a time gone by.

Future Flight (7:44) Gently picked guitar, and delicate mellotron combine with some 'spacey' sounds to lead us into another number that could have come straight from the end of the Sixties. Picked guitar and a driving bass leads us through a number that swirls, shifts and changes throughout.

The Blind Man's Dream (6:53) Layered keyboards and gentle 12-string slowly introduces to some phased distorted guitar, as the guys gradually kick into one of the heaviest numbers on the album. There is a real edginess to this one, with plenty of guitar soloing, and although it is only seven minutes long it contains many distinct musical sections, with the repeated lyrics and themes returned to nearer the end. Throughout, the keyboards act as a bedrock for the guitars to do very much their own thing, with more than a hint of later-period Beatles.

Distant Light (10:28) Lots of clarinet-style keyboards on this number gives it quite a different feel, as does the use of gently strummed acoustic guitar. But, as with others, this number has multiple sections, and when it starts to drive along there is a much greater impact due to the softness of what has gone before.

Wings of the Wind (11:16) The longest song on the album, this also has multiple sections, and brings in loads of different musical elements trumpet combining with electric piano at one point, with distorted guitars all adding to a very jazzy feel. In fact, it seems quite chaotic at times, very different to the more structured and laid-back feel of much of the album. But what really makes this for me is the wonderfully delicate piano that comes in and out throughout the song, and closes it out as a solo. There is wonderful touch and emotion contained within those notes.

Messiah Will Come (7:09) This starts as a far more orchestral piece with layers of synth strings, and some real trumpet, before it moves into a more psychedelic number led by some jangly guitar. Bill Morris' trumpet is again an important factor in this song, before guitar and keyboards dominate with some wonderful interplay.

Had Enough (4:34) This is one of three totally solo Jeremy songs on the album, and is the most poppy/psych of everything. A repeated chorus line gets into the mind and stays there, and there is a distinct groove and underlying emotional current that makes this a real joy to play time and again.

Way to Zion (6:01) A total contrast to what preceeded it, here we have a number that again is very orchestral in style, and it takes quite a while for the vocals to kick in, so much so that the first time I played it I wondered if it was going to be an instrumental. In many ways this reminds me of Gryphon, with synth instrumentation taking the place of the real thing.

The Mirror (6:29) The next Jeremy solo song is based much more on his vocals with gently picked guitar for accompaniment, with delicate keyboards providing some accents. This is quite an uplifting number, with less layering of the vocals and therefore more cut through.

On A Cherub (5:23) The final Jeremy solo finds multi-layered vocals on top of picked guitar, with delicate mellotron for support, before some phasing takes place that moves the music in and out. There is some fine jangly guitar soloing on this piece, as prog and psychedelia combine.

Sonic Dances (4:05) Vitaly provides the final song, apparently recorded back in 1993. Multi- layered acoustic guitar picking gives us a closing number that is musically quite at odds with the rest of the album, but somehow is a fitting final piece as it rounds it off nicely.

So there you have it, 78 minutes long, mixing lots of different influences together in a way that is enjoyable and fun to play. The final words must go to J&P, as on the booklet it states "Repeated listens required: Don't even try to dig it upon the first spin!" So there you are.

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 Love Explosion by JEREMY album cover Studio Album, 2012
4.00 | 1 ratings

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Love Explosion
Jeremy Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
4 stars US composer and musician JEREMY is one of the more productive artists I have encountered over the years. With dozens of solo albums and a plethora of side projects of various kinds he tends to release or participate on several releases each and every year. "Love Explosion" dates back to 2012, and was released on the Spanish label Rock Indiana.

"Love Explosion" is an album of two halves and the odd one out, the first half staying put in a psychedelic rock and power pop oriented landscape and concluding with a garage rock inspired creation, while the second one transports us to landscapes with something more of a classic pop-rock oriented expression. Well made and well performed throughout, and I'd suspect that those who enjoy the likes of The Beatles, Electric Light Orchestra and Tom Petty should be something of a key audience, especially those who like all three of those.

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 The Solar King by JEREMY album cover Studio Album, 2013
3.00 | 2 ratings

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The Solar King
Jeremy Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

3 stars US composer and musician JEREMY has been and still is a highly visible presence in the US rock scene, making a name for himself among fans of what is often described as power pop as well as psychedelic rock first and foremost. Since his official debut album in 1982 he has released a score of albums as a solo artist in addition to various band and project involvements. "The Solar King" dates back to the start of 2013 according to the CD copyright notice, and was released through Jeremy's own Jam Recordings label.

