ARC OF LIFE

What I like the most is the killer bass being the driving force in most tracks and giving them an extra dimension. Some previously unheard vocal harmonies sung by Sherwood and Davison are great and powerful (e.g. the chorus on the title track) as well as some awesome guitar moments played by Haun, I loved his work with Circa and always wanted to hear more of his playing.

1. Real Time World (7/10) - as I said, there is a lot of new ideas here, but the first half is a bit messy and it is hard to follow some changes. The second half and the bass make it worthy. 2. Don't Look Down (7.5/10) - powerful vocals and great guitar, maybe too poppy for my taste. 3. All Things Considered (7.25/10) - Kind of 80s-oriental flavour with amazing guitar and chorus. Really reminds of Conspiracy. 4. Colors Come Alive (4/10) - This one does not make it in my opinion. Soft, cheesy and highly repetitive. There is an interesting (sitar?) solo towards the end. 5. Let Live (8/10) - Amazing bass here, my favourite track on the album. 6. Arc of Life (7.25/10) - I had high expectations for this track, but once again it is filled with too many ideas and despite some very good moments it still feels messy.

Overall, a better album than the first one, but not enough to reach 4 stars. Hope they keep progressing like this!

The issue with Yes in 2021 is that it is not the same band from the Seventies, but that band can never get back together as one key member has died, and arguably the last great album to feature many of the classic line-up was actually not even a Yes album but was 'ABWH'! Yes have never stopped being a great live act, they just could not get their head around what they needed to produce in the studio to move away successfully from the past, and even the album which put them back into many progheads minds, 2011's 'Fly From Here" had its base in music originally written nearly 30 years earlier. So, what I am getting to with all this diatribe? Simply, do not think of this as a Yes album as it isn't. True, we have multiple people involved who are linked very closely with that band, but here they have none of the baggage. Davidson sings in a similar fashion to Anderson, while Sherwood has always had a sound and style like Squire, which is why he was the perfect replacement, but this is not Yes, but is a new band trying to make their own way with their own album.

Agreed, there are times when there are Yes elements, it would be surprising if that were not the case, but apart from the awful "Talking With Siri", this album is pretty much a delight from beginning to end. Yes have been one of my favourite bands for more than 40 years now, and I was quite concerned about this release, but the guys are playing with a freedom which was pointedly lacking on 'Heaven & Earth'. There is no baggage around their necks of historically producing some of the most important albums within the genre of all-time, and instead they have just gone out and had some fun. I am not sure if I am ever going to build up enough courage to listen to 'The Quest', but if these guys put out another album, then it will be something I look forward to playing. This has a commercial crossover symphonic feel and is something I have really enjoyed.

It's true that Davidson's voice is similar to Anderson's voice. But, I always thought that Anderson had a soulful and believable aspect to his angelic vocals and that is missing from Davidson's vocals. It's almost like a washed-out version of Anderson's voice. Plus you get the irritating, yet obvious auto-tune sound which makes it even worse. I find that Davidson's voice is just too weak and they use that digital vocalization to help strengthen it here, but it doesn't work. Sherwood also tries to come to the rescue with his vocals as a deeper tone to Davidson's, but it doesn't help much. His voice tends to give it that 80's era feel, but it ends up getting lost in all of the terrible digital-vocal effects with the result of feeling sloppy. This is really evident in "Talking to Siri" and "The Magic of it All". The latter mentioned song tries desperately to be complex, which it is to some extend, but ends up being quite wonky. "I Want to Know You Better" is a very bad attempt at a radio friendly pop sound. Here, they cut back all complexity and thick layers to leave Sherwood's vocals too exposed, and the computer enhanced vocals are enough to turn any die-hard progger off.

The instrumentation is the only redeeming thing about the album, but even so, you can't rank it up there with the masterful instrumentation of "Yes". However, if they weren't trying so hard to be someone they aren't, it wouldn't be half bad. There are places that the instruments are a bit muddled in too many layers, but there are also places where the guitar or the keyboard is allowed to shine through. But those times are too few and far between, and also too short giving it all a choppy feel.

With the new name "Arc of Life", you would think that they would attempt to get their own style and sound, but instead they continue to be a clone-band. The sad thing is, it only comes across as being messy and false. While it is a relief that they are not hijacking the "Yes" name, they are still trying to hijack the sound. I have heard "Yes" cover bands that sound even better than this. The best thing to happen here, I think, is for the guitarist, keyboardist and drummer to run away from this project before their names get associated with Sherwood and Davidson as the musicians that could never live up to the "Yes" name.

1. Life Has A Way (5.5/10) 2. Talking With Siri (6/10) 3. You Make It Real (3.5/10) 4. Until Further Notice (7/10) 5. The Magic Of It All (4/10) 6. Just In Sight (8/10) 7. I Want To Know You Better (3.5/10) 8. Locked Down (6.5/10) 9. There For We Are (8/10) 10. The End Game (4/10)

Recommended to all fans of Yes (Big generator, Open your eyes) and Billy Sherwood.