Fans of Jeremy Morris can safely add "The Solar King" to their list of albums that warrant a purchase. While the music he made back 30 odd years ago isn't the same as the one he makes today, the music comes across as familiar and is generally well made and performed. While the compositions arguably lack the edge Jeremy would develop later on, there's plenty to enjoy still, at least if you're a dedicated fan. Those with a fascination for artists active back in the early 80's who made music with clear inspiration drawn from 70's progressive rock should also find this production to be of interest, but as far as I regard this album, dedicated fans are the ones who will find this CD to be most rewarding.

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 Guitar Heaven by JEREMY album cover Studio Album, 2011
4.00 | 1 ratings

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Guitar Heaven
Jeremy Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

— First review of this album —
4 stars US composer and musician JEREMY (Morris) has been an active and prolific artist since the early 80's, releasing dozens of albums as a solo artist in addition to a vast array of collaborative productions and side projects, spanning a number of different stylistic expressions. "Guitar Heaven" dates back to 2011, and was released through Jeremy's own label Jam Recordings.

Among Jeremy's many studio albums over the years, "Guitar Heaven" represents those among them with arguably more of a limited appeal. It is a very well made and performed production, there's no doubt about that, but it's overall appeal will be to a finite crowd. If you love guitar albums in general and emotional, fairly gentle ones, only featuring acoustic guitars in particular, then chances are good that this is a CD that should intrigue you from the get go.

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 The Solar King by JEREMY album cover Studio Album, 2013
3.00 | 2 ratings

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The Solar King
Jeremy Crossover Prog

Review by kev rowland
Special Collaborator Crossover Team

3 stars Jeremy Morris has released well in excess of 50 albums now, but this is the one that should have been the first but has only just been made available. Released on 12/12/12, this contains recordings that were made by Jeremy with his brother Mike on drums between 1980 and 1982. Originally destined to be his debut release, it was shelves after Mike lost interest in the project and some thirty years after the fact Jeremy has revisited the tapes and cleaned them off and made them available. Interestingly the comments are that they have been remastered, no comment at all about re-recording so it appears that these are as they were. Also, unless the original idea was to release a double album I am instead of putting together the album as it would have been back then Jeremy has instead chosen the best of the recordings as the CD is over an hour long.

What immediately strikes the listener is that it doesn't sound as if it some young guys just starting out. Remember, this wasn't a full band, as while Mike provided the drums Jeremy was singing, playing guitar, bass and keyboards so there would have been a lot of multi-tracking going on. Also, this is definitely very much Jeremy as we now know him as opposed to an amateurish project. In fact, when I played this the first time I hadn't read the CD booklet and the only thing that really struck me as strange is that not only was there a very long song included, but also that there are times when Jeremy seems much more in love with his guitar than usual with some rock soloing and power chords. I had thought that he was moving in a different direction (again), not realizing that this was how it all started.

Very much a Christian album, this fits in more with his power pop/rock style than that of his prog ventures, but yet again this is an album that those who enjoy his music will want to discover, and if you enjoy The Byrds with plenty of psych and melodic harmonies then this is for you. For more details on this and the other bands on his label visit www.jamrecordings.com

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 From the Dust to the Stars by JEREMY album cover Studio Album, 2012
3.55 | 13 ratings

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From the Dust to the Stars
Jeremy Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars US composer and multi-instrumentalist Jeremy MORRIS has been a productive artist since he released his debut album back in the 1980's. With a career ongoing for some 30 years by now, his back catalog is fairly immense at this point. "From the Dust to the Stars" is his most recent production at the time of writing, and was released by the Russian label MALS Records in the late summer of 2012.

Psychedelic progressive rock of an accessible nature with subtle cosmic flavoring and a few but notable nods in the direction of The Beatles is what Jeremy provides on "From the Dust to the Stars". An album that should appeal to those who enjoy their vintage sounding psychedelic rock quite nicely, with a fine array of cosmic-tinged textures by way of keyboard and Mellotron as the icing on the cake for those who enjoy material of this particular kind, and yet another strong production by this fine US artist.

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 Dreams Come True by JEREMY album cover Studio Album, 1993
3.00 | 1 ratings

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Dreams Come True
Jeremy Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
3 stars American multi-instrumentalist, singer, composer and producer from Kalamazoo, Michigan.Jeremy Morris was heavily influenced by The Beatles, Led Zeppelin and Rolling Stones at the early stage of his life, while later he came in touch with the more demanding material of Genesis, Yes, Jethro Tull, Kraftwerk and Tangerine Dream.In early 80's he found his own Jam Records and released his debut ''Alive'' in 5000 copies, while several albums would follow mostly in Psych/Power Pop style over a decade.In 1993 though Jeremy releases ''Dreams Come True'', an album of strong Progressive and Art Rock content.

Jeremy Morris handles all guitars, bass and keyboards, he is helped by drummer Dave Dietrich and the result is over 70 minutes of instrumental melodic music split in 27(!) tracks with emphasis on the strong guitar work of Jeremy and the atmospheric synth and piano parts.The album is a mix of Melodic Rock and Neo/Electronic Prog tunes, composed with love for these particular styles and delivered under a clear production.Morris' guitar playing shines through the whole album, from his ripping solos to the melodic rhythmic parts, and he supports his favorite instrument with some really cool piano paces and some very strong synthesizer parts, which make his music sound spacey and even symphonic at moments.The closest comparison would be Germans DELTA CYPHEI PROJECT in an all instrumental form, though the later tracks lean towards the Electronic side of Prog with strong SHAMALL hints and a very spacey mood overall, featuring series of deep electronic textures.Among the electric tracks of the album Morris drops a few lovely acoustic themes in the vein of GORDON GILTRAP or MIKE OLDFIELD, which make the album an even more enjoyable listening experience.

The first attempt of Jeremy Morris on producing a proggy effort was damn succesful.Pleasant, spacey and highly melodic guitar-based Progressive Rock with some fascinating themes here and there guarantee a nice listening.Recommended.

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 From the Dust to the Stars by JEREMY album cover Studio Album, 2012
3.55 | 13 ratings

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From the Dust to the Stars
Jeremy Crossover Prog

Review by Morsenator

4 stars Ready for some nice laid back space rock? Yep, it's what this is all about. Jeremy delivers a nice bunch of groovy riffs, good melodies and psychedelic ambient interludes. From the Dust to the Stars may not blow your mind by its uniqueness, but few albums do that anyway. For me this album was a pleasant surprise, that does not try to be anything more than it is. At times I'm reminded of Ayreon and Hawkwind, but I'm not very familiar with this kind of music so not many bands come to mind. Lyrically it is a nice uplifting, not too serious sort of piece. My favourite tracks are Shake the Dust and beginner The Great Escape. Moderately recommended for everyone, and highly recommended for those who dig spacey music.

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 From the Dust to the Stars by JEREMY album cover Studio Album, 2012
3.55 | 13 ratings

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From the Dust to the Stars
Jeremy Crossover Prog

Review by kev rowland
Special Collaborator Crossover Team

3 stars It must be twenty years since Jeremy Morris and I were first in contact. Back then his albums were released on cassette (I still have all of them ' just nothing to play them on), and often on his own label Jam Recordings, but his latest effort has been released by Mals and sees him move slightly more into the prog field. Of course, being Jeremy there are also huge slabs of psychedelia and power pop and to be honest it is the former that takes centre stage for much of this album. Also, given that there is a photo of three musicians on the rear of the case one could think that this is a group effort, but apart from two guys sharing drum duties, and recording colleague Guillermo Cazenave on one song, this is very much a solo effort. Jeremy lists his own instruments as vocals, guitars, mellotron, bass, synthesizers, piano, dulcimer, drums before he puts 'etc'. Yes, he is very much a one man band.

When Jeremy was telling me about this he did tell me that it was a prog album (Jeremy releases normally three or four albums a year, in many different styles) but I'm really not so sure. There are some proggy elements (anything with a mellotron is almost automatically prog isn't it?) but it is much more a psychedelic piece, with some wonderful layering and atmospheric keyboards and vocals. At times it is quite dreamy, while at others it contains some of the most direct electric guitar solos I have ever heard Jeremy record. Lyrically this is very much a Christian album, with Jeremy using his words to get across some strong messages.

Overall, The result is yet another Jeremy album that it is possible to listen to with a smile on the face ' it may not be what a lot of people think of as a prog album, but whatever tag you wish to put on this it is a damn fine listen.

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Thanks to ProgLucky for the artist addition.

